Throwback Thursday: A Conversation with Colin Hanks

Today is Thursday and it is the start of our Throwback Thursday interview revisits. For our first Thursday, we are going back in time to July 2011, nearly 9 years ago, when we interview Colin Hanks, of course the son of well-known actor Tom Hanks. Colin was starring in the Gil Cates Jr. directed film “LUCKY” along with Ari Graynor, Ann-Margret and Jeffrey Tambor at the time and we were lucky (see what I did there LOL) enough to get an interview with him.

This interview was done back in 2011 when we were still named MovieMikes.com with our own Jon Donahue, who had a KILLER conversation with Colin Hanks to discuss “LUCKY”, his Tower Records documentary and his role on Showtime’s “DEXTER”! Please take the time to watch this whole interview its hysterical and deserves a view. And in case you wanna know…Yes they already knew each other prior to the interview. Enjoy and leave comments!!

Here is the premise for the film:
After Ben (Hanks) wins $36 million in the lottery, Lucy (Graynor) marries him, strictly for the cash. Just as she’s beginning to have genuine feelings for him, however, Lucy discovers that he’s a serial killer whose victims all resemble her. Still, though, there’s no way she’s walking away from those lottery checks, even if it means losing her mind and re-burying all the bodies.

Patrick Hinds and Gillian Pensavalle discuss their podcast “True Crime Obsessed” and upcoming tour

You know that feeling you get when hanging out with your best friends? That sense of pure joy that comes from sharing a love of the same things, laughing at anything possible, and being there for each other through even the toughest of times. Well, if you love True Crime as much as I do, let me introduce you to your two new best friends and hosts of the True Crime Obsessed Podcast, Patrick Hinds and Gillian Pensavalle.

Since May 2017, this pair of theater kids have been watching True Crime documentaries and recapping them to their audience in a way that can only be described at hilarious. From garbage bells to super-hot husbands to Patrick’s infectious laugh, these two know how to take even the worst documentary and make you feel like you are laughing about it with your best friends.

Recently, Media Mikes had the exciting opportunity to talk with Patrick and Gillian about their podcast and upcoming tour and they did not disappoint.

Channah Zapotoczny: Why you picked the format with you did with the documentaries for your true crime podcast?
Patrick Hinds: You know it’s so funny cause I think about this all the time. When we decided to work together, we sort of work shopped different ideas together of what kind of true crime podcast we wanted to make. We were going to make a three-part podcast every week that was going to dry and straight forward. It would start with an interview segment and then we would talk about something that we have seen, like a TV show or another podcast or something and then the last part would be focused on true crime. So we were doing this pilot episode and when we sat down to do the part when we talk about something, we decided to talk about the documentary “The Imposter”. Gillian and I were relatively new friends at that point. We knew that we really enjoyed each other but I didn’t know that she was like a completely unintentional comedian. So when we started talking about “The Imposter”, the things that stood out to her was like the quirky details or the things that we were really enraging and she has this really funny way of articulating it. So I was laughing hysterically and we had no thought of making a comedy podcast. So when I was listening back to all the different segments and putting it together. I realized that there was nothing else out there in the podcast space with two friends just recapping true crime documentaries and I said I think found our podcast.
Gillian Pensavalle: And even still it has evolved into the madness it is today. In the early episodes, we sound like we are not trying to disturb someone in the next room. In those very early episodes, you can hear Patrick laughing off mic and not really leaning into what/who we are.
Patrick: I wanted to make a nerdy high brow NPR thing, so then we opened up the wine and the bourbon and started making it for real [laughs].
Gillian: Yeah!
Channah: What’s funny is that when I am listening Gillian, you comments are exactly what I am thinking…
Patrick: [laughs] That’s why it works, so many of our listeners say to us that we are having the conversations they wish they were having with their friends when watching these documentaries. It is so funny because a podcast like that should exist but it wasn’t what we meant to make at all.

Channah: So if you could would you go back and change anything?
Patrick & Gillian (together): Nooooooooooo!
Patrick: We were lucky enough that we both of us have been making podcasts long enough to know that the show will become what it is suppose to be. So I am just so glad we have the common sense to let it be what it was clearly meant to be, right?
Gillian: Right, I love the evolution of it. In all of the podcasts that we have worked on or are working on, there is that evolution you can see. Especially for Hamilcast, in the beginning it is not what it is now. It just became that. We just leaned into what it is. We didn’t even think anyone would be listening.
Patrick: That’s true we made this thing just so that we could hang out. We didn’t make it to have it be as successfully as it is.

Channah: How long do your recordings typically take?
Gillian: A long time. Well because, we do a lot in one sitting.
Patrick: We do like five ads per episode. We do a bonus episode every week and then the regular episode. Sometimes twice a month we will do an after party, which is us just hanging out talking about whatever is one our minds or usually “Newsies” the movie [laughs].
Gillian: Yes, most importantly “Newsies” the movie [laughs].
Channah:
That is such a good movie and is one of my favorites.
Patrick: Oh God it is so good… So recording could sometimes take like five hours. We always know that we nailed it though when we are starving, sweating through our clothes and have no voices.
Gillian: We usually start at 5:30pm and go to 10:30pm and by the end of it my eyes are usually half closed. And that is after working all day on top of it.
Patrick: I just realized our last recording day, I worked 17 hours. I was up at 4:15am to watch everything and then we recorded that night till 10:30pm. It was insane.
Gillian: The thing is that when it is 9:30pm and we are recording the last thing, it can’t sound like it’s the last thing. It has to sound like it is the first thing or the only thing.
Patrick: Exactly! Gillian and I don’t get much of a chance to hang out during the week anymore and it is our only hang night. We are never manufacturing that last hour. I feel like the last hour is usually the best because we are so amped at that point.

Channah: So a fun question for you; let’s say someone was going to bring you in to consult on a documentary and you were going to help them make it. What would be your advise to them to make the documentary great?
Patrick: I love the thing these documentaries are doing when they will setup an interview subject and not tell them that the camera is rolling. The interview subject thinks the camera is on when they get asked the first question but it is rolling the whole time and you get people doing ridiculous things like adjusting their genitals or talking to themselves and they always keep it. I am obsessed with it.
Gillian: That is always great.
Patrick: I worked with a director recently and one of the things that that I learned about making a bonkers documentary was that they did all these interviews with all these experts, put them in the film and then went and took them out. Listen if your story is that bonkers and the experts are getting in the way. I say get rid of them. Get rid of them.
Gillian: Just let it become what it will become. “Capturing the Friedmans” is not about the dad and his issues. It was about this circus clown, so then it became about that.
Patrick: In conclusion, give me a strong 90 minutes. Nobody needs longer than 90 minutes. We always talk about this documentary “The Long Shot”
Gillian: 42 minutes!
Patrick: 42 minutes is a dream, you are in and out. You laugh, you cry. It’s perfect.
Gillian: It leaves you wanting more.

Channah: On your show, you were so excited to meet Rabia (Chaudry) and talk with her. Was meeting her everything you hoped for?
Patrick: Rabia and I had a conversation on the phone and we were in love. It was wonderful. The first time I met her was at CrimeCon, our booths were near each other. Because I had that long phone conversation with her, I ran over to her booth and literally knelt down and she looked at me like she was going to call the police. She had absolutely no clue who I was. I just sat there and thought this wasn’t the reaction I expected. After I told her who I was it was great.
Gillian: Then you dragged her over to me…
Patrick: Do you remember how amazing that moment was…
Gillian: That was amazing.
Patrick: We could stop screaming about how amazing she smelled and we just kept hugging her. She was hugging us back. Rabia gives back the energy that you give her. We were so excited to meet her and she was then so excited to meet us.
Gillian: I loved hugging her and smelling her…and that’s not weird [laughs].
Patrick: We are doing two shows with her. Our show in D.C. and Orlando, we are doing with Rabia and Susan (Simpson).

Channah: I will be at the show in Orlando. Are you guys worried about coming to Florida?
Patrick: [laughs] We are afraid that we are going to be met with pitchforks and alligators at the airport. No, I am very much looking forward to going to Florida.
Gillian: A lot of them just lovingly want to change our minds. And our minds aren’t set. We have a very specific job, which is talking about what is in the documentary.
Patrick: It is not our fault that Wrinkles the Clown was from Florida [laughs]

Channah: Speaking about the tour though, I know you are doing three different types of shows. What can we expect from it?
Patrick: Actually, the funny thing is in Florida it’s the only show that we are doing that we have never done before. In Boston, we are doing the show with Lance (Reenstiema), Tim (Pilleri) and Maggie (Freleng) and we are covering “Missing Maura Murray”. The reason we are doing this show again is because we did it in Brooklyn and it was just so great. The pride show in San Francisco and Seattle is just going to be so gay [laughs]. So Florida and D.C. with Rabia and Susan are going to be fun. We warned them they are walking into the lions den.

Channah: Since you will be in Orlando for your show, does that mean you will be coming to CrimeCon 2020?
Patrick: You know, we don’t know yet. We are trying to figure out our schedules, so once we do we will let everyone know.
Channah: If you do attend, is there anyone you wish will be seated next to you?
Patrick: Last year, we were right next to Susan and Rabia, so that is my fav. If Lance, Tim or Maggie are there, we would love to be next to them. Maybe stick us next to someone we’ve never met before, that would be fun.
Gillian: Well there are some parameters…
Patrick: Yeah, we don’t want to be next to Nancy Grace…
Gillian: Or the Cannibal Cop… they are both always at CrimeCon [laughs]

Channah: Patrick, in almost every episode you claim that someone is hot. If you had to rank your top three, who would they be?
Patrick: Let’s start with Ryan Ferguson, that has to be number 1.
Gillian: I approve.
Patrick: I am in the middle of editing episode two right now of “Don’t Fuck with Cats” and I am on the record of saying that John is hot…
Gillian: John Green?
Patrick: Yeah, John Green.
Gillian: Ok I will accept [laughs]. We also have a lot of women that we think are super hot and super smart…
Patrick: Totally…
Gillian: We had someone in “Dirty John”, the super hot smarty pants girl…
Patrick: Laura Richards…
Gillian: Yes, Laura Richards. And so many people in “Holy Hell”. It’s always weird cause when we are recording it’s just like we are hanging out and we forget other people are listening. So when people from the documentary reach out to us and it happens more often then you think, we forget that other people are listening.
Patrick: I really want Deanna (Thompson) from “Don’t Fuck with Cats” to be our friend
Gillian: I love her.

Channah: Is there anything that you wished I asked that I didn’t?
Patrick: Just that TCO has some really super awesome announcements coming out. So just keep an eye out for that!

Amberian Dawn Keyboardist Tuomas Seppala Discusses new album “Looking For You”

Amberian Dawn will release their eighth studio album, “Looking For You” on January 31st via Napalm Records and enter a new, but still familiar sounding musical universe, mixing the best of both worlds into a new genre: ABBA-Metal! The album’s multi-faceted and emotional lyrics provide a suitable background for soaring guitars and elegant classical interludes which showcase the bands shift from power metal to a more symphonic metal sound. Media Mikes had the chance to speak with the bands keyboardist Tuomas Seppala recently about the band’s new album, the changing of their style and working with Finnish artist Kebu.

Adam Lawton: Can you give us some background on the new album “Looking For You”?

Tuomas Seppala: “Looking For You” is a really nice album with a new and fresh sound. After releasing our previous album, I had a long writers block. I just couldn’t write good stuff with the “old style” anymore. After six or seven months or something, I realized that I need to change something so that I would be able to compose good stuff again. Then I started to compose a kind of synthesizer – disco music and that felt really good. Then I introduced a couple of those new songs to band mates and I was surprised that they liked the songs and also said that those songs could be easily converted to AD songs. That’s how I started to make music again and with a different kind of style. Now there’s only one “traditional” AD song on this album, a symphonic metal song “Symphony Nr.1 Part 3 – Awakening”. I got Fabio Lione of Rhapsody to make a guest appearance on that song. It was great.

AL: The band’s sound has gone through changes over the over few years. Was that a natural transition or something that was done by design?

TS: It’s been a natural transition, but it’s not been easy all the time. I’ve had several writer’s blocks after I’ve finished with an album and trying to start working with new songs. I always write music based on the feeling I have for it and I usually can’t force myself to do anything else. For example, if I’m not in the mood for power metal, I simply cannot write any good power metal material. Maybe some average stuff, but that’s never good enough for me. All the stuff I’ll write and publish must be just perfect to me (at that time). But it’s obvious that my point of view for music has changed during all these years and I wouldn’t be happy with the stuff I wrote 10 years ago, if I had been writing that exact same stuff right now. 

AL: Where did the term “ABBA Metal” come from?

TS: That’s just something we came up with. I’m not sure whether I invented the term or if I just saw the term used on chats and social media first. Anyways, I like the term and it’s really a good genre to describe AD’s current style.   

AL: Was the decision to cover “Lay All Your Love On Me” made before or after the creation of ABBA Metal? and why did you choose this song?

TS: I had been preparing this cover song for many years before we actually decided to record it. Also, the ABBA-metal genre came up at some point after I had all of the songs ready for new album. I knew that we really need to start using this ABBA-metal genre because it’s really what this music is all about. 

AL: Being a keyboardist what was it like working with fellow instrumentalist Kebu? And what was that process like?

TS: We had really good co-operation with this album. Kebu has this huge arsenal of vintage keyboards and together we finalized the keyboard sounds with his gear. Some of the sounds and tones are made by Kebu and some of those are made by me. It’s a good combination and I think we can work together in the future too. In short, the process was like that – I first made the arrangements for keyboards and then we decided that which parts were going to be played with my gear and which parts were going to be played with his synthesizers. Kebu used a lot of time to develop those keyboard sounds and presets. I also used ABBA’s Benny Andersson’s personal synthesizers on some songs. I recorded some parts at his studio in Stockholm.

AL: Are there any plans in place to tour behind the release?

TS: We’re planning to tour later in 2020 but we don’t have anything confirmed yet. We’re probably going to tour in Europe again because that’s doable. Touring in the US is much harder to make happen.

For more info on Amberian Dawn click here:

To Order your copy of “Looking For You” click here:

Interview with Singer/Songwriter Will Muse

Muse’s latest single (Photo credit: Dead Horse Branding)

The first thing that popped into my head when Will Muse got on the phone was “no way this kid is 16!”  With a voice, and a heart, that belies his youth, Muse is quickly becoming one of the most exciting talents to watch in 2020.

The music video for his first single, “I Can Change,” has been viewed more than two million times.  His sophomore release, “Spend,” was released in April of this year and received heavy airplay on Radio Disney.  This past month the singer/songwriter released his third single, an expressive song about falling in love called “Shape of Your Faith.”  He also created the Music for Wishes Foundation, which helps the Make-a-Wish Foundation grant wishes for children in his Somerset, Kentucky town.  Again…no way this kid is 16!

Will recently took some time out of his busy schedule (he attends school daily, concentrating on his music once homework is done) to talk to me about his new song and his plans for the new year.

MIKE SMITH:  What triggered your interest in music?

WILL MUSE:  When I was growing up my parents were always listening to a lot of cool, classic music.  It definitely influenced me.  From the age of three years old I was listening to Guns and Roses, Pearl Jam, Aerosmith…great classic rock like that.

MS:  How old were you when you wrote your first song?

WM:  When I wrote my first song I was about 12. 

MS:  Was it good enough, in your opinion, that you realized this was something you not only enjoyed but had a true talent for?  Something you not only could do but could do well?

WM:  Yes.  Songwriting has always been a great outlet for me to express myself and my feelings.  To explain my passions through music. 

MS:  As a singer/songwriter there are two different parts of what you do.  Do you have a preference between creating and performing?

WM:  I love to create music.  To create the lyrics and the melodies.  But I really love giving a good live performance.  That really excites me.  One time I was performing my first single, “I Can Change,” and a lady in the audience came up to me after the show.  She was crying because she had been so moved and so touched by the message of the song.  It’s moments like that that bring me joy with my music.

MS:  What was the inspiration for your latest single, “Shape of Your Faith?”

WM:  I wrote it with a fun, groovy and retro vibe in mind, musically.  Lyrically I wanted to talk about how love can take different forms in the way it shapes your life.

MS:  Can you talk about your Music for Wishes Foundation?

WM:  Back in 2017 I wanted to combine my passion for music with my passion for helping people.  Here where I live in Somerset, Kentucky I saw the need for a Make-a-Wish fundraiser so we put on an event that year that consisted of a concert, a dinner and a silent auction.  Besides myself, several other artists perform at the concerts.  This past year we had Pam Tillis, which gave me the opportunity to do a finale’ song with her.  We’ve raised over $85,000.00 to help grant wishes for the local children.

MS:  What’s next for you musically?

WM:  I have a couple more singles I hope to release including a really fun duet.  I’ve also shot a few more music videos and I have a tour coming up in the spring (2020).  I’ve got a lot of great things coming up that I’m really excited about.

