A Light Divided Vocalist Jaycee Clark Talks About the Bands New Album “Choose Your Own Adventure”

Jaycee Clark is the vocalist for the Winston-Salem NC based rock band A Light Divided. The band is set to release a brand new album on October 5th titled “Choose Your Own Adventure”. Media Mikes had the chance to speak with Jaycee recently about the band, their new album and their latest single/video “Fear of Heights”.

Adam Lawton: Can you give us some history on A Light Divided and how the band came together?

Jaycee Clark: About ten years ago I started the band with our drummer Adam Smith and a few other people who are no longer in the band. Adam and I have always had our eye on the prize and after a few years we found some other guys who had the same passion we have and who are willing to do whatever it takes to get the band to the next level. Staying out on the road and all that can be a lot to ask somebody so having a group of guys who are down for that just as much as I am is really awesome.

AL: The new album comes out Oct. 5. Can you give us some background on that?

JC: We have worked with producer Kile Odell on all of our releases. When we went in to start work on “Choose Your Own Adventure” things were a little bit different as we had some new members this time around. Things were much more collaborative between the five of us and it wasn’t just one person writing music and another writing lyrics. Everybody had their own say and influences reflected in the process which was great. Ultimately I think this record came out better because of all that. We bounced a lot of ideas off one another and if everyone thought it was cool we went with it. At the end of the day everyone was super stoked with what we had done.

AL: Aside from the collaboration aspect of this album was there anything else that happened differently this time around during the writing/recording process?

JC: I think this record is a lot different than our previous works. Prior to starting work on the record we were sort of feeling boxed in as to what A Light Divided was supposed to sound like. We decided to throw all of that out the window so that we could have a fresh start. We really took our time making something that all of us could be proud of.

AL: Can you tell us about the album’s title “Choose Your Own Adventure”?

JC: There was a little bit of nostalgia we wanted to capture from the book series we grew up reading. With those books you had decisions to make which resulted in different outcomes. I liked that sentiment and related it to real life. For me “Choose Your Own Adventure” means to not be afraid to just take life by the balls and go after the things that make you happy. Every song on this record is about making a choice from removing negative people in your life to stop fighting your inner self. We really took the ideas behind the book series and applied it to real life.

AL: You recently released a video for the song “Fear of Heights”. Can you tell us about that?

JC: It was really important for us to showcase our live performance and who we are as a band. We are very high energy basically all of the time. We love getting on stage and showing the emotion behind each of the songs. We also feel if we are not having fun on stage how will anyone else have fun? We wanted to showcase the type of band we are visually right off the bat. “Fear of Heights” is such an upbeat song that it was a no brainer for us to pick that song as our first single. It is a very guitar driven song with a super catchy chorus. The song gives me a very summer type vibe that makes me think of going to the beach and blasting songs with the windows down. “Fear of Heights” is perfect for that!

AL: Are there plans in place for the band to tour behind the albums release?

JC: We are going to be doing a south east run called the “Chapter 1” tour (laughs). We are very excited about this new album and want to hit the ground running once it is released. This first run is going to be just us headlining the shows as we felt it was important for us to go out alone to show who we are and then let things grow from there. This tour is going to be a game changer for us as before when we toured we could only go out for about ten days or so before we had to get back. With this upcoming run we are going to be out a bit longer and most of us will probably lose our jobs (laughs). We are choosing our own adventure on this run and it is do or die so we are going out there to really do this.

For more info on A Light Divided you can find them on facebook.com/alightdivided and check out the video for “A Fear of Heights” here.

Nothing More Guitarist Mark Vollelunga Talks About the Bands Recent Single “Just Say When”.

Mark Vollelunga is the guitarist for the Texas based rock band Nothing More. The group’s latest single “Just Say When” (which is a bit of a departure from the bands heavier style) recently rose to number 16 on the Billboard Charts for main stream rock songs. Media Mikes had the chance to speak with Mark recently about the release, the bands current tour with Five Finger Death Punch and the bands plans for the remainder of 2018.

Adam Lawton: Can you give us some background on the band’s latest single “Just Say When”?

Mark Vollelunga: Personally I am really stoked and happy with how the song is doing. It is a bit of a different color for us. It’s nice to have something that is a little more bare bones and that is all about the lyrics and melody. The song really came about after having toured so much on our self titled release. Touring takes a strain on your personal life and it had started to cause some division for Johnny and myself. What I poured into the song was the idea of co-existing. Sometimes you use that spark or connection which can cause a point of staleness. It can be sad when you just co-exist with the love of your life. Not to be a complete dreamer and say that is completely realistic as we all go through dry spells. This song hits at that pinnacle point when you are not sure whether to hold on or let go.

AL: Was this song actually created while you were out on the road or was put together after you were back home and in the studio?

MV: It started when we were still on the road. I was listening to a lot more folk jam songs at the time and I came up with this start of the start and showed it to Johnny. We clicked on it right away and started putting melody to it pretty quickly. After that the song sat for awhile until we were jamming together one day. After that we finished it to the point of what you almost here now. When we were done we weren’t sure if the song really fit with the rest of what we had put together and it almost didn’t make the record. The song emotionally fit but sonically we just didn’t know if it was in the same vein. At the eleventh hour we thought it would be cool and different to include it and I am so glad we did.

AL: Being that this track was much different from your other material did you approach the initial writing process any differently?

MV: Writing for me is different every time. If I have a guitar part or lyric thing happening or Johnny has a wacky programming idea or interesting spiritual thought it all just depends. Other times it comes out us all sitting and jamming together. We try not to limit ourselves in any way. I think if you go through the same process every time things can get stale. Even though we are approaching the same thing we try to come at it from different angles in hopes of inspiring something neat and unique.

AL: At what point was the decision made to release this song as a single?

MV: Generally you try and go with a more emotional song on your second or third single. This song really appealed to everyone and the feedback we got from people was great. I think a lot of people have been at the point that the song talks about and they can relate to it.

AL: There is also a video for the song as well. Can you tell us a little about that?

MV: We got to do something different once again with this as well so it’s been another great experience. My wife recently got me interested in to contemporary/lyrical dance. She loves a lot of the dance shows which are on television right now. At first I thought they were kind of cheesy and I didn’t really get them but the more I watched them I learned to appreciate them. What I like is when the choreography matches with the emotion and mood of the song. That’s kind of what we tried to do with “Just Say When”. We some professional dancers come in and we made this great piece which is sort of out of our genre but we try to tie everything in through our lyrics. The others guys may have been a bit skeptical at first but after showing them some pieces that moved me and were very compelling they became interested in the whole thing.

AL: Can you tell us about the tour that the band is currently apart of?

MV: We are coming off of doing three festival shows with a bunch of different bands. We got to play with Stone Temple Pilots headlining one and Incubus headlining another. I hadn’t seen Stone Temple Pilots with their new singer yet and being able to do that was really cool. It was a trip down memory lane for sure. Currently we are out on the road with Breaking Benjamin and Five Finger Death Punch. We have toured with both of these groups before and they are seasoned bands that have a lot of wise words they can pass on to us. We definitely try to be sponges when it comes to stuff like that. We will be going all over the United States from now until September. After that we will be doing this great self help festival that A Day to Remember puts on in Detroit. After that we go back to Europe for a run with Of Mice and Men and Bullet For My Valentine. To end the year we will be touring Canada with Three Days Grace. All these tours are going to a lot of fun.

AL: What is it like being able to play with such a diverse group of bands on all these different tours?

MV: It’s awesome! I love that we can cater to our audience. If you are a metal fan, a rock fan or just an alternative pop person I feel there is a lot in our music that touches on all of those genres and it can be appreciated. At the end of the day a good song is a good song. I feel our society puts too much importance on the style of songs and where it needs to be lumped into. If you think about bands like The Beatles and Led Zeppelin who had so many different genres of music within their own sound I am proud that we can do that as well.

AL: Was it difficult for you starting out being that you were trying to be very diverse?

MV: Absolutely! It was difficult. In 2011 I think we had our first label interest. We did some showcases and I remember hearing back from one label on my birthday that we weren’t left of center enough. We were just too much in the middle of the road for some people. To us it’s always been if the song is good then that’s what we go with. It has been hard to gain belief and understanding at times from the music industry because of that. Put us in front of any crowd though and we will win people over.

For more info on Nothing More visit www.nothingmore.net

Motograter Vocalist James Anthony Legion Talks About the Bands New Video For the Song”Daggers”

The heavy metal band Motograter are currently out on the road in support of their most recent release “Desolation” which was released early in 2017 and Media Mikes had the chance to speak with the bands singer James Anthony Legion about the tour, the bands current lineup and their most recent video for the track “Daggers”.

Adam Lawton: Can you give us some info the bands current tour and if you will be hitting new areas this time out?

James Anthony Legion: This is a short two week run that we set up to help break in some of our newer members. We will be hitting places like Seattle, Fresno, and Hollywood at the Viper Room which is place we really enjoy playing at. I don’t think we are hitting any new places this time around.

AL: Can you tell us about the bands new line up?

JAL: We have Aeon Cruz playing bass. She is the first ever female member of Motograter. Nuke had met her in Los Angeles and she is a really good bass player with a great look so we brought her in to the fold. We have never had a female in the band before and most of the time we are shirtless covered in body paint. Bringing a female into that situation obviously posed some issues (Laughs). We were able to figure something out and it looks really cool. We have also added Ryan Ramirez on drums. He is just a super sick player!

AL: With this being just a short run what are the bands plans after this leg wraps up?

JAL: We are trying to get a new album put together. In the mean time we are going out and doing a couple short tour runs here and there. We have another one set up with the guys from Terror Universal. That one will start after a festival show we have booked with Mushroomhead. We have a few other things in the works however we can’t announce those just yet.

AL: You just released a video for the song “Daggers” can you tell us about that?

JAL: That song is a real favorite of mine and one that I very much believe in. I think it has a great hook and the lyrics will speak to a lot of people. We are hoping this song will makes its way on to the radio much like “Dorian” did. We want to push this song the same way. It felt good having a song on the charts next to ones from bands like Korn and Stone Sour. With the look of the video we had ideas but Matt the director was really the guy behind that. We shot some stuff that in the end didn’t fit and we kept things to a pure performance type of video.

AL: Do you find it hard selecting one song to stand out above others you have a close relationship to?

JAL: For me it has a lot to do with the meaning behind the song and whether or not it strikes a chord with me. When I am writing I try to think about what is really on my mind and what is important. I try and transfer that to my lyrics. I feel if you are writing lyrics that mean something to you then chances are people will pick up on that and in turn they will mean something to them as well. If I feel I did a really good job getting my thoughts across and things are resonating then that’s a track that’s going to stand out.

AL: Where is the band currently in relation to the release of a new album?

JAL: We work in sort of a unique way. I am based in North Carolina while the majority of the band is in California. With me being a vocalist it’s a little easier for me as I don’t have to necessarily be there jamming on instruments. Nuke generally comes up with song ideas and then will send things over to me to add my stuff. He will then send something that is a little more finished and that’s when I add vocals. We have started working a little bit on things already but in between these two tours is when we plan to really start going.

For more info on Motograter you can visit their official website here.

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Sumo Cyco’s Skye “Sever” Sweetnam Talks About the Bands Current Tour and Plans For A New Album.

The Canadian hard rock group Sumo Cyco first burst onto the scene in 2011 with their debut release “Lost in Cyco City”. A short time later the band released their second full length “Opus Mar” and have been out on the road in support of that ever since. Media Mikes had the chance to speak with the groups lead singer Skye “Sever” Sweetnam about the group’s formation, her transition from pop to rock music and, the bands current tour with Nonpoint and The Butcher Babies

Adam Lawton: Can you give us a little background on the band an how you all came together?

Skye Sweetnam: Sumo Cyco is a four piece band based out of Hamilton, Ontario. I first met Matt who plays guitar in the band when I was fourteen. I was auditioning guitarists for my solo project and we started working together through that and from there we decided to start Sumo Cyco.

AL: Having come from a successful pop career what was that interested you about doing Sumo Cyco which is very much a rock orientated project?

SS: Matt was a big influence on that as he is always giving all sort of different music to check out. When I was younger I had the chance of being the opening act for Britney Spears and after getting off stage all my band mates would be blasting music like Metallica and Pantera. I soaked all that in and when changes started happening with my pop career and as I transitioned from a teenager to a young woman I felt I wanted to try something a little bit different. I really enjoyed working with Matt and felt like this type of project would be a good collaboration for us. From the outside it might look like a really drastic change but during my career as I pop singer I actually got to work with people like Tim Armstrong from Rancid, Mark Hoppus from Blink 182 and a bunch of other great people. For me it was more of a natural progression as I always loved rock and heavy music.

AL: The band has an impressive YouTube following and is putting out some very high quality pieces independently. Can you tell us about your process for that?

SS: I grew up watch B and C movies and it was always a goal to try and find the weirdest movie you could from one of those truck stop bargain bins. (Laughs) I have always loved film and the idea of being able to make a piece that went along with our music without be told from an outsider of how it should look or be. I love being able to come up with these ideas and add something visual to our music. I enjoy turning the music and videos into just one big project. This is another passion of our and we are self taught when it comes to all of it. We knew we could save a lot of money by doing things ourselves and with so much content being released each day this is a fun way for us to attract new fans.

AL: Is this something you see yourself doing more of?

SS: For sure! There have been talks of one day doing a film and there are just so many projects I want to do but right now the band is taking precedence. We have a lot of great opportunities and we are going with the flow of that. We will be expanding things as time go on.

AL: Can you tell us about the bands current tour with The Butcher Babies and Nonpoint?

SS: We first met the Butchers in the UK when we toured with them over there about two years ago. The same thing goes for how we first met Nonpoint. When our name came up for the tour they knew who we were and what we could bring. The tour has been great so far and a lot of fun so far and we still have a bunch of shows left as the tour runs through mid June.

AL: What are the bands plans after this tour wraps up?

SS: We have been working our album “Opus Mar” for about a year and a half now so we are looking to head back in to the studio to record some new material. We did release a single at the beginning of the year titled “Undefeated” but we are getting hungry to back in the studio and record some new material. We are always coming up with new ideas so I think that is our next step. We just started working with a new management and are putting together a lot of new stuff for the upcoming year.

For more info on Sumo Cyco you can visit their Official Facebook page here

 

The Damned’s Pinch talks about the bands latest release “Evil Spirits”

The Damned, easily the greatest surviving British punk band, bar none – are back with their first new album in a decade titled “Evil Spirits”. Where their peers either burnt out, or faded away into mediocrity The Damned continue to fire on all cylinders and breaking all the rules along the way. Media Mikes had the chance to talk with Pinch (Damned Drummer since 1999) about the new album, the bands recent video for “Look Left” and about the bands upcoming touring plans.

Adam Lawton: With a 10 year lapse between albums, what prompted the idea/creation to go ahead with a brand new full length release?

Pinch: It was the Pledge campaign, which after launch, was so successful we could see there was the demand for a new record that we all knew was there. To see that demand become real was very satisfying and we have to heartily thank our incredible fans for that. After our last (self funded) record, we knew we had to have Dave V fully on board with this one and he stepped up admirably, committing both musically and promotionally, whereas previously he had seemed somewhat reticent to launch himself fully into the project. The record really needed Dave’s touch and I’m happy that he dusted off the cobwebs and got songwriting again. His tunes and vision really drive “Evil Spirits” nicely and I think the mix of song styles by all contributing writers underlines the Damned’s ability to pleasantly surprise both fans and new listeners.

AL: How did the writing process go for “Evil Spirits”? Do you work separately from one another or collectively?

Pinch: It was a funny chess game leading up to this album. Captain seemed to be holding back his contributions, encouraging Dave to feel he had the freedom to create whatever took his fancy. It seemed at one point that everyone was too scared to offer up demos for fear of the wrong direction being taken. Thankfully, when push came to shove and we had a producer and studio time locked down, the songs were popping into the dropbox thick and fast. We ended up with at least a couple of records worth of songs from all writers, and it was decided to let someone else choose the final songs for “Evil Spirits”. I think the record works really well as a collection and perhaps some of the songs that didn’t make it would sound great together too, but as a band, sometimes you are too close to the art to make that call clearly. Captain likes to deliver fully finished demos, very well produced I may add, whereas the rest of us offer up a mostly completed song that benefits from all members adding their personalities. Sitting in a room together with a blank notepad is not the way any of us work best, as the years of pharmaceutical inspiration are thankfully long gone. However, working under the gun, with deadlines looming, seems to drag out inspiration by the bucket full.

AL: You recently released a video for “Look Left”, can you tell us about the story behind that and what made you choose that song for a video treatment?

Pinch: I had the bones of that song kicking around for a few years, hoping that it would eventually develop into something The Damned could use. The phrase- “while everybody’s looking left, what the hell is happening right?” seemed to really sum up where I could see the programming of humanity taking us. Whilst we are being distracted by some nonsensical celebrity twaddle, there would be a vote on a crucially important social issue that would sneak its way into law. Today’s media really have fine tuned the craft of distraction to the point of perfection. When perfectly true, well researched articles are labeled fake news to fit nefarious agendas, AND everybody swallows it, where does that leave the truth? Other than being just another opinion. Ultimately, whose opinion is right and whose is wrong are things we all currently have the liberty to discuss, but with increasing media censorship, I fear for our future ability to make any kind of disagreeable statement without some kind of social punishment. It was the label that chose “Look Left” as a single to have a video, and I really had to leave the interpretation to the video director, as these guys don’t like you stepping on their visions. Also, it was nice to see someone else’s take on my lyrics and sentiment. Ultimately, Radio declined to get on board with the song, stating some kind of half baked excuse about it not fitting the listenership they were “moving toward”. If the most commercial, hooky single the Damned have ever released can’t make a daytime radio playlist, with the album sitting at number 7 in the charts, you have to wonder if that age old Damned phobia hasn’t simply moved through the decades of radio producers and makes me ultimately think- Why Bother? Let’s just go back to the biff boom crash that the band are known for and screw any notion of radio success. Sad really but it’s an unfortunate reality.

AL: The band has a number of live performances booked starting in May. Can you tell us about the upcoming UK run, the few stops you have scheduled in the States and your plans for the remainder of the 2018 tour season?

Pinch: Due to the recording of the album being pushed back, we were kind of scrambling to lock in a good live touring plan. Only WE could release a record with ZERO live dates either side of release but, that is where we find ourselves. We head off to Europe next week starting in Germany and ending in France, by way of Switzerland, Italy and Holland. A short Arena tour of the UK with Hollywood Vampires is set for June, where Mr. Vanain and Mr. Depp can compare hair style notes and the benefits of a fine snifter no doubt. Then another short Pacific North West and Canada run in early July, including Burger Boogaloo in Oakland, which we are all excited to play. It sounds like a whacky thing that we would all enjoy, AND I get to see Devo the night before which is never a bad thing. October sees us embarking on another coast to coast U.S run, starting in Boston and ending in San Diego, before coming back to the UK for our traditional winter tour to wrap up the year. Hopefully we will debut some more songs from “Evil Spirits” at some point on these dates, it’s always good to see how they translate live.

AL: Each of you tends to have a number of projects going on at one time. Can you tell us about some of those and where we can keep up to date with everything?

Pinch: Not sure what the other guys have going on at the moment, but when I am not touring, I work a production gig in the United States that sees me working with a mind bending array of legendary artists that constantly makes me chuckle. Did I ever think I would be attending to the needs of Mr. Englebert Humperdinck when I was living in a punk squat in Grantham all those years ago? Well, anything can happen with an open mind, and often does. Think! It’s not illegal …..YET.

For more info on The Damned you can visit www.officialdamned.com

Dean Devlin talks about directing David Tennant in “Bad Samaritan”

Dean Devlin went from starting out chauffeuring for Al Pacino in the early 80’s to writing/producing some one of the biggest films including “Stargate”, “Independence Day” and “Godzilla (1998)”.  Dean stepped into the director’s chair for the first time last year with the big-budget “Geostorm”. He is back again directing and producing a new film starring David Tennant and Robert Sheehan called “Bad Samaritan”. We had a chance to chat with Dean about this new movie and how was it shifting in scale from big studio to independent.

Mike Gencarelli: “Bad Samaritan” has been in development since at least 2013, can you tell us how about you became involved with it?

Dean Devlin: What happened is, back then I got a call from writer Brandon Boyce, who I have been a fan of since “Apt Pupil” and “Wicker Park”, and he said he just finished a new script but before he sent it out to the world he asked if I would make some notes. I read the script and I only had one note for him…and that was not to show it to anyone else because I was going to make this movie. I was in love with it and bought it immediately. Right after, I went on did two other projects, so I had to wait till I was done with those to get back to it, but I was desperate to make the picture from the moment I read the script.

MG: You directed, produced and wrote “Geostorm” and with “Bad Samaritan”, you produced and directed; how was your experience differ between the two?

DD: Well, the experiences were night and day. The difference is doing a movie in a studio or independently. All of my best work has been from projects where it was independent or we had the creative freedom we needed. This was night and day, the best experience that I have ever had making a picture.

MG: Yeah I would agree, the scale is very different; what was your biggest challenge on this film?

DD: It is so out of what I have ever done before. I have never done this dark tone before. For me it was top to bottom, I had to rethink everything I would do like framing a shot for example or approach music. It was a terrifying task to take on but at the same time, it was thrilling. I have an amazing team of people. We spent a lot of time doing our homework and making sure the thrill and tone were set effectively. It was so exciting to do.

MG: How did David Tennant and Robert Sheehan come on board?

DD: Again, because this was an independent movie I didn’t need anybody’s permission to cast the film. If you do a studio film, that the process can be ridiculous. This was the case were I could just cast simply best actors we could get. My dream cast was to get Robert Sheehan and David Tennant in these roles. I felt like so blessed when they both said “yes”, because I really didn’t have a second choice for either part [laughs]. You get somebody in your head and it’s really hard to rethink it. When I did “Independence Day”, we wrote that part for Jeff Goldblum. If he had said “no”, we would have had to rethink the entire part.

MG: Tell me one film that is your “go-to” film to watch? …for me it’s “The Shining”.

DD: It really depends. I would have to say there are three and if they are on television I can’t turn them off. It doesn’t matter if I catch one scene…the first is “Enter the Dragon”. Another is “Tombstone”. I have to at least stay on until he says “I’m your Huckleberry” [laughs]. The last one has to be “E.T”. Those films are the ones that I can’t get enough of.

MG: What would be a dream project for you to direct?

DD: Listen, I have been so blessed in my life that once I have a dream project in mind, it becomes my next film. I approach this whole business like a fan. I never try and figure out what is going to be a success, I think that is a mistake. For me, it is like a fan boy, what do I want to see? And if no one else is making it then I try and go make it. I have been blessed from being able to make “Independence Day” and that I got the script of “Bad Samaritan” from Brandon Boyce. Each time out has been a dream come true.

MG: I am impressed to see that an independent film like this is getting a decent theatrical release.

DD: Well you know, the new Avengers saw that we were on their date…and they knew…they knew they needed to get out of our way. Run Avengers! [laughs]. I am going to throw this out for your readers: What is the thing that is in both in the new “Avengers” and “Bad Samaritan”? Let us see if readers can figure this out. (Leave comment below!)

All Photo Credit: Courtesy of Electric Entertainment

Monster Magnet’s Dave Wyndorf Talks About The Bands New Album “Mind Fucker”

Dave Wyndorf is the lead vocalist and guitarist for the rock group Monster Magnet. The groups latest album (Their first in five years) titled “Mind Fucker” was released on March 23rd and Media Mikes had the chance to speak with Dave recently about the albums creation, its first single “I Am God” and about the groups upcoming European tour run.

Adam Lawton: It has been five years since the bands last release “Last Patrol”. Can you tell what has been going on with the band during that time and what led to the release of the new album?

Dave Wyndorf: The band tours every year predominately around Europe and the world as that’s where rock really lives. I only tour here in the states every couple of years as rock music is sort of dead here so we have to sort of wait it out. We have been in the studio quite a bit as we were re-imagining/recording two records making them sound-scapes that would allow for psychedelic, alternative listening experiences. Things never really stop we just sort of take a left or right turn down a rabbit hole and then pop up in public whenever it suits us.

AL: Can you tell us about some of the work that went into the new album and also maybe about the catchy title?

DW: I wanted to make something along the lines of a punk rock record. I wanted it to have that spirit while being this sort of proto-punk, straight ahead rock record. At the time I was doing a lot of long form psychedelia and I wanted to put this album out quick. I was kind of going from the hip and wrote this album in about three weeks. The idea was for it to be a sex, drugs and rock and roll album then the whole political and information melt down that happened from 2016 to 2018 started creeping its way into the lyrics. During the writing I had started calling the album “Mind Fucker” and thought it was the perfect title for album being released in 2018. It was really supposed to be an “I want to drive my camaro of a cliff just for fun” type of record but then the blending of all these things happened and it sort of morphed into a weird mixture of the two.

AL: Was it hard for you to transition back into writing more straight forward material as opposed to the long form material you were currently working on at that time?

DW: It wasn’t hard to dream it up but I did have to re-calibrate myself as to what I wanted as I wrote. It was a challenge. The thing with the long form sound-scape material is you are creating this place for people to be in for awhile. You take your time getting there. With the type of record “Mind Fucker” is it’s much quicker and goes right to the point.

AL: At what point do the other members of the band come into the writing/recording process?

DW: I start out by writing everything to a click track. I will arrange it the best possible way I can with melody, guitar and bass. From there I will take it to the drummer and come up with a proper arrangement. We get the meat of how things are going to go together and then we bring in the rest of the guys. I give them an idea of what each song is about and then they take things from there. I write with everyone in mind so that when the time comes the material is right in their wheelhouse.

AL: What can you tell us about the album’s first single “I Am God”?

DW: “I Am God” is just a way for me to yell at people without saying it’s me. (Laughs) I wanted to write a song about god yelling at people as it was apropos with the time. I figured this song would hit someone out there. It’s an easy song to remember and who doesn’t want to scream “I Am God” while riding down the highway? It was written with a sense of humor involved. Being the song is so blunt it just had to be released as a single.

AL: The band performed a couple shows here in the NY area recently and you are now set to tour Europe can you tell us about that run of shows?

DW: We kicked things off with a few shows in the New York area to celebrate the release of the album and, we will be announcing a whole North American tour here in the next few weeks. However, first we will be heading over to Europe for around a month and a half. During that time we will be looking for more opportunities during the summer in possibly Australia and/or South America. We are always trying to hit new places so we will just have to wait and see. I would really like to make it into China.

AL: Being a guy who is always busy do you have anything else you are currently working on right now?

DW: Right now I am really trying to sell the new album as hard as I can. Once I get back from Europe I will be diving in to writing and seeing where that goes. I try to focus on one thing at a time so I can get the most experience out of it and then when I am totally exhausted I sit down and think back on what I learned during that time. I just live life and then write about life. That’s where the music and lyrics come from for me.

For more info on Monster Magnet you can visit their official facebook page at: https://www.facebook.com/monstermagnet/

Film Interview: Director Susan Walter talks about her debut feature, “All I Wish”

 

After almost three decades working behind the scenes on other people’s films, Susan Walter has finally gotten to sit in the big chair.  As writer and director of the new film “All I Wish,” she called the shots and achieved a dream.

 

While promoting the film, which is now in theatres and also available on Video on Demand, she took time out to talk with me about finally being in charge.

 

Mike Smith:  Please tell me that Tony Goldwyn isn’t really that bad of a singer. (NOTE:  In the film, Goldwyn tries his hand at karaoke, much to the chagrin of anyone in earshot.)

 

Susan Walter:  (laughs) Tony Goldwyn is a brilliant singer!  The first time I talked to him about that scene, he said to me “you know I can sing, right?”  He wanted everyone to know that he could sing.

 

MS:  Where did you get the idea for the film?

 

SW:  I’m a huge fan of “When Harry Met Sally.”  It’s one of my favorite films of any genre’.  And what I love about it is that it takes these two characters and looks at how the spend time together over a long period of time.  So I thought what would happen if I showed characters that not only got to know each other but got to know themselves over a long period of time.  And I picked each period beginning on a birthday because your birthday is a time when you look at your life.  The stakes are super high on your birthday.

 

MS:  Most people, when they think of romantic comedy, don’t readily think of Sharon Stone, who is more known for tougher roles.  What made you cast her?

 

SW:  Sharon cast herself.  (laughs)  Literally.  She got the script originally when it was written for her character to be in her 20s, and I wanted somebody tough and vibrant to play the mother.  I sent her the script and offered her the mother and she called me and said, “I’m not playing the mother…I’m playing the lead!”  And I got chills all over my body because I knew that she was right.  She felt really connected to the character and she really spoke passionately about why she had to do it.  So that’s the version of the movie that got made.

 

MS:  Which also became a bonus because you got to work with Ellen Burstyn.

 

SW:  We were so lucky that Ellen responded so well to the script.  Sharon was so passionate about having her and when we sent it to her she responded right away.  Though Ellen’s character appears tough as nails in the film she also has a vulnerability that you can feel.  You can feel the love that she has for her daughter and it was something beautiful for me to watch.

 

MS:  You’ve spent decades working behind the scenes until you finally got the opportunity to direct a feature.  Was the experience everything you thought it would be?

 

SW:  I have to tell you, I was totally nervous into the lead-up of the movie.  I was worried.  Could I do the job?  Did I have the energy?  It takes an incredible amount of stamina to direct a feature film.  You’re on your feet all day and you need every corner of your brain to do the job.  I got so much incredible support from my cast, especially Sharon.  They made it effortless.  It was like being weightless.  I entrusted them with their characters.  I was just there as a sounding board if they had a question about a line or a moment.  The experience of directing was almost effortless.

 

MS:  You’ve worked with several name directors in the past, including the late Garry Marshall.  Did you learn anything from them that you used on your set?

 

SW:  The one thing I learned from Garry in regards to actors is to just let them play.  Make them feel safe and let them play.  And when they had an idea, it was always “yes.”  He may not have agreed with it, but he would always say, “let’s try it.”  That was the way he worked and I think some of it rubbed off on me.  I said “yes” a lot to my actors.  We played a lot.  And I think you can feel how free they felt when you watched the film.

 

MS:  What are you working on next?

 

SW:  I wrote a movie with a friend of mine who is an actress and an extremely hilarious human being.  It’s an “R” rated ensemble comedy that we’re putting together now.  Hopefully we can start it soon.  I hope it doesn’t take another fourteen years.

Actor Jimmy Bellinger Talks About His Role In The Film “Blockers”

Jimmy Bellinger is an actor who has appeared in a variety of commercials, films and, television series including “The Middle” and “Parks and Recreation”. In the newly released film “Blockers” starring Leslie Mann and John Cena, Jimmy plays the role of Chad a nerdy yet confident high school student. Media Mikes had the chance to talk with Jimmy recently about his character and the film and also about his widely popular Skittles commercial.

Adam Lawton: Can you tell us a little bit about the film “Blockers” and your character Chad?

Jimmy Bellinger: “Blockers” is a fun, raunchy sort of coming of age story that follows three parents and their daughters. We first see the girls as young children and then as teenagers getting ready to attend the prom. The girls decide they want to lose their virginity and make a pact to do so. The girl’s dates are not aware that this is set to happen and it turns into this crazy thing when the parents find out and attempt to stop them. My character Chad is sort of a dorky guy but he is very confident. He loves to dance and be a showman. Chad also loves a good fedora!

AL: How did this role come about for you?

JB: It was actually quite a long process. I auditioned a few times over the course of two months before officially getting the offer. Originally I read for a character that’s not in the story anymore. I then went back and read for the role of Chad. I actually did two auditions that day as they brought me back in the afternoon to read with a group of girls auditioning for the Sam role. None of those girls ended up in the film and I didn’t hear anything for a couple weeks until they brought me back to read with a different group of girls. This whole time I was never really sure if I was going to get the role or not because they could have been seeing other people that I didn’t know about. A week or so later I found out I got the part and also that they recast all three girls and the other two guys. I was lucky that I made it and am very happen that things worked out for me the way that they did.

AL: Over that time did the script change in any way?

JB: Yes it did. Originally there was this completely different character in the script and that role had been cut out so there were definitely a lot of changes made from the time I first read the script to what ended up being in the film. Things were added and locations changed but the film is still just as funny as when I first read for it and, that was what interested me in the project from the start.

AL: Were you allowed creative freedom with the character or were you asked to stay to the scripted material?

JB: There was certainly creative freedom. Yes there was a script for the character they wrote but I feel like unless you are playing a real person that existed somewhere in time you bring in pieces of yourself to each role you pay. I feel like most people want you to bring your own traits as an actor to their character. That’s essentially your job. You have ideas and there are scripted pieces so you start there and once you get going you might come up with some other things that help the character and story. The film’s director Kay Cannon is an extremely talented writer so if we weren’t pitching ideas she was coming up with things to try or add. We shot a lot of different versions of each scene so you really didn’t know what will be in the final film until you see it.

AL: The film has a very comedic cast. What was it like on set between takes?

JB: It was fun! Sets are all very similar because the days are long and when you are not shooting you are hanging out with the other cast and crew joking and having a good time. You get to talk with and meet a lot of different people. The cast was great as were the crew and, being that we were shooting a comedy and not a drama or something really serious everyone was just very relaxed and the mood was light.

AL: You also are currently the face of Skittles and appear in the hilarious Skittles-pocks commercial. How did that opportunity come about and, will you be reprising that role in upcoming ads?

JB: That came about much like this film through a regular audition. I went in to read for the part and they paired us up randomly with the girls who were their reading for the other part. I ended up being with the girl who also ended up in the commercial. After the first audition I got a call back and I could tell that they liked me because I read with the first girl again as well as a couple others. When we shot it even though it was such a short spot we tried a bunch of different things. The lines were there but I got to have a lot of fun playing within the confines of them. I had no idea what made it into the commercial until it came out. The ad started on the internet and then they started airing it and then they stopped. That usually happens after some time with commercials but then they decided to renew it and it has been playing non-stop. I am completely fine with it. Some people think it’s funny; some people think its gross or a combination of the two. I think that they are probably all right but I think that’s kind of the appeal of it as it’s weird but quick and easy. It’s just crazy how big it has become and seeing how excited people get amazes me. In terms of reprising the role that really on them however I will happily be paid to wear more skittles on my face. I am fine with that.

AL: Are there any other projects you have been working on that you would like to mention?

JB: There are some things in the works but I can’t really talk too much about those right now however, I did do an episode of the Nickelodeon show “Night Squad”. My episode won’t air until Halloween time but I do want to let people know it will be coming out and when they can look for it.

For more info on Jimmy Bellinger you can follow him on Instagram and Twitter @JimmyBellinger

 

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Anthrax’s Charlie Benante Talks About The Filming Of The Bands Upcoming DVD, “Kings Aming Scotland”.

ANTHRAX’S CHARLIE BENANTE TALKS ABOUT
THE FILMING OF THE UPCOMING DVD, “KINGS AMONG SCOTLAND”

Photo Credit: Jimmy Hubbard

Multi-Grammy nominated thrash icons Anthrax will see the band’s long-awaited live-in-concert DVD, “Kings Among Scotland,” released on April 27 (Megaforce). But before that, the band’s Charlie Benante has just posted a video clip where he talks about the filming of the live set, the decision to film in Scotland, and the challenge of playing some of the songs live for the first time ever. Check out the clip here: https://youtu.be/nHW5_f6jBWE
“Kings Among Scotland” will be available in CD (audio only), DVD and digital formats (both video), and can be pre-ordered at www.anthrax.com. When ordered digitally, the purchaser will receive “Breathing Lightning (live)” instantly.

The two-hour “Kings of Scotland” was filmed February 15, 2017 at the band’s sold-out concert at Barrowland Ballroom, the historic venue in Glasgow. The disc incorporates the band’s entire live show, and includes gems like “Madhouse,” “I Am the Law,” “Breathing Lightning” and “Indians.” The disc also features interviews, behind-the-scenes footage and other B-roll shot on the band’s tour bus, backstage, in hotels and elsewhere, plus a “gear rundown” from each of the band members.

“Kings Among Scotland” was produced, directed, filmed and edited for Film24Productions by Paul M. Green (Opeth, The Damned, The Levellers), with the sound mixed by Anthrax studio producer Jay Ruston. “Kings Among Scotland” can be pre-ordered now by going to www.anthrax.com.

Anthrax is set to hit the road this summer with fellow Big Four cohort SLAYER who kick off their final world tour on May 10 in San Diego, CA On the Slayer Leg One “off days,” Anthrax will join up with Testament for a handful of shows. All dates are below.

