TAMPA BAY – March 17, 2023 – Tampa Bay Comic Convention (https://tampabaycomicconvention.com/) announced today its first round of celebrity guest attendees, including Giancarlo Esposito, Jim Cummings, Pauly Shore, Steve Downes and Jen Taylor for the 2023 show on July 28-30, 2023 at the Tampa Bay Convention Center. 

“Our first round of celebrity guest announcements is a huge win for fans as Ginacarlo, Jim, Pauly, Steve and Jen are five of our most requested guests from our fans” said Dan Farr, Tampa Bay Comic Convention Show Producer. “This is a great start to the show in July and it’s just the tip of the iceberg as we’re pulling out all the stops to make this our biggest and most epic show ever.”

Esposito is currently starring as Moff Gideon in Disney’s Mandalorian. Over the course of his career, he also played Gus Fring in Breaking Bad and Better Call Saul, Mike Giardello in Homicide: LIfe on the Streets, Sidney Glass/Magic Mirror in ABC’s Once Upon a Time and Amazon Prime’s The Boys and The Boys Presents: Diabolical. He’s a three-time nominee for the Primetime Emmy Award for Outstanding Actor in a Drama Series.

Cummings is best known for his many voice roles on Disney movies such as Winnie the Pooh and Tigger from Winnie the Pooh, Razoul and Farouk on Aladdin, Ed and Scar’s singing voice on The Lion King, Pete on A Goofy Movie and Chief Powhatan and the singing voice of Kekata on Pocahontas as well as the Tasmanian Devil from Looney Toons.

Shore is a comedian, actor and filmmaker who rose to fame in the 1990 through a series of comedy films, most notably in Encino Man, Son in Law,  Bio-Dome and Pauly Shore Is Dead. In addition to acting, he’s lent his voice to a number of voice roles including, A Goofy Movie and An Extremely Goofy Movie.  

Downes was a radio disc jockey (DJ) for 44 years. In 1990 he started voice acting in 1990 and in 1999 he voiced his first role in a video game when he played Gunnar in Septerra Core: Legacy of the Creator. That role opened the door for him to play Master Chief in Halo: Combat Evolved and he’s voiced that role ever since.

Taylor is a voice actress best known for her role as Crotana in the Halo video games. In addition to Halo, she’s voiced characters in a number of other video games including Princess Peach, Toad and Toadette in Mario games and Salem in RWBY. She’s also a prolific narrator for audio books, narrating more than 25 audiobooks.

Tampa Bay Comic Convention will feature the best in geek and pop culture, including movies, TV shows from network TV, streaming services and other online sources, cosplay, gaming, books, comic creators, artists, vendors and many more. Attendees can meet all their favorite celebrities from fandoms such as Marvel, DC, Disney, Star Wars, 90s Sitcoms, Cartoons as well as artists, author and comic creators and attend panels where they can hear about their careers and current projects.

More celebrity guests will be announced leading up to the convention in July. To stay up to date on Tampa Bay Comic Convention 2023, visit the website, Tampa Bay Comic Convention Social Media, and subscribe to the Tampa Bay Comic Convention Newsletter for all the latest Tampa Bay Comic Convention 2023 Promotions and Guest Announcements.

For more information about Tampa Bay Comic Convention or to purchase tickets now, visit  https://tampabaycomicconvention.com/. 

ABOUT TAMPA BAY COMIC CONVENTION:

Tampa Bay Comic Convention is a comic pop culture convention located in Tampa, Florida. Tampa Bay Comic Convention is Tampa’s largest, true comic convention. Featured are exhibitors that cater to a wide-spectrum of interests including comic books, magazines, toys, games, Star Wars, Star Trek, anime, manga, cosplay, artwork, sketches and apparel. In addition, a roster of comic industry professionals, and comicdom-related celebrities are in attendance for attendees to meet and greet. As admission is kept reasonable for adults and FREE for children 10 and under, the Tampa Bay Comic Convention is a family-friendly convention. Find out more at: https://tampabaycomicconvention.com/.

LOS ANGELES, CA – March 9, 2023 – Full Moon Features (FMF) announced today the launch of Tentacula, an innovative subsidiary that designs and creates high-end, unique gift and lifestyle items centered around mysticism, magic and arcane entertainment. Celebrating the launch of the company, Tentacula revealed its flagship product, The Fortune Teller (image HERE)*, a metallic, beautifully designed and eerily sentient high-end entertainment device that taps into the mysteries of the unknown, the ether, the spirit plane. 

From the mind of trailblazing independent science fiction, horror and fantasy film producer Charles Band, the founder of venerable strange cinema brand Full Moon Features, The Fortune Teller is available now at www.TheFortuneTeller.com or on Amazon HERE.

“I’m super excited about launching Tentacula because it gives us an opportunity to create wonderfully exclusive products that are on the fringe of our cinema-specific merchandise,” said Band, FMF and Tentacula founder. “The idea behind the The Fortune Teller was to take the mysticism – and fun – of a Ouija Board or Magic 8 Ball and evolve the concept. It’s the first of many awesome and innovative products to come from Tentacula.”

With its upscale, sleek design, polished steel encasing and its gorgeous, lush velvet carrying case, The Fortune Teller retails for $90.00. Providing a direct link between the unseen world into the palm of your hand, The Fortune Teller is  an all-knowing, all-seeing slice of psychic and supernatural phenomena that provides a handsome distraction from life’s mundane day-to-day grind.

Band added, “With hundreds of answers tailored to your everyday questions and concerns about the past, present and future, The Fortune Teller creates a mood-sensing digital oracle that is both portable and a beautiful conversation piece for the home. It is the ultimate portal linking the cosmic forces that surround and bind us.”

*For entertainment purposes only

ABOUT TENTACULA:

Tentacula, a subsidiary of Charles Band’s Full Moon Features, designs and creates high-end, unique gift and lifestyle items centered around mysticism, magic and arcane entertainment. 

ABOUT FULL MOON FEATURES:

Full Moon Features (FMF) is an entertainment studio that founded in 1989 by the undisputed master of horror movies, Charles Band, and is the successor to Band’s groundbreaking Empire Pictures Studio. Band has produced more than 360 films, original series, toys, collectibles, merchandise, and comic books, and publishes the popular horror film magazine, Delirium.

FMF owns and operates its own streaming entertainment channel called FullMoonFeatures.com, a service that offers hundreds of new, classic and obscure horror, fantasy and cult movies. The studio also has their own Amazon Prime Video channel and their films are widely available on Roku, Amazon Fire TV, Tubi, Google Play and Xbox One. 

Band’s films helped launch the careers of many of Hollywood’s biggest stars, including Demi Moore (Parasite), Helen Hunt (Trancers) and Viggo Mortensen (Prison).

