Rammstein’s long awaited seventh album is finally here! The untitled
release hit the shelves in the United States on May 17 via Caroline and consists
of 11 new tracks produced by Olsen Involtini and the Rammstein. The album which
features the singles “Radio” and “Deutschland” is the German based bands first
studio album since 2009’s “LIEBE IST FÜR ALLE DA” which peaked at number 13 on
the U.S Billboard 200.
After a 10 year recording hiatus German
industrialist’s Rammstein are back with a hard hitting package of 11 new songs
which certainly make up for the bands extended absence. It doesn’t matter you
go for the CD, Digital Download or the 2 LP version (like us) you will not be
disappointed. Prior to this release I had always gotten my Rammstein fix in CD
or Digital forms. Given the nature of the music I had always felt it would sound
best on these formats. With untitled though I decided to give the 2 LP version
of the release a try. Needless to say I was not disappointed as the vinyl
delivered! The heavy weight vinyl set at 45rpm’s gives the guitars and drums a
tight, robust sound that mixed nicely with the electronic and vocal elements of
the record. Tracks like “Radio”, “Sex” and, “Weit Weg” are all heavy hitters
that will get you moving while more subdued tracks “Was Ich Liebe” and “Hallomann”
paint eerie landscapes that could easily be the soundtrack to your favorite
thriller or horror film.
Absence makes the heart grow fonder and that is
definitely my sentiment as it pertains to the latest offering from Rammstein.
The band along with producer Olsen Involtini has put together a great sounding
release that is diverse enough to allow for consecutive listens time and time
again. The double LP version of the release offers a little something extra for
fans as it included 6 beautiful prints of the band (one for each member)
printed on high quality paper stock suitable for framing. The only negative I
found was that the LP version did also contain a digital version thus making it
impossible (without a second purchase) to obtain a mobile version of the album.
If this is something you can do without I highly recommend the vinyl however,
if you are on the go and don’t have a lot of time to sit down and listen to an
album then the digital or CD version of the release will still provide you an equally
CELEBRATES 30TH ANNIVERSARY OF SKID ROW’S LANDMARK, SELF-TITLED DEBUT WITH U.S. TOURTICKETS ON SALE FRIDAY!
Revered vocal powerhouse SEBASTIAN BACH will celebrate the 30th anniversary of SKID ROW’s acclaimed, self-titled breakout debut album with a U.S. Tour where he’ll be performing the record in its entirety plus other songs from his celebrated catalog. The tour will kick off in Nashville, TN on August 30th and will end in Pinellas Park, FL on November 2nd. Tickets and VIP Meet N’ Greet upgrades go on sale Friday, June 7th at http://www.sebastianbach.com/.
In a statement from Bach: “In 1989 we put out the first record ‘Skid Row’. 30 years later, people still dig the music we created in a garage all those years ago. In commemoration of this 30th Anniversary digital deluxe release, my band is going to perform the first Skid Row record, in its entirety, on the road, LIVE this fall! It’s going to be fun to do something that has never been done live before! We are looking forward to seeing you all for this one time event! Note: This concert is 100% live in every way! All real! All the time! No tapes! No fakes! Come and see a real rock band while they still exist! We give it to you straight from the heart ‘cuz that’s the only way we know how! See you on the road!”
Released in the winter of 1989, SKID ROW’s self-titled record is one of heavy rock’s most successful debut albums, landing in Billboard’s Top 10 and going on to sell millions of copies around the world. The record transformed the band from local New Jersey quintet into a global phenomenon whose rebellious attitude and jaw-dropping talent set the bar and tone for rock music in the late 80’s and early 90’s. SKID ROW’s singles, “18 and Life,” “Youth Gone Wild” and “I Remember You,” are among the decade’s most recognizable rock anthems that still receive heavy airplay on radio stations across the country. The group again achieved commercial success with its second record Slave to the Grind (1991) certified multi-platinum, reaching number one on the Billboard 200.
SEBASTIAN BACH is recognized globally as a vocalist, television star, actor and beyond! Bach hit the spotlight in the late 1980’s as the iconic frontman for mainstream heavy metal / hard rock act SKID ROW. Since his departure from Skid Row in the mid 90’s, SEBASTIAN BACH still remains one of the most relevant rock figures in pop culture today, with over 20 million records sold, three solo records, network television appearances on AXS.tv, MTV, VH1 and CMT, guest appearances on “Gilmore Girls,” “Trailer Park Boys,” “Californication” and other popular television shows, and several acting stints on and off Broadway. BACH’s last album, Give ‘Em Hell, impressively, landed on the U.S. Top Hard Rock and Top 200 Billboard charts, proving his prowess decades after his initial debut. BACH’s critically acclaimed Harper Collins memoir “18 And LIFE on Skid Row” was released December 6, 2016.
