New Single Coming February 19th!

It’s got to be a very special release that has Suzi Quatro announce proudly: “The Devil In Me is the best album in my career to date!” After all, the American rock vocalist would hardly utter such superlatives lightly. Suzi’s enthusiasm for her latest offering has many reasons, twelve of them to be precise. Because The Devil In Me consists of exactly a dozen songs, each of them – from the opening track and title song to the final ‘Motor City Riders’ – a real highlight. 

The reasons for Suzi’s remarkable creative explosion: on the one hand the lockdown, which kept her from her usual touring life in spring 2020, and on the other another collaboration with her son Richard Tuckey, which had already worked out extremely well on her predecessor album No Control. Suzi: “Starting spring 2020, almost one hundred of my shows were cancelled and Richard would also have been on tour with his band had not all concerts been cancelled or postponed. So I said to him: ‘We should make the most of our free time, write new material and allow ourselves to be inspired by the things that are currently going on in the world.’ I already knew that Richard and I make a brilliant team, after all No Control had been a major success and a very special recording for us. Although I would never have thought that we’d be able to surpass it. But everybody who’s heard The Devil In Me and all the people who had worked on the previous album have told us: ‘This album is even stronger!’”

The album presents Suzi’s full range of musical diversity plus a number of surprises. From rock tracks such as ‘The Devil In Me’, ‘Get Outta Jail’, ‘Motorcity Riders’ and ‘Hey Queenie’ to fairly unusual numbers such as the pub atmosphere-inspired ‘Loves Gone Bad’ with its intimate mood or ‘In The Dark’ which is accompanied by elegant piano and provocative saxophone sounds, Suzi presents herself from a whole range of different aspects. “Richard wanted this album to have a through line, so that you could put any track on, and it just fit… he also said he wanted this album to be as important and groundbreaking as my first one. So that is how we approached this project, and that is what we accomplished.”

Tracklisting:
CD Version
1. The Devil In Me 3:24

2. Hey Queenie 4:08

3. Betty Who? 3:57

4. You Can‘t Dream It 3:10

5. My Heart And Soul 5:13 (long version)

6. Get Outta Jail 3:18

7. Do Ya Dance 2:44 

8. Isolation Blues 3:36

9. I Sold My Soul Today 2:37

10. Love‘s Gone Bad 4:35

11. In The Dark 3:08

12. Motor City Riders 3:54

2 LP Version:
Side A: 1. The Devil In Me 3:242. Hey Queenie 4:083. Betty Who? 3:574. You Can‘t Dream It 3:10
Side B:1. My Heart And Soul 5:13 (long version)2. Get Outta Jail 3:183. Do Ya Dance 2:44 4. Isolation Blues 3:36
Side C:1. I Sold My Soul Today 2:372. Love‘s Gone Bad 4:353. In The Dark 3:084. Motor City Riders 3:54
Side D:1. Can I Be Your Girl 3:34 (bonus track)2. Desperado 3:37 (bonus track)

The new studio album “The Devil In Me” will be released on March 26th, 2021 through SPV/Steamhammer as CD DigiPak (incl. fold out poster), 2LP gatefold version (incl. 2 bonus tracks), download and stream.

SUZI QUATRO Live
2021

17.04. UK-Peterborough – Showground

09.05. DE-Dessau – Anhalt Arena

10.05. DE-Dresden – Kulturpalast

12.05. DE-Wuppertal – Historische Stadthalle

14.05. DE-Mönchengladbach – Red Box

17.05. DE-Berlin – Friedrichstadtpalast

22.05. DE-Siegen/Hilchenbach – KulturPur

23.05. DE-Fulda – Esperantohalle  

28.05. DE-Stuttgart – Liederhalle 

19.06. ES-Vitoria-Gasteiz – Azkena Rock Festival

26.06. DE-Neuleiningen – Burgsommer

01.08. DE-Seebronn – Rock of Ages Festival

04.08. DE-Monschau – Burg Monschau

05.08. NL-Steenwijkerwold – Dicky Woodstock Festival

14.08. DE-Mülheim – Freilichtbühne

21.08. DE-Rust – Europa Park 

03.09. DE-Cottbus – Stadthalle

04.09. DE-Zwickau – Stadthalle

05.09. DE-Dexheim – Kultur auf dem Hof

17.09. DK-Vejle – Musikteater

18.09. DK-Knebel – Fuglsøcentret 

19.09. DK-Copenhagen – Docken 

03.10. DE-Neuruppin – Kulturkirche (sold out)

30.10. DE-Dillingen – Lokschuppen

06.11. DE-Mannheim – Rosengarten

23.11.-30.11. AUS- Brisbane – Rock The Boat  

18.12. DE-Leipzig-Arena  

2022

 20.04. UK- London – Royal Albert Hall 

30.04. DE- Obertraubling – Airport-Eventhall

03.06. DE-Ulm – CCO Halle        

The Legendary SoCal Band Announces Their First-Ever Graphic Novel Available to Preorder Now Featuring Special Editions With Covers By Longtime Sublime Artists Opie Ortiz and DJ Product ©1969

Z2 COMICS continues to roll out news of some of their most ambitious projects yet, with today’s announcement of the RYAN CADY-written graphic novel chronicling the misadventures of one of the most defining bands of the last three decades, the Long Beach, reggae-punk institution, SUBLIME!

The laid-back Long Beach trio spawned an entire genre—fusing reggae grooves, punk grittiness, ska energy, back-porch folk introspection, and hip-hop swagger.  

Those disparate sounds first collided back in 1988, when the gregarious Bradley Nowell paired up with a sturdy, simpatico rhythm section—bassist Eric Wilson and drummer Bud Gaugh—and quickly amassed a cult following in the SoCal scene.  Sublime found their niche at house parties: uniting Rastas, surfers, skaters, frat boys, cholos and ink-covered outcasts with a free-flowing melting pot approach that, much like the region itself, was impossible to pigeonhole.  The band goes from playing backyard parties and selling cassettes out of the trunks of their cars to creating an entirely new and revolutionary blend of chart topping music. 

Xanadu meets Superbad in this heartfelt anthology of SUBLIME legends brought to life by RYAN CADY (Green Lantern, Poppy’s Inferno), AUDREY MOK (Archie), ALEX DIOTTO (Youth), HAYDEN SHERMAN (Angel & Spike), LOGAN FAERBER (‘Namwolf), rising stars BILL MASUKU,ROBERT AHMAD and more. Featuring brand-new cover artwork by SUBLIME family members OPIE ORTIZ and DJ PRODUCT ©1969! Plus: the one and only LOU-DOG!

