Roger Daltrey Announces New Studio Album ‘As Long As I Have You’



Brand new album featuring Pete Townshend
Produced by Dave Eringa

Pre-Order from

The single ‘As Long As I Have You’ Available Now
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“This is a return to the very beginning, to the time before Pete started writing our songs, to a time when we were a teenage band playing soul music to small crowds in church halls”
Roger Daltrey 2018

“It shows Roger at the height of his powers as a vocalist”
Pete Townshend 2018

Polydor/Republic Records are proud to announce that legendary Who frontman, the ‘rock vocalist’s rock vocalist’ Roger Daltrey is returning on June 1st with a brand new studio album ‘As Long As I Have You’.

Daltrey has sold over 100 million records including 9 US & 10 UK top ten albums and 14 UK top ten singles. He’s played over well over 2000 gigs in a career spanning over 50 years including venues such as Woodstock, Monterey Pop, Glastonbury (twice), Hyde Park (four times), The Isle Of Wight (three times), Desert Trip, Shea Stadium, The Superbowl half time show and Live Aid to name but a very few.

Roger has raised tens of millions of pounds for charity all over the world and was awarded a CBE for his work with The Teenage Cancer Trust and is in the Rock And Roll Hall Of Fame, the UK Music Hall Of Fame and has lifetime achievement awards from The Brits and from The Grammys

‘As Long As I Have You’ was produced by Dave Eringa, best known for his work with the Manic Street Preachers and on Roger and Wilko Johnson’s album ‘Going Back Home’ and features Pete Townshend’s inimitable guitar on seven tracks as well as guest performances from Mick Talbot on keyboards (Dexys, The Style Council) and Sean Genockey on lead guitar who has worked with Suede, Shame and The Proclaimers).

Work on ‘As Long As I Have You’ was started shortly after the top 5 gold selling ‘Going Back Home’ was released and continued during breaks on The Who’s record breaking 50th anniversary tour ‘The Who Hits 50’.

The album is a mixture of self-penned tracks such as Certified Rose and the soulful ballad ‘Always Heading Home’ along with songs that have inspired Daltrey over the years including Nick Cave’s ‘Into My Arms’, ‘You Haven’t Done Nothing’ by Stevie Wonder, Stephen Stills’ ‘How Far’ and the title track originally recorded by Garnet Mimms in 1964; the year that Daltrey, Townshend, Entwistle and Moon changed their name from The High Numbers and became The Who.

Roger Daltrey on ‘As Long As I Have You’ “This is a return to the very beginning, to the time before Pete [Townshend] started writing our songs, to a time when we were a teenage band playing soul music to small crowds in church halls. That’s what we were, a soul band. And now, I can sing soul with all the experience you need to sing it. Life puts the soul in. I’ve always sung from the heart but when you’re 19, you haven’t had the life experience with all its emotional trials and traumas that you have by the time you get to my age. You carry all the emotional bruises of life and when you sing these songs, those emotions are in your voice. You feel the pain of a lost love. You feel it and you sing it and that’s soul. For a long time, I’ve wanted to return to the simplicity of these songs, to show people my voice, a voice they won’t have heard before. It felt like the right time. It’s where I am, looking back to that time, looking across all those years but also being here, now, in the soulful moment”

Roger will be headlining the Royal Albert Hall on March 22nd in aid of The Teenage Cancer Trust.


As Long As I Have You
How Far
Where Is A Man To Go?
Get On Out Of The Rain
I’ve Got Your Love
Into My Arms
You Haven’t Done Nothing
Out Of Sight, Out Of Mind
Certified Rose
The Love You Save
Always Heading Home

ANVIL Announce US Tour, New Album “Pounding Te Pavement” Out Now

ANVIL Announce US Tour
New Album “Pounding The Pavement” Out Now On SPV/Steamhammer

Canadian Metal heroes ANVIL are currently thrashing their way across Europe in support of their new release “Pounding the Pavement”. As soon as the European devastation ends the band will be ready to return to North America and have announced their next North American tour.The tour starts May 2nd in Buffalo, NY and runs through June 16th in Canton, OH. A complete list of dates can be found below. Additional dates will be added soon.

“Hello America pounders…we’re looking forward to the return smashing’s, and Golden Corrals,” says drummer Robb Reiner.

ANVIL released their new album “Pounding The Pavement” January19ththrough SPV/Steamhammer as a digipak version (+1 bonus track and poster), 2LP gatefold colored version, download and stream.

ANVIL North American Tour:
5/2: Buffalo, NY @ Buffalo Iron Works
5/3: New York, NY @ Le Poisson Rouge
5/4: Boston, MA @ Middle East
5/5: Portland, ME @ Genos
5/6: Philadelphia, PA @ Johnny Brenda’s
5/12: Richmond, VA @ Strange Matter
5/13: Washington, DC @ The Black Cat
5/18: Memphis, TN @ Hi Tone
5/19: Dallas, TX @ Rack Daddy’s
5/20: Austin, TX @ Barracuda
5/24: Portland, OR @ Bossanova
5/26: Seattle, WA @ Highline
5/27: Eugene, OR @ Old Nick’s
5/30: Petaluma, CA @ Phoenix Theater
5/31: Las Vegas, NV @ Vamp’d
6/1: San Diego, CA @ Brick By Brick
6/2: Fullerton, CA @ Slidebar
6/3: Los Angeles, CA @ Roxy
6/6: Denver, CO @ Streets Of London
6/7: Lincoln, NE @ Duffy’s Tavern
6/8: Rock Island, IL @ Rock Island Brewing Co.
6/9: Chicago, IL @ Reggies
6/10: Detroit, MI @ El Club
6/14: Lexington, KY @ Cosmic Charlie’s
6/15: Indianapolis, IN @ Indiana City Brewing Co.
6/16: Canton, OH @ Buzzbin

ANVIL “Pounding The Pavement” European Tour 2018
20.02.GB-Bilston – Robin 2
21.02.GB-York – Fibbers
22.02.GB-Evesham – Iron Road
23.02.GB-Weston – The Bear
24.02.B-Kortrijk – De Kreun
25.02.F-Paris – Le Trabendo
27.02.F-Colmar – Le Grillen
01.03.E-Irun – Sala Tunk
02.03.E-Madrid – MON
03.03.E-Valencia – Paberse Club
04.03.E-Barcelona – Sala Boveda
13.03.CH-Solothurn – Kofmehl
14.03.D-Munich – Backstage
15.03.D-Essen – Turock
16.03.D-Mannheim – 7er Club
17.03.D-Münster – Sputnikhalle
18.03.D-Berlin – Musik & Frieden
20.03.D-Flensburg – Roxy
22.03.SE-Gothenburg – Sticky Fingers
23.03.SE-Finspang – Hugo
24.03.SE-Uppsala – Katalin
25.03.SE-Stockholm – Fryshuset Klubben
28.03.NO-Oslo – Olsen Pa Bryn
29.03.NO-Haugesund – Flytten
30.03.NO-Hamar – Gregers
31.03.NO-Odal – Odal Rock Club
04.04.D-Frankfurt – Nachtleben
05.04.D-Hamburg – Markthalle
06.04.D-Siegburg – Kubana

15-17.04. F/E – Full Metal Cruise VI
25.08.GB-Newark – Stonedeaf Festival
26.-28.07. D-Brande/Höhnerkirchen – Headbangers Open Air

Black Stone Cherry to Release Sixth Studio Album Titled “Family Tree”


BLACK STONE CHERRY is set to release their sixth studio album, Family Tree via Mascot Records/Mascot Label Group on 20th April 2018. Burnin’, the first musical taste of the new collection is available today, along with the ability to pre-order the release in various physical and digital formats. Check out the lyric video for Burnin’ here: and pick up your digital version here. Physical album formats, including a UK exclusive clear vinyl option limited to just 1500 copies are available here.

Family Tree is the much-anticipated follow up to 2016’s Kentucky, which debuted at #5 on the Official UK Album Chart. Like Kentucky, BLACK STONE CHERRY opted to self-produce and track Family Tree at David Barrick’s Barrick Recording in Glasgow, KY, the same studio where the four-piece recorded their eponymous debut. BSC also opted to not over-rehearse upfront of the album sessions, instead preferring the immediacy and spontaneity of in-the-moment takes. The band also entrusted frontman Chris Robertson to mix the songs, which perfectly fit the loose, creative process that birthed Family Tree.

Family Tree boasts BSC’s tried-and-true lucky number with its 13 songs, and like all BSC releases, features songwriting contributions from each member. Drummer John Fred tells us, “Family Tree showcases all of our collective musical influences and how we have taken those to create something that is truly our own unique Southern American rock ‘n roll sound.” Two special guests appear, one bringing the concept of family full circle. Chris’ 5 yr old son contributes backup vocals on the swaggering You Got The Blues, while the other, revered jam-band musician Warren Haynes (Allman Bros/Gov’t Mule) offers a guitar cameo and vocals on the delta stomp of Dancing In The Rain. The band first met Warren 17 years ago as freshly-signed youngsters on their first visit to New York City.

The concept of family looms large in the world of BLACK STONE CHERRY’s four band members. Sticksman John Fred Young’s father Richard and his uncle Fred, are founding members of the Grammy Award-winning country rock n’ roots band, The Kentucky HeadHunters. BSC’s four high school-aged friends – Young, plus frontman/guitarist Chris Robertson, guitarist Ben Wells and bassist Jon Lawhon – grew up honing their craft in the Headhunters’ Practice House, an abandoned property on the Young family’s farmland. John Fred says, “We grew up in the Kentucky Headhunters’ rehearsal space, looking up at posters of Cream, Led Zeppelin, Uriah Heep, the Stones, Montrose, and the Faces. We were like kids someone took in a time capsule and put in the woods,”

Family Tree’s tracklisting runs as follows:

Bad Habit
New Kinda Feelin
Carry Me On Down The Road
My Last Breath
Southern Fried Friday Night
Dancin’ In The Rain (featuring Warren Haynes)
Ain’t Nobody
James Brown
You Got The Blues
I Need A Woman
Get Me Over You
Family Tree

BLACK STONE CHERRY’s first visit to UK shores in 2018 will be as direct special guests to Guns n’ Roses at Download Festival ( on Saturday 9th June. The band’s honest, gutsy, no-nonsense approach to their live show has allowed them to rock 12,000-cap arena dates across the UK for a number of years. Expect this to be their modus operandi for the foreseeable future in the wake of the release of Family Tree.

Guitarist Michael Landau Talks About His New Solo Album “Rock Bottom”

Michael Landau is world renowned session musician and producer who has worked with everyone from James Taylor and Michael Jackson to Pink Floyd and Miles Davis. Outside of his work as a session player Michael has released a hand full of solo albums and on February 23rd will release his newest solo album titled “Rock Bottom”. Media Mikes had the pleasure of speaking with Michael recently about the albums creation, his studio work and his touring plans for 2018.

Adam Lawton: Can you give us some details on your new solo album “Rock Bottom”?

Michael Landau: My last couple of albums had been instrumental albums. With this new one I reunited with my old pale David Frazee who I played with in Burning Water in the 90’s. We wrote a bunch of tunes and I got to rock again. I wanted to do vocal music again and put out something that had a little harder edge to it. We did this album to actual tape as I still have a tape machine in my studio. The album has a real nice creamy tape sound that’s just big and gooey.

AL: Are the songs that made it on the album all newly written songs or are there some that have been around for awhile?

ML: A few years ago I got together with my brother Teddy and Alan Hertz as I had some tunes I had written and we recorded those over the course of a couple days. It took me awhile to getting to finish those however once I reunited with David things came together pretty quickly and we also started to write new material.

AL: Can you tell us a little bit more about who you have playing on the album with you?

ML: The drummer is Alan Hertz who has toured with throughout the years. My brother Teddy who doesn’t really play professionally is a rock solid bass player. I love the way he plays as he has a really big tone. He actually co-wrote a couple of the songs on the album. David and I did those three or four records together in the 90’s and he is just a great vocalist and lyricist. He writes really interesting melodies and I am just a big fan of his. Also playing organ on the record is Larry Goldings. Any record I do I try and get him on there as he is one of my all time favorite musicians.

AL: When you are working with a group or on your own where do you traditionally start with your songwriting process?

ML: I play a lot every day. I don’t have a real practice regime or anything but I do play around the house quite a bit. Songs always start with some kind of riff. There was one song I wrote titled “Freedom” which is this sort of spooky ballad that I had lyrics for first. Mostly things start with toying around with riffs that come about when I am playing at home. From there I will edit them and move things around until everything comes together.

AL: Having done predominately instrumental albums over the last few years, what was it like delving back in to lyrical based music?

ML: David did most of the vocal on the record. I would say he wrote probably seventy percent of lyrics as well. There are one or two tunes that I sing but I don’t think I wrote the lyrics for those. It’s fun for sure as I enjoy singing if it’s a range I am comfortable with. Lyrics are fun for me to write even though I don’t write them that often.

AL: With you having done a lot of work/playing for other musicians how do you go about putting your personal touches on someone else’s material?

ML: One of the things I think I do well is backing up a vocalist. I try and contribute parts that will enhance the material while still being respectful of the tune. I kind of pride myself on being able to do that quite well. For a long time when I was doing sessions people would hire me as they had an idea of what I was about sonically so when you go in there you have to sort of fit in but push and add to things without taking anything away. Overtime with experience I learned that being able to edit myself made things quicker rather than having whoever I was working with at the time have to do it.

AL: The album is set for release in late February. What are your plans once it is out?

ML: The plan is certainly to get out there and play this material live. Europe is obviously easier for a musician like me to put together a tour over there. We actually have a nice four week run of shows set up over there in support of the album. We are looking at hitting Asia also this year along with some dates here in the States. After that I will be touring Europe with the Steve Gadd band right after my tour finishes’ so I will be over there for quite a bit. I have some more James Taylor duties to handle this year as well and those start in either April or May. There have been talks to end that tour by doing a couple shows with the Eagles so that should be really great.

For more info on Michael Landau you can visit his official site at

Reggie and the Full Effect Frontman James Dewees Talks About the Bands Latest Album “41”

Reggie and the Full Effect is the solo project of Get Up Kids keyboardist James Dewees. On February 23rd Reggie releases their first album in four years simply titled “41”. Media Mikes spoke with James recently about the albums deep subject matter, the return of James’s alter-ego Klaus and the bands upcoming tour with Senses Fail which kicks off on February 27th.

Adam Lawton: Can you give us some background on your new album “41”?

James Dewees: I started working on the music just after the release of “No Country For Old Musicians”. During that time there was stuff going on with Get Up Kids and I was working with Gerard Way as well. I tend to do a lot of projects as I find while I am working on those projects I come up with ideas that could be songs for Reggie. The music came about pretty well as I started with about twenty or twenty five demos. For the lyrics I was sort of fishing around and trying to decide what type of record to make. It came down to when I found out my mom was diagnosed with lung cancer and my mother in-law at the time was diagnosed with leukemia. That next year was really just me traveling back and forth to Missouri to be with my mom and then back to Long Island for my mother in-law. Basically I was just going to doctors appointments all the time. I would do a couple shows here or there to make some money but then I would go straight back to the hospital. These events were where the lyrical content ended up coming from. My mom passed on April 9th and then my mother in-law passed away on May 9th. It was a really heavy and emotional time that made it seem pointless in trying to do my silly, funny project. Things were just a big bummer. After about the first year of that I started writing lyrics that were more about what I was going through. This was my way of going through the stages of grief. On the record there is stuff that is kind of funny then some that’s more serious, sad and angry. Music has always been my escape and it’s something that I really enjoy doing and it helped me get through all the stuff I had going on at this time.

AL: Being that you didn’t start writing until a year or so after those passing’s what was it like diving back in and reopening those wounds?

JD: I cried in the studio a lot. Trying to sing songs like “New Years Day” and “Next Time with Feeling” which are really heavy songs was difficult. Whenever I would revisit those feelings and I would remember something else about that time that I had forgotten. I did the record with Ray Toro from My Chemical Romance who is a really close friend and it was very personal and private with just him and me working on the album. This made it where it was ok to cry and be upset and I had a friend there to support and encourage me. He pushed me to keep going even during difficult times.

AL: The album also features a new track from Common Denominator. Can you tell us about that track and when/if we will finally get a full length release from Klaus?

JD: With the popularity of Trap music I thought it would be really funny that with Klaus coming from Finland he didn’t know what it was and believed it was about trapping animals. Instead of singing about drugs and whatever he is singing about trying to catch animals. I have played around with the idea of doing a whole album but every time I have started it things just don’t come together. The thing with Common Denominator is that it can’t be thought about too much. The music has to be written in about twenty minutes and if possible recorded in twenty minutes. You really can’t write the lyrics to much. You just have to start recording and see what comes off the top of your head otherwise I think it loses the humor.

AL: Can you tell us about the latest single off the album titled “Karate School”?

JD: That was a song the label picked after going back and forth for awhile about what songs to release. I chose “Horrible Year” which was released first and they chose “Karate School” there is one more song set to come out but I won’t tell you what that one is just yet. I like the song as its heavy and defiantly a traditional Reggie song. It’s not really about anything it just a song about my day. The label wanted something about the song for a press release so I came up with the Harry Potter story as I couldn’t think of anything without making it sound dull. (Laughs)

AL: The band heads out on the road with Senses Fail on February 27th can you tell us about that?

JD: That came about through a discussion with the label. We originally were going to be out on tour in January doing a headlining run but Buddy Nielsen and I started talking and decided to do a tour together. The tour starts in late February and runs through March. After that Reggie has some solo shows in early April and then I will be pretty busy with Get Up Kids.

For a full list of tour date visit:

Judas Priest Release First Single “Lightning Strike” From Upcoming Album “Firepower”


Judas Priest could easily rest on their laurels at this stage of their highly successful and influential career. However, the legendary metal band – singer Rob Halford, guitarists Glenn Tipton and Richie Faulkner, bassist Ian Hill, and drummer Scott Travis – refuse to do so as evidenced by the arrival of their eighteenth studio album overall – ‘Firepower,’ which can be pre-ordered via the link

Set for release on Friday, March 9th, 2018 via Epic Records – the album is comprised of fourteen tracks of pure and highly inspired metal. And to mark the occasion Priest has reunited with producer Tom Allom (the man behind the board for all of the band’s releases from 1979-1988, including such stellar classics as ‘Unleashed in the East,’ ‘British Steel,’ ‘Screaming for Vengeance’ and ‘Defenders of the Faith’) and with Grammy Award-winning producer Andy Sneap also helping to raise the sonic bar even higher.

“Tom Allom has got this classic metal thing,” explains Halford. “And Andy is a bit more of a ‘modern metal producer’ but his thinking is a little bit different to Tom’s. And I think to get this balance between that classic old school metal to what Andy’s world is was just a remarkable coalescence.” “Tom Allom has been with us since 1979, so his knowledge of ourselves and our music in general is immense,” adds Hill. And according to Travis Priest returned back to a recording method that worked incredibly well on the band’s earlier classics – “We went back to the organic way of recording where it’s all of us in a room and we got to play together.”

The album’s first single, ‘Lightning Strike’ will be available worldwide on Friday, January 5, 2018, and on the same day the song’s music video will be premiered (and can be viewed via Full album pre-order and a PledgeMusic pre-order ( will also begin the same day which includes exclusive limited autographed colored vinyl, autographed vinyl test pressings, an exclusive Judas Priest t-shirt and an extremely limited number of Judas Priest autographed guitars.

With the impending arrival of ‘Firepower’ and its ensuing tour (which kicks off on March 13th), THE PRIEST IS BACK!


1. Firepower
2. Lightning Strike
3. Evil Never Dies
4. Never The Heroes
5. Necromancer
6. Children of the Sun
7. Guardians
8. Rising From Ruins
9. Flame Thrower
10. Spectre
11. Traitors Gate
12. No Surrender
13. Lone Wolf
14. Sea of Red


JOHN 5 and The Creatures to Release “It’s Alive!” Live Album in January

JOHN 5 and The Creatures to Release “It’s Alive!” Live Album in January
Physical Pre-Orders Coming Soon | Available Digitally via
“It’s Alive!” U.S. Tour to Begin February 1 in Orlando, FL | VIP Packages Available

JOHN 5 and The Creatures (bassist Ian Ross and drummer Logan Miles Nix) are set to release a brand new live album, It’s Alive!, in January. Becoming available on Thursday, January 25, 2018, It’s Alive! is the first album released by the world-renowned guitarist to be featured on vinyl. A stunning 24-page, full color tour book covering the JOHN 5 and The Creatures tour journeys so far will also be available for separate purchase.

Pre-orders are available now at, with more options coming soon. Fans can check back to for updates.

JOHN 5 says about the recording of It’s Alive!, “I remember pulling up to a beautiful venue that we played in Sellersville, Pennsylvania and before we were unloading the equipment, the soundman said, ‘Hey guys, would you like to record the show?’ We said, ‘sure that would be amazing!’ I always wanted to have a really great recording of the show. We were a few weeks into the show so we were really well rehearsed, so I said, ‘Alright guys, let’s not jump around. Let’s just really try to get a great performance because we only have one shot – no other shows if we mess up!’ So, we explained to the crowd that we would be recording. You can hear that on the recording of the album, which makes it very magical. It came out amazingly! That’s the magic of live albums to me – capturing the performance.”

It’s Alive! track listing:
1. Guitars, Tits and Monsters
2. Flight of The Vulcan Kelly
3. Six Hundred and Sixty Six Pickers In Hell, CA
4. Here’s to the Crazy Ones
5. This is my Rifle
6. Jiffy Jam
7. Hall Haw
8. Season Of The Witch
9. The Nightmare Unravels
10. Portrait of Sydney Sloan
11. Triple D
12. Black Grass Plague
13. Behind The Nut Love
14. Making Monsters
15. Beat It
16. Now Fear This
17. Medley

JOHN 5 adds, “I’m so proud of it that I wanted to put it out and also tour it like bands used to tour live albums back in the 70s. I thought that was so cool! I’ve put out a lot of records, so I thought – goddammit, I’m going to do it!”

JOHN 5 and The Creatures will begin an extensive tour of the United States in February for a first leg, and will pick back up in late March for a second. The tour will start in Orlando, FL on February 1 and come to an end in Tacoma, WA on April 21. Tickets will become available very soon, and VIP packages will be available exclusively at See below for a full listing of dates.

JOHN 5 and The Creatures It’s Alive! tour dates:
2/1 – Orlando, FL @ The Social
2/2 – Jacksonville, FL @ 1904 Music Hall
2/3 – Atlanta, GA @ Drunken Unicorn
2/5 – Asheville, NC @ Orange Peel
2/6 – Greensboro, NC @ Blind Tiger
2/7 – Virginia Beach, VA @ Shaka’s
2/8 – Richmond, VA @ Broadberry
2/9 – College Park, MD @ Milkboy
2/10 – Sellersville, PA @ Sellersville Theater
2/11 – Stanhope, NJ @ Stanhope Theater
2/12 – New York, NY @ Highline Ballroom
2/13 – Boston, MA @ Middle East
2/14 – Syracuse, NY @ Lost Horizon
2/15 – Pittsburgh, PA @ Hard Rock
2/16 – Cleveland, OH @ Beachland
2/17 – Westland, MI @ Token Lounge
2/18 – Chicago, IL @ Reggies
2/20 – Des Moines, IA @ Vaudeville Mews
2/21 – Indianapolis, IN @ Vogue
2/22 – Newport, KY @ Southgate House
2/23 – Lexington, KY @ Manchester Music Hall
2/24 – Chattanooga, TN @ Songbirds
3/29 – San Antonio, TX @ Rock Box
3/30 – Dallas, TX @ Trees
3/31 – Houston, TX @ Scout Bar
4/2 – Albuquerque, NM @ Launchpad
4/3 – Tucson, AZ @ 191 Toole
4/4 – Mesa, AZ @ Club Red
4/5 – San Diego, CA @ Brick by Brick
4/6 – Los Angeles, CA @ Whisky A Go Go
4/7 – Las Vegas, NV @ Vamp’d
4/8 – Fullerton, CA @ SlideBar
4/11 – Ventura, CA @ Discovery
4/12 – San Jose, CA @ Ritz
4/13 – San Francisco, CA @ DNA Lounge
4/14 – Fresno, CA @ Full Circle Brewery
4/15 – Sacramento, CA @ Harlows
4/17 – Salt Lake City, UT @ The Complex
4/18 – Boise, ID @ Neurolux
4/19 – Bend, OR @ Volacanic Pub
4/20 – Portland, OR @ Hard Rock PDX
4/21 – Tacoma, WA @ Tacoma Dome – Tacoma Guitar Festival

The Haxans Matt Montgomery talks about the bands new album “Party Monsters”

Matt Montgomery aka Piggy D is probably best known for his work as the fanged four string player in Rob Zombie, a position he has helmed for over ten years. Matt’s latest project The Haxans is the culmination of three years of work which have resulted in the band’s debut full length “Party Monsters”. Media Mikes had the chance to speak with Matt recently about the band, the albums creation and where things are at with the latest Rob Zombie album.

Adam Lawton: Can you tell us how The Haxans initially came together?

Matt Montgomery: This was an idea I had kicking around for some time. I had been working on music with a girl back and forth for years. At first we started by sending CD’s with ideas on them to each other through the mail. It was very archaic. We had two songs under The Haxans name but it was just never really a good fit as we both were going in different directions musically. I knew in order to do this the way I had envisioned it I was going to have to make a change. By chance I met Ash Costello at an awards show through a mutual friend and thought she would get what the project could be. We started hanging out and finding out what stuck musically and that’s when things really started to take shape and become something.

AL: Is the “Party Monsters” album made up of all new material or does it contain ideas from the bands earlier incarnation?

MM: We started recording three years ago. What came out first was “Three Hits From Hell”. That was us trying to find our footing and musical finger print. The oldest song which is still kicking around is “Black Cat Bones” which Ash and I reworked and it made it on to “Party Monsters”. We tried a whole bunch of things both new and old for this record. Its funny how one person’s energy can change the room as I would pull some of the older songs out that I was excited about but after working on them a little bit they just didn’t have the same feel I had hoped for. We really tried to go for what made us both excited and that’s the stuff that kept making it through the filters. There was a lot of material we went through but we went with what made the clearest statement of what the record and we as a band were about.

AL: How does working on a project like The Haxans compare to the work you do with Rob Zombie or some of your other previous groups?

MM: Going back to my work with Wednesday 13 what people saw of me with that group was basically just from a live stand point. I never wrote any riffs or lyrics with them. With Rob I have wrote a little but not very much. There has been I think two songs on two records in the time I have been with him. I played on all the records but I wasn’t the guy sitting around for months figuring out where all the riffs would go. In a way “Party Monsters” is the first thing I have done since my first solo record that I did a long time ago. This album is in a way my first music statement since being a part of groups like Amen, Wednesday 13 and Rob Zombie.

AL: Can you tell us about the most recent video you filmed for the song “Young Blood”?

MM: This is our fifth video as a group and fourth for this album as we have done videos for “Vampira”, “Dirty Magic”, “Black Cat Bone” and “Lights Out” as well. We actually shot five videos in three days. “Young Blood” was shot during the first half of one of those days. We knew visually what we wanted for that one. I directed the last four videos and that made things easier as I knew what shots I wanted to get and where I wanted the camera. I only had to be in one so the rest of the time I was making sure we got coverage of everyone else. We story boarded everything beforehand but we still had to hurry to get everything done.

AL: How did you go about choosing which five songs were going to get video treatments?

MM: That was tough. You just have to listen through the songs and get everyone’s input as to which might be the ones to choose. Of course everyone has their own opinions so it can make things be a bit all over the place. The feedback I got from those who heard the songs all mentioned the songs we shot so we decided to start with those ones.

AL: Have there been any talks to do some live performances of this material?

MM: There has been a lot of talk about doing shows and we have made a few attempts however nothing has come together just yet. We were looking at options to tour in the first quarter of 2018 however schedules just are going to match up. Touring sort of goes hand and hand with why this record took three years to make. Ash and I are these two whirling tornadoes that randomly collided and that’s what we are trying to contain which is just impossible. (Laughs)

AL: Can you give us a quick update on where things are at with the new Rob Zombie album and anything else you might have in the works for 2018?

MM: I have heard things and it’s fucking nuts! It’s really awesome and that’s about all I am going to say. There is a lot of material and things are still in the demo stage so I have yet to go in and play my parts just yet. As for what else is in store for 2018 I am not sure. You would think after being in bands for so long the last thing I would want to do at my age is start another band but, I might, maybe I will start two! There are a lot of things on the list that have been there for some time but I think it’s that way for everyone. We will just have to wait and see.

Black Veil Brides Release New Song “When They Call My Name”, New Album Out January 12, 2018


NEW YORK, NY (November 3, 2017) — Today, BLACK VEIL BRIDES release new song “When They Call My Name” off their highly anticipated fifth full length album, VALE [LAVA/Republic Records].

Listen to “When They Call My Name” Here!

After quietly fueling fan anticipation over the past month, BLACK VEIL BRIDES share the details for their anxiously awaited fifth full-length album, VALE [LAVA/Republic Records]—available, January 12, 2018. Pre-Order VALE Here!

The official pre-order grants fans immediate downloads of the first three songs to be released off VALE, “My Vow,” “The Outsider,” and now “When They Call My Name.” Listen to “My Vow” Here and “The Outsider” Here!

Produced by longtime collaborator John Feldmann [blink-182, Panic! At the Disco], VALE sees BLACK VEIL BRIDES sharpen their signature sound to knife point precision.

The band hits the road on January 10th, 2018 for their North American co-headline tour with Asking Alexandria in Salt Lake City and will hit major markets across the country including New York’s Terminal 5 on February 8th and more! Tickets & VIP Packages are on-sale now. Check out the full itinerary below and purchase tickets here!

To keep in touch with the band, join the new BVB ARMY and be the first to get news by Text Message! Sign up at OR Text BVBV to 856-282-2769

BLACK VEIL BRIDES have shocked and electrified modern rock back to life. Their critically acclaimed self-titled fourth album, Black Veil Brides, bowed in the Top of the Billboard Top 200 and received “Album of the Year” at the 2015 Alternative Press Music Awards. It followed up 2013’s Wretched and Divine, which crashed the Top 200 at #7 and yielded the signature smash “In The End” proclaimed “Song of the Year” at the Revolver Golden God Awards. Playing to millions of rabid fans worldwide, they’ve ignited festivals such as Download and Rock on the Range and been tapped for high-profile tours with Avenged Sevenfold, Slash, Mötley Crüe, Hollywood Undead, and more.

Tour Dates:
1/10 Salt Lake City, UT The Complex
1/11 Denver, CO Fillmore Auditorium
1/12 Kansas City, MO Arvest Bank Theatre at the Midland
1/13 St. Paul, MN Myth Live
1/15 St. Louis, MO The Pageant
1/17 Pittsburgh, PA Stage AE – Indoor
1/18 Grand Rapids, MI 20 Monroe Live
1/19 Milwaukee, WI Eagles Club Stage
1/20 Chicago, IL Riviera Theatre
2/2 Worcester, MA Palladium
2/3 Portland, ME State Theatre
2/4 Montreal, QC M Telus
2/5 Toronto, ON Rebel
2/7 Norfolk, VA The NorVa
2/8 New York, NY Terminal 5
2/9 Baltimore, MD Rams Head Live
2/10 Philadelphia, PA Electric Factory
2/12 Atlanta, GA Tabernacle
2/13 Nashville, TN Marathon Music Works
2/14 Indianapolis, IN Egyptian Room at Old National Centre
2/16 Dallas, TX Gas Monkey Live
2/17 Houston, TX House of Blues
2/19 Albuquerque, NM El Rey Theater
2/20 Tempe, AZ The Marquee
2/22 Boise, ID Knitting Factory Concert House
2/23 Portland, OR Roseland Theater
2/24 Seattle, WA Showbox SoDo
2/25 Vancouver, BC Vogue Theatre
2/27 Spokane, WA Knitting Factory Concert House
3/1 San Francisco, CA The Warfield Theatre
3/2 Las Vegas, NV House of Blues

Album Review: GWAR “The Blood of Gods”

“The Blood of Gods”
Metal Blade Records
Producer: Ronan Chris Murphy
Tracks: 12

Our Score: 4 out of 5 stars

The story of GWAR is one that has been carved across the history of this barren and hopeless planet and continues on with the group’s latest offering “The Blood of Gods”. The bands 14th studio album is nothing less than a sacred text chronicling the rise of humanity against their makers, and the massive battle between GWAR and the forces of all that is uptight and wrong with the world. Over the course of the albums 12 tracks the band challenges the sins of their great mistake, from politics, pollution, and organized religion, to fast food, and factory farming. Humans are shown as what they are; a parasitical disease that must be eradicated before they suck the planet dry. “The Blood of Gods” is a sonic scar…a question asked and answered…Death cannot kill GWAR!

With the passing of GWAR front man Dave Brockie aka Oderus Urungus in 2014 many a bohabs questioned the future of the band. Thankfully the band forged on with the addition of former bassist Michael Bishop stepping up to the mic in the form of Blothar the Berserker. Though the transition caused some to start the #BlotharRuinedGwar movement the band took everything in stride allowing three years to pass before giving fans a true taste of the newly helmed GWAR. “The Blood of Gods” is a fresh take on an old favorite that will undoubtedly have some bohabs up in arms. The twelve track offering from the costume clad space aliens is made up of a variety of styles ranging from the Slayer esque “Auroch” to the catchy “I’ll Be Your Monster” (think early Motorhead). Other notable tracks include the Michael Derks (Balsac) penned “Fuck This Place” and in my opinion one of the best GWAR tracks to come out in the last fifteen years “Phantom Limb”, a haunting tribute to the bands fallen leader which details the bands doubts and insecurities while trying to satisfy a looming presence.

“The Blood of Gods” is a fresh and fitting entry into the GWAR mythos that showcases the determination of a band and its members to move past events that would end lesser groups. I will save all the “This doesn’t sound like Oderus” listeners the trouble as No! This does NOT sound like Oderus and that is ok because it’s not nor is it trying to. Each track on “The Blood of Gods” is a blending of styles which cement a new foundation for GWAR as they continue forward on their quest. Over the course of the albums twelve tracks listeners get a variety of new material which is sprinkled with familiarity making for a really an enjoyable listen.

Track Listing:
1.) War on Gwar
2.) Viking Death Machine
3.) El Presidente
4.) I’ll Be Your Monster
5.) Auroch
6.) Swarm
7.) The Sordid Soliloquy of Sawborg Destructo
8.) Death to Dickie Duncan
9.) Crushed By the Cross
10.) Fuck This Place
11.) Phantom Limb
12.) If You Want Blood (You Got It) **AC/DC Cover**

GWAR’s Blothar The Berserker Talks New Album “The Blood of Gods”

GWAR fans were first introduced to Blothar the Berserker in 2014 when he returned to Earth shortly after the death of Oderus Urungus. Since that time Blothar has cemented himself as the formidable leader of the crack addicted space aliens from Scumdogia. On October 20th the band will release their 14th studio album titled “The Blood of Gods” via Metal Blade Records. Media Mikes had the chance to speak with Blothar recently about  the new album, the bands upcoming fall tour and which celebrities they have in their sites to slay.

Adam Lawton: The band recently wrapped up its debut appearance on this summer’s Warped Tour can you tell us a little bit about that?

Blothar: It was miserably hot! With us coming from Antarctica and being over a million years old it wasn’t exactly a glory gig getting dressed in a semi truck and then exposing ourselves to a whole new group of young people. Despite all the annoyances and high level of venereal diseases that were flying around we did it. We had trouble even getting good drugs out of these kids. What is ecstasy anyways? I don’t want drugs to make me feel good. I want drugs to amplify my misery! It was however a delight to see all the innocent faces upturned and the light drain from their eyes as they witnessed something they had never seen before and possibly never will see again. It’s always fun to play to a crowd who has never seen us before so it was a good time.

AL: Gwar’s new album “The Blood of Gods” will be your first full length recording with the band. What do you think you were able to bring to the album?

Blothar: Without Oderus we knew we had to do something different. If we had just gone and done the same thing we knew it would probably come off as a cheap imitation. There are things that Oderus did that were wonderful and they were his so, for us to try and recapture that was much less interesting. Gwar has always been a group effort. When Oderus was around people could work behind the scenes and not be visible as Oderus’s role in the band was to be the front man and be seen. Now that he is gone there is room for everyone who helped create this project to become more known. Everyone in the band has risen to the occasion beyond anything I could have imagined. Who knew Balsac was such a great lyricist. That guy knows the Gwar voice better than anyone. Oderus was a great writer and his songs were jammed full of words and phrases. I made a deliberate choice to scale back on the lyrics and let the sounds be the focal point.  I mainly wanted to add the hooks and melody. This is definitely a different approach from the last few Gwar albums. That’s not to say they never had these types of elements but I think this album has more of those things and the music has more space.

AL: Was coming up with a new style part of the reason an album featuring you took so long to complete?

Blothar: Yes. We had to find a way to be able to make music without Oderus. We went down a few different paths before we got to where we are with this album. There was also a lot of material that was created during this time. We needed to focus on eight songs that seemed to have what it took to be a Gwar record in order to make the best record we possibly could. A lot of material came very last minute which tends to be fairly typical. Between April and May we wrote a lot of the music. Once we figured out what we were doing and how it was supposed to go that’s when things took off. Prior to all of this the band was very distracted with lots of other things aside from having to work without the guy who had such an important vision. We didn’t know how to deal with the massive hole that was left and it took awhile to figure everything out.

AL: The first single released from the record was titled “Fuck This Place”. With Gwar having been around for millions of years now why have you just decided to say fuck this place?

Blothar: Gwar has always been this sort of cosmic Gilligan’s Island. We are stuck on this planet that we can’t get off and the few times we have gotten off we get sucked right back in. “Fuck This Place” I think is in some ways like all the rest Gwar being in the wilderness. We are looking around and now that Oderus is gone things look a lot different. Balsac wrote this song because he just didn’t like what he saw anymore.

AL: The album also features a cover of AC/DC’s “If You Want Blood”. Was this the bands idea or just another trick by manager Sleazy P. Martini to try and make more money off the fans?

Blothar: When you do a cover really you are not making any money for yourself. Sleazy doesn’t like that so he had AC/DC killed and replaced by animatronic puppets. As a result we now collect all of their publishing. What Sleazy wants is important and the theme of us dealing with corporatization is all across the new album. We did the first recording of this song for the AV Club. I think that recording is actually a much better vocal performance that what ended up on the album. I wish we did that first version now. (Laughs) It’s a tough song to sing. Like most AC/DC songs its bit ridiculous as you don’t really know what it’s about.

AL: The band heads back out on the road the same day the album releases (Oct. 20). Who has the band decided to kill this time around?

Blothar: People keep expecting the Trump family to show up. Maybe they will? It would be nice to just move through all of them at one time. He does have a lot of kids though. Sawborg Destructo has been making some noise lately so he might show but, as far as celebrities goes aside from Trump I’m not sure. That guy we found out is immortal. We have been ripping his guts out every night and he keeps coming back for more! We can’t figure out a way to keep him down.

AL: Do you think “Blood of Gods” will finally silence the #BlotharRuinedGwar movement?

Blothar: No! It’s not going to silence it. What it is going to do is kick it into overdrive. That’s what I am expecting it to do anyways. This album is polarizing and people are going to either like it or not like it. Gwar has such an immense history that musically it’s difficult because people will hear this record and hear things they maybe haven’t heard since “This Toilet Earth”. At the same time you have people who will listen and there experience from the band has been from “Violence Has Arrived” on and they are expecting a more metal sound. “Blood of Gods” is somewhere in between. It definitely is a lot different as compared to the group’s last three albums.

Black Veil Brides Announce New Album “Vale”




NEW YORK, NY (September 29, 2017) — After quietly fueling fan anticipation over the past month, BLACK VEIL BRIDES share the details for their anxiously awaited fifth full-length album, VALE [LAVA/Republic Records]—available, January 12, 2018. Pre-Order VALE Here!

The official pre-order grants fans immediate downloads of the first two songs to be released off VALE, “My Vow” and “The Outsider” which was released online last year. Listen to “My Vow” Here and “The Outsider” Here!

Produced by longtime collaborator John Feldmann [blink-182, Panic! At the Disco], VALE sees BLACK VEIL BRIDES sharpen their signature sound to knife point precision.

On the album, front man Andy Biersack stated: “We cannot wait for the BVB army to hear VALE in its entirety! In my opinion, this record is the most complete and exciting album we have done to date. The opportunity to work with John Feldmann once again over the course of the past 2 years creating VALE was an incredible experience and I am thrilled with the collection of songs we have put together as a band. The Latin translation of VALE is “be well, be strong!” and central to the message of this record. We hope to continue to inspire our fans and friends to embrace their own individuality and inner strength. The central narrative once again finds “The Wild Ones” characters facing the challenge of moving on from the pain and anguish of their past and looking to a new chapter in their lives. This concept is one that is near to my heart and I believe will resonate with those that find themselves cast on the fringe of society. From our inception Black Veil Brides have stood up for the outcasts and disenfranchised, with this album as hope to give you hope, fun and most importantly a kick ass rock and roll record.

The band hits the road on January 10th, 2018 for their North American co-headline tour with Asking Alexandria in Salt Lake City and will hit major markets across the country including New York’s Terminal 5 on February 8th and more! Tickets are on-sale now. Check out the full itinerary below and purchase tickets here!

This week, the band announced an official BVB Army phone number as a new way for fans to keep up with the group. Join the new BVB ARMY and be the first to get news by Text Message! Sign up at OR Text BVBV to 856-282-2769

Get ready for the band’s biggest year yet.

Tour Dates:
1/10 Salt Lake City, UT The Complex
1/11 Denver, CO Fillmore Auditorium
1/12 Kansas City, MO Arvest Bank Theatre at the Midland
1/13 St. Paul, MN Myth Live
1/15 St. Louis, MO The Pageant
1/17 Pittsburgh, PA Stage AE – Indoor
1/18 Grand Rapids, MI 20 Monroe Live
1/19 Milwaukee, WI Eagles Club Stage
1/20 Chicago, IL Riviera Theatre
2/2 Worcester, MA Palladium
2/3 Portland, ME State Theatre
2/4 Montreal, QC M Telus
2/5 Toronto, ON Rebel
2/7 Norfolk, VA The NorVa
2/8 New York, NY Terminal 5
2/9 Baltimore, MD Rams Head Live
2/10 Philadelphia, PA Electric Factory
2/12 Atlanta, GA Tabernacle
2/13 Nashville, TN Marathon Music Works
2/14 Indianapolis, IN Egyptian Room at Old National Centre
2/16 Dallas, TX Gas Monkey Live
2/17 Houston, TX House of Blues
2/19 Albuquerque, NM El Rey Theater
2/20 Tempe, AZ The Marquee
2/22 Boise, ID Knitting Factory Concert House
2/23 Portland, OR Roseland Theater
2/24 Seattle, WA Showbox SoDo
2/25 Vancouver, BC Vogue Theatre
2/27 Spokane, WA Knitting Factory Concert House
3/1 San Francisco, CA The Warfield Theatre
3/2 Las Vegas, NV House of Blues

Act of Defiance’s Matt Bachand talks about the bands new album “Old Scars, New Wounds”.

Matt Bachand is probably best known for his work with the heavy metal band Shadows Fall however since 2014 he has been a member of the band Act of Defiance which features former Megadeth members Shawn Drover and Chris Broderick along with former Scar the Martyr front man Henry Derek. The band is set to release their second full length album titled “Old Scars, New Wounds” and Media Mikes had the chance to speak with Matt about the release, his switch to bass guitar and the plans prospective tour plans.

Adam Lawton: Can you tell us a little bit about the band’s new album “Old Scars, New Wounds”?

Matt Bachand: Everything was different for us this time around with this record. With the first record Chris and Shawn wrote a majority of the album and they did it pretty quickly. They went from not having a band at all to having a record out in a matter of months. When I came in the material was pretty much done. I did write some bass lines around things which was a bit different from me but it was fun to be doing something different. This time around we had a good chunk of time to work the material and provide input. We all wrote a bunch of stuff for the album and you can definitely tell that this is a band no and not just a project.

AL: Can you talk about the decision to record separately from one another?

MB: That was done more by necessity than anything. We didn’t have a budget that would allow us all to travel and stay in one place while we recorded so we worked on things in each of our own locations. With all of us living in different parts of the country the cost would have been astronomical just for travel not to mention studio time. Once everything was done we sent it to Dave Otero for mixing and after a few tweaks everything was sounding good. Dave was awesome to work with and gave us a great sounding product.

AL: What has the transition from guitar to bass been like for you?

MB: I had known Shawn for a long time going back to when Shadows Fall toured with King Diamond and he was a tech for them. He knew I played bass in a cover band around where I am from and also knew that Shadows Fall was going to be taking a break for awhile so they gave me a call. Even though I had played bass in a cover band I had never really written music from a bass perspective. I think part of the appeal for me in wanting to do this was it was something different from what I had been doing. On that first record I was basically just writing and playing around what had already been written. I was focusing on now being apart of the percussion section as opposed to just riffing. With the bass playing off of what the drums are doing I really wanted to make sure I locked in with Shawn first.

AL: What are the plans for the band to tour behind the release?

MB: We are trying to pull some things together as we speak. We had a few things lined up but unfortunately they have fallen through so we are working as quickly as we can to remedy the situation. In the mean time we are working on some play through videos and things like that to keep things moving and to keep everyone involved with the band.

AL: Has there been any talk of Shadows Fall coming out of hiatus any time soon?

MB: Everyone is super busy right now so we haven’t really talked about it. Jason is playing with Overkill and Jon is with Anthrax and I am doing this project so everyone has a lot going on right now. A couple other guys in the band have families now so we have to figure out the timing. After 20 years of being in a band life eventually gets in the way so everyone has slowed down. Nothing is out of the question for us to play again it just has to be the right time for everyone.

For more info on Act of Defiance visit

Tetrarch guitarist Diamond Rowe talks about the bands new album “Freak”

Photo By: Jeremy Saffer

The Atlanta, GA based Nu-Metalcore band Tetrarch are set to release a brand new full-length album on September 29th titled “Freak”. The band is currently out on the road with Devil Driver and Media Mikes had the chance to speak with guitarist Diamond Rowe about the creation of new album, the bands plans for the remainder of 2017 and got her thoughts about being a female guitarist in the heavy metal scene.

Adam Lawton: Can you give us some background on the formation of the band?

Diamond Rowe: I started Tetrarch with my best friend while we were still in high school. It took us a little while to hone our sound and really figure out what it was we were going for but things came together and from there we just started touring. Our sound is a mixture of early Nu-Metal with a few modern elements.

AL: Did/Do you ever have any reservations about being a female guitarist in a scene that is predominantly men?

DR: When I started playing guitar and playing in bands I never honestly thought about the fact that I was a female playing metal music. I didn’t see it as anything really different. It wasn’t until people started bringing it to my attention that I noticed this was something different. I was never nervous or hand any reservations as I just did what I could to make the band work and get better at guitar. With they’re not being a lot of females out there playing metal it’s kind of cool to be somewhat influential. We are starting to see a few more females come up in the metal world however there still aren’t a lot of African-American females performing in bands. Being a female metal guitarist I think people might expect you to not be that good (Laughs) so I just go out there and really try to be the best as I can at my instrument.

AL: Can you tell us about the band’s new album “Freak”?

DR: We had never done a full-length release prior to this record. In this day and age it’s not really necessary to release more than one or two songs at a time via an EP. We wanted to do something different this time so we could give people more of who we are. As we were writing I noticed we were getting a lot of influence from more than just metal music and that there were quite a few different music elements present. Lyrically a lot of the subject matter is about weird things and/or embracing differences. We started looking at being weird in a positive way as opposed to negatively. The title “Freak” really came out of that approach.

AL: How did the bands creative process work this time around and, what was it like working with Producer Dave Otera?

DR: Josh Fore and I the predominant writers in the group. We live together so it seems we are always working on something. One of us might start out with a riff and then the other builds on or vice versa. Once we have the basics of a full song will take it to the other guys and they will put their spin on it. Dave actually mixed one of our first EP’s. People had said they really liked the sound so we knew he was someone we wanted to work with again. When it came time to do this record he was someone who came up naturally during the selection process of where to go. Dave is a big name in the death metal scene so working with him certainly brought a new/different perspective to things. Dave was excited to work with the band as we were something a little different for him and things went well. Dave is very easy to work with and made things comfortable.

AL: The band is out until till late September, What do you guys have planned for the rest of the year and going forward in to 2018?

DR: We will be out on this run of shows for a couple more weeks with Devil Driver. After that we return home for a few days and then we head out with Devil Driver for a few west coast dates. We also will be shooting a couple videos in that time as well. The album comes out September 29th and we will be doing a festival show in Texas in November and we might possibly do a short run shows towards the end of November. Once the New Year starts we will be out there in full force pushing this album.

For more info on Tetrarch you can visit their official website at

Gwar Announces Full Details of New Album “The Blood of Gods”

GWAR Announces Full Details Of New Album “The Blood of Gods”
First Song Streaming; Pre-orders Available Now

The time has come, your Lords and Masters GWAR have unveiled the details of their latest masterpiece “The Blood of Gods”. Today the first single “Fuck This Place” is available for audio and video streaming. Watch the video, check out the song and pre-order your copy of “The Blood of Gods” at! Your Intergalactic Overlords demand it! Digital pre-orders include an instant gratification download of “Fuck This Place”. Limited edition special bundle packs are available for pre-order as well.

“The Blood of Gods”, produced, recorded, mixed and mastered by Ronan Chris “Lord God” Murphy, will be released October 20th via Metal Blade Records. The album will be available in Standard CD, 2LP Colored Vinyl and Digital formats.

“The Blood of Gods Track Listing:
1. War on GWAR
2. Viking Death Machine
3. El Presidente
4. I’ll Be Your Monster
5. Auroch
6. Swarm
7. The Sordid Soliloquy Of Sawborg Destructo
8. Death to Dickie Duncan
9. Crushed By The Cross
10. Fuck This Place
11. Phantom Limb
12. If You Want Blood (You Got It) – AC/DC Cover

The Berserker Blothar says:
“Fuck This Place,” the name says it all. Look around you. Your life sucks. Your planet is dying. You want to kill yourself and everyone you meet. So do it. You’ve drenched yourselves in gasoline, and now GWAR offers you a light. The finish line of the human race is at last within reach. Scream it now at the top of your lungs…”Fuck This Place!”

“The Blood of Gods” is nothing less than a sacred text chronicling the rise of humanity against their makers, and the massive battle between GWAR and the forces of all that is uptight and wrong with the world. Along the way, the band challenges the sins of their great mistake, from politics, pollution, and organized religion, to fast food, and factory farming. Humans are shown as what they are; a parasitic disease that must be eradicated before they suck the planet dry.

Sleazy P. Martini comments on “The Blood of Gods”:
“Sorry scoffers, you thought GWAR was finished? You’re the one who’s finished when GWAR starts their fall tour after dropping their heaviest album yet. “The Blood of the Gods” will be the soundtrack that covers up your pathetic cries for mercy. So go ahead and scream all you want. Just make sure your in key or your death will be excruciating beyond comprehension.”

In support of “The Blood of Gods” release GWAR will be on the road throughout the rest of 2017 including three shows in September with a stop at Chicago’s Riot Fest. GWAR will then return to the road On October 20th, the release date of “The Blood of Gods.” The first show on “The Blood of Gods Tour” is in their adopted home base of Richmond, Virginia and will run through December 10th in Detroit, MI. A complete list of “The Blood of Gods Tour” dates including an NYC appearance on Halloween can be found below. Support on the tour will come be provided by Ghoul, Doyle(10/20-11/5), He Is Legend (11/7-12/10) and U.S. Bastards.

GWAR On Tour:
9/15: Knoxville, TN @ The International
9/16: Middletown, OH @ Land of Illusion
9/17: Chicago, IL @ Riot Fest

GWAR W/Ghoul, Doyle and U.S. Bastards:
10/20: Richmond, VA @ The National
10/21: Cleveland, OH @ Agora Ballroom
10/22: Toronto, ON @ Opera House* (No Doyle)
10/23: Millvale, PA @ Mr. Smalls
10/25: Greensboro, NC @ Arizona Petes
10/26: Baltimore, MD @ Rams Head Live
10/27: New Haven, CT @ Toad’s Place
10/28: Worcester, MA @ Palladium
10/29: Philadelphia, PA @ Trocadero
10/31: New York, NY @ Irving Plaza
11/1: Buffalo, NY @ Town Ballroom
11/2: Louisville, KY @ Mercury Ballroom* (Stonecutters Open)
11/3: St. Louis, MO @ Pop’s
11/4: Sioux City, IA @ Hard Rock
11/5: Lawrence, KS @ Granada

GWAR W/Ghoul, He Is Legend and U.S. Bastards
11/7: Minneapolis, MN @ First Avenue
11/8: Winnipeg, MB @ Pyramid
11/9: Saskatoon, SK @ Saskatoon Events Center
11/10: Edmonton, AB @ Union Hall
11/11: Calgary, AB @ The Palaces
11/13: Vancouver, BC @ Commodore
11/14: Portland, OR @ Roseland
11/15: Seattle, WA @ Showbox SoDo
11/17: Santa Cruz, CA @ The Catalyst
11/18: Las Vegas, NV @ Fremont Country Club
11/19: Sacramento, CA @ Ace of Spades
11/21: San Diego, CA @ House of Blues
11/22: Los Angeles, CA @ Fonda Theater
11/23: Tempe, AZ @ Marquee Theater
11/24: Albuquerque, NM @ Sunshine Theater
11/25: Denver, CO @ Summit Music Hall
11/26: Lincoln, NE @ Bourbon Theatre
11/28: Tulsa, OK @ Cain’s Ballroom
11/29: Dallas, TX @ Gas Monkey Live
11/30: Houston, TX @ House of Blues
12/1: San Antonio, TX @ Aztec Theater
12/2: Baton Rouge, LA @ Varsity Theater
12/3: Atlanta, GA @ Masquerade
12/5: Ft. Lauderdale, FL @ Revolution
12/6: Tampa, FL @ The Ritz
12/8: Indianapolis, IN @ The Vogue
12/9: Peoria, IL @ Limelight
12/10: Detroit, MI @ St. Andrews Hall

For More Info Visit: