Guitarist Gus G Discusses His New Solo Album “Quantum Leap”

Gus G is the guitarist for Greek power metal band Firewind. Gus has also played with Kamelot, Arch Enemy and Ozzy Osbourne. Gus’s latest release is an instrumental solo album titled “Quantum Leap”. Media Mikes had the chance recently to speak with Gus about the creation of the album and his progression as a guitarist.

Adam Lawton: Can you give us some background on the creation of “Quantum Leap”?

Gus G: This is my first fully instrumental record. I had the idea to do an album like this in the back of my mind for awhile however just never decided to do it until now. With all the lock downs I knew I was going to be stuck home for a while. I was doing press for the latest Firewind record and we were gearing up to start touring and then everything got cancelled. In between all of those interviews I started writing down different thoughts and ideas. Before I knew it, I had seven or eight new ideas. This was around springtime and I knew it was still going to be awhile until we could do any live shows. I figured now was the time do a solo record on my own. My plan was to not have any outside collaboration. I spent all of last summer working on this record.

AL: Did the effects of the pandemic help mold this material in any way?

GG: It could be! I think it had a lot to do with it. To me when you are making albums it’s like a snapshot in time of where you are at. The material reflects my psychology and where I was at during this time. Like everyone dealing with this I had a lot of ups and downs where some days I had a lot of energy while others I had none. This is not your typical metal album as there are a lot of different styles and vibes.

AL: Do you have a different approach for working on an instrumental record compared to one with vocals?

GG: It is a different process. Making music without vocals in general is a whole different process in because you must fill that gap. I wasn’t really used to that. It was an interesting learning experience. I had made instrumental music in the past, but I never really dug deep into that. With this I wanted to find a balance. I wasn’t interested in making a shred album as I wanted to make an album that had cool songs with good music. I wanted there to be a musical statement instead of just a collection of guitar licks and riffs.

AL: Did you build the songs around vocal melodies, or did you add those passages later?

GG: It usually starts with riffs. This part of the process was the same for me as when I am writing for Firewind as it all starts with the riffs. The big difference was where to go after the initial riff starts. You could go any where be it a melody or certain key change. Those are the things I had to find out and build from scratch. At the end of the day, it was about balance as well as the hooks and melodies. At the time I didn’t really have vocal ideas but now looking back maybe I did have ideas about big vocal melody parts that would grab the listener.

AL: What was your process like for producing and editing being it was just you working on the record?

GG: That’s one of those things where how do you really know when something is done. A track is done when you have listened to it enough times through that you are happy with it and you send it on for mixing. There were a few tracks that went through many re-writes and edits. You just get a feeling when you are writing something that it is done. This can be a double-edged sword though because you can always think it could be better. I try and keep a little bit of a distance with the music I make. When I think something is finished, I will not listen to it for a few days and then come back to it with fresh ears. That’s when if I need to, I will make changes. It’s really all a feeling.

AL: Was this all newly written material or did you have some of the material prior to deciding to make the record?

GG: It’s both. I always have riffs laying around. I keep a file of different ideas. Some stuff I didn’t use for other projects and other ones are ones that I came up with at that moment with no specific place for them in mind. I never know what these will end up being used for, but I do go back and listen through them for ideas. Sometimes its weeks or months later that I go back but that folder tends to be a great starting point. I might use things as they are or completely start from scratch.

AL: How do you decide what material to keep for yourself and what to use for other projects?

GG: Sometimes it is hard to do that. It is all my writing and my style. There are times I set out to write something specifically for Firewind or for my solo stuff and during the process that material goes the opposite direction and ends up on something it was originally intended for. Firewind has a certain sound and style so I am less likely to experiment with that material but like I said things have a way of working their way into places they were not originally intended for.

AL: You worked by yourself and provided all the instrumentation for this record. Is that how you prefer to work, or do you prefer the more traditional route of recording with other musicians?

GG: I have always done things on my own for the most part. Firewind actually started out as a file exchanging band in the early 2000’s. I have become very used to putting together a complete and good sounding demo that it was a pretty natural process for me when it came time to record the parts for “Quantum Leap”.

