GIBSON CUSTOM UNVEILS

THE KIRK HAMMETT RAVEN

METALLICA GUITARIST TEAMS UP WITH MASTER LUTHIERS AT GIBSON CUSTOM TO UNVEIL THE LIMITED-EDITION KIRK HAMMETT RAVEN—A MAJESTIC COUNTERPART TO THE GIBSON HUMMINGBIRD

Once upon a wait so weary, for a Kirk Hammett Gibson acoustic sought so dearly… wait nevermore.

One of the most iconic rock guitarists of our generation, Kirk Hammett—legendary guitarist of the multi-platinum-selling, nine-time GRAMMY® Award-winning band Metallica—continues his long-standing partnership with Gibson. Today, the iconic instrument brand proudly unveils its latest collaboration: a bold new acoustic from Gibson Custom. Kirk Hammett teamed up with the master luthiers at Gibson Custom in Bozeman, Montana, to create the Gibson Custom Kirk Hammett Raven, a majestic counterpart to the legendary Gibson Hummingbird™. The Kirk Hammett Raven is limited to only 100 guitars worldwide—and available at authorized Gibson dealers, Gibson Garage locations, and on www.gibson.com.

While it shares the Hummingbird’s square-shoulder silhouette, Kirk Hammett’s Raven distinguishes itself with a dark, artistic twist on the Hummingbird aesthetic. Crafted with a Sitka spruce top and mahogany back and sides, and supported by traditional scalloped Advanced X-bracing, it delivers the timeless acoustic tone that has captivated musicians and audiences for generations. Its mahogany neck features a comfortable Round profile and is topped with a bound ebony fretboard, complete with 20 frets and mother-of-pearl star inlays. A 16″ radius makes it ideal for fast, expressive playing. Grover® Rotomatic® tuners ensure reliable tuning, while TUSQ® components—including the nut, saddle, and bridge pins—enhance tonal consistency and tuning stability. The headstock showcases the Gibson logo alongside a striking mother-of-pearl raven skull inlay, reinforcing the instrument’s bold identity.

Explore the Kirk Hammett Raven on Gibson.com HERE.

This limited-edition model also pays homage to Gibson’s tradition of wildlife-inspired designs, featuring intricately crafted double pickguards and a raven-themed tailpiece accent. It’s a visual and sonic statement piece. Equipped with an L.R. Baggs™ Element VTC +4 system, the Raven is ready for both stage and studio. The discreet soundhole-mounted volume and tone controls offer easy access without disrupting the guitar’s aesthetics, and the additional 4 dB of output provides extra headroom when needed. Each Raven ships in a black Gibson Custom hardshell guitar case adorned with a matching raven skull graphic and includes a certificate of authenticity and a custom raven-themed strap. Limited to only 100 guitars, each handcrafted in Bozeman, Montana, and personally signed by Kirk Hammett on the soundhole label, this Ebony-finished acoustic is destined to become a collector’s treasure. Availability is extremely limited—secure yours before they vanish into the night.

One of the most influential metal guitarists of all time, Kirk Hammett is the lead guitarist and contributing songwriter in the trailblazing band Metallica. Kirk grew up in California and formed the group Exodus during the birth of the Bay Area thrash metal movement. In 1983, he began his now 40-year career as the lead guitarist in Metallica, selling over 125 million albums and winning multiple GRAMMY® Awards. Kirk’s first Gibson was the legendary 1979 Flying V he used on Metallica’s groundbreaking early studio albums. These days, his number one guitar is “Greeny,” the 1959 Les Paul Standard formerly owned by Peter Green and Gary Moore. Both instruments have been painstakingly recreated by Gibson for a range of tribute models.

Kirk Hammett Raven from Gibson Custom arrives in a black Gibson Custom hardshell guitar case adorned with a matching raven skull graphic, a certificate of authenticity and a custom raven-themed strap.

Donner Mamp2  Two-Channel Stereo Amplifier

Our Score: 2.5 out of 5 Stars

Features:

600 Watt PEAK POWER: Donner stereo receiver provides a 600W peak power (60W × 2 RMS power) and simplified appearance to level up your audio experience. 2 Channels can be independently controlled and support up to 2 groups of 4 speakers with 4 – 8 ohms, and 1 subwoofer

MULTIFUNCTION REMOTE: Without the limitation of a single function, our amplifier home audio comes with an upgraded remote control that can use the setting functions of treble/ midrange/ bass/ echo/Talkover in any input mode

MULTI-INPUT MODES: The audio receiver supports various sound source inputs, including Bluetooth 5.3, USB (up to 64 GB), RCA, 2 mic inputs, AUX IN, and FM radio. In addition, digital Optical and coaxial interfaces have been added to fit most smart TVs, and a Phono input to connect the phonograph

UPGRADED FM FUNCTION: You can quickly select the FM frequency you prefer by entering the numbers, making FM searching more convenient

CUSTOMIZED EQ CONTROL: Both the amplifier and the remote can independently control the treble, midrange, and bass adjustment, so you can set the sound as you like. Donner MAMP2 can automatically save the mode selection, volume, and EQ settings you set, so you don’t need to adjust again after the next startup

DUAL MIC INTERFACES: Equipped with dual 1/4” microphone jacks for your karaoke party. Plus the Talk Over function can lower the background music for clearer sound output in events/ hosting/ speech occasions

Since 2012 Donner has been making affordable, quality instruments and electronic devices for at home and live purposes. The brands latest offering the Donner Mamp2 is a streamlined dual channel, 600 Watt stereo receiver that will instantly take your home theater setup to the next level.

Following in the foots steps of the previously released MAmp5 the Mamp2 features a streamlined user friendly front panel with separate Left and Right channel volumes and a standard EQ section with additional Echo and Mic volume controls. The EQ portion can be customized to the users liking or can be set to one of the units included pre-sets. Also found on the receivers front panel are controls for the bluetooth connectivity along with two mic inputs, one auxiliary input, one usb input and a master volume knob. The Mamp2’s standard digital display is minimally basic however, it does do a decent job  informing users which output the amp is set to (Phono, AM/FM, Blutooth, Line) thanks to its brightness and size.

Tha Mamp2’s back panel also received a complete rework and includes a multiple zone speaker output section allowing for connection of up to four speakers within each of the two channels (zones) and dedicated subwoofer and line out outputs. Also included are connections for an FM antenna and Digital Optical/Coaxial connections. The input section of the Mamp2 includes a dedicated Phono input (a first for the Mamp Line) and a standard Line in. Though I prefer the more robust connection options of the Mamp5 the newly added Phono dedicated line nicely elevates the need for additional pre-amps without sacrificing tone or clarity.

Though we were not dissatisfied with the unit by any means we did find it to have a few short comings when compared to its predecessor. One being the lack of front panel lighting which makes operation in low light settings quite difficult. We also noticed that when the power button on the unit is engaged and then turned off via the remote the amp does not completely turn off. After a few hours of inactivity we noticed a very audible fan hum coming from the receiver despite it clearly being powered off. This occurred several times and the only way to remedy the situation was to depress the front power button leading us to believe using the remote solely to power the unit off and on would not be the best way to operate the receiver.

Donner’s  Mamp2 packs a lot of options in to a small quality unit with a price tag of just $99.99. The unit easily competes with similar units whose prices more than double the cost of the Mamp2. From it’s easy to use interface, ample output power and wide variety of connectivity options those looking for a new home theater receiver will be hard pressed to find another that can compete with the Mamp2. If the basic features weren’t enough to entice you then the added karaoke features (mic inputs and talk over) and the newly added multi-button remote should act as the proverbial icing on the cake as we certainly enjoyed the versatility the receiver brought to our home system.

For more information on Donner and the Mamp2 click here.

To order your own Donner Mamp2 Stereo Amplifier click here.

 

 

 

Morley
TYE TRUJILLO “TRUDRIVE” WAH EFFECTS Pedal

MSRP: $199.99

FEATURES:

Switchless Wah Circuit
Electro-Optical design
built in “Always On” Drive.
Wah Mix control
Drive equipped with Level, Tone and Drive controls.
Premium Buffer circuit
Powered by one 9 volt battery or optional Morley 9V adapter.
Rugged cold-rolled steel housing, LED indication
Works with Guitar, Bass, Keys or any instrument you can plug in

Media Mikes Score: 4.5 out 5 stars

Designed with Tye Trujillo of OTTTO and Suicidal Tendencies, the latest signature offering from Morley has something unique for both guitar and bass players. The TruDrive combines both Wah and Drive functions in to one screaming package that instantly takes your sound and playing to another. Loaded with top notch features like super smooth switchless on/off (just step on to engage and step off to go to bypass) and a multitude of tone shaping options.