SCOTT SEINE, of Sublime’s management company Surfdog/DKM, adds “We knew the band’s iconic music always had the added elements behind it of their history of hijinks, anti-authority attitude and follow-no-rules lifestyle, and this combination would make for an amazing comic book the fans would cherish. So a Z2 Comics collaboration was a no-brainer.”

“When you grow up in SoCal like I did, Sublime’s music is this powerful background radiation, permeating the culture” says writer RYAN CADY. “You hear it everywhere. Opie’s sun is everywhere–stickers of it slapped on taco stand walls, sharpie-tagged inside of every high school bathroom, screen-printed in every possible iteration. I saw these guys like neighbors, and as I research the human moments underneath their phenomenon with Bud and Eric, I get to share that feeling with everyone who picks up the book.” 

Publisher JOSH FRANKEL says “The gritty California sounds of Sublime transcended location and musical genres to foster a state of mind in listeners from coast to coast and beyond.  Our book will highlight Sublime’s vast musical influences and behind-the-scenes stories, all centered around the unbreakable bonds of friendship, and continuing in the tradition of essential graphic biopics we established with our GRATEFUL DEAD and CHARLIE PARKER releases last year.” 

Decades after Nowell’s untimely death, they remain an institution: They’ve sold over 20 million albums to date; their music still fills the airwaves and their merchandise, emblazoned with the iconic sun logo, dominates sales at retailers across America. 

Most importantly, the music remains timeless—a rite of passage for misfit listeners who refuse to color within the lines of conventional genre.  

The SUBLIME: $5 AT THE DOOR graphic novel clocks in at 120 pages and will be released in a standard soft and hardcover editions in comic shops and bookstores alike in June 2021, with a special deluxe edition, and highly limited super deluxe edition available for preorder now exclusively through the Z2 website! Deluxe and super deluxe edition include a special first-time vinyl edition of the Doin’ Time EP, unavailable elsewhere, as well as exclusive prints, Lou-Dog toy and more!

Watch the Insane Music Video HERE
 
New EP, Happy Heroes, to be Released on March 19 
via Napalm Records | Pre-Order HERE

TROLLFEST transform energetic hits into pure Norwegian Balkan Metal K.A.O.S. with Happy Heroes! Legendary Norwegian outfit TROLLFEST is back, ready to deliver their energizing and K.A.O.S-infused sound to the masses! TROLLFEST are set to release their new dual-themed EP, Happy Heroes (out March 19, 2021 via Napalm Records), proving themselves as masters of K.A.O.S and madness more than ever before (with a wee sense of humor to boot). As a first glimpse of what can be expected, the Norwegian Balkan Metal outfit have released their cover of Bobby McFerrin’s universally loved hit song “Don’t Worry Be Happy”. TROLLFEST give the classic tune a unique twist, making for a truly insane and chaotic reimagining unlike you’ve ever heard before! Along with the single, TROLLFEST have released a music video in which the band literally goes mental – providing only a taste of what’s to come on Happy Heroes!

Watch the Music Video for “Don’t Worry Be Happy” HERE:

Four vivid songs on Happy Heroes deliver a vast variety of spectacular musical romps, made evident by the catchy original title track “Happy Heroes”, wherein TROLLFEST tells the story of evil, self-righteous troll superheroes whom you should probably not call if you’re in need of help. The EP then presents three re-energized cover songs – Balkan and folk metal re-imaginings of the world-famous “Happy” by Pharrell Williams, quite possibly the cheeriest song known to man, the newly released “Don’t Worry Be Happy”, by Bobby McFerrin, as well as the Aqua hit “Cartoon Heroes”.  Each revitalized track keeps its original catchiness and will have you humming in K.A.O.S!

Pre-Order Happy Heroes HERE:

Happy Heroes will be released worldwide digitally, as well as on blue/transparent Vinyl (limited to 300 copies)!

Happy Heroes Track Listing:
1 – Happy Heroes
2 – Cartoon Heroes
3 – Don’t Worry Be Happy
4 – Happy
 
TROLLFEST is:
John Espen Sagstad (Mr.Seidel) – Guitar
Fabian Jiru (Grimdrap Glutenfri Fleskeng) – Guitar
Jostein Austvik (Trollmannen) – Vocals
Eirik Renton (TrollBANK) – Drums/Vocals
Kai Renton (Fjernkontrollet) – Synth/Accordion
Dag Stiberg (DrekkaDag) – Saxophone
Øyvind Erik Strønen Johannesen (Lodd Bolt) – Bass/Vocals
Bjørn Dugstad Rønnow (Kjellkje) – Drums/Vocals

KRAMER: MADE TO ROCK HARD

KRAMER, the original MADE TO ROCK HARD guitar brand has been setting trends with a legacy of premium, performance-focused instruments since it was first launched in 1976. Made for rule-breakers that play fast and loud, KRAMER has been embraced by legendary rockers and shredders like Eddie Van Halen, Vivian Campbell, Richie Sambora, Elliot Easton, and Mick Mars and more during the height of the metal era in the 1980s–a period when it was the most popular guitar brand in the world. KRAMER’s innovative approach and unwavering commitment to performance spans entry-level and intermediate guitars, to professional offerings, across the entire line and continue to make KRAMER instruments the choice of today’s hard rock and metal legends.  New for 2021, KRAMER debuts the new Artist Collection featuring collaborations with Snake Sabo (Baretta), Charlie Parra (Vanguard), and Tracii Guns (Gunstar Voyager), with more collaborations to come throughout the year. From its iconic models and legendary artist collaborations to the Original and Modern Collections, KRAMER is back. “We leveled-up with our Kramer re-birth and new focus, giving hard rock and heavy metal shredders what they wanted,” says Cesar Gueikian of Gibson. “This is just the beginning for Kramer, we have big plans for the brand’s future, starting with these exciting collections and collaborations plus a few more we will be announcing throughout 2021.”  KRAMER Artist Collection:Artist Collection guitar specs: HERE.  The Snake Sabo Baretta is the premier signature model from Skid Row’s Snake Sabo. Inspired by his favorite road guitar, the Snake Sabo Baretta features a replica graphic commissioned by Sabo and created by legendary KRAMER artist Dennis Kline. The Snake Sabo Baretta features a new Kramer 85-T™ Double Black Open Coil Humbucker™ that was designed by Gibson™ USA Luthier Jim DeCola, a K-SpeedSlimTaper™ neck with jumbo frets, a Floyd Rose® 1000 bridge system, and a EVH® D-Tuna® Drop D Tuning System.  “I’m so proud that the Kramer brand has been resurrected by Gibson and humbled by the fact that they’ve allowed me to be a part of it,” says Snake Sabo. “The Snake Baretta started out as a simple idea 35 years ago and played such a big part in our formative years. Now Kramer has kindly released it as a limited edition. I’m so proud and honored to be part of the Gibson and Kramer family. I hope everyone enjoys this guitar as much as I have since it was first made in 1985.”