LEG ONE
MAY
10 Valley View Casino Center, San Diego, CA SOLD OUT
11 Five Point Amphitheatre, Irvine, CA SOLD OUT
12 Brooklyn Bowl, Las Vegas, NV – Anthrax + Testament
13 Papa Murphy’s Park at Cal Expo, Sacramento, CA SOLD OUT
16 Pacific Coliseum, Vancouver, BC SOLD OUT
17 South Okanagan Events Centre, Penticton, BC
18 Western Finance Place, Cranbrook, BC – Anthrax + Testament
19 Big Four, Calgary, AB SOLD OUT
20 Shaw Conference Centre, Edmonton, AB SOLD OUT
22 Bell MTS Place, Winnipeg, MB
23 Sanctuary Events Center, Fargo, ND – Anthrax + Testament
24 The Armory, Minneapolis, MN SOLD OUT
25 Hollywood Casino Amphitheatre, Tinley Park, IL
26 Clyde theatre, Ft. Wayne, IN – Anthrax + Testament
27 Michigan Lottery Amphitheatre at Freedom Hill, Detroit, MI SOLD OUT
29 Budweiser Stage, Toronto, ON SOLD OUT
30 Place Bell, Montreal, PQ SOLD OUT

JUNE
1 Mohegan Sun Arena, Uncasville, CT SOLD OUT
2 PNC Bank Arts Center, Holmdel, NJ
4 Santander Arena, Reading, PA SOLD OUT
6 Riverbend Music Center, Cincinnati, OH
8 International, Knoxville, TN- Anthrax + Testament
7 Blossom Music Center, Cleveland, OH
9 KeyBank Pavilion, Pittsburgh, PA
10 Jiffy Lube Live, Bristow, VA
12 Veteran’s United Home Loans Amphitheater, Virginia Beach, VA
13 The Stage on the Bay, Savannah, GA – Anthrax + Testament
14 PNC Music Pavilion, Charlotte, NC
15 Orlando Amphitheater, Orlando, FL
17 Smart Financial Centre at Sugar Land, Houston, TX SOLD OUT
18 House of Blues, New Orleans, LA – Anthrax + Testament
19 The Bomb Factory, Dallas, TX SOLD OUT
20 Austin360 Amphitheater, Austin, TX SOLD OUT

LEG TWO
JULY
26 Bank of New Hampshire Pavilion, Gilford, NH
27 Impact Music Festival, Darling’s Waterfront Pavilion, Bangor, ME
29 Northwell Health at Jones Beach, Wantagh, NY
31 The Pavilion at Montage Mountain, Scranton, PA

AUGUST
1 Times Union Center, Albany, NY
3 Darien Lake Performing Arts Center, Darien Lake, NY
4 Lakeview Amphitheater, Syracuse, NY
6 Budweiser Gardens, London, ON
7 Van Andel Arena, Grand Rapids, MI
9 Hollywood Casino Amphitheatre, St. Louis, MO
10 Cellairis Amphitheatre at Lakewood, Atlanta, GA
12 Municipal Auditorium, Nashville, TN
13 Walmart AMP, Rogers, AR
15 Freeman Coliseum, San Antonio, TX
16 The Zoo Amphitheatre, Oklahoma City, OK
18 Fiddler’s Green Amphitheatre, Denver, CO
19 USANA Amphitheatre, Salt Lake City, UT
21 Ford Idaho Center Amphitheater, Boise, ID
23 Sunlight Supply Amphitheater, Portland, OR
26 SAP Center, San Jose, CA

Catherine Spencer talks about women’s sport and inequality

Catherin Spencer, the former women’s Rugby team captain has published an article in The Guardian on the subject of the inequality between men’s and women’s sport in general, and in particular about the huge investment gap.

She said that if she had been given a pound for the times she had been asked about the hurdles women in sport face, she would be a rich lady. As it is, she mourned, her bank balance is only that of a retired England Rugby captain – and a women’s rugby captain at that.

Women rugby players had to play for the love of the game

When Spencer held the captaincy, from 2007 to 2011, the players were expected to play for the love of the game. Her team included doctors, teachers, policewomen and veterinary surgeons who spent all of their free time training and playing without any financial reward – unlike today’s lady players who at least are given match fees on a match-by-match basis.

The ex-women’s captain mentioned browsing the BBC Sport website homepage recently. She searched out the women who were featured and came across Serena Williams, and the silver medallists from the British Winter Paralympian team, Jen Kehoe and Menna Fitzpatrick. These three sportswomen were amongst 33 photos of male sports athletes, which highlights the problem nicely.

Lack of media coverage for women’s sports events

Women’s sport doesn’t get anywhere near the same amount of coverage in the media that men’s sport does. The same problem occurs with sponsorships too. It creates a never-ending circle. To attract sponsorships, the sponsors want to know those they sponsor will get plenty of TV publicity. However, the TV companies don’t show much women’s sport because they maintain it doesn’t attract the same size of audience that men’s sporting events do.

Breaking the circle

Of course, from the audience’s side of the coin, they say that they can’t watch women’s sport because it isn’t broadcast enough. And so it goes – round and round in perpetuity. The chain somehow needs to be broken, but how?

Anything is possible given enough application. As Catherine herself reminded us, she captained her team in winning four Six Nations championships, plus getting to the World Cup final, all the while holding down a full-time job.

To break the underinvestment circle, all that is needed is the courage and some dedication. The recent spectacle in women’s international rugby was when France beat England. Not only was the game was seen by over 17,000 spectators (the most ever to witness a women’s test match) but more people than ever also got involved with placing bets on the outcome.

That same day 5,000 spectators watched Twickenham beat Richmond at the Harlequins’ ground. A British record.

Getting the message across

Catherine Spencer is determined to further the cause of equality for women’s sport, even though she has retired from international rugby. She is writing her own book, rather aptly titled, “Mud, Maul, Mascara.” She has also started her own agency and is getting in there amongst the almost men-only-world of after-dinner speaking.

She is doing her bit in an effort to show that women’s sport should be taken seriously and that it has much to offer; a sentiment more and more people are beginning to agree with.

Serge Levin talks about his new film Alterscape and Superstrata and talks about new Re-Animator

Last month, I was sitting reading the latest issue of Horrorhound Magazine and I came across their list for the horror films of 2018 and within that listed was a film, I had no idea even existed called ReAnimator: Evolution. The film was said to be a reboot of the franchise and directed by Serge Levin and starring Johnathon Schaech. I knew I had to seek out more information about the film and the director. I found out that it is true; he is working on a new branding of the franchise and the film has been re-titled to Herbert West: Reanimator…but before we get to that, I found out that Serge has been VERY busy with other films!

Turns out Serge is working on finishing two new films before he enters the world of Herbert West. His first film, Alterscape: is a sci-fi/drama that takes a man on a journey that transcends both physical and perceived reality. It is a real trip to watch and it also co-stars Michael Ironside (Scanners). His second film is Superstrata has Paz de la Huerta (Enter the Void) and is currently being edited by Eric Strand, the man behind Donnie Darko and Tomb Raider. Media Mikes had a chance to chat with Serge about his two upcoming movies and also got the scoop on the new re-branding for the Reanimator franchise.

Mike Gencarelli: You wrote and directed the film “Alterscape”; tell us the origin of this project?
Serge Levin: The idea behind Alterscape originated from my fascination with emotions. Due to the nature of my prior work in corporate finance, I was lucky to have traveled, lived, and worked in a few different countries. Through observation and interaction with people of various cultures, I pondered on the stark differences of how emotions are expressed, interpreted, and understood.
I also wanted to explore the relationship between emotions, feelings, and memory. Coincidentally, while waiting for a flight at an airport I came across an intriguing book by Victor S. Johnston Why We Feel: The Science of Human Emotions. Although it was a fairly short flight, I remember devouring the whole book before I landed at my destination. My hunger for the subject matter and the author’s brilliant writing structure made it an easy read, but most importantly connected many dots in the underlying study of emotions and nervous system as a whole.

Thinking back to some stories that my stepfather, Sam Hollis a Vietnam War veteran, has told me when I was younger, and inspired by more literature about Affective Science, the first draft of Alterscape was born.

MG: How was the opening falling from the building scene shot?
SL:  Indeed, the slow motion falling sequence is one of the most important story beats in the film, so I wanted it to really stand out.

Being a huge fan of 80s film era, I loved how the director John McTiernen portrayed the falling sequence with the character named Ponytail, played by Héctor Mercado, in the film Nomads 1986. It was both creepy and surreal. I needed my falling shot to have that abstract and symbolic feel, so I was definitely inspired by what I saw in Nomads.

I wanted to take it even further and actually follow our hero as he plummets from a high-rise, which required more ingenuity and technical assembly. For the sake of art I can’t get into details as to the exact process of how we shot it, although our final execution of the sequence was as close to a real fall as you can make it.

MG: I loved the whole setting of the film. The logo and parts of the score has a cool 80’s vibe. The wormhole was rad with retro feel. I also love old tech like the ancient computers mixed with the new tech; was this all planned?
SL: I appreciate you picking up on these aesthetics because it was definitely intentional. As I already mentioned, I’m inspired by many great films from the 80s and had the urge to bring back some of those vibes, analog tech, and even colors. The story does not take place in the 80s however. We keep it vague although a few visual and dialogue references do imply a more specific time period. Amalgamating retro-tech with very advanced science was also planned from the start. David Cronenberg fans, being one myself, will definitely appreciate our set designs.

MG: Tell us about the film’s visual effects? What was your most challenging task?
SL: The script called for more than 800 visual effect shots of varied complexity. My objective was to do most in-camera with real makeup, physics, and lighting. This old-school method to me seems to convey action with more realism and depth. Obviously, certain sequences required harnessing some of the digital creative tools and applying them in a very neat way. It’s thanks to my very experienced and talented cinematographer, Richard Clabaugh (Prophecy 1 and 2, Phantoms), the process of filming always took into account what and how we would need to tackle the post-production visuals.

You referred to the vortex sequence as being one of the cool-looking visuals. I’d like to add that after we travel through it, we end up in a realm that seems to span to infinity. Actually close to 90% of that composition is actually practical, not digital.

MG: What was it like working with a legend like Michael Ironside?
SL: It was a dream come true. Michael Ironside and Charles Baker, were introduced to me by our producer Jon Keeyes, who had previously worked with both. I’m extremely grateful and honored that my story resonated with such talent.

Michael was an absolute joy to work with and simply be around. It felt like working with a close family member – that’s the kind of energy Michael projected on set. He commands such strong presence, both on screen and off. Growing up watching him, in what are now cult classics of the genre that I am most passionate about, and get to actually work with Michael Ironside, was a real treat.

Overall, I was lucky to have such a talented cast. Everyone was extremely hard working and talented.

MG: I felt a Scanners vibe within the film; was this coincidence or planned with Ironside on board?
SL: Scanners is one of my favorite horror films but I did not expect to have Michael on board until we actually signed. I was overwhelmed with joy when I found out we had a solid confirm. As far as similarities to Scanners I can see where the parallels can be drawn, however the theme, premise, and motivations are very different.

We just had our world premiere at The Philip K. Dick Film Festival in New York, where we won first place (Best Feature), and one of the viewers made a reference to Liquid Sky as well. I am thrilled that our film carries those vibes and homage to the work I consider inspirational.

One day I asked Michael Ironside what he thought of our set design for the lab interiors. Right away he brought up Altered States, yet another film from the 80s.

MG: Your next film, Superstrata, is already in the books; give us a sneak preview?
SL: Superstrata is currently in post-production and I expect to have solid first assembly in a few months. I’m extremely happy with the footage that we shot and with great excitement now focusing on making the best edit.

The story revolves around a man whose psychological condition yields an unexpected side-effect enabling him to experience various quantum realities. Quantum physics and quantum mechanics are a big part of the story, but so is spirituality and the concept of interconnection through love.

Superstrata shall have many neat twists and turns, including an epic passenger jet sequence. With its many layers, stunning cinematography and big production value, it will be an impactful feature. We have awesome cast including: Robert F. Lyons, Jim Meskimen, Paz de la Huerta, and Alex Veadov.

MG: Tell me about about working with the man behind Donnie Darko and Tomb Raider, Eric Strand, and how he got involved to edit this film?
SL: Eric Strand is a veteran of his art. Working with an editor of such experience and caliber is an eye opening learning experience. Eric’s approach is very old-school, using techniques that were bullet-proof for cutting film. Our digital workflow, in my view, adds to Eric’s creative freedom and leverages his proven know-how. Eric and I connected in many ways, including the type of genres we like and the study of Martial Arts.

MG: Alex Veadov appears in both of your upcoming films Alterscape and Superstrata?; tell us about this collaboration?
SL: The first time I saw Alex in a film, it was We Own The Night directed by James Gray. I was blown away by his ability to convey so much emotion simply with his eyes. I believe Alex is one of the most talented actors of our time and have been blessed to work with him on several projects.

Our collaboration started with Alterscape when I reached out to him directly with the script and then bringing him onboard via his agent. When I started working on the Superstrata script, I already had Alex in mind for one of the roles. I’m grateful that he has been receptive to my material and his schedule worked out.

MG: What can you tell me about the planned reboot “Herbert West: Reanimator”
SL: We will be announcing exciting news regarding the Reanimator rebrand very soon. I wouldn’t call it a reboot of the original Re-Animator film, which I love and have tremendous respect for. Our adaptation of H.P. Lovecraft’s original story shall stay true to the underlying material yet accentuate more of its scientific and dark undertones.

MG: Is Johnathon Schaech still involved? When can we expect it?
SL: Johnathon Schaech is a co-writer together with Jon Keeyes. Johnathon is also a very talented actor and I expect to have a full cast confirmed in the near future.

It’s important to note that we are not only producing a new adaptation of a well-known literary work but also incorporating innovative high-tech applications to make this an unprecedented viewing spectacle with ancillary interactive content.

B. Harrison Smith talks about working with horror legends in his new film “Death House”

Photo by KGE

Harrison Smith is the writer and director of the new horror film “Death House”, which is being called the Expendables of the horror genre! This film is jam packed with dozens of icons including Kane Hodder, Dee Wallace, Tony Todd, Bill Moseley and many more! B. Harrison took out some time to chat with Media Mikes about the film and what we can expect for the future!

Mike Gencarelli: Tell us about how you first got involved with “Death House”?
B. Harrison Smith: All of that can be found here. It’s my personal blog called Cynema. It has four articles called “The Road To Death House” series which answers everything you need to know.

MG: How much did Gunner Hansen complete before his passing?
BHS: Gunnar did the original script. That’s covered in the “Road to Death House” series on my blog. The script that’s shot is 90% mine. I kept his concept of the Five Evils and the issue of good and evil’s dependency on each other. However Gunnar’s original script was about a team of filmmakers going into an abandoned asylum where they were killed off. So it’s pretty different. He gave the script his blessing before he died. He was happy with what I did. He was such a good person.

MG: What was it like to work with so many horror legends?
BHS: Educational. They know so much. They’ve seen so much and how the industry has evolved and changed for the better and worse. I loved the fact that I grew up watching them in theaters and late night cable and video and now I work with them. That’s the best thing.

MG: Were there any talent that you reach out to that turned you down or that you weren’t able to get for this film?
BHS: Sure and it was due to scheduling. When the money finally moved it didn’t jive with everyone’s schedule. Robert Englund was in the middle of three projects and flying to Scotland. Bruce Campbell was smack dab in the middle of the Evil Dead tv show but they were really nice about it and supportive. What can you do? The project had been on and off again for years. They had to work. Hopefully the next one we will get them!

MG: What was one of the coolest moments you had on set during production?
BHS: There were a few but one that comes to mind was watching the interaction between Kane, Bill, Michael. They’ve known each other so long. They’re icons and they fuck with each other like high school kids. They did this three stooges “hello, hello, hello” bit and it was classic.

I also got to eat lunch with Sid Haig who just told me so much about the industry over the last 50 years. He’s a wealth of information and stories and I was so privileged to have him share them with me.

MG: On the flip side, what was the hardest part of the production?
BHS: Having a low budget and 24 day shoot schedule. I think most indie filmmakers will cite money and time as the biggest issues. There were no divas. No “creative differences.” The people part and crew part was easy. Time and money…they’re the hurdles.

MG: According to IMDB I see there is a prequel in the cards, “Dawn of 5 Evils”, is this next for you? Give us a tease on what we can expect?
BHS: Producer Rick Finkelstein wants it and I’ll oblige. It’s a prequel and that title will change. That’s just a working title for now but It will examine the backgrounds of the Five Evils and their origins.

MG: What is your wishlist cast for the next film in the franchise?
BHS: Ah hell, if I do that and leave anyone off then I piss off potential cast. I hope everyone for the sequel returns and I look forward to new faces as well.

MG: Fun question, if you could remake/reboot one horror film, what would it be?
BHS: I’m not against remakes when they’re warranted. There have been some great ones: “Invasion of the Body Snatchers” ‘78, “The Blob”, “Night of the Living Dead”. So if I had my choice, I’d love to get a crack at remaking “Let’s Scare Jessica To Death.” I love the original but I think there were things limited by budget and time. The original sits on my DVD shelf and it scared me since a kid.

MG: Favorite childhood horror film that inspired you to your current role today and why?
BHS: I always say the original “Jaws” is the movie that made me want to make movies. But I’m not sure I classify Jaws as a horror film. But that’s the one. I was 8 when I saw it in 1975 in theaters and I told my mom afterward that I want to make movies when I grew up. I wish she’d lived to see that happen.

Horror legend Dee Wallace talks about the new film “Death House”

Photo by Joe Bryant

Dee Wallace is a name that needs little introduction. She is a legend in the business and is known best for her roles on films like “The Hills Have Eyes”, “The Howling”, “E.T. the Extra-Terrestrial” and “Cujo”. This year Dee is co-starring in the new film, “Death House” among over a dozen of other horror icons. She took out some time to chat with Media Mikes (again) to discuss the film and her role!

Mike Gencarelli: This project was born from the late Gunnar Hansen. How did you get involved and did you have any involvement with him before he passed?
Dee Wallace: I knew Gunnar. He was with my agent and also we saw each other on the circuit. I got involved because he and my agent developed the original concept together. Gunnar was a dear, sweet,  kind, talented man. He is missed.

MG: As a scream queen yourself, this film is jam packed with horror legends, but you have alot of screen time with Cortney Palm, who I feel is really breaking out in the business, tell us about working with her?
DW: I loved working with Cortney. She is very professional. I love her intensity.

MG: There has to be fun behind-the-scenes stories from working with this cast? Anything come to mind quick from the production?
DW: We alternated between freezing and feeling sorry for those who were more naked than we were!

MG: Tell us what drew you in about your character, Dr. Eileen Fletcher, and did you give her any cool unmentioned backstory to get into character?
DW: I loved her because I don’t get to play many characters like her…hard and unfeeling. Interestingly, that was a real challenge for me. I am used to playing with a full heart. I don’t know if you picked it up, but Barbara and I had a whole lesbian vibe going on.

MG: I like the idea that “Death House” is like “The Expendables” of the horror genre! Do you think that this will be expanded into more films?
Well, since I died, it’s doubtful I will return! But my daughter, Gabrielle Stone, is slated for the next one so yes!, I definitely want there to be more!

MG: From working in the genre over the years with “E.T.”, “The Howling” and “Cujo”,
how do you feel the genre has changed over the years?
DW: I think people get confused between horror and slasher. A good horror film develops characters, takes time to build, and usually has some kind of message about the human situation.

MG: Tell us what you are currently working on now and what’s upcoming?
DW: I have a great Christmas horror film on Netflix called “Red Christmas”, my series, “Just Add Magic”, is showing on Amazon Prime, and I am currently shooting a wonderful film called “Every Other Holiday”. I also am slated to film in March but cannot disclose any info yet!

Cortney Palm talks about working with horror icons in “Death House”

Cortney Palm has been making her mark in Hollywood and securing her role as a scream queen with roles in films like “Silent Night” (2012), “Zombeavers” and “The Dark Tapes”. She also co-starred in the film “Sushi Girl” alongside Mark Hamill in 2012. Recently she is starring in the film “Death House” alongside about a dozen of horror icons including Kane Hodder, Tony Todd and Dee Wallace. Cortney took out some time to chat with Media Mikes (again) to discuss the film and her love for the genre.

Mike Gencarelli: How did you get involved with the film “Death House”?
CP: I had received message from director Harrison Smith via Twitter saying that some things had developed and he was interested in sending me a script. The script was “Death House”, and after I read it I thought I HAD to be a part of it. My managers got involved and literally a few days later I flew out to Pennsylvania to film.

MG: You are no stranger to ensemble casts after working on films like “Sushi Girl”, but tell us what was it like working with so many horror icons?
CP: Each actor brought something unique to set. An embodiment of their work and who they are as people. It’s always a joy to work with actors who have had long careers because you can learn so much from them. Kane (Hodder) and I did some improv that added depth to our characters and Barbara (Crampton) was so great in that we would work the scene before we filmed, which helped a lot.

MG: What drew you to your character Agent Toria Boon?
CP: I love her character arc. She clearly has a distinct past and simultaneously a past that is unfamiliar to her. Was it a part of a scientific test? Or something she’s trying to bury? But throughout the film she begins to unravel and question reality and her mission. I’ve always been drawn to strong female characters and agent Toria Boon is a badass, so that helps.

MG: Give us a fun behind-the-scenes story from the production?
CP: There was this one room in the prison, it was the freezer room, that we had to film in. It felt like bad juju. the camera crew had burned incense and wore crystals, but for some reason that room really took a toll on a few of us actors. Was it supernatural play? Bad energy? Or something that wanted to drain us. Whatever it was, it was a very difficult room to film in.

MG: I can see “Death House” being a great franchise, what horror icon would you like to see on board for future films if they happened?
CP: Honestly, Jamie Lee Curtis or Sigourney Weaver.

MG: How does it feel to be earning the status of scream queen in the horror genre?
CP: Am I? *Blushes* Horror films are so much fun to make. They take a lot of work, more than what people think. Buy they’re some of my favorite movies to work on, so I appreciate the fans who like to watch my work!

MG: Do you have any other projects upcoming that you would like to shout out to?
CP: “Hooker Assassin”
“Your Own Road”
“Sunflower”
“Dead Ant”

James Furlong and I also are co-producing an action/drama called “Savvy Strong”, where I play an ex-marine out for vengeance. We having a production team on board and are looking to secure more financing.