“Book of Shadows II”

Zakk Wylde
eOne Music
Tracks: 14

Our Score: 4 out 5 stars

Black Label Society front man Zakk Wylde is back with the second installment of his acoustic fueled fret board wizardry “Book of Shadows II”. Stripped down and incredibly raw the new album not only picks up where the previous 1996 album “Book of Shadows” left off but the former Ozzy Osbourne axe man shows immense growth as an artist while forging new ground with his signature blend of doom crew infused melodic shred.

Don’t let the fact that “Book of Shadows II” showcases the softer side of the berserker as each of the 14 tracks that make up this release are signature Zakk Wylde through and through. Yes missing are the signature laser like pinch harmonics and the thunderous dirge Wylde is most closely associated with however, what the album lacks in ferocity it makes up for it by creating its own unique power through impressive vocal and instrumental performances. Tracks like “Tears In December” and “Darkest Hour” strike deep as they overflow with emotion while tracks like “Lost Prayer” and ”Sleeping Dogs” feature upbeat rythms and bluesy instrumentation giving the album a solid balance.

For long time fans of Zakk dating back to the old “Pride and Glory” days this is a no brainer to pick up as it will be right at home with Wylde’s subsequent releases. For newer fans it’s just as equally worth checking out but be sure to also check out Zakk’s electric work before hand as it will only make you appreciate the range and musicianship found on “Book of Shadows II” that much more.

Track Listing:
1.) Autumn Changes
2.) Tears of December
3.) Lay Me Down
4.) Lost Prayer
5.) Darkest Hour
6.) The Levee
7.) Eyes of Burden
8.) Forgotten Memory
9.) Yesterday’s Tears
10.) Harbors of Pity
11.) Sorrowed Regrets
12.) Useless Apologies
13.) Sleeping Dogs
14.) The King

PATIENCE…

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 www.gunsnroses.com
#GnFnR

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“Battle Cry”

Judas Priest
Epic Records
Rated: Not Rated
DVD Running time: 94 minutes

Our Score: 4 out of 5 stars

Judas Priest’s tour in support of their 17th studio album was one of the most extensive of the group’s entire career- consisting of 130 shows in 33 countries and offering a set-list that touched upon selections from nearly all of their classic albums. Fans can now relive the live Priest experience through “Battle Cry”. Recorded live on August, 1st 2015 at Germany’s Wacken Festival in front of 85,000, the live performance is available on 15 track audio CD as well as DVD and Blu-Ray which both feature an additional 3 tracks shot in Poland on December 10th 2015.

Though not the first live concert performance release from metal gods Judas Priest it is however the first live release from the band to cover material from practically every album including “Redeemer of Souls”. Everything a hardcore Priest fan could want is here and more! From such classic tracks as “Metal Gods” and “Victim of Changes” to newer tracks like “Battle Cry” and “Redeemer of Souls”. You serious get a little bit of everything with this release. One track missing that I had hoped would make the cut was that of the song “Love Bites” off of “Defenders of the Faith”. The band performed this song for the first time since 1986 during the opening night of the “Redeemer of Souls” tour in Rochester, NY and continued playing it off and on throughout the tours run. Despite my own personal favorite missing the stunning visuals and immense crowd and staging made me quickly forget about that one minor detail as there was just so much to take in. The band made a really great decision by selecting the Wacken Festival as it is really proving to be one of if not thee most premier heavy metal festival.

This release will make a great addition to any metal fans collection especially if they were able to catch one of the bands shows from this tour. It would have been nice though if they came packaged as a CD/DVD combo giving you both an audio and video option all in one purchase. It also would have been cool to include some behind the scenes footage from the tour along with the 3 additional tracks being the tour was such a large undertaking for the band. Minus those few small things and you have great live release.

DVD/Blu-Ray Track Listing:

1.) (Intro) Battle Cry
2.) Dragonaut
3.) Metal Gods
4.) Devil’s Child
5.) Victims of Changes
6.) Halls of Valhalla
7.) Turbo Lover
8.) Redeemer of Souls
9.) Beyond the Realms of Death
10.) Jawbreaker
11.) Breaking the Law
12.) Hell Bent for Leather
13.) Hellion
14.) Electric Eye
15.) You’ve Got Another Thing Coming
16.) Painkiller
17.) Living After Midnight

Bonus tracks:

18,) Screaming for Vengeance
19.) The Rage
20.) Desert Plains

THE JOURNEYS ALTERNATIVE PRESS MUSIC AWARDS
FUELED BY MONSTER ENERGY

ANNOUNCES 2016 AWARD SHOW CATEGORIES & NOMINEES

EARLY BIRD TICKETS ON SALE NOW – ALL TICKETS ON SALE APRIL 4th
VOTE FOR YOUR FAVORITE ARTISTS NOW!

2016 APMAS * JULY 18, 2016 * COLUMBUS, OH
LIVE FROM SCHOTTENSTEIN CENTER

Honorees, Presenters, Performers and More Coming Soon:
WWW.ALTPRESS.COM/APMAS

As announced last month, the 2016 Journeys Alternative Press Music Awards, Fueled by Monster Energy will air live on TV and social media on the evening of July 18th from Schottenstein Center in Columbus, OH (555 Borror Dr., www.schottensteincenter.com). Displaced due to the Republican National Convention taking over its hometown of Cleveland, Alternative Press will stage their own Punk Rock Convention, hosted by Alex Gaskarth and Jack Barakat of eight-time AP cover stars All Time Low.

Although many of Alternative Press’ young readers may not be able to vote in the upcoming U.S. election, those same readers (in addition to music fans all around the globe) can let their voices be heard by voting for their favorite artists at the Alternative Press Music Awards! Voting is open now – in fact, during the past 16 hours, over 50,000 votes have been cast from 113 different countries around the world (including all 50 U.S. states). This is more than double the first round voting numbers within the first 24 hours from 2015.

See below for the official list of newly announced award categories and nominees, and visit the Vans Voting Site at www.altpress.com/apmas to cast your vote.

Best Vocalist:
1. Alex Gaskarth – All Time Low
2. Patrick Stump – Fall Out Boy
3. Kellin Quinn – Sleeping With Sirens
4. Lzzy Hale – Halestorm
5. Corey Taylor – Slipknot
6. Caleb Shomo – Beartooth

Best Drummer Presented By DW Drums:
1. Maxx Danziger – Set It Off
2. Loni Robinson – letlive.
3. Dani Washington – Neck Deep
4. Aaron Gillespie – Underoath
5. Jerod Boyd – Miss May I
6. Christian Coma – Black Veil Brides

Best Bassist Presented By Razor & Tie:
1. Skyler Acord – Issues
2. Ryan Neff – Miss May I
3. Matthew Taylor – Motion City Soundtrack
4. Ralph Sica – Being As An Ocean
5. Ahren Stringer – The Amity Affliction
6. Kelen Capener – The Story So Far

Best Guitarist:
1. Jack Fowler – Sleeping With Sirens
2. Kevin Skaff – A Day To Remember
3. Chad Gilbert – New Found Glory
4. Misha Mansoor – Periphery
5. JB Brubaker – August Burns Red
6. Kellen McGregor – Memphis May Fire

Artist Philanthropic Presented By Hopeless Records and Sub City:
1. Jake Luhrs – HeartSupport
2. Andrew McMahon – Dear Jack Foundation
3. The Used – Living the Dream
4. You Me At Six – Passport Back To The Bars, The Ghost Inside U.K. Fundraiser, PETA
5. The Wonder Years – Puppies Behind Bars, After School All-Stars, The Herren Project, Futures Without Violence
6. This Wild Life – National Breast Cancer Foundation

Most Dedicated Fanbase Presented By Fearless Records:
1. The Ghost Inside
2. New Years Day
3. Issues
4. PVRIS
5. The Maine
6. Mayday Parade

Song Of The Year Presented by Epitaph Records:
1. Pierce The Veil – “The Divine Zero”
2. Panic! At The Disco – “Hallelujah”
3. Of Mice & Men – “Would You Still Be There”
4. State Champs – “Secrets”
5. Falling in Reverse – “Just Like You”
6. Never Shout Never – “Hey! We OK”

Best International Band:
1. Babymetal [Japan]
2. Marianas Trench [Canada]
3. Parkway Drive [Australia]
4. One OK Rock [Japan]
5. As It Is [United Kingdom]
6. You Me At Six [United Kingdom]

Best Underground Band:
1. Moose Blood
2. Tiny Moving Parts
3. Creeper
4. Too Close To Touch
5. ROAM
6. Cane Hill

Breakthrough Band:
1. State Champs
2. Set It Off
3. Knuckle Puck
4. I Prevail
5. New Years Day
6. Neck Deep

Best Live Band:
1. Slipknot
2. Issues
3. Neck Deep
4. Beartooth
5. Motionless In White
6. Attila

Best Music Video Presented By Journeys:
1. Twenty One Pilots – “Stressed Out”
2. Panic! At The Disco – “Emperor’s New Clothes”
3. August Burns Red – “Identity”
4. State Champs – “If I’m Lucky”
5. The Wonder Years – “Cardinals”
6. All Time Low – “Something’s Gotta Give”

Artist Of The Year Presented By Monster Energy:
1. Real Friends
2. PVRIS
3. Fall Out Boy
4. Twenty One Pilots
5. Beartooth
6. All Time Low
7. Motionless In White
8. Slipknot
9. Panic! At The Disco
10. Sleeping With Sirens

Album Of The Year Presented By Journeys:
1. Bring Me The Horizon – That’s the Spirit
2. All Time Low – Future Hearts
3. Twenty One Pilots – Blurryface
4. Knuckle Puck – Copacetic
5. The Maine – American Candy
6. Sleeping With Sirens – Madness
7. State Champs – Around The World And Back
8. August Burns Red – Found In Far Away Places
9. Marilyn Manson – The Pale Emperor
10. Neck Deep – Life’s Not Out To Get You

Watch all of the exclusive Journeys Alternative Press Music Awards nominee announcement videos here, hosted by Tonight Alive’s Jenna McDougall and Set It Off’s Cody Carson.