This pedalboard friendly Wah (L 6.85″ x W 4.5″ x H 2.5″) was designed with a slight amount of drive built into the circuit giving the TruDrive added presence and an overall more aggressive bite. To further address Tye’s tone needs the pedal comes equipped with an optical sensor which provides a wider tonal pallet than traditional audio taper pots. Also featured on the TruDrive (a First from Morley) a Wah Mix knob which allows users to dial in the exact amount of Wah they want in your signal. This is a really cool feature and one I personally enjoyed but, Thats not all. The TruDrive also features a separate Drive switch allowing for the option of added drive which can be shaped by way of the (Tone, Level, and Drive) knobs further adding the the pedals versatility.

Morley spared no attention to detail as the Trudrive aesthetics seemed to be just as important as the pedals sound. The shiny chrome treadle w/ diamond plate grip sit atop a custom racing blue painted cold-rolled steel that should stand up to even the most rigorous use and abuse. The TruDrive can be powered via a single 9V battery or a 9V adapter (not included) and features dual LED indicators.

Tye and Morley really have hit it out of the park with this collaboration. From its rock solid build and unique overdriven sound to the ample tone shaping options the TruDive checks pretty much all the boxes. An included power-supply would have been a welcomed addition however given all you can do with this pedal its a small ask that can be overlooked. For the more casual player this may look like just another signature wah with a few bells and whistles. I can tell you that couldn’t be further from the truth.

The Morley TruDrive is a well built and great sounding pedal no matter if used with bass or guitar. I have yet to find any other pedal capable of the sounds this pedal can achieve and I can easily say the TruDrive will not be leaving my pedal board anytime soon as its versatility meets all my needs. As a side note looking back at Morley’s history I think its super cool that Tye is adding his mark to the Morley brand (Tye is a fourth generation Bass player in the Metallica lineage of Morley Bass Players. From Cliff Burton to Jason Newstead to Robert Trujillo) and now Tye himself gets to be added to that amazing list of players. My hope this is just the first offering between the two entities and one that we will see grow over the years.

Click Below For Audio Samples

TruDrive w/o Drive (Bass)

Tru Drive w/ Drive (Bass)

TruDrive w/o Drive (Guitar)

TruDrive w/ Drive (Guitar)

 

 

MARK IIC++

THE STORIED MARK IIC++, AVAILABLE FOR THE FIRST TIME AS A LIMITED-EDITION PRODUCTION MODEL

OWN AN ORIGINAL ICON
OUT WORLDWIDE NOW ON MESABOOGIE.COM

NASHVILLE, TN. MESA/Boogie® is the original boutique Home of Tone, handcrafting amplifiers of uncompromising quality from the world’s finest materials in Petaluma, California, USA. Today, with reverence and pride, MESA/Boogie has announced the arrival of the storied Mark IIC++® amplifiers. An extremely limited production, now is your chance to own an original icon. The new MESA/Boogie Mark IIC++ amplifiers are now available worldwide to the public for the first time at authorized MESA/Boogie dealers and on www.mesaboogie.com.

We’re excited to bring a very special first official production run of the Mark IIC++, a very special ‘mod,’ done to a very few Mark IIC+ amplifiers at the request of, first Vivian Campbell, and later after other artists hearing about its added gain and girth,” says Doug West, Director, Tone Lab, Gibson Amplifiers and MESA/Boogie. “Over time this mod that was never an official model, logged a healthy list of A-Level artist recordings and this kept our Chief Tech and IIC+ guru Mike Bendinelli busy for decades doing the mod for musicians who’d heard of the legendary aggression for metal styles and sent their IIC+’s bought used to him for an update. This limited run of 200 very special new production amplifiers gives those who have always dreamed of a C++ a chance to own one without the hefty price tag of a pre-owned 40-year-old original IIC+ and the shipping and labor costs for the update. Not to mention that it’s a solid, reliable, and consistent new build backed by our five-year warranty!”

The iconic Mark IIC+ amps were first developed in 1985 at the request of Vivian Campbell, and later by Kirk Hammett of Metallica, along with other noteworthy artists of the day who eventually heard them, MESA/Boogie made some modifications to a few production Mark IIC+ amps to achieve more gain in the overdrive mode and attain a thicker, heavier gain sound. These “++” designated IICs were created for the select few artists who requested them in the twilight of the C+ lifecycle and were never officially offered as a production model. The veil of time has obscured the exact number; however, it is believed that perhaps 20 or so of these mythical IIC++’s were created during the original mid-1980s IIC+ lifecycle.

In the years that followed, players who heard tales of the blistering tone and were into heavy sounds, sent their C+’s to Tech Guru and archivist at MESA/Boogie, Mike Bendinelli, to have the “++ Mod” performed outside of production time at considerable cost. Now, MESA is excited to announce a limited-edition build of only 200 of these rare amplifiers, in tribute to the music played on them and the era that spawned the great guitarists whose work therein has withstood the test of time and become truly iconic.

This new Mark IIC++ build has increased gain in the preamp, which affects the LEAD Mode only, leaving the CLEAN Mode to produce the same sparkling clean performance as the standard IIC+ production model. The LEAD Mode is thicker sounding in these ++ versions, with enhanced low end and more top end gain, cut, and harmonic layering. Visually, the ++ is identical to the current production IIC+ model offered once again, aside from the ++ notation on the etched panel on the back panel and the IIC++ plaque on the front grille.

Listen/watch Philip Näslund–guitarist for Bruce Dickinson of Iron Maiden’s solo band–try out the Mark IIC++ from MESA/Boogie HERE.

MORLEY INTRODUCES THE TYE TRUJILLO TRUDRIVE WAH
SWITCHLESS WAH WITH DRIVE AND MORE DRIVE

Available July 1 at Finer Morley Dealers

Morley®, makers of Wah pedals, volume pedals, switching devices and audio solutions, is proud to announce the release of the Tye Trujillo TruDrive Wah. Tye is continuing the legacy of Morley Bass Players from Cliff Burton to Jason Newstead to his father Robert Trujillo and now Tye who is currently playing bass with Suicidal Tendencies, while also recording new music with his own band OTTTO.

Tye wanted a switchless Wah that had a built-in “Always On” drive as part of the Wah sound, and a Wah Mix control that lets you dial in the perfect amount of Wah. Additionally, there is a separate Distortion Circuit which allows for anything from a slight overdrive clip, to full on metal distortion, and anything in between. The Distortion is equipped with Level, Drive and Tone controls to let you dial in the right drive for you.

Morley’s Bill Wenzloff adds, “We are very proud to be working with Tye to develop this cool new Wah for the next generation of players. Plus, it’s a bonus that this pedal sounds great with guitar as well as bass.”
Tye also wanted the pedal to look awesome, so he decked it out in race car blue base, chrome treadle with diamond plate treadle grip and glow in the dark toe end logo. Plus, the cold-rolled steel housing makes it built to take the rigors of the road and last for years.

MAP price is $199 and is available now just in time for the summer live music season.

Official release date July 1, 2025. Taking pre-orders now!
FIND MORLEY AUTHORIZED DEALERS HERE:
https://www.morleyproducts.com/online-dealers/

 

Tye Trujillo comments:
“The Trudrive Pedal has a growly tone that no other pedal has”

TYE TRUJILLO TRUDRIVE WAH BUILD INFO

Product Name: TruDrive Wah
Model Code: MTPBA3
UPC Code: 6 64101 00187 0
Inner Pack Dimensions: 7.75” x 4.75” x 2.88”
Inner Pack Weight: 2.25 lbs
Master Pack Quantity: 12 pcs
Master Pack Dimensions: 18” x 10” x 8”
Master Pack Weight: 28 lbs

Product Description:

TYE TRUJILLO TRUDRIVE WAH

Designed with Tye Trujillo of OTTTO and Suicidal Tendencies, this new pedal for guitar or bass combines a Wah and Drive pedal. The Wah is switchless (simply step on to engage and step off to go to bypass) and optical (no more pots to wear out or get scratchy). The Wah was designed to have a slight amount of drive built in which already give the Wah more presence and a little bite. There’s also a Wah Mix knob so you can dial in the amount of Wah you want in the signal (this is a NEW feature never offered before by Morley).
The Drive control comes with Tone, Level, and Drive control knobs to customize the drive circuit any way you see fit, from subtle distortion to full on overdrive growl.