Partners With Z2 Comics For Graphic Novel “GWAR In the Duoverse of Absurdity”

GWAR is set to release their ambitious new album “The New Dark Ages” June 3rd on CD and Digital, and on September 16th on Vinyl and Cassette via GWAR’s own label Pit Records. Pre-orders are available at: https://gwar.net/collections/the-new-dark-ages

The album concept is tied to a companion graphic novel, “GWAR In the Duoverse of Absurdity,” which will be released by Z2 Comics on June 3rd. In the graphic novel the band are sucked off into an alternate universe to do battle with their evil twins and the specter of rogue technology. On “The New Dark Ages” our heroes floorboard it through a kaleidoscope of hard driving heavy metal, and rock-n-fucking roll, building on their hilarious mythos, introducing cool new characters, and cataloging mankind’s hapless abandonment of their passions, rituals, and beliefs.

The Berserker Blóthar says: “This is the greatest rock record of all time. These are the songs for a new age, a New Dark Age, when men live by the dimming light of a technology destined to betray them. Listen, as we have a rock and roll orgy in the ruins of the world to celebrate humanity’s descent into an age of darkness, disease, ignorance, and death.”

“The New Dark Ages” is available for pre-order on cassette, CD, and multiple different colors of vinyl (whiskey, sunbolt and black/gold marble) and the graphic novel as both soft and hard cover. Bundles are available including ones with Blóthar bobbleheads, and a one of a kind Beefcake helmet. See them all at https://gwar.net/collections/the-new-dark-ages.

You’ve read the album, now hear the book!

“GWAR in the Duoverse of Absurdity” chronicles the epic battle between GWAR and their doppelgangers from an alternate universe the band discovers behind their treasured Magic Mirror. The book uses an innovative storytelling technique that combines words and pictures printed on paper (made from real trees!) in a seamless format we are calling a “graphic novel.” The tale is illustrated by the masterful talents of Andy MacDonald (Wolverine, Dr Strange, Wonder Woman), Shane White (Things Undone, Braun, Endless Summer), Matt Maguire (GWAR) and Bob Gorman (GWAR). Z2 Comics (Judas Priest, Dio, Anthrax) have teamed up with GWAR to produce what will surely be known as the ultimate illustrated saga of the beloved Scumdogs of the Duoverse.

“This was the most utterly engrossing book I’ve ever read! I couldn’t wait until I’d read what was on the page before I was compelled to turn it! This novel has the one element that is missing in so many so-called literary masterpieces: It’s about me!”
-Bälsäc The Jaws ‘o Death

“GWAR has made sure that this story is a full throttle hysterical ride into tipping every sacred cow possible and I consider it an honor to help bring this chapter of the band’s legacy to fetid, pulsing, life.”
-RANTZ HOSELEY, editor Z2

Produced by Ronan Murphy
Album Artwork by Alex Horley

Stay tuned for more news and music from the forthcoming album “The New Dark

The Legendary SoCal Band Announces Their First-Ever Graphic Novel Available to Preorder Now Featuring Special Editions With Covers By Longtime Sublime Artists Opie Ortiz and DJ Product ©1969

Z2 COMICS continues to roll out news of some of their most ambitious projects yet, with today’s announcement of the RYAN CADY-written graphic novel chronicling the misadventures of one of the most defining bands of the last three decades, the Long Beach, reggae-punk institution, SUBLIME!

The laid-back Long Beach trio spawned an entire genre—fusing reggae grooves, punk grittiness, ska energy, back-porch folk introspection, and hip-hop swagger.  

Those disparate sounds first collided back in 1988, when the gregarious Bradley Nowell paired up with a sturdy, simpatico rhythm section—bassist Eric Wilson and drummer Bud Gaugh—and quickly amassed a cult following in the SoCal scene.  Sublime found their niche at house parties: uniting Rastas, surfers, skaters, frat boys, cholos and ink-covered outcasts with a free-flowing melting pot approach that, much like the region itself, was impossible to pigeonhole.  The band goes from playing backyard parties and selling cassettes out of the trunks of their cars to creating an entirely new and revolutionary blend of chart topping music. 

Xanadu meets Superbad in this heartfelt anthology of SUBLIME legends brought to life by RYAN CADY (Green Lantern, Poppy’s Inferno), AUDREY MOK (Archie), ALEX DIOTTO (Youth), HAYDEN SHERMAN (Angel & Spike), LOGAN FAERBER (‘Namwolf), rising stars BILL MASUKU,ROBERT AHMAD and more. Featuring brand-new cover artwork by SUBLIME family members OPIE ORTIZ and DJ PRODUCT ©1969! Plus: the one and only LOU-DOG!

SCOTT SEINE, of Sublime’s management company Surfdog/DKM, adds “We knew the band’s iconic music always had the added elements behind it of their history of hijinks, anti-authority attitude and follow-no-rules lifestyle, and this combination would make for an amazing comic book the fans would cherish. So a Z2 Comics collaboration was a no-brainer.”

“When you grow up in SoCal like I did, Sublime’s music is this powerful background radiation, permeating the culture” says writer RYAN CADY. “You hear it everywhere. Opie’s sun is everywhere–stickers of it slapped on taco stand walls, sharpie-tagged inside of every high school bathroom, screen-printed in every possible iteration. I saw these guys like neighbors, and as I research the human moments underneath their phenomenon with Bud and Eric, I get to share that feeling with everyone who picks up the book.” 

Publisher JOSH FRANKEL says “The gritty California sounds of Sublime transcended location and musical genres to foster a state of mind in listeners from coast to coast and beyond.  Our book will highlight Sublime’s vast musical influences and behind-the-scenes stories, all centered around the unbreakable bonds of friendship, and continuing in the tradition of essential graphic biopics we established with our GRATEFUL DEAD and CHARLIE PARKER releases last year.” 

Decades after Nowell’s untimely death, they remain an institution: They’ve sold over 20 million albums to date; their music still fills the airwaves and their merchandise, emblazoned with the iconic sun logo, dominates sales at retailers across America. 

Most importantly, the music remains timeless—a rite of passage for misfit listeners who refuse to color within the lines of conventional genre.  

The SUBLIME: $5 AT THE DOOR graphic novel clocks in at 120 pages and will be released in a standard soft and hardcover editions in comic shops and bookstores alike in June 2021, with a special deluxe edition, and highly limited super deluxe edition available for preorder now exclusively through the Z2 website! Deluxe and super deluxe edition include a special first-time vinyl edition of the Doin’ Time EP, unavailable elsewhere, as well as exclusive prints, Lou-Dog toy and more!

Join us on February 28, 2020, at 6 pm in SoHo, NYC to celebrate the amazing artwork of Ron English with some very special exclusive releases! 

English’s most iconic figure, The McSupersize, meets the greatest MC of all time… Introducing the ultimate bootleg Hip-Hop Mashup… The Big Poppa!​

Limited to just 75 pieces worldwide, the much-anticipated release of the Classic colorway will be available exclusively at this pop-up event!

To celebrate this historic drop, we are also releasing a number of amazing crystalized versions of the Big Poppa with crystals from Swarovski!!

Teaming up with I am Retro and Swarovski, we will have a very limited amount of Classic Colorway and Gold & Black Big Poppas in all their crystal glory. The Classic Colorway collaboration is fully crystalized, featuring over 4000 crystals each, hand-embellished by the masterminds at Swarovski’s design lab in Manhattan. There will only be fifteen of these beauties available and are a MUST-HAVE for any serious collector of Ron English’s work. The Gold and Black version is accented with Swarovski crystals for those who just want a taste of bling!

Now that the Oscars dust has settled, it’s time to take a look at how we here at Media Mikes, readers and writers alike, voted for our top cinematic achievements of 2019 in our 9th Annual Media Mikes Awards

“Joker,” Todd Phillips’s dark look at the origins of Batman’s greatest enemy, “Once Upon a Time…in Hollywood,” Quentin Tarantino’s fable about the summer of 1969 and Sam Mendes’s enthralling WWI drama, “1917”, topped our lists with two awards each.

“Hollywood” took home the big prize as the year’s Best Picture and also nabbed Best Supporting Actor award for Brad Pitt. “Joker” earned wins for Joaquin Phoenix as Best Actor as well as Best Original Score, written and composed by Hildur Guðnadóttir. “1917” earned the award for Best Director for Sam Mendes and was also recognized for its cinematography by the legendary Roger Deakins.

Additional winners included Reneé Zellwegger as Best Actress for her portrayal of Judy Garland in “Judy” and Scarlett Johansson as Best Supporting Actress for her work in “JoJo Rabbit.”

“Toy Story 4” was chosen as the year’s Best Animated Feature.

This year saw more than 3,000 readers submit their choices in the seven top categories, check out the complete list of our winners below

Reader Voted Awards Went to…

Best Picture – “Once Upon a Time…in Hollywood”
Best Director – Sam Mendes, “1917”
Best Actor – Joaquin Phoenix, “Joker”
Best Actress – Renee Zellweger, “Judy”
Best Supporting Actress – Scarlett Johansson, “Jojo Rabbit”
Best Supporting Actor – “Brad Pitt, Once Upon a Time…in Hollywood”
Best Animated Feature – “Toy Story 4”

Awards chosen by our Media Mikes writers went to…

Best Original Screenplay – Bong Joon Ho and Han Jin Won, “Parasite”
Best Adapted Screenplay – Greta Gerwig, “Little Women”
Best Documentary Feature – “David Crosby: Remember my Name”
Best Cinematography – Roger Deakins, “1917”
Best Original Score – Hildur Guðnadóttir, “Joker”

Composer John Williams, who recently earned his 52nd Academy Award nomination, was name the recipient of this years Media Mikes Lifetime Achievement Award.

Congratulations to the winners and thank you to everyone who voted!

Los Angeles, CA — Romantic Rock’s highly anticipated Punk Rock & Paintbrushes Holiday Art Show makes its return to Los Angeles later this month, with a grand opening night and red carpet artist reception onSaturday, December 21 at Self Help Graphics & Art. This annual art exhibition celebrates the fine art and photography of creatives who share a passion for both music and art, and this year has partnered with Vans Footwear to give back to the community through “The Art Of Shoes.” 

“The Art Of Shoes” will feature one-of-a-kind designs painted onto Vans shoes by Punk Rock & Paintbrushes Holiday Art Show participating artists and other iconic punk rock musicians. Each pair of Vans shoes will be auctioned off, starting at $200 per pair, with all proceeds benefiting The Sidewalk Project, a Los Angeles non-profit whose initiative is to enrich the lives of the Los Angeles houseless community. “Each band and artist that is a part of this project is giving their time to support both The Sidewalk Projectand Punk Rock & Paintbrushes, and we are SO honored to have every single artist joining us,” says Emily T. Nielsen, founder of both Romantic Rock and Punk Rock & Paintbrushes. “Every artist on this project is connected to us and that is what this is about…the punk rock ART community.” 

Musicians and artists participating in “The Art Of Shoes” at the Punk Rock & Paintbrushes Holiday Art Show include: Mike Ness of Social Distortion, Noodles of The Offspring, Pete Wentz of Fall Out Boy, Matt Skiba of blink-182 and Alkaline Trio, AlisonMosshart of The Kills, Dan Pawlovich of Panic! At The Disco, Warren Fitzgerald of The Vandals, Eric Melvin of NOFX, ChristianJacobs of The Aquabats, Jennie Cotterill of Bad Cop / Bad Cop, Pete Dee of The Adicts, Matt Hensley of Flogging Molly, Eric Wilson of Sublime, Jason Cruz of Strung Out, Jared Watson of DIrty Heads, Jen Razavi of The Bombpops, Johnny Ness, Soma Snakeoil, Steve Caballero, ChadCantColor, and Chris Shary + LoriHerbst. 

These wearable works of art will be available online for early bidding starting on Saturday, December 14 at www.32auctions.com/SIDEWALK. On December 21 at the 

Punk Rock & Paintbrushes Holiday Art Show opening night, the shoes will be on display with updated prices reflecting the online bids. The auction will be open for onsite live bidding until 11pm on December 21st, and again the next day from 11am to 4pm. On December 22 at 4pm the auction will close, and shoes will be awarded to the highest bidders. 

Punk Rock & Paintbrushes Holiday Art Show will feature multiple original works, prints and more from select artists in the music community including Tim Armstrong, Matt Henlsey, Carla Harvey, Jim Lindberg,AlisonMosshart, Soma Snakeoil, Natalia Fabia, Johnny Ness, Sara Wright, and many others, along with music from special guest DJs including Noodles of The Offspring, Jonny “Two Bags” Wickersham of Social Distortion, Stacey Dee of Bad Cop / Bad Cop, and Joe Sib of SideOneDummy Records. The night will also boast a full cocktail bar, a coffee booth featuring Oakland Coffee, red carpet, photo booth, live body painting, and more. 

To RSVP to this all ages event, please visit: https://prpb2019.eventbrite.com The Punk Rock & Paintbrushes art exhibition will also be open on Sunday, December 22 from 11am to 5pm, and will feature musical performances from Warren Fitzgerald (of The Vandals) and friends of “The Sidewalk Project,” DJ RyToast of Tyrone’s Jacket, Bent Duo and State To State. 

Sponsors for Punk Rock & Paintbrushes Holiday Art Show include: Oakland Coffee (founded by Green Day), AO Hemp (owned/founded by Nathen Maxwell of Flogging Molly), Punk Rock Bowling, The Sidewalk Project, KROQ, Vans Footwear, and Jägermeister.

Premier Conference and Trade Show for the Global Attractions Industry Takes Place at the Orange County Convention Center Nov. 18-22

ORLANDO, Fla., US (Nov. 18, 2019) — IAAPA Expo 2019 (formerly IAAPA Attractions Expo), the global attractions industry’s premier event, opens today at the Orange County Convention Center in Orlando, Florida. Hosted by IAAPA, the global association for the attractions industry, this year’s event features more than 1,100 exhibiting companies from around the world filling 585,000 net square feet of indoor and outdoor exhibition space. More than 38,000 global attractions industry professionals from over 100 countries are expected to attend to learn, buy, and network.
 

“We’re thrilled to bring together the global attractions community for IAAPA Expo,” said Hal McEvoy, president and CEO, IAAPA. “The attractions industry continues to thrive around the world, and the strength, growth, and passion of our dynamic industry is reflected right here. We have an outstanding line-up of special events, speakers, and educational programming along with our amazing, diverse trade show floor. It’s going to be an exciting week.”

Trade Show Floor

More than 1,100 exhibiting companies will display the latest products and services in 125 different business categories on the trade show floor, including 130 exhibits in the adjacent “Exploration Station” and outdoor displays.

Education Conference and Special Events
Throughout the week, IAAPA Expo offers more than 100 educational experiences on a wide range of topics as of the event’s robust education conference. Attendees will learn from world-renowned industry experts, make new connections, and build their international networks.
 
Special events include the sold-out GM and Owners’ Breakfast on Wednesday, Nov. 20, featuring Christine Duffy, president, Carnival Cruise Line. The sold-out IAAPA Celebrates event will take place at Universal’s Islands of Adventure on Thursday, Nov. 21.
 

Additional highlights include “Lunch and Learn: The Emergence of Authentic Reality” featuring George Walker, creative director, Universal Creative Studio; “Game Changer: Creativity is the New Attraction” featuring Vince Kadlubek, co-founder of Meow Wolf; and “Coca Cola Presents: How to Become Self Made and Have a Rich Life in Every Way” by Nely Galán, entrepreneur and author.

Participants can take part in more than 50 events highlighting member constituencies and regions, including the Opening Reception, Latin American Reception, Asia Pacific Breakfast, European, Middle East, Africa Reception, Water Park Social, Family Entertainment Centers Reception, and much more.

In addition, annual IAAPA awards will be presented throughout the week, including the IAAPA Hall of Fame Awards, IAAPA Service Awards, and IAAPA Young Professional Award. The 2019 IAAPA Brass Ring Awards ceremony, one of the global attractions industry’s most prestigious honors, will take place on Wednesday, Nov. 20.

Press Conferences
IAAPA Expo is where news happens. Attendees will be among the first to learn the latest industry news as exhibiting companies debut and unveil new products, host live demonstrations, and announce what’s new during press conferences from the trade show floor. This year, more than 30 exhibiting companies are hosting press conferences announcing new advances in rides, technology, products, and services in the global attractions industry.

Tuesday, Nov. 19

10:20-10:45 a.m. – Rocky Mountain Construction / Busch Gardens Tampa Bay, Booth 4006

10:55-11:20 a.m. – Maurer Rides / Carnival Cruise Line, Booth 4803
11:30-11:55 a.m. – ETF Ride Systems / LEGOLAND New York, Booth 5140

12:05-12:30 p.m. – Great Coasters International, Booth 2273
12:40-1:05 p.m. – Zamperla, Booth 2024
1:15-1:40 p.m. – Triotech / Knott’s Berry Farm, Booth 1954
1:50-2:15 p.m. – Premier Rides / SeaWorld Orlando, Booth 5100
2:25-2:50 p.m. – Themed Entertainment Association (TEA), Booth 1066

3:00-3:25 p.m. – Extreme Engineering, Booth 3266

3:35-4:00 p.m. – Brogent Technologies, Booth 5710

4:10-4:35 p.m. – Alterface, Booth E7041

4:45-5:10 p.m. – Luna Park in Coney Island, Booth 2031

Wednesday, Nov. 20

10:20-10:45 a.m. – The Producers Group / Extreme Engineering, Booth 872
10:55-11:20 a.m. – Polin Waterparks, Booth 847

11:30-11:55 a.m. – Infinite Kingdoms, Booth 2261

12:05-12:30 p.m. – MajorMega / Hersheypark, Booth 4631

12:40-1:05 p.m. – Talon Simulations, Booth 2980

1:15-1:40 p.m. – Intercard, Booth 2206

1:50-2:15 p.m. – Lagotronics Projects B.V. / Ride Entertainment, Booth 5427

2:25-2:50 p.m. – Virtuix, Booth 2686
3:00-3:25 p.m. – Bay Tek Entertainment, Booth 1015

3:35-4:00 p.m. – CAVU Designwerks, Booth 584
4:10-4:35 p.m. – Falcon’s Creative Group, Booth 1373

Thursday, Nov. 21

10:20-10:45 a.m. – Simworx, Booth 3069

10:55-11:20 a.m. – WhiteWater, Booth 2254
11:30-11:55 a.m. – LAI Games, Booth 1034
12:05-12:30 p.m. – Hownd, Booth 1073

12:40-1:05 p.m. – Simtec Systems GmBH, Booth 1783

1:15-1:40 p.m. – Embed, Booth 1336

1:50-2:15 p.m. – Walltopia, Booth 1686

2:25-2:50 p.m. – SEVEN, IAAPA Central

3:00-3:25 p.m. – Valo Motions, Booth E7141
3:35-4:00 p.m. – Virtual Room USA, Booth E7401

4:10-4:35 p.m. – Rebound Unlimited, Booth 3606

4:45-5:10 p.m. – TrainerTainment, Booth 1735

Friday, Nov. 22
10:20-10:45 a.m. – Arihant Water Park Equipment, Booth 1844
10:55-11:20 a.m. – VFX, Booth 140
12:15-12:40 p.m. – Ride Engineers Switzerland, Booth 3472

About IAAPA Expo 2019
IAAPA Expo is the premier conference and trade show for the global attractions industry, including amusement and theme parks, where visitors spend $45.2 billion around the world. IAAPA Expo 2019 will draw more than 38,000 industry professionals, including more than 24,000 decisions-makers and buyers from more than 100 countries to the Orange County Convention Center in Orlando, Florida, Monday, Nov. 18 through Friday, Nov. 22. The 585,000-net-square-foot trade show floor will be open Tuesday, Nov. 19, through Friday, Nov. 22. Additional information is available at www.IAAPA.org/IAAPAExpo. #IAAPAExpo

About IAAPA 
IAAPA is a diverse and dynamic community of global attractions professionals. As the largest international trade association for permanently located attractions, IAAPA unifies the attractions community, connects people to learn and grow together, and strives to promote the highest professional standards for excellence and safety around the world.

Founded in 1918, IAAPA represents more than 6,000 attraction, supplier, and individual members from more than 100 countries. Members include professionals from amusement parks, theme parks, attractions, water parks, resorts, family entertainment centers, zoos, aquariums, science centers, museums, manufacturers, and suppliers.

The association’s global headquarters and North America office are located in Orlando, Florida, US. IAAPA also maintains offices in Brussels, Belgium; Hong Kong, China; Shanghai, China; Mexico City, Mexico; and Alexandria, Virginia, US. To learn more, visit www.IAAPA.org or connect through social media channels: @IAAPAHQ #IAAPA. 

Image Comics is pleased to announce that a second printing of Image Comics’ President Todd McFarlane’s Spawn #297 has been greenlit in order to keep up with increasing demand for the long-running series.

Momentum and frenzied buzz surrounding the classic antihero series continues to build leading into historic Spawn #300 and record-breaking Spawn #301 when Spawn becomes the longest running creator-owned comic in the world.

The road to Spawn’s record-setting 300th issue continues as Al Simmons’ war with Heaven and Hell is brought to light in issue Spawn #297. McFarlane and Jason Shawn Alexander continue their exploration of the epic Spawn saga, leading to the recording-setting 300th issue!

Spawn #297 second printing (Diamond Code APR198592) will be available on Wednesday, June 26. The final order cutoff deadline for retailers is Monday, June 3.

Spawn is currently being adapted for film—a gritty, R-rated reimagining—which will mark Image President, co-founder and Spawn creator, Todd McFarlane’s film directorial debut. McFarlane, an Emmy/Grammy-winning producer/director is also on board as screenwriter and co-producer with Blumhouse Productions. 

Spawn sold an unprecedented 1.7 million copies at the time it was released and is one of the world’s best-selling and longest-running monthly comic books, with hundreds of millions sold worldwide in more than 120 countries, and 15 different languages. 

The comic became an Emmy Award-winning animated series on HBO and a New Line Cinema feature film that grossed more than $100 million. McFarlane went on to direct and produce award-winning and critically acclaimed projects for top movie studios and record labels. 

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The second season of Hulu’s hit series The Handmaid’s Tale left more than a few fans stunned when June (Elisabeth Moss) bucked her chance to escape to freedom in Canada with her baby and instead handed the infant off to Emily (Alexis Bleidel) while turning back into the world that still holds her other child hostage.

This weekend eager Handmaid’s fans finally got to see where June’s unexpected decision has lead the inhabitants of Gilead when showrunner Bruce Miller and actress Ann Dowd (“Aunt Lydia”) brought the premiere episode of the third season to New York’s BookCon.

Without going into episode spoilers, I will say what I saw went a long way in explaining why June would make such a tremendous sacrifice in that finale and the acting across the board continues to be top notch. Alexis Bleidel’s Emily in particular had me moved to tears more than once. And the BookCon crowd broke out into applause at least twice.

While the terrifying Aunt Lydia did not appear in the premiere ep, the trailers showed that she will return after Emily very literally stabbed her in back last year. Dowd, who was also nefarious in last year’s horror hit Hereditary, is delightful and warm in person and said of Lydia, “she is doing quite well…she’s very concerned” She also offered some exciting tidbits into where season three might take Aunt Lydia.

Although in the last two seasons we’ve seen almost every protagonist’s backstory, Aunt Lydia has remained a mystery. Apparently that will change in season three. Of this insight, Dowd commented that while it wasn’t exactly what she thought it would be “it’s so true to what might have went wrong.” On that change she added that whatever happened, “her life leaned toward Gilead and [to being] one of the most staunch believers of that group.” And while Dowd clearly loves playing Lydia, she joked about her inner dialogue with the character: “I say I’m disappointed with her and she says to mind my business!”

The Handmaid’s Tale returns weekly to Hulu starting Wednesday June 5th.

Tickets Now On Sale for Jurassic World Live Tour – an Unparalleled and Thrilling Live Arena Experience Jurassic World Comes to Orlando’s Amway Center January 17-20, 2020

ORLANDO, FL – April 2, 2019 – Tickets are now on sale for Jurassic World Live Tour, an exhilarating and unpredictable live, family entertainment experience that will bring the wonder and thrills of Jurassic World to generations of fans in the Orlando area.

With unrivaled arena production quality, Jurassic World comes to life against a backdrop of captivating scenery where dinosaurs from the iconic franchise, including fan-favorite Velociraptor Blue and a Tyrannosaurus rex more than 40 feet in length, take center stage. The production features more than 24 film-accurate, life-sized dinosaurs, each custom built with the latest technology, scientific precision and Hollywood studio quality. With scale, speed and ferocity, the animatronic and performer-operated dinosaurs deliver colossal, edge-of-your-seat, live entertainment unlike any other dinosaur experience.

Jurassic World’s unmistakable score adds to the larger-than-life, immersive journey that will captivate fans of all ages. Through a combination of projection and practical scenery, the arena will transform into the dense jungles of Isla Nublar, where real Gyrospheres roll through the valley and scientists work to unravel a corrupt plan and save an all-new dinosaur from a terrible fate. With pulse-pounding stunts and an original, authentic storyline, this show is guaranteed to make memories that will last another 65 million years.

“Working with a world-class production team and Universal filmmakers, we have extended the Jurassic World canon with a new story that can only be told through this live, arena spectacular as we bring full-scale dinosaurs to generations of fans around the globe,” said Juliette Feld Grossman, Chief Operating Officer of Feld Entertainment, the worldwide leader in live, touring family entertainment. “We have maximized the power of everything we do at Feld Entertainment, pushing the boundaries of technology and innovation to ensure audiences have an authentic, awe-inspiring experience. Fans will leave with a sense of wonder, as if they’ve boarded the boat to Isla Nublar and literally stepped into Jurassic World.”
Tickets are now on sale for the Orlando engagement at Amway Center, January 17-20, 2020. Visit jurassicworldlivetour.com for tickets and more information. Stay current on the latest developments through social media, including instructions on how to access presale codes for future Jurassic World Live Tour productions.

Facebook: www.facebook.com/JurassicWorldLiveTour/

Twitter: @JWlivetour

Instagram: @jurassicworldlivetour #JurassicWorldLive


About Jurassic World: From Universal Pictures and Amblin Entertainment, Jurassic World immerses audiences of all ages in a new era of wonder and thrills where dinosaurs and humankind must learn to coexist. Jurassic World is more than a film franchise. At every turn, this $5 billion film series delivers a larger-than-life destination for exploration, discovery, and epic adventure. Dinosaurs live again and they live in Jurassic World.

About Feld Entertainment: Feld Entertainment® is the worldwide leader in producing and presenting live family entertainment experiences that bring people together and uplift the human spirit. Properties include Monster Jam®, Monster Energy Supercross, Disney On Ice, Disney Live!, Marvel Universe LIVE!, Sesame Street Live!, DreamWorks Trolls The Experience and Jurassic World Live Tour. Across the brand portfolio, Feld Entertainment has entertained millions of families in more than 75 countries and on six continents. Visit www.feldentertainment.com for more information.

Monster Jam’s marquee event moves to host cities starting in 2019

Orlando, Fla. – Monster Jam® , the unexpected, unscripted and unforgettable larger-than-life sport, is proud to announce Orlando, Florida as the first host city in Monster Jam World Finals® new schedule. In a joint press conference at Orlando’s Camping World Stadium, Monster Jam, City of Orlando and Orange County Officials today announced plans for Monster Jam World Finals XX in 2019 and XXI in 2020.

“We are thrilled to announce the next step in the evolution of the Monster Jam franchise as we embark on a new chapter. Like other major sporting events, such as the Super Bowl and the NCAA Final Four, Feld Entertainment will bring our marquee event to world class destinations across the U.S., starting here in Orlando with our 20th Anniversary Monster Jam World Finals,” said Kenneth Feld, Chairman & CEO, Feld Entertainment. “Orlando is a city that is not only a premier sports destination, but it’s a city synonymous with family entertainment. We’re excited to make Monster Jam World Finals accessible to even more fans, with the anticipation of over 50,000 fans from around the world converging on “The City Beautiful.”

“Bringing the Monster Jam World Finals to Camping World Stadium next year is a big deal for Orlando and further proof we are one of the country’s premier sports event destinations,” said Orlando Mayor Buddy Dyer. “We’re grateful for our longstanding partnership with Feld Entertainment and can’t wait to see our stadium packed with fans of Monster Jam’s premier event.”

“We are thrilled to host the Monster Jam World Finals in Central Florida,” said Orange County Mayor Teresa Jacobs. “There’s simply no place like Orlando when it comes to a family and fan-friendly environment. We welcome fans from around the world to our great community for this action-packed event.”

“On behalf of our board of directors and community partners, we are looking forward to hosting Monster Jam World Finals in 2019 and 2020,” said Jason Siegel, CEO of the Central Florida Sports Commission. “We want to thank the Feld family for the opportunity to welcome one of their premier events to Camping World Stadium, and we know their fans and athletes will have a tremendous experience here in Central Florida.“

Monster Jam World Finals XX will be held at Camping World Stadium May 10–11, 2019 featuring all-new competition formats, including an elevated starting line above the seats and seven championship crowning moments. The championship weekend will deliver unprecedented access to the most Monster Jam athletes and the larger-than-life Monster Jam trucks they drive. Page Two: Orlando To Host Monster Jam World Finals® XX.

Tickets to Monster Jam World Finals XX go on pre-sale to preferred customers starting October 16 and on sale to the public starting November 1. For more information, visit MonsterJam.com and tune into the Monster Jam 2019 Season Kickoff live on Facebook, Tuesday, September 18 at 7 p.m. EST.

Being fans of Media Mikes, we want to extend a very special discount: Receive 20% off select seats with code BLOG20. Not valid on VIP seating. Hurry for the best available seats! Code expires May 9, 2019.

About Monster Jam Monster Jam® is the most action-packed live event on four wheels where world class drivers compete in front of capacity crowds in both monster truck racing and freestyle competitions. The brand’s ongoing, global expansion now includes events in 56 international cities across 30 countries, as well as multiple lifestyle extensions from Monster Jam toys and apparel to eyeglasses and more! Monster Jam features the most recognizable trucks in the world including Grave Digger® , Max-D, El Toro Loco® , Monster Mutt® and many more.

About Feld Entertainment, Inc. Feld Entertainment® is the worldwide leader in producing and presenting live touring family entertainment experiences that bring people together and uplift the human spirit. Properties include Monster Jam® , Monster Energy Supercross, Disney On Ice, Disney Live!, Marvel Universe LIVE!, Sesame Street Live!, and DreamWorks Trolls The Experience (coming Fall 2018). Across the brand portfolio, Feld Entertainment has entertained millions of families in more than 75 countries and on six continents. Visit feldentertainment.com for more information.

About Central Florida Sports Commission The Central Florida Sports Commission (CFSC) is a private, non-profit organization established to attract and manage sports-related events, conferences and activities that drive positive economic development in the City of Orlando, Orange County, Seminole County, Osceola County and Lake County. Founded in 1993, CFSC has hosted or co-hosted more than 1,240 events in Central Florida with a total economic impact exceeding $1.4 billion in spending within our community. For more information, please visit www.centralfloridasports.org.

About Camping World Stadium Camping World Stadium is owned and operated by the City of Orlando. Since opening in 1936 as a Works Progress Administration project by President Franklin D. Roosevelt at a cost of $115,000 and a capacity of 8,900, the stadium has undergone numerous expansions and name changes over the years. The historic venue underwent a massive $207.7 million reconstruction in 2014 which yielded 90% all-new construction and a completely modernized stadium. The numerous enhancements and amenities include 41,000 lower bowl seats with chair backs, two 360-degree concourses, multiple giant video displays, a 20,000-square-foot plaza deck, a vibrant open-air exterior and unique indoor & outdoor club spaces to serve 5,000 patrons. These upgrades have bolstered Camping World Stadium’s ability to draw new high profile events like neutral-site college football games, NFL pre-season match-ups and big-name concerts while retaining its signature annual bowl games and events. The City of Orlando and its partners at Florida Citrus Sports expect the recent reconstruction to generate a $300 million annual economic impact. For more information, visit CampingWorldStadium.com.

With my 15^th birthday approaching, my father asked me what I wanted to do.  Having been intrigued by the television commercials for a new film, “Dog Day Afternoon,” I told him I wanted to see that movie.  On Sunday, September 21, 1975, my father dropped me off at the University Square Mall Cinema in Tampa to see the movie.  Sadly, I didn’t know it was rated “R” and was told I couldn’t buy a ticket.  As I began to dejectedly walk away, the girl in the ticket booth called out to me “have you seen JAWS yet?”  I hadn’t.  124 minutes later, my life was changed.

I include this because of what I did after the film.  Like a normal kid, I wrote fan letters to the three stars.  I soon received a letter from Richard Dreyfuss’ cousin, Arlene, who informed me that she ran Richard’s fan club.  If I wanted to join, it would cost me $5.00 (a week’s allowance at that time).  I immediately sent her the money, along with a note saying “if you ever need any help.”  Within a few months, I was helping her with the club – basically I handled the fans east of the Mississippi river.  It was a great time for a teenager.  I’d scour the newspapers for articles about Richard and each month would send out a packet to the fans, which usually consisted of Xeroxed newspaper clippings and the occasional photograph.  Not sure how many members were in the club, but when it disbanded in November 1978, shortly after the release of “The Big Fix,” I was dealing with almost 1,000 fans.

I’ve been very fortunate to have met Mr. Dreyfuss twice in my life.  Once, in Baltimore, when he was on the set of the film “Tin Men,” and in July 2017 when we were both guests at a Hollywood Celebrity Show.  At that show I was able to stand near his table and listen to him tell the most amazing stories.  I mention this because Mr. Dreyfuss is currently traveling around the country, offering fans the opportunity to take in AN EVENING WITH RICHARD DREYFUSS.  He will be in Kansas City this week (April 4^th) and I have been honored to have been chosen the moderator of the event.  Call it practice, but I had the opportunity to speak with Mr. Dreyfuss and ask him some questions, a few of which may be included when we’re together Thursday night.

Mike Smith:  What led you to pursue a career in acting?

Richard Dreyfuss:  Wow!  I don’t know….what leads someone to follow what they love?  I don’t think I really had a choice. 

MS:  Was there a film or performer that inspired you?  I acted a lot through my 20s but couldn’t make a living at it, but the inspiration came from wanting to do what YOU did.  I know you’re a fan of actors like Charles Laughton, Irene Dunne and Spencer Tracy, among others.  Were they the catalyst?

RD:  They were, of course.  I have no memory of NOT wanting to be an actor.  I think the first time I got on record was when I was nine years old.  We had just moved to California from New York, and I said to my mother, “I want to be an actor.”  And she said, “Don’t just talk about it.”  So I went down to the local Jewish Community Center and auditioned for a play.  And I really never stopped.  I realistically never had more than ten days when I wasn’t acting in a play, or a scene or a class or a job until I was 27. 

MS:  You made your film debut in two very different films in 1967 – “The Graduate” and “The Valley of the Dolls.”  What do you think is the biggest difference between filmmaking then and today?

RD:  There are so many.  The general level of quality for an actor has plummeted.  When I was younger I never hesitated telling young actors to “go for it”…to pursue it.  And now I don’t say that, because the real rewards are so rare…so few and far between  The quality of scrips, from an acting viewpoint, suck.  The sequel syndrome that we’re in, which we can’t seem to get out of, has really lessoned the level of quality of writing.  Of story.  And it seems more arbitrarily decided upon as an element of chicanery and thievery, even for a business that’s famous for it, it goes on.  Film acting is not something I really recommend.  If you want to be an actor in America you can live a very great and satisfied life if you never think about being a star.  You can have a great life in Kansas City.  Or St. Louis.  Or a million other places.  But if you want to go for that kind of brass ring, which I would question – if you do want to go for it, go to therapy first – you’ve got to go to L.A. or New York.  And those towns are pretty sick.

MS:  You famously almost turned down your role in “Jaws.”  Are there any roles you turned down and then later regretted your decision?

RD:  Oh yeah.  I was once watching a movie and I kept thinking, gosh, this seems so familiar.”  I thought “oh, shit,” and then I remembered why.  And I didn’t ALMOST turn down “Jaws,” I did turn it down.  I turned it down twice.  And then I changed my mind and begged for the part.  (NOTE:  The story goes like this.  After turning down “Jaws” – twice – Mr. Dreyfuss saw his upcoming film “The Apprenticeship of Duddy Kravitz” and thought his performance was so terrible that he’d never work again.  He then called director Steven Spielberg and accepted the role.  Of course, when “The Apprenticeship of Duddy Kravitz” was released, Mr. Dreyfuss received rave reviews for his performance, even being named Runner Up as the Best Actor of 1974 (tied with Gene Hackman for “The Conversation”) by the New York Film Critics Circle.)

I will never tell you the ones I turned down that became hits.  Thank God there aren’t that many of them!

MS:  What fuels the passion for your work?

RD:  If you asked me a question about my process – how do you do this…what’s your method? – I would completely be unable to answer that.  And I’ve always known I’d never be able to answer those kind of questions.  But I know that, in a business where if you’re a successful actor you want to direct, I’ve never wanted to direct.  So I didn’t.  I wanted to act!  I had made a decision when I was very young, which probably wasn’t the most strategist thing to do in the world, but it was the way I chose to live.  Which is to day, if I do a drama, then I’ll do a comedy.  Then I’ll do a drama.  Then I’ll do a comedy.  That’s basically what I tried to do.  And the mistake in that is that I don’t think I ever did something enough times to establish a kind of signature recognition of what I do.  I did both.  I did lots.  And I thought that was the best way for me to pursue my life.  And that’s what I did for sixty years. 

MS:  Where do you keep your Oscar? (NOTE:  Mr. Dreyfuss received the Academy Award for Best Actor for his role as Elliot Garfield in “The Goodbye Girl.”  At age 30, he was, at the time, the youngest actor to win that award).

RD:  For the most part, in the refrigerator.  (laughs).  I always want people to know about it, but I don’t want to brag.  But I figure that sooner or later they’re going to open the refrigerator. 

And I’m also very aware that the list of actors who were ever nominated or won an Oscar is as great a list as the ones who never were.  It’s a wonderful evening, but it’s rarely more than that.  It’s a great evening.  You’re aware of the film work because the audience for film is in the millions.  But I make no distinction between film and theater.  And, of course, the audience for the theater work I’ve done will be 1/100^th of that of the film audience.  But to me, it was always – if not equal than more important –so that is something that I travel with.  I have a little bucket list of things that I check off every once in a while.  “OK, you did a Broadway show…check.”  From the time I was nine, into my teenage years, I was always in acting classes.  At acting schools.  I was always with actors.  And they would always talk about a “National” theater.  And I would say, “There’s never going to be a National theater in this country.  However, there could be fifty “State” theaters.  And, as someone who lives in Kansas City, I would say to you that, something that people should not ignore, is the fact that we are from so many different places…so many different cultures…that we come together as Americans only when we’re HERE, and we learn to be Americans.  And each of us, whether you live in Seattle or Mississippi, you have different strains of a culture.  And I have always wanted each state to have its own theater.  And, in a state like California, which is huge, you could have two, anchored North and South.  And, instead of trying to get everyone to agree on A National Theater, we could have one in every state.  It’s silly to think we can’t afford a State theater, to be able to see how Missourians and Floridians and North Dakotans approach theater.  I think that would be a great endeavor and a great thing to do.  Only because we teach so few things that we share. We’ve actually given up on the notion of teaching things that are of shared values.  And that’s causing this terrible breach in the country.  And we should try to find things that we can share.  And one of them could just be the artistic endeavor of a State theater. 