SEBASTIAN BACH’s band is :
Drums: Bobby Jarzombek (HALFORD, FATES WARNING) 2005-2019
SEBASTIAN BACH Tour Dates: Aug 29 – Nashville, TN – Mercy Lounge Aug 30 – Anderson, SC – William A Floyd Amphitheater Aug 31 – Charlotte, NC – Amos Southend Sep 2 – Huntsville, AL – Side Tracks Music Hall Sep 3 – Columbus, OH – Skully’s Sep 4 – Cleveland, OH – Phantasy Sep 6 – Stafford Springs, CT – Palace Theater Sep 7 – Block Island, RI – Ballard’s (afternoon show) Sep 9 – Laconia, NH – Granite State Music Hall Sep 10 – Hampton Beach, NH – Wally’s Sep 11 – Portland, ME – Aura Sep 13 – Harrison, OH – The Blue Note Sep 14 – Flint, MI – The Machine Shop Sep 15 – Grand Rapids, MI – The Intersection Sep 18 – Kansasville, WI – 1175 Sep 19 – St. Louis, MO – Delmar Hall Sep 20 – Lombard, IL – Brauer House Sep 21 – Dubuque, IA – Q Casino Sep 22 – Lexington, KY – Manchester Music Hall Sep 25 – New York, NY – Sony Hall Sep 26 – Harrisburg, PA – XL Live Sep 27 – Lynchburg, VA – Phase 2 Sep 28 – Waterloo, NY – The Vine at Del Lago Sep 29 – Warrendale, PA – Jergel’s Oct 1 – Atlanta, GA – Variety Playhouse Oct 3 – Wichita, KS – WAVE Oct 5 – Golden, CO – Dirty Dogs Roadhouse (Outdoor) Oct 6 – Albuquerque, NM – Sunshine Theater Oct 10 – Ramona, CA – Ramona Mainstage Oct 11 – Los Angeles, CA – Whisky A Go Go (Night 1) Oct 12 – Los Angeles, CA – Whisky A Go Go (Night 2) Oct 17 – Roswell, NM – Liberty Theater Oct 18 – Oklahoma City, OK – Diamond Ballroom Oct 19 – Waco, TX – The Backyard Oct 20 – Dallas, TX – Gas Monkey Bar N’ Grill Oct 22 – Houston, TX – House of Blues Oct 23 – San Antonio, TX – Aztec Theater Oct 24 – Corpus Christi, TX – House of Rock Oct 25 – Lafayette, LA – The District Oct 26 – Miramar Beach, FL – Village Door Music Hall Oct 28 – Miami, FL – KISS Kruise Pre Party @ Double Tree Oct 30 – Orlando, FL – Hard Rock Oct 31 – Savannah, GA – Victory North Nov 1 – Ft. Myers, FL – The Ranch Nov 2 – Pinellas Park, FL – England Brothers Park
Knocked Loose have announced their hotly anticipated new album, A Different Shade of Blue — a mammoth of a sophomore release and massive step forward for the band and for hardcore and metal as we know it. Recorded by producer Will Putney, the new LP was approached slower and more methodically. Abandoning the previous ‘live in studio’ recording approach for something more deliberate, the band cranked out twelve new tracks that deal with all manner of anger, especially loss in lieu of absence. Vocalist and lyricist Bryan Garris found catharsis as well as some of his most intensely personal lyrics to date.
Lead single “…And Still I Wander South” was revealed today which Garris explains, “is about wanting to move on, or better yourself for whatever reason, but you keep going back to the same old thing. Whether that be depression or whatever you may be going through. You always wander back to the same mindset.”
Knocked Loose, comprised of the young Cole Crutchfield (rhythm guitar), Bryan Garris (vocals), Isaac Hale (lead guitar), Kevin Otten (bass) and Kevin Kaine (drums), have taken a huge leap, moving from upstart hardcore-influenced favorites to bonafide key figures of the genre. Their 2016 debut, Laugh Trackswas a revelation, taking the world by storm and establishing the band as a major force spanning genres and generations.
Forged on musical bonds built at an early age, Knocked Loose came together in the small yet relatively formidable hardcore / punk scene of the greater Louisville, KY area. Though the scene was relatively strong, a lack of available bands, touring parties and scarcity of gigs forced diversity- mixing genres and challenging young ears with new ideas, approaches and styles. That diversity – death metal bands mingling with youth crew, screamo on the same bill as Am-Rep-style bands and on and on- created the basis of Knocked Loose musically and the genesis for their approach, an amalgam of heavy influences that never commits to any singular style but maintains a loyalty to the hardcore tradition.
Knocked Loose is the obvious evolution to decades of bands like Integrity, Disembodied, Botch and others- total and complete integration between metal and hardcore into a singular, seamless entity. Since its inception, hardcore has evolved from the germ of “Slayer actually has punk parts” to crossover to the addition of everything from death metal to rap to shoegaze. Knocked Loose is the proverbial fish walking on land- the end of the evolution, and possibly the apex of the metallic hardcore punk movement thus far. Ably combining the teeth-clenching hatred of a hardcore band with the unmitigated technicality and ferocity of metal, Knocked Loose have conceived state of the art hatred- a true melting pot of ideas that combines pit-ready riffs, memorable songwriting and deviously clandestine melody into a boiling-over pot of vitriol.
While some musical influences are easily identified – Pantera, Hatebreed, Obituary and more - the band’s palette and canvas has expanded by leaps and bounds, incorporating Gothenburg-style death metal (At the Gates, early In Flames), slam metal (Devourment, Dying Fetus), blood-thirsty thrash (Sodom, Kreator), black metal (Craft) and the mind-boggling complexity of latter noisy hardcore like Snapcase and Bloodlet. Clocking in at a lean and mean 37 minutes and featuring guest vocals from Emma Boster of Dying Wish and Keith Buckley of Every Time I Die, A Different Shade of Blue grabs the listener by the throat from the jump and slowly tightening that grip for the duration.
A Different Shade of Blue is due on TKTKTK via Pure Noise Records this August 23. For further info and pre-order details, visit here.
One-Day-Only Rammstein Pop-Up Tattoo Shops Open May 20
RAMMSTEIN has released its long awaited seventh album, available as of today for purchase and/or streaming via Caroline Records in the U.S.
Comprised of 11 new RAMMSTEIN tracks including “ZEIG DICH” and singles “RADIO” and “DEUTSCHLAND,” the new record is RAMMSTEIN’s first studio album since 2009’s LIEBE IST FÜR ALLE DA.
To date, “RADIO” and “DEUTSCHLAND” have amassed combined streams and views exceeding 100 million.
The new album is produced by Olsen Involtini with RAMMSTEIN.
The band will debut material from the new album on its upcoming sold out stadium tour, beginning May 27 and running through August 23. See below for dates.
Two independent record stores–Fingerprints Music in California and Looney Tunes in New York—will be hosting Rammstein pop-up tattoo shops—Fingerprints on May 20 from 2pm to 8pm, and Looney Tunes on a date to be determined. Fans who purchase the album and present a receipt with coupon will receive a free (and real) Rammstein logo tattoo–First Come, First Served Basis.
RAMMSTEIN is CHRISTOPH SCHNEIDER, FLAKE LORENZ, OLIVER RIEDEL, PAUL LANDERS, RICHARD Z. KRUSPE, and TILL LINDEMANN.
RAMMSTEIN EUROPE STADIUM TOUR 2019
05/27/19 – Gelsenkirchen, Germany – Veltins-Arena (SOLD OUT) 05/28/19 – Gelsenkirchen, Germany – Veltins-Arena (SOLD OUT) 06/01/19 – Barcelona, Spain – RCDE Stadium 06/05/19 – Bern, Switzerland – Stade de Suisse (SOLD OUT) 06/08/19 – Munich, Germany – Olympiastadion (SOLD OUT) 06/09/19 – Munich, Germany – Olympiastadion (SOLD OUT) 06/12/19 – Dresden, Germany – Rudolf-Harbig-Stadion (SOLD OUT) 06/13/19 – Dresden, Germany – Rudolf-Harbig-Stadion (SOLD OUT) 06/16/19 – Rostock, Germany – Ostseestadion (SOLD OUT) 06/19/19 – Copenhagen, Denmark – Telia Parken (SOLD OUT) 06/22/19 – Berlin, Germany – Olympiastadion (SOLD OUT) 06/25/19 – Rotterdam, Netherlands – De Kuip (SOLD OUT) 06/28/19 – Paris, France – Paris La Défense Arena (SOLD OUT) 06/29/19 – Paris, France – Paris La Défense Arena (SOLD OUT) 07/02/19 – Hannover, Germany – HDI Arena (SOLD OUT) 07/06/19 – Milton Keynes, United Kingdom – Stadium MK 07/10/19 – Brussels, Belgium – Stade Roi Baudouin (SOLD OUT) 07/13/19 – Frankfurt am Main, Germany – Commerzbank-Arena (SOLD OUT) 07/16/19 – Prague, Czech Republic – Eden Aréna (SOLD OUT) 07/17/19 – Prague, Czech Republic – Eden Aréna (SOLD OUT) 07/20/19 – Luxembourg, Luxembourg – Roeser Festival Grounds (SOLD OUT) 07/24/19 – Chorzów, Poland – Stadion Śląski 07/29/19 – Moscow, Russia – VTB Arena, Central Dynamo Stadium 08/02/19 – Saint Petersburg, Russia – Pazprom Arena 08/06/19 – Riga, Latvia – Lucavsala 08/10/19 – Tampere, Finland – Ratina Stadion (SOLD OUT) 08/14/19 – Stockholm, Sweden – Stockholm Stadion (SOLD OUT) 08/18/19 – Oslo, Norway – Ullevaal Stadion (SOLD OUT) 08/22/19 – Vienna, Austria – Ernst-Happel-Stadion 08/23/19 – Vienna, Austria – Ernst-Happel-Stadion
The pioneers of wizard rock return with a double LP chronicling the all-too-relevant events of the seventh Harry Potter book, Harry Potter and the Deathly Hallows
“The Potters specialize in lo-fi indie rock, sung from the perspective of the protagonist, played by both [Paul] DeGeorge and his brother Joe. Musically, they take cues from the nerdy meanderings of They Might Be Giants and Magnetic Fields, adding on silly lyrics sourced from the books’ plot lines.”-Rolling Stone ” …a gimmick, a daydream, and a beautiful geeky power-fantasy all wrapped in one… they wrote music about what they adored, they had no fear, and along the way they fostered a beautiful thing.” VICE’s Noisey
On June 21st, wizard rock pioneers Harry and the Potters (Paul and Joe DeGeorge), will release their first full-length album since 2006: Lumos. Using the magic of rock and roll, it chronicles the events of the seventh and final Harry Potter book where J.K. Rowling’s teen wizard and his friends are on the run from a xenophobic, authoritarian regime and must work diligently to take down a dark wizard who capitalizes on fear and emboldens supremacist wizards. In other words, the subject matter of Lumos is extremely relevant. Harry and the Potters will embark on their first national tour of libraries since 2011 in support of the new album.
Lumos was first announced to Harry and the Potters’ fans with a Kickstarter campaign on April 23rd, doubling its funding goal within 24 hours of launch.
Lumos is an album for this political moment. For the parents raising a younger generation reading these books for the first time, it’s an opportunity to connect the dots: the systems facilitating oppression in the wizard world – state-run media, children being separated from their mixed-blood parents, surveillance systems, and pureblood supremacy – strongly echo the daily reality of creeping neo-fascism. For the generation of Harry Potter fans that has grown up into a world where cartoonish villains occupy the halls of power, it’s a reminder that there is a pathway forward. Now is the time for Dumbledore’s Army, for the Order of the Phoenix. We are being called upon to become the heroes that this moment necessitates.
Paul DeGeorge tells Rolling Stone, “we’re hoping that parents and their young kids might see us play at the library, hear a song explicitly critiquing pureblood supremacy and then later have a real discussion about white supremacy and how it manifests in their own lives.”
These are wizard fight songs, but there are also songs about riding dragons, magic pictures of cats, and using cool spells while camping. There is even a platonic friendship power ballad duet with Kimya Dawson, who makes a special guest appearance as Hermione Granger. Truly there is something here for the whole family – especially if the whole family is invested in defeating Voldemort.