Decked out in racing car blue base and chrome treadle along with a diamond plate treadle grip all give the TruDrive a unique and cool look that will stand out on even the busiest of pedal boards.

Uses one 9V battery or 9V adapter, equipped with LED indication and housed in cold-rolled steel housing for years of use and abuse.

Morley’s mission is to spread the word on Tye Trujillo; a fourth generation Bass player in the Metallica lineage of Morley Bass Players. From Cliff Burton to Jason Newstead to Robert Trujillo and now Tye Trujillo who is currently playing on tour with Suicidal Tendencies and recording new music with his own band OTTTO.

WATCH TYE DEMO THE TRUDRIVE WAH HERE:
https://www.youtube.com/watch?v=qSbycqof36s

GIBSON
LAUNCHES GLOBAL SEARCH FOR MISSING GUITAR FROM THE ICONIC UNIVERSAL PICTURES AND AMBLIN ENTERTAINMENT FILM
‘BACK TO THE FUTURE’

HUNT UNDERWAY FOR THE CHERRY RED GIBSON ES-345 GUITAR PLAYED BY MICHAEL J. FOX
THAT DISAPPEARED FROM THE FILM 40 YEARS AGO

‘LOST TO THE FUTURE’
NEW DOCUMENTARY FILM BEGINS PRODUCTION

Gibson, the iconic and leading instrument brand, has launched a global search for the world-renowned Cherry Red Gibson ES-345™ guitar that Michael J. Fox played in the 1985 hit film from Universal Pictures and Amblin Entertainment, BACK TO THE FUTURE, which became the biggest film of 1985 in the U.S. and the second highest-grossing worldwide.

The stunning guitar was showcased during the beloved film’s unforgettable “Enchantment Under the Sea” school dance scene, a pop culture moment that has inspired many musicians to pick up guitars for the very first time after witnessing the character of Marty McFly (Michael J. Fox) play the legendary song “Johnny B. Goode.” During the making of the 1989 sequel to the film, the filmmakers went to look for the guitar, and it was nowhere to be found. Now, music fans worldwide have the chance to help Gibson find the most important guitar in cinema history.

Fans who have any tips as to the whereabouts of the missing original Cherry Red Gibson ES-345 guitar that Michael J. Fox played in the film BACK TO THE FUTURE can contact Gibson via www.LostToTheFuture.com or call/text 1-855-345-1955.

Watch/share the call-to-action video for the global guitar search featuring Emmy winner Michael J. Fox and his fellow stars of BACK TO THE FUTURE, including Lea Thompson, Emmy® winner Christopher Lloyd, Harry Waters Jr., GRAMMY® winner and Academy® Award nominee Huey Lewis, and more https://youtu.be/m6RdBMtAgSA.

Released on July 3, 1985, BACK THE FUTURE scored an Academy Award® and three additional nominations and launched a franchise that would go on to earn almost $1 billion globally.

Directed by Oscar® winner Robert Zemeckis and written by Zemeckis and Oscar® nominee Bob Gale, BACK THE FUTURE was executive produced by three-time Academy Award® winner Steven Spielberg, eight-time Best Picture nominee Kathleen Kennedy and five-time Best Picture nominee Frank Marshall. The film was produced by Neil Canton and Bob Gale.

From the innovative storytelling and characters to the unforgettable guitar performance of the song “Johnny B. Goode,” the film has left an enduring impact on pop culture and remains one of the most beloved and culturally significant films of all time. The film continues to influence and inspire new generations of fans everywhere with its dynamic special effects, beloved characters, and innovative storytelling.

The discovery of what happened to the film’s Gibson ES-345 would add a critical chapter to the film’s cinematic history.

“Guitar has always been a big part of my life,” says Michael J. Fox. “When we talked about the ‘Enchantment Under The Sea’ scene in Back to the Future, I sat down with the cinematographer and choreographer and said I want to riff through all of my favorite guitarists, like doing Jimi Hendrix behind the head, Pete Townshend doing a windmill, and the Eddie (Van Halen) hammer thing, it was so cool that they were open to that, and we laid it all out there. I’m really happy with the scene because it was an expression of my love for guitar and all the great players. I didn’t realize the influence the scene had on people, John Mayer said, ‘I play guitar because of you,’ and Chris Martin said the same thing, and I am glad they took it further than I did, they went to the trouble of being really good players. I just love the guitar, and I love the movie.”

“Years ago, I was astonished to learn this beloved cinematic artifact had apparently disappeared into the space-time continuum,” says Bob Gale, co-creator/screenwriter/producer of BACK TO THE FUTURE. “Since we don’t have a functioning time machine, this effort is probably our best chance to solve a decades-long mystery.”

“This is one of the most exciting moments at Gibson for me,” says Cesar Gueikian, President & CEO of Gibson. “Back To The Future is one of the most important and significant movies of my life, and the ‘Enchantment Under the Sea’ school dance scene marked me musically in a profound way. Working with Michael J. Fox, Bob Gale and the rest of the Back To The Future team is a dream come true. I hope we find Marty’s Gibson ES-345! To everyone out there who is as passionate as I am about this iconic film, please help us find it!”

“I started searching for this guitar back in 2009 on my first day on the job at Norman’s Rare Guitars,” says Mark Agnesi, Director of Brand Experience at Gibson. “After 16 years of searching, I’m so excited to get the entire guitar community together to help find the guitar that made me, and so many other guitarists of my generation, want to learn to play.”

“Watching Michael J. Fox’s iconic performance of ‘Johnny B. Goode’ during the ‘Enchantment Under the Sea’ dance was a moment that struck a chord with an entire generation of kids, inspiring them to pick up a guitar for the very first time,” adds Todd Harapiak, Gibson Media Director. “Few moments in film have had such a lasting impact on musicians as this scene in Back to the Future, and we’re thrilled to embark on a journey to find this guitar that’s carried the legacy of film and rock history for nearly four decades.”

“This is the movie that made me want to be a filmmaker, and the scene that made me pick up a guitar for the first time,” says Doc Crotzer, Director of the upcoming documentary film LOST TO THE FUTURE. “As children of the ’80s, it is our duty to take fans of music, fans of the movie, and fans of true crime documentaries with us on this too-crazy-to-believe quest to find our generation’s Excalibur.”

In tandem with the worldwide hunt for the missing Gibson ES-345 and to further celebrate the 40th anniversary of BACK TO THE FUTURE this year, Gibson Films has now started production on a new documentary film titled LOST TO THE FUTURE.

The forthcoming documentary LOST TO THE FUTURE from Gibson Films will feature in-depth interviews with BACK TO THE FUTURE cast members Michael J. Fox, Lea Thompson, Christopher Lloyd, and Harry Waters Jr., musician Huey Lewis (“The Power of Love”), and the film’s co-creator/screenwriter/producer Bob Gale, as well as the world-renowned music superstars that have been inspired by the film over the decades. In the quest to find the elusive original Gibson ES-345 guitar, documentary Director Doc Crotzer (Roadhouse, Glee), alongside Mark Agnesi (Director of Brand Experience at Gibson), will guide viewers in the global hunt for this legendary instrument from long-forgotten film prop warehouses, fascinating vintage guitar shops, auction houses, and shadowy back alleys. The LOST TO THE FUTURE documentary will transport viewers back to 1985 to celebrate the music, culture, and defining moments of the era through a rich collection of archival photos, stories, film clips, and iconic songs.

LOST TO THE FUTURE is produced by Gibson Films and directed by Doc Crotzer.

Above: A close-up view of Michael J. Fox playing the iconic Gibson ES-345 during the “Enchantment Under the Sea” scene of the film BACK TO THE FUTURE. Today, Gibson and the filmmakers launched a worldwide hunt for the original Gibson ES-345 used in the film and announced the forthcoming documentary Lost To The Future.

Donner Acoustic Guitar “APL” Multi Effects Pedal

Features:

• 6 IR Body Simulations: Quickly switch between classic acoustic tones.
• 8 Effects Mod: Enhance your sound with a variety of effects.
• OTG Outputs: Capture high-fidelity audio directly to your device.
• Loop Recording: 8-minute loop for creative layering.
• Auto Notch: Prevent feedback with automatic frequency sweep.
• Tuner: Accurate tuning with Bypass or Mute options.

Our Score: 4 out of 5 Stars

From the bedroom to the stage Donner’s “APL Multi Effects Pedal” has everything you need to elevate your acoustic instrumentation to the next level. At first glance the “APL” looks like just another compact all in one floor unit however, after further inspection we found that underneath the brightly colored heavy duty housing was a smorgasbord of options that other pedals in this price range don’t even come close to offering.

Effects wise you get 8 classic effects including chorus, tremolo, phase, overdrive, echo, hall reverb, plate reverb and delay & reverb. Each effect has its own set of parameters which users can adjust to their individual liking via an easy to use multi-knob. Also available are 8 dedicated parameters knobs which control bass, mid, treble, compression, gain, mix, impact and range. Having these dedicated knobs certain made dialing in sounds a breeze however it did take a minute or two to figure out that the impact and range knobs actually work in conjunction with the effects select knob allowing you to control your effects levels via those two knobs. Users also have access to onboard tuner by simply holding down the left toggle switch.

If you have ever played an acoustic instrument in an amplified setting then you know how difficult it can be to control feedback. Thanks to the APL’s Automatic notch & Anti-howling feature you can quickly eliminate or reduce specific frequencies helping you have a more stable performance with just the push of a button. Even at lower volumes where feedback wasn’t as much of an issue this was a welcomed addition to the unit.

The “APL” right toggle button controls the looper which is capable of 8-minutes of recording time along with an infinite amount of overlay tracks and thanks to the units USB connectivity loops can be easily exported to a computer via USB for secondary editing and creation. I really enjoyed this feature as it made the recording and transferring of riffs quick and easy and eliminated the need for additional equipment. The “APL” has a variety of interfaces, including TRS, AUX, OTG, PHONE, which can be connected to mobile devices, speakers, headphones, etc furthering the units versatility.

If all that wasn’t enough Donner also chose to include IR Modeler. This was probably my favorite feature of this whole things as the modeler allows you to replicate practically any guitar body out there. All the favorites are from Taylor, Martin and Gibson come pre-programmed and many others can be downloaded and emulated giving your guitar even more tonal capabilities.

If you have been looking for an all in one multi-unit and interface then look no further than the Donner “APL”. From its sturdy build quality and bright led display screen to its robust tonal features and a multitude of connectivity options you will be hard pressed to find another unit of this quality. With an MSRP of just $218.99 you get a lot of bang for your buck. Though I would have liked to have seen a few more controllable effects and parameters the units overall ease of use and build quality far out weighed this minute short coming.

To order your own Donner APL Multi Effect Unit click here.

Rockers Steel Panther Return with Newest Distortion Guitar Pedal – Platinum Pocket Pu**y Melter – Now Available for Order at www.steelpanther.com

TV Spot Showing the Power of the Pedal Can Be Seen Here

Band Launches International Search for All Heavy Metal Hoes to be
Pole Dancers on Upcoming Canadian and Future Tours

Co-Headline Dates with Buckcherry Kick Off April 11th

Emerging from their musical workshop after perfecting their latest piece of pleasure-inducing musical equipment, Steel Panther is back with their fifth guitar pedal the Platinum Pocket Pu**y Melter – a modern-day reimagining of the pedal that started it all for them. The new pedal joins the list of industry redefining effects stomp boxes: the Pu**y Melter, the Poontang Boomerang, the Butthole Burner and the 1987. Also known as the P3M, the new pedal carries all the power of the original version in a new design that will fit inside any pants pocket or spandex bulge. The 3 tone knob controls will help guitarists perfect their tone with full control of their Loads, Sizzle, and Bootie. The pedal has been road tested by some of the biggest names in the gear industry. The Platinum Pocket Pu**y Melter is priced at $139.99 for unparalleled ecstasy and is now available for order at: www.steelpanther.com.

All new TV spot for the latest pedal can be seen here.

The altruistic nature of Steel Panther continues to show itself as the band recently announced an international talent search for all heavy metal hoes who would like to be pole dancers on the band’s upcoming tour. The band will be bringing custom poles to their upcoming headline tour and interested strippers, dancers and Zumba instructors can go to https://steelpanther.com/pages/dance-with-panther to apply to dance on stage with the band during an upcoming performance. The band’s deep love for mothers paying for dental school goes all the way back to their debut album Feel The Steel when they chronicled that love in the now legendary classic, “Stripper Girl.” World renowned California dancer Cleo the Hurricane will review the submissions and choose the best girls to ride Panther’s poles in select markets.

Steel Panther recently announced their upcoming co-headline tour with their pals in Buckcherry for The Northern Exposure Tour throughout the Great White North. The 25-city tour kicks off in the United States on April 11 in Redding, CA at the Civic Center before crossing the border into Canada and runs for 5 weeks before it wraps up back in the U.S. on May 18 in North Towanda, NY at the Riviera Theatre. Along the way, the tour will make stops in Edmonton, AB (April 18), Regina, SK (April 29), Montreal, QC (May 6), and Quebec City, QC (May 14) to name a few markets from our Northern neighbors. Rocker Kurt Diemer has been tapped as the opener on The Northern Exposure Tour. More Information on tickets and VIP packages for all upcoming tour dates can be found at the band’s website:https://steelpanther.com/pages/tour.

Steel Panther 2024 – L to R: Stix Zadinia (Drums), Michael Starr (Vocals), Satchel (Guitars), Spyder (Bass) Photo Credit: David Jackson

The Northern Exposure Tour Dates:

Fri Apr 11 – Redding, CA – Redding Civic Auditorium
Sat Apr 12 – Reno, NV – Grand Theatre at Grand Sierra Resort *
Sun Apr 13 – Bend, OR – Midtown
Tue Apr 15 – Coquitlam, BC – Great Canadian Casino Vancouver
Wed Apr 16 – Penticton, BC – Penticton Trade and Convention Centre
Fri Apr 18 – Edmonton, AB – Midway Music Hall
Sat Apr 19 – Ft. McMurray, AB – CNOOC Field House at MacDonald Island Park
Tue Apr 22 – Cranbrook, BC – Western Financial Place
Wed Apr 23 – Calgary, AB – Event Centre at Grey Eagle Resort & Casino
Fri Apr 25 – Red Deer, AB – Bo’s Bar *
Sat Apr 26 – Bonnyville, AB – Bonnyville & District Centennial Centre
Mon Apr 28 – Winnipeg, MB – Club Regent Event Centre
Tue Apr 29 – Regina, SK – Conexus Arts Centre

Wed Apr 30 – Saskatoon, SK – TCU Place
Fri May 2 – Thunder Bay, ON – NV Music Hall
Sun May 4 – Sudbury, ON – The Grand
Mon May 5 – Hamilton, ON – Hamilton Place Theatre
Tue May 6 – Montreal, QC – MTELUS
Wed May 7 – Pickering, ON – Pickering Casino Resort
Fri May 9 – London, ON – London Music Hall
Sat May 10 – Waterloo, ON – Maxwell’s Concerts & Events
Mon May 12 – Halifax, NS – Light House Arts Centre
Tue May 13 – Moncton, NB – The Molson Canadian Centre at Casino New Brunswick
Wed May 14 – Quebec City, QC – Théâtre Capitole
Fri May 16 – Ottawa, ON – The Bronson
Sat May 17 – Waterloo, NY – The Vine Showroom at del Lago Casino ^
Sun May 18 – North Tonawanda, NY – Riviera Theatre

* Steel Panther Only
^ No Kurt Diemer

Marshall Announces Exciting New Launches at NAMM: Modified Series, Studio 900 Series and Overdrive Pedals Collection– Three New Ways to Rock with Iconic Sound

22nd January 2025 – Marshall makes a powerful return to NAMM with the launch of three exciting new products — Modified Series, Studio 900 and Overdrive Pedals — all inspired by Marshall’s iconic amplifier heritage and rock ‘n’ roll legacy. The new releases promise to elevate the sound of guitarists worldwide.

Marshall, the name synonymous with legendary rock ‘n’ roll sound, has returned to NAMM (National Association of Music Merchants) tradeshow with three exciting new product launches: Modified Series, Studio 900, and Overdrive Pedals. Drawing inspiration from the brand’s iconic amplifier heritage, these new offerings bring contemporary advancements to the timeless tones that have shaped music for decades.