MS:  That makes a lot of sense.

RD:  And they’ll never do it (laughs).

MS:  Quick follow-up to the Oscar question, one of your fellow nominees that year was Richard Burton.  When Sylvester Stallone read the name of the winner, and you heard “Richard” did you think Burton had one?

RD:  My competition was Burton, Marcello Mastroianni, John Travolta and Woody Allen.  There was no easy answer.  But I just knew I was going to win it.  (laughs)  That’s all I cared about. 

MS:  Me too, that night.  I always wonder how people sometimes vote.  You were also nominated for “Mr. Holland’s Opus,” but I thought you were most deserving four years earlier for “Once Around.”

RD:  It’s probably the easiest vote to define.  There are two ways people vote in the Academy.  One is, you vote for your friend.  Or, you vote for who you think is best.  In that order.  It’s simple.  You may not be able to predict it, but that’s the way people vote.  And it’s the reason why people do vote.  It’s not a mystery.  The only thing wrong with the Oscars now is that there are too many other awards, and it’s cheapened the whole thing. 

For more information on attending AN EVENING WITH RICHARD DREYFUSS, either in Kansas City or at a later date, click HERE.

NOTE: Mr. Dreyfuss wanted me to stress that, even though his appearance will be followed by a screening of “Jaws,” he will be discussing his entire career. So whether you’re a fan of “American Graffiti,” “Close Encounters of the Third Kind,” “Down and Out in Beverly Hills” or want to know about his fantastic cameo in “Piranha,” come on out and listen to some amazing stories.

NEW GWAR GRAPHIC NOVEL TO SPLIT HELL WIDE OPEN – PRE-ORDERS AVAILABLE NOW!

GWAR: The Enormogantic Fail – Graphic novel
96 pages, softcover, $19.99 US, ISBN: 9781988903477

You know their name, you know their music but do you know their story? Everyone’s favorite blood spewing alien band return to comics in an all new 96 page graphic novel.

The Master is at it again in a fierce battle against Cardinal Syn. To get into the Master’s good graces, the Destructo brothers have trapped GWAR in order to interrogate them to find the key to destroying Cardinal Syn once and for all. Will Sawborg and Bozo Destructo get the answers they need? Can GWAR escape their clutches? Will Cardinal Syn destroy them all? And what really happened when GWAR were banished to earth?

All will be revealed in GWAR: The Enormogantic Fail, a new 96 page graphic novel from GWAR and Renegade Arts Entertainment. Written by Matt Maguire (GWAR) and Matt Miner (Critical Hit, Toe Tag Riot), with art by some of the greatest comic creators this side of Flab Quarv 7, hand-picked by GWAR themselves.

Available for pre-order now along with exclusive prints, pins, CDs, signed goods and even unique stage props. Pre-orders will be delivered June 2019.
Now, go to GWARCOMIC.COM and get your pre-order in to make sure you get the exclusives before they run out.

Quotes:
Sawborg Destructo, GWAR: ‘The time has come once again, human filth, to show your Lords and Masters your undying, but most likely dying, devotion! I Sawborg Destructo commands you to get your pre orders in now for GWAR’s new comic The Enormogantic Fail! That’s right, get your preorder in today and maybe you’ll survive long enough to read it.’

Matt Miner, writer: ‘Well it looks like I’m not quite done with GWAR yet, and I’ll be hanging out with that crew long enough for some more dick jokes and blood spray. Always a good time when I can hide from the world in piles of bodies, covered in spew.’

Alexander Finbow, Publisher: ‘The opportunity to work with GWAR on this new graphic novel gave us the chance to help create a great story in a collaborative process that respects the band, creators and GWAR fans. The first GWAR comic series was successfully funded through Kickstarter, but the team were keen to try out a different approach this time, one that tied in with some ideas we’d also wanted to try. That’s why we created the gwarcomic.com website, a place where GWAR fans can find out easily what the book is all about, and decide whether they want to sign up for the ride.’

Writers: Matt Maguire And Matt Miner
Artists: Matt Maguire, Liana Kangas, Lukasz Kowalczuk, Matt Lejeune, Katie Longua, Jeff Martin, Kelly Williams
Colour Artist: Josh Jensen
Cover Artists: Jonathan Brandon Sawyer And Josh Jensen
Letters: Taylor Esposito Editor: Brendan Wright Publisher: Alexander Finbow

The Boyd Satellite Gallery in conjunction with Art for Arts Sake, is proud to present artist Sean Yseult’s new photography series They All Axed For You. The new photographs serve as both a love letter and birthday gift for the City of New Orleans on the anniversary of it’s Tricentennial. The inspiration for this show began with this love of Nola, and some very strong images Ms. Yseult saw in her dreams. The show is on display October 2nd – October 31st with an Artist’s Reception October 6th.

One image titled Procession depicts Audubon Zoo animals lined up in pairs on a path through the large Live Oaks. In a dream that came to the artist the day after her mother passed away, the two of them were walking through the animals in the park, as though guided by a light.

Another image, Elephants Storming the Mississippi was also dreamt first – elephants slowly and determinedly trudging through the river in a somewhat ominous manner. Once realizing that these images occurred in two of the Artist’s favorite and most iconic spots of New Orleans, this concept became the basis of the show: the beasts of the Audubon Zoo have a day pass and are hanging out in all of Ms. Yseult’s favorite iconic spots. The show is the perfect way to marry her tribute to the Tri Centennial, her favorite locations in New Orleans for settings, and some colorful local characters for models.

In addition, the Boyd Satellite Gallery will be home to some of Ms. Yseult’s colorful design work, through her new Wallpaper Series acting as backdrop to the photos.

Sean Yseult is best known as the bass player from the multi-platinum, twice Grammy-nominated band White Zombie. Sean spent her formative years at the North Carolina School of the Arts studying ballet and earned a BFA in Photography and Design at Parsons School of Design NYC.

Upon White Zombie’s breakup, she moved to New Orleans and began showing her photography. This is Ms. Yseult’s fourth solo art exhibition series. Her previous work has been shown in solo shows in New Orleans, New York City, Los Angeles, and San Francisco, and can be viewed by visiting www.seanyseult.com. In 2010 her autobiographical photo-book I’m In The Band was published (Soft Skull Press). Photos in the 2nd gallery continue the exhibition with Backstage: Rock Shots by Sean Yseult, including the Ramones, Pantera, and the Cramps.