Concert Review: Styx, Joan Jett and The Blackhearts, Tesla. Syracuse, NY

Styx, Joan Jett and the Blackhearts, Tesla
Thursday, June 28th, 2018
St. Joseph’s Health Amphitheater at Lakeview, Syracuse, NY

Our Score: 4 out of 5 stars

Legends of Rock Styx, Joan Jett and the Blackhearts, and special guests Tesla made their stop in Syracuse, NY on June 28th at the beautiful (newly renamed) St. Joseph’s Health Amphitheater at Lakeview. The venue was packed with fans from all walks of life, eager to hear their favorite hit songs. The beautiful summer night was the perfect background for a concert such as this.

Tesla opened with outstanding energy starting things off with the more recent track “I Wanna Live” however, It wasn’t long before vocalist Jeff Keith led sing-alongs to hits like “What You Give” and “Signs” Guitarists Frank Hannon and Dave Rude expertly wowed the audience later on in the set with the always pleasing “Love Song.” The band which is celebrating 30 years together are performing at the top of their game adding a nice shine to their already legendary status. Joan Jett and her band The Blackhearts would take the stage next where they performed a fairly stock set of Jett standards including “Bad Reputation”, “Cherry Bomb” and of course “I Love Rock n Roll”. Though the founding Runaways members set mostly consisted of older more well known tracks it was nice to see her the band include the song “Soulmates to Strangers” from Jett’s most recent album “Unvarnished”

The true dominating force on the night was hands down Styx as their set was nothing short of captivating. All eyes were glued to the veteran performers as they played hit after hit including the return of “Mr. Roboto” a song which had been missing from the Styx live show for sometime. As the band performed song after song each member brought their own signature flair to the nights performance. From scene-stealer, Lawrence Gowan’s spinning and dancing to James Young’s soaring guitars solos not to mention the always captivating Tommy Shaw and thunderous bass sound of Ricky Phillips. All this performance power combined in one band made for a very memorable evening.

All three bands gave top-notch performances on this beautiful night by the lake with plenty of singing and swaying making for great concert experience. This is definitely a show I will be talking about for some time and I highly recommend checking out these veterans when they come to your town.

Tesla Set List:
1.) I Wanna Live
2.) Hang Tough
3.) Heavens Trail (No Way Out)
4.) What You Give
5.) Signs
6.) Love Song
7.) Little Suzi
8.) Modern Day Cowboy

Joan Jett and The Blackhearts Set List:
1.) Bad Reputation
2.) Cherry Bomb
3.) Do You Wanna Touch Me (Oh Yeah)
4.) Victim of Circumstance
5.) Soulmates To Strangers
6.) You Drive Me Wild
7.) Light of Day
8.) Fake Friends
9.) Love Is Pain
10.) A Hundred Feet Away
11.) Fresh Start
12.) Love Is All Around
13.) I Love Rock ‘N’ Roll
14.) Crimson and Clover
15.) I Hate Myself For Loving You
16.) Everyday People

Styx Set List:
1.) Overture
2.) Gone Gone Gone
3.) Blue Collar Man (Long Nights)
4.) The Grand Illusion
5.) Lady
6.) Ms. America
7.) Radio Silence
8.) Fooling Yourself (The Angry Young Man)
9.) Too Much Time On My Hands
10.) Khedive
11.) Bohemian Rhapsody
12.) Come Sail Away
13.) Mr. Roboto
14.) Renegade

Concert Review: The Black Dahlia Murder & Whitechapel “Nightbringers/This is Exile” Tour

“Nightbringers / This Is Exile Tour 2018”
Whitechapel, The Black Dahlia Murder, Fleshgod Apocalypse, Aversions Crown, Shadow of Intent
Wednesday, June 13th, 2018
Montage Music Hall, Rochester, NY

Our score: 5 out of 5 stars

Death Metal staples The Black Dahlia Murder and Whitechapel made a stop in Rochester, NY with special guests Shadow of Intent, Aversions Crown, and Fleshgod Apocalypse as part of a co-headlining tour which has the tours headliners each performing a selected album in full from start to finish

With the rarity of both headliners playing each of these albums (Nightbringers/This Is Exhile) in their entirety it was well before the first notes rang out that those in attendance knew they were in for a treat. Shadow of Intent opened up the evening with a brief yet ferocious set which was the perfect catalyst the evening ahead. Aversions Crown would follow performing tracks from their new album including the song “The Breeding Process.” Standout Italian metallers Fleshgod Apocalypse were a welcomed breath of fresh air which helped diversify the bill. Drummer David Falchitto was an absolute show stealer throughout the set especially on the song “The Violation.” If you have never checked out this band before defiantly give them a listen.

The Black Dahlia Murder would hit the stage next where they proceeded to rip through their latest album “Nightbringers”. Highlighting the set were songs such as “Catacomb Hecatomb” and “The Lonely Deceased”. Longtime fans worry not, as the band did sprinkle in a few classic ragers including “Everything Went Black” and “Deathmask Divine.” The Black Dahlia Murder continues to execute their live sets masterfully earning them status as a modern death metal powerhouse. Whitechapel would close out the night with a full performance of their second album “This Is Exile”. The universe imploded when vocalist Phil Bozeman and crew unleashed the crushing “Possession” which fueled the bands momentum as they continued on through the night. I have to admit that I was a bit skeptical upon first hearing the band was performing this album in whole. However, it transitioned very well live and the band delivered on all levels.

This tour is an absolute must see for fans of Whitechapel and The Black Dahlia Murder. Fans of modern death metal, metal-core, and slam will not be disappointed as the package has a little something for everyone so if the tour is in your town I highly suggest you check it out!

The Black Dahlia Set List:

1.) Widowmaker
2.) Of God and Serpent, Of Spectre and Snake
3.) Matriarch
4.) Nightbringers
5.) Jars
6.) Kings of the Nightworld
7.) Catacomb/Hecatomb
8.) As Good As Dead
9.) The Lonely Deceased

Whitechapel Set List

1.) Father of Lies
2.) This Is Exile
3.) Possession
4.) To All That Are Dead
5.) Exalt
6.) Somatically Incorrect
7.) Death Becomes Him
8.) Daemon (The Procreated)
9.) Eternal Refuge
10.) Of Legions
11.) Messiahabolical

Concert Review: Poison/Cheap Trick – Kansas City

REVIEW AND PHOTOS BY DAN LYBARGER

Poison/Cheap Trick/Pop Evil

Sprint Center – Kansas City, Missouri

May 25, 2018

Our Score:     Poison *** out of 5    Cheap Trick  **** out of 5

 

 

Thirty years ago, I wanted to kill a fellow editor at my college newspaper because he went missing the night before the semester’s final edition was due at the printer. When I woke him the next morning, I became even more enraged because he and decided to catch a concert without telling me or my peers, and it was Poison.

 

 

Had he abdicated his responsibility for Todd Rundgren, Pink Floyd, The Rolling Stones or The Smiths, I might have excused him. But no, it had to be that silly hair band whose songs about partying were relatively easy to play.

 

Another friend who had seen them play, lamented their musical limitations by dubbing guitarist C.C. DeVille “C.C. Distortion” for his sloppy solos, and an another buddy laughed when he saw concert footage of them on MTV and observed they were playing beginners’ instruments. Because my own musical chops are stunted, I’m not sure what was so embryonic about what axes Poison used to play. Nonetheless, we both felt smug as we continued to watch them perform on television.

 

 

After finally seeing the band play for myself on May 25 at the Sprint Center in Kansas City, I think I can now easily forgive the other editor. Of course, we still made our deadline. I can also say I don’t envy him because the performance I caught might have been better than the one he saw. Now that their hair has grayed (where it still remains), the band has actually developed some skill and showmanship that wasn’t in their old videos.

 

 

Lead vocalist Bret Michaels constantly thanked the crowd and rattled off other area venues where he played with the band or as a solo act. It’s always nice when the band knows they’re on the Missouri side of the state line and can recall something about your town other than a stage.

 

Cheap Trick, who played before them, one-upped the headliners by claiming they had written a recent tune after eating at Gates Barbecue, a blue collar eatery when the clerks greet you as loudly as if they were playing the Sprint Center.

 

Unlike the musicians, the clerks don’t need microphones.

 

Michaels and the rest of Poison gave the crowd high fives throughout the set and genuinely seemed to enjoy being in the barbecue capital of the world. The band have had personnel changes and breakups, but the original lineup were all performing that evening. The set seemed oddly touching when Michaels briefly mentioned that drummer Rikki Rockett had survived cancer.

 

Both he and bassist Bobby Dall looked healthy and enthusiastic, so it was a jolt to hear that Rockett, who regularly tosses his drumsticks in the air and twirls them between beats, almost didn’t make it to the stage.

 

 

 

Because I was attempting to photograph the show from a pit at the bottom of the stage, I almost felt sorry for people in the back of the arena who couldn’t see what he was doing. When he later played an extended toward the end of the set, it made Michaels’ revelation all the more touching.

 

Michaels, who had a series of frightening health problems of his own in 2010, is also lucky to be alive. Perhaps that’s why their enthusiasm seems genuine. Playing in front of a house that can hold 19,000 people sure beats lying in a hospital bed or worse.

 

While Poison can play their old hits like “Every Rose Has Its Thorn” or “Talk Dirty to Me” with more technical assurance than they used to, they do little more than plow through their old catalog.

 

Their fans didn’t object.

 

They did supplement their set with a large video screen that featured cartoons of the band before they took the stage. Their cover of Loggins and Messina’s “Your Momma Don’t Dance” proved to be a great excuse to feature the late pinup queen Bettie Page shimmying as they played. With Bettie just about any band would sound as good as the Stones on their best day.

 

Following a typically lively set by Cheap Trick requires a masochism few bands have. The three original members are all in their sixties and still have their old skills. Whereas DeVille impressed the crowd by mimicking Eddie Van Halen’s finger tapping and slipping in a bit of Edvard Grieg’s “In the Hall of the Mountain King,” Cheap Trick’s Rick Nielsen switched genres, playing styles and even guitars. The 69-year-old ax-man didn’t need a featured solo break because just about every song gave him a workout.

 

 

Oh, and while he was playing tunes like “Dream Police,” he was also tossing out picks at the crowd. Somehow his poses, witty asides to the crowd and acts of violence involving small pieces of plastic, never caused him to skip a note or detract from a solo. How he managed to hit me in the pit with a pick and get through the set at the same time baffles me.

 

Dall treated the crowd to his own version of Henry Mancini’s theme to The Pink Panther, but Cheap Trick bassist Tom Peterson gave his 12-string instrument a thorough workout and even sang a powerful medley of The Velvet Underground’s “Waiting for the Man” and “Heroin.” Nielsen complemented Peterson’s work with some tasteful slide solos, which lead vocalist Robin Zander accompanied with his own acoustic 12 string.

 

 

 

Zander happily took a break because during the rest of the set he still pushed his voice to its limit. Thankfully that limit seems superhuman. If his throat cracked a couple of times, he can still effortlessly reach high notes and make 40 to 30 year old songs sound fresh and committed.

 

If you’ve caught Cheap Trick in the past or have listed to At Budokan to the point where you’ve memorized all the words, their current shows are still worth catching. Daxx Nielsen, Rick’s son, has ably replaced Bun E. Carlos on drums, and Zander’s son Robin Taylor fleshes out the band’s harmonies and played most of the rhythm guitar parts.

 

Thanks to That 70s Show, the band have a few songs (like their version of Big Star’s “In the Street”) that are more recent than anything Poison played, and the samples from their newer albums Bang, Zoom, Crazy… Hello (2016) and We’re All Right! (2017) fit seamlessly in with their hits. Radio stations may ignore their most recent offerings, and it’s the broadcasters’ loss.

 

 

 

They also surprised the crowd by featuring the Melvins, who joined them for a rousing version of “Surrender.” Drummer Hayley Cramer from opening band Pop Evil even joined the bands as they gave the 40 year old chestnut all they had.

 

As lead singer Leigh Kakaty kept reminding the audience, Pop Evil from North Muskegon, Michigan, have been around for a decade. While Kakaty lamented the empty seats on the floor (that were filled when the headliners arrived), and the rest of the ensemble still approached their set with vigor and enthusiasm.

 

 

He opined that the newer generation should learn, “There is a difference between a Gibson guitar and a motherfucking Apple computer.” Fortunately, he and his crew of analog performers and the bands that followed made an eloquent case for that argument.

The tour moves from Kansas City to Pryor, Oklahoma and continues for the summer.  For more information and upcoming tour dates, click HERE.

 

Related Content

Concert Review: Ghost “Rats! on the Road”, Syracuse, NY

“Rats! on the Road”
Ghost
Wednesday, May 16th, 2018
Crouse-Hinds Theater, Syracuse, NY

Our Score: 5 out of 5 stars

Grammy award winners Ghost brought their love of theatrics and Lucifer to the city of Syracuse, NY on May 16th as part of their current “Rats! on the Road” tour. The tour which features Ghost with no opening act is an intimate fan pleasing experience that needs to be seen in-person to truly understand the bands power of performance.

The evening was filled with spectacular moments featuring several new songs from the bands upcoming release “Prequelle” including “Rats”, “Spirit “and, “Dance Macabre”. Fan favorite Papa Nihil made an appearance on the song “Miasma” providing a smooth saxophone solo that would have brought Kenny G to tears. The nameless ghouls shined throughout the night, each interacting with one another for some great moments including a stellar and a good ole fashion acoustic sing along to “Jigolo Har Megiddo”. All of the hits were present in the extended 24 song set which was nicely split into two acts complete with an intermission.

Despite all of the drama that unfolded within the band last year, Ghost is still steamrolling forward and staying very true to themselves. The band continues to up their game each time they embark on. If “Rats! On the Road” comes to your town we suggest clearing your schedule and grabbing some tickets.

 

Set List:
1.) Ashes
2.) Rats
3.) Absolution
4.) Ritual
5.) Con Clavi Con Dio
6.) Per Aspera ad Inferi
7.) Devil Church
8.) Cirice
9.) Stand by Him
10.) Miasma
11.) Jigolo Har Megiddo
12.) Pro Memoria
13.) Dues in Absentia
14.) Spirit
15.) From the Pinnacle to the Pit
16.) Faith
17.) Year Zero
18.) He Is
19.) Prime Mover
20.) Mummy Dust
21.) If You Have Ghosts
22.) Dance Macabre
23.) Square Hammer
24.) Monstrance Clock

 

Related Content

Concert Review – Poison/CheapTrick/Pop Evil – Kansas City

CONCERT REVIEW AND PHOTOS BY DAN LYBARGER

 

 

Poison/Cheap Trick/Pop Evil

Sprint Center – Kansas City, Missouri

May 25, 2018

Thirty years ago, I wanted to kill a fellow editor at my college newspaper because he went missing the night before the semester’s final edition was due at the printer. When I woke him the next morning, I became even more enraged because he and decided to catch a concert without telling me or my peers, and it was Poison.   Had he abdicated his responsibility for Todd Rundgren, Pink Floyd, The Rolling Stones or The Smiths, I might have excused him. But no, it had to be that silly hair band whose songs about partying were relatively easy to play.

Another friend who had seen them play, lamented their musical limitations by dubbing guitarist C.C. DeVille “C.C. Distortion” for his sloppy solos, and an another buddy laughed when he saw concert footage of them on MTV and observed they were playing beginners’ instruments. Because my own musical chops are stunted, I’m not sure what was so embryonic about what axes Poison used to play. Nonetheless, we both felt smug as we continued to watch them perform on television.

 

After finally seeing the band play for myself on May 25 at the Sprint Center in Kansas City, I think I can now easily forgive the other editor. Of course, we still made our deadline. I can also say I don’t envy him because the performance I caught might have been better than the one he saw. Now that their hair has grayed (where it still remains), the band has actually developed some skill and showmanship that wasn’t in their old videos.

Lead vocalist Bret Michaels constantly thanked the crowd and rattled off other area venues where he played with the band or as a solo act. It’s always nice when the band knows they’re on the Missouri side of the state line and can recall something about your town other than a stage.

Cheap Trick, who played before them, one-upped the headliners by claiming they had written a recent tune after eating at Gates Barbecue, a blue collar eatery when the clerks greet you as loudly as if they were playing the Sprint Center.  Unlike the musicians, the clerks don’t need microphones.

Michaels and the rest of Poison gave the crowd high fives throughout the set and genuinely seemed to enjoy being in the barbecue capital of the world. The band have had personnel changes and breakups, but the original lineup were all performing that evening. The set seemed oddly touching when Michaels briefly mentioned that drummer Rikki Rockett had survived cancer.

 

Both he and bassist Bobby Dall looked healthy and enthusiastic, so it was a jolt to hear that Rockett, who regularly tosses his drumsticks in the air and twirls them between beats, almost didn’t make it to the stage.

Because I was attempting to photograph the show from a pit at the bottom of the stage, I almost felt sorry for people in the back of the arena who couldn’t see what he was doing. When he later played an extended toward the end of the set, it made Michaels’ revelation all the more touching.

Michaels, who had a series of frightening health problems of his own in 2010, is also lucky to be alive. Perhaps that’s why their enthusiasm seems genuine. Playing in front of a house that can hold 19,000 people sure beats lying in a hospital bed or worse.

While Poison can play their old hits like “Every Rose Has Its Thorn” or “Talk Dirty to Me” with more technical assurance than they used to, they do little more than plow through their old catalog.

Their fans didn’t object.

They did supplement their set with a large video screen that featured cartoons of the band before they took the stage. Their cover of Loggins and Messina’s “Your Momma Don’t Dance” proved to be a great excuse to feature the late pinup queen Bettie Page shimmying as they played. With Bettie just about any band would sound as good as the Stones on their best day.

Following a typically lively set by Cheap Trick requires a masochism few bands have. The three original members are all in their sixties and still have their old skills. Whereas DeVille impressed the crowd by mimicking Eddie Van Halen’s finger tapping and slipping in a bit of Edvard Grieg’s “In the Hall of the Mountain King,” Cheap Trick’s Rick Nielsen switched genres, playing styles and even guitars. The 69-year-old ax-man didn’t need a featured solo break because just about every song gave him a workout.

 

 

Oh, and while he was playing tunes like “Dream Police,” he was also tossing out picks at the crowd. Somehow his poses, witty asides to the crowd and acts of violence involving small pieces of plastic, never caused him to skip a note or detract from a solo. How he managed to hit me in the pit with a pick and get through the set at the same time baffles me.

Dall treated the crowd to his own version of Henry Mancini’s theme to The Pink Panther, but Cheap Trick bassist Tom Peterson gave his 12-string instrument a thorough workout and even sang a powerful medley of The Velvet Underground’s “Waiting for the Man” and “Heroin.” Nielsen complemented Peterson’s work with some tasteful slide solos, which lead vocalist Robin Zander accompanied with his own acoustic 12 string.

Zander happily took a break because during the rest of the set he still pushed his voice to its limit. Thankfully that limit seems superhuman. If his throat cracked a couple of times, he can still effortlessly reach high notes and make 40 to 30 year old songs sound fresh and committed.

 

If you’ve caught Cheap Trick in the past or have listed to At Budokan to the point where you’ve memorized all the words, their current shows are still worth catching. Daxx Nielsen, Rick’s son, has ably replaced Bun E. Carlos on drums, and Zander’s son Robin Taylor fleshes out the band’s harmonies and played most of the rhythm guitar parts.

Thanks to That 70s Show, the band have a few songs (like their version of Big Star’s “In the Street”) that are more recent than anything Poison played, and the samples from their newer albums Bang, Zoom, Crazy… Hello (2016) and We’re All Right! (2017) fit seamlessly in with their hits. Radio stations may ignore their most recent offerings, and it’s the broadcasters’ loss.

They also surprised the crowd by featuring the Melvins, who joined them for a rousing version of “Surrender.” Drummer Hayley Cramer from opening band Pop Evil even joined the bands as they gave the 40 year old chestnut all they had.

As lead singer Leigh Kakaty kept reminding the audience, Pop Evil from North Muskegon, Michigan, have been around for a decade. While Kakaty lamented the empty seats on the floor (that were filled when the headliners arrived), and the rest of the ensemble still approached their set with vigor and enthusiasm.

He opined that the newer generation should learn, “There is a difference between a Gibson guitar and a motherfucking Apple computer.” Fortunately, he and his crew of analog performers and the bands that followed made an eloquent case for that argument.

The tour heads to Pryor, Oklahoma for their next gig.  For more information and other tour dates, click HERE.

 

SET LISTS

CHEAP TRICK

Hello There
You Got It Going On
That 70s Show
California Man
Long Time Coming
Baby Loves to Rock
When I Wake Up Tomorrow
The Summer Looks Good on You
Waitin’ for the Man
The Flame
I Want You to Want Me
Dream Police
Surrender (w/The Melvins)
Goodnight

 

POP EVIL and POISON’s SET LISTS WERE NOT AVAILABLE

 

Related Content

Concert Review: Jimmy Buffett – “Son of a Son of a Sailor” Tour – Kansas City

 

Jimmy Buffett and the Coral Reefer Band – “Son of a Son of a Sailor” Tour 2018
Sprint Center – Kansas City, Missouri

May 19, 2018

When you see people wearing grass skirts and coconut-shell bras, parrots on their shoulders or over-sized Cheeseburgers and Shark Fins on their heads, you can only be in one place:  Margaritaville!  This weekend, Margaritaville was located inside the Sprint Center in Kansas City as Jimmy Buffett and the Coral Reefer Band debuted the “Son of a Son of a Sailor” tour.

 

Has it really been 40 years since Buffett released “Son of a Son of a Sailor?”  This is my favorite Buffett album and it solidified Buffett as one of my favorite songwriters.  Like another one of my favorites, the late Harry Chapin, Buffett wrote amazing “story-songs” that took you to places you never imagined you would travel to.  I knew that the night’s events would not disappoint.

Caroline Jones was the opening act.  A very talented singer and musician, she treated the crowd to a small set of songs that showed off both her vocal range and musical talents.  She would later come out during the main show to accompany Buffett  and the band on a couple more numbers.  I have to admit that, though I’ve heard Ms. Jones on Sirius Radio (she hosts a program known as “the Coffee House) I wasn’t aware that she was also a singer.   I recommend you give her a listen,

Finally it was showtime.  Buffett and the band hit the stage and kicked off the show with a rousing “Livingston Saturday Night,” one of seven songs from the “Son of a Son of a Sailor” album he would play tonight.  Afterwards he addressed the crowd, informing them that this was the inaugural show of the new tour and that he and the band had been practicing in Texas for a while.  He also noted the Fin Men, a group of gentlemen that had been patrolling around the venue with illuminated 6-foot shark fins on their heads.  This group of Parrotheads made the show even more entertaining, especially when they circled during the song “Fins.”  My understanding is that they are just a group of fans and aren’t officially part of the show but my advice to Mr. Buffett would be to fly these guys wherever you’re playing.  They are true ambassadors for your music as well as the great time experienced at your shows.

Besides the enthusiasm of Buffett, the show also includes the Coral Reefer Band, made up of some amazing musicians.  Chief among them is Mac McAnally, who has been chosen  the Country Music Association’s “Musician of the Year” an amazing 10 times.  McAnally is also a member of the Nashville Songwriters Hall of Fame, thanks to his having written or co-written such songs as “Down the Road” for Kenny Chesney, “Old Flame” for Alabama and “Thank God for You,” one of many hits he composed for Sawyer Brown.  At the concert’s mid-point – an energetic “Cheeseburger in Paradise” – Buffett left the stage “for some refreshments.”  In his absence, the audience was treated to an amazing mini-concert by steelpan player Robert Greenridge, who performed a beautiful rendition of the Beatles’ “Eleanor Rigby.”

Mac McAnally and Jimmy Buffett

The audience was not only treated to a barrage of Buffett’s music, but were also entertained with covers of songs by the Beach Boys “Sail On, Sailor”), Alan Jackson (“It’s Five O’Clock Somewhere” – a song on which Buffett also appeared on) and Crosby, Stills and Nash (“Southern Cross”).  The band was in top form.  It is hard to believe that this was the first show of the tour, so easily did all of the pieces work.

After a rousing three-song encore, which included Van Morrison’s “Brown Eyed Girl,” Buffett said his good nights to a crowd that had hardly sat down all evening.  If you’ve never experienced the magic that is a Jimmy Buffett concert, I urge you to catch him and the Reefers as soon as possible.  For a list of tour dates, or to learn pretty much about everything Buffett, click HERE

I was made an honorary Fin Man after the show. Love these guys!

SET LIST

Livingston Saturday Night, The Weather is Here – Wish You Were Beautiful, Tampico Trauma, Boat Drinks, Come Monday (w/Caroline Jones), Trip Around the Sun (w/Caroline Jones), It’s Five O’Clock Somewhere, Sail On,Sailor, Volcano, Cowboy in the Jungle, Son of a Son of a Sailor, Cheeseburger in Paradise, Grapefruit Juicy Fruit, Manana, Fool Button, Piece of Work, Coast of Marseilles, Fins, Changes In Latitudes/Changes in Attitudes, A Pirate Looks at Forty, Back Where I Come From (vocals by Mac McAnally), Margaritaville, Southern Cross, One Particular Harbor.

ENCORE

Brown Eyed Girl, Love and Luck, One Love/People Get Ready

 

Related Content

Concert Review: Julien Baker and Tancred

“Julien Baker Spring Tour 2018”

Julien Baker, Tancred
Friday, April 13th, 2018
Hangar Theater, Ithaca, NY

Our Score: 4.5 out of 5 stars

Singer/Songwriter Julien Baker made a stop in the bustling college town of Ithaca, NY on April 13th for a sold out performance at the intimate Hangar Theater. This would be her first time performing in Ithaca as a headlining act having only previously played the area as an opener for The Decembrists. Baker proved she was up to the task and had the capacity crowd wanting even more by the end of the evening.

Opening up the night was former Now, Now guitarist Jess Abbott and her group Tancred. The group quickly worked through a brief, upbeat set which included songs from the bands four album catalog including songs from their latest release “Nightstand”. The packed house was appreciative of the set and thanked the musicians with a wave of applause as they left the stage. After a brief intermission Julien Baker took the stage opening the night with the song “Over” from her album 2017 release “Turn Out the Lights”. The somber instrumental quickly gave way to songs like “Appointments”, “Funeral Pyre” and “Sprained Ankle” which received a large applause from the crowd. Baker captivated the crowd with her soft spoken demeanor and breathy delivery which acted as the foundation for songs such as “Happy To Be Here” a number which almost brought the singer to tears. Later on in the set Baker was accompanied by violinist Camille Faulkner on a hand full of songs including “Even” “Vessels” and, “Sour Breath” before closing out the night with the sounds of “Something” from Julien’s debut album “Sprained Ankle.

To find a musician that can write captivating lyrics and instrumentation is a rarity unto itself however, when you find an artist who is then able to transfer that power and emotion into a live setting with just a guitar, piano and their voice that for me puts the artist on a completely different level. Julien Baker is one of those musicians. From the moment she took the stage to the time she left Julien’s performance took listeners to another place. Equally as powerful as her recordings Baker did what is sometimes unattainable for lesser performers. On this night in Ithaca, NY concert goes got not only a break from the often bitter early spring weather but a chance sit back and enjoy a really great evening of music. For those of you in areas where Julien may be performing I highly encourage you to attend as you surely will not be disappointed.

Set List:
1.) Over
2.) Appointments
3.) Turn Out the Lights
4.) Funeral Pyre
5.) Rejoice
6.) Sprained Ankle
7.) Happy To Be Here
8.) Red Door
9.) Blacktop
10.) Everybody’s Does
11.) Even
12.) Vessels
13.) Sour Breath
14.) Televangelist
15.) Hurt Less
16.) Something

Concert Review: John 5 and The Creatures “It’s Alive” Tour 2018

“It’s Alive” Tour 2018
John 5 and The Creatures

Wednesday, February 14th, 2018
The Lost Horizon, Syracuse, NY

Our Score: 4 out of 5 stars

Lovers and the broken hearted gathered in Syracuse, NY for an unforgettable night of haunting guitar tones and blistering solos courtesy of guitarist John 5 and his band The Creatures. The Rob Zombie guitarist is currently out on the road in support of his latest solo release “It’s Alive”. Only a true virtuoso such as John 5 could turn a quiet love filled Valentine’s Day into the loudest Halloween themed shred-fest the month of February had ever seen.

As the final notes of the opening act rang out the inflatable Halloween decorations rose up from the depths of the intimate Lost Horizon stage. Shortly thereafter master of ceremonies John 5 appeared with a colored flashing LED grin flanked by his band misfits. The trio kicked of the show with “Here’s to the Crazy Ones” which set a face melting pace for the evening. The makeup adorned 5 danced around the stage with various incarnations of his trusted telecaster which only further mesmerized the slack jawed onlookers. Creatures, bass player Ian Ross and drummer Rodger Carter, kept pace as the band followed up with rippers like “This Is My Rifle,” “Season of the Witch,” and “Guitars Tits and Monsters.” As the night wore on the charismatic leader John 5 even dedicated “Behind the Nut Love” to the Valentine’s Day crowd and even offered free lap dances to all in attendance. Easily the most captivating moment of the night was when 5 donned his laser guitar for a medley of hard rock and heavy metal classics which included snippets of “Enter Sandman” and “Thunder kiss 65” to name just a few.

Just when the place was about to burst at the seams, John 5 and Company closed out the night with an encore performance of Michael Jackson’s “Beat It.” The crowd was overjoyed and as the guitarist took his final bow of the evening and appeared confident that he had made the traditionally lovey-dovey holiday into his very own spooktacular shredathon. The “It’s Alive” Tour runs through April so I highly recommend checking it out.

Concert Review: Joe Bonamassa

Joe Bonamassa
Thursday, November 16th, 2017
State Theater, Ithaca, NY

Our score: 3 out of 5 stars

Guitar virtuoso and area native Joe Bonamassa brought his smoking brand of blues to the bustling college town of Ithaca, NY on November 16th performing to a near capacity crowd inside the historic 1,600 seat venue where JB and company let the music do the talking.

The guitarist and his band took the stage promptly at 8pm without the aid of an opening act as on this night it would be all JB. The band quickly got down to business opening up the set with “The Train” and quickly moving on to tracks such as “Blues Desperation” and “How Deep This River Runs” all of which earned the group large rounds of applause. As the set progressed further into the evening Bonamassa and company began to stretch their legs with covers of Albert King’s “I Get Evil” and “Angel of Mercy” and Led Zeppelins “Boogie With Stu” and “How Many More Times” which would close out the night’s performance. The front-man provided little to no banter between he and the crowd aside from band introductions which gave a nod to the stellar backing band which currently consists of drummer Anton Fig, bassist Michael Rhodes, keyboardist Reese Wynan’s and several other impressive players.

At times I did find the veteran blues player to be a bit cold and stand offish to the crowd and to his band however it did not seem to put a damper on the night’s festivities. Before the last note rang out it was clear that everyone within the two level theater seemed to be having a great time and enjoyed every minute of the night’s performance. The tour runs through mid December so there is still plenty of time to catch of these great performances.

Set List:
1.) The Train
2.) Mountain Climbing
3.) Blues of Desperation
4.) No Good Place for the Lonely
5.) How Deep This River Runs
6.) Breaking Up Someone’s Home
7.) I Get Evil
8.) Angel of Mercy
9.) Slow Train
10.) Driving Towards the Daylight
11.) Boogie with Stu
12.) Last Kiss
13.) How Many More Times

Concert Review: Dashboard Confessional, All American Rejects, The Maine

Dashboard Confessional, All American Rejects, The Maine, The Social Animals
Saturday, July 29th, 2017
Tags Summer Stage, Big Flats, NY

Our score: 3 out of 5 stars

Dashboard Confessional brought their summer tour to the rolling hills of Big Flats, NY on July 21st for a night of nostalgia that had the mostly millennial crowd on its feet for a majority of the evening. Also on the bill was Oklahoma hit makers All American Rejects, The Maine and new comers The Social Animals. Though the nights unseasonably frigid temperatures had people packing on a few extra layers each of the bands on the bill did their best to keep everyone up and moving.

Opening up the night were The Social Animals who performed a handful of songs of their debut EP “Formative Years” as well as unique version of the Prince hit “When Does Cry” which earned the young band a warm Upstate NY welcome in the way of applause and cheer. The Maine would take the stage next kicking the night’s energy up a notch as vocalist worked the audience like a true professional and at one point during the set brought up a young concert goer to help sing one of the bands songs which the crowd loved. All American Rejects would follow with a hit filled set that included “Dirty Little Secret”, “Swing, Swing” and “Gives You Hell” which was interspersed with semi comedic segues courtesy of front man Tyson Ritter. Thankfully the bands performance was a touch better than Ritter’s jokes as those on hand seemed to prefer the band stick to what it knows best. Closing out the night was the Chris Carrabba fronted Dashboard Confessional a band which wasted no time at all getting their set going with the well know track “Vindicated” which paved the way for other notable tracks such as the crowd requested “Saints and Sailors”, “Ghost of a Good Thing” and “Screaming Infidelities” before the set was closed out with the always popular “Hands Down”. The band looked good and sounded better making for a solid ending to a night of good music.

With this tour package running through mid August there is still time to catch one of the remaining shows as its one half nostalgia and one half new as all the bands on the bill do a great job of playing the songs that made them who they are while infusing just enough new material to peak interest in the bands upcoming releases. If your one of the lucky “select” shows where The Social Animals are on the bill I highly recommend getting to the venue early to catch their set as you won’t be disappointed.

All American Rejects (Partial) Set List:
Dirty Little Secret
My Paper Heart
Swing, Swing
It Ends Tonight
Sweat
Move Along
Give You Hell

Dashboard Confessional (Partial)Set list:
Vindicated
Saints and Sailors
The Good Fight
Ghost of a Good Thing
Heart Beat Here
Screaming Infidelities
Hands Down

Concert Review: 2017 “K-Rockathon”

“K-Rockathon”
Korn, Stone Sour, Skillet, Yelawolf, Ded, Red Sun Rising
Wednesday, July 19th, 2017
Lakeview Amphitheater, Syracuse, NY

Our score: 3.5 out of 5 stars

The sprawling Lakeview Amphitheater was filled nearly to capacity on July 19th for the return of K-Rock’s annual “K-Rockathon”. After a one year hiatus and moving to a new venue the concert was back as promised delivering a stellar, somewhat diverse bill featuring the likes of Yelawolf, Stone Sour and Korn which the Syracuse crowd went crazy for.

Kicking of the main bill of the show was upcoming rock act Red Sun Rising who put on a brief but spot on set which helped get the crowd going and excited for the acts to come. Ded would hit the stage next and sadly did nothing for me. The band’s sound was nothing new nor, was the white contact lenses some of the bands member donned. Thankfully their set was brief as it came off very flat. Shady Records artist Yelawolf would take the stage next flanked by a giant riser that looked like the front of a classic Chevrolet complete with working lights and smoke. Together with DJ Klever the duo had the crowd on their fit from beginning to end. Being the only hip-hop artist on an all rock bill can certainly make you the underdog however that was definitely not the case here as fans seemed to be really into the performance. Skillet would follow with an energetic set which had fans singing to a few of their more well known songs including “Feel Invincible”, “Hero” and the always popular “Monster”. The band looked great and sounded even better and those on hand showed their appreciation in giant waves of applause and cheers. Stone Sour was up next and wasted no time getting their set under way. Front-man Cory Taylor worked the crowd like the season pro he is while his fellow band mates put forth stellar performances as they shredded through songs like “Made of Scars”, “Tired” and the chart topping “Song #3”. At several points during the set Taylor either made his way out into the crowd or doused those in close proximity with showers of confetti via a giant cannon like shooter. It was hard to tell who was having more fun the band or those watching the band as the energy during the set was definitely at a high. Closing out the night were veteran metalers Korn. After making a couple trips around the venue and seeing all the various Korn apparel that was being worn you could clearly tell who people were there to see. As soon as the band hit the stage basked in blue and white light it was on. The 5 piece band from Bakersfield, California were straightforward in their approach and wasted no time between songs as they gave the Syracuse crowd exactly what they came for. Hits such as “Falling Away From Me”, “Got The Life” and “Freak On A Leash” seemed to grab the biggest applause while deeper tracks such “Shoots And Ladders”, “Twist” and “Make Me Bad” satisfied longtime Korn fans.

It was great to see K-Rock fulfill their promise with the return of this year’s “K-Rockathon”. When an annual concert that has been around for 20 years decides to take a year off you sometimes question will it ever come back? Thankfully it did and the hometown crowd definitely showed their appreciation by coming out in droves on a Wednesday night to fill the expansive new venue. We can’t wait to see what’s in store for next year.

Stone Sour Set List:
1.) Taipei Person/ Allah Tea
2.) Made of Scars
3.) Say You’ll Haunt Me
4.) 30/30-150
5.) Tired
6.) Do Me A Favor
7.) Song #3
8.) Through Glass
9.) Absolute Zero
10.) Fabuless

Korn Set list:
1.) Rotting In Vain
2.) Falling Away From Me
3.) Did My Time
4.) Here To Say
5.) Clown
6.) Shoots And Ladders
7.) Twist
8.) Got The Life
9.) Coming Undone
10.) Insane
11.) Make Me Bad
12.) 4 U
13.) Blind
14.) It’s On
15.) Freak On A Leash

Grateful Dead “Meet-Up at the Movies” Returns With Unreleased 1989 Concert in Movie Theaters Nationwide on August 1 Only

Fathom Events and Rhino Entertainment Commemorate Jerry Garcia’s 75thBirthday With Seventh Annual One-Night Event to Showcase Unreleased 1989 RFK Stadium Concert

DENVER – June 29, 2017 – For the seventh year in a row, beloved American rock group Grateful Dead returns to the big screen for its highly-anticipated annual event, “Grateful Dead Meet-Up at the Movies 2017.” The Meet Up features the Grateful Dead (Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir) in concert, performing to a sell-out crowd of 40,000-plus fans in Washington D.C. The one-night-only event is scheduled for August 1, which would have been Garcia’s 75th birthday.

Presented by Fathom Events and Rhino Entertainment, “Grateful Dead Meet-Up at the Movies 2017” will play in U.S. movie theaters on Tuesday, August 1, 2017 at 7:00 p.m. local time. This special one-night cinema event features the Dead’s previously unreleased July 12, 1989 concert from RFK Stadium.

Tickets for “Grateful Dead Meet-Up at the Movies 2017” can be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in more than 450 select movie theaters through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations, visit the Fathom Events website (theaters and participants are subject to change).

The Meet-Up provides an annual occasion for Dead Heads to reconnect with fellow fans, as well as a chance for new devotees to experience the excitement of what it would have been like to see one of the Dead’s legendary shows live. This year’s concert features a rare first set that contains at least one song sung by each of the four lead singers and a terrific show-opening rendition of the band’s biggest hit “Touch Of Grey.” The show’s second set begins with a very uncommon second-set opener, “Sugaree,” two songs with Bruce Hornsby sitting in (“Sugaree,” and “Man Smart [Woman Smarter]”), plus one of the only video recorded versions of “Black Muddy River.”

July 12, 1989 -RFK Stadium- Set List:

Touch of Grey

New Minglewood Blues

Mississippi Half-Step Uptown Toodeloo

Tom Thumb’s Blues

Far From Me

Cassidy

Friend of the Devil

Promised Land

Sugaree

Man Smart [Woman Smarter]

Ship of Fools

Estimated Prophet

Eyes of the World

Drums

I Need a Miracle

Dear Mr. Fantasy

Black Peter

Turn on Your Love Light

Black Muddy River

“Earlier this spring, Dead Heads gathered in cinemas nationwide for ‘The Grateful Dead Movie 40th Anniversary,’” Fathom Events CEO John Rubey said. “We’re pleased to present them with another opportunity to ‘Meet-Up’ at the movie theater this year.”

Hart, Kreutzmann, Weir’s Dead & Company (also featuring John Mayer, Oteil Burbridge, and Jeff Chimenti) is on tour now through July 1, 2017. For more information, visit www.DeadandCompany.com

About Fathom Events
Fathom Events is recognized as the leading domestic distributor of event cinema with participating affiliate theaters in all 100 of the top Designated Market Areas®, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events such as live, high-definition performances of the Metropolitan Opera, dance and theatre productions like the Bolshoi Ballet and National Theatre Live, sporting events like “Canelo Álvarez vs. Julio César Chávez, Jr.,” concerts with artists like Michael Bublé, Rush and Mötley Crüe, the yearlong TCM Big Screen Classics film series, inspirational events such as To Joey With Love and Facing Darkness, and anime titles such as Princess Mononoke and Spirited Away. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 897 locations and 1,387 screens in 181 DMAs. For more information, visitwww.fathomevents.com.

About Rhino Entertainment
Rhino Entertainment is the catalogue development and marketing division of Warner Music Group. Founded in 1978, Rhino continues to set the standard for excellence in the reissue business it pioneered in both the physical and digital worlds with an emphasis on flawless sound quality, bonus tracks, informative liner notes, award-winning creative packaging, and a strong social conscience. Rhino has also expanded the definition of what a catalogue music company is, as evidenced by the label’s name and likeness representation deal with Frank Sinatra, its multi-faceted relationship with the Grateful Dead, and releasing new albums by heritage artists such as Jeff Beck and Cyndi Lauper. The vast catalogue of more than 5,000 releases includes material by Led Zeppelin, Eagles, David Bowie, Fleetwood Mac, Aretha Franklin, The Doors, Chicago, Ray Charles, Black Sabbath, John Coltrane, Yes, Phil Collins, The Ramones, and The Monkees, among many others.

Concert Review: Megadeth “Dystopia World Tour”

“Dystopia World Tour”
Megadeth, Meshuggah, Tesseract, Lillake
Friday, June 23rd 2017
Tag’s Summer Stage, Big Flats, NY

Our score: 3 out of 5 stars

The rolling hills of Upstate New York came alive on June 23rd as Megadeth kicked off the summer leg of their summer “Dystopia World Tour” at Tag’s Summer Stage in Big Flats, NY. Along with the veteran metal act for this leg of the tour were Meshuggah, Tesseract and Lillake who all performed to a damp crowd under foreboding skies which gave the night of music a very European festival feel.

As rain drop still trickled down over the outdoor venue known as Tag’s Summer Stage the band Lillake would start the night off. Despite a few technical glitches at the start of the bands set the group did a great job not letting it get to them as they performed a brief yet solid set of vintage tinged heavy metal but with a modern twist that had early concert goings up and moving. Tesseract a progressive band hailing from Milton Keynes, England would take the stage next for a similar length set which further helped the still semi-wet crowd dry off a little as the performed songs from their 3 studio albums including their latest single “Smile” which the crowd seemed to really enjoy. Meshuggah a band I was anxious to check out would hit the stage next and after about 2 very long minutes I was wishing for them to be done. Lack luster stage presence and even less impressive instrumentation really left me with an incredibly bad taste in my mouth however, the one positive I did find in the groups set was drummer Tomas Haak who despite the many off time signatures and sonic dirge kept the band tight and on beat. Closing out the night would be Big 4 Alum Megadeth. After an extended wait time the band burst on to the stage with a renewed sense of energy courtesy of the bands newest member guitarist Kiko Loureiro. The band shredded through material both new and old including “Hangar 18”, “Trust”, “A Tout Le Monde” and fan favorite “Symphony of Destruction”. Even front man/founder Dave Mustaine who when I have seen the band before would often remain fairly motionless was making tracks around the stage giving the night’s performance a breath of fresh air.

Fans of heavy metal music will certainly want to check out this tour if comes to your area. Don’t let the smaller production or newer acts on the bill fool you as the “Dystopia” tour is a stripped down lean, mean, metal machine which gives fans an in your face dose of metal in its purest form. No hokey stage tricks, props or gigantic movie screens here folks you get the bands exactly for what they are.

Megadeth Set List:
1.) Hangar 18
2.) Wake Up Dead
3.) In My Darkest Hour
4.) The Threat Is Real
5.) Sweating Bullets
6.) She-Wolf
7.) Trust
8.) Poisonous Shadows
9.) A Tout Le Monde
10.) Tornado of Souls
11.) Dystopia
12.) Symphony of Destruction
13.) Peace Sells
14.) Holy Wars…The Punishment Due

Live Nation Celebrates Beginning of Summer Concert Season with “National Concert Day” and Special Offer for Fans.

LIVE NATION CELEBRATES BEGINNING OF SUMMER CONCERT SEASON WITH ‘NATIONAL CONCERT DAY’ AND SPECIAL OFFER FOR FANS:

1,000,000 TICKETS AVAILABLE FOR ONLY $20
  – $20 Tickets Will Be Available for 1000+ Shows at LiveNation.com/20ticket for One Week Only May 2 – May 9, with Special AT&T Pre-sale Beginning May 1–

– Jason Aldean, Foreigner, The Roots, Daughtry, Prince Royce, Nickelback and More to Celebrate Live Nation’s ‘National Concert Day’ Presented by State Farm on May 1 in New York City –

LOS ANGELES (April 25, 2017) – From experiencing live music under the stars at an outdoor amphitheater, to rocking out at an arena, or taking a road trip to a music festival, there is something special about summer concerts, and Live Nation is celebrating the start of the season with National Concert Day on May 1, as well as the “Kickoff to Summer Ticket Promotion,” which offers over 1,000,000 tickets to some of Live Nation’s summer tours for just $20 (that’s all-in, no additional fees).

Presented by State Farm and produced by Live Nation, National Concert Day is a time for the artists and fan communities to unite around their love of live music. With most tours and festivals already announced, it’s also a great time for fans to plan out their summer concert schedule throughout May, June, July and August.

In celebration of National Concert Day, for one week only, Live Nation is launching their “Kickoff to Summer Ticket Promotion” by making over one million tickets available for just $20. There will be tickets for 50+ tours and 1000+ shows at venues across the nation. The general on-sale for the “Kickoff to Summer Ticket Promotion” begins Tuesday, May 2 at 8am local time, and continues for one week through Tuesday, May 9. See below for a highlight of performers offering $20 tickets, and visit livenation.com/20ticket for more information and to purchase tickets.

AT&T is bringing customers to the front of the line for the “Kickoff to Summer Ticket Promotion” with AT&T priority presale ticket access beginning Monday, May 1 at 10am local time through the AT&T THANKS program**. For complete presale details visit att.com/frontoftheline.

Additionally, on National Concert Day, Live Nation is producing a special concert in New York City at Irving Plaza presented by State Farm. This year’s celebration features performances by Jason Aldean, Foreigner, The Roots, Daughtry, Prince Royce, and Nickelback.

Prior to the performance, several of the artists will stop by to chat with media about their upcoming summer tour including, OneRepublic, Rob Thomas and Paul Doucette (Matchbox Twenty), Joan Jett, Adam Lambert (Queen + Adam Lambert), Phillip Phillips, Stephan Jenkins (Third Eye Blind), John Rzeznik (Goo Goo Dolls), Mike Einziger and Brandon Boyd (Incubus), Straight No Chaser, Scott Bradlee (Postmodern Jukebox), Adam Duritz (Counting Crows), Cheap Trick, Jason Bonham, The KIDZ BOP Kids, and more. The National Concert Day event will be hosted by NBC’s Lilliana Vazquez.

Continuing the celebration of National Concert day, and launching the on-sale for the “Kickoff to Summer Ticket Promotion,” OneRepublic will perform live on NBC’s TODAY Show on May 2.

Nationally Touring Artists Included in Live Nation’s $20 “Kickoff to Summer Ticket Promotion”

For a full list of artists, please visit LiveNation.com/20ticket.

Boston with Joan Jett & the Blackhearts
Brad Paisley with Dustin Lynch, Chase Bryant and Lindsay Ell
Brantley Gilbert with Tyler Farr and Luke Combs
Chicago and The Doobie Brothers
Chris Brown
Dead & Company
Deep Purple and Alice Cooper with special guest The Edgar Winter Band
Def Leppard with Poison and Tesla
Deftones & Rise Against
Depeche Mode
Dierks Bentley with Cole Swindell and Jon Pardi
Earth, Wind & Fire and CHIC ft. Nile Rodgers
Enrique Iglesias & Pitbull
Florida Georgia Line with Nelly and Chris Lane
Foreigner and Cheap Trick with special guest Jason Bonham’s Led Zeppelin Experience
Future
Goo Goo Dolls with special guest Phillip Phillips
Hank Williams Jr and Lynyrd Skynyrd
Incubus with special guest Jimmy Eat World
Jason Aldean with Chris Young and Kane Brown
Jeff & Larry’s Backyard BBQ featuring Jeff Foxworthy & Larry the Cable Guy
Jermaine Dupri Presents SoSoSUMMER 17 Tour
John Mayer
Kings of Leon
Korn with Stone Sour
Lady Antebellum with Kelsea Ballerini and Brett Young
Lifehouse and Switchfoot
Lionel Richie and very special guest Mariah Carey
Luke Bryan with Brett Eldredge
Matchbox Twenty and Counting Crows
Muse with special guest Thirty Seconds to Mars
New Kids on the Block with Paula Abdul and Boyz II Men
Nickelback with special guest Daughtry and Shaman’s Harvest
OneRepublic/The Honda Civic Tour featuring OneRepublic with special guests Fitz & The Tantrums and James Arthur
Prince Royce
Queen + Adam Lambert
Retra Futura
Rod Stewart with very special guest Cyndi Lauper
Sam Hunt with Maren Morris and Chris Janson
Straight No Chaser / Postmodern Jukebox
Styx and REO Speedwagon with special guest star Don Felder
Sublime with Rome and The Offspring
The KIDZ BOP Kids
Third Eye Blind with special guests Silversun Pickups
Train with special guests O.A.R. and Natasha Bedingfield
Young the Giant with special guest Cold War Kids & Joywave
Zac Brown Band

To see a complete list of Live Nation’s summer tours and festivals, please visit livenation.com.

**Priority presale: While supplies last. Eligibility, ticket limits, fees, charges and additional terms & restrictions apply.

Concert Review: “Charm Cities Tour” Williamsport, PA

“Charm Cities Tour”
Carousel Kings, Abandoned By Bears, Bad Case of Big Mouth, American Arson, Take Two
Saturday, April 8th 2017
Ground Floor 2.0, Williamsport, PA

Our score: 4.5 out of 5 stars

Victory Records artist Carousel Kings brought their “Charm Cities” tour to the impressive Ground Floor 2.0 venue in Williamsport, PA on April 8th for a night of high energy punk rock. The quant Pennsylvania town which is best known as the home of the Little League World Series now has another claim to fame as the Ground Floor 2.0 venue boasts a fun and safe environment for all concert goers while providing top notch sound, lighting and amenities for its performing artists making for a great experience for everyone involved and the “Charm Cities” tour was no exception.

Kicking of the night was the Elmira, NY based band Take Two. The five piece group whose sound could be described as progressive punk rock performed a hand full of original material including a few songs off their recently released “Weekend Warriors EP”. The band did a great job warming up the crowd and received a hefty round of applause as their set came to a close. Michigan natives American Arson would be up next and though not originally part of the shows line up the band consisting of only two members guitarist/vocalist Evan Baker and drummer Jesse Gentry put forth a sound and style that would make full sized bands shake in their boots. The duo performed a brief, high intensity set which featured songs of their latest “Waymaker” EP. Taking the stage next would be NJ native Bad Case of Big Mouth or simply just “Bad Case” the band worked the stage like seasoned professionals as the bands vocalist and dual guitarist whipped up a solid helping of pop-punk goodness. In the direct support slot for the nights show was Sweden’s own…yes I said Sweden easy-core band Abandoned By Bears. The band which sports dual vocalist brought a heavier element to the shows lineup which contrasted nicely with the other bands on the bill as it set the stage nicely for tour headliners Carousel Kings. Flanked by numerous lighted pillars Carousel Kings would close out the night performing a variety songs including a handful from their latest release “Charm City”. It had been a little while since I had seen the guys perform live and since that time the band has undergone some lineup changes however they were just as solid as the previous incarnations.

Very rarely do you come across a tour and venue that are both equally great. However, in the case of the “Charm Cities” tour stop at the Ground Floor 2.0 both venue and artists clicked on all levels. The bands on the bill were all very personable and thankful to those in attendance and the same could be said for the venue staff as they treated every person that came through the door with the utmost respect. Though the “Charm Cities” tour comes to close on April 13th do yourself a favor and check out each of the bands on this line up as each one will not disappoint.

Carousel Kings: https://www.facebook.com/carouselkings
Abandoned By Bears: https://www.facebook.com/AbandonedByBears
Bad Case: https://www.facebook.com/BadCaseOfficial/
American Arson: http://www.americanarson.com/
Take Two: http://www.officialtaketwo.com/

 

Related Content