Alternative Press Music Awards Early Bird tickets are on sale now – visit THIS LINKto grab yours! General sale tickets will be available through Ticketmaster beginning April 4th. In addition, the APMAs is partnering with PromoWest Fest (www.promowestfest.com, Columbus, OH, July 15-17), so tickets will also be available via their box office through Ticketmaster.

“Columbus is a huge music city, so we’re excited to host the APMAs this year. The date aligned perfectly with PromoWest Fest and we are working with the APMAs to leverage our two events to create a 4-day weekend that showcases top artists and music industry professionals. Stay tuned for some surprises,” states Becky Long, Vice President of Sales & Brand Marketing at PromoWest Fest.

Details regarding tickets and VIP packages, honorees, presenters, performers, pre-show parties, red carpet appearances, and more will be available soon via www.altpress.com/apmas.

Each Alternative Press Music Awards show has featured some of the greatest artists in modern music, ranging from today’s biggest rock stars such as Fall Out Boy, Paramore, Panic! At The Disco and Weezer, to musical legends such as Aerosmith’s Joe Perry, Slash, Joan Jett & The Blackhearts, Smashing Pumpkins and Ice-T. Countless renowned artists such as Rob Zombie, Blink-182, Twenty One Pilots, Taking Back Sunday, All Time Low, Motionless In White, Run of RUN DMC, Bring Me The Horizon, and beyond have appeared at the APMA’s, with spectacular performances from artists including (but not limited to) New Found Glory, Yellowcard, A Day To Remember, Against Me!’s Laura Jane Grace, Motion City Soundtrack and more. Additionally, the APMA’s is recognized for presenting collaborative cover performances unlike music fans have ever seen before, like Joan Jett and Slash teaming up to perform “Star Star” by the Rolling Stones, Asking Alexandria performing Duran Duran’s “Hungry Like The Wolf” with Jonathan Davis of Korn, Halestorm and Slipknot/Stone Sour vocalist Corey Taylor covering Temple Of The Dog’s “Hunger Strike”, and many more.

Last year’s event – which took place July 22, 2015 at Quicken Loans Arena in Cleveland – was a massive victory for the music community, garnering unprecedented support demonstrated by a staggering 15.7 billion total media impressions (over seven times the impressions of the 2014 show). Last year’s event also earned the title of “The GRAMMYs of Alternative Music” by TIME Magazine. The 2015 Alternative Press Music Awards achieved over 1 million views on AXS TV, and over 3 million views on YouTube. Re-live 2015’s best moments via the highlight reel here.

Building upon the success of last year’s event, the APMAs is thrilled to once again be supported by returning title sponsor Journeys, a leader in the teen specialty retail scene focused on lifestyle-driven branded footwear and accessories in over 800 stores across all 50 states, Puerto Rico and Canada. In addition to Journeys, the APMAs also welcomes fellow sponsors Monster Energy, CreativeLive, DW Drums, CD Baby, Disc Makers, Rise Records, Eleven Seven Music, Better Noise Records, Musician’s Institute, Earthquaker Devices, Razor & Tie, Hopeless Records, Sub City, Ernie Ball, Epitaph Records, Equal Vision Records, Merch Now, Vans and Fearless Records.

Don’t miss the 2016 Alternative Press Music Awards and your chance to cast your vote for your favorite bands! Check www.altpress.com/apmas over the coming weeks for new announcements and information.

The APMAs are produced by Mike Shea, Joe Scarpelli, Josh Bernstein, Kevin Lyman and Marc Grant.

“The Marcho Man Tour Part II”
Bermuda, Demolisher, Aminals
Date: March 7, 2016
Venue: The Warehouse, Syracuse, NY

Our Score: 2 out of 5 stars

The metal band Bermuda made a stop in Syracuse, NY on March 7th as part of their “Marcho Man Tour”. Also on the bill for the evening were Demolisher from Chicago and the Boston thrash band Aminals. Despite it being a rather cold night in Syracuse the bands and a handful of dedicated fans filled the small multi use venue for a night of metal musings.