2. You’re Not the Wizard
3. Good Riddance (Privet Drive)
4. The Trace
5. On the Importance of Media Literacy Under Authoritarian Rule
6. Hermione’s Army
7. What Happened to the Cat?
8. The Banality of Evil (Song for Albert Runcorn)
9. Gone Campin’
10. Where’s Ron? (featuring Kimya Dawson as Hermione Granger)
June 21 – Gloucester, MA – Sawyer Free Library June 22 – Buffalo, NY – Buffalo and Erie County Public Library June 23 – London, ON – The Rec Room June 24 – Toronto, ON – The Rec Room June 26 – Ann Arbor, MI – Ann Arbor District Downtown Library June 28 – Athens, OH – Athens Public Library June 29 – Louisville, KY – Louisville Free Public Library June 30 – Chicago, IL – Beat Kitchen July 1 – DeForest, WI – DeForest Area Public Library July 2 – Dubuque, IA – Eagle Point Park (rain location: Carnegie-Stout Public Library) July 3 – Minneapolis, MN – Cedar Cultural Center July 4 – Rapid City, SD – Memorial Park Bandshell July 5 – Steamboat Springs, CO – Strings Music Festival July 6 – Boulder, CO – Band Shell in Central Park July 7 – Denver, CO – Mercury Cafe July 8 – Provo, UT – Provo Library at Academy Square July 9 – Salt Lake City, UT – Kilby Court July 12 – Missoula, MT – Missoula Public Library July 13 – Calgary, AB – The Rec Room July 14 – Edmonton, AB – The Rec Room July 16 – Vancouver, BC – Vancouver Public Library July 17 – Anacortes, WA – Causland Park July 18 – Olympia, WA – Olympia Timberland Library July 19 – Seattle, WA – Seattle Public Library July 20 – Portland, OR – St. Johns Library July 20 – Portland, OR – Gresham Library July 21 – Eugene, OR – Downtown Eugene Public Library July 23 – Santa Clara, CA – Northside Branch Library July 24 – San Francisco, CA – Bottom of the Hill July 25 – Oakland, CA – Oakland Public Library Main Branch July 27 – Santa Barbara, CA – Santa Barbara Public Library July 30 – Los Angeles, CA – Troubadour July 31 – Huntington Beach, CA – Huntington Beach Public Library August 1 – Las Vegas, NV – Clark County Library August 2 – Phoenix, AZ – Burton Barr Central Library August 3 – Tucson, AZ – Flowing Wells Branch Library August 4 – El Paso, TX – El Paso Public Library August 5 – San Antonio, TX – The Magik Theater August 6 – Houston, TX – Houston Public Library – Barbara Bush Literacy Plaza August 7 – New Orleans, LA – New Orleans Public Library – Main Library August 8 – Ridgeland, MS – Ridgeland Public Library August 9 – Dallas, TX – LeakyCon August 11 – Dallas, TX – Renner Frankford Branch Library August 12 – Austin, TX – Mohawk August 14 – Shawnee, KS – Monticello Library August 15 – Tulsa, OK – Tulsa City County Library – Hardesty Regional Library August 16 – Springfield, MO – The Library Center August 18 – Greensboro, NC – Greensboro Public Library August 20 – Washington, DC – Woodridge Library August 21 – Lewes, DE – Lewes Public Library August 22 – Brooklyn, NY – Knitting Factory August 24 – Boston, MA – Boston Public Library (Dartmouth Street Steps)
Harry and the Potters are the first wizard rock band. They play songs exclusively about the Harry Potter books. The band consists of brothers Joe and Paul DeGeorge. They grew up in a suburban Boston house that has a cupboard under the stairs. Since 2002, Harry and the Potters have performed over 800 shows in libraries, rock clubs, art spaces, bookstores, basements, and all ages venues all over the world. Their high-energy live show has become legendary. Pitchfork placed the band in their Best Live Shows of 2005 list noting, “the greatest rock and roll tour of the year took place this past summer in public libraries across America… The Decemberists wish they could lit-rock like this.”
Inspired by equal parts Fugazi and They Might Be Giants, Bruce Springsteen and Negativland, the band continues to occupy a bizarre niche that brings their DIY punk ethos to the fandom of a mainstream cultural phenomena. Their commitment to playing all ages shows has meant extensive touring in unconventional spaces like libraries (where a large number of teens and pre-teens undoubtedly saw their first concert ever). As fandom and convention culture has gone mainstream – and in the process become increasingly corporatized – over the past decade, it feels refreshing to see a free Harry and the Potters show at the local library.
The band helped co-found the pioneering fan activist organization The Harry Potter Alliance and were profiled in the 2008 documentary We Are Wizards. With their annual Yule Balls (2005-present) and the Wizard Rock EP Club (which released albums from over 30 different wizard rock bands between 2007-2009), the band has raised over $100,000 for the Harry Potter Alliance and other literature-related charities.
In 2019, they will release Lumos, their first full-length album in over a decade, and will embark on an extensive summer tour of libraries across the United States.
Legendary rock icons SUM 41 have announced their seventh full-length album, Order In Decline, will be released July 19, 2019 via Hopeless Records. Looking back at the band’s storied 23+ year career, this record is undoubtedly Sum 41’s heaviest and most aggressive album to date, while also being their most dynamic and raw.
During three years of relentless touring surrounding the band’s massive comeback record 13 Voices, frontman Deryck Whibley was feverishly putting together song ideas that would eventually become Order In Decline. Within three weeks of returning home, the majority of the music for the new album was written and then it was time for lyrics.
Unconsciously, Whibley saw lyrics reflecting his reactions to seeing the pervasive division, racism and hate around the world, even more so punctuated by the repulsive social and political turmoil invading his own home nations of the United States and Canada. “The last thing I wanted to do was write a social or political protest record, and Order In Decline is not that,” Whibley clarifies. Instead, Order in Decline is a burst of uninhibited feeling, a page out of his journal, a window into his soul that reflects on extremely personal and vulnerable events, because as he confesses, “It’s also very hard not to have feelings about everything that’s going on in the world.”
Armed with the most honest and personal songs of his career, Whibley poured everything he had into the album. Producing, engineering, and mixing the album in his home studio, he pain-stakingly crafted and fine-tuned each song, highlighted by fast and full riffs, guitar solos from lead guitarist/backing vocalist Dave Brownsound, harmonious chords from guitarist Tom Thacker, and the heavy, heart-thumping rhythm section of bassist/backing vocalist Cone McCaslin and drummer Frank Zummo.
Today’s announcement unleashes the highly anticipated first single and video for “Out For Blood.” It is the epitome of a Sum 41 track, featuring anthemic and echoing vocals, an insane guitar solo and never-ending energy that will captivate you from the very beginning. Fans can stream the music video for “Out For Blood” at http://sum41.com/.
Order In Decline: Track Listing
1. Turning Away 2. Out For Blood 3. The New Sensation 4. A Death In The Family 5. Heads Will Roll 6. 45 (A Matter Of Time) 7. Never There 8. Eat You Alive 9. The People Vs… 10. Catching Fire
Order In Decline is available for pre-order now at http://smarturl.it/OrderInDecline. Fans who pre-order digitally will receive an auto-grat download of “Out For Blood.”
Later this month, Sum 41 will be hitting the road and delivering an up close and personal show, through intimate club venues across the United States while on the No Personal Space Tour. The upcoming tour kicks off on April 30th in San Antonio, TX and features support from California-based Assuming We Survive. In addition to these dates, the band will perform at a number of United States Air Force Bases throughout the US.
Special VIP Packages for the No Personal Space Tour are available and include a Q&A with lead guitarist/backing vocalist Dave Brownsound and bassist Cone McCaslin. Limited tickets remain and are on sale now at http://www.sum41.com/tour.
Sum 41 will also be co-headlining the inaugural Rockstar Energy Drink DISRUPT Festival this Summer on select dates throughout the United States and Canada. For more information, head to https://rockstardisrupt.com/.
Upcoming Sum 41 North American Tour Dates
April 27 – Salt Lake City, UT – Utah State Fairpark
April 28 – Tempe, AZ – Big Surf Waterpark
April 30 – San Antonio, TX – Paper Tiger
May 1 – Dallas, TX – Cambridge Room
May 2 – Houston, TX – Bronze Peacock
May 4 – Orlando, FL – The Abby
May 5 – Ft. Lauderdale, FL – The Culture Room
May 6 – Pensacola, FL – Vinyl Music Hall
May 8 – New Orleans, LA – House of Blues Parish
May 12 – Nashville, TN – Basement East
May 14 – Atlanta, GA – Masquerade
May 19 – Charlotte, NC – Underground
May 21 – New York, NY – Gramercy Theatre
May 22 – Boston, MA – Brighton Music Hall
May 24 – Cleveland, OH – Phantasy
May 25 – Detroit, MI – Shelter
May 26 – Chicago, IL – Bottom Lounge
July 12 – Tinley Park, IL – Hollywood Casino Amphitheatre*
July 13 – Thornville, OH – Legend Valley*
July 14 – Noblesville, IN – Ruoff Home Mortgage Music Center*
July 15 – Maryland Heights, MO – Hollywood Casino Amphitheatre*
July 17 – Denver, CO – Fiddler’s Green Amphitheatre*
July 20 – Irvine, CA – Five Point Amphitheater presented by Mercury Insurance*
July 23 – Auburn, WA – White River Amphitheatre*
July 24 – Boise, ID – Idaho Center Amphitheatre*
July 26 – Chula Vista, CA – North Island Credit Union Amphitheatre*
July 27 – Phoenix, AZ – Ak-Chin Pavilion*
July 28 – Albuquerque, NM – Isleta Amphitheater*
September 29 – Louisville, KY – Louder Than Life Festival
* – Rockstar Energy Drink DISRUPT Co-Headline Festival Dates
NORTH AMERICAN HEADLINING TOUR KICKS OFF APRIL 7th IN SACRAMENTO
With two weeks to go before the arrival of much-anticipated album THE GHOST OF OHIO (Lava/Republic), singer-songwriter Andy Black has released new track “The Promise” – click HERE to listen and HERE for the lyric video.
“’The Promise’ was inspired by my days spent driving from my neighborhood on the west side of Cincinnati and heading towards the city and into northern Kentucky where I spent almost all of my teenage years in bands, working on a dream,” says Black. “Every day I would use that drive as a chance to plan and think and hope and wish that one day I would be able to make music and tour the world. Over the years that dream has remained, but like all of us as we grow up, often our interests and methods change over time. This song is about trying to remain true to what you wanted the most when you had nothing and keeping that very same passion and drive close to your heart.”
“The Promise” is the third song Black’s released over the course of the past several weeks following lead single “Westwood Road” (which has amassed over 1.5 million YouTube views) and title track “The Ghost Of Ohio” and all three songs are available as instant downloads by clicking HERE to pre-order The Ghost Of Ohio ahead of its April 12th release date.
The Ghost Of Ohio sees Black re-teaming with Grammy nominated producer John Feldmann (Blink-182, Panic! at the Disco), who helmed 2016’s acclaimed debut The Shadow Side.
Black discussed the album during a recent interview with Build – click HERE to watch.
Black, who’s always had a reverence for the magical convergence of sight and sound, created the diverse album to also serve as a soundtrack for its graphic novel counterpart, marrying melancholy themes with upbeat rock and pop to tell the tale of someone who died young and whose spirit inhabits an area for a hundred years looking for ways to connect. The album’s artwork was painted by Eliran Kantor (Iced Earth, Testament).
Black will support the new album with The Ghost of North America Tour, a headlining run that will kick off April 7th at Ace of Spades in Sacramento, CA (see itinerary below).
Don’t miss your chance to experience Andy Black’s The Ghost of North America Tour.
New Art Book Featuring Amorphis, Metallica, Slayer, Black Sabbath, Behemoth, Judas Priest, Opeth, Obituary, And More
Veteran metal/rock journalist, Ramón “Oscuro” Martos, has finally published his eagerly awaited metal art book, …AND JUSTICE FOR ART: STORIES ABOUT HEAVY METAL ALBUM COVERS – VOLUME 2. This one-of-a-kind collection of graphics and stories reveals all the particulars behind the making of now-legendary album art including Slayer’s Hell Awaits, Judas Priest’s Screaming For Vengeance, Morbid Angel’s Altars Of Madness, Metallica’s Death Magnetic, Black Sabbath’s Heaven And Hell, Queensrÿche’s Operation: Mindcrime, Emperor’s In The Nightside Eclipse, Death’s The Sound Of Perseverance, Type Of Negative’s Bloody Kisses, Carcass’ Surgical Steel, Amorphis’ Tales From The Thousand Lakes, Soulfly’s Archangel, Behemoth’s The Satanist, Opeth’s Sorceress, and many others.
The stories behind these iconic works are told through more than one-hundred exclusive interviews with metal icons like Max Cavalera (Soulfly), Jeff Walker (Carcass), Dave Lombardo (ex-Slayer), K.K. Downing (ex-Judas Priest), Satyr (Satyricon), David Vincent (ex-Morbid Angel), Hansi Kürsch (Blind Guardian), Luc Lemay (Gorguts), Ihsahn (Emperor), Paul Mazurkiewicz (Cannibal Corpse), Jamey Jasta (Hatebreed), and so many more. Additionally, the collection features insightful interviews with legendary illustrators such as Eliran Kantor, Dan Seagrave, Travis Smith, Valnoir, and Costin Chioreanu, who also designed the book’s stunning front cover.
“This new book features 252 color pages and more than 400 images. It provides firsthand information about hundreds of graphics, which are presented in extremely high quality,” Ramon Oscuro comments. “Although this is a direct continuation of the first volume published in 2015, it’s also a true standalone book. Readers will be able to discover images and stories that haven’t been published until now. This volume is the product of three years of intense work and insightful research. Working on it was an amazing experience.”
Several musicians have expressed their enthusiasm for the …AND JUSTICE FOR ART book series. Soulfly’s Max Cavalera — who penned the new book’s foreword — has thanked the author, “for helping to keep alive the ritual of the album cover.” Vltimas/ex-Morbid Angel frontman, David Vincent crowned …AND JUSTICE FOR ART, “a historical document about the importance of metal album covers.” Cattle Decapitation vocalist Travis Ryan proclaims, “this is exactly what the music world needs to remind us how important album covers have been to all of us that grew up surrounding ourselves with physical media.”
…AND JUSTICE FOR ART – VOLUME 2 was funded through a successful crowdfunding campaign launched by Oscuro via Indiegogo. The current edition is limited to 300 copies and is exclusively available at THIS LOCATION. Each copy is personally signed by the author.View the book’s teaser video at THIS LOCATION.
Launches video for first single, “Raven’s Flight”, featuring Josh Barnett (ex-UFC), Erick Rowan (WWE), and more
On May 3rd, Amon Amarth will release their 11th full-length, Berserker, via Metal Blade Records (North America)/Sony Music (International)! For a preview of the album, the video for the first single, “Raven’s Flight”, can be viewed at:http://www.amonamarth.com
Directed by Roboshobo, “Raven’s Flight” will be the first of a trilogy of music videos from Berserker, each one increasingly epic in its scope, further immersing the viewer in the world of Amon Amarth. Much like the songs on Berserker, the videos present Amon Amarth to its fullest. The cast features Josh Barnett as “the Berserker” (https://en.wikipedia.org/wiki/Josh_Barnett) and Erick Rowan as “Thor” (https://en.wikipedia.org/wiki/Erick_Rowan), among others.
To pre-order Berserker, please visit amonamarth.lnk.to/berserker – where the album is available in the following formats: –digipak-CD –deluxe box set [digipak-CD, shield (~12″x12″), patch (~4″x4″) – limited to 500 copies in US] –opaque white w/ black splatter vinyl (limited to 1200 copies) –opaque white w/ silver haze vinyl (retail exclusive – limited to 1300 copies) –clear w/ red splatter vinyl (webstore exclusive – limited to 750 copies) –black w/ red haze vinyl (webstore exclusive – limited to 750 copies)
Comprising 12 monstrous heavy metal anthems that bulge with irresistible melodic hooks, bursts of thrilling savagery and moments of spine-tingling dynamic drama, Berserker is the result of the huge surge of creativity and a collective desire to keep moving forward with no compromise.
From the disarming melodrama and explosive riffing of opener “Fafner’s Gold” and the brutish simplicity of the rampaging “Crack The Sky” to the epic fury of “Raven’s Flight” and the grim, gritty storytelling of “Ironside” and “Skoll and Hati”, Berserker is an album full of trademark Amon Amarth bluster and bite but with every aspect of the band’s sound somehow refined, sonically enhanced and made vastly more potent, both in terms of metal oomph and emotional power.
Neatly summing up the spirit behind these exhilarating new songs is the album’s semi-title track, “The Berserker At Stamford Bridge”: a visceral but vivid historical tale, recounting the Vikings last stand against the English army in 1066 and the mind-bending heroics of one axe-wielding warrior.
Showcasing an undeniable and startling upgrade for every aspect of Amon Amarth‘s iconic sound, Berserker was recorded in Los Angeles with renowned studio guru Jay Ruston (Anthrax/Stone Sour) manning the controls. After recording several rounds of professional demos for the new songs (initially with fellow Swedish metal icon Peter Tägtgren and then later with Ruston himself) the band crossed the Atlantic to make final the recordings in LA, eager to take a fresh approach to the album-making process.
“For me, this is Amon Amarth 2.0,” vocalist Johan Hegg declares. “I think what we’ve done here is give ourselves the space to explore other parts of our musicality and who we are as a band. If you’re content with where you’re at, what’s the point of continuing? We always want to come up with new ideas and find new ways of doing things and to create bigger and better shows and really try to improve every aspect of what the band is. We want to try to keep growing and to do this for as long as we have the possibility to do so, because this is the best fucking job in the world.”
ALBUM PRODUCED BY AND FEATURING GRAMMY®WINNER SHOOTER JENNINGS
NORTH AMERICAN TOUR KICKS OFF MAY 30 IN PHILADELPHIA
TOUR WILL SEE McKAGAN BACKED BY SHOOTER JENNINGS + BAND
FANS IN LOS ANGELES CAN CATCH SPECIAL GRAMMY®MUSEUM PERFORMANCE ON APRIL 4
Guns N’ Roses bassist and New York Times bestselling author DUFF McKAGAN has released “Chip Away,” a new track from his much-anticipated solo album, TENDERNESS (UME) – click HERE to listen.
“’Chip Away’ is somewhat of a rail against cable news and divisive agendas…all for the almighty dollar,” says McKagan. “The song also highlights the fact that history repeats itself over and over, and that we will all get past this, together.”
“Chip Away” follows the recent release of lead track “Tenderness” and both songs are available as instant downloads by clicking HERE to pre-order TENDERNESS ahead of its May 31st release.
The full track listing for TENDERNESS is as follows: “Tenderness” “It’s Not Too Late” “Wasted Heart” “Falling Down” “Last September” “Chip Away” “Cold Outside” “Feel” “Breaking Rocks” “Parkland” “Don’t Look Behind You”
Also available for pre-order is a special limited edition TENDERNESS deluxe book, which includes the album on 180-gram yellow & red starburst vinyl, the CD, and features an exclusive lithograph signed and numbered by McKagan. The hard cover book contains 40-pages of photos from the recording sessions and also presents liner notes written by Duff detailing his experiences with each song and the project as a whole. The vinyl features 10 tracks and a unique sequence carefully selected by McKagan and the album’s GRAMMY®-winning producer Shooter Jennings, while the CD includes 11 tracks.
TENDERNESS sees McKagan reflecting on his experiences traveling the globe over two and a half years on Guns N’ Roses’ Not In This Lifetime tour. Encountering heartbreak, anger, fear, confusion and divide on his travels during this tumultuous time in our world history, McKagan channeled a collective hurt into songs of monolithic power.
“We’re becoming divided at a time when we need each other most,” says McKagan. “When huge industries get replaced because of modernization, it’s time to retrain and bolster up those who get swept aside. Homelessness and drug addiction are avoidable in this country if we come together and get private and public cogs turning together in a positive direction. We can at least try to tackle mental illness while we’re at it. But alas, we stump and lie, point fingers and divide. We’re way better than this. As a father, I must say and do something now because I love my girls and my wife, and I love my country, and I feel I must be strong and use my voice now, do it while I’m able or perhaps never get a chance ever again.”
McKagan and Jennings began recording Tenderness a year ago this month, working out of Station House studios, located in Echo Park, CA, where they wrote and recorded in-between McKagan’s tour with seminal rock band Guns N’ Roses and the release of Jennings’ eponymous album, Shooter. TENDERNESS features Jennings and his band along with appearances by The Waters and The Suicide Horn Section (which features Duff’s brother Matt McKagan on trombone), amongst others.
Twelve months later, they’re gearing up to take these songs on the road for a North American tour that kicks off May 30 at TLA in Philadelphia. Prior to the tour’s launch, Los Angeles-based fans can catch McKagan and Jennings discussing the album and giving a special performance at the GRAMMY® Museum in downtown LA.
Don’t miss your chance to see Duff McKagan live. Tour dates are as follows:
Alternative Hard-Rock Pioneers Set To Celebrate Their 35th Anniversary In 2019 With Innovative Album Of The Month Series And Additional Historical Releases, Beginning With Limited-Edition 25th Anniversary 2LP Edition Of Superunknown
Recognized as one of the most influential bands in rock music the world over, the generation-changing, multiplatinum-selling, Grammy® winning Soundgarden will be celebrating their 35th anniversary in 2019 in grand style.
To that end, A&M/UMe kicks off a year-long commemoration of the storied career and ongoing influence of these immortal Seattle hometown icons with the unveiling of an Album of the Month series done in conjunction with The Sound of Vinyl. Each month The Sound of Vinyl will release a different Soundgarden album on limited-edition color vinyl.
The first entry in this new program debuts in April, honoring the 25th anniversary of Superunknown with a new special edition of the album, pressed on 180-gram translucent red and gold vinyl. For a limited time, fans can pre-order the complete Album of the Month series of LPs as an exclusive bundle, with a discounted price, and an exclusive lithograph designed and signed by Soundgarden’s long time creative director Josh Graham. Details of the album series, along with specialcontent and other interactive features celebrating the 35th anniversary of Soundgarden, can be found at http://soundgarden35.com.
Released in March 8, 1994, Superunknown debuted at No. 1 on the Billboard Top 200 Albums chart andhas since been certified as having sold over 5 million copies in the United States alone. Superunknownfeatures such genre-defining and genre-defying hits as the churning anthem “Black Hole Sun,” the foreboding “Fell On Black Days,” the eclectic individuality of “Spoonman,” the optimistic rush of “The Day I Tried To Live,” and the off-kilter crest of “My Wave.”
Buttressed by Chris Cornell’s four-octave vocal range, Kim Thayil’s one-man guitar army, and the unmatchable in-tandem rhythm section of bassist Ben Shepherd and ace drummer Matt Cameron, Soundgarden emerged from the burgeoning Seattle music scene of the late-’80s and early-’90s totrailblaze the way for a movement that continues to resonate across the popular-music spectrum to this very day. Hailed as grunge innovators, Soundgarden’s sound has always reached beyond mere genre labels to redefine rock music for a generation.
Indeed, the deep roots of Soundgarden’s unmistakable sonic stamp can be mapped directly to the sprawling landscape of the Pacific Northwest. It’s an atmospheric feeling once shared quite vividly by the band’s late frontman, singer/guitarist Chris Cornell. “When I think of Soundgarden, I think of a sound, I think of one entity, one organic thing,” Cornell theorized, “but I guess that the exciting part is that it’s always been really varied. The band is dripping with it — that indescribable longing. It’s not about the society, it’s not about the people, it’s not about the city. It’s some other thing.”
Formed in Seattle in 1984, Soundgarden went on to create a series of groundbreaking, best-selling rock albums until initially dissolving in 1997, then later reforming for a period of time in the 2010s. Soundgarden started their career recording for the legendary Sub Pop label, who at the time were known for their own Single Of The Month club, releasing their very first 7-inch single, “Hunted Down,” in June 1987, followed by their debut EP Screaming Life that October. After a brief run on SST, Soundgarden signed to A&M Records and subsequently released four indelibly classic albums between 1989 and 1996 — 1989’s Louder Than Love, 1991’s Badmotorfinger, 1994’s Superunknown, and 1996’s Down On The Upside —with an additional full-lengther, King Animal, having arisen in 2012 after the band reformed.
Further Soundgarden 35 announcements will be forthcoming, so keep your eyes (and ears) peeled. With the 30th anniversary of their hard-charging major-label debut Louder Than Love just around the corner, 2019 looks to be another banner year for Soundgarden, who remain one of the most revered bands on the planet. Their undeniable influence and esteemed legacy grow stronger and stronger every day.
The TRUE lords of chaos, THE DAMNED THINGS have announced they’ll make their long-awaited return to the stage for a U.S. tour in May in support of their upcoming album, High Crimes, that’s due April 26via Nuclear Blast Records. The month long excursion will kick off on May 1st with an intimate and undoubtedly unruly show at The Whisky in Los Angeles and will wrap in San Diego on May 25th. Tickets for the tour go on sale Friday, March 8th (10:00AM Local Time) at thedamnedthings.com. Fans can pre-order High Crimes in both digital and physical formats from this location: nuclearblast.com/thedamnedthings-highcrimes.
High Crimes was produced by Jay Ruston (ANTHRAX, STONE SOUR, AMON AMARTH) and is the follow up to 2010’s hugely successful debut album, Ironiclast. The music video for “Cells,” directed by Brandon Dermer (PANIC! AT THE DISCO, NEKROGOBLIKON), can be watched here: https://www.youtube.com/watch?v=ZKdULf6iCng
Nine years ago, Scott Ian – guitarist and co-founder of legendary thrash metal outfit, ANTHRAX – took a meeting with the Joe Trohman (also a guitarist, and a co-founder, of the band FALL OUT BOY). He and Scott hit it off, and started making songs together. With the help of drummer Andy Hurley (FALL OUT BOY) and the irreverent vocals of Keith Buckley (EVERY TIME I DIE), THE DAMNED THINGS were formed. The band has gone through changes since its inception and now features Dan Andriano of ALKALINE TRIO on bass.
THE DAMNED THINGS are: Dan Andriano – Bass Keith Buckley – Vocals Scott Ian – Guitar Andy Hurley – Drums Joe Trohman – Guitar
The Damned Things Tour Dates:
May 1 – Los Angeles, CA – The Whiskey
May 4 – Jacksonville, FL – Welcome To Rockville
May 6 – Lancaster, PA – The Chameleon
May 7 – Brooklyn, NY – Brooklyn Bazaar
May 9 – Pittsburgh, PA – The Rex
May 10 – Nashville, TN – The Cowan
May 11 – Rockingham, NC – Epicenter Fest
May 12 – Lexington, KY – Manchester Music Hall
May 14 – Grand Rapids, MI – Elevation @ The Intersection
May 16 – Flint, MI – Machine Shop
May 17 – Chicago, IL – The Bottom Lounge
May 18 – Springfield, MO – Outland Ballroom
May 19 – Dallas, TX – Gas Monkey
May 21 – Denver, CO – Oriental Theater
May 22 – Colorado Springs, CO – Black Sheep
May 24 – Tempe, AZ – Tempe Marketplace (KUPD Concert Series)
ARENA TOUR WITH PIXIES BEGINS NEXT WEEK! BANDS TO TAKE OVER MADISON SQUARE GARDEN ON MARCH 12
If 2018 was a whirlwind year for Los Angeles band Weezer, 2019 is already shaping up to be one of their best — today, the band releases Weezer (The Black Album), their highly anticipated album of original songs following 2017’s Grammy-nominated Pacific Daydream. To celebrate the Black Album’s release into world, the band stopped by Good Morning America (click HERE & HERE to watch) and The Tonight Show with Jimmy Fallon (click HERE to watch them play new song “Living in L.A.”, click HERE to watch them play “Buddy Holly” as The Ragtime Gals, and click HERE to watch them play “Take On Me” with Jimmy Fallon and The Roots with classroom instruments), in addition to playing secret shows for both Sirius XM and iHeart Radio listeners. BUT THAT’S NOT ALL — following an incredible SNL skit about the band at the end of 2018, Weezer released a record of covers — Weezer (The Teal Album)— in January of this year; the collection has already been streamed well over a hundred million times on streaming services. It was also announced this week that The Teal Album will be released on special teal-colored vinyl for Record Store Day.
On March 9th, Weezer heads out on a second leg of last summer’s wildly awesome tour with Pixies, which will include a stop headlining NYC’s Madison Square Garden with special guests TV On The Radio. The band will also be returning to Coachella for the first time since 2005, hitting the mainstage this April. All dates are below.
Weezer (The Black Album) was produced by TV On The Radio’s Dave Sitek, with whom the band worked for the first time. The album’s songs were entirely written on piano by frontman Rivers Cuomo for the first time in Weezer history, creating some of the most satisfyingly awesome songs in the entire hits-filled Weezer catalogue. With band members switching up instruments in the studio, and choruses filtered through Sitek’s own encyclopedic musical references of everything from Gorillaz to Can to Pink Floyd, Weezer (The Black Album) is the bold next step in the winning streak of acclaimed albums they’ve released since 2014.
THE DAMNED THINGS TO RELEASE NEW ALBUM, ‘HIGH CRIMES,’ ON APRIL 26TH PRE-ORDER THE RECORD NOW WATCH THE MUSIC VIDEO FOR NEW SINGLE “CELLS”
THE DAMNED THINGS announce their long-awaited return with today’s release of their new single, “Cells,” off their forthcoming album High Crimes due April 26 via Nuclear Blast Records. Pre-order High Crimes in both digital and physical formats from this location: nuclearblast.com/thedamnedthings-highcrimes.
High Crimes was produced by Jay Ruston (ANTHRAX, STONE SOUR, AMON AMARTH) and is the follow up to 2010’s hugely successful debut album, Ironiclast. The music video for “Cells,” directed by Brandon Dermer (PANIC! AT THE DISCO, NEKROGOBLIKON), can be watched here: https://www.youtube.com/watch?v=ZKdULf6iCng
“Normally, when career bands say they made a record for fun, they didn’t – but we actually did. Maybe that’s why this band doesn’t have a career?” said THE DAMNED THINGS’ Joe Trohman. “Anyway, we’re genuinely proud of it. Check it out, and watch the video to see how severely injured we got during the process!”
Nine years ago, Scott Ian – guitarist and co-founder of legendary thrash metal outfit, ANTHRAX – took a meeting with the Joe Trohman (also a guitarist, and a co-founder, of the band FALL OUT BOY). He and Scott hit it off, and started making songs together. With the help of drummer Andy Hurley (Fall Out Boy) and the irreverent vocals of Keith Buckley (EVERY TIME I DIE), THE DAMNED THINGS were formed. The band has gone through changes since its inception and now features Dan Andriano of ALKALINE TRIO on bass.
THE DAMNED THINGS are: Dan Andriano – Bass Keith Buckley – Vocals Scott Ian – Guitar Andy Hurley – Drums Joe Trohman – Guitar
“The Teal Album”
Crush Music/ Atlantic Records
Our Score: 3 out of 5 stars
Throughout a sold out amphitheater tour in summer 2018, Weezer began working covers into their set, ranging from “Take On Me” by a-ha to “Happy Together” by The Turtles, in addition to their massive cover of “Africa” by Toto, which became a viral and radio sensation upon its release earlier that year. Given the tremendous response to these songs at the shows, the band was inspired to put together a covers album — and thus WEEZER (THE TEAL ALBUM) WAS BORN!
Surely a high light for anyone who attended Weezer’s summer tour which featured the band intermingling their own list of hit songs with classic rock staples such as Black Sabbath “Paranoid” and the new wave esque “Take On Me” all set against a bombastic stage show complete with fire, lights and a boat…Yes a boat! Well for fans that really enjoyed the live experience of those songs they now have the chance to own what is being dubbed “The Teal Album”. The album features all the covers heard on this summer’s tour in studio form along with a handful of other songs that will take listeners back to their younger years. From The Eurythmics hit “Sweet Dreams (Are Made of This) and Michael Jackson’s “Billie Jean” to TLC’s “No Scrubs” the ten song collection covers a number of musical era’s and genres. Though I would have liked the band to put a little bit more of their own spin on the tracks instead of sticking to the songs original sound they album was still an enjoyable listen.
If you were the guy or girl who couldn’t go with your friends to see Weezer when they were in town who in turn got stuck listening to all the stories about what you missed, you can now get somewhat caught up and at least hear the music. Weezer’s “The Teal Album” is a solid listen and the perfect album to tide you over until the March release of the bands new studio album (queue the Spinal Tap jokes) “The Black Album” which we be released March 1st followed by a Co-headlining tour with The Pixies starting March 8th in Louisville, KY.
Track Listing: 1.) Africa 2.) Everybody Wants to Rule the World 3.) Sweet Dreams (Are Made of This) 4.) Take On Me 5.) Happy Together 6.) Paranoid 7.) Mr. Blue Sky 8.) No Scrubs 9.) Billie Jean 10.) Stand By Me