Skillet’s John Cooper talks about the bands debut graphic novel “Eden”

John Cooper is the vocalist/bassist for the Platinum selling rock group Skillet. The band recently partnered with Z2 Comics to release their first graphic novel titled “Eden”. Media Mikes caught up with John and the band at New York Comic Con to discuss the creation of the book, its similarities to the group’s music and if there will be books to come in the future.    

Adam Lawton: Can you tell us a little bit about the bands new comic “Eden”?

John Cooper: I love comics and they are something I grew up with. I have always looked at Skillet as sort of a theatrical band. When I say theatrical I am meaning more from an operatic feel than that of a visual feel like Kiss or Alice Cooper. I had always envisioned doing a comic book as I see us all as characters. I had sort of put it off because if it’s not done right it can become terribly cheesy. On social media I am always posting about comics and I ended up getting a call from Z2 Comics asking if I would be interested in doing a graphic novel. I told them yes and that I had some story ideas but I wasn’t sure where to begin. They said that’s ok as they had some ideas of their own. I wanted to do something that was more science fiction as opposed to hero driven. I was looking for something with a post-apocalyptic feel but with a message of hope. That’s something you don’t see a lot. The book has sci-fi and super-natural elements mixed in with some religious undertones. In my view I think all great science-fiction have religious elements. When I say “religious” I’m not necessarily meaning Christianity but just religious. Films like “Dune”, “Blade Runner” and “Battlestar Galactica” are solid examples of that.

AL: How much collaboration went into the book?

JC: I brought the theme of a dying world filled with people all having the same dream which is leading them to paradise. I worked with some really great writers who helped me put together all the different ideas I had. Sadly the idea of the glowing eyes was not my idea but one I really liked as it was sort of an homage to “Dune” which is one of my all time favorite books.

Ian Lawton: What did the rest of the band think about the comic?

JC: The band loves the comic. At first I think they weren’t too sure what to expect. My wife Corey knew what I was going for as she knows me really well. I think it’s hard for people to understand what’s in your head when you are creating something. Once the book was done I think they were a little shocked as to how good it was and how emotional it is.

AL: Did the writing for “Eden” happen at the same time you were writing the band’s latest album “Victorious”?   

JC: Yes, I was writing for both things at the same time. It was a very crazy and busy two years. While these two things were going on I also released a side project EP titled “Fight the Fury” along with our drummer Jen’s side project “Ledger”. All of these things were basically written and released in two and half years. Writing for the comic was making me really want to write music so all of these things had me firing on all pistons. Each project worked off of one another.

IM: Was writing the book similar to writing music?

JC: I didn’t notice this until after the book was done and I had read it. I know that may sound sort of silly but, sometimes when you are writing you don’t always notice things others might as you are just going with what is coming out. After I read the book I felt as thou it was very similar to our music. The book is a little dark but it is meaningful. That’s what people say about Skillet songs and I think “Eden” has that same feel.

IM: Can you tell us about the special hardcover edition that will be available?

JC: That’s something that I am still waiting to see myself. I have seen parts of what are going to be in it and I am very excited for the finished version to be available. It’s going to have this really cool axe on it which is my weapon in the book. With this beard I sort of feel like a lumberjack and thought that an axe would be a perfect weapon as opposed to some of the other more futuristic weapons you see in the book.

AL: Is this just a one off book or are there plans to do others?

JC: The band is going to be out on the road until mid December so that’s going to have me tied up for a few months. We have started to talk a little about the possibility of more books but nothing is definite. I think it would be great to do a second one.

To order a copy “Eden” click here and to order Skillets latest album “Victorious” click here   

Gatecreeper’s Chase Mason Discusses the Bands New Album “Deserted”

Media Mikes had the chance to sit down with Chase Mason of the metal band Gatecreeper to talk about the band’s sophomore album “Deserted”, out now. Chase also shared with us info on the groups upcoming tour, his approach to standing out in death metal, and his friendship with fellow artist Post Malone.

Ryan Albro: What would you tell people about Gatecreeper that have never heard of them before?

Chase Mason: Gatecreeper is a death metal band from Phoenix, Arizona. We play a catchy, mid-tempo style mixed with old school death metal. Even if you don’t like death metal you will like Gatecreeper.

RA: What would you tell eager returning fans about the new album, Deserted?

CM: If you liked the last record, Sonoran Depravation, you’re going to like this one. It shows a natural progression for the band and is a better, more concise, version of what we’ve already been doing. We’re not trying to experiment or be progressive here. It’s overall better than the last record.

RA: Gatecreeper has been gaining a lot of popularity as of late. How do you maintain relevance in today’s music scene so well?

CM: It’s important to use all the tools that you have to your advantage. I’ve seen a lot of bands that think they’re too cool to use social media or don’t play shows with bands they don’t think are cool. It’s better not to turn your nose up at certain things. It’s about being comfortable and staying true to who you are. As far as standing out in a sea of a million bands and artists, I think it’s really important to provide a full package. I try to pay attention to every aspect of the band. You have to have good songs to start out with, but the visuals are important as well. There are a lot of bands with really good songs that may not get noticed because they’re lacking in other areas. The music first, then your art, whether it’s album art, tour flyers or tour merch. I’ve tried with Gatecreeper to have a full package and have everything flow together and be distinct so that we stand out. There are new bands putting out records every day, there are a million shows that come into your town a year, so if you want to stick out, you’ve got to pay attention to all the little details.

RA: What can you tell us about the Brad Moore album artwork?

CM: It’s crazy. Anybody who sees it will think it’s crazy, in a good way. It’s important to me to have cool art. If someone’s at the record store or they’re online and they see that album cover it will grab their attention. Even if they don’t know who we are, they will listen to the record.

RA: Which tracks from “Deserted” are you most looking forward to performing live?

CM: Puncture Wounds is a very fast, up-tempo song for Gatecreeper. That song will be a great circle pit song. The end of the song Ruthless was written with playing the song live in mind. There’s a part in the song that as soon as it hits you’ll know it’s time for a circle pit. Since we toured so much on the last record, we learned what works well live. Deserted was the first record, while we were writing, where we knew a part would sound cool on the record, as well as live.

RA: What are the band’s touring plans for the album?

CM: We’re going to do two record release shows, one in LA, the other in Phoenix. Phoenix will be our hometown record release show. Starting on Halloween, we’re co-headlining a tour with Exhumed, with Necrot and Judiciary until December. After that we play the Decibel Metal & Beer Fest in LA. That’s what we have lined up for the rest of the year after the record comes out. We’re still finding out what we’re going to do, but next year we’re going to be doing some more touring for sure.

RA: When can we expect the Gatecreeper / Post Malone collaboration?

CM: I think you’ll be waiting forever [laughs]. I like Post Malone’s music, I like him as a person. I like rap and a lot of things that aren’t metal, but I don’t feel the need, nor do I ever want to combine them. I would play a show with Post Malone for sure. Will we ever do a song with him? Probably not. I think there has to be a line drawn somewhere.

Interview with Actor Michael Pare’

I first saw Michael Pare’ when he appeared on television’s “The Greatest American Hero,” but it was his performance as Eddie Wilson in the film “Eddie and the Cruisers” that cemented him in my mind as an actor to watch.  While on his way to Nevada to shoot his latest project Mr. Pare’ took time out to talk to me about his latest film – “Once Upon a Time in Deadwood” – his aspirations to be a chef and how Rick Springfield almost ended up playing Eddie Wilson.  (I should also note that this interview is posting on his birthday so, from all of us at Media Mikes, HAPPY BIRTHDAY MICHAEL!”

 

MIKE SMITH:  You studied to be a chef.  Was that your original career goal?

 

MICHAEL PARE’:  Yes.  When I was in high school, my first job where I had to pay taxes, social security and everything was in a fast food restaurant.  Then I got on at a regular restaurant that served steaks and everything else.  I was pretty good at it and I liked the life.  So in my junior year I heard from a co-worker about the Culinary Institute of America.  I got a recommendation from my boss and I applied and got in.  At the time it was known as the best cooking school in the United States.  I attended for a year and was given an internship at Tavern on the Green in New York.  They eventually offered me a full-time, six days a week job.  So I moved to Manhattan, which is where I was discovered.

 

MS:  Do you ever give the Craft Services people on set any pointers?

 

MP:  (laughs) No, but there are a few directors I’ve cooked with.  Uwe Boll and I used to have a sauerbraten contest every time we worked.  Cooking is something that a lot of people share.  In all of the arts food becomes an important part of your life.

 

MS:  How did you get into acting?  What took you from the kitchen to the soundstage?

 

MP:  I got discovered by an agent.  There was a bar where my girlfriend waitressed at that was kind of a show business bar.  It was right across from where they broadcast the news for ABC. A lot of people in the business hung out there.  The agent noticed me and asked me if I was an actor or a dancer.  I told her I was in the restaurant business.  She kind of pursued it and talked me into taking a few classes.  I did and I liked it a lot.  My first classes were at Carnegie Hall.  I’d go to class during the day and work the night shift at the restaurant.  I studied for two years and then auditioned for ABC’s talent development program and I got it.  They brought me out to Hollywood and put me on “The Greatest American Hero.”

 

MS:  You made your feature film debut as Eddie Wilson in “Eddie and the Cruisers.”  How did you get the role?

MP:  Marty Davidson, the director, called my agent and asked me to come in and meet him.  That was it.  I met with him about four or five times.  Marty was a very artistic guy.  He put the cast together and we had two weeks of improve and then we shot it.  I did it on hiatus from “The Greatest American Hero.”

 

MS:  Is it true that Martin Davidson would threaten to replace you with Rick Springfield?

 

MP:  (laughs)  Yes, but he only had to do it once!

 

MS:  I like Rick Springfield (Ok, I’ve seen him in concert a dozen times so I REALLY like Rick Springfield) but I don’t think he would have been a good Eddie.

 

MP:  It would have been a different movie.

 

MS:  Exactly.  Did you know while you were making the film that it was going to be regarded the way it is now?

 

MP:  No.  At that time I was still a young actor and didn’t know the potential of things.  I had only done two seasons of “The Greatest American Hero” and a movie of the week, so it was all like a dreamland.  I didn’t even think about marketing.  When I was back on “The Greatest American Hero” I was telling another actor about the film and he told me “you don’t have nothing without distribution.”  I had no idea what that meant.  I told him, “well, I shot it and they’re happy…that’s all I can say.”

 

MS:  Anyone ever ask you to sing “On the Dark Side” at karaoke?

 

MP:  (laughs)  If I do karaoke it’s Johnny Cash.

 

MS:  What drew you to your latest role in “Once Upon a Time in Deadwood?”

 

MP:  I’ve done a few westerns so when Jeff Miller (the film’s co-producer/co-writer) called me up and said he had an interesting project with this guy named Robert Bronzi I called up Danny Baldwin.  I knew he had worked with Robert and I asked him what he was like.  He said that Jeff and his team were very creative… very open minded.  So I said “ok.”  And then when I met Rene’ (director Rene’ Perez) he was surprised as he expected to meet someone who was a little more “beat up.”  I’m a pretty healthy guy.  That was it.  We shot in a little western town in central California up near the Sequoias.  We used blanks and squibs as opposed to all of the CGI stuff that is so popular now on low budget movies.  It was a great experience.  Nice cast.  Rene’ is very creative.  He’s the DP and the director.

 

MS:  Do you enjoy the genre’?  Do you have a favorite role-type?

 

MP:  I like all of them.  If you do it so long you play everything.  And you hope one of the roles will be successful, you know?

 

MS:  What are you working on now?

 

MP:  It’s called “Bridge of Doom” We’re shooting in Caliente’, Nevada.  It’s the military reaction to the Zombie Apocalypse.  When I heard that I was like, “great…we never hear about that part.  It’s always about the civilians out in the middle of nowhere.

Oscar Winning Film Editor Paul Hirsch Talks About His Career and His New Book

Oscar winning film editor Paul Hirsch has been fortunate in that he has worked numerous times with two of Hollywood’s best known filmmakers, Brian DePalma and John Hughes.  He also won an Academy Award for his work (along with Marcia Lucas and Richard Chew) on one of the most popular films of all time, “Star Wars.”  With a book highlighting his career about to be released, Mr. Hirsch took the time to answer some questions about his lengthy career.

 

MIKE SMITH:  What drew you to become a film editor?

 

PAUL HIRSCH:  A number of things.  I was fascinated when I first saw a Moviola.  I was blown away by a festival of Orson Welles films.  I liked working with my hands, and was drawn to the tools.  I loved movies.

 

MS:  Other film editors I’ve interviewed had mentors they admired.  I recently spoke with Arthur Schmidt and he told me that he learned under Dede Allen and Neil Travis.  Did you have someone whose work you admired and/or who took you under their wing?

 

PH:  Brian DePalma was my mentor.  He encouraged me, empowered me, validated my work and deeply influenced me.  I was cutting his films from the age of 23, and so never worked under a professional feature film editor.  I learned by doing and studying how films I admired were cut.  I was sort of like the art students you see in museums, copying the masters.

 

MS:   How did you come to edit “Hi Mom” for Brian DePalma?

 

I had cut the trailer for “Greetings,” thanks to my brother.  When they got the money to do a sequel, titled “Son of Greetings,” Brian hired me to cut it.

 

MS:   Five or your first six films were with DePalma.  He is well known – and often criticized – for his use of split-screen (the prom from “Carrie” being a great example).  Was that something you discussed in the editing room or was that his original vision?

An example of the split screen process used in “Carrie”

PH:  Split screen is Brian’s thing.  I can’t take credit for it, but I do love and appreciate the tension that can result from juxtaposing images on the screen, even if, or rather, especially if, the screen isn’t actually split.  I’m referring to deep focus shots, which have become a lost art, where you have a near object on one side, and a distant one on the other.  Brian did that a lot, using split diopters, with tremendous success.

 

MS:   A lot of the young filmmakers in the 70s (DePalma, Spielberg, Scorsese, Lucas) were very close with each other.  Is that how you were hired for “Star Wars?”

 

PH:  Yes.  Brian screened the final cut of “Carrie” for George and Marcia Lucas on their return from principal photography on”Star Wars” in England.  They needed help, and turned to me.

 

MS:  How difficult was it editing a film where you sometimes had to wait months for a finished special effects shot?

 

PH:  We had ways around that.  We would cut in place-holders or a piece of leader that we estimated was the right length.

 

MS:  You, along with Marcia Lucas and Richard Chew, received the Academy Award for your work on “Star Wars.”  Where do you keep your Oscar?

Richard Chew, Marcia Lucas and Paul Hirsch hoist their Oscars with presenter Farrah Fawcett

PH:  It’s on a bookshelf in my office.

 

MS:  You’ve done eleven films with DePalma but, surprisingly, not ‘The Untouchables.”  Was there a reason you didn’t cut that picture?

 

PH: I moved to the West Coast after “Blow Out.”  I didn’t cut a picture for Brian in the ensuing ten years.  We next worked together on “Raising Cain,” when he was living in California.

 

MS:  You also worked a lot with John Hughes.  How was he to work with and were there any major differences in the way he and DePalma approached a film?

 

PH:  John was a lot of fun to work with until he wasn’t.  He was a brilliant artist, but had mercurial moods.  But I had a great time working with him.  John was a writer, primarily, and his medium was words, by and large. Brian is a great visualist.  His ideas are primarily graphic, both in terms of camera movement, which no one does better, and in terms of visual story-telling, that is to say, how scenes can be constructed in the editing room.

 

MS:   Hal Ashby was a great film editor who went on to become a fine director.  Have you ever wanted to direct?

 

PH:  I did want to for a while, and then the fever broke.  I like working all the time, and editing afforded me that.  To me, directing was like perpetually running for office.  I’m more of an introvert, and editing suits me just fine.

 

MS:   Your most recent film was the Tom Cruise version of “The Mummy.”  What is the biggest difference between cutting a film now and forty-plus years ago?

 

PH:  There’s a lot more reliance on vfx now, which consumes a lot of time and energy.  And when I started out, directors were given much more discretion.  The director was the key creative figure in the package, often with final cut.  That happens less these days.  If a director had a hit back then, the studio would ask, “What do you want to do next?”  Today, the projects are developed by the studio, and the director is “cast” the same way you would choose an actor for a role.  Producers and studio executives are much more involved in the editing process these days.

 

MS:  What can you tell us about your new book?

Mr. Hirsch’s book will be released on November 1st and is currently available to order now on Amazon.com and other sites.

PH:  It’s an account of my adventures in Movie-land, my experiences of the last fifty years and what I learned during that time.  I write about the various projects I worked on, and the fascinating people I encountered.  I share some of the insights I picked up along the way as I made my way into the industry.  It’s not a how-to book, which I consider boring.  And it’s not a gossipy tell-all where I get revenge on the jerks I met along the way, which really weren’t that many when I think about it.  The people I got along with are much more interesting.  I meant it to be entertaining above all.  I hope people will read it for pleasure. I’ve had a number of friends read it.  Editors in particular seem to like it, but I think anyone who is curious about what goes on behind the scenes in our business will find it fun to read.

 

MS:  Are you working on anything new?

 

PH:  I’ve been working on the book for many years, first writing it, and then editing it.  I only just recently finished going over the page proofs.  I’m going to take my time now, reading scripts, and will see if anything pings my interest.  I’m sure it’s only a matter of time.

Horror Icon, Lin Shaye talks about her new film “Gothic Harvest”

Lin Shaye might be known best for her role of Elise Rainier in the “Insidious” franchise. Lin got started in horror back with “A Nightmare on Elm Street” through the recent “Ouija”, and its prequel “Ouija: Origin of Evil”. Shaye is also known for her comedic roles with the Farrelly brothers, including Dumb and Dumber, Kingpin, and There’s Something About Mary. Media Mikes had a chance to chat with Lin about her new film “Gothic Harvest”.

Mike Gencarelli: Tell us how you got involved with “Gothic Harvest”?
Lin Shaye: I got involved with the film because of Chris Kobin, who is the writer and one of the producers. I have worked with Chris before, we did the “2001 Maniacs” movies together. Bill Moseley, my co-star for this film also starred in “2001 Maniacs: Field of Screams” taking over the lead from Robert Englund, so we have worked together before also. It was an interesting story for me. I have high regard for Chris. He is a smart guy and a very loyal person. He approached me and asked if I wanted to be apart of it, so that’s how I got involved.

MG: Speaking of being trapped, what was it like being restricted to a wheelchair in the movie?
LS: It actually helps with the character in many regards. Being stuck anywhere, especially mobility, it takes a lot of muscle power to move you around. It takes a lot of real muscle to move. We had a really old wheelchair. Nowadays, wheelchairs are made with ball bearings and they spin and do wheelies and they maneuver amazingly. Not back then, you really needed to push to get them through doorways. You have to use your whole body to move them forward, not just your arms. It was a little bit jaunting and gave me totally new respect for disabled people that need to negotiate that in order to get anywhere. It was very difficult. To try and get somewhere it created emotionally a sense of frustration, which was perfect for the character.

MG: You’ve been in horror films from “A Nightmare on Elm Street” all the way through to the “Insidious” franchise; did you ever think you would have become such a horror icon?
LS: NEVER [laughs]. I am just grateful that I am getting to continue to work on such exciting projects. All of the things I have done leading up to this, I don’t really think in terms of genre. I think in terms of storytelling and character. Those are the determining factors for me in order to do a film. I love comedy also. I don’t gravitate to one genre over another. With acting, you making a real impact on people and I feel a real responsibility to looking for material that is about something important. Not education, per se, but reminding people of what is important in life. I just feel very privileged. Especially Elise in “Insidious”, people have asked me why I think she is popular and that is because she is a giver not a taker. I honestly believe people feel safe with her and that is part of her popularity.

MG: Do you have a personal favorite horror film?
LS: I thought “Hush” was great, out of the new horror films. I thought that was a really scary film with such a simple premise…but my favorite horror film is “The Shining”. I don’t think anyone has made a film that is quite as terrifying as that was and that still holds up today.

MG: Any more plans for the “Insidious” franchise?
LS: There is a rumor but I haven’t seen anything specific. I kind of know what they are thinking and I know the line that they are looking into but I don’t know when it would be because Blumhouse has so much going on right now. The “Insidious” franchise really exploded for them as a company as well as the “Purge” films. I don’t know anything definite but there is a rumor that there will be more.

MG: You’ve also done comedy like “Dumb and Dumber”, “Kingpin”, and “There’s Something About Mary”; how’s it like switching between genres?
LS: The lines all blur in terms of genre. It is really about what is the core of the character. What’s fun for me and even when I was a little kid, I remember loving the idea of being able to step into someone else’s life and disappearing. As an actor you have the luxury of being your buried feelings up in the forefront. It is a very exciting experience. I just feel lucky fortunate of not drawing lines in terms of genre but just finding the truth of the person I am playing.

MG: What do you have upcoming next?
LS: There was a little film I did called “Room for Rent” that is one Amazon Prime. I want everyone to see it. It is some of the best work that I have ever done. It is not a horror film but more of a psychology thriller about a woman’s decline into insanity really. I am very proud of it. Also I am doing the new “Penny Dreadful” series called “City of Angels” for Showtime. I have never done a TV series and it is big machinery. It has a fantastic cast and fantastic scripts. There are ten episodes and I will be in six of them. I play a fabulous character. Nathan Lane and I sort of play sidekicks. John Logan is the creator and he is exceptional. I am very excited for this project and I just hope I do a good job at the end of the day.

Author Matt Brady talks about his new book “The Science of Rick and Morty”

Matt Brady is a high school science teacher and pop culture writer based in North Carolina. Prior to working in education, Brady co-founded and was editor-in-chief of Newsarama, which received the first Eisner Award for Best Comics-related Journalism. Brady is also the founder of The Science Of…, a website that uses pop culture to help us better understand science. Media Mikes had a chance to chat with Matt about his new book “The Science of Rick and Morty”.

Mike Gencarelli: When did you first encounter Cartoon Network’s Rick and Morty and why did it spark your interest?
Matt Brady: I think I found it like a lot of its audience – through the word of mouth of the internet – memes, clips and jokes. I got into it shortly after season 1 had wrapped so I inhaled that, and was waiting and then watching along with everyone else for season 2 and 3.

I dug it from the start due to the characters. I guess it’s probably not the best thing to say that every now and then, Rick would have a line or a comeback I wish I had – or rather, could – use with someone, and I love it. The dynamic between all the characters was something new, and went in directions that I hadn’t seen before – which made it even better.

The science was honestly, at the start, gravy. I really liked the call outs and the references to larger concepts with scientific footing, but yeah – it was the characters that hooked me, and the science that helped to keep me.

MG: Being a high school science teacher, tell us how and why you use pop culture, like Rick and Morty, in your classroom?
MB: After I left Newsarama.com ten years or so ago, I went straight into teaching at a Title 1 high school. “Title 1” has nothing to do with athletics or honestly, anything that…braggy. It’s just a classification that schools are in when a set percentage of their students qualify for free and reduced lunch. In simpler words, it’s an index of poverty.

So there I was, a middle-aged white dude in a class of minority students who were giving me nothing but the side-eye. I figured out fast that I needed some kind of middle ground where we could all meet, and that was pop culture. I was still steeped in it, so I tried it out with my students…I think my first foray was a Flash problem set about velocity. Looking back on it, it was pretty rough, but hey – there was a sheet with a picture of The Flash on it, and some science stuff that they recognized.

Using pop culture helps to engage my kids with the material, and gives them a sense of “ownership” – they feel that they, in a way, “own” say, the CW’s Flash or Arrow (at that time, they were huge with my kids), so their attraction would pull them along. Moving on, I found The Fast and the Furious, Deadpool, Black Panther, Ant-Man, and loads more references that helped to engage my kids.

I mean, when you think about it – pop culture has no native language…it’s just cool. With some judicious picking of samples that are appropriate for your students and aligned to the science standard you’re teaching, you can have kids eating out of your hand. And on top of that, my kids started seeing me as a person, rather than “that white guy,” or just a “teacher,” something just a little bit better than a robot.

Bringing pop culture in was and has been one of the most rewarding things about teaching in my career to date.

MG: Which of Rick’s experiments were you most shocked about being able to becoming a reality?
MB: Easy – altering memories. Memories are largely structure – the connections between various neurons in the brain that make a pathway. Once that pathway is laid down, you’ve got a memory. Want to remember something? That pathway lights up again, either directly “p comes before t in the alphabet,” or indirectly like when you have to sing the alphabet song to find that piece of information. You’re coming in a side door to that particular memory.

But – the thing is, when those memories are being recalled – remembered – they’re vulnerable. They’re open to re-forming their pathways if you repeat the information that made them, but those pathways can re-form in different ways if new information is added in or swapped out for some of the original information. Do it subtly enough, and you can change people’s memories. I mean – not like to the point you’re remembering Hamurai or Cousin Nick who’ve always been around and part of the family, but in pretty insidious ways.

There’s evidence that some “repressed” memories that have put people in jail were memories that had been altered – innocently – by therapists in this fashion. Also, there was a study that was being conducted where the researchers were testing their ability to change the long-held memories of people, and they did it so well, they had to cancel the study, and assure the subjects that their original memories, which they were now questioning, were in fact, real.

It’s fun stuff when it shows up on Rick and Morty, but in real life…yikes.

MG: What do you think makes this show so popular?
MB: The characters and their relationships. They’re so rich, and have grown over the three seasons, and we still have no idea how much deeper they go.

Don’t get me wrong – the science is great, but if the characters weren’t who they are, no one would even tune in to hear about “concentrated dark matter” or uplifting Snowflake into a hyper-intelligent dog.

This show has such an expansive and complicated universe surrounding it. Did you ever this you would be discussing turning yourself into a pickle in the same sentence as dark matter and energy and intelligence hacking?

Well, honestly there were some things I did skip that were just waaaay too out there to consider – like turning yourself into a pickle. But yeah – dark matter and intelligence hacking are in there.

But all in all, I never thought I would end up covering such a wide swath of science, no. But that’s the show for you – anything’s possible, and whenever they can, Justin Roiland, Dan Harmon and the writers like to tag some real science mention to it that gives fans a hint of the real deal that gave the idea in the show its inspiration.

MG: What was your biggest challenge in writing The Science of Rick and Morty?
MB: Leaving stuff behind was one. You mentioned turning into a pickle. Given enough time, I could’ve probably finished thinking of a way to throw some science at it…maybe he placed just a replica of his brain in there, and then…hmmm…

Also – just getting what I got in there in the first place. A lot of the science in the show that I did pull into the book is at the fringes of what we think we might…someday be able to do with it, but that meant going to those fringes, talking to researchers there and turning what they said and what I read into something I could wrap my head around. There were days, after talking to some folks that literally felt like I was stoned, and maybe started to question reality a little too much.

MG: You are the founder of TheScienceOf.org website. How did your idea for the site come about and what can readers learn from the site?
MB: The site is something that my wife and I started (she’s a science teacher too) when we realized that we could use it to reach other teachers who wanted to use methods similar to what we do, and also as a place where I could just write about pop culture meeting science. In all the articles there, I’m always careful to approach the subject so as not to rain on anyone’s parade. I’m not interested in telling people that Superman can’t fly, or Iron Man’s suit is impossible. That’s just not cool.

I want the science in pop culture to do for others what it did for me – inspire. I’m old enough to have watched Star Trek after school when I was young, and – along with a lot of other folks who went on to NASA, JPL and a lot of other places, dreamed about a world where communicators were real things, and we could visit other planets. I firmly believe that we imagine our collective future, and science fiction and pop culture is one of our most important guides. Why would I ever want to throw the door closed on someone who’s thinking that a world with Iron Man suits would be really cool, and is starting to play with their school’s 3D printer and some cardboard, along with some circuit boards and LEDs? I want that kid to build that suit, not have a dream crushed because someone smacked their hero with science. So yeah – please come on by and check out some of the articles. It’s not updated as frequently as I’d like, but hey…that classroom keeps me pretty busy, too.

MG: What can we expect next from you?
MB: More on the site – I hope…and hopefully, another book. Still working out some details now, but there is something definitely on that back burner that’s moving up to the front. I’ve also written science columns in Tom Peyer and Jamal Igle’s “The Wrong Earth” and have more coming up in the Dragonfly Man miniseries this fall. Bits and pieces of science and pop culture all over.

Matt will be signing copies of “The Science of Rick and Morty” at the Simon & Schuster booth at NYCC on 10/5 at 10:30 AM

And also be sure to follow him on social media:
Twitter: @Scienceof_org
FB: @thesciof

 

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Actor/Comedian Jason Stuart Talks About His New Book and Latest Projects

With almost 150 film and television credits to his name, I’m pretty sure you’ve seen Jason Stuart on screen.  From small screen appearances on shows like “The Drew Carey Show,” “My Wife and Kids” and “Will & Grace” to his acclaimed performance in – in this writer’s humble opinion – the Best Film of 2016, “The Birth of a Nation,” he continues to add to his ever growing resume’.   He recently added a new chapter to his career story – author – with the release of his book “Shut Up, I’m Talking!”  The book details his career as well as the challenges he faced

I recently spoke with Jason about his new book and about how coming out in 1993 effected both his life and his career.

Photo Credit: Kimo Lauder

MIKE SMITH:  What prompted you to write the book?

 

JASON STUART:  I had a very good friend who worked with me on a comedy radio show I did in the Midwest.    His name was Dan Duffy and he had written a book called “The Half Book,”  He called me and told me I needed to read his book.  I bought the book and read it.  It was about him getting cancer and how he recovered, how he survived with the love of his family.  It was funny and it was touching and I was so moved by it that I told him “I need someone like you to help me write my book.”  And he said he’d love to do it.  So that was it.  I always think when something is put in front of you it’s meant to be.

 

MS:  Any reactions from your friends who may not have known you story?

 

JS:  That’s a great question.  Tons of people.  When I decided to write it I thought about it as a way to get my story out, to let people see me in a different way…to help my career and to possibly get some publicity.  Maybe I’ll make a little money.  But then I realized, “OH!  People are also going to be reading this book.  They’re going to hear all of these things I said about my personal life.  And they’re going to have opinions about it.”  I totally forget about that part.  People have been really candid.  People have stopped me on the street or called me…it’s been a lot of really positive energy.  Much more than I ever thought.

Photo credit: Sean Black

 

MS:  Do you think there is still a stigma in Hollywood that prevents gay actors from getting certain roles?

 

JS:  It’s certainly not what it was 26 years ago, but I still think that when somebody sees you a certain way it’s very hard for them to see that you would be right for certain roles.  Hollywood doesn’t seem to want actors, they seem to want “be-ers.”  My favorite actor growing up was Dustin Hoffman.  He still is.  He played Lenny Bruce.  He played Benjamin in “The Graduate.”  He played the father in “Kramer vs Kramer,” he was Captain Hook.  He was Willy Loman.  He did all sorts of roles.  You don’t really get to do that as much, but I’ve been able to make a career out of doing that.  When something comes along and they tell me I’m perfect for it, it’s not always clear to me.  We don’t always see ourselves as others see us.  Being a gay man over 50 – there are very few “gay men” parts over 50.  They don’t write them.  That role doesn’t exist very much.  So I wind up playing villains…managers…all these kind of characters.  What I want to do is play dads…because everybody has a dad.

MS:  If I can ask my question more directly, do you ever think because they know that you’re gay that you’re easily dismissed for certain roles?

 

JS:  I think so.  People are like that somewhat.  I’d have to say it’s natural.  People have to “see it.”  See you do the work.  Which is why I’ve created several demo reels.  They have to see that you can do it.  You have to be able to prove it to them.  You have to be able to get someone to represent you that is open enough to do that for you.

 

MS; You’ve done both television and film.  Do you have a preference?

 

JS:  Not any more.  Today there is no difference.  It’s about the quality of work.  I ask you a question back:  what is a television show and what is a film?

 

MS:  I think, to me, the difference is that in television, or on stage in a successful show, you have the opportunity to keep developing the character as the series or show progresses.  With a film, you’re only dealing with the role for a few months.  Does that make sense?

 

JS; Yes it does.

 

MS:  What are you working on now?

 

JS:  I have a new film called “Hank” which is now out all over the country.  It’s a short film about a guy in a relationship whose partner decides he wants an open relationship and I don’t.  It’s gotten some of the best reviews I’ve received since “The Birth of a Nation.”  And then I’m in a film called “Immortal” which is opening at the Scream Film Festival.  It’s a thriller and it’s opening on the 16th of October.  I’m also doing stand-up at the Icehouse Comedy Club in Pasadena.  I also just completed a web-series I wrote, produced and appeared in called “Smothered” with Mitch Hara.  I’m also being considered for a recurring role in a big series – I can’t say which one – as well as a national commercial.

MS:  It’s good to be busy.

 

JS:  It is.  I feel very blessed.

IF YOU’RE INTERESTED IN ORDERING MR. STUART’S BOOK, YOU CAN FIND IT ON AMAZON.COM, BARNESandNOBLE.COM OR YOU CAN ORDER IT FROM THE PUBLISHER HERE.

Christian Jacobs of “The Aquabats! Super Show” Discusses The Show’s New Episodes and The Bands New Album

Christian Jacobs is a former child actor and the co-creator of the award winning kid’s television series “Yo Gabba Gabba!”. He also fronts the popular ska-punk band The Aquabats! under the pseudonym of The MC Bat Commander. Media Mikes had the chance to speak with Christian recently about the group’s current tour, the bands successful kickstarter campaign and when fans can expect new episodes of “The Aquabats! Super Show”.