The Tracii Guns Gunstar Voyager is ready to rock and marks the first KRAMER signature model for pioneering L.A. Guns guitarist. The Gunstar Voyager features a star-shaped mahogany Voyager body with a black metallic finish and flame graphics, a 3-piece set maple neck with a Slim C profile and a classic KRAMER pointy headstock with a Kramer Pyramid logo on the front and a chrome wrench holder on the back, two Epiphone™ ProBucker™ pickups, each with its own volume control and coil-splitting push / pull switch for broad tonal flexibility, and a Floyd Rose 1000 series tremolo and a top mounted R2 Locking Nut and Chrome string retainer bar. 

“I play the guitars my heroes play, and those guitars are Gibson’s,” says Tracii Guns from L.A. Guns. “As the future has arrived now, I have designed the ultimate metal guitar with Kramer guitars loudly and proudly called the Kramer Gunstar Voyager for my shredding friends. Made To Metal!!!”

The Charlie Parra Vanguard is the second KRAMER signature model from the Peruvian metal master. Featuring a mahogany body, 3-piece satin-finished maple neck, bound ebony fretboard with 22 jumbo frets, dot inlays with 12th fret Day of the Dead owl, a single chrome knurled master volume control and 3-way pickup selector switch mounted on a satin aluminum pickguard, EMG™ 57 and 66 pickups with chrome covers, a recessed output jack on the upper horn, and a LockTone™ Tune-O-Matic™ bridge and Stop Bar tailpiece. Charlie Parra’s signature is engraved on the truss rod cover, and his Vanguard is finished in Candy Apple Red Gloss. 

“I’m so humbled and honored to be part of the Gibson family as their first South American signature artist thanks to the comeback of Kramer,” says Charlie Parra. “This limited-edition Kramer Vanguard honors the classic 80s look and vibe with a twist of modern hardware, 24 fret madness and full access cutaway. I hope guitar players everywhere enjoy this instrument that may look tough, and heavy, but plays really smooth!”

Watch and share the new KRAMER signature artist panel featuring Tracii Guns, Snake Sabo, Charlie Parra and host Mark Agnesi, Director of Brand Experience at Gibson Brands: HERE.

KRAMER Original Collection:Original Collection guitar specs: HERE. 

The KRAMER heads back to basics with the Original Collection of guitars which capture the look and feel of the original shredder guitar. Utilizing the best tone woods, components, neck profiles, and iconic body shapes, these guitars take players back in time to experience guitars made famous by legendary guitar heroes. The new Original Collection which includes the Baretta Special, and Focus VT -211S which are some of the most influential guitars in rock history and designed for new players to discover KRAMER at an affordable price. Crossing over into the higher-end rock classics, KRAMER brings in the Jersey Star, Pacer, SM-1, NightSwan, The 84, the Baretta and all of the iconic models that changed the guitar world forever. 

KRAMER Modern Collection:Modern Collection guitar specs: HERE. 

The KRAMER Modern Collection add a present-day twist on killer classic designs. Be on the lookout for guitars with new neck-to-body joints, contemporary hardware and tremolo options, cutting-edge pickups and electronic options for a wider range of tonal possibilities, and other options geared toward players that want to launch into hyperspace all with the Kramer DNA intact. KRAMER’sModern Collection features innovative design with classic lines including the Assault 220, Assault Plus, Nite-V, Nite-V Plus, and KRAMER’s premier bass, the D-1 Bass and more.

“I’ve always wanted to do a boxing video, and it made sense for this song being an 80’s power ballad… If you’re not in love, it makes you want to be in love. It’s kind of like The Notebook.” – Justin Bieber

NEW “FOOTNOTES” EPISODE FEATURES “ANYONE” STAR,ZOEY DEUTCH, AND AWARD-WINNING DIRECTOR, COLIN TILLEY

WATCH “JUSTIN BIEBER – THE MAKING OF ‘ANYONE’ | VEVO FOOTNOTES”

Deutch, who hadn’t met Bieber until their first scene together on this project, reveals that she had to learn stick shift for the role, wore her own vintage clothing in the video, and improvised the final line, “I love you.”
Tilley and Bieber had discussed the concept for this video ad nauseum, and the song “Anyone” was the perfect fit to play out the storyline they envisioned. “It’s kind of like The Notebook,” says Bieber. Other key visual references throughout the music video include Creed, Rocky and Snatch. 

FOOTNOTES OUTLINE:

(0:14) Narration: Justin Bieber released the video for “Anyone” on New Year’s Day. 

(0:21) It stars Zoey Deutch and was directed by Colin Tilley, who has collaborated with Bieber on several visuals, including his recent “Monster” with Shawn Mendes, and “Holy,” featuring Chance The Rapper.

(0:40) Colin Tilley: “Justin and I had a lot of conversations about this concept. We knew it had to take place in the 1960’s. The instrumental and vibe was so nostalgic, it just felt right… Justin wanted to box in it, and it felt right to tell a human story of the real come-up with someone by your side, loving you and supporting through thick and thin. We put together this beautiful story.”

(0:59) Justin Bieber: “I’ve always wanted to do a boxing video, and it made sense for this song being an 80’s power ballad… If you’re not in love, it makes you want to be in love. It’s kind of like The Notebook.”

(1:15) Narration: Zoey and Justin didn’t actually meet until their very first scene together which was this moment, dancing on the beach.

(1:22) Zoey Deutch: “I had to learn how to drive stick shift approximately two minutes before driving very fast alongside him while he ran and raced me. Considering I’m already a terrible driver in a normal car, not a beat up stick shift car; I was a little concerned about Justin’s safety. But we all made it out alive!”

(1:38) Narration: Classic boxing movies such as Creed and Rocky were key references for the video. 

 (1:43) Both Colin and Justin wanted his character to be as real as possible, so Justin spent two days training with a fight coordinator.  

(1:47) Because tattoos weren’t popular in the era the video is portraying, he spent three hours each morning having his ink covered.  

(2:44) The orange outfit Zoey is wearing is something she purchased at a vintage store eight years ago and had never worn.  

(3:04) This moment was inspired by a scene from the movie Snatch.

(3:22) Colin Tilley: “The past year our friendship had gotten much closer. We see so eye to eye on what we love creatively and are both inspired by a lot of the same stuff. Being able to talk about ideas and bounce things back and forth with no judgement is the best kind of relationship. It’s pure positivity.”

(4:12) Zoey Deutch: “The kiss was one take and the very very last shot of the two day video shoot. And I added the “I love you,” because well, why not?”

New Fanatic Marks First Epiphone Designed by Nancy Wilson, Co-Founder of Multi-platinum Rock Group Heart and Her Second Guitar with Gibson Brands

Nancy Wilson To Release First-Ever Solo Album April 2021(Here)

Epiphone, the leading accessible guitar brand For Every Stage, presents the new Nancy Wilson Fanatic. The Fanatic is created and co-designed by NancyWilson of Heart and the luthiers at Epiphone in Nashville, TN, and marks Wilson’s first Epiphone signature guitar and her second guitar overall with Gibson Brands. The Epiphone Nancy Wilson Fanatic is now available worldwide www.epiphone.com. 

“In the midst of the distant eighties, I was approached by Gibson to design a signature model,” says Nancy Wilson. “I put pencil to paper to first design the body shape and chose a curvy female diminutive silhouette for the cut away. Many years later the body shape remains exact and the hardware I requested makes the Fanatic a solid citizen amongst the great rock guitar screamers.”

A guitar virtuoso from the age of 9, Nancy–and her sister Ann–lead the multi-platinum group, Heart, who have sold over 35 million albums, garnered 10, Top Ten albums, been nominated for four GRAMMY Awards, and were inducted into the Rock and Roll Hall of Fame. Nancy is revered as an ingenious guitar player, as well as a gifted songwriter and lead vocalist. In an era when females in rock ‘n’ roll were scarce, Nancy carved out a place for women to front rock bands and dominate on stage across the globe. In fact, that’s Nancy singing on Heart’s first #1 hit song, “These Dreams.” As a songwriter, Nancy has co-written a collection of indelible songs that have earned their way into the classic rock canon including “Magic Man,” “Crazy on You,” “Barracuda,” “Straight On” and more.

In April 2021, Nancy will release the first-ever solo album of her storied career via Carry On Music. Nancy plays guitar and sings every song on the new album which features collaborations with Sammy Hagar, Duff McKagan, and Taylor Hawkins (Foo Fighters). The first single “The Rising,” is Nancy’s stunning rendition of the Bruce Springsteen song; listen to “The Rising”HERE. 

Watch and share the interview below as Nancy Wilson discusses the creation of the new Epiphone Nancy Wilson Fanatic, HERE.

“We are proud to present the exclusive, Nancy Wilson Fanatic guitar to the world,” says Krista Gilley, Brand Director of Epiphone and Kramer. “It’s such an honor to work with Nancy, an icon who has been instrumental and influential to generations of players around the world. She has paved the way for female musicians to believe in their passion, talent and in music, and that comes with an obligation for all of us at Epiphone to pay tribute to Nancy.”  The Nancy Wilson Fanatic features a classic Nighthawk shaped mahogany body and a figured maple veneer top. The Epiphone Nancy Wilson Fanatic comes equipped with ProBucker™ humbuckers, a 5-way pickup selector switch for a wide variety of tonal options, master volume and tone controls, a fast-playing rounded C profile mahogany neck with an Ebony fretboard, and an attractive Fireburst Gloss finish and hardshell case.

Today, legendary punk band Descendents share their new track “That’s The Breaks.” The track follows the politically-charged two-song single Suffrage, released ahead of the 2020 general election encouraging voting to take down the Trump administration. In triumph, “That’s The Breaks” serves as a farewell to 45 ahead of the upcoming inauguration.

“Loser.  Big time loser.  Delusional loser. SORE loser.  The time has come.  The time is now.  Just go, go, GO.  I don’t care how. Donald J. Trump, will you please go now!,” adds vocalist Milo Aukerman. “What’s it gonna take?  A gazillion dollars? (Oh wait, you already grifted that from supporters)… A get out of jail free card? (Only if our judicial system totally fails us)… A wooden stake through the heart?  Whatever we can do to make you go away, we need to do it.  And I don’t mean just leave the White House, I mean crawl back into your hole of hate and live out the rest of your life as a nobody.  A loser.  Because that’s what you are.  Worst. President. Ever.”

LISTEN TO “THAT’S THE BREAKS”

Formed in 1978 Descendents are Milo Aukerman (vocals), Stephen Egerton (guitar), Karl Alvarez (bass), and Bill Stevenson (drums). They have released seven studio albums, Milo Goes to College (1982), I Don’t Want to Grow Up (1985), Enjoy! (1986), All (1987), Everything Sucks (1996), Cool to Be You (2004), and Hypercaffium Spazzinate (2016).

LITTLE OBLIVIONS OUT FEBRUARY 26 VIA MATADOR RECORDS

Julien Baker will release her third studio album, Little Oblivions, on February 26 via Matador Records. Last night she performed the first single from the album, “Faith Healer,” on The Late Show With Stephen Colbert. Captured in Nashville, it features Baker backed by a full band and represents the expanded sound that can be heard on the forthcoming album. “How does a songwriter hold on to honest vulnerability as her audience grows,” The New York Times pondered last week in its column on “11 Things To Look Forward to In 2021,” “She scales her music up to larger spaces, backed by a full rock band with ringing guitars and forceful drums. But she doesn’t hide behind them; she’s still ruthless and unsparing, particularly about herself.” Rolling Stone have noted “Little Oblivions‘ is not only the most richly produced, pop-aware release of Baker’s career, but also her the most unsparingly honest in its messiness” and of “Faith Healer” Vulture said, “Julien Baker remains devastating on new song “Faith Healer.”

Watch Julien Baker’s Colbert performance here.

“Faith Healer” introduced the exhilarating, widescreen musical palette and infectious spirit of risk-taking found on Little Oblivions, a transformative sonic shift from Baker’s more spare and intimate previous work. Engineered by Calvin Lauber and mixed by Craig Silvey (The National, Florence & the Machine, Arcade Fire), both of whom worked with Baker on 2017’s Turn Out the Lights, the album was recorded in Baker’s hometown of Memphis, Tennessee between December 2019 and January 2020. Baker’s tactile guitar and piano playing are enriched with newfound textures encompassing bass, drums, synthesizers, banjo and mandolin, with nearly all of the instruments performed by Baker. The album weaves unflinching autobiography with assimilated experience and often hard-won observations from the past few years, taking Baker’s capacity for starkly galvanising storytelling to breathtaking new heights.    In October the news of Little Oblivions upcoming release was a top 20 trending topic on Twitter and four special editions of the album (via Vinyl Me Please, Magnolia Record Club, 6131, and Spotify) sold out almost instantaneously. Preorders are upwards of 6000 units and to date “Faith Healer” has amassed over 2 million streams.  “A longing for relief — spiritual, physical, emotional — fills ‘Faith Healer.’”  The New York Times “An anthem of vigorous hope” Fader on “Faith Healer” “2020 needed more Julien Baker in it, and the emotive singer-songwriter came through.” Teen Vogue  “Stunning” Nylon on “Faith Healer” “The track marks a musical expansion for Baker,” Uproxx “When Julien Baker sings, the people listen, and “Faith Healer” — the raspy-voiced indie rocker’s new single — is no exception. The soul-baring cut is as much a song about literal addiction as it is an ode to misplaced faith.” MTV “Mesmerizing” Billboard Pride on “Faith Healer” “Baker’s guitar playing coils tightly and beautifully around her lyrics, which forthrightly tackle substance abuse, and the painful mental space it can occupy even for those who have managed to throw off its clutches.” Guitar World Little Oblivions is the follow up to Baker’s 2017 sophomore album and first on Matador Turn Out The Lights. The New York Times said the LP is “the work of a songwriter who has resonated with an international audience (…), the rare second album that, despite new self-consciousness, stretches beyond an unspoiled debut to reach for even bigger things, with all its passion intact”. The Sunday Times said “the mix of detached vocals, lush arrangements and laid-bare post-mortems on love, loss, dysfunction and acceptance is devastating.”

Little Oblivions track listing

01. Hardline 

02. Heatwave 

03. Faith Healer

04. Relative Fiction 

05. Crying Wolf 

06. Bloodshot 

07. Ringside 

08. Favor 

09. Song in E 

10. Repeat 

11. Highlight Reel 

12. Ziptie

Body Count just launched a video contest for their song “The Hate Is Real” from their latest album, Carnivore. Fans can create and submit their own videos for the track and the band’s favorite submission will be released as the next official Body Count music video. More details about the contest can be found HERE. BODY COUNT released their new and highly acclaimed full-length album Carnivore on March 6^th, 2020. The album was produced by Will Putney (Thy Art Is Murder, Knocked Loose and features standout tracks such as: “Another Level (feat. Jamey Jasta)”, “When I’m Gone (feat. Amy Lee)“, “Point The Finger (feat. Riley Gale)”, and Grammy nominated track”Bum-Rush“.Carnivore is available to purchase and stream HERE.

The following physical formats are still available for Carnivore:

• Deluxe 2CD Box Set (incl. bonus tracks, beanie, metallic logo pin, poster & instrumental CD)
• Ltd. Gatefold LP+CD & LP-Booklet & Poster (incl. bonus track)
• CD Digipak

Carnivore Tracklist:

1. Carnivore
2. Point The Finger (feat. Riley Gale)
3. Bum – Rush
4. Ace Of Spades
5. Another Level (feat. Jamey Jasta)
6. Colors – 2020
7. No Remorse
8. When I’m Gone (feat. Amy Lee)
9. Thee Critical Beatdown
10. The Hate Is Real
11. 6 In Tha Morning – 2020 – Unreleased Demo*
12. No Lives Matter – Live in Australia 2017**
13. Black Hoodie – Live in Australia 2017**

(*) Bonus Track (available on Ltd. LP and Ltd. 2CD Box Set)
(**) Bonus Track (only available on 2CD Box Set)

 BODY COUNT is Ice T (vocals), Ernie C. (guitar/backing vocals), Juan Garcia (guitar/backing vocals), Vincent Price (bass/backing vocals), IllWill (drums) and Sean E. Sean (samples/backing vocals).

Purchase/Stream Carnivore:HERE

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One of the most renowned guitarists in the world, Alexi Laiho, has passed away. The musician, most notably known as the front man of Children of Bodom, died in his home in Helsinki, Finland, last week. Laiho had suffered from long-term health issues during his last years.

Alexi Laiho and drummer Jaska Raatikainen founded Children of Bodom in 1993, and the band was one of the most internationally acclaimed metal acts in Finland up until their very last farewell concert in December of 2019. Last year Alexi Laiho put together Bodom After Midnight, who recorded three songs and shot one music video, which will be released later on posthumously.

Besides Children of Bodom, Laiho was known for acts such as Warmen, Sinergy, Kylähullut and The Local Band. Awarded with a Metal Hammer Golden Gods and several other international prizes, the guitarist was also the main star, leading a group of one hundred guitar players at Helsinki Festival in 2015 in “100 Guitars From Hel” – a massive concert piece he composed.

“We are crushed by the sudden passing of our dear friend and band member. Words cannot describe this shock and the profound sadness that we feel”, Daniel Freyberg, Mitja Toivonen and Waltteri Väyrynen from Bodom After Midnight state.

The talented guitarist and musician relished his roles as stepdad in his patchwork family, and as uncle and godfather. Especially during the last years, the important family ties brought a welcomed balance to his life and the active touring. Laiho was particularly close with his big sister, parents and his sister’s daughter. Laiho’s sister says:

“We are all absolutely shocked and devastated. We ask for privacy and understanding during these hard times. My little brother’s funeral will take place privately.”

Alexi Laiho will also be deeply missed by his family in Australia.

“Alexi was the most loving and magnificent husband and father. Our hearts are eternally broken”, Kelli Wright-Laiho says.

Kanye West is undoubtedly one of the most controversial figures in hip-hop. His rise to fame was meteoric, and he found himself showered with accolades for some of the most important and exciting work in the hip-hop genre for many years. However, as his behaviour in the public eye became increasingly erratic and he began to consider potentially ill-advised bids for political office, the focus on what should have been important – his music – fell by the wayside. That’s a shame, because Kanye’s work is enduring even to this day. Here’s our definitive ranking of every major Kanye West studio album from best to worst.

1. My Beautiful Dark Twisted Fantasy (2010, Roc-A-Fella, Def Jam)

Nothing other than this maximalist masterpiece was ever going to grace the top spot. Kanye’s fifth album is where upstart hopeful Nicki Minaj first cut her teeth, and she does such a superb job of proving herself that she effortlessly upstages heavy hitters like Rick Ross and Jay-Z on “Monster”. The production is where this record really shines; it’s everything-all-of-the-time pomp and circumstance, brilliantly undercut by Kanye’s insecure boasting and smart wordplay. A work of genius through and through.

You can take a look at this wonderful infographic provided by Betway to tell you more about why MBDTF is viewed as Kanye’s masterpiece.

2. Yeezus (2013, Roc-A-Fella, Def Jam)

Some might call giving Yeezus the number 2 spot controversial, but we’re confident in our choice. Kanye’s industrial-inflected ode to alt-hip-hoppers Death Grips is industrial, abrasive, and quite brilliant. From unconventional love song “Bound 2” all the way through to braggadocious anthem “Black Skinhead”, Yeezus once again oozes Kanye’s confidence, but it doesn’t have the pained insecurity of its predecessor. That said, large amounts of machinery-influenced swag are no mean replacement for human foibles. We’re still waiting on the true sequel to Yeezus; Ye outdid himself with this record, and hasn’t quite managed to top it since.

3. Late Registration (2005, Roc-A-Fella, Def Jam)

The second in a trio of Kanye albums themed around education, Late Registration earned him the somewhat unfair title of backpack rapper. All that title actually amounts to is “hip-hop artist willing to talk about real issues”, and Late Registration certainly has plenty of that. “Diamonds from Sierra Leone” integrates Shirley Bassey’s classic “Diamonds Are Forever” expertly, while “Gold Digger”, “Heard ‘Em Say” and “Touch the Sky” are instant classics. Throw in some impressive guest spots from the likes of Lupe Fiasco, The Game, and Nas, and you’re looking at a certified mid-2000s hip-hop masterpiece.

4. The College Dropout (2004, Roc-A-Fella, Def Jam)

Ranking Kanye’s first three albums really is a matter of preference; they’re all brilliant, and you could perhaps take numbers 2, 3, and 4 on this list as a sort of unified second place. To our ears, however, The College Dropout just about lacks some of the swagger and self-assuredness present on Late Registration. Of course it does; it’s Kanye’s first record, so he has a lot to prove. Not that “Jesus Walks” or “Through the Wire” aren’t instantly gripping; they’re hauntingly produced and full of West’s painful lived experiences, metaphysical in the former case, very physical in the latter. Kanye had produced for other artists before, but this is where he came into his own.

5. Graduation (2007, Roc-A-Fella, Def Jam)

Although still an excellent work in its own right, Graduation clearly shows Kanye growing somewhat tired of the overarching concept of his first three records. Lead single “Stronger” interpolates a Daft Punk sample to great effect, while elsewhere, “Homecoming” and “Flashing Lights” continue Kanye’s blissful officiation of the marriage between complex beats and clever wordplay. This one’s a little weaker than the other two, though, and not quite as overstuffed with potential radio hits. It’s starting to look a little filler-y, which is why 2010’s My Beautiful Dark Twisted Fantasy invigorated West’s career and elevated the artist’s profile to the degree that it did.

6. Ye (2018, GOOD Music, Def Jam)

Ye looked like it might be a turning point for Kanye. After 2016’s The Life of Pablo, Ye saw Kanye turning inwards. Its stark, almost unbearably poignant cover (which simply reads ‘I hate being Bi-Polar, its awesome [sic]” tells a tale of the kind of music to be found within. While Kanye doesn’t quite bear his soul on this album, it’s certainly more experimental and less maximalist than his previous releases, and at just 23 minutes and 41 seconds, it suggests an artist making music more for personal therapy than anything else. Unfortunately, it doesn’t quite fulfil the promise of its intriguing setup; its songs sound more like sketches than complete works, which is very un-Kanye.

7. The Life of Pablo (2016, GOOD Music, Def Jam)

Unlike My Beautiful Dark Twisted Fantasy, which couldn’t have stood to lose a single track, The Life of Pablo is in dire need of an editor (which is perhaps why 2018’s Ye is so short). The album has 20 songs on it, and about half of them are memorable enough to stick around after a few listens. At 66 minutes, The Life of Pablo could easily have lost 20 minutes from its running time and would not have suffered in quality terms. That said, “Father Stretch My Hands” and “Ultralight Beam” are brilliant, and lead single “Famous”, while not without its controversies, is a compelling listen. Also, this album has Chance the Rapper on it, and prior to 2019’s The Big Day, that was something to get excited about.

8. 808s & Heartbreak (2008, Roc-A-Fella, Def Jam)

We’re placing 808s & Heartbreak so low on this list only because it gave rise to the cringeworthy and irritating “emo rap” movement spearheaded by Drake and his ilk. Kanye was, to put it simply, better than this; “Love Lockdown” has an irresistible beat and piano refrain, but it’s hard to remember a lot of 808s’ other tracks. Kanye’s flirtation with Auto-Tune here became a fully-fledged relationship, and to put it simply, he can’t sing. This means his warbling on tracks like the aforementioned “Love Lockdown” comes across as ineptitude, something the rapper has never before had to acknowledge or deal with.

9. Jesus Is King (2019, GOOD Music, Def Jam)

Oh, Kanye…what went wrong? While a Christian rap album from hip-hop’s erstwhile production king isn’t necessarily a bad idea in and of itself, Jesus Is King continues Ye’s problem of having demos instead of songs, only here there’s no personal introspection to save the project. Instead, the album comes across as a half-baked paean to a belief system only Kanye can really understand. His love for God isn’t evident here; instead, it sounds like he’s at war with himself, trying to reconcile a history of personal turmoil with a spiritual side. While that sounds exciting, believe us when we say Jesus Is King’s turgid songs find a way to make it dull.

“A COLOSSAL WRECK” & “DESPERATE PLEASURES”

LIVESTREAM EVENT DECEMBER 19

Buffalo-based hardcore heroes Every Time I Die share two powerful new tracks “A Colossal Wreck” and “Desperate Pleasures.” Produced and mixed by Will Putney (Body Count, Kublai Khan, The Ghost Inside), the tracks offer a glimpse at the band’s forthcoming ninth studio record.

According to vocalist Keith Buckley, the tracks are “two sides of the same reactionary coin. While ‘A Colossal Wreck’ looks around at the current state of the world and says ‘life is a punishment and only the worst of us thrive’ and, ‘Desperate Pleasures’ takes a more optimistic approach and renounces the nihilistic/accelerationist attitude of the voice that came before. It says that without hope, even in the face of such universal anguish, only death is certain and to give up now when those around us need it most is a treacherous act of pure cowardice. That said, I’m not sure which is worse, bein-g a coward or being a cynic. Probably a coward. At least cynics have a sense of humor.”

CHECK OUT “A COLOSSAL WRECK” & “DESPERATE PLEASURES”

Acclaimed for their energetic and intense live shows, Every Time I Die have announced a live stream event for December 19 @ 2pm PT/5pm ET. Tickets for “Every Time I Die’s Online Telethon Extravaganza” can be purchased at https://tidathon.com.

The Buffalo, New York band have been forging their own musical path for over 20 years. Since establishing in 1998, the band has released eight studio albums; Last Night in Town (2001), Hot Damn! (2003), Gutter Phenomenon (2005), The Big Dirty (2007), New Junk Aesthetic (2009), Ex Lives (2012), From Parts Unknown (2014), and Low Teens (2016).

Every Time I Die is Keith Buckley (vocals), Jordan Buckley (guitar), Andy Williams (guitar), Steve Micciche (bass), and Clayton Holyoak (drums).

Eons ago the members of the intergalactic shock rock band known as GWAR descended on this world as passengers on a flaming comet that would bring about the destruction of most life on Earth. The asteroid plowed into the continent of Antarctica with devastating force, melting the ice, setting much of the world ablaze, and leaving a massive crater filled with the purest Antarctic water and a strangely intoxicating ichor that flowed from the veins of the immortal GWAR. Legend recorded these events as the tale of Ragnarök, the end of days. But like all endings, it was also a beginning. Now, this blood of the gods, harvested from the great caldera, has been distilled and bottled by Catoctin Creek Distilling Company as Ragnarök Rye. 

The mad scientists at Catoctin Creek conducted experiments on aging the blood of GWAR in barrels made from the different types of wood scorched by the comet’s blast. They used the rarest of grains and watered their mash bill with the melted Antarctic ice to create a single 92 proof rye whisky, potstilled and then aged in charred new White Oak. Members of GWAR then hurl the whisky barrels into the orbit of the Moon, causing contraction to take place as the barrels spin under the influence of the deathly coldness of space and the life-giving heat of the sun. The end result is Ragnarök Rye, an exquisite beverage graced with notes of cherrywood and sugar maple to produce subtle flavors unheard of in a traditional rye whisky. Truly, there is nothing else in the vast universe like the rock band GWAR, and in tribute to the band’s originality as the most elaborate, and transgressive theatrical production in heavy metal history, the distillers at Catoctin Creek have made sure there is nothing else like Ragnarök Rye. 

“Ahh, such a powerful spirit. A delicious sacrament to drink in preparation for battle, and it’ll get you really, really crazy,” says The Berserker Blothar.

“We were quite surprised when GWAR showed up at our distillery,” said the exasperated founder and general manager, Scott Harris.  “Purcellville is a quiet town, so to have these intergalactic visitors was—honestly—a little stressful.  We had to constantly keep an eye on them to keep them from breaking stuff, and they even tried to eat our dog, Otto.  The only way we could get them to leave was to agree to bottle their whisky for them.”

Catoctin Creek Distilling Co. X Rye Whisky (92 Proof/46% ABV) $99/750mL

About Catoctin Creek Distilling: Catoctin Creek Distilling Company, The Virginia Rye Whisky ℠, was founded by Scott and Becky Harris in 2009. Inspired by the history and craft of Virginia, Catoctin Creek made a name for itself as the first legal distillery since Prohibition in Purcellville, Virginia’s Loudoun County. The craft distillery is home to Virginia’s most-awarded whisky, Roundstone Rye, which has been presented gold medals across the globe and stands out through its old-world production methods. Catoctin Creek prides itself on sourcing rye whisky, gin, and seasonal brandy from local grains and fruits, with spirits available in 27 states and 3 continents. The Harris’ intricate attention to detail results in high quality internationally acclaimed products, including seasonal releases and private cask offerings, that recognize the true craft of Virginia spirits. For more information, call (540) 751-8404 or visit CatoctinCreekDistilling.com. Follow Catoctin Creek on Instagram, Twitter and Facebook. 

About GWAR: The story of GWAR is carved across the history of this barren and hopeless planet, but GWAR themselves are not of this world. Their story begins in the deepest reaches of outer space. Long ago, the beings who would become the rock band GWAR were part of an elite fighting force, the Scumdogs of the Universe. For eons, they served as thralls to a supreme being known only as the Master. But one by one, each future member of the band earned a glaring reputation for being an intergalactic screw-up. And so, they were banished, sent away on a fool’s errand to conquer planet Earth. Once here, GWAR shaped the face of the globe, destroying and rebuilding the natural world, and giving rise to all human history. For more information, visit GWAR.net. 

For More Info on GWAR Visit:http://www.gwar.net

Brand New Single, “Age of Machine,” Is Released Today

After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on “The Tonight Show” and “Saturday Night Live,” GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden’s Gate due April 16, 2021 (Lava/Republic Records).  The album can be pre-ordered HERE.

A bold evolution from the band’s 2018 full-length debut Anthem of the Peaceful Army, The Battle At Garden’s Gate came together primarily on the road or while in the studio after the runaway success of 2017’s “Highway Tune” led to the band packing up, leaving home, and eagerly soaking up new experiences on an extended road trip around the world. Over the past three years, Greta Van Fleet – vocalist Josh Kiszka, guitarist Jake Kiszka, bassist Sam Kiszka, and drummer Danny Wagner – played to hundreds of thousands of people across North America, Europe, Japan, Australia, South America, New Zealand, and the UK.  While driving to gigs, the first-time world travelers passed many unfamiliar sights, from the favelas in Sao Paulo to the Gold Coast of Australia and everywhere in between, meeting and enjoying conversations with fans and other musicians that opened up new worlds to them.  