The Modified, Studio 900, and Overdrive Pedals ranges each offer unique features and enhancements to meet the demands of today’s guitarists, while staying true to Marshall’s rich rock history. These launches bring the classic Marshall sound into more accessible formats, offering new ways to play and explore the legendary tones that have defined genres from the 60s to the present day.

This trio of new products marks an exciting return for Marshall at NAMM, offering guitarists worldwide the opportunity to experience a new chapter in the brand’s storied legacy.

“Marshall’s legacy is built on a constant drive to innovate while staying true to the sound that has made us the choice of guitarists for decades,” says Steph Carter, Marshall’s Director of Culture Marketing. “These new products represent the next chapter of that legacy—honoring our rich heritage while offering musicians even more ways to shape their sound. We’re excited to see how these products inspire musicians and continue to be a vital part of their musical journeys for years to come.”

Steve Smith, Product Expert MI at Marshall, adds, “Our mission has always been to give players more control and flexibility while staying true to our roots. We’ve been modifying amps for our artists for decades. The Modified Series, Studio 900 and Pedals bring that same approach to a wider audience—innovative tools that provide the unmistakable Marshall sound, no matter where you are. We can’t wait for guitarists to experience the power of these new products and push their creativity further.”

MODIFIED: AMPLIFYING LEGENDS

The Modified series — featuring the JCM800 Modified and 1959 Modified — marks a bold new chapter for Marshall, as it introduces factory-modified versions of two of the brand’s most iconic amplifiers for the first time ever, all meticulously crafted at Marshall’s Milton Keynes, UK factory.

For decades, Marshall has been modifying amps for their artists, and now they’re excited to offer fans the opportunity to own these specially modified Marshalls. This innovative move reimagines the legendary JCM800 and 1959 models with modern enhancements, offering guitarists unprecedented versatility and capabilities beyond what the originals could achieve. Marshall modifications have always been about achieving “more” — more distortion, more sustain, a bigger sound. At times, they focused on enhancing versatility, allowing musicians to capture sweeter tones or unlock the full potential of their Marshall heads without needing to reach ear-splitting volumes.

In developing the Modified series, Marshall listened closely to its customers and the feedback from musicians around the world. By responding to their evolving needs and preferences, Marshall has created a product that addresses the demands of modern players while maintaining the soul of the classic Marshall sound.

Marshall’s history has long been defined by modification — from the early days of the JTM45, when the company first began customizing amps to meet the demands of artists seeking more power and clarity, to the introduction of the ‘Master Volume’ models in the mid-70s, which responded to changing live and studio needs. For decades, the spirit of modification has thrived, with musicians around the world working with local techs to push their Marshalls to new extremes. With the Modified series, Marshall takes this tradition to an exciting new level, offering players the ultimate factory-modified amps that capture both the legacy and the future of rock.

The 1959 Modified provides overdrive at manageable volumes, while the JCM800 Modified delivers heavier distortion with a tighter sound, ideal for rock and metal. Both amps retain their legendary dynamics but offer expanded capabilities that bring them in line with the needs of today’s musicians. These amps honor Marshall’s tradition of innovation and modification, allowing players to explore new sonic territories.

“The Modified range expands on the flexibility of two of the most iconic Marshall designs, the 1959 (1959MS) and the JCM800 (2203MS). The 1959 (1959MS) gains the ability to give powerful overdriven sounds at manageable volume levels and sweeter clean sounds, whilst the JCM800 (2203MS) is made capable of providing heavier distortion and a tighter sound, without compromising how well the amp handles playing dynamics.” says Jon Magill, Director R&D Amplifiers.

STUDIO 900: COMPACT AND ICONIC

The Studio 900 series, including the Studio 900 Head and Studio 900 Combo, brings the iconic JCM900 sound into a smaller, more practical design. Originally released in the ‘90s, the JCM900 became a favorite of bands across genres like indie, rock, punk, and metal, and artists such as Zach Blair & Tim Mcllrath (Rise Against), Billie Joe Armstrong (Green Day), Dave Navarro, John 5 and Noel Gallagher.

Now, the Studio 900 delivers that same legendary tone in a compact, gig-friendly form. With features like switchable channels, real spring reverb, and power attenuation with three levels, the Studio 900 offers unparalleled versatility. It’s perfect for home studios, smaller venues, or situations where precise volume control and adaptability are needed. This addition to the Studio range makes the legendary JCM900 accessible to modern musicians looking for flexibility, portability, and, of course, classic Marshall sound.

“Bringing the JCM900 (4100) into the Studio form factor has allowed us to create an amp which was so pivotal to the sound of so many 90s rock bands into a format suitable for home use or for easy transportation to gigs. Introducing a third, even lower, power level to the attenuation control (where the other Studio models only have two) allows the amp to keep giving great sounds even at bedroom levels.” Says Jon Magill, Director R&D Amplifiers.

OVERDRIVE PEDALS: THE MARSHALL SOUND IN A COMPACT FORM

The Overdrive Pedals Collection takes Marshall’s most iconic amps — the 1959, DSL, JCM800, JCM900, and JVM — and recreates their legendary tones in a compact, pedalboard-friendly format. Each pedal faithfully captures the essence of its respective amplifier, offering the same iconic Marshall sound in a more portable and accessible form. Crafted with analog circuitry, true bypass, and the high-quality construction Marshall is renowned for, these pedals bring the power and versatility of classic Marshall amps to any stage or practice session. Whether you’re after the vintage warmth of the 1959 Pedal, the signature crunch of the JCM800, or the high-gain roar of the JCM900, the Marshall Pedal Collection delivers the legendary Marshall tone wherever you play.

“These pedals bring the sounds of some of the great Marshall amps of history onto the pedalboard, recreating the sonic character of the amps and enhancing functionality on some to meet the needs of players.” says Jon Magill, Director R&D Amplifiers.

The Studio 900 and Pedal collections are now available at select retailers and the Pedal collection is now also available on Marshall.com. The Modified series will be available in Q3 at select retailers, with pre-orders open from today.

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Retail Prices:

1959 Modified JCM800 Modified Studio 900 Head Studio 900 Combo Pedals Collection

US 3699 USD 3299 USD 1299 USD 1499 USD 149 USD
EU 3599 EUR 3199 EUR 1299 EUR 1499 EUR 139 EUR
UK 2999 GBP 2699 GBP 1099 GBP 1199 GBP 119 GBP
SE 39999 SEK 35999 SEK 14499 SEK 15999 SEK 1599 SEK

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KEY FEATURES & TECHNICAL SPECIFICATIONS

Modified Series
Key Features:

JCM800 Modified and 1959 Modified amps for modern versatility
More distortion, sustain, and tonal flexibility
Ideal for rock, metal, and other high-energy genres
Technical Specifications:

1959 Modified: Overdriven tones at manageable volumes
JCM800 Modified: Heavier distortion and tighter sound
Available in 100W configurations
Studio 900
Key Features:

Compact versions of the JCM900, delivering the classic ‘90s sound
Switchable channels and real spring reverb for added versatility
Attenuation control with three settings for flexibility
Perfect for home studios, gigs, and smaller venues
Technical Specifications:

Available as Head or Combo models
Power attenuation with three settings (20W/10W/5W)
Spring reverb and two channels
Overdrive Pedals Collection
Key Features:

Compact, all-analog, true-bypass design
Each pedal modeled after Marshall’s iconic amplifiers
Durable, high-quality construction with a premium feel
Technical Specifications:

1959 Pedal: Warm rock tones from the late ’60s and ’70s
DSL Pedal: Classic British overdrive tones
JCM800 Pedal: Heavy distortion for rock and metal
JCM900 Pedal: High-gain, versatile sound for modern rock
JVM Pedal: Multiple tonal options in one pedal

Bruce Kulick and AXN Guitars Team Up for a Boutique Guitar Line

Throwback Guitars Carrying the Name of Former KISS Guitarist, “Kulick Guitars”

Photo Credit Simon Diez.

“In the past five years, I’ve seen a revival of my Kiss era… I’m always flattered that it’s not just the music that moved them – the guitars I played also matter”: Bruce Kulick is launching a custom ’80s-style guitar line that pays homage to his Kiss days
By Andrew Daly” – as featured in Guitar World Magazine

Hard rock and heavy metal legend Bruce Kulick and “The Sensei of Vintage 1980s Guitars,” Johnny DiFatta of AXN Guitars have announced a special collaboration to engineer boutique guitars under a new banner, Kulick Guitars.

“Meeting Johnny from AXN ignited my love of M-1 guitars from the 1980s. This collaboration will help me create boutique quality guitars worthy of my name on the headstock.” – Bruce Kulick

Bruce Kulick, you know the name… 12 years, 8 albums with rock ‘n roll icons KISS. The Asylum and Revenge records carrying his credits are considered indispensable. 23 years a member of Grand Funk Railroad. Trusted sidearm to Meat Loaf, Billy Squier, Union, Avantasia, Lordi and Michael Bolton.

Guitar luthier and ESP aficionado, Johnny DiFatta from AXN Guitars is recreating the glitter, the glam and the grunge of a short-lived period of time in rock n’roll history. AXN Guitars, a brand name carrying its own weight.

If you’ve caught recent shows by The Bruce Kulick Band, you may have been treated to the sight of Kulick wielding an ESP-styled guitar faced with a recall of his Asylum album era. Consider Kulick’s AXN-backed Asylum boutique guitar a tribute and a mission statement. Retro elegance. Arena-heralding flair.

Watch “AXN Guitars – Manufacturing Specifications” video here:

Remember heavy metal in The Big Eighties? The larger-than-life stages. Pyrotechnics, awesome light shows, fire and more fire. Decibels so loud you felt the vibrations in your bones a week after the show. The image and the glitz and awesome custom-built instruments with graphics. These are guitars made famous by the MTV era of the 1980s.

AXN Guitars founder and luthier Johnny DiFatta wants to keep the spirit alive. Joining him in this preservation effort is former KISS and Grand Funk Railroad guitarist, Bruce Kulick. Together, they’re bringing you Kulick boutique handmade Guitars.

“Bruce reached out because we liked the same things, and we started talking about the guitars he used during his era of KISS,” Johnny explains as the foundation to their future collaboration. “We went over the early 1980s ESP catalogs of guitars Bruce played and used live at that time.” DiFatta adds, “ESP Guitars were one of my two main influences as a guitar manufacturer with the other being early Charvel Guitars.”

KISS’ Asylum will turn 40 years old next year, and with it marking the recording debut of Bruce Kulick with the Rock ‘n Roll Hall of Famers. Asylum served as a linchpin toward fostering a retro homage project starting in 2020.

Johnny reflects, “The ESP Bruce played live in the early KISS days was his 1985 ESP M-1 with a Flip-Flop paint job. It’s the same guitar that is hanging in the Hard Rock Cafe in London England right next to Eric Clapton’s Stratocaster today. So I went on to manufacture and produce a replica of that M-1 ESP but it had a chunkier neck on it. We applied some guitar math and used a caliper tool to examine his favorite ESP guitars. I instructed Bruce on how to calibrate the thickness of a guitar neck. Bruce settled on a slightly thinner neck profile that was very 1980s-ish with an R2 nut. Now Bruce has that tribute guitar and uses it live.”

To depict his own take of the memorable Beatlesque headshots on the Asylum album cover, Johnny spins his art process:

“Bruce said it would be great if we could do a guitar with his face on it from the Asylum cover. I said that was doable and I was already making AXN custom guitars with artwork on them. So I took photos of a guitar without any artwork on it. Since I’m also an artist, I went into Photoshop and designed the guitar. I also went and bought the biggest poster I could find of the Asylum artwork, and I photographed just his face and did a lot of cool stuff with it. I had to move some of the paint splatters around the pickups, the bridges and the neck and move Bruce’s face around until the symmetry was there.”

The result became a tribute guitar. The gorgeous mockup blossomed into a further collaborative effort by two “guitar geeks.”

“Bruce wants to offer boutique guitars,” Johnny relays. “His fans are constantly asking Bruce for more guitars that celebrates his KISS era. We started talking about the woods, the hardware, all the specifications, and the pickups. Everything that is involved in the process of making guitars. Bruce showed an interest in learning more about what makes a guitar truly great. He was intrigued by my knowledge since I’m a luthier and I’m a guitar player and I used to be in a working band.”

Some of the features a Kulick guitar will offer are locking bridges, a single humbucker and a non-reversed headstock carrying the Kulick logo on the front, and the AXN logo on the back. It’s handcrafted and “period correct,” as Johnny boldly asserts.
Retro done not only right, but major league 1980s throw-back guitars.

About Bruce Kulick and AXN Guitars:
Time will only be kinder to the esteemed name, Bruce Kulick, and his contributions. Not only to KISS, but rock n’ roll at large. Johnny DiFatta of AXN Guitars essentially started manufacturing guitars in 2018 and even then AXNs were considered high pedigree. Today, he is well-known throughout the world for AXN Guitars and as the most notable vintage ESP and Charvel historian in the United States.

As “The Sensei of Vintage 1980s Guitars” and someone who knows Eddie Van Halen’s Kramer/ESP guitars inside and out, Johnny usually owns up to 200 guitars at any one given time and he has sold over 1,400 vintage guitars online. The ESP-influenced master craftsman has his sneakers planted firmly in the Eighties, thus it’s nothing less than fate Johnny and Bruce Kulick were destined to join forces.

“I’m excited that Bruce and I have been able to examine and discover the technical details of the guitars he used during his KISS era,” Johnny glows about their partnership. “Because Bruce and I have been working together for the past four years, I have incorporated many of his suggestions into my AXN Guitars.”
In summation of this growing Kulick-AXN endeavor, Johnny notes, “This isn’t about money so much as it is the demand of the fans because Bruce and I totally love these guitars. I’m a KISS fan first and foremost, yet it’s also about our crazy obsession with era-correct guitars of the Eighties.”

For more information on Bruce Kulick and AXN Guitars, please visit:

Bruce Kulick’s website: BruceKulick.com-The Official Bruce Kulick Website
AXN Guitars: AXN™ Guitars (alienxnation.com)

EVH® ANNOUNCES THE LAUNCH OF NEW SA-126 AVAILABLE IN MAY

EVH® is proud to announce the debut of the SA-126 model.

The SA-126, Wolfgang Van Halen’s signature guitar is the result of a 3-year collaborative development process between Wolfgang, Matt Bruck, and EVH’s Masterbuilder Chip Ellis. With this release, Wolfgang and EVH® carry forward the more than 30-year brand legacy of innovation and top-quality standards into the future with a unique hybrid of classic and

high-performance design and features. The end result is a guitar that is unique in its vision and tonal fingerprint.

“The SA-126 was born out of necessity for finding my own sound,” said Wolfgang Van Halen. “ I wanted to do my own thing and that’s how I gravitated towards semi-hollow bodies and how it became my core sound. The goal was to put together a guitar that didn’t exist yet, which merged the beauty and wonderful warm tones of a classic semi-hollow guitar but with the performance style and neck that EVH gear is known for.”

Crash-tested for over 2 years by Wolfgang on tour with his band Mammoth WVH, this hot rodded semi-hollow instrument projects a beautiful and detailed aesthetic while producing a super wide spectrum of tones from articulate cleans, to burning leads to brutal chugging chordal rhythms. It creates a new categorization for electric guitar and is characterized by its limitless nature.

Featuring a set of custom wound bridge and neck pickups – meticulously crafted exclusively by Fender’s resident and legendary pickup designer, Tim Shaw, in collaboration with the EVH® team – the development was exhaustive. What came from that attention to detail is the perfect, unique voicing the instrument needed to provide such a wide range of versatility and tones.

The SA-126 also features a Mahogany body with a basswood centerblock for tone, along with a capped maple top on solid finishes and quilt maple top on translucent finishes with 5-ply body binding. The mahogany neck features a 22-fret 12″- 16″ compound Ebony fingerboard, jumbo frets and triple block inlays, providing a modern-classic feel that is both familiar and comfortable. Its 24 and three-quarters scale length adds to the overall playability. To facilitate easy adjustments on the fly, a spoke wheel truss rod adjustment is conveniently located at the butt end of the neck.

“Unveiling the SA-126 on this significant day is a testament to the future we’re forging at EVH Gear,” said Jon Romanowski, VP Category Management, EVH® Gear. “I’m incredibly proud of Wolfgang and the team for their dedication to pushing boundaries and shaping the brand’s next chapter with innovation and artistry.”

Introducing the All-New EVH SA-126 Demo Video HERE.

Players and fans can sign up at evhgear.com/sa-126 to be notified when the SA-126 hits their EVH® Authorized Dealer.

For technical specs, additional information on new EVH products and to find a retail partner near players, visit www.evhgear.com. Join the conversation on social media by following @EVHGear on Instagram and YouTube.
# # #

SA-126 Special ($1,799.99 USD, £1,449.00 GBP, €1,649.00 EUR, $2,999.00 AUD, ¥319,000 JPY) Featuring a chambered Mahogany body, with a basswood Centerblock added for stability and tone. Capped with a maple top on solid finishes and flame maple top on translucent finishes w/ 5 ply body binding, this thing emits “TONE”. The neck is a 22 fret 12”-16” compound Ebony fingerboard with jumbo frets and triple block inlays on a graphite reinforced mahogany neck. With a scale length of 24 and three quarters, this feels like a modern – classic that is familiar and comfortable. Finally, a spoke wheel truss rod adjustment at the butt end of the neck for easy adjustments, on the fly. Introducing the EVH® SA-126 bridge and neck pickups created by Fender’s resident pickup designer Tim Shaw and the EVH® team, they can handle just about anything you feed them. From the elegant sound of cascading-glassy cleans to a heavy bath of Overdrive to “Burn” that will satisfy the most discerning “gainiac”. Three-way toggle at the upper horn to switch between bridge, bridge and neck, and neck pickups as well as two volumes and two tones to control each. Other features include a Harmonica bridge and stop bar tailpiece, oversized strap buttons, and keystone tuning pegs. The SA-126 is offered in Matte Army Drab and Stealth Black

FEATURED SPECS:
● Chambered mahogany body with a basswood centerblock
● Bolt-on Mahogany neck with scarf joint, EVH® Modified “C” Neck Shape
● Ebony, 12”-16” Compound Radius 22 Jumbo fret fingerboard
● NEW EVH® SA-126 Humbucking Pickups (Bridge and Neck)
● SA-126 Hardshell case wrapped in Ivory vinyl with a blue crushed velvet interior

SA-126 Special, Quilted Maple ($1,899.99 USD, £1,499.00 GBP, €1,699.00 EUR, $3,199.00 AUD, ¥341,000 JPY) Featuring a chambered Mahogany body, with a basswood Centerblock added for stability and tone. Capped with a quilt maple top w/ 5 ply body binding, this thing emits “TONE”. The neck is a 22 fret 12”-16” compound Ebony fingerboard with jumbo frets and triple block inlays on a graphite reinforced mahogany neck. With a scale length of 24 and three quarters, this feels like a modern – classic that is familiar and comfortable. Finally, a spoke wheel truss rod adjustment at the butt end of the neck for easy adjustments, on the fly. Introducing the EVH® SA-126 bridge and neck pickups created by Fender’s resident pickup designer Tim Shaw and the EVH® team, they can handle just about anything you feed them. From the elegant sound of cascading-glassy cleans to a heavy bath of Overdrive to “Burn” that will satisfy the most discerning “gainiac”. Three-way toggle at the upper horn to switch between bridge, bridge and neck, and neck pickups as well as two volumes and two tones to control each. Other features include a Harmonica bridge and stop bar tailpiece, oversized strap buttons, and keystone tuning pegs. The SA-126 Quilted Maple is offered in Transparent Purple and Tobacco Sunburst.

FEATURED SPECS:
● Chambered mahogany body with a basswood centerblock
● Bolt-on Mahogany neck with scarf joint, EVH® Modified “C” Neck Shape
● Ebony, 12”-16” Compound Radius 22 Jumbo fret fingerboard
● NEW EVH® SA-126 Humbucking Pickups (Bridge and Neck)
● SA-126 Hardshell case wrapped in Ivory vinyl with a blue crushed velvet interior

ABOUT EVH®:
Two of the most important and recognizable names in rock ‘n’ roll joined forces in 2005 to develop the EVH® brand of guitars, amplifiers and musical products. Guitar icon and virtuoso Eddie Van Halen combined his unparalleled instinct and innovation in instrument and amp design with the expertise of the craftsmen and engineers at Fender to create a line of high quality, durable instruments that epitomize the sound of rock ‘n’ roll. The result is an arsenal of super powerful guitars and amps that remain unmatched in sound and form and guitars that embody speed, style and emotion. Today, Fender honor’s the legacy of the legendary guitarist through exceptional offerings that embody the spirit of innovation and musical excellence that defined his illustrious career. Guided by Eddie’s son, Wolfgang Van Halen, the brand is embarking on a bold direction that seamlessly merges tradition and forward-looking innovation, paying tribute to his father’s influence while forging a path of its own. EVH® is a licensed brand under Fender Musical Instruments Corporation (FMIC) and their work together has provided musicians everywhere with the foundation to emulate one of the world’s best guitarists while also recruiting some of the biggest names in music whose inventive playing styles honor the legacy of Eddie Van Halen. For more information, visit www.evhgear.com. Join the conversation on social media by @EVHGear on Instagram and YouTube.

Gibson Custom Shop:

Kirk Hammett 1989 Les Paul Custom

An Artfully Recreated and Murphy Lab Aged Version of the Metallica Icon’s Versatile Les Paul Custom,
Available Worldwide on Gibson.com

Gibson Custom Shop is the pinnacle of craftsmanship, quality, and sound excellence. Each instrument celebrates Gibson’s legacy through accuracy, authenticity, and attention to detail.

For 130 years, Gibson has shaped sound across generations and genres of music, becoming one of the most relevant, played, and loved guitar brands around the world. Gibson Custom Shop is proud to unveil its next global release in partnership with Kirk Hammett, legendary guitarist of the multi-platinum-selling and GRAMMY® Award-winning band, Metallica. The Gibson 1989 Kirk Hammett Les Paul Custom is available worldwide at authorized, premium Gibson Custom Shop dealers and on www.gibson.com.

“This black 1989 Les Paul Custom is actually the first Les Paul I ever played live on stage and on tour,” says Kirk Hammett. “I got it when we were on the …And Justice For All tour, specifically for “Fade To Black” because I really wanted that big, fat, creamy Les Paul sound for the intro. I loved how fast the neck was and after my tech modified a bunch of the hardware, making it ‘none more black,’ it ended up being a great live metal guitar. It’s a very dependable and reliable guitar, and I’ve used it for decades. I hope you all will enjoy it as much as I did!”

Above: the Kirk Hammett 1989 Les Paul Custom.

To fans of metal, Kirk Hammett needs no introduction. Longtime fans will also no doubt be familiar with his “blacked-out” 1989 Gibson Les Paul Custom, which he has used on numerous Metallica albums and tours. Now the Gibson Custom Shop has recreated this renowned guitar in exquisite detail. Like the original, the Kirk Hammett 1989 Les Paul Custom features all-black hardware, and per Kirk’s wishes, it comes equipped with uncovered-Type pickups, along with a Fishman Powerbridge piezo bridge pickup system with a Fishman Powership preamp and volume control that bring simulated full-bodied acoustic tone to this versatile Les Paul Custom. Artfully aged by the Murphy Lab to match the look and feel of Kirk’s original 1989 Les Paul Custom, it is a fitting tribute to a metal guitar master and one of his favorite instruments.

Explore the Gibson Kirk Hammett 1989 Les Paul Custom HERE.

One of the most iconic rock guitarists of our generation, Kirk Hammett has been the lead guitarist and a contributing songwriter for Metallica since 1983. Before joining Metallica, he formed and named the metal band Exodus. For a deep dive into his music influences, the early days in the San Francisco metal scene, and his 37 years as the lead guitarist of Metallica, watch Gibson TV’s “Icons” series interview with Kirk Hammett. This episode of “Icons” features archival and never-before-seen photos of Metallica, with Kirk talking about touring history and personal stories about recording the group’s pivotal albums, including Kill’em All, Ride The Lightning, Master of Puppets, …And Justice For All, and The Black Album; watch and share Gibson TV’s “Icons” featuring Kirk Hammett, HERE.

Epiphone: Rex Brown Thunderbird Bass,
Available Worldwide on Epiphone.com

Acclaimed Multi-instrumentalist, Solo-Artist, and Member of Pantera Partners with Epiphone for Signature Thunderbird Bass

Above: Rex Brown performing with his Epiphone Thunderbird Bass.

The First Epiphone Signature Guitar From Legendary Bassist Rex Brown.

For over 150 years, Epiphone has been a leading innovator in instrument design. By leveraging its iconic past and leaning into the future, Epiphone has set the stage for the next era of sound for present and future generations. Epiphone is proud to unveil the latest addition to its collection of bass guitars and its first collaboration with Rex Brown, the Epiphone Rex Brown Thunderbird Bass. The acclaimed multi-instrumentalist, solo-artist, and member of Pantera and Down, Rex worked closely with Epiphone luthiers to create the Thunderbird bass that can fulfill any level of a player’s ability. A striking new Bass model in Ebony with Gold accents, the Epiphone Rex Brown Thunderbird Bass is available now at select global dealers and on www.epiphone.com.

“Sometimes, it’s not about the price, but the quality, and Epiphone has some of the coolest bass designs ever made, IMO,” says Rex Brown. “I’ve had Thunderbird’s as long as I can remember! There is nothing cooler looking than a TBird… All my favorite bass players growing up have played them!! From Tom Hamilton to Pete Way, these fckr’s Rule, you fool…” Rex adds, “I worked really hard with the Epiphone guys, to design something that has never been done before! The pick-ups were made by Richard Aker, who has been with Gibson for 40+ years. We put the same thumpers that were in the ‘76 Anniversary T-Birds, passive & deadly!”

Multi-instrumentalist Rex Brown is famous for his work with legendary metal bands Pantera and Down and his hard-rocking solo album, Smoke on This… Epiphone is proud to release the first Epiphone Rex Brown signature guitar in partnership with the legendary musician. The Epiphone Rex Brown Thunderbird Bass features a 9-ply neck-through-body mahogany and walnut neck with a C-shape profile, mahogany body wings, and a standard 34” scale length. It is powered by a pair of Epiphone ProBucker™ 760 bass pickups, which feature nickel covers that complement the otherwise all-gold hardware. The passive electronics have two volume controls and a master tone control that feature smooth CTS® potentiometers. The gold pickguard bears the famous Thunderbird logo with Rex’s signature reproduced on the back of the headstock and a Rex Brown logo doodle on the rear control cover. A hardshell guitar case is also included.

Above: Rex Brown performing with his Epiphone Thunderbird Bass.

Plenty of folks who’ve accomplished a lot less are content to rest on past achievements, but Rex Brown is forever charging forward. Renowned worldwide, Brown and his Texas brethren forged a blueprint with PANTERA that’s been studied by nearly every metal act that followed. Late lead guitar player Darrell “Dimebag” Abbott is rightly immortalized as a good-natured, guitar-shredding legend. The rhythmic punch forged by Rex and PANTERA’s drummer, the late Vinnie Paul Abbott, has yet to be outdone. Along with singer Philip H. Anselmo, hailed as one of the greatest frontmen of all time, the self-described Cowboys from Hell, PANTERA, sparked a movement that reinvigorated heavy metal, inspired countless bands, and is memorialized in tattooed skin around the world, representing the band’s five groundbreaking multi-platinum albums unleashed between 1990 to 2000 with billions of music streams annually. Rex and singer Philip H. Anselmo partnered once again in the group Down, crafting their doomy, smoke-enhanced Southern dirges that helped shine a light on a whole other subculture in heavy music.

With the addition of Zakk Wylde (guitars) and Charlie Benante (drums), PANTERA began touring worldwide in late 2022 and will return to the stage February 2024 on the second leg of their North American headlining tour. The journey follows the band’s massively successful twenty-city run this past Summer, a tour which stood as one of the most anticipated tours of 2023, as well as their dates supporting Metallica. The 2024 trek will commence on February 3rd, in Sunrise, FL, and the band will be joined by special guest, acclaimed metal powerhouse Lamb Of God, with additional support acts to be announced in the weeks to come. For all Pantera touring news, visit: https://pantera.com/tour.

For an intimate look into his music legacy, Rex Brown’s episode of Gibson TV’s “ICONS” takes a deep dive into his influences from John Paul Jones, to Pino Palladino, Jaco Pastorius, Tom Hamilton, Pete Way, and Geddy Lee. Rex shares personal stories about his childhood, through his entire career, and lets viewers in to explore rare photos, stories, and footage from his legendary life, the enduring legacy of PANTERA, and more. Watch the Gibson TV “ICONS” episode featuring Rex Brown, HERE.

Above: the Epiphone Rex Brown Thunderbird Bass.

Gibson Launches Gene Simmons EB-0 Bass
Available Worldwide on Gibson.com

International Rock Legend and Co-Founder of KISS
Partners with Gibson for Second Signature Bass, a Limited-Edition Run of 100 Guitars

Gibson, the iconic American instrument brand continues its multi-year partnership with Gene Simmons–international rock legend and co-founder of KISS, America’s #1 gold record award-winning group of all time, in all categories (RIAA)–to create the new Gene Simmons EB-0 Bass. The Gene Simmons EB-0 Bass is inspired by the same Bass that Gene played with KISS in the 1970s. The new Gene Simmons EB-0 Bass is a limited-edition run of 100 guitars and is available worldwide at authorized Gibson Custom Shop dealers and via www.gibson.com.

If you saw KISS perform their high-octane live shows and television appearances in the 1970s, you may have spotted the bass that inspired this signature model from Gene Simmons and Gibson Custom Shop. Based on Gene’s heavily modified 1959 EB-0, the new Gene Simmons EB-0 Bass is the first 30.5” scale bass from the Gibson Custom Shop and the first bass the Custom Shop has produced in quantity. The Gene Simmons EB-0 Bass features a VOS finish in Ebony, as well as VOS hardware throughout, in addition, Gene made several modifications to his EB-0, including refinishing it, reshaping the neck to a custom profile, replacing the pickup with a later model Gibson unit, and relocating it much closer to the bridge, installing a custom pickguard, a fingerboard with Corian nut, adding binding, and changing the original tuners to Grovers. The bridge was also replaced with a high-mass model and can now be strung through-body or as a top-loaded bridge. All of these details are faithfully represented in the new Gene Simmons EB-0 Bass from Gibson Custom Shop. A custom hardshell case as well as case candy developed in collaboration with Gene is also included.

Above: the Gene Simmons EB-0 Bass. Above: the Gene Simmons EB-0 Bass. Above: Gene Simmons pin, pennant, patch, and guitar pick tin set.

Von Frankenstein Monster Gear Instrument Strings

Our score 4.5 out of 5 stars

Von Frankenstein Monster Gear guitar and bass strings are the brainchild of Doyle/Misfits guitarist Doyle Wolfgang Von Frankenstein. Produced in conjunction with Sheptone all strings are made in the U.S using the best-available, domestically sourced, raw materials. Each string is made by hand, one at a time, with nickel-plated steel that is wrapped over a treated hex steel core. Von Frankenstein avoids rushed mass production which helps ensures quality, feel and durability from every string produced.

When it comes to guitar and bass strings the market seems to be constantly flooded with new string products boasting enhanced feature including everything from wider gauge options and special coatings to the use of new metals all of which are supposed to help aid or solve all together the age-old pursuit of tone. Along with all these new innovations come an even longer line of questions and debates about which of these new features is actually useful/beneficial and which are only gimmicks.

The latest offering from VonFrankenstein Monster Gear is the Andreas Kisser “Forest Frequencies” and “Infected Voices” signature guitar string sets. The legendary Sepultura lead guitarist brings two signature sets to the ever growing Monster Gear line with the regular “Forest Frequencies” consisting of .010/.013/.017/.028/.038/.049 gauges and the heavy “Infected Voices” set in .013/.017/.021/.041/.050/.060. Both sets feature nickel plating and feature hex steel cores which give the strings tremendous feel and clarity while the individual sealed string packaging ensure consistent durability set after set.

From a playability standpoint both sets performed equally well and sounded
just as good as one another. The “Forest Frequencies” remained stable in both standard and drop tunings without becoming too stiff or too loose. Players who use multiple tunings and who are looking for consistency and comfortability will want to check these out as they require little to no adjustment to your setup. The heavier “Infected Voices” are a touch less forgiving as the higher gauges will require some getting use to as they do require a bit more hand strength however,  Once dialed in take warning as the low frequencies produced by this set are like a solid punch to the gut!

If you are looking for a quality string that does not sacrifice tone or feel and, is hand made in the U.S. then look no further. Von Frankenstein Monster Gear strings are a quality product that guitarists and bassists from all genres and ability will surely enjoy.

To purchase Von Frankenstein Monster Gear strings visit www.vonfrankensteinmonstergear.com