Adam Lawton: Can you tell us about the bands current “Holy Guacamole Tour”?

Christian Jacobs: We did a previous tour in July however this tour sort of marks the first headlining tour we have done in some time that has gone east of the Mississippi. These shows are reuniting us with the “Legion of Righteous Comrades” who this last year helped us raise money to film new episodes of “The Aquabats! Super Show”. We have ten episodes shot and we are going to be shooting one more once we have the guest star lined up. These are fun sized episodes meaning they aren’t as long as the previous episodes from season one and two but, they are still a lot of fun. This tour is kind of recognizing the completion of those episodes and all the merchandise that we designed for that campaign. Getting out and playing is a way for us to meet up with the fans that helped keep the Aquabats! alive and a chance for us to say  thank you for the support. From that Kickstarter campaign we have been able to film the new episodes, record an album, prepare to start another album in December and to do this tour. This band has been around the block a few times and the fact that there is a new generation of fans coming out to the shows and helping us put out new content has been just great.

AL: What was it that appealed to the band about using Kickstarter?

CJ: Us doing a Kickstarter has been talked about for a long time. We hesitated a bit as we are old-school. I was worried that we might look bad asking for money in this type of way and we were very nervous. I think a lot of people have the perception that with our previous things being successful there should be no reason why we can’t put new stuff out on our own. Sadly that’s not always the reality and that’s what happened for the Aquabats! We did try other networks when The Hub folded however, sometimes when things fail a stigma can often get attached to those associated making it difficult to keep going. We knew that people liked the show and wanted to keep it going so after meeting up with a couple guys  who had experience with fan funding they gave us some great  insight that helped us change our minds and see fan funding in a different light. Everyone who donated is a big part of what we accomplished. It’s like they are all producers which I think is very cool.

Ian Lawton: How do you come up with the characters for the show?

CJ: A lot of the things you see on “The Super Show” I think are influenced by stuff we watched as kids growing up. Everything from “Godzilla” movies to really weird Japanese kids shows and some of the shows from Sid and Marty Krofft who put out “Land of the Lost” and “ H R Puff N Stuff”. A lot of the characters we write and come up with are in a way homage’s to those things. Characters like Cobraman! came from Japanese common writer shows, Space Monster M was this weird Gung Ham hybrid robot that we loved. We wanted to create characters that our kids could be introduced to in a fun way while at the same times we as parents could watch and reminisce about the shows we used to watch. We had the same idea when we were putting together episodes for “Yo Gabba Gabba”.

IL: Can you tell us about the cat that shows up throughout the Aquabats! series?

CJ: That is actually a fox and he is hidden in every episode that we have done. Our special effects guys name on the show is Joel Fox. He does all of the weird lead in screen effects like floating pizzas and fingers turning into bananas. That stuff never ends up in the actual episode but it’s there and the beginning of each segment. Joel is sort of an enigma as he never tells us what he is going to do. Being he is our good friend we got him this fox costume and hid him in all the shows. He is somewhere in all the new upcoming episodes as well. It’s going to be harder to find him but he is there.

IL: Do you have a favorite character that you have come up with?

CJ: I really like all the Aquabats! character because they are just really funny. Each character is sort of an extension of the guy who plays it. The Bat Commander and I our definitely not the same guy but maybe some of our personality traits cross over. I can be a little like the commander but not totally as he is kind of a jerk sometimes. It’s all satire for each of us. I do like how we have evolved over time and how we can poke fun at each other through the production. Pilgrim Boy is a favorite as he is one of the original characters we came up with back in 1996. We had written out a bunch of the episodes at that time and the shape shifting pilgrim boy was a part of that. Cobraman! is another great one both on stage and on the show. The guy has snakes for hands which he shoots live snakes out of. (Laughs) Plus he has a very funny voice. Silver Skull is a good character as well. We sort of gave him this Bane type voice as that was a big joke at the time.

AL: Is there a time table for when we will see the new episodes and album?

CJ: We finished recording the album in July however due to everyone having family stuff going on and our producer being away it took awhile to get all the mixing done. We have it all completed know and would like to have it out around Halloween given a lot of the songs have a spooky vibe to them. We aren’t sure if that will give us enough time to promote it so aside from as soon as possible there is not a solid time table for that. We want to make sure we have good promotion in place and a couple videos as well. The new episodes of the show will start airing around September 20th on our YouTube channel.

AL: One of the things you do outside of the band is summer drawing classes for kids. Can you tell us about that program?

CJ: My brother Parker does these drawing classes and he always recruits me to come and help. It’s always a lot of fun. When we were kids we didn’t have distracters like phones and tablets so we had to find ways to entertain ourselves. Technology is wonderful but I think when you have a lack of resources you have more of an opportunity to use your brain and be creative. By having these classes my brother is able to teach kids how to doodle and how to use their imaginations. The classes are designed to be free flowing and not necessarily about how to draw something right but more to challenge your creativity. You won’t be drawing a bowl of fruit to look like a bowl of fruit. Instead you might draw whatever you want and have it fighting something inside comic panels or creating new characters no one has ever seen before. It’s a way for kids to bring their imagination from their heads directly to their hands. In this day and age it’s great to encourage kids that they too can create things “Fortnite” or “The Aquabats!”. Growing up we had punk rock to inspire us but we want to get kids going even younger and that’s a lot of what “Yo Gabba Gabba” was about. It’s extension of doing things yourself with the ideas being geared or aimed at young people. You don’t have to sit and wait for the next thing. You can be the next thing. With YouTube and all these things there is no reason anyone can’t if they really want to.

AL: Are there other projects outside of what you have already mentioned that we can be watching for?

CJ: We have been talking about and pitching new shows ever since the network we were on went out of business. There are just so many places to pitch new ideas that we have been going practically non-stop. We haven’t quite struck gold yet but given our track record with “Yo Gabba Gabba” and “The Aquabats! Super Show” we have a solid formula. The ideas are there we just have to get them out there while juggling families and all that. We do plan to tour again once the new record is out and we are on the hook for one more record after that as well so we have a lot that will be going on. If you had told me twenty five years ago that we would still be doing this in 2019 I would have laughed at you but it’s really great that we still are able to do this and we really enjoy it.

 

 

 

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Bill Moseley talks about his role in “3 From Hell”

Bill Moseley is a legend in the horror business. He is known best for playing Chop Top from “The Texas Chainsaw Massacre 2” and also Otis in “House of 1000 Corpses” and “The Devil Rejects”. He is reprising the role of Otis in Rob Zombie’s latest film “3 From Hell”. Media Mikes had a chance to chat with Bill to discuss his new film and stepping back into the character.

**Tickets for the September 16th/17th/18th nationwide release of 3 FROM HELL are available at FathomEvents.com/3FromHell**

Mike Gencarelli: It’s been nearly 15 years since “The Devil’s Rejects”, what was it like picking up this character again after all these years?
Bill Moseley: It seemed liked it was going to be a pretty daunting task to try that but once we got to the set and got costumes and makeup – and with that good script under our wings – everything worked out pretty smoothly.

MG: Gotta respect the beard man, how long that take to grow out?
BM: That beard was at least 16 months. My wife was very excited when I finally got “beard release”. She followed me to the barbershop, here in Los Angeles, and they cut it all off and put it in a plastic bag.

MG: After working with Rob Zombie now on a few films; did you feel you had freedom with this character?
BM: Most of it was in the script. Sometimes with creative freedom to come up with new lines and moves for the character is because the scripts need a little help. But with Rob’s scripts they are so good you really don’t need to do more than follow the printed page.

MG: After the ending of “The Devil’s Rejects”, some would have thought that was the end but, I like things turned out in “3 From Hell”…
BM: With “3 From Hell”, I am glad the way Rob brought us back due to the poor shooting of the Rudgesville Sheriff Department. A lot of fans certainly wanted more after “The Devil’s Rejects”. I remember at different horror conventions fans coming up and giving scenarios. The worst was with someone waking up and saying “Wow, what a dream I had”, that is the lamest device in Hollywood. One that I thought was really cool is that we did actually die, went to hell and the devil rejected us making us truly the devil’s rejects…but of course then if you do that then we are supernatural and that’s a different universe. This way makes sense cause the sheriff’s department looked like a real motley crew even with us driving right at them.

MG: Where was the Mexico scenes shot?
BM: Right outside LA. It was a cool movie ranch. I think it was in the same vicinity as the spawn ranch scenes from “Once Upon a Time…in Hollywood”. I don’t think it was exact location but there are still movie ranches dived around the hills in LA.

MG: What was your biggest challenge working on this film?
BM: The biggest challenge was getting back into Otis’ skin after 14 years. Also to do Otis from “The Devil’s Rejects” justice and to take him to a new level and that is a big challenge. I was a little nervous at first, day 1/day 2 on the set, I had mini monologue to deliver and I remember flubbing the lines, so I took a time out after a couple of takes. I remember a voice in my head saying “Get out of the way Bill, I got this!” It was Otis and after that everything just went very smoothly.

MG: Would you consider this the end for Otis and the gang or could you see yourself stepping into this role again?
BM: I don’t necessarily see an end. I still have a kid in college, so I hope there will be three or four more of them. And BTW they are really fun to do. It is hard work making movies, there are a lot of moving parts and pressure but working with these guys makes it worth it.

Damn Your Eyes Bassist Oddie McLaughlin Discusses the Bands New Album “Kill The Outside”

New York based heavy metal group Damn Your Eyes have just released a brand new 10 track album titled “Kill The Outside”. The band which consists of former We Are The Enemy and Bonesmith members along with current Black Water Rising bassist Oddie McLaughlin have come together to forge a new musical path which draws deeply from the each of the members own personal experiences. Media Mikes had the chance to speak with Oddie recently about the creation of the new album, its deep personal meaning and what it like balancing duties between two bands.

Adam Lawton: Can you tell us about some of the work that went in to the new album “Kill The Outside”?

Oddie McLaughlin: Artie (Alexander) and I have played together off and on since we were first out of high school. We were always writing or learning different material. We recorded I think five songs with this drummer about fifteen years ago and then went our separate ways. Two of those songs from that period we kept. Basically it was just the riffs as there was no melody or vocal lines. That’s really where everything started. I got a call on day asking if I would be interested in starting something new and I said yes so shortly after we started writing songs for this release. When I got together with Artie after talking he already had few songs laid out including the two riffs we originally worked on. He had added some new ideas and things just started rolling. The writing for this album has been amazing and things have come together fairly easy. The songs all fell together nicely. Once we got our singer Kenny (Vincent Jr.) things moved even quicker. It’s just been a great process.

AL: The songs all seem very personal. Were the lyrics pulled from members past experiences?

OM: Oh yeah. Most of it is from Artie and some of it is from the other guys. They pulled from their experiences in the music business to how the world is going today. We expressed our emotions related to some of those events along with a bunch of other things. It’s definitely a record that deals with what is going on around us and personally.

AL: Do you ever find it hard to dig in to some of those emotions?

OM: No. We feel that if we put this stuff out there that it might help someone. Someone might see that they aren’t the only one feeling a certain way. I think it’s a great avenue to get it across to people especially metal fans.

AL: Along with personal lyrics the album also features a variety of musical styles. Was this something the band did consciously or was it something that occurred more naturally?

OM: I think it was something that happened organically. All the guys in the band like different styles of music but at heart we are total metal heads. We like a certain tone which has come from each of us evolving our sounds over the years. We all spent time on our own to craft just the right tone to get to where we are now. That’s what we are in to. The genre of music comes naturally for as we like to chug it out in order for that melody to come with a groove chorus or a main verse riff. We all have been doing this for some time now and we have a solid process which allows for the creation of material to occur fairly easily.

AL: What are the bands plans to tour in support of the album?

OM: We all work regular jobs and a couple of us have kids so planning a tour can be a little tricky. We are always willing and ready to get out there but for now have just a few shows set up to help things get going. I think this is a great band with great songs. I feel that no matter where we play we will go over well and we hope to be able to play as many shows as possible. Playing live is what we absolutely love. Practice, Recording and all that stuff is great but nothing beats performing live on stage.

AL: You also play in Black Water Rising. How do you go about splitting time between the two groups?

OM: It can be tough sometimes balancing two bands and your own personal life. You have to be really careful with scheduling in order not to double book yourself. Just last month this happened where I played with both bands in one night. I played an early show with Damn Your Eyes in Long Island and then had to drive to New Jersey for a show with Black Water Rising. I made it in plenty of time and something like that doesn’t happen often. When you’re booking you have to do things so far in advance that you forget and things get piled up.

For more information on Damn Your Eyes visit their official Facebook page here 

The Filmmakers of YESTERDAY

Yesterday…or rather just about a month ago Danny Boyle’s new romantic comedy called Yesterday hit the red carpet as the closing night film of the Tribeca Film Festival. Written by romcom guru Richard Curtis (Love Actually, Four Weddings and a Funeral), the film follows Jack Malik (Himesh Patel) a struggling musician who wakes up one day in a world where the Beatles never existed. In this situation, Jack takes the music world by storm reintroducing classics like “Yesterday”, “Let it Be” and “Hey Jude”.

I got to speak with the talented filmmakers at their premiere about the impact the Beatles had in their own lives and shooting some epic concert scenes.

“Just think how often life has been sort of softened and sweetened by [The Beatles]” – Richard Curtis

Lauren Damon: Soundtracks are so integral to your movies, does it pain you to imagine the world without the Beatles?

Screenwriter Richard Curtis: I think it would be worse! I mean certainly my life would have been worse. You just think how often life has been sort of softened and sweetened by them. When I was living here in America, I was terribly aware of how often you heard Frank Sinatra and I was thinking, ‘God, wouldn’t all these shoe shops be worse without Frank Sinatra to make it less painful?

LD: For the concept of this film did you ever consider other bands being gone?

Curtis: No. No and it’s interesting, is there another band? And I don’t know that there is. A lot of this movie came about was because every time I would go to see my kids’ school plays they would always end with a Beatles song. You know, William the Conqueror would hold King Harold’s hand and they would both sing “We Can Work it Out.” Or you do something about the environment and they sing “Here Comes the Sun.” So I do think at the moment that the Beatles are the most comprehensive band of all.

LD: Did you get to speak to Paul or Ringo about this concept?

Curtis: Well they know about it now. I wrote to Paul asking him if it would be okay to call it “Yesterday” And he wrote back and suggested we call it “Scrambled Eggs” which was the original name of “Yesterday” And he said ‘I think that would be the better title, but if you haven’t got the courage to call it “Scrambled Eggs”, then I don’t mind you calling it “Yesterday”

Film Composer Daniel Pemberton

Film Composer, Daniel Pemberton: Paul and Ringo were very aware of the film. But with this we took a step back because the thing is in this world the Beatles don’t exist…And we kept having to say ‘the Beatles do not exist in this film’ so you have to pretend Paul and Ringo don’t exist.

LD: When you’re starting with a film that’s based around The Beatles when you go in to compose for it, do you draw strains for them? Or is it from scratch?

Pemberton: Yeah, the score element of this film has been massively influenced by the Beatles. So that’s everything from–I tried to approach the score in a way where we would use the sort of sonic landscape the Beatles created. So that would be everything from the instruments, like the mellotron…We actually used some of the actual instruments that the Beatles recorded on. So we recorded at Abbey Road all the score. And so we used things like the Mrs. Mills piano–the piano from “Lady Madonna”. And those are the actual pianos they used on the recordings. We’d also use a similar kind of bass guitars that Paul McCartney plays. We used the same mixing desks and the same recording techniques. But then we tried to write a different score that wasn’t just a pastiche of the Beatles but just had the elements of their work. Almost as if the Beatles had scored this movie, what would it sound like?

Himesh Patel (“Jack Malik”)

Lauren Damon: What was your casting process like to go from tv into this big lead in front of thousands of extras?

Himesh Patel (“Jack”): I mean the casting was kind of just like anything else to be honest. I just got a breakdown and then I did the self-tape and then I met Danny [Boyle] and Richard. And then I met Danny again and then waited a long time and then I got a call.

LD: Do you have a singing background?

Patel: Not in any sort of professional way, no. I did a little bit on the stage in a play I did a couple of years ago. And I’d some, you know, for myself, youth theater and that kind of thing but nothing like this.

LD: What was it like recreating songs like this? Such important and monumental songs?

Patel: It was thrilling, you know but also a little bit nerve-wracking. The people I was working with, the people we got on board with were really great and so I never felt the pressure of what we were doing. And we had a little bit of leeway because narratively the songs don’t exist. So we could make them our own.

LD: Do you have a favorite?

Patel: A favorite…I mean, one of the ones I love singing was “Long and Winding Road.” I think it’s a really beautiful song…and where it sits in the movie is so beautiful too.

Yesterday is out this weekend in theaters

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