To cap off the change-filled era, the quartet moved from Michigan to Nashville, immersing themselves in Music City’s rich history.  The melding of all these experiences opened their eyes to amazing new worlds of culture, history, philosophy and spirituality – and ushered in an entirely new way of looking at life and the approach to their music.  Accordingly, Greta Van Fleet poured everything they experienced into these new songs – the music reflects their spiritual and intellectual growth, increased awareness of the inequalities plaguing the modern world, and deep empathy for what other people are going through.   

“We realized that while growing up, we had been shielded by many things, and we were unaware of a lot of things,” says drummer Danny Wagner.  “And then we were thrown out into this huge world, and it was a bit of a culture shock at first.  But as we started to travel a lot, meet new and different people and experience different cultures, our definition of ‘normal’ changed.” 

“I suppose that everything has changed except what got us here in the first place,” adds bassist Sam Kiszka.  “Everything – our perception of the world, perception of life itself, what it means to be an artist, what it means to be part of a beautiful, gorgeous society.  We’ve gained a larger understanding of why we’re all here.”

In general, the album’s arrangements are spacious and leisurely, giving the music pleasing dynamics, as the band touches on all manners of rock ‘n’ roll.  The Battle at Garden’s Gate is cinematic, capturing the breathtaking energy of an exciting fight scene or the smoldering passion of a brooding, heroic protagonist saving the day.  The new music also illustrates that the members of Greta Van Fleet are paving the way for a new generation of musicians – ones that use rock ‘n’ roll’s foundational elements to build an entirely new sonic blueprint. 

Sonically, The Battle at Garden’s Gate also feels bracingly modern, an embodiment of genre-blended musical freedom.  Recorded in Los Angeles with Greg Kurstin (Foo Fighters, Paul McCartney), the album is ambitious and expansive, marked by epic journeys such as the second single, “Age of Machine,” released today (check it out HERE), and the Top 5 rock hit “My Way, Soon,” which boasts a towering chorus hook and rip-it-up-and-start-again lyrics.

Josh explains, “It’s very dynamic, lyrically speaking.  And that’s the human experience.  It’s much more than pain or fear; it’s also beauty.  People need people, and love is important.”  Lyrically, The Battle at Garden’s Gate muses about the influence of technology on modern life; the role conflict plays in the global sphere; the deceptive fulfillment of tangible riches; and philosophical questions about life, love and power. 

“There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” Josh says, while Jake adds, “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth.  What Josh does very well with the lyrics is telling ancient tales with a contemporary application.” 

For Josh, working with Kurstin provided the confidence he needed to push his songwriting into these vivid dimensions.  “I’m always a little bit hesitant about my abilities as an artist; I think a lot of artists feel that way,” he says.  “But Greg hovering over me while I’m on the piano, taking an interest in what I was doing – that was really important for me.” 

That added confidence is obvious.  Josh sounds commanding on each song, stretching his already-acrobatic voice to newer heights, while the instrumentalists fearlessly push themselves into new territory.  Easy going organ and acoustic folk-rock riffs drive one song, while another ends in a torrent of guitar noise that rivals Neil Young’s onstage guitar freakouts with Crazy Horse.  “For all of us, the performances – and the aspects of them that are captured – preserve where we’re at musically in time right now,” Jake says.  

The future is unwritten, and the sky’s the limit for these curious travelers and truth-seekers. Josh says, “certainly after this, we’ve grown in so many ways.  This album has taught us a lot, about life in general, about ourselves, about all of us, about the world we live in.”

TICKETS ON SALE DECEMBER 1, 2020 12 PM (PST)

FIRST EPISODE, THE 80’S, TO PREMIERE DECEMBER 12, 2020 2 PM (PST)VIA NOCAP

Bad Religion celebrates their forty years of making music with Decades; a four-episode online streaming event captured live at The Roxy Theatre in Hollywood, California. The band felt it important to commemorate the conclusion of 2020 as a strange moment in history when they reached that 40-year milestone. The celebratory episodes will include live performance footage, exclusive interviews, and a peek at their rehearsals leading up to the taping of Decades. Singer & co-songwriter Greg Graffin discussed their motivation, “I can speak for the whole band when I say that we were so disappointed to not be able to tour this year. It is our fans and all those concerts we play each year that provide the life-force of Bad Religion. Decades allows new fans as well as those who were there at the beginning to get a rich overview of our entire career and witness the changes in songwriting and performance styles at each stage of our evolution.“ Bad Religion will participate in an accompanying live chat during the premiere of each episode. Show specific merchandise will be available for sale on the DecadesNoCap Shows page.

The ’80s – Bad Religion performs songs from How Could Hell Be Any Worse, Suffer, and No Control. They discuss what it was like being young punks in a world of Pacman, Reaganomics, and Televangelism. 

The ’90’s – Bad Religion performs songs from Against The Grain, Generator, Recipe For Hate, Stranger Than Fiction, The Gray Race, and No Substance. This decade cemented their position as one of the most influential and prolific bands of our time, but it didn’t come easy or without cost; the band discusses the growing pains and lessons learned. 

The ’00s – Bad Religion performs songs from The New America, The Process of Belief, The Empire Strikes First, and New Maps of Hell. Returning home and charging forward into a new millennium, Bad Religion continued to awe with their prowess, releasing some of their most beloved material to date.

The ’10s – Bad Religion performs songs from The Dissent of Man, True North, and Age Of Unreason. The Covid-19 pandemic cut short their plans to tour in support of The Age Of Unreason and are now performing material never seen live before. The band discusses the gratitude they live with every day looking back on 40 years of being Bad Religion and the legacy they are still actively creating. 

No Caps Shows will host Decades; a four-episode package will sell for $40, individual episodes may be purchased for $15. Tickets for Decades will go on sale Tuesday, December 1 at noon PST. Episodes will remain up for sale and viewing through the conclusion of the series and available until 12 AM PST on January 5th.  

Decades episodes will premiere at 2:00 PM Pacific Standard Time.

December 12th: Bad Religion, the ’80s

December 19th : Bad Religion, the ’90s

December 26th: Bad Religion, the ’00s

January 2nd: Bad Religion, the ’10s 

4 Decades 4 Episodes $40 bucksBadreligion.nocapshows.com#BadReligionDecades #BR40 #BRDecades