Film Review: “It Started as a Joke”

Starring: Eugene Mirman, Kristen Schaal, Michael Ian Black, Kumail Nanjiani, Mike Birbiglia
Directed by: Julie Smith Clem and Ken Druckerman
Unrated
Running Time: 76 mins.
Gravitas Ventures

A couple weeks ago, right as the news in and around New York was starting to turn towards where we are now and I was sort of sick myself (different reason), I saw one of my favorite Tribeca Film Fest movies on a dvd display and knew I had to get it. It was Mike Birbiglia’s 2016 comedy Don’t Think Twice. I hadn’t seen it since enjoying it at Tribeca but it was exactly the thing I needed right now. That film follows a close-knit improv group in New York (including Birbiglia, Keegan-Michael Key and Chris Gethard) as one of their number rises to a new level of fame and the others do their best to deal with what that means to the group while also contending with where they are in their personal lives. It’s incredibly heart-warming, honest and very very funny.

Why have I launched into a mini review of Don’t Think Twice at the beginning of this review? For a start, Birbiglia was credited as being part of the “joke” that directors Julie Smith Clem and Ken Druckerman’s new documentary, It Started as a Joke references in its title–many of the stars of Don’t Think Twice were also veterans of the Eugene Mirman Comedy Festival that it focuses on–so I think they won’t mind. Secondly because they both show how cathartic comedy can be when navigating the uncertainties of life. As one of the doc’s interviewees says, “comedy helps cope.” It’s coincidence that It Started as a Joke landed in the film release marketplace such as it is, but that message would be valid even in the best of times. It Started as a Joke evolves from a showcase of a wealth of comedic talents into something much more intimate and touching. Through the access Mirman grants into how the festival came about and how eventually he used it as an outlet for coping with his wife’s cancer diagnosis, Clem and Druckerman have captured something special.

The documentary does a great job at building up what a specific and joyful time the EMCF was for a certain ‘class’ of Brooklyn comics. It features a big lineup of talents that are now household names: Kumail Kanjiani credits Mirman for helping him to stay in NYC, “The State” members Michael Ian Black and Michael Showalter are on hand as well as Mirman’s “Bob’s Burgers” co-star Kristen Schaal, even NPR’s Ira Glass wound up shit-faced at the fest’s “Drunk Show”. Not something I expected to see!

Throughout all the hilarious content of the fest, the interspersed interviews with the talent really illuminate what a unique comedic presence Mirman was and continues to be. He didn’t arrive with traditional observational humor, rather with highly absurdist riffs and things like visual advertisements for shapes (“FUCKEDUPAGON! Let’s PARTY!” is a fave of mine). It struck a chord with his peers and out of that came his comedy festival which, while parodying ‘actual’ comedy fests of the time, grew into something too large to be a prank anymore and had a successful run from 2008-2017.

The subject of Mirman’s personal life was not something he really delved into in his acts but when his wife Katie was diagnosed with breast cancer, it became clear that his work could also be an outlet for some of the fear and frustration. The doc follows Mirman as he develops a bit based on pitch black greeting cards for people with cancer for example–all with his wife’s support, of course. As Mirman opens himself up, so to do his peers which is where this doc really shines. Clem and Druckerman capture many moments of comics letting their guard down both on stage and off. Based on the talent involved with this film, I knew going in I could count on plenty of laughter, but I came away also appreciating the tears that came with them.

It Started as a Joke is now available on iTunes

Blu-ray Review “Tommy Boy: 25th Anniversary Steelbook”

Celebrating it’s 25th anniversary this year, “Tommy Boy” comes home with a brand new Limited Edition Steelbook arriving 05/26/2020 exclusively at FYE. It’s crazy to think that it has been 25 years since this film has come out. I remember seeing it in the theaters and literally falling out of my seat laughing, which doesn’t happen very often. There really aren’t comedies like this these days. The combo of Chris Farley and David Space really delivered one of the best comedies ever with “Tommy Boy”.

Leave it up to FYE for delivering yet another amazing exclusive Steelbook. They have some of the best steelbook releases recently. FYE understands that collector’s love these releases and they are always on the ball of releasing some great titles with fantastic steelbook releases. The artwork for this film is great especially love the choice of the inside case photo that they chose. Fans of “Tommy Boy” should definitely pick this up at your local FYE or online at their shop.

Official Premise: The gust-busting duo of crack-up comedians Chris Farley and David Space star in one of the funniest films of the ’90s. To save the family business, two ne’er-do-well traveling salesmen hit the road with disastrously funny consequences. Tommy Boy is a larger-than-life movie, with a great supporting cast that includes Rod Lowe, Bo Derek, Dan Aykroyd and Brian Dennehy.

The Blu-ray disc included is the same as the “Holy Schnike Edition”, which was released back in 2008. Paramount presents the film in a solid 1080p, 1.78:1-framed transfer. The film shows its age a little bit but the transfer is overall very nice. There is a lossless Dolby TrueHD 5.1 soundtrack included as well, which works fine with the dialogue and the soundtrack.

The special features are worth checking out as well. First up, we get a commentary track from director Peter Segal. You can tell that he enjoyed watching the film due to laughing at various scenes. The rest of the extras are all in 480p, so DVD quality, due to the age of the film. There are storyboard comparisons, a bunch of deleted / extended and alternate scenes as well as a photo gallery. Lastly there are four featurettes, a gag reel and some trailers included.

I can’t wait to see what FYE releases next for their exclusive steelbook releases. I am keeping my figures crossed for some of Terry Gilliam’s classics like “Brazil” or “Fear and Loathing in Las Vegas”. I can see FYE nailing some of his film with a solid steelbook releases.

IMPRACTICAL JOKERS: THE MOVIE GETS EARLY DIGITAL RELEASE

Following a Successful Theatrical Run, truTV’s First-Ever Feature-Length Film is Arriving Early on Digital April 1

BURBANK, CA (March 27, 2020) Warner Bros. Home Entertainment is bringing the pranks into homes this April Fool’s Day with the early digital release of Impractical Jokers: The Movie on April 1, 2020, only five weeks after its successful theatrical debut. The film, an extension of the wildly successful Impractical Jokers series, was directed by Chris Henchy (Daddy’s Home, “Eastbound & Down”). A truTV original production and produced by Funny Or Die, Impractical Jokers: The Movie carries a suggested retail price of $19.99 for the Digital ($24.99 in Canada) and is rated PG-13.

“Impractical Jokers raised the stakes bringing their hijinks to the big screen and we couldn’t be more proud of their impressive box office debut,” said Brett Weitz, General Manager for TNT, TBS, & truTV. “The unwavering support of their fans prove that this comedy franchise continues to provide endless laughs and entertainment that we are pleased to bring into homes.”

“Impractical Jokers first premiered on truTV to much fanfare in December 2011 and quickly became a hit, especially among young adults,” said Mary Ellen Thomas, WBHE Senior Vice President, Originals, Animation & Family Marketing. “The power of the loyal fanbase has proven the sky’s the limit for this comedy franchise, and we are eager to bring home the laughter and antics of their first feature film for the whole family to enjoy.”

“For all our wonderful fans who’ve been requesting, we’re happy to announce that Impractical Jokers: The Movie will be available in your homes to watch digitally on April 1st”, said The Tenderloins. “Hoping we can provide some laughs to families and friends at a time when we can all surely use some.”

Impractical Jokers: The Movie stars James “Murr” Murray, Brian “Q” Quinn, Joe Gatto, and Sal Vulvano, also known as the comedy troupe The Tenderloins, playing themselves in a fictional story of a humiliating high school mishap from the early nineties. Featuring appearances from Paula Abdul, Jaden Smith, and Joey Fatone, the movie combines the fictional narrative with real life footage of over-the-top punishments and callbacks to classic moments from the series. Once the Impractical Jokers hit the road, they compete in hidden camera challenges for the chance to turn back the clock and find redemption.

Impractical Jokers: The Movie is produced by Gatto, Murray, Quinn, Vulcano, Henchy, and Funny Or Die’s Jim Ziegler and Buddy Enright. Executive producers include Jack Rovner and Funny Or Die’s Mike Farah and Joe Farrell. The Impractical Jokers series has aired eight seasons with over 200 episodes to date and remains a top three original cable comedy series with ratings that continue to grow. New episodes of Impractical Jokers keep truTV in the top 10 ranking among cable networks in primetime.

About Warner Bros. Home Entertainment Inc.
Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.

About truTV
truTV, a WarnerMedia Entertainment brand, is a bold, fresh entertainment network that gives viewers audacious content with laugh-out-loud moments and relatable characters. With millions of engaged fans across linear, digital and social channels, the cable network features a growing roster of critically acclaimed and fan-favorite, premium scripted, non-scripted and hybrid series, such as Impractical Jokers, Adam Ruins Everything, At Home with Amy Sedaris, I’m Sorry, Tacoma FD, The Carbonaro Effect, Paid Off with Michael Torpey, Hot Ones: The Game Show, based off the popular digital series, and more. truTV is also a partner in airing the NCAA Division I Men’s Basketball Championship each year.
Website: www.trutv.com

About Funny Or Die
Funny or Die is a premiere entertainment brand and comedy studio that creates award-winning comedy. Known for its celebrity driven and political content, Funny Or Die reaches a global audience of more than 40 million people, and is the #1 comedy brand on both Facebook and Twitter. Funny Or Die’s Emmy Award-winning long-form division produces shows like the critically-acclaimed Brockmire for IFC, Emmy nominated Billy on the Street, the Peabody award-winning American Vandal for Netflix, the Emmy nominated Sarah Silverman series I Love You, America for Hulu and No Activity for CBS All Access, and Between Two Ferns: The Movie for Netflix. FOD also makes award-winning TV commercials and Branded Content for all verticals and many Fortune 500 Companies from soft drinks to automobiles and toilet paper.

About The Tenderloins
The Tenderloins is a New York-based comedy troupe, whose four members – Joe Gatto, James Murray, Brian Quinn and Sal Vulcano – are the Creators, Executive Producers, and Stars of truTV’s hit series, Impractical Jokers. Now in its ninth season, Impractical Jokers follows The Tenderloins as they compete to embarrass each other while being filmed by hidden cameras, all the while showcasing their longstanding camaraderie. Their newest TV show – TBS’s “The Misery Index” hosted by Jameela Jamil – premiered as a top rated cable comedy in 2019 and recently wrapped production on its second season. In addition to TV success, The Troupe has toured steadily over the last six years with its wildly popular live show, performing for over one million fans in the US and UK, including six sold-out nights at Radio City Music Hall, a sold-out Madison Square Garden, and six sold-out shows at London’s O2 Arena. Natives of Staten Island, NY, Vulcano, Gatto, Murray and Quinn met while attending high school and later formed The Tenderloins Comedy Troupe in 1999. After years of performing live improv and sketch comedy, The Tenderloins crossed over to the web, garnering millions of views for their internet sketches, eventually creating the runaway success Impractical Jokers for truTV. In addition to success in the US, Impractical Jokers is the #1 show on Comedy Central in the United Kingdom and India.

Film Review: “Human Capital”

HUMAN CAPITAL
Starring: Liev Schreiber, Peter Sarsgaard, Marisa Tomei, Maya Hawke, Alex Wolff
Directed by: Marc Meyers
Not Rated
Running Time: 95 mins.
Vertical Entertainment

An academic awards dinner serves as a turning point for multiple families when a hit and run accident leaves one of its wait staff dead in Marc Meyers’s Human Capital. The film boasts a solid cast lead by Liev Schreiber, Peter Sarsgaard and Marisa Tomei but its rigid structuring choices throw the film off balance as it delves ever deeper into the melodramatic. The resolution to its mystery proves murky and is not quite given enough space to breathe before the film’s conclusion.

Director Meyers and screenwriter Oren Moverman (adapting a novel by Stephen Amidon) split the film up in such a way that the pivotal day of the dinner leading up to the murder is shown through the lens of three characters played by Liev Schreiber, Marisa Tomei and Maya Hawke. It’s the multi-POV strategy we’ve seen with films such as Crash, but on a smaller scale. The trouble with these rigid thirds is that while they all are sort of negotiating with varying degrees of class inequality and value in humanity over money, they don’t quite convalesce in a meaningful way. Largely they depend on leaden dialogue to hit you over the head with each character arc’s Central Theme before we shift to the next one.

Unfortunately I found the first arc, that of Schreiber’s Drew, to be the most compelling of the three stories. His character figures largest into the characters who felt most genuine–his daughter Shannon (Hawke) and his pregnant wife Ronnie (Betty Gabriel, “Get Out”). Schreiber is also easily relatable as a man woefully out of his depth when trying to make a big deal with Sarsgaard’s slimy hedge fund manager Quint. While the film is in no way interested in clarifying the economics at play, Schreiber’s everyman persona makes up for it in his desperate reactions. I felt more interested in the fallout of his bad decisions than I did in getting to crux of the car accident plot.

Beyond Schreiber the film severely underserves the remainder of the cast. I found little to care about in Tomei and Sarsgaard’s relationship. They’re constantly sniping at each other and no doubt trying to hammer home that money can’t buy happiness. Tomei is eventually driven into the arms of a colleague played by Paul Sparks. Usually Sparks is a welcome addition but here it feels like he’s retreading the role he had during his tenure on “House of Cards.” Meanwhile, Aasif Mandvi is a sneering Wall Street bro sidekick to Sarsgaard and feels straight out of an 80’s movie. Eventually the film turns itself over to exciting newcomers Hawke and Alex Wolff (“Hereditary”) but again, their romance and how it all ties into the central mystery drags and feels like it’s trying to throw even more big social themes into the mix in the rush to the finish.

Human Capital is currently available on VOD

Film Review: “Blow the Man Down”

  • BLOW THE MAN DOWN
  • Starring: Sophie Lowe, Morgan Saylor
  • Directed by: Bridget Savage Cole & Danielle Krudy
  • Rated: R
  • Running Time: 1 hr 30 mins
  • Amazon Prime Video

 With a title borrowed from a classic English sea shanty, “Blow the Man Down” is an average, yet entertaining mystery/drama with a multitude of secrets that emanates a “Fargo”-like vibe. First-time feature length directors Bridget Savage Cole and Danielle Krudy, who also co-wrote the film that debuted on Amazon Prime, have crafted a smooth-paced work of cinema with a few flashes of well-timed suspense. 

Set in the small, picturesque fishing village of Easter Cove, Maine, “Blow the Man Down” begins with the Catholic wake of one Mary Margaret Connolly. Her two daughters – Priscilla (Sophie Lowe, “The Beautiful Lie”) and Mary Beth (Morgan Saylor, “Homeland”) – are naturally saddened by the loss of their mother, whom they had to care for in recent times. The girls, though, seem surprised to hear tales from their mother’s three closest friends – Susie Gallagher (Academy Award nominee June Squibb, “Nebraska”), Gail Maguire (Academy Award nominee Annette O’Toole, “A Mighty Wind”) and Doreen Burke (Marceline Hugot, “The Messenger”) – of how Mary had saved their bacon on several occasions. 

Interspersed within this sadness is a scene in which a nameless woman frantically jumps out of a car and runs screaming from an angry man who eventually tackles her. All the while a woman we come to know as Enid Nora Devlin (Margo Martindale, “August: Osage County”) watches silently from a second story window. We get the sense she may approve of the violence that is transpiring and thus has no interest in helping the woman. It’s brief but it’s an important nugget of things to come.

 Back at Mary’s house, the younger Mary Beth is dismayed to learn from Priscilla that their mother has left them with nothing. Mary Beth leaves in an explosion of anger and ends up at a dive bar where she latches onto a man who proves to be far more dangerous than she had ever considered. This is followed by a killing and cover-up that leads the sisters down a rabbit hole of secrets and lies involving prostitution, bribery, murder and a police force that either looks the other way or is incompetent. 

Even with a solid story, “Blow the Man Down” does contain some mystery clichés so don’t expect anything fresh when watching it. Additionally, the two leads are fine enough in their roles, but they are overshadowed greatly by the much older, supporting female cast. Squibb, O’Toole and Hugot are a hoot as a trio and they excel at making us feel like there is something more to their characters without giving too much away too quickly. 

Overall, the real star is Martindale who is simply a delight to watch. A woman with a ton of secrets and a hardened, mean streak a mile wide and a mile deep, Enid is someone that proves to be a perfect antagonist. Martindale also infuses her character with a level of complexity that the other cast members are not quite able to achieve. 

Call it a poor man’s version of “Knives Out,” “Blow the Man Down” is a nice way to spend 90 minutes in front of a screen at home.

Blu-Ray Review: “Mystify Michael Hutchence”

Directed By: Richard Lowenstein

Distributed By: Shout Factory

Runtime: 102 minutes

Film: 3 out of 5 stars

Special Features: 4 out of 5 stars

The fascinating new documentary “Mystify Michael Hutchence” comes to Blu-ray™ and DVD on March 31, 2020 via ShoutFactory.com and Amazon.com. The film takes an in-depth look into the life and tragic death of the lead singer of INXS. Written and directed by Richard Lowenstein (Dogs in Space) who was a close friend of the artist, “Mystify Michael Hutchence” is a powerfully intimate and insightful portrait of the internationally renowned INXS front man.

Right away I want to make potential viewers aware that “Mystify Michael Hutchence” is not a film specifically about the band INXS. Yes, obviously the group whose hits include “What You Need” “Never Tear Us Apart” and “New Sensation” do play a part in the story of Michael Huthence however, what “Mystify” does do is take a deeper and more personal look at the enigmatic front man. From his early years as a shy and somewhat introverted youth to, his involvement with the formation and success of INXS “Mystify” leaves no stone unturned. Though I found the did seemed t be a bit scattered and spotty at times there was still enough substance and detail to give the viewer a solid sense of what Hutchence was like throughout the various stages if is life. As the film begins to close in on the singer’s struggles and subsequent suicide you can’t help but feel some sense of internal grief and sadness.   

Over an hour of special features are included with the Blu-ray and DVD releases including extended interviews with the people closest to Michael prior to his death along with interviews of Hutchence himself discussing the formation of INXS, his growing up on film sets around Hong Kong and the use of INXS music in commercials. I found this portion of the release complimented the film nicely as each section provided even more depth to what was covered in the film.  

 “Mystify Michael Hutchence” is not just a film for INXS fans as Michaels story is a captivating one that keeps viewers attention throughout the films 102 minute run time. Despite the somewhat scattered presentation the film does give viewers plenty of footage and interviews some of which were previously unseen making for an interesting viewing experience.   

Win It All Movie Review

Win It All is a compelling movie that showcases Jake Johnson’s acting range brilliantly. Although it’s essentially a comedy, it does feature some great dramatic moments throughout. The main character, Eddie Garrett, spends his evenings playing poker — and, sadly, losing. Even though it’s a modern movie, Eddie doesn’t play at online casinos, and uses the old-school method of finding poker games around town instead.

Jake Johnson Shines

Jake Johnson is excellent as Eddie. Anyone who’s seen New Girl will know just how good he is, and he brings some much-needed sympathy to the character. This is vital as, throughout the movie, you’ll find yourself rooting against Eddie.

He ignores the good advice offered by his friends, family and even GA sponsor, and continues to get himself into trouble. This could be why Johnson was chosen to play him, because without his natural charm, Eddie would definitely be the villain of this movie.

This makes it extremely hard to root for him, and the viewer ends up becoming more sympathetic towards the various people that he hurts instead. However, Johnson is so charming and such a likeable actor that it’s easy to connect with him at times, even when his behaviour is so questionable.

Doesn’t Break New Ground

The movie’s storyline is relatively easy to follow. Eddie Garrett is a habitual loser. Everything that he touches goes bad. This includes his poker playing. One night, a local criminal drops a bag off at his house and asks him to hold onto it until he gets out of prison. He tells him that as long as he doesn’t look in the bag, he will give him $10,000 when he gets out. Eddie agrees, and of course, looks in the bag. He finds piles of money in there, and as he’s a gambling addict, he uses some of it to wager with.

The movie takes him on a journey of highs and lows that are generally quite cliched. There’s nothing unexpected to be found in the film. That doesn’t mean it’s not entertaining, it’s just not quite as good as the previous Joe Swanberg and Jake Johnson collaboration, Drinking Buddies. But if you were a fan of Drinking Buddies, Win It All is definitely worth a watch.

There’s of course the obligatory romantic storyline that underpins everything, but Johnson plays it with such charm that it feels natural. It might be a familiar trope, but it’s not overbearing and doesn’t take away from the enjoyment the film offers.

The undoubted highlight of the movie is Keegan-Michael Key. He plays Eddie’s Gamblers Anonymous sponsor, Gene, and brings a lot of energy to the part. It also helps that he has the best lines of all the characters, but his delivery of those lines is excellent. You’ll find yourself looking forward to seeing Gene on screen more than Eddie.

Entertaining but not Spellbinding

On the whole, the movie has a lot going for it, yet there are just too many flaws for it to be heralded as a classic. The cast are all likable and play their parts well. The writing is sharp and funny, with some excellent lines that will have you laughing out loud in places. But, sadly, the story is a little too similar to so many other movies and generally cliched.

If you’ve seen one romantic comedy, it’s fair to say you’ve seen Win It All. This doesn’t mean it’s a bad movie, not by any stretch, but it does mean that it’s nothing new or original.

If you’re a fan of Jake Johnson or want something to watch for a lazy evening in, Win It All is a great choice to watch. If you want something that has some depth or originality to it, maybe this isn’t the movie for you. It’s definitely an entertaining film, but it’s been done before many times in the past.

Blu-ray Review “Spies in Disguise”

Directors: Nick Bruno, Troy Quane
Starring: Tom Holland, Will Smith, Karen Gillan, Ben Mendelsohn, Rashida Jones, Masi Oka
20th Century Fox
Running Time: 101 min
Rated PG
Release Date: Mar 10, 2020

Film: 2.5 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 3 out of 5 stars

Talk about a hot voice cast including Tom Holland (“Spider-Man” franchise), Will Smith (“Men in Black”). I really wanted to love this film, but it didn’t really hit it home for me. There are parts I really liked but I wanted this to be so much funnier. The supporting cast also are fantastic including Karen Gillan (“Jumanji” franchise), Ben Mendelsohn (“Ready Player One”), Rashida Jones (“Parks and Recreation”). The action is hot in the film. The gadgets are fun also. I can’t see myself watching this film over and over again, but I don’t regret seeing it once. Kids will definitely dig it as my 8-year-old loved it.

Official Premise: In this high-flying animated comedy, super spy Lance Sterling (Will Smith) and scientist Walter Beckett (Tom Holland) are almost exact opposites. Lance is smooth, suave and debonair. Walter is none of the above. But this unlikely duo must team up for the ultimate mission to save the world when a “biodynamic concealment” experiment transforms Lance into a brave, fierce, majestic…pigeon!

The Blu-ray 1080p transfer is solid! The colors and the animation really pop. The film definitely has a nice style to it and the transfer works really well. The DTS-HD Master Audio 7.1 also delivers the film’s action perfectly. There are also Spanish and French tracks included on the disc, but they are only Dolby Digital 5.1, which is quite the drop-in quality.

The Blu-ray edition of Spies In Disguise includes a “Super Secret Spy Mode,” which is an immersive, in-movie experience which delivers Easter eggs, fun facts, and behind-the-scenes insights into the making of the film. Get the thrill of the movie while enjoying it, definitely the best of both worlds. I wish that more Blu-rays came with features like this. Usually, I can’t get my daughter to sit through the special features since she they lose her attention but this one was interactive and added a lot to the film.

The rest of the special features included are “Infiltrating Blue Sky Studios”, which goes inside the studio that made the film, pretty cool stuff. There is a featurette called “The Top Secret Guide to Gadgets”. The music in this film is important there are two music videos includes as well as behind-the-scene looks into both of the songs, “Then There Were Two” and “Freak of Nature”.

Next up, there are a few featurettes on the behind-the-scenes into the production including a gallery of images as well as Color Keys and Moment Paintings, Character Designs and Props and Gadgets Concept Art. Lastly the Blu-ray combo pack includes a DVD copy of the film as well as a digital code.

Blu-ray Review: Dark Waters

Directed by: Todd Haynes
Starring: Mark Ruffalo, Anne Hathaway and Tim Robbins
Distributed by: Universal Home Video
Running time: 126

Film: 4 out of 5 stars
A/V: 3 out of 5 stars
Extras: 1 out of 5 stars

1975. A group of youngsters out on a Saturday night. They take their trucks and their beer to the local swimming hole and jump in. A pretty standard night for the teenagers in West Virginia (or anywhere else for that matter). They are surprised when they are rousted out of the water by strange men with hoses in boats.

1998. After being informed he is moving up in the law firm he works for, Attorney Rob Billot (Ruffalo) is informed that he has a visitor. The man, a farmer named Wilbur Tennant (Bill Camp) has come to ask for help regarding the horrific deaths of cows on his farm. At first Rob hesitates to speak with Wilbur but, when he learns that the man is friends with his grandmother in West Virginia, he agrees to listen. What he hears -and later witnesses – will change his life forever.

At first I thought this film would play out as a male-led version of “Erin Brockovich.” I was wrong. While I enjoyed that Julia Roberts flick, it didn’t pack the heart that “Dark Waters” does. I think a lot of this comes from the fact that Mark Ruffalo is not only a talented actor but he has been, and is, very vocal about the world’s environment. I imagine him hearing the pitch for this film and just saying “yes.” Intentional or not, Ruffalo’s personal passions inhabit his character, and you feel that passion.

Ruffalo is joined by a strong cast of supporting actors, including Hathaway, Robbins (in only his third film in five years), Victor Garber, Mare Winningham and a grizzly Bill Pullman. The script, based on a New York Times magazine article, is strong but not preachy. The direction is strong and Mr. Haynes keeps the film flowing smoothly over it’s two-plus hour length.

Oddly, this is the 2nd time Mark Ruffalo has taken on DuPont. He ended up on the wrong end of a gun in “Foxcatcher” so maybe this film was his way of getting even!

Film Review: “The Way Back”

THE WAY BACK
Starring: Ben Affleck, Janina Gavankar
Directed by: Gavin O’Connor
Rated: R
Running Time: 1 hr 48 mins
Warner Bros. 

Having its release date delayed several months was not a good sign for the new sports drama “The Way Back” starring Ben Affleck. However, instead of just being another piece of cinematic rubbish that is typically released at the beginning of each year, “The Way Back” proves to be one of the greatest cinematic surprises in recent memory. With one of Affleck’s finest performances to date, this sports drama about an alcoholic who becomes a high school basketball coach ranks among the pantheon of such classics as “Hoosiers” and “Bull Durham.”

 The life of construction worker Jack Cunningham (Affleck) has boiled down to this: wake up and have a beer while showering; drive to work while having another beer; work all day while drinking some more; drive back home while drinking; and then either drink a case of beer in his run-down apartment or drink himself into a stupor at a local bar. It’s a tragic life as he is clearly on a path to drinking himself to death. 

One day, Jack receives a coaching offer from the priest who oversees his alma mater – a private Catholic school that is experiencing some hard times thanks to diminishing enrollment. We learn that once upon a time, Jack was a high school basketball phenom and was recruited by NCAA Division I programs. However, Jack walked away from basketball after high school and never looked back. 

Reluctantly, Jack takes on the role, but he soon discovers that his team is less than stellar and his assistant coach (Al Madrigal, “The Daily Show”) is a math teacher with no real experience. There are some predictable things that subsequently occur, but for the most part, the story evolves beyond general sports clichés, which typically dominate this subgenre, and deals with real life issues, thus giving “The Way Back” substance over style. 

Whether he likes it or not, Jack becomes a mentor to his players, particularly so for the team’s lone standout. Yet his newfound lease on life is shaky at best because of the underlying issues that remain, which are brought to the forefront again when his estranged wife, Angela (Janina Gavankar, “True Blood”) reaches out to him. Inevitably, Jack hits rock bottom in a painful and sad way. 

Once upon a time, yours truly was offered a position as a basketball coach at a private high school. Strictly basketball speaking, Affleck nails the evolution of Jack’s growth as a rookie coach and as a mentor to young men, notwithstanding his profane tirades. Director Gavin O’Connor (“The Accountant”) also brilliantly captures the atmosphere of the little gymnasiums that these schools play in as well as bringing an authenticity to the depiction of games played. 

Affleck has been open about his own battle with alcoholism in recent years and it is easy to see that he gave everything he had to the role. As the lone “star” of the film, Affleck lives up to the challenge with a fantastic performance as a man in great pain that is raw and authentic. In the end, like a Steph Curry jump shot, “The Way Back” is nothing but net.

The Dead Are Among Us on 4K Ultra HD Blu-ray! Zombie arrives on May 26th!

The Dead Are Among Us on 4K Ultra HD Blu-ray!

In Italy, it was considered the ‘unofficial sequel’ to DAWN OF THE DEAD. In England, it was known as ZOMBIE FLESH EATERS and banned as obscene. In America, it was called ZOMBIE and advertised with the depraved tag line “WE ARE GOING TO EAT YOU!” Tisa Farrow (THE GRIM REAPER), Ian McCulloch (CONTAMINATION), Al Cliver (CANNIBALS), and Richard Johnson (THE HAUNTING) star in this worldwide splatter sensation directed by ‘Maestro Of Gore’ Lucio Fulci (THE HOUSE BY THE CEMETERY, THE NEW YORK RIPPER) that remains one of the most eye-skewering, skin-ripping, gore-gushingly graphic horror hits of all time!

Now Blue Underground is proud to present our critically acclaimed restoration of ZOMBIE in true 4K Ultra High Definition with Dolby Vision HDR and a new Dolby Atmos audio mix, bursting at the seams with hours of new and archival Extras!
Extra Features / Sell Points
Disc 1 (4K UHD Blu-ray) Feature Film + Extras:
• Audio Commentary #1 with Troy Howarth, Author of Splintered Visions: Lucio Fulci and His Films
• Audio Commentary #2 with Star Ian McCulloch and Diabolik Magazine Editor Jason J. Slater
• When The Earth Spits Out The Dead – Interview with Stephen Thrower, Author of Beyond Terror: The Films of Lucio Fulci
• Theatrical Trailers
• TV Spots
• Radio Spots
• Poster & Still Gallery
• Guillermo del Toro Intro
Disc 2 (Blu-ray) Extras:
• Zombie Wasteland – Interviews with Stars Ian McCulloch, Richard Johnson & Al Cliver, and Actor/Stuntman Ottaviano Dell’Acqua
• Flesh Eaters on Film – Interview with Co-Producer Fabrizio De Angelis
• Deadtime Stories – Interviews with Co-Writers Elisa Briganti and (Uncredited) Dardano Sacchetti
• World of the Dead – Interviews with Cinematographer Sergio Salvati and Production & Costume Designer Walter Patriarca
• Zombi Italiano – Interviews with Special Make-Up Effects Artists Gianetto De Rossi & Maurizio Trani and Special Effects Artist Gino De Rossi
• Notes on a Headstone – Interview with Composer Fabio Frizzi
• All in the Family – Interview with Antonella Fulci
• Zombie Lover – Award-Winning Filmmaker Guillermo del Toro talks about one of his favorite films

Sell Points:
• The worldwide splatter sensation returns on 4K Ultra High Definition Blu-ray Disc!
• Critically acclaimed restoration NOW IN TRUE 4K ULTRA HIGH DEFINITION with DOLBY VISION HDR and a new DOLBY ATMOS audio mix!
• Features 2160p Ultra HD Resolution with Dolby Atmos and DTS-HD Master Audio for the ultimate home theater experience
• Bursting at the seams with hours of Extras
• National Print Advertising and extensive Online Exposure
• From acclaimed horror maestro Lucio Fulci (THE NEW YORK RIPPER, THE HOUSE BY THE CEMETERY, THE BEYOND, CITY OF THE LIVING DEAD, CAT IN THE BRAIN)
• Stars EuroCult favorites Tisa Farrow (THE GRIM REAPER, FINGERS), Ian McCulloch (CONTAMINATION, ZOMBIE HOLOCAUST), Richard Johnson (THE HAUNTING, BEYOND THE DOOR), Al Cliver (CANNIBALS, THE BLACK CAT), and Olga Karlatos (PURPLE RAIN, KEOMA)
• For fans of DAWN OF THE DEAD, CITY OF THE LIVING DEAD, and THE WALKING DEAD

Film Reviews:
• “Belongs In Every Horror Film Collection!” – DVD Review
• “An Instant Gorehound Classic!” – Fangoria
• “ZOMBIE Holds A Special Place In The Hierarchy Of Hardcore Horror!” – DVD Talk
• “A Veritable Orgy Of Cannibalistic Dismemberment!” – Cinefantastique
• “As Gory As The Law Allows, ZOMBIE Set New Standards For Eyeball Violence, Arterial Spurting, Maggot Infestations, Topless Skin-Diving And Zombie Table Manners!” – Chas Balun, Gorezone

ZOMBIE (3-Disc Limited Edition) Blu-ray Reviews:
• “5 out of 5! The release is sourced from an exclusive new 4K restoration that is simply a thing of beauty. I think that it is the best work that the folks at Blue Underground have done to date… All in all, there is absolutely no doubt in my mind that the folks at Blue Underground have produced the definitive master and release of ZOMBIE. VERY HIGHLY RECOMMENDED!” – Blu-ray.com
• “Blue Underground has delivered the definitive home video release of ZOMBIE… It’s difficult to imagine this 4K remaster and three-disc limited edition ever being dethroned… One of the most extraordinary cult cinema packages I’ve ever come across. I haven’t awarded this site’s highest rating to a title in more than two years, but Blue Underground’s astonishing efforts here are richly deserving. DVD Talk Collector Series” – DVD Talk
• “ZOMBIE is a spaghetti splatter cornerstone that looks better than ever in Blue Underground’s new 4K restoration—one of the few absolute ‘must-own’ releases for horror fans this year!” – Rue Morgue
• “Fulci gets so many elements of this film right – atmosphere, gore, story, decent characterization. This is Criterion-level treatment, and in some ways even more impressive. Undoubtedly, some of the best work Blue Underground has ever done, and if you’re familiar with their transfers that’s saying a lot. This is a no-brainer pick as one of the year’s best home video releases!” – Dread Central
• “Blue Underground’s work on this title blew all of my expectations out of the water – the transfer truly is a revelation. After years of seeing this film in substandard quality, it’s a shock to see it in such pristine quality – almost as if it was shot yesterday. Add to that a large extras selection and you have one of the finest Blu-ray horror releases of the year. Beyond recommended!” – The Digital Bits

Throwback Thursday: A Conversation with Colin Hanks

Today is Thursday and it is the start of our Throwback Thursday interview revisits. For our first Thursday, we are going back in time to July 2011, nearly 9 years ago, when we interview Colin Hanks, of course the son of well-known actor Tom Hanks. Colin was starring in the Gil Cates Jr. directed film “LUCKY” along with Ari Graynor, Ann-Margret and Jeffrey Tambor at the time and we were lucky (see what I did there LOL) enough to get an interview with him.

This interview was done back in 2011 when we were still named MovieMikes.com with our own Jon Donahue, who had a KILLER conversation with Colin Hanks to discuss “LUCKY”, his Tower Records documentary and his role on Showtime’s “DEXTER”! Please take the time to watch this whole interview its hysterical and deserves a view. And in case you wanna know…Yes they already knew each other prior to the interview. Enjoy and leave comments!!

Here is the premise for the film:
After Ben (Hanks) wins $36 million in the lottery, Lucy (Graynor) marries him, strictly for the cash. Just as she’s beginning to have genuine feelings for him, however, Lucy discovers that he’s a serial killer whose victims all resemble her. Still, though, there’s no way she’s walking away from those lottery checks, even if it means losing her mind and re-burying all the bodies.

Film Review: “Ordinary Love”

ORDINARY LOVE
Starring: Liam Neeson, Lesley Manville
Directed by: Lisa Barros D’Sa, Glenn Leyburn
Rated: R
Running Time: 1 hr 32 mins
Bleecker Street Media 

Nearly everyone has been affected by cancer in some way. Whether you have had to battle it yourself or had a family member, friend or acquaintance to be diagnosed with it, cancer, as we all know too well, is non-discriminatory as to who it invades. In the somber British drama “Ordinary Love,” this hideous disease inflicts a toll on the relationship of a devoted married couple still haunted by a tragic loss. The ups and downs they experience during one long year are portrayed with absolute brilliance and humanity by Liam Neeson and Lesley Manville (“Phantom Thread”). 

By the time we meet Tom (Neeson) and Joan (Manville), their relationship has developed into one that feels like putting on a comfortable pair of slippers. There is a tangible ease about how they interact with each other, punctuated by wonderful chemistry between the two leads. Initially, they have all the appearances of carefree empty nesters enjoying the autumn period of their lives. However, when Joan discovers a lump in her breast, we learn that underneath the pleasant exterior of their marriage is a scar that runs deep in their souls.

 Somehow, their marriage endured the death of their daughter long ago, but cancer threatens to put them through an altogether different ordeal. Despite trying to maintain a stiff upper lip about her diagnosis, Joan is racked with fear of the unknown while Tom swims in denial while trying to do his best to be supportive. What unfolds over the course of a year are challenges they meet with a variety of emotions, ranging from gut-wrenching despair to laughter to anger born from frustration. Through it all there is a grace which carries them through. 

“Ordinary Love,” which had its world premiere at the 2019 Toronto International Film Festival, is a serious work of cinematic art that will leave its mark on you. It is raw and unfiltered. Neeson and Manville are terrific at making us feel the painful intensity of their characters’ emotions. For her part, Manville, who was nominated for an Oscar for her role in 2017’s “Phantom Thread,” delivers a gut-wrenching performance as a woman trying to endure a disease that takes its toll on the mind, body and spirit. 

The film’s brevity, at just over an hour-and-a-half, means less time the story can explore the medical/hospital elements of Joan’s cancer. As such, these moments seem rushed and too abbreviated, thus lessening how truly impactful “Ordinary Love” could have been. Some elements are also predictable, yet this can be overlooked as a negative because of the overall emotional potency within the film. “Ordinary Love” is certainly not ordinary and will hit close to home for anyone who has been touched by cancer. 

Film Review: “Onward”

ONWARD
Starring the voices of:  Tom Holland and Chris Pratt
Directed by: Dan Scanlon
Rated:  PG
Running time:  1 hr 42 mins
Walt Disney

Fathers and sons.  As a father (and a son) I can tell you there is nothing like the bond shared between the two.  Films dealing with this special relationship have been around since time immortal.  From “The Godfather” to “The Lion King,”… from “Field of Dreams” to “Indiana Jones and the Temple of Doom,” the celebration of that bond is timeless.  So, if you had only 24 hours to discover that bond, wouldn’t you do ANYTHING to achieve it?

Ian Lightfoot (Holland) is turning 16 but he doesn’t seem to pleased.  His mother (Julia Louis-Dreyfuss) wants him to invite his friends over for a party but, with the exception of a few of his classmates, he really doesn’t have any.  Ian lives with his mom and his older brother, Barley (Pratt).  Ian’s father passed away before Ian was born and today, to honor his pop, Ian is wearing his dad’s favorite college sweatshirt.  A random meeting with a former classmate of his dad gives Ian a new insight into him.  To make things even more exciting, his mother gives Ian a present that dad intended to give him on this special day.  It seems that dad was a fan of wizardry and has bequeathed Ian his staff.  He has also given him a spell that will allow Ian to bring his father back for one day.  A day that Ian will remember forever.

I’ll have to admit that I went into this film not expecting much.  Obviously, as it was from PIXAR, I knew that visually it would be amazing (and I was right) but from the previews I didn’t think the story would hold my attention.  WRONG!  Helped by the strong vocal performances from the cast, “Onward” is a fine addition to the proud line up of films the company has produced.  It hits all of the emotional notes and, if you’ve ever been a child who longed for a few extra moments alone with your dad, it brings tears to your eyes.

Like most animated films these days, the cast is top notch.  Holland brings his youthful exuberance to the role while Pratt is all blustery bravado.  Both actors inhabit their characters.  Louis-Dreyfuss, Octavia Spencer and the rest of the cast do likewise.  Visually, the film is gorgeous.  Brightly colored and stunningly rendered, this is a film that can stand proudly next to such recent fare as “Toy Story 4” and “UP” as a can’t miss hit for the entire family to enjoy!

The Final Battle Has Arrived! Warner Bros. Home Entertainment And DC Present “Justice League Dark: Apokolips War”

COMING MAY 5, 2020 TO DIGITAL; ARRIVING MAY 19, 2020 ON 4K Ultra HD™ BLU-RAY combo pack, & BLU-RAY™ COMBO PACK

BURBANK, CA (March 4, 2019) – The World’s Greatest Super Heroes square off once-and-for-all against the despotic Darkseid – with the fate of all humanity hanging in the balance – in Justice League Dark: Apokolips War, the next entry in the popular series of DC Universe Movies. Produced by Warner Bros. Animation and DC, the feature-length animated film will be released by Warner Bros. Home Entertainment on Digital starting May 5, 2020, and on 4K Ultra HD Combo Pack and Blu-ray Combo Pack on May 19, 2020.

Justice League Dark: Apokolips War will be accompanied by the all-new DC Showcase animated short, Adam Strange. The thrilling tale, which offers insight into the space adventurer’s fascinating backstory, features Charlie Weber (How To Get Away with Murder) as the voice of title character.

Justice League Dark: Apokolips War will be available on 4K Ultra HD Combo Pack (USA $39.99 SRP; Canada $44.98 SRP) and Blu-ray Combo Pack (USA $24.98 SRP; Canada $29.98  SRP) as well as on Digital. The 4K Ultra HD Combo Pack features an Ultra HD Blu-ray disc in 4K with HDR, a Blu-ray disc featuring the film in hi-definition, and a digital version of the movie. The Blu-ray Combo Pack features a Blu-ray disc with the film in hi-definition, a DVD with the film in standard definition, and a digital version of the movie.

Culminating a six-year animated journey that began with the release of Justice League War in 2014, Justice League Dark: Apokolips War finds Earth decimated after intergalactic tyrant Darkseid has devastated the Justice League in a poorly executed war by the DC Super Heroes. Now the remaining bastions of good – the Justice League, Teen Titans, Suicide Squad and assorted others – must regroup, strategize and take the war to Darkseid in order to save the planet and its surviving inhabitants. This is truly the war to end all wars, and only the victor will live to enjoy the spoils.

Justice League Dark: Apokolips War features the largest Super Hero cast in the history of DC Universe Movies with dozens of actors/characters spotlighted in a grand ensemble of talent reprising their roles from this six-year story continuum. Matt Ryan (Legends of Tomorrow, Constantine), Jerry O’Connell (Carter, Bravo’s Play by Play, Stand by Me) and Taissa Farmiga (The Nun, The Mule, American Horror Story) anchor the cast as Constantine, Superman and Raven, respectively – the triumvirate determined to assemble the forces necessary to lead humanity’s final attack. Alongside that trio are the long-running core of Justice League voices — Jason O’Mara (The Man in the High Castle, Agents of S.H.I.E.L.D.) as Batman, Rosario Dawson (Briar Patch, Daredevil, Sin City) as Wonder Woman, Shemar Moore (S.W.A.T., Criminal Minds) as Cyborg and Christopher Gorham (Covert Affairs, Insatiable, Ugly Betty) as The Flash – as well as JL-adjacents Rebecca Romijn (X-Men, The Librarians) and Rainn Wilson (The Office, The Meg) as the voices of Lois Lane and Lex Luthor, respectively.

Tony Todd (Candyman) is the voice of the film’s key villain, Darkseid. The cast also boasts appearances by Camilla Luddington (Grey’s Anatomy) as Zatanna, Ray Chase (Justice League Dark, Final Fantasy XV videogame) as Jason Blood/Etrigan, Roger R. Cross (24, The Strain, Arrow) as John Stewart & Swamp Thing, Liam McIntyre (Spartacus: War of the Damned, The Flash) as Captain Boomerang, Hynden Walch (Teen Titans Go! Vs. Teen Titans) as Harley Quinn, Stuart Allan (Batman vs. Robin, Batman: Bad Blood) as Robin/Damian, Sachie Alessio (Batman: Hush) as Lady Shiva, and John DiMaggio (Futurama, Batman: Under the Red Hood) as King Shark.

Directors Matt Peters (LEGO DC: Batman – Family Matters) and Christina Sotta (Young Justice) helm Justice League Dark: Apokolips War from a script by Ernie Altbacker (Batman: Hush, Justice League Dark) and Mairghread Scott (Wonder Woman: Bloodlines), who is also credited with creating the story. Amy McKenna (The Death of Superman) is producer, and Jim Krieg (Batman: Gotham by Gaslight) is co-producer. Executive Producers are Sam Register and James Tucker (Reign of the Supermen, Justice League Dark).

Justice League Dark: Apokolips War is an epic story of supernatural proportions. A blockbuster, battle royale of a film filled with intense action and heartfelt emotions, serving up spotlight moments for our cast of unique characters,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Senior Vice President, Originals, Animation and Family Marketing. “This incredible thrill-ride takes us to the edge of the DC universe and sets the stage for an exciting new chapter.”

Justice League Dark: Apokolips War Special Features

4K Ultra HD Blu-ray Combo Pack, Blu-ray Combo Pack and Digital

  • DC Showcase: Adam Strange (Animated Short) – On an asteroid mining colony, mysterious drifter Adam Strange is dismissed as an interplanetary derelict. But when the miners open a fissure into the home of a horde of deadly alien insects, his true identity is exposed. He is space adventurer Adam Strange, whose heroic backstory is played out in flashbacks as he struggles to save the very people who have scorned him for so long. Charlie Weber provides the voice of Adam Strange, alongside with Roger R. Cross, Kimberly Brooks, Ray Chase and Fred Tatasciore. Adam Strange is produced and directed by Butch Lukic (Batman Unlimited franchise), who also conceived the original story – which is written by J.M. DeMatteis (Constantine: City of Demons).
  • Darkseid: New God/Evil Classic (New Featurette) – This documentary explores the machinations of one of fiction¹s greatest Super Villains as we learn more about what fuels Darkseid¹s drive to becoming a galactic Atilla the Hun and the importance of Deities in our classic and modern fiction.
  • Filmmaker Audio Commentary – Observations and behind-the-scenes insight from Executive Producer James Tucker, Directors Matt Peters and Christina Sotta, and Screenwriter Ernie Altbacker.
  • Look Back: Justice League Dark (Featurette) – John Constantine leads a group of misfit characters that use magic to vanquish their opponents. This is the dark version of the Justice League taking on the malevolent forces that go beyond our plane of existence.
  • Look Back: Batman and Harley Quinn (Featurette) – Take a peek at the animated feature film, Batman and Harley Quinn, featuring the creators and talented voice cast. 
  • From the DC Vault: Justice League Action, “Zombie King”
  • From the DC Vault: Justice League Action, “Abate and Switch”
  • From the DC Comics Vault: Teen Titans, “Nevermore”
  • A Sneak Peek at the next DC Universe Movie, Superman: Man of Tomorrow – An advanced look at the next animated film in the popular DC Universe Movies collection.

Justice League Dark: Apokolips War will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all their eligible movies by connecting their Movies Anywhere account with their participating digital retailer accounts.

DIGITAL DISTRIBUTION ELEMENTS

On May 5, 2020, Justice League Dark: Apokolips War will be available to own in high definition and standard definition from select digital retailers including Amazon, the Apple TV app, FandangoNOW, PlayStation, Vudu, Xbox and others. On May 19, 2020, Justice League Dark: Apokolips War will be made available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

ABOUT MOVIES ANYWHERE

Movies Anywhere is a digital movie platform that enables movie fans to discover, access, and watch their favorite digital movies in one place. Movies Anywhere brings together a library of nearly 7,500 digital movies from Sony Pictures, Twentieth Century Fox Film, The Walt Disney Studios (including Disney, Pixar, Marvel Studios and Lucasfilm), Universal Pictures (including DreamWorks and Illumination Entertainment) and Warner Bros., and will continue to expand the consumer experience as more content providers, digital retailers and platforms are added. By connecting participating digital retailers that include Amazon Prime Video,  the Apple TV app, FandangoNOW, Google Play, and Vudu, movie fans can now bring together their digital movie collections (whether purchased or redeemed) in one place and enjoy them from the comfort of their living rooms, and across multiple devices and platforms, including Amazon Fire devices; Android devices and Android TV; Apple TV, iPhone, iPad and iPod touch; Chromecast; Roku® devices and popular browsers. Movie fans can also redeem digital codes found in eligible Blu-ray and DVD disc packages from participating studios and enjoy them through Movies Anywhere. Movies Anywhere – your movies, together at last.

ABOUT DIGITAL

Digital movies or TV episodes allow fans to watch a digital version of their movie or TV show anywhere, on their favorite devices. Digital movies or TV episodes are included with the purchase of specially marked Blu-ray discs. With digital, consumers are able to instantly stream and download movies and TV shows to TVs, computers, tablets and smartphones through retail services. For more information on compatible devices and services go to wb.com/digitalmoviefaq. Consult a digital retailer for details and requirements and for a list of digital-compatible devices.

BASICS

PRODUCT                                                                 SRP

4K UHD Combo Pack                                                $39.99 USA, $44.98 Canada

Blu-ray Combo Pack                                                  $24.98 USA, $29.98 Canada

Blu-ray Languages: English, Spanish, French

Blu-ray Subtitles: English, Spanish, French

4K Blu-ray Languages: English, Spanish, French

4K Blu-ray Subtitles: English, Spanish, French

Running Time: 90 minutes

Rated R for bloody violence, language and some sexual references.

About Warner Bros. Home Entertainment, Inc.:

Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.

ABOUT DC

DC is one of the largest English-language publishers of comics and graphic novels in the world and home to some of the most iconic and recognizable characters ever created. As a creative unit of WarnerMedia, DC is charged with strategically integrating its stories and characters across film, television, consumer products, home entertainment, interactive games and the DC Universe subscription streaming service. For more information visit dccomics.com.

JUSTICE LEAGUE and all related characters and elements are trademarks of and © DC.  © 2020 Warner Bros. Entertainment Inc.

About Warner Bros. Animation

Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s current series include Animaniacs for Hulu, Green Eggs and Ham for Netflix, Aquaman: King of Atlantis, Gremlins: Secrets of the MogwaiJellystone, Little Ellen and Looney Tunes Cartoons for HBO Max, Harley Quinn and Young Justice: Outsiders for DC UNIVERSE, DC Super Hero Girls, Teen Titans Go!, ThunderCats Roar and Unikitty! for Cartoon Network, Bunnicula, Dorothy and the Wizard of Oz, New Looney Tunes, Scooby-Doo! and Guess Who?, The Tom and Jerry Show, Wacky Races and Yabba-Dabba Dinosaurs! for Boomerang. WBA’s full-length theatrical film, Teen Titans GO! to the Movies, was released in summer 2018. As home to the iconic animated characters from the DC, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Movies — for DVD, Blu-ray® and digital media. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 35 Emmy® Awards, the George Foster Peabody Award, a BAFTA Children’s Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 20 Annie Awards (honoring excellence in animation).

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