After brief sets from a handful of local bands Aminals would take the stage where the proceeded to absolutely crush their set! The band demanded the attention of the crowd and made sure everyone was aware of their absolutely jaw-dropping showmanship. You would have never guessed that this was their drummer’s first show with the group as the bands set progressed without incident and leaving the crowd wanting more. Next up was Demolisher, bringing almost a completely different style of metal and hardcore than the previous act. The band seemed right at home and embracing their surroundings which included skateboard ramps and a few unused motorcycles and a car. Yes a car. Demolisher turned the dusty DIY venue into an all-out brawl as clouds of dust arose from buildings industrialized floor

Tour Headliners Bermuda would close out the night and much like the acts before them took to setting up on the floor as opposed to the small confining stage. From the first snare hit, the crushing weight of this band’s brutal riff-age leveled the small crowd. The bands furious sound fueled an intense mosh pit that quickly overtook the area in-front of the band. The bands front man smoldered with steam as the mixture of sweat and cold air provided an eerie effect that fit the night’s mood perfectly. Definitely be on the lookout for when these guys come to town as you won’t want to miss it.

Aminals Setlist:
1.) Bitchcraft
2.) War Widows
3.) Ew, She Smells Like Brooklyn
4.) If You Hear Them Sing in a Hospital
5.) Population Controls
6.) Dirty Habits
7.) Rope
8.) Something Secular

Bermuda Setlist:
1.) Kuma
2.) Vertebroken
3.) Crown Crusher
4.) Grave Dancers
5.) The Wandering
6.) The Human Herd
7.) Parasitic
8.) The Recluse
9.) Intuitions
10.) Process of Drowning
11.) The Cancer Speaks

Icons of cult cinema, Terrance Zdunich (Repo! The Genetic Opera) and Saar Hendelman (The Devil’s Carnival franchise) pull the trigger on a new, twisted musical world, American Murder Song. Combining stop motion animation and moving daguerreotype portraits, American Murder Song features a rogues gallery of original murder ballads set in early nineteenth century America. The genre-defying duo invite you to Follow The Mark, if’n you’re brave. For tunes and updates: http:///www.AmericanMurderSong.com.

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“Small Town Talk Bob Dylan, The Band, Van Morrison, Janis Joplin, Jimi Hendrix, and friends in the Wild Years of Woodstock”

Author: Barney Hoskyns
Publisher: Da Capo
Hardcover: 402 pages

Our Score: 3 out of 5 stars

In the 1960’s when musicians in the New York City folk scene decided to “get it together in the country,” they headed to Woodstock. There manager Alan Grossman established his personal fiefdom of studios and restaurants where the likes of Bob Dylan, Paul Butterfield and Todd Rundgren mixed and mingled with Jimi Hendrix and Janis Joplin. “Small Town Talk” tells Woodstock’s story from its earliest days as a bohemian arts colony to its ongoing life as a cultural satellite of New York City.

Author Barney Hoskyns delves deep into a period of time when some of the period’s biggest singer/songwriters were leaving the crowded cities for the peaceful wooded areas which lay waiting just a few hours away. Tons of great stories are heard here for the first time as the book evolves just as the scene in the Catskills did. As you read page after page you never know who you are going to bump into from that time period which was something I found kept me looking forward to that next page. Hoskyns doesn’t only include just the big players of the time but does a great job of incorporating the community that this scene engulfed and how that era shaped what the town became and how it still remains to this day. “Small Town Talk” is simply not just a book for fans of the 60’s or its accompanying soundtrack as it has a little something for everyone. Woodstock was and is more than just a mud filled 3 day music fest and Barney Hoskyns latest book proves that.

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“Painkillers”
Brian Fallon
Island
Producer: Butch Walker
Tracks: 12

Our Score: 4.5 out of 5 stars

The Gaslight Anthem front-man Brian Fallon steps into the solo spotlight with his debut release titled “Painkillers”. The album which is being released via Island Records features 12 brand new tracks from the Springsteen esk front-man which were produced by Butch Walker (Weezer, Fall Out Boy).

Brain Fallon’s first attempt as a solo artist comes off completely genuine and harkens back to the singer/songwriter era of the early 60’s but with a modern twist. Tracks such as the albums opener “A Wonderful Life” and the title track “Painkillers” are similar enough to Fallon’s previous work with his band The Gaslight Anthem that they will appeal not only to long time fans but also usher in a new fan base for the charismatic singer. Other tracks worth mentioning are the gravelly voiced “Smoke” with its jangly guitars and sing-a-long choruses to the upbeat “Rosemary” which is one of the few songs on the album to feature electric guitar and provides a nice break up mid way through the album which is almost entirely acoustic. Along with Fallon the album features some great performances by Brian’s backing band consisting of Mark Stepro-drums, Catherie Popper-bass, Alex Rosamilia-piano, Josh Keller-pedal steel guitar and Butch Walker who along with his producer duties lends his hand playing a variety of different odds and ends instruments.

When a debut solo album comes out and is as strong as one such as “Painkillers” it makes me wonder if the artist left any ground to cover for future albums. With the diversity shown by Fallon and company that question was quickly answered as the album runs the gambit of music styles which will certainly help pave the way for future releases from the seasoned front man.

Track Listing:


1.) A Wonderful Life
2.) Painkillers
3.) Among Other Foolish Things
4.) Smoke
5.) Steve McQueen
6.) Nobody Wins
7.) Rosemary
8.) Red Lights
9.) Long Drives
10.) Honey Magnolia
11.) Mojo Hand
12.) Open All Night

“Living Like a Runaway”

Author: Lita Ford
Publisher: Dey Street Books
Hardcover: 272 pages
Our Score: 3 out of 5 stars

“Living Like a Runaway” provides a never before glimpse into the life of musician Lita Ford. The child of immigrants, she had a near idyllic southern California upbringing until she was thrust onto the hedonistic rock and roll scene at the age of just 16. With nearly unmatched skills, Lita along with Joan Jett, Cherie Currie, Sandy West, Jackie Fox and under the guidance of Kim Fowley brought the band the Runaway’s to a meteoric rise during the mid to late 1970’s. After the groups break up Lita go on to see tremendous success as a solo artist in the 1980’s. Fearless, revealing and, compulsively readable the long awaited memoir from a true rock pioneer is finally here.

“Living Like a Runaway” is a quick read that keeps the reader’s attention over the course of its 272 pages. Ford speaks candidly about her upbringing and how she was thrust at an early age in to the male dominated hard rock music scene. The book covers the early days of the Runaway a group who had to practically fight for everything they had before ultimately imploding after only 3 albums. From there Ford recounts her career as a solo artist from not knowing where to start to her chart topping duet with Ozzy Osbourne. It is all here. The part of the book that really struck me as odd as over the books 15 chapters Ford has no problem speaking of past sexual encounters with various hard rock legends however when it comes to explaining more of her issues related to former band members and the divorce which left her alienated from her two sons Ford quickly skirts around the issue either saying she doesn’t understand or in the case of the later includes a statement flat out saying she is refusing to talk about it. In the age of the internet where nothing is private what is the sense of putting out a “tell all” type memoir if that’s not exactly what you are going to do? At least you are able to tell your side.

Despite whatever the reasons were for omitting certain details the book is still a decent read for fans of Lita and her works. With not a lot of behind the scenes info on the Runaway’s especially there time in Japan, Lita Ford’s “Living Like a Runaway” does an ok job filling that void.

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“Live From Lexxi’s Mom’s Garage”

Steel Panther
Open E
Mixing: Jay Ruston
Tracks: 13

Our Score: CD- 4 out of 5 stars
                       DVD- 3 out of 5 stars

The raining kings of spandex metal are back with something a little different this time around. “Live From Lexxi’s Mom’s Garage” is the bands first full length feature film which includes a live 10 song acoustic concert mixed with comedic scenes that show case the bands over the top sexually fueled high jinks. The dual CD/DVD is being released via Open E and features 10 tracks that will have you instantly reaching for the aqua net and eyeliner.

Right of the bat “Live From Lexxi’s Mom’s Garage” was a hit for me. The band wastes no time getting right down to business as the album is a spattering of songs from the bands 3 comedic tinged albums but with an acoustic flavor. Songs like “Party Like Tomorrow is the End of the World” and “Glory Hole” sound as good if not better than the original records. Despite the fact that acoustic instrumentation can be a bit unforgiving especially in live situations the band does an impressive job with each performance. Combine that with a great mix provided by Jay Ruston and you have an album that’s not only fun to listen to because of the songs tongue and cheek subject matter but also because it’s pleasing to the ears and you get to a hear new track from the band titled “That’s When You Came In”. Yes the album is a bit polished for a live album however, keep in mind that very few live albums are truly live making this a moot point. Along with the audio version of the CD fans get a video version of the show which only adds to the entertainment value of this release. Though I found a couple of spots where the audio seemed to be a touch out of sync the brief skits every few songs were funny enough to where you could look past any short comings. Throw in a couple special appearance of 80’s video vixen Bobbi Brown in the role of Lexxi’s mom and you have yourself a pretty killer package.

Yes some of the sexual innuendos used in “Live From Lexxi’s Mom’s Garage” have started to become a bit tiresome however the catchiness of Steel Panthers songs are what keep me coming back time and time again. For long time fans of the band picking up this release is a given. For those new to the group despite having three studio albums under the bands belt I recommend starting here a working your way backwards as the songs just sound so good played acoustically. For those wanting this for just the video performance be warned that that is all you will get on the DVD there are no behind the scenes or bonus footage here. Knowing the bands comedic nature I would have thought there would have been tons of outtakes and gag reels from this shoot that could have been included but when you are already getting both the audio and video version of the show for the price of one you can’t really complain.

Track Listing:
1.) Show Intro/ Say Yeah!
2.) Party Like Tomorrow is the End of the World
3.) Fat Girl (Thar She Blows)
4.) If You Really, Really Love Me
5.) Gloryhole
6.) Bukkake Tears
7.) The Burden of Being Wonderful
8.) Weenie Ride
9.) That’s When You Came In
10.) Michael Don’t Know
11.) Community Property
12.) Grindy and Sexy
13.) Death to All But Metal

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Paul Gilbert is probably best known as the guitarist/co-founder of the rock group Mr. Big a band who dominated the airwaves in 1991 with their acoustic ballad “To Be With You”. After the group broke up in 1996 Gilbert embarked on a solo career while also performing in numerous other side projects and groups. Paul recently announced the 3rd installment of his “Great Guitar Escape” which is set for late July. Media Mikes had the chance to speak with Paul recently about the upcoming event and what those who attend can expect.

Adam Lawton: What can you tell us about the recently announced Great Guitar Escape 3.0?

Paul Gilbert: It’s the most fantastic, inspirational and unforgettable guitar event of all time! There will be concerts every night, Seminars every day and lots of opportunities to jam. It’s just going to be great mix of good food, the California coast, and great times with people who love the guitar.

AL: With this being the camps 3rd yr are there things you have planned which weren’t possible during the camps previous 2 sessions?

PG: The first two Great Guitar Escapes were both really great, so I don’t want to make any drastic changes. The biggest difference would be the location. The Cambria Pines Lodge is about halfway between L.A. and San Francisco, so it’s an easy drive for people who live in California. But for the last two camps, I had people fly in from South America and Russia, so I know that nothing will hold back guitar players who really want to rock.

AL: Can you tell us a little bit about this year’s guest counselors and how you went

PG: Andy Timmons and Bruce Bouillet are both incredible guitarists that I’ve spent a lot of time with. Bruce and I played together in the band, Racer X, and Bruce toured in my band when I did Joe Satriani’s G3 tour. He’s a monster player, and a great teacher. Andy is an Ibanez endorser like me, so we’ve played together at a lot of Ibanez events, and of course, Andy was at my last Great Guitar Escape camp. He’s one of my favorite guys in the world to jam with. He’s somehow intimidating and generous at the same time. I’ve met Kiko Loureiro several times over the years, and he’s always been super cool. He can play a lot of different styles, but I’m happy that he’s getting a taste of big gigs with Megadeth. Dave Ellefson, who plays bass with Megadeth, is from my generation of musicians, so he’ll have a head start on the songs that I’ll be playing in the jams. And Bumblefoot has a reputation for being creative and surprising… and still rocking hard, so I’m excited to finally get to jam with him.

AL: Is this camp designed for all level of players or is it geared more towards advanced players?

PG: The GGE is good for anyone who wants to get motivated. You can sit back and enjoy the concerts and seminars, or you can plug in and join the jams. We’re all there, in person, so I like to be flexible enough to work with anything that people are interested in. Also, my idea of “advanced” has really changed over the years. To me, an advanced musician is not necessarily somebody who can play fast or complicated, but just a person who can sound really good. I could talk about this sort of thing for the next 10 hours, so I’d better save it for the camp!

AL: As we start to see more and more interactive camps taking place how do you go about keeping things fresh and making your camp stand out above others?

PG: There are some musicians who are best known for what they do visually. They’ve got the best leather jacket, the most explosions in their stage production, or just an astounding number of consecutive good-hair days. I’ve got legendary musicians at my camp, but they are legendary for the way that they play. And they’re good people. No bodyguards or attitudes. Just a great time being immersed in music, and the guitar.

AL: What other projects are you currently working on outside of Guitar Escape 3.0?

PG: I’ve got a new solo album coming out soon called, “I Can Destroy.” Kevin Shirley produced it, and it turned out great. The opening track is called, “Everybody Use Your Goddamn Turn Signal,” and I think I might actually save a few lives, if people heed the message of this song. I’m also nearing my fourth year with my online rock guitar school for Artistworks. I’ve recorded nearly 4000 Video Exchange lessons, and I’m still having a great time, so I’m going to keep going. And later this year, I’ll be going on tour with my solo band to play my new songs, and my favorite songs from my previous albums. Life continues to rock!

For more info on Paul’s Great Guitar Escape 3.0 you can visit http://greatguitarescape.com

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Laura Jane Grace and the Devouring Mothers, David Dondero

Date: Saturday, February 20th 2016

Venue: The Waiting Room, Buffalo, NY

Our Score: 3.5 out of 5 stars

Against Me! Front woman Laura Jane Grace made a stop at the intimate Waiting Room in Buffalo, NY on Feb 20th as part of a brief 8 show acoustic tour with her group the Devouring Mothers. Also on the bill for these handful of shows was veteran singer song writer Dave Dondero. The night was part storytelling and part music as both set of performers aimed to provide the audience with a nights worth of entertainment.

As fans were still making their way up the twisted steps of the dual stage venue opening act Dave Dondero took the stage for a less than energetic set. At several points through the 30/40 minute set Dondero asked the crowd if they were actually interested in hearing him play and if not he was ok with leaving. At first what seemed like a joke carried on throughout the remainder of Dondero’s unprofessional and lack luster set.

As the room began steadily filling in Laura Jane and the Devouring Mothers (a group made up of Against Me! drummer Atom Willard and producer/ bassist Marc Hudson) would take the stage and blast through over 20 acoustic renditions of some of Against Me’s material both new and old. In between such songs as “Tonight We’re Gonna Give It 35%” and “Androgynous” Grace read entries from her upcoming book which will be made of countless journal entries and experiences. The set by Laura Jane and company was like a cooler version of “VH1’s Storytellers”. The set was a nice mixture of both new and old tracks which provided something for the various levels of fans the packed the intimate club setting. Missing from the set however was the song “500 Years” which was released in 2014 as a Record Store Day limited edition 7”. Despite this being the perfect setting for the somber number other tracks like “Because of the Shame” and “Two Coffins” filled the void nicely and, despite the of the night being a bit rocky Laura Jane, Atom and Marc did a great job as they more than made it up to the Buffalo fans.

Set List:
1.) Ache With Me
2.) Pints of Guinness Make You Strong
3.) Tonight We’re Gonna Give It 35%
4.) You Look Like You Need a Drink
5.) Sink, Florida, Sink
6.) I Keep Forgettin’
7.) Pretty Girls (The Mover)
8.) How Low
9.) Searching for a Former Clarity
10.) Joy
11.) Androgynous (Replacements Cover)
12.) The Ocean
13.) Harsh Realms
14.) Conceptual Paths
15.) Because of the Shame
16.) Two
17.) True Trans Soul Rebel
18.) Bamboo Bones
19.) Transgender Dysphoria Blues
20.) Black Me Out
(Plus 2 song Encore)


Distant Worlds: Music from FINAL FANTASY
Mahaffey Theater
Saint Petersburg, FL

I feel that Arnie Roth outdid himself with this show. I’ve seen another show that he produced and I liked this one even better. Every show is a little different. As they have over 300 songs to choose from over the Final Fantasy series, there is always a different selection. Some staples are at every show, though, with things such as the Prelude. You just can’t start a Final Fantasy show without that one.

This is a combination show. There is a live orchestra with a live chorus. The music is performed in time with a pre-recorded video showing clips of various Final Fantasy games. For example, if you’re listening to Final Fantasy VII music, you will see clips from the games as well as from the Advent Children movie. So, there isn’t much else to say about this show, because you just have to go yourself. I wanted them to keep right on playing when it was over. I can’t wait until the show is in town again. Go get your tickets. GO!

Steve “Lips” Kudlow is the lead singer and guitar player for the band Anvil. After a period of mainstream obscurity the band was thrust back into the spotlight due to the award winning documentary “Anvil! The Story of Anvil”. The group’s 16th and latest studio album “Anvil is Anvil” comes out at the end of February and Media Mikes had the chance to speak with Lips recently about the album’s release.

Adam Lawton: Tell us about the new albums opening track “Daggers and Rum”

Steve Kudlow: I got a call from this guy to be a pirate in a play he was putting together. I thought it sounded like fun so I said sure. He cast me in the role of Captain Snarls and also asked if I could write a song to go along with the play. I ended up becoming super inspired and started writing. I had the music already and was trying to come up with a title. At first I was thinking “Swords and Tequila” (laughs). I knew that wasn’t going to work so I started to think about what I associated with pirates. The first thing I thought was rum, and then I thought about what they used as weapons. That’s sort of how the title came about. I did some more research on pirate music and what are called “shanties” which originated from musical plays. It was sort of mind blowing that I was being asked to make up my own shanty for this play. It was all pretty cool. The song really sounds like it came from a musical play.

AL: Was this one of the first songs you ended up writing for the album?

SK: Yes it actually was. It was the first song I had lyrics for. I had probably written a couple others at the same time and musically this was I think number 3 or 4. In the studio we called all the songs by their numbers and this one was done really early. Despite it being 3rd musically it was the first completed. Interesting enough song 2 as it was known as was actually one of the last ones to be finished.

AL: The album has 12 tracks listed but a 13th track is included as a bonus on some versions. Can you tell us about that?

SK: Truth be told there is no such thing as bonus tracks. We recorded 13 tracks and all 13 tracks are going to be released eventually. Considering 99% of people listen to music free on the internet these days there is really no such thing as bonus tracks because no matter what version of an album you may get it ends up out on the web for everyone. The “bonus” tracks were just additional tracks that needed to be separated for distribution purposes. We did one version of the album for people who pledged money towards its being made which of course is different from the one found in stores. By doing that we also were able to give the fans in Japan that additional pledge track. The Japan version of the album ended up being the pledge version and easily the most obscure.

AL: Do you guys have any special packaging or limited edition versions of the album planned for release?

SK: Most everything is going to be done in digi-packs. We also are going to be releasing the album in a clear double vinyl format which is going to be really cool. What’s great about the vinyl is it will also come with a digital version of the album so fans can put the vinyl away as a collector’s piece.

AL: Being 16 albums in your career as a band how do you go about keeping things fresh and new from album to album?

SK: I don’t think that is something you consciously do. I don’t really think about it in those types of terms. For me it not about wondering how am I going to come up with something but more so how am I NOT going to come up with something. (Laughs) Every time I get to express myself it’s exciting. It’s a hell of a lot of fun to make new songs. You have to make it that way because if it’s not then the end result isn’t probably going to turn out very well. Just have to have fun with and not waste time. Working with Rob (Reiner) he always wants the next part and to be able to keep going so that’s what I mean by not wasting time.

AL: Do you and Rob have the same relationship now as you did when you first started the group in the late 70’s?

SK: Absolutely! Our relationship is actually the most magical aspect of all this. You end up meeting someone and you find out they think the same way as you. I compare it to when people finish each other’s sentences. With Rob and I we finish each other’s riffs. We grew up together and have listened to the same music our entire lives so we have the same mind set on things. We are very in-tune with one another.

AL: How has the addition of Chris Robertson on bass helped the bands dynamics?

SK: Chris has been with band for about 2 years now however this is his first time actually recording with us. We are really blessed to have Chris and things just fell into place with him. At the time when we needed a new bass player we weren’t really out there searching for someone. We had a tour coming up in 3 weeks and we needed someone pretty quick. We had our friend Sal Italiano come on board for the tour and after worked with him and Jon another friend of ours through the “Hope in Hell” album. When it came time to find someone again I asked my friend Jon if he knew any one. He suggested this guy Chris as he was the guy who taught Jon how to play all of our songs. Chris came in and just blew us away. Sal did another tour with us and we had Chris along as part of the road crew. When the tour ended we had a one off show in Germany that we still had to do so I called Sal to confirm everything. While we were talking Sal stated he wasn’t going to be going. There wasn’t much I could say other than ok. Chris joined the band and here we are. Chris has a great sound and style and along with being a killer bass player he is a great back up vocalist. Chris is really great to work with and is honored to be part of Anvil.

AL: What type of tour plans are in place and has there been any more discussions about another Anvil film?

SK: We are currently out on the road in Europe with Udo Dirkschneider. We will be overseas until early April supporting Udo and then after that we will be starting a headlining tour in the U.S. in mid April. That tour is set to run through mid June. As for another film we have about 40 minutes or so of usable footage and it’s something we continue to work on as the band continues to progress.

“For All Kings”
Anthrax
Megaforce/Nuclear Blast
Producer: Jay Ruston
Tracks: 11

Our Score: 4 out of 5 stars

NY thrash legends Anthrax are back with a brand new full length studio album titled “For All Kings”. The album which is the bands 11th studio release and the first to feature lead guitarist Jon Donais features 11 blistering tracks produced by veteran producer Jay Ruston. “For All Kings” is being released in the states via Megaforce Records and internationally via Nuclear Blast and is available in a variety of formats.

As soon as I hit play “For All Kings” dominated my speakers. The albums opening track “You Gotta Believe” features the bands same signature in your face riffing which cemented them as one of the pillars of the Big 4 of Thrash on the early 80’s while the genre was still developing. The opening track sets the stage perfectly for what is to come and is immediately followed by another great track titled “Monster at the Gate”. Catchy sing along choruses, thunderous drum fills and a blazing guitar solo by new comer Jon Donais made this easily one of my favorites. This is not Donais’s only shining moment as the addition of the former Shadows Fall guitarist seems to have taken the bands already aggressive thrash sound and infused it with some heavy metal virtuosity. If you don’t believe me check out tracks like “The Battle Chose Us” and “Zero Tolerance” they are perfect examples of what I’m talking about.

If you are looking for heavy, the latest offering from Anthrax will certainly fulfill that need. Probably one of the bands most vicious sounding albums to date “For All Kings” is a near perfect testament from a band that has been waving the flag for heavy music since the early 80’s. Yes there were one or two tracks which for me personally missed the mark however the remaining 9/10 tracks easily outweigh anything negative and quickly pushed those short comings into the back of my mind. With such a solid release this early in 2016 Anthrax have certainly set the bar high.

Track Listing:
1.) You Gotta Believe
2.) Monster at the End
3.) For All Kings
4.) Breathing Lightning
5.) Suzerain
6.) Evil Twin
7.) Blood Eagle Wings
8.) Defend Avenge
9.) All of Them Thieves
10.) The Battle Chose Us
11.) Zero Tolerance