AL: Looking at your guitar playing do you feel it has progressed more naturally or have you taken conscious steps to ensure it has progressed in a specific direction?

GG: I think I am sort of somewhere in the middle. The last few years I don’t think I have practiced as much as I would have liked to. When I do go into practice mode, I really get into it. I try and learn or develop new techniques and licks. Then there are times where I don’t pick the guitar up as much. I don’t allow myself to get sloppy, so I am on top of things, but I am not putting in ten-hour practice days like I did as a teenager.

AL: Now that “Quantum Leap” is out have you started thinking about your next project yet or are you giving yourself a little breathing room?

GG: I did a side project with Rob Chapman from Chapman Guitars and Youtube. It’s called “Criterium” and we did a three song EP. We are not sure when its going to be coming out, but we have been recording and Rob is getting ready to do the vocals for it very soon. I have known Rob since 2006 or 2007 so it has been great working with him on music after being friends for so long.

For more info on Gus G visit www.gusgofficial.com or on Instagram and Twitter @gusgofficial

PROGRESSIVE MUSIC TITANS DREAM THEATER RELEASE MUSIC VIDEO FOR DEBUT SINGLE “INVISIBLE MONSTER” FROM THE UPCOMING ALBUM A VIEW FROM THE TOP OF THE WORLD

Watch the Video For “Invisible Monster” HERE: 

THEIR 15th STUDIO ALBUM SCHEDULED FOR WORLDWIDE RELEASE ON OCTOBER 22nd NOW AVAILABLE FOR PRE-ORDER HERE:

Part 1 of the In-Depth Behind The Scenes Interview About The New Album Can Be Seen Here:

As anticipation grows for the release of their 15th studio album, GRAMMY-nominated and millions-selling progressive music titans Dream Theater are releasing the music video for the first official single “Invisible Monster.” The song comes from their upcoming InsideOutMusic / Sony Music album A View From The Top Of The World scheduled for release worldwide on October 22nd. The new track clocks in at 6:27 and showcases the musicianship and creativity that has garnered the band fans around the globe. The video for the song was directed by William “Wombat” Felch (Mudvayne, HellYeah, Crobot, Static-X, Nefariant) and follows the story of an artist’s internal struggles as the band is showcased performing the track. The piece of art created by Felch in the video now lives inside DTHQ. The video for the song can be seen here: https://youtu.be/s0Wmg7Tq4Pk.

“It was written after we’d written a bunch of material. A lot of the music was super energetic and upbeat tempo-wise. Mike suggested we do something a little different though. So, we started working on a more mid-temp song. The hook, riff, and melody changed so naturally. I equate it to ‘Pull Me Under’ back in the day where we’d just start playing, something would come out, and we’d be like, ‘Whoa, that’s cool’. There’s a serendipitous moment where it happens. Lyrically, it’s about how anxiety plagues people. It’s like there’s an invisible monster beating you. You don’t see it, but it’s haunting you all of the time,” explains John Petrucci.

Dream Theater recently released an in-depth behind the scenes interview about the making of A View From The Top Of The World. The interview is a 3-part docuseries hosted by ProgReport Editor In Chief Roie Avin as he interviews the band about creating the new album. The interview takes place at the band’s new headquarters DTHQ – the space where the band recorded their latest album. Part 2 of the interview will be released on September 29th and the final part will be out on October 10th. The first part of the interview is now live and can be seen here:  Also, an animated video for album opener “The Alien” (viewed over 1.4 million times) that clocks in at 9:32 was released last month and can be seen here: 

A View From The Top Of The World is now available for pre-order in various configurations including a limited Deluxe Box incl. Gatefold 2LP (180g bright gold vinyl) with exclusive alternate cover, limited deluxe 2CD+Blu-ray Artbook with exclusive alternate cover, Zoetrope Slipmat, Beanie, Enamel Keychain, 8 x Artcards, Poster, Hand-Numbered Certificate of Authenticity in a Lift-off Lid Box. The album is also available in a limited Deluxe 2CD+Blu-ray Artbook, Special Edition CD Digipak, Gatefold 180g 2LP+CD+LP-booklet. The Blu-ray contains a 5.1 surround sound mix with full album animations, plus ‘Digging For A Spark – A View From Inside DTHQ’, a specially filmed documentary that gives a glimpse behind the scenes of the band’s new home-base and the making of the new album. The album is also available for pre-order digitally and fans that pre-order the digital version will receive an instant download of “The Alien.” A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap and available for pre-order here:

Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.

