William Mark McCullough and Alexis Nelson discussing what it was like shooting the movie A SAVANNAH HAUNTING in a real haunted house! A SAVANNAH HAUNTING delivers a dread-filled supernatural drama about a mother grappling with her guilt stemming from the tragic drowning of her youngest daughter. When the family moves to Savannah to distance themselves from the tragedy, the mother slowly grows to believe she is being haunted by her dead daughter.
If you are curious at all about this film, check out a quote from their website below, which should seal the deal: “With the sexy undertones of AMERICAN HORROR STORY; the creeping dread of THE HAUNTING OF HILL HOUSE and the slow descent into madness of THE SHINING, A SAVANNAH HAUNTING will resonate with audiences who enjoy a thoughtful supernatural thriller.”
MediaMikes had a chance to chat with writer/director Damien Leone and star David Howard Thornton of the new movie “Terrifier 2”, which will be in theaters on October 6, 2022 from Cinedigm in partnership with Iconic Events.
From Writer/Director Damien Leone (All Hallows’ Eve, Terrifier), the highly anticipated, ultra-gory slasher sequel Terrifier 2welcomes back David Howard Thornton as the demonic killer, Art the Clown, and introduces Lauren LaVera as Sienna, who is bound to become an instant fan favorite as the next Final Girl. Also returning is Samantha Scaffidi who reprises her role as Victoria Heyes, with horror icon Felissa Rose (Sleepaway Camp) and professional wrestler Chris Jericho also making appearances.
SYNOPSIS: After being resurrected by a sinister entity, Art the Clown returns to the timid town of Miles County where he targets a teenage girl and her younger brother on Halloween night.
Tia Carrere played Cassandra Wong in the films Wayne’s World and Wayne’s World 2; Juno Skinner in True Lies; Nani Pelekai in the Lilo & Stitch films and TV series; In addition to acting, Carrere has won two Grammy Awards for her music. Her new film Easter Sunday with Jo Koy comes out August 5, 2022 and is a ton of fun, check out our interview!
Lizzy Borden burst on to the Los Angeles heavy metal scene in the early 1980’s with their debut EP “Give ‘Em the Axe” and subsequent full-length release “Love You to Pieces”. The band also appeared in Penelope Spheeris rockumentary “The Decline of Western Civilization Part II: The Metal Years”. Media Mikes had the chance recently to talk with Lizzy about his newest movie titled “Die Influencers Die” where he plays a dark and sinister character known only as Otherworld-Coyote.
Adam Lawton: Can you tell us how you got involved with the film “Die Influencers Die”?
Lizzy Borden: I was good friends with the director Gary Orona. We both were moving to Las Vegas around the same time and he mentioned he was thinking of doing a move. He had asked if I would be in it and I said yes but, I was heading out on touring. While I was out on the road, they contacted me about the part and said that they were going to be doing table reads. I missed all of those and only had gotten the script about a day and a half before I was set to film. Everything just sort of happened while I was out with the band.
AL: What can you tell us about your character?
LB: It’s kind of weird because when I first got the script was trying to figure out how this character was involved with everything. There was no backstory for him, so I tried to figure out what his motives are. This character literally has no name and appears out of nowhere. I had to try and figure out how to really play this character. I thought of things like “Othello” and made this guy a real instigator. We have actually talked about doing another film that would explore this guy’s back story. There is just this unexplained nature about this guy that made it a lot of fun.
AL: Being there wasn’t a lot that was known about the character were given creative freedom or did the director have you stay within certain parameters?
LB: We knew this was going to be a supernatural character so I kind of knew where to take things, but I still didn’t know even what he was going to look like. On the first day of shooting, I had about five or six different looks we could go with for this character. Gary came in and the one you see is what he picked. When I then went into hair and makeup, they suggested I should just put a ton of gel in my hair. They put probably a half gallon of gel in there and it really sold the character and took it in another direction. We were kind of improvising. As far as the acting went when I looked at the lines it always seemed to me that he was screaming and very angry. I thought back to all of the great scenes where someone has portrayed being angry and those were usually done in a very calm way. I wanted to bring his presentation down to a whisper and if he did get angry, I wanted whoever else was in the scene to feel his intensity without me having to scream at the top of my lungs. I remember the first thing we shot with everyone there Gary asked to do a practice. We did the scene and he ended up getting really mad. I asked what was wrong and he was mad that he didn’t film it because it was so good. From then on, he filmed everything.
AL: At what point did the option to have a song in the film come up?
LB: That was an afterthought. The film was finished however it was taking awhile to release. It was originally supposed to go to either Netflix or Amazon Prime but there were some paperwork problems. We couldn’t even promote the film. Then Covid-19 hit. We had planned to do a red-carpet event in Las Vegas where we showed the movie and then my band would play. We had it booked and set up but then COVID-19 happened. We had done a soundtrack video for the film “The Decline of Western Civilization Part II: The Metal Years” that turned out really good and a lot of people got to see clips of the movie through that video, so we started with that same idea. It came down to a matter of picking the song and the scenes and we landed on “My Midnight Things” which is the title track from our last album.
AL: Can you tell us a little bit about the video for the song?
LB: The whole point of the video was to make a commercial for the movie. I really wanted to do something interesting and asked how could we do some new shots of me singing the song while also incorporating the scenes from the film. We talked about a lot of things and a bunch of those were unrelated to the movie. I wanted for the video to look like it was another part of the movie. We ended up using the same studio we filmed in and we also brought in green screens which was a lot of fun. Ultimately, we needed something to promote the film and help tap into people who might not normally go see a movie like this. Through the video they can get a good representation of the film through the four-minute video.
AL: When you perform with the band it is very theatrical. Did you notice any similarities in how you prepare for a live show and how you prepared for the film?
LB: It was almost identical. Other than memorizing lines that was the only thing. I had the lines, but it was all about the delivery. That is where my focus was. I do the same thing backstage when I am working on the show. I think about the previous night’s performances and what I liked or didn’t like and how I can make those things better. I do a lot of pacing. (Laughs) They gave me my own spot at the studio and I just wandered around between shots until they were ready for me.
AL: Having now done the movie do you think you will take what you learned from there and apply it to your live performances?
LB: I think so. There is a subtlety to it as my live shows are pretty over the top. What I got out this character is that there was nothing flamboyant about him in any way. I tend to try and pull out all of the stops with my shows but, maybe if I am in a support slot where I am not able to do that by having played this character, I know I can go out there in a stripped-down format and still deliver a highly theatrical and interesting show.
AL: In 2020 you released “Best of Lizzy Borden” Pt. 2 which included two newly recorded cover songs. (Blue Oyster Cult’s “Burnin’ for You” and The Ramones “Pet Sematary”) How did you go about selecting those songs being they are quite different from one another?
LB: Almost all of my influences are set in the 1970’s. They are all established, big bands which I saw when I was a kid, so they are just imbedded in my brain. I could have chosen two hundred songs! There are just so many good songs. Blue Oyster Cult is one of my favorites and definitely one of the top ten best song writers that I love. On an earlier record we recorded a cover of their song “This Ain’t the Summer of Love” as we had been playing it at our live shows. I originally wanted to do “Burnin’ for You” for the album but was out voted by the producer so that was a song I have been wanting to do. I am a huge Ramones fan and love all their work. I thought about all of their songs and a majority of them have to be done in a punk a style. “Pet Sematary” is one that you really don’t have to do that. We did a Halloween show at the Whiskey in Los Angeles and I had the band learn the song prior to the show and people loved it. That’s ultimately how it ended up getting chosen.
AL: With the uncertainty of 2021 are there any other projects that you are currently working on or have coming up?
LB: I am almost halfway completed with a new album. It is coming along but it is very slow. I can imagine this being one of the most favorite albums I have ever done. I still see myself doing four or five more but this one is coming together in a really fun way. I have never had more fun putting a record together. I am not sure how that will translate over to people responding to it but as far as making it I am really enjoying it. I have been doing one song at a time and am about halfway done. I have been getting show offers as well but it doesn’t make sense to me to book shows only to have them cancelled. I see others starting to get out there, so we have to just wait and see. Everyone is ready to go we just don’t want to book something and have to cancel.
AL: When you are writing do you do that all your self or is it a more collective effort?
LB: I do it differently for every record. I have done records in the past where I record everything myself. On this new album I am having the musicians replace what I have already put down with their performances. I will play all the parts then have Joey Scott add in drums and then we build from there. Usually, my vocals are done as well so we kind of work backwards. I like to hear how it sounds in my head rather than putting just a scratch track out there for everyone. A lot of time when you do that a song can change quite a bit and when you are all done its not what you had envisioned. This way I get my idea out there the way I want it and if someone adds something really great to what I have already played we will keep. So far with this record things have stayed pretty much the same as I wrote it.
Clive Barker is an English playwright, novelist, film director, and visual artist. Barker came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works, and his fiction has been adapted into films, notably the Hellraiser and Candyman series.
On October 7th, 2020, Hulu is premiering the new horror anthology film, BOOKS OF BLOOD, which takes audiences on a journey into uncharted and forbidden territory through three uncanny tales tangled in space and time.
Media Mikes had a chance to chat with Clive about the new movie and how 2021 will be the year of Clive Barker with his upcoming books and the new Candyman film being released.
Iconic actor, best-selling author, Grammy Award-winning comedian, activist and America’s sweetheart of Cannabis Tommy Chong is legendary for his invaluable contribution to American counter-culture as part of the iconic comedy duo Cheech & Chong, and with a name synonymous with cannabis, has entered into dispensary license with Five Point Holdings Inc. and partnered with Cheech Marin to develop a five state dispensary chain. Media Mikes had a chance to chat about the dispensaries with Tommy as well as his new video game “Bud Farm”.
I first met Oscar and BAFTA nominated filmmaker Agnieszka Holland several years ago when I had the honor of introducing her amazing 1990 film “Europa, Europa.” In my introduction I noted that, when I first saw it I was a theatre manager and watched it at 430 in the morning. I then commented that I loved the film so much that I threaded up the projector and watched it again. She told me later in the evening that I had given her one of the best compliments she had ever received. She also very graciously signed my “Europa, Europa” DVD. Her latest film, “Mr. Jones,” tells the story of a Welsh journalist who broke the news in the western media of the famine in the Soviet Union in the early 1930s and is currently available via Video-on Demand. “Europa, Europa” recently received a beautiful CRITERION Blu-ray/DVD release. While awaiting start on her next project, Ms. Holland took the time to speak with me about “Mr. Jones.”
Mike Smith: What drew you to direct “Mr. Jones?”
Agnieszka Holland: The script was sent to me by a first-time screenwriter and when I read the script what struck me first was how personal it sounded as well as how relevant it was. A story about the manipulation of the media – the propaganda – fake news and the consequences of it and how they are relevant to our time. I realized at the time that the work of Stalin was virtually unknown to the masses and that what he allowed was unjust and wrong. And I knew the story had to be told. At the beginning, Mr. Jones is curious and bright and a businessman. He wants to discover some new things but what he finds are things that other people don’t see; this incredible tragedy happening to the entire population. He becomes the messenger that speaks for them.
MS: Were you familiar with Gareth Jones’s story before you were sent the script?
AH: Not really. It was only after I agreed to make the film and met with members of his family that I found out they were hearing the story for the first time. It was one of his grand-nephews that discovered the documents that center around the story. After his death his actions had been forgotten. He is best known in Ukraine where he is considered a national hero. Once I read the script I knew this young man’s work had to be brought to the light again
MS: “Europa, Europa” turns 30 this year. Do people still approach you and tell you the impact the film had on them?
AH: Yes, the film doesn’t seem to age. They’ve either seen it on television or they have purchased the new CRITERION Blu-ray/DVD. I hadn’t seen the film myself in quite a while and I recently introduced it at a film festival and I was surprised at how well it stood the test of time
MS: You work a lot in both film and television. As a director do you have a favorite medium?
AH: Television is easier because as a director you don’t have to be totally involved. You are just helping to tell the story. On a film the director is responsible for everything. On television you have several layers of responsibility from the show runner on down, and rarely does a director do the entire series. I will share my vision but it’s not entirely my own work so things go a lot smoother and entirely faster.
MS: What is your next project?
AH: I just finished a film called “Charlatan,” a Czech film that recently premiered at the Berlin Film Festival. It was supposed to open in European theaters in March but because of the Covid lockdown it will probably be released in the fall. It was well received in Berlin so I hope the people like it. I’m now preparing to shoot a television series for Apple TV which will be filmed in Paris but we are waiting to see when we can begin filming, again due to the current situation. Right now it would be impossible but we are continue to prepare it so will be ready when we are allowed to start.
Stacey Nelkin is known best for her role of Ellie Grimbridge in “Halloween III: Season of the Witch”. She was also cast in “Blade Runner” as the the infamous “Sixth Replicant” but ended up being cut.
Media Mikes had a chance to chat with Stacey about Halloween III as well as her work with the Monty Python gang in “Yellowbeard” and working with Tony Danza and Danny DeVito and the orangutans in “Going Ape”.
Titus Paar is the director of the new upcoming survival horror film “Fear of the Woods”s starring Vernon Wells (“Commando”, “The Road Warrior”). The film just released it’s trailer to the world and has been taking over the internet since doing so.
Here is the official synopsis for the film is “Alaska 1993, A snowstorm has trapped the small mountain town. Now it’s up to a group of rebellious teenagers to save their town that don’t believe in monsters.’
The film boasts a fully animatronic bear with no CGI and looks absolutely killer (see the trailer below). Media Mikes had a chance to ask Titus a few questions about the film and also his work with Steven Seagal.
What made you want to make a killer bear movie with “Fear of the Woods”?
When I was around 6 years old I saw the anime Silver Fang for the first time, it blew me away and that bear was the coolest monster I had ever seen (And still is)As I started making movies around 15 the dream began of one day making a live action movie called Fear of the Woods and capture the essence of the Bear in Silver Fang but with a new story.And now here we are, 30 years older making that kids dream come true.
Tell us about the decision to use an animatronic bear and no CGI for the film?
My style of directing is to mix something old and familiar with something new that I made up. I just make movie I want to see but doesn’t exist, from a fan of film standpoint.This is a retro creature movie and I wanted to pay tribute to the guys that did it all in camera.And once I found out that we had an amazing creature work shop in Sweden called fixas.se it was nothing to think twice about.With movies like Jaws, you see its fake but you don´t care because it was there for real, that shark existed and moved like that and ate the actors. Same with our movie, we had that animatronic bear in arctic temperatures, with the maker of the creature, inside the bear operating him from inside so he could walk and run, while another guy controlled the head, mouth, eyes, smoke machine. So much fun and man but so much hard work.
I have a feeling this was a difficult shoot; Can you tell us a little about the production?
This film truly was a struggle to make in every way. The sun went up at 9 and pitch-black at 3 so we didn’t have lunch breaks or any break really. There was two meter snow so you couldn’t walk without falling and sinking down to you belly and you know I got 74 year old Hollywood star Vernon Wells coming in. And he is supposed to be running in this with a 20 kilo coat on him, being chased by an animatronic bear in tracking shots and VFX setups… So yeah everything was hard. It´s just hard being outside in that kind of cold and we where shooting up on a mountain.But the team is used to work in these conditions and my DP Marcus Möller is one of the beat nature DPs there is so he was a big life savior. Big Camera rig, running with snow shoes all days because the director wanted to have long sweeping takes 🙂 But hey it was worth it, it looks amazing.
Insane shoot for sure. Think we all lost a bit of weight falling around in that snow, digging out the snowmobile while battling the clock. I hate filming in studios, this was a true adventure and it shows in the film. Below is the location and the film is by Marcis Möller:
Tell us about the tagline “Jaws meets Strangers Things and Silver Fang”?
Its not the tagline but I want my influences to show. This is a combination of these things mashed together in my imagination where I just take stuff that makes my blood pump and the only read thread is me liking it really. Jaws, Jurassic park and yeah the way Spielberg makes creature movies, where the film around the creature is so interesting that the film works even if you take out the creature. Stranger Things for the homage to a time period, we are in the 90s in my movie. But it’s our version of the 90s like Stranger Things is using the 80s but making it their own universe. Silver fang is the horror in snow and the idea to bring Akakabouto to life.
How did you get “Mad Max 2″/”Commando” star Vernon Wells to appear in the film?
Vernon and I have been friends for like 10 years. Tried to make a few movies before but movies fall apart all the time, it’s a miracle when they get made.Managed to make one together before, he has a fun part in my crazy Seagal movie Perfect Weapon. Love the guy. Grew up watching him in Mad Max and wanted to look like him (I still sport the Wez mohawke) He is a great actor and I mean he is movie history, I hope he gets to make bigger films again after this, he’ll win some awards for this role, some of his best work ever.
I read he also did all of his own stunts at the age of 74?
Yeah that man doesn’t complain. I asked him if I was going to bring in a stunt double and MZ stunts was ready to bring in a guy (I mean I did a Seagal film and Seagal has a stunt double for walking and he is 12 years younger than Vernon) He just looked at me and said. I’ll be alright as long as I can use my wheelchair… What do you think? I´m a fucking 80s action star I do all my own stunts. Well what can I say, he did almost kill Arnold (Schwarzenegger) and Mel (Gibson)…
Now that the trailer has been tearing up the internet; when can horror fans expect the release of this film?
We are still in post on the film but we will do some festivals first. Want to win some awards for this and we will. So when the world opens up there are a lot of horror festivals around Halloween that will showcase it. But we also want to compete in mainstream festivals with this one, it has something fresh and people really dig it. Makes me so happy. You never know when you make these little more out-there movies if anyone else but you will like them.So it makes you very happy when they do. I have seen both sides, I won so many awards and gotten 5 star reviews many times but also been bashed like hell online and in reviews. So it’s nice to be praised for sure.
Your previous film “The Perfect Weapon”, starring Steven Seagal, was recently #1 on Netflix; what was it like working with Seagal?
Seagal is a hard man to work with. But I knew that walking in to make that movie so I was prepared for it.It was fun doing a 80-90s B-action tribute with him, Vernon Wells and Richard Tyson from Kindergarten Cop. It was never clear in the marketing like I wanted that the movie is an ironic tribute to the B-action genre, so it was bashed for being too B. But that was the point to make the ultimate B movie. It did very well financially, was released worldwide by SONY even went theatrical in Japan and Dubai.The film brought me to Hollywood so I´m grateful to Seagal for taking a chance on me, but I would not do another Seagal movie. Working with much better and bigger talent now on my upcoming movies, you´ll see soon.I´ll say this doe, I like that Seagal is just like you expect him to be, he is larger than life, it’s not an act he puts on, I get bored easily but I was never bored hanging around with Seagal. I got so many good Seagal stories but I only tell them to people that buy me a drink.
Hey thank you Media Mikes for caring about my little crazy movie, means the world to me and the team that made it.Hope you get to see it in a festival or a platform later this year. Looking forward to hear your thoughts.
Billy Bryan is the man who created the Stay Puft Marshmallow Man suit for Ghostbusters as well as the man inside. He is also one of the puppeteers for Chucky in Child’s Play and also played the Pit Bitch in Army of Darkness.
Media Mikes had a chance to chat with Billy about his role in Ghostbusters as well as Dune, Child’s Play, Army of Darkness, Men in Black and meeting Dave Grohl for his work on Tenacious D in the Pick of Destiny.
Dan Shor is know best for playing the supporting character Ram, in the movie, TRON. He also played the character Roy Kleinberg in the TRON: The Next Day epilogue to TRON: Legacy, a role that was reprised from TRON in which the character was listed as “Popcorn Co-Worker”. Besides being a veteran actor, he is also a director, writer and teacher with a career spanning 28 years.
Dan is also known for playing Billy the Kid in “Bill and Ted’s Excellent Adventure”. He also appeared “Star Trek: The Next Generation” and “Star Trek Voyager” playing Dr. Arridor.
Media Mikes had a chance to chat with Dan about these roles and reflect on the legacy of TRON.
You may not know Lia Beldam by name but she is forever the Woman from Room 237 in “The Shining” and also recently reprised in “Ready Player One”. Media Mikes had a chance to chat with Lia about her role and the legacy of the film celebrating it’s 40th anniversary.