Featuring Bobby Blitz, Mike Portnoy, Mark Menghi and Phil Demmel
They’ve been teasing their formation and the arrival of new music for months, and now the wait is nearly over! BPMD – the new heavy metal juggernaut featuring icons Bobby Blitz (Overkill) on vocals, drummer Mike Portnoy (The Winery Dogs, Sons of Apollo), bassist Mark Menghi (Metal Allegiance) and guitarist Phil Demmel (Vio-lence, ex-Machine Head) – is pleased to announce that they have signed a worldwide contract with Napalm Records, joining the label’s growing roster of premier talent.
The members of BPMD first came together in the summer of 2019 with one goal in mind: to pay homage to some of their favorite classic rock tunes, give them their own heavy twist, and to have a blast doing it. We all could use a bit of fun, and that’s what BPMD is here to provide – a party on wax performed by some of the greatest musical talents in the world!
BPMD will officially announce the release of this music – arriving in the form of their first full-length album – very soon. Stay tuned for more details and music, coming soon!
BPMD bassist Mark Menghi says:“We’re super excited about our first BPMD record. Last summer, I was inspired and came up with this crazy idea and here we are, not even a year later, and it’ll see the light of day in these very trying times. The planet needs something to feel good about, and I 100% whole-heartedly believe these tunes will do the trick. Buckle up and make way for BPMD…”
BPMD frontman Bobby Blitz drops a few more hints:“The BPMD sessions were very fun. They took us all back to our roots and even pre-roots. As it developed, we all realized it was something special, as did Napalm Records, with one listen!”
BPMD will make their performance debut at Bulldozer Bash 5 in Old Bridge, NJ on Saturday, May 30! The event, which will take place at Old Bridge Elks Lodge, is a benefit show to raise funds for the Old Bridge Militia Foundation, a 100% non-profit 501 C3 charity foundation. Show details will be announced soon, but for now, visit https://oldbridgemilitia.org.
Keep your eyes (and ears) at the ready – new music from BPMD is just around the corner.
Official Tracklist Revealed | Pre-Order Your Copy NOW
Beware the Curse of the Crystal Coconut – ALESTORM’s ship advances on the horizon!
Ready or not, you filthy landlubbers – ALESTORM are back with another classic – an uncensored, satirical and glorious new album that only they could imagine! Two years after the release of their latest album, No Grave But The Sea, the pirate metal drinking crew will return with their raucous new conquest, Curse Of The Crystal Coconut, to be released on May 29, 2020 via Napalm Records.
Beloved worldwide for their infectiously wild personas and even crazier, unabashedly catchy tunes, the ALESTORM crew – led by courageous Captain Christopher Bowes – is proud to present eleven bombastic pirate anthems in their signature unadulterated, chaotic fashion.
Breaking from the stereotypical portrayal of pirates as the lone wolves of the sea, on Curse of the Crystal Coconut, ALESTORM will be joined by Ally Storch of Subway to Sally (violin on the entire album) and Captain Yarrface of Rumahoy – amongst others! The variety of tracks featured on the album will satisfy even the pickiest adventure-seeker and become an instant soundtrack for the wildest pirate parties out there. “Chomp Chomp”, featuring the vocals of Vreth of Finntroll, may make you never want to enter the open waters again, but will definitely invite you to dance along to ravishing melodies. The catchy rhythm of “Pirate Metal Drinking Crew” makes the track yet another foot-stomping anthem in the assortment of these treasure-searching marauders. However, don’t take their rage too lightheartedly, as once they unleash the “Pirate’s Scorn” and its brutal riffs, there may be no coming back…
Of course, it wouldn’t be an ALESTORM album without their unique sense of humor – this, and much more, can be found on the party-smashing “Treasure Chest Party Quest” or the surprising “Zombies Ate My Party Ship”. Although the Curse of the Crystal Coconut may remain a mystery for now, one thing is for sure – it will make you throw all conventionalities aside and join this rowdy pirate crew on their most fierce and grim journey so far!
Curse of the Crystal Coconut will be available in the following formats:
Wooden Boxset (including Mediabook, exclusive 7’’ Single, Track Stems on USB Stick, Pendant, Flag, Postcards)
2 CD Mediabook – including 16th century interpretations of all songs
1 CD Jewel Case
LP Gatefold BLACK Vinyl
LP Gatefold RED Vinyl
LP Gatefold GOLD Vinyl
LP Gatefold PURPLE Vinyl
LP Gatefold Silver Vinyl (Napalm Records US Store exclusive)
Music Cassette + Walkman Bundle in Pirate Bag RED (strictly limited to 250)
Digital Deluxe Album
Treasure Chest Party Quest
Zombies Ate My Pirate Ship
Call of the Waves
Shit Boat (No Fans)
Pirate Metal Drinking Crew
Wooden Leg Pt. 2 (The Woodening)
Catch ALESTORM on tour and get the chance to listen to some new songs!
20.03.20 AU – Melbourne / Download Festival 21.03.20 AU – Sydney / Download Festival 04.06.20 SE – Solvesborg / Sweden Rock 12.06.20 CH – Interlaken / Greenfield 14.06.20 US – Donington Park / Download Festival 19.06.20 BE – Dessel / Graspop Metal Meeting 20.06.20 FR – Clisson / Hellfest 03.07.20 ES – Barcelona / Rock Fest 04.07.20 IT – Villafranca di Verona / Rock The Castle 09.07.20 CZ – Vizovice / Masters of Rock 31.07.20 UA – Ternopil / Faine Misto 06.08.20 HR – Pula / Headbanger’s Holiday 08.08.20 NL – Leeuwarden / Into The Grave 14.08.20 DE – Dinkelsbühl / Summer Breeze 21.08.20 DE – Haddeby / Baltic Open Air 05.09.20 DE – Selb / Festival Medieval
ALESTORM are: Christopher Bowes – vocals, keytar Gareth Murdock – guitar Mate Bodor – bass Peter Alcorn – drums Elliot Vernon – keyboard
LAMB OF GOD has revealed a brand new single and video, “Checkmate,” from the band’s first release in five years and the first to feature new drummer Art Cruz. The self-titled Lamb Of God is due out May 8 via Epic Records.
“‘Checkmate’ brings together all the components of the LAMB OF GOD sound that we’ve been developing over the last two decades, but with the ambition and ferocity that comes with the start of a new chapter for our band,” says guitarist Mark Morton. “Re-energized and reignited, this is LAMB OF GOD 2020. We’ve never been more excited.”
The fact that the band’s eighth studio effort would warrant ‘self-titled’ status is a testament to the band’s pride and satisfaction with these songs and this period in their creativity.
“Putting only our name on it is a statement,” Blythe says. “This is LAMB OF GOD. Here and now.”
A true collaboration between all members of the band, LAMB OF GOD’s eighth studio album is an amalgam of each individual’s contributions, blended to create a singular style. Guitarists Mark Morton and Willie Adler fuel the album with a mountain of riffs, taking what Lamb of God are known for, and unbelievably, upping the ante to new levels. The rhythm section of John Campbell, looming large as a rhythmic shadow, and drummer Art Cruz, who makes his studio debut with LAMB OF GOD here on this record, underpin the proceedings with passion, sweat and expansive dynamics. Vocalist D. Randall Blythe is as angry, insightful, and informed as ever. Never one to shrink from facing the darker aspects of our nature head-on, Blythe delivers with no punches pulled, and as only he and Lamb of God can in 2020.
In celebration of the release of “Checkmate” and the announce of the new album, LAMB OF GOD will appear at a special show at the House of Vans in Chicago on February 14. The event is free and fans can RSVP beginning at 12 noon CST today at HouseOfVans.com The event will include a photography exhibit featuring photos from D. Randall Blythe that will be included in the new LAMB OF GOD album artwork. Harm’s Way will open the show.
In the midst of writing the ten songs that appear on Lamb Of God, the group hit pause on the works-in-progress to man the stage as main support Slayer’s “The Final Campaign.” After months of playing their best-known songs nightly, LAMB OF GOD returned to the new tracks and began to work with longtime producer Josh Wilbur (Korn, Megadeth, Gojira, Trivium). Special guests Jamey Jasta (Hatebreed) and Chuck Billy (Testament) also make appearances on Lamb Of God.
The Richmond, Virginia, quintet propelled heavy metal into the new millennium two decades ago with the prophetically titled New American Gospel. They followed with 2003’s As the Palaces Burn, which made the Rolling Stone list of the Top 100 Greatest Metal Albums of All Time. Ashes of the Wake, released in 2004, was the first LAMB OF GOLD album to be certified gold by the RIAA, as was 2006’s Sacrament,which also made a Top 10 Billboard 200 chart debut. In 2009, LAMB OF GOD released Wrath, their first with Wilbur at producer, and earned the number one album spot on Billboard’s Hard Rock, Rock, and Tastemaker charts, with a number two position on the Billboard 200.
Those number one positions were repeated with 2012’s Resolution, which swung effortlessly between thrash, traditional metal, sludgy doom, with flashes of crust punk swagger and bravado. LAMB OF GOD’s last album, VII: Sturm und Drang (2015) made its debut on the Billboard 200 at number three and finished number 2 in the world charts, reaching Top 5 in five countries and six addition Top 15 positions.
In 2020, LAMB OF GOD is re-energized and unrelenting, ready to lay claim to the metal throne.
LAMB OF GOD tour dates:
2/14- Chicago, IL @ House of Vans *Headline show
European tour with Kreator and Power Trip:
3/27 – Stockholm, SE @ Fryshuset Arenan
3/28 – Copenhagen, DK @ Forum Black Box
3/30 – Oulu, FI @ Club Teatria
3/31 – Helsinki, FI @ Ice Hall Black Box
4/2 – Kraków, PO @ Tauron Arena
4/3 – Berlin, DE @ Columbiahalle
4/4 – Oberhausen, DE @ Turbinenhalle
4/5 – Wiesbaden, DE @ Kulturzentrum Schlachthof
4/7 – Zurich, CH @ Samsung Hall
4/8 – Munich, DE @ Zenith
4/9 – Ludwigsburg, DE @ MHP Arena
4/11 – Hamburg, DE @ Sporthalle
4/14 – Barcelona, ES @ Razzmatazz
4/15 – Madrid, ES @ Sala Riviera
4/17 – Paris, FR @ L’Olympia Bruno Coquatrix
4/18 – Saarbrücken, DE @ Saarlandhalle
4/19 – Brussels, BE @ Ancienne Belgique
4/21 – Bristol, UK @ O2 Academy Bristol
4/22 – Manchester, UK @ Manchester Academy
4/23 – Glasgow, UK @ O2 Academy Glasgow
4/24 – Birmingham, UK @ O2 Academy Birmingham
4/25 – London, UK @ O2 Academy Brixton
5/9 – Daytona Beach, FL @ Welcome to Rockville *US Festival
In celebration of their 25th anniversary Irish rockers
Ash have released a 22 song retrospective of the bands career thus far. “Teenage
Wildlife: 25 Years of Ash” was compiled by the band themselves and features
various songs from the groups eight studio albums along with one newly released
track titled “Darkest Hour of the Night”. Since debuting in 1994 the band which
has consisted of Tim Wheeler, Mark Hamilton, Rick McMurray and Charlotte
Hatherley have turned out a catchy stream of garage/alternative rock earning
them praises and recognition from all over the globe.
heard of Ash back in the late 90’s amidst bands like Pavement, Blur and Weezer
I never really got into the band aside from the songs “Kung Fu” and “Jack Names
the Planets” which were featured in a couple popular movies from that time.
Thankfully now with the release of “Teenage Wildlife: 25 Years of Ash” I was
able to go back and discover some really great songs I inadvertently skipped
over during their initial release. Tracks like “Girl From Mars”, “Burn Baby
Burn” and “Shining Light” we definite highlights that had me reminiscing about
my late teen years. Being this release was compiled by the band themselves it
gave the album a more person feel as knowing that this wasn’t just another stock
label compilation gave it extra value along with some great songs that may otherwise
have been over looked without the bands input.
The 2 LP set that we checked out had really great packaging which was printed on high quality card stock and included heavy weight sleeves for each record that featured additional photos and stories from the each era of the band. Though no remastering/mixing was noted each song had a bright mix which really stood out and the inclusion of the band’s latest single “Darkest hour of the Night” was a solid choice giving fans just a taste of the bands latest works. Available in a variety of formats including limited edition lenticular vinyl and a special 3 CD that includes an 18 track rarities CD. Needless to say there are plenty of ways to get your hands on this and we strongly encourage you to do so as “Teenage Wildlife: 25 Years of Ash” is a fresh breath of nostalgia that has been long overdue.
The time has arrived for legendary bay area thrash metal giants TESTAMENT to unleash new thunder to the masses and reveal their thirteenth studio album, Titans Of Creation, which will be released on April 3 via Nuclear Blast.
Today, the band releases the lyric video for the first single, “Night Of The Witch” here: youtu.be/cF2hIrXq2ss
Chuck Billycomments, “It has been months since the final mixing of ‘Titans Of Creation’ and we are eager for fans to hear it. We feel that we put a lot into this record and at the end of the day it is a TESTAMENT record that stands on its own. We are very proud of ‘Titans Of Creation.’”
“’Night Of The Witch’ uses old school lyrics about witches chanting in the moonlight and casting spells. The beauty of this song is that I worked Eric’s vocals into the chorus. I wanted to incorporate him as he does Dragonlord and this song was a perfect match. It is a heavy song and a great way to introduce everyone to ‘Titans Of Creation.’”
Titans Of Creation was produced by Chuck Billy and Eric Peterson while Juan Urteaga of Trident Studios handled co-producing, recording and engineering. Andy Sneap was responsible for the mixing and mastering of the album. Eliran Kantor stepped up once again to create a new masterpiece of artwork for the cover of this release.
Titans Of Creation will be available in the following formats:
Just as the elements of this planet thrive within all living creatures, each musician in TESTAMENT represents a necessary component of this latest musical creation. Still filled with a massive and unstoppable energy since their last release, TESTAMENT has taken their style to the next level and present an album that is loyal to the roots of traditional thrash metal while still including the alluring, brilliant and progressive ingredients they are known for.
Amberian Dawn will release their eighth studio album, “Looking For You” on January 31st via Napalm Records and enter a new, but still familiar sounding musical universe, mixing the best of both worlds into a new genre: ABBA-Metal! The album’s multi-faceted and emotional lyrics provide a suitable background for soaring guitars and elegant classical interludes which showcase the bands shift from power metal to a more symphonic metal sound. Media Mikes had the chance to speak with the bands keyboardist Tuomas Seppala recently about the band’s new album, the changing of their style and working with Finnish artist Kebu.
Adam Lawton: Can you give us some background on the new album “Looking For You”?
Tuomas Seppala: “Looking For You” is a really nice album with a new and fresh sound. After releasing our previous album, I had a long writers block. I just couldn’t write good stuff with the “old style” anymore. After six or seven months or something, I realized that I need to change something so that I would be able to compose good stuff again. Then I started to compose a kind of synthesizer – disco music and that felt really good. Then I introduced a couple of those new songs to band mates and I was surprised that they liked the songs and also said that those songs could be easily converted to AD songs. That’s how I started to make music again and with a different kind of style. Now there’s only one “traditional” AD song on this album, a symphonic metal song “Symphony Nr.1 Part 3 – Awakening”. I got Fabio Lione of Rhapsody to make a guest appearance on that song. It was great.
AL: The band’s sound has gone through changes over the over few years. Was that a natural transition or something that was done by design?
TS: It’s been a natural transition, but it’s not been easy all the time. I’ve had several writer’s blocks after I’ve finished with an album and trying to start working with new songs. I always write music based on the feeling I have for it and I usually can’t force myself to do anything else. For example, if I’m not in the mood for power metal, I simply cannot write any good power metal material. Maybe some average stuff, but that’s never good enough for me. All the stuff I’ll write and publish must be just perfect to me (at that time). But it’s obvious that my point of view for music has changed during all these years and I wouldn’t be happy with the stuff I wrote 10 years ago, if I had been writing that exact same stuff right now.
AL: Where did the term “ABBA Metal” come from?
TS: That’s just something we came up with. I’m not sure whether I invented the term or if I just saw the term used on chats and social media first. Anyways, I like the term and it’s really a good genre to describe AD’s current style.
AL: Was the decision to cover “Lay All Your Love On Me” made before or after the creation of ABBA Metal? and why did you choose this song?
TS: I had been preparing this cover song for many years before we actually decided to record it. Also, the ABBA-metal genre came up at some point after I had all of the songs ready for new album. I knew that we really need to start using this ABBA-metal genre because it’s really what this music is all about.
AL: Being a keyboardist what was it like working with fellow instrumentalist Kebu? And what was that process like?
TS: We had really good co-operation with this album. Kebu has this huge arsenal of vintage keyboards and together we finalized the keyboard sounds with his gear. Some of the sounds and tones are made by Kebu and some of those are made by me. It’s a good combination and I think we can work together in the future too. In short, the process was like that – I first made the arrangements for keyboards and then we decided that which parts were going to be played with my gear and which parts were going to be played with his synthesizers. Kebu used a lot of time to develop those keyboard sounds and presets. I also used ABBA’s Benny Andersson’s personal synthesizers on some songs. I recorded some parts at his studio in Stockholm.
AL: Are there any plans in place to tour behind the release?
TS: We’re planning to tour later in 2020 but we don’t have anything confirmed yet. We’re probably going to tour in Europe again because that’s doable. Touring in the US is much harder to make happen.
Danish composer, vocalist and classically trained multi-instrumentalist, Myrkur (Amalie Bruun), journeys into the heart of Scandinavian culture. Through Bruun’s crystalline vocals, an array of traditional instruments and storytelling, ‘Folkesange’ offers listeners an immersive, emotional and transcendent experience that resonates in today’s turbulent times
Myrkur’s Amalie Bruun has always paved her own path and challenged underground preconceptions of heavy genres. Just after newfound motherhood, Bruun set out on a journey into the very heart of the Scandinavian culture that marked her own childhood with the release of her new album, Folkesange.
Due out March 20 via Relapse Records, Folkesange relinquishes black metal for a refined yet far-reaching evocation of traditional folk, combining songs ancient and new to sublimely resonant effect.
Today, Myrkur has unveiled lead single and album opener, “Ella” which she explains is “the result of years of studying, playing and listening to traditional Nordic folk music. This is my version of a new folk-song, with roots planted in history and in the past. It is my ode to mankind and our connection with nature – a rite of passage as a woman and a rebirth-ritual in the sea.”
She continues, “Three years ago I decided to share a video where I performed an old Scandinavian folk-song on the nyckelharpa. After this I realized that I had a strong need to create an album within this universe and that other people also wished to hear this. So I started working on picking out what old songs to reinterpret as well as write my own version of this. Ella is this.”
Listen & Share: “Ella” (Official Audio Visual) via YouTube Here Listen & Share: “Ella” on all digital platforms Here
On Myrkur‘s first two full-length studio albums (2015’s M and 2017’s Mareridt), she recast black metal in the most personal yet expansive of terms, their blending of Bruun‘s Danish folk roots with tempestuous internal struggles breathing new life into a subgenre whose followers can be rigidly possessive.
After the nightmare-induced visions that wrought themselves throughout 2017’s immensely acclaimed Mareridt, Folkesange offers an emotional sanctuary, a means to reconnect to something permanent and nature-aligned. It’s an awareness that’s become deeply bound to the album’s organic, regenerative spirit.
Storytelling, rites of passage, and the invocation of a continuity that passes through time and generation are all part of folk music’s tapestry, and Folkesange taps into all these currents in their most essential form. In part a purist’s approach to the genre, free from over-interpretation and fusion, the use of Kulning (an ancient Scandinavian herding call) and traditional instruments throughout, such as nyckelharpa, lyre and mandola offer adeeper, more tactile connection to their source, an unbroken line of communication back to the past.
But the album is no museum piece; it resonates in the here and now, aided by the spacious production of Heilung member and musical collaborator Christopher Juul. Cinematic yet intimate, Folkesange exists in a state of boundless reverie, bourne by string-led drones, cyclical, elegiac rhythms and Bruun‘s frictionless voice, all carrier signals for deep-rooted, ancestral memories, and associations felt on an elemental level.
An immersive experience in its own right, but also belonging to a wider, pagan folk-based renaissance that has attracted a devoted following worldwide, Folkesange answers a need that has become ever more pressing in turbulent times. A zeroing in on a resonance that is both intrinsic and enduring, it’s a rediscovery of personal grounding, and an experience that reaches beyond culture to remind us of a shared, deeply rooted inheritance. A tuning fork that binds the personal and the universal, Folkesange is a reminder that the most transcendent experiences are those closest to home.
Folkesange sees its release March 20, 2020 via Relapse. There will be several limited deluxe vinyl versions available.
For more info and to pre-order, go here . “Ella” is available today on all streaming services here.
The Crystal Coconut definitely granted ALESTORM fans their wish: the visionary world travelers have officially entered the recording studio and will return with their upcoming album, CurseoftheCrystalCoconut, to be released via Napalm Records in summer 2020. This release will mark the band’s sixth studio album, and promises new anthems bursting with the chaotic energy ALESTORM fans have come to love. Prepare yourself for a level of epic symphonic folk metal insanity that no other band on the high seas could ever aim to touch!
ALESTORM’s latest album, No Grave But The Sea, was a worldwide success – reaching #1 on the US Heatseekers album charts, #14 on the German album charts and other top 20 placements in Austria, New Zealand, Switzerland and Belgium. Grab your best rum, take a swig and hold tight – further album details will be revealed soon (but let’s hope King K. Rool doesn’t steal the demos first).
ALESTORM on Curse of the Crystal Coconut:“Oh wow, humans of planet Earth! We’re super excited to announce that today we have entered Krabi Road Studios in Thailand to begin the recording of the 6thALESTORM album, which will be called Curse of the Crystal Coconut! We may or may not have stolen that title from Donkey Kong. Anyway, we’ll be here for the next 3 weeks recording 13-ish songs, some of which will be so absolutely terrible that they’ll never see the light of day. The ones that somehow turn out alright will be released on Napalm Records sometime in the early summer! LOTS OF UPDATES COMING SOON, stay tuned and we’ll tell you all about it.”
Catch ALESTORM on tour and get the chance to listen to some new songs! 21.02.20 ES – Madrid / La Rivera 20.03.20 AU – Melbourne / Download Festival 21.03.20 AU – Sydney / Download Festival 04.06.20 SE – Solvesborg / Sweden Rock 12.06.20 CH – Interlaken / Greenfield 14.06.20 US – Donington Park / Download Festival 19.06.20 BE – Dessel / Graspop Metal Meeting 20.06.20 FR – Clisson / Hellfest 03.07.20 ES – Barcelona / Rock Fest 04.07.20 IT – Villafranca di Verona / Rock The Castle 09.07.20 CZ – Vizovice / Masters of Rock 31.07.20 UA – Ternopil / Faine Misto 06.08.20 HR – Pula / Headbanger’s Holiday 08.08.20 NL – Leeuwarden / Into The Grave 14.08.20 DE – Dinkelsbühl / Summer Breeze 21.08.20 DE – Haddeby / Baltic Open Air 05.09.20 DE – Selb / Festival Medieval
WITH SPECIAL GUESTS PAPA ROACH, I PREVAIL AND ICE NINE KILLS
4x Platinum, 6x Gold record selling rock juggernaut FIVE FINGER DEATH PUNCH have announced their long awaited eighth studio album, titled “F8” today. The album will be released globally on February 28th, 2020 and is available for pre-order now.
FIVE FINGER DEATH PUNCH have amassed over 3 billion streams to date, over 2 billion video views andare the 3rd biggest artist in the hard rock space measured by total consumption (sales and streams) – surpassed only by Metallica and AC/DC. Newly signed to Better Noise Music, they’ve garnered 22 top 10, hit singles over the last few years. Today, FIVE FINGER DEATH PUNCH also premiered the debut single from F8,“Inside Out” one of the most personal songs that the band has released to date. Watch the official lyric video HERE. Fans who pre-order the album digitally will receive an instant download of “Inside Out” along with two other new tracks before the release on February 28th. The album will be available in the following formats: CD, digital download, mastered for iTunes download, double gatefold vinyl and picture disc vinyl. The band also curated special F8 merchandise bundles of albums with exclusive t-shirts, hoodies and more available for pre-order now as well.
Says FIVE FINGER DEATH PUNCH guitarist Zoltan Bathory, “We had an extremely successful, yet tumultuous couple of years as a band. We didn’t just weather the storm but came out on the other side better than ever. It was a focused sober group recording, our most important album to date and without a question it shows. This album represents rebirth, progression, transcendence both personally and musically.” Vocalist Ivan Moody adds, “This record to me is ‘absolution’ – everything I’ve done in my life has led up to this moment.”
F8 was produced by FIVE FINGER DEATH PUNCH with long time producer KEVIN CHURKO (Ozzy Osbourne, Disturbed, Slash, etc). See the full tracklisting for F8 below.
TRACKLISTING FOR F8:
Living The Dream
A Little Bit Off
Bottom Of The Top
To Be Alone
Mother May I (Tic Toc)
Darkness Settles In
This Is War
Leave It All Behind
Brighter Side Of Grey
Making Monsters (BONUS)
Death Punch Therapy (BONUS)
Inside Out (Radio Edit) (BONUS)
The new album F8 follows FIVE FINGER DEATH PUNCH’S hugely successful 2018 release, And Justice For None, which debuted in the Top 5 around the world and became the #1 streaming Hard Rock/Heavy Metal album of that year. They’ve built a rabid, global fanbase by creating a unique sound that blurs the line between rock and metal, which has never been more apparent than on their upcoming eighth studio album F8 and their upward trajectory doesn’t seem to waver.
FIVE FINGER DEATH PUNCH also announced today that they will kick off the 2nd leg of their current U.S. arena headline tour in April 2020, featuring special guests Papa Roach, I Prevail, as well as highly acclaimed newcomer Ice Nine Kills. The tour is co-produced by FRANK PRODUCTIONS and LIVE NATION. See all dates below.
VIP presale, artist presale, and cyber monday presale begins today at 10:00 AM (local time). Citi is the official presale credit card of the tour. As such, Citi cardmembers will have access to purchase U.S. presale tickets beginning Tuesday, December 3rd at 10:00 AM (local time) until Thursday, December 5th at 10:00 PM through Citi’s Entertainment program. Local promoter venue and radio presales will kick off on Thursday, December 5th at 10:00 AM (local time). Tickets will go on-sale to the general public beginning Friday, December 6th at 10:00 AM (local time).
Papa Roach have been one of the leaders in alternative rock for nearly 26 years. The two-time GRAMMY-nominated band have sold over 20 million records worldwide, garnered over 2 billion streams to date, and charted over 14 Top 5, hit singles and six #1 hit singles including “Last Resort” (2000), “Scars” (2005), and most recently, “Born for Greatness” (2018). Their 10th studio album, Who Do You Trust? marks a paradigm career shift for the band, with singles “Who Do You Trust?” and “Elevate” having steadily remained in the Top 10 at Active Rock Radio. For more information on Papa Roach, please visit https://www.paparoach.com
I Prevail’s 2016 debut album, Lifelineswas one of the most successful debut releases for a hard rock band in the last decade in terms of sales and streams, with nearly 600,000 copies sold to date. The GRAMMY nominees’ sophomore album, Trauma tells the complicated story of what the band went through to get to where they are today. For more information on I Prevail, please visit http://iprevailband.com
ICE NINE KILLS has built a growing legion of fans with their horror-inspired soundtracks and theatrical live performances. Their new hit single “A Grave Mistake” landed in the Top 10 Rock Radio charts. They were named SiriusXM’s ‘Future Five’ Breakthrough Artists of 2019. Following a world tour, the band released The Silver Scream: Final Cut. For more information www.iceninekills.com
FIVE FINGER DEATH PUNCH are currently touring U.S. arenas before heading to Europe right after the holidays for their nearly sold out arena run with very special guests Megadeth andglobal breakout rock sensation Bad Wolves. Information on all tour dates including links to tickets and VIP packages can be found HERE.
“Motörhead ’79” campaign celebrates the 40th Anniversary
of the incredible Overkill and Bomber albums
with fantastic new deluxe editions, both as hardbound book-packs in two CD and
triple LP format; featuring previously unheard concerts from the ’79 tours,
interviews and many unseen photos created with the full cooperation and
involvement of the estates of Ian “Lemmy” Kilmister, “Fast”
Eddie Clarke and Phil “Philthy Animal” Taylor.
Over the past few years there have been a number of Motörhead releases honoring the career of “The Worlds Loudest Band”. The latest and possibly largest to date pays homage to the year 1979 when the band released not one but two studio albums “Overkill” and “Bomber”. To recognize this rare accomplishment BMG have compiled a box set like no other. The LP version of the release comes housed in a black biker jacket box which houses both 1979 studio albums, 2 never before heard live albums titled “Good and Loud” Live at Aylesbury Friars and “Sharpshooter” Live at Le Mans, a10 song LP of 1979 outtakes/B-sides and rarities titled “The Rest of ‘79”.
That’s not all though! You also get a reproduction 40 pagemagazine of corresponding photos of from the era, a reproduction “Bomber” tour program, an “Overkill” Sheet Music book, a 5 pin badge set and if that’s still not enough a “No Class” seven-inch complete with gatefold art. Each LP sounds great as they all have been pressed on 180-gram vinyl and with the reissued “Overkill” and “Bomber” albums being mastered at half speed directly from the original tape. There was just so much to look at and listen to as I merely scratched the surface on my first handful of listens. From studio tracks like “Overkill”, “Damage Case”, “Metropolis”, “Stone Dead Forever” and “Bomber” to live versions of “Motörhead”, “White Line Fever” and “Train Kept A-Rollin” it was impossible to appreciate everything without devoting several or more hours to this package.
I love when bands and labels put together
packages that not only are appealing sonically but visually as well. No expense
seemed to be spared with “Motörhead ‘79”. From the heavy grade vinyl and rich
sound production to the beautifully recreated photos and artwork that adorn not
only the album sleeves but the included books, pins and packaging everything
you get in this release is top notch. With the holidays right around the corner
this is the perfect gift for the music lover on your list. Be prepared though
as this thing is heavy both literally and figuratively!
In celebration of Live’s momentous, platinum-selling album “Throwing Copper” 25th anniversary fans can now celebrate the album that started it all for the Pennsylvania-based band via a Special Edition double LP. First released on April 26, 1994, “Throwing Copper” transformed Live into one of the most lyrically impactful and instrumentally powerful bands of the modern alternative-rock era.
In the mid to late
nineties it was almost impossible to turn on the radio or MTV and not hear or
see a song/video from Live and the album “Throwing Copper”. As the follow up to
Live’s 1991 major label debut “Mental Jewelry”, the album was a big step for
the band hailing from the small town of York, PA and would spawn two No.1
Modern Rock singles (“Lightning Crashes,” “Selling The Drama”) and since been
certified 8x multiplatinum by the RIAA, selling over 8 million copies. The 25th Anniversary release of
“Throwing Copper” is a fitting recognition the monumental release and comes
packed in a full color, dual gatefold sleeve with linear notes and is pressed
on either standard black or limited edition red and olive heavy weight vinyl.
Though no remixing and mastering was done to this package you do get 3 bonus
tracks “Hold Me Up”, “We Deal In Dreams” and “Susquehanna” along with the track
“Horse” which was included on the original release as a hidden track.
Revisiting this album in
vinyl form was really a lot of fun. It instantly conjured up memories of when I
had first heard some of these songs or when I was lucky enough to catch the
band on one of their many college tours. Each track offered a warm, more
natural sound than what I remember hearing on my digital version so that alone
was worth the listen. The addition of the three bonus tracks was also a plus
especial the track “Hold Me Up” which was featured in the Kevin Smith film
“Zach and Miri Make a Porno”. If you every owned this album and reluctantly
sold it to one of those “cash for cd’s” music stores that used to be popular
around the same time as when this album first came out then I highly recommend
you grab a copy of this album on vinyl as it will surely put a smile on your
face while affirming that the 90’s weren’t all bad.
Media Mikes had the chance to sit down with Chase Mason of the metal band Gatecreeper to talk about the band’s sophomore album “Deserted”, out now. Chase also shared with us info on the groups upcoming tour, his approach to standing out in death metal, and his friendship with fellow artist Post Malone.
Ryan Albro: What would you tell people about Gatecreeper that have never heard of them before?
Chase Mason: Gatecreeper is a death metal band from Phoenix, Arizona. We play a catchy, mid-tempo style mixed with old school death metal. Even if you don’t like death metal you will like Gatecreeper.
RA: What would you tell eager returning fans about the new album, Deserted?
CM: If you liked the last record, Sonoran Depravation, you’re going to like this one. It shows a natural progression for the band and is a better, more concise, version of what we’ve already been doing. We’re not trying to experiment or be progressive here. It’s overall better than the last record.
RA: Gatecreeper has been gaining a lot of popularity as of late. How do you maintain relevance in today’s music scene so well?
CM: It’s important to use all the tools that you have to your advantage. I’ve seen a lot of bands that think they’re too cool to use social media or don’t play shows with bands they don’t think are cool. It’s better not to turn your nose up at certain things. It’s about being comfortable and staying true to who you are. As far as standing out in a sea of a million bands and artists, I think it’s really important to provide a full package. I try to pay attention to every aspect of the band. You have to have good songs to start out with, but the visuals are important as well. There are a lot of bands with really good songs that may not get noticed because they’re lacking in other areas. The music first, then your art, whether it’s album art, tour flyers or tour merch. I’ve tried with Gatecreeper to have a full package and have everything flow together and be distinct so that we stand out. There are new bands putting out records every day, there are a million shows that come into your town a year, so if you want to stick out, you’ve got to pay attention to all the little details.
RA: What can you tell us about the Brad Moore album artwork?
CM: It’s crazy. Anybody who sees it will think it’s crazy, in a good way. It’s important to me to have cool art. If someone’s at the record store or they’re online and they see that album cover it will grab their attention. Even if they don’t know who we are, they will listen to the record.
RA: Which tracks from “Deserted” are you most looking forward to performing live?
CM: Puncture Wounds is a very fast, up-tempo song for Gatecreeper. That song will be a great circle pit song. The end of the song Ruthless was written with playing the song live in mind. There’s a part in the song that as soon as it hits you’ll know it’s time for a circle pit. Since we toured so much on the last record, we learned what works well live. Deserted was the first record, while we were writing, where we knew a part would sound cool on the record, as well as live.
RA: What are the band’s touring plans for the album?
CM: We’re going to do two record release shows, one in LA, the other in Phoenix. Phoenix will be our hometown record release show. Starting on Halloween, we’re co-headlining a tour with Exhumed, with Necrot and Judiciary until December. After that we play the Decibel Metal & Beer Fest in LA. That’s what we have lined up for the rest of the year after the record comes out. We’re still finding out what we’re going to do, but next year we’re going to be doing some more touring for sure.
RA: When can we expect the Gatecreeper / Post Malone collaboration?
CM: I think you’ll be waiting forever [laughs]. I like Post Malone’s music, I like him as a person. I like rap and a lot of things that aren’t metal, but I don’t feel the need, nor do I ever want to combine them. I would play a show with Post Malone for sure. Will we ever do a song with him? Probably not. I think there has to be a line drawn somewhere.
Kauffman Center For the Performing Arts – Kansas City, Missouri
October 3, 2019
It’s often said of a great actor “I’d pay to watch him read the phone book.” Well, this evening in Kansas City, I saw musicians who’d I pay to SING the phonebook.
Imagine having the opportunity to see these people in concert: Todd Rundgren, Christopher Cross, Mickey Dolenz, Joey Molland from Badfinger and Jason Scheff from Chicago. Now imagine seeing all of the on stage at once, which is exactly what I did this evening at the Kauffman Center in Kansas City.
They hit the stage, along with a talented group of musicians, to help pay tribute to the 50th Anniversary of an album simply titled THE BEATLES but known to fans all over the world as “the White Album.” Great musicians performing great songs. How can you lose?
There are 30 songs on the White Album, and, while not all of them are represented, the ones that are sound amazing. Like the album, the show opened with Dolenz singing “Back in the U.S.S.R.” Even at age 74, Dolenz filled the auditorium with one of the most recognizable voices in music history. I caught the Monkees when they toured in 1986 and Mickey was the indisputable ring leader. Nothing has changed. It’s obvious he’s here to have fun and you can’t help but indulge him. Rundgren, who I’ve been a fan of since he was in the band Utopia – AND WHO IS CRIMINALLY NOT IN THE ROCK AND ROLL HALL OF FAME – spelled Dolenz on lead vocals with “Everybody’s Got Something to Hide Except for Me and My Monkey,” pointing at the former Monkee while he sang.
After a few more songs, Dolenz announced that the audience was in for a special treat, as each of the main band members would also be performing a couple of their own hits. He kicked this portion of the show off with “I’m a Believer,” followed by “Pleasant Valley Sunday.” Then it was Molland’s turn and he entertained with a couple of Badfinger hits – “Baby Blue” and “No Matter What.” Scheff, who very capably replaced Peter Cetera when the latter left the band Chicago, took center stage next with a mellowing version of “After All That We’ve Been Through” before switching gears into a rousing “25 or 6 to 4.” It was then Rundgren’s turn. Did I mention that, despite four decades in the music business and dozens of hit albums produced Todd Rundgren is NOT in the Rock and Roll Hall of Fame? He began his mini-set with “I Saw the Light” and added “Hello, It’s Me.” That song is almost 50 years old but I sing it at the top of my voice every time I hear it, and tonight was no exception. Thankfully the rest of the audience joined me. Cross finished the mini solo concert with his hits “Sailing” and “Ride Like the Wind.” A few more Beatles tunes and it was intermission time.
Rundgren, Cross and Dolenz
The show resumed with Cross alone on stage and he began the second act with a beautiful version of “Blackbird.” The rest of the show was a constant barrage of Beatles song after song, each musically impeccable and perfectly sung. In the second act, Rundgren began having fun. He donned a couple of different outfits for a couple of songs, handing out flowers to the audience during “Sexy Sadie” and taking aim at the audience with an over-sized squirt gun while dressed as hunter during “The Continuing Story of Bungalow Bill.” Dolenz also had some fun with the audience, informing us that we were so great the band decided to also perform the entire “Abbey Road” album. As the band played the opening riffs to “Come Together” I thought he might be serious. Sadly, he wasn’t, though he joked that if they did play it he’d definitely need to be put into intensive care The highlight of the show, to me, was Rundgren’s kick-ass rendition of “Helter Skelter,” which earned him a much deserved standing ovation. I did mention that Todd Rundgren is NOT in the Rock and Roll Hall of Fame, didn’t I?
To sum it up, it was an amazing night of music played by an amazing group of musicians. If you’re a fan of the Beatles, or any of the musicians on the bill, I urge you to see this show when it’s in your town!
SET LIST: Back in the U.S.S.R., Dear Prudence, Everybody’s Got Something to Hide Except Me and My Monkey, Martha My Dear, Yer Blues, I’m a Believer, Pleasant Valley Sunday, Baby Blue, No Matter What, After All That We’ve Been Through, 25 or 6 to 4, I Saw the Light, Hello, It’s Me, Sailing, Ride Like the Wind, Honey Pie, Why Don’t We Do It In the Road?, While My Guitar Gently Sleeps, Blackbird, I Will, Julia, Mother Nature’s Son, Rocky Raccoon, Revolution 1, Sexy Sadie, I’m So Tired, Happiness is a Warm Gun, The Continuing Story of Bungalow Bill, Piggies, Glass Onion, Helter Skelter, Come Together (opening), Birthday. ENCORE: Ob-La-Di, Ob-La-Da.
“Louder Than Love” 35th Anniversary Vinyl
Producer: Terry Date/Soundgarden
Our Score: 3 out of 5 stars
Soundgarden’s 1989 release “Louder Than Love” is the latest album from the bands catalog to be included in the Seattle natives 35 year Anniversary Collection. The fifth in a series of monthly vinyl releases commemorating the bands career includes the albums original 12 tracks pressed on limited edition 180 gram colored vinyl and comes packaged in a full color sleeve with original album art.
The bands first release on a major label is a landmark point in a bands career. “Louder Than Love” captures the rawness and attitude of early Soundgarden as they transitioned from the dingy and damp clubs of Seattle to being a staple on MTV. Packed with tracks like the controversial “Hands All Over You” and “Big Dumb Sex” the album is a glimpse into an angst ridden band that is pulling out all the stops to get them to where they want to go. “Louder Than Love” is a tempo roller-coaster as songs like “Get On The Snake” and “Gun” both feature arrangements with non-traditional time structures giving the album a unique feel that doesn’t allow listeners to get very comfortable.
Like previous commemorative releases in this series the packaging and album are nice to look at but when it comes to purchase appeal outside of that there isn’t much to entice would be buyers. With the absence of any kind of bonus material, remixing or even a digital download option I really found it difficult to find value in this especially if you already own a copy. Clearly these releases are geared towards new listeners jumping on the vinyl craze. I find this to be somewhat sad as for the fans that were around during the bands initial rise there appears to be nothing new on the horizon for them to sink their musical teeth in to. If you purchased a copy of this record upon its initial release then you have everything and there is no need to purchase the re-release but, if this is an album that has been on your list to pick up and you prefer the translucent orange vinyl to the standard original pressed black then now is a great time to pick up “Louder Than Love”.
1.) Ugly Truth
2.) Hands All Over
4.) Power Trip
5.) Get On The Snake
6.) Full On Kevin’s Mom
7.) Loud Love
8.) I Awake
9.) No Wrong No Right
11.) Big Dumb Sex
12.) Full On (Reprise)
Christian Jacobs is a former child actor and the co-creator of the award winning kid’s television series “Yo Gabba Gabba!”. He also fronts the popular ska-punk band The Aquabats! under the pseudonym of The MC Bat Commander. Media Mikes had the chance to speak with Christian recently about the group’s current tour, the bands successful kickstarter campaign and when fans can expect new episodes of “The Aquabats! Super Show”.
Adam Lawton: Can you tell us about the bands current “Holy Guacamole Tour”?
Christian Jacobs: We did a previous tour in July however this tour sort of marks the first headlining tour we have done in some time that has gone east of the Mississippi. These shows are reuniting us with the “Legion of Righteous Comrades” who this last year helped us raise money to film new episodes of “The Aquabats! Super Show”. We have ten episodes shot and we are going to be shooting one more once we have the guest star lined up. These are fun sized episodes meaning they aren’t as long as the previous episodes from season one and two but, they are still a lot of fun. This tour is kind of recognizing the completion of those episodes and all the merchandise that we designed for that campaign. Getting out and playing is a way for us to meet up with the fans that helped keep the Aquabats! alive and a chance for us to say thank you for the support. From that Kickstarter campaign we have been able to film the new episodes, record an album, prepare to start another album in December and to do this tour. This band has been around the block a few times and the fact that there is a new generation of fans coming out to the shows and helping us put out new content has been just great.
AL: What was it that appealed to the band about using Kickstarter?
CJ: Us doing a Kickstarter has been talked about for a long time. We hesitated a bit as we are old-school. I was worried that we might look bad asking for money in this type of way and we were very nervous. I think a lot of people have the perception that with our previous things being successful there should be no reason why we can’t put new stuff out on our own. Sadly that’s not always the reality and that’s what happened for the Aquabats! We did try other networks when The Hub folded however, sometimes when things fail a stigma can often get attached to those associated making it difficult to keep going. We knew that people liked the show and wanted to keep it going so after meeting up with a couple guys who had experience with fan funding they gave us some great insight that helped us change our minds and see fan funding in a different light. Everyone who donated is a big part of what we accomplished. It’s like they are all producers which I think is very cool.
Ian Lawton: How do you come up with the characters for the show?
CJ: A lot of the things you see on “The Super Show” I think are influenced by stuff we watched as kids growing up. Everything from “Godzilla” movies to really weird Japanese kids shows and some of the shows from Sid and Marty Krofft who put out “Land of the Lost” and “ H R Puff N Stuff”. A lot of the characters we write and come up with are in a way homage’s to those things. Characters like Cobraman! came from Japanese common writer shows, Space Monster M was this weird Gung Ham hybrid robot that we loved. We wanted to create characters that our kids could be introduced to in a fun way while at the same times we as parents could watch and reminisce about the shows we used to watch. We had the same idea when we were putting together episodes for “Yo Gabba Gabba”.
IL: Can you tell us about the cat that shows up throughout the Aquabats! series?
CJ: That is actually a fox and he is hidden in every episode that we have done. Our special effects guys name on the show is Joel Fox. He does all of the weird lead in screen effects like floating pizzas and fingers turning into bananas. That stuff never ends up in the actual episode but it’s there and the beginning of each segment. Joel is sort of an enigma as he never tells us what he is going to do. Being he is our good friend we got him this fox costume and hid him in all the shows. He is somewhere in all the new upcoming episodes as well. It’s going to be harder to find him but he is there.
IL: Do you have a favorite character that you have come up with?
CJ: I really like all the Aquabats! character because they are just really funny. Each character is sort of an extension of the guy who plays it. The Bat Commander and I our definitely not the same guy but maybe some of our personality traits cross over. I can be a little like the commander but not totally as he is kind of a jerk sometimes. It’s all satire for each of us. I do like how we have evolved over time and how we can poke fun at each other through the production. Pilgrim Boy is a favorite as he is one of the original characters we came up with back in 1996. We had written out a bunch of the episodes at that time and the shape shifting pilgrim boy was a part of that. Cobraman! is another great one both on stage and on the show. The guy has snakes for hands which he shoots live snakes out of. (Laughs) Plus he has a very funny voice. Silver Skull is a good character as well. We sort of gave him this Bane type voice as that was a big joke at the time.
AL: Is there a time table for when we will see the new episodes and album?
CJ: We finished recording the album in July however due to everyone having family stuff going on and our producer being away it took awhile to get all the mixing done. We have it all completed know and would like to have it out around Halloween given a lot of the songs have a spooky vibe to them. We aren’t sure if that will give us enough time to promote it so aside from as soon as possible there is not a solid time table for that. We want to make sure we have good promotion in place and a couple videos as well. The new episodes of the show will start airing around September 20th on our YouTube channel.
AL: One of the things you do outside of the band is summer drawing classes for kids. Can you tell us about that program?
CJ: My brother Parker does these drawing classes and he always recruits me to come and help. It’s always a lot of fun. When we were kids we didn’t have distracters like phones and tablets so we had to find ways to entertain ourselves. Technology is wonderful but I think when you have a lack of resources you have more of an opportunity to use your brain and be creative. By having these classes my brother is able to teach kids how to doodle and how to use their imaginations. The classes are designed to be free flowing and not necessarily about how to draw something right but more to challenge your creativity. You won’t be drawing a bowl of fruit to look like a bowl of fruit. Instead you might draw whatever you want and have it fighting something inside comic panels or creating new characters no one has ever seen before. It’s a way for kids to bring their imagination from their heads directly to their hands. In this day and age it’s great to encourage kids that they too can create things “Fortnite” or “The Aquabats!”. Growing up we had punk rock to inspire us but we want to get kids going even younger and that’s a lot of what “Yo Gabba Gabba” was about. It’s extension of doing things yourself with the ideas being geared or aimed at young people. You don’t have to sit and wait for the next thing. You can be the next thing. With YouTube and all these things there is no reason anyone can’t if they really want to.
AL: Are there other projects outside of what you have already mentioned that we can be watching for?
CJ: We have been talking about and pitching new shows ever since the network we were on went out of business. There are just so many places to pitch new ideas that we have been going practically non-stop. We haven’t quite struck gold yet but given our track record with “Yo Gabba Gabba” and “The Aquabats! Super Show” we have a solid formula. The ideas are there we just have to get them out there while juggling families and all that. We do plan to tour again once the new record is out and we are on the hook for one more record after that as well so we have a lot that will be going on. If you had told me twenty five years ago that we would still be doing this in 2019 I would have laughed at you but it’s really great that we still are able to do this and we really enjoy it.