The track listing for A View From The Top Of The World is:

1) The Alien (9:32)
2) Answering The Call (7:35)
3) Invisible Monster (6:31)
4) Sleeping Giant (10:05)
5) Transcending Time (6:25)
6) Awaken The Master (9:47)
7) A View From The Top Of The World (20:24)

L to R: John Petrucci, Mike Mangini, James LaBrie, John Myung, Jordan Rudess Photo Credit: Rayon Richards

METALLICA: Three More New Tracks Available With Album Pre-Orders

METALLICA 

THE BLACK ALBUM REMASTERED

THE METALLICA BLACKLIST ALBUM FEATURING 53 ARTISTS

Join Jason Newsted in Unboxing the Black Album Limited Edition Deluxe Box Set HERE

Celebrate The 30th Anniversary Of The Black Album Your Way September 10th

 

Two New Instant Gratification Tracks Now Available With The Metallica Blacklist Album Pre-Orders:

“Of Wolf and Man” by Goodnight, Texas

“Sad But True” by Royal Blood

New Instant Gratification Track Now Available With The Black Album Pre-Orders:

“Of Wolf and Man (Mannheim, Germany – May 22, 1993)”

100% of The Metallica Blacklist sales will benefit 52 charities.

 

 

 

 

EVERY TIME I DIE ANNOUNCE NEW ALBUM “RADICAL” AND TOUR

RADICAL
OUT OCTOBER 22


SHARE NEW TRACK “POST-BOREDOM”

WATCH | LISTEN

Buffalo-based hardcore heroes Every Time I Die have just announced their highly anticipated ninth studio album Radical out October 22 via Epitaph. Produced by Will Putney (Acacia Strain, Body Count, The Amity Affliction), Radical is the follow-up to 2016’s acclaimed Low Teens.

Today, the band shares “Post-Boredom,” a mixture of the nihilistic realism and persistent irritated optimism that powered punk rock in the late ‘70s and post-hardcore in the early ‘90s. “’Post-Boredom’ was the first song I ever wrote that gave me the feeling of real Truth,” explains vocalist Keith Buckley. “I wasn’t hiding any secret confessions in metaphors, I was very much fed up with living an unfulfilling life and felt that I needed a death (either figuratively or literally) in order to have a fighting chance at finding new meaning. I see this song from a distance. It’s reflective but also, finally, detached. not a full ego death, but indicative that the process needed to start immediately in my own life. If you read the lyrics and it resonates with you, then you also need to recognize that you might be feeling unseen in your current form. So, what are YOU going to do about it if given the gift of death?”

CHECK OUT “POST-BOREDOM” NOW
WATCH | LISTEN

While inspired by the unrest and upheaval around the world over the past five years, Radical focuses on humanity, decency, self-worth, and even a bit of spirituality more so than politics.

“I’m dealing with difficult matters this time that isn’t only personal for me but are also universal and more communal experiences,” Keith explains. “The songs are realistic in that they acknowledge that things require a lot of work. But it’s ultimately a very hopeful and uplifting record.”

Radical is 16 tracks of peak-ETID, alchemized by a swampy summoning of southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing the band as leaders, not followers.

TRACK LISTING
1.    Dark Distance
2.    Sly
3.    Planet Shit
4.    Post-Boredom
5.    A Colossal Wreck
6.    Desperate Pleasures
7.    All This And War
8.    Thing With Feathers
9.    Hostile Architecture
10.  AWOL
11.  The Whip
12.  White Void
13.  Distress Rehearsal
14.  sexsexsex
15.  People Verses
16.  We Go Together

Every Time I Die has a handful of tour dates throughout the rest of 2021 including their holiday extravaganza, ‘TID The Season taking place in their hometown of Buffalo, NY on December 10 & 11. The band has also just announced that they will support post-hardcore band Underoath on the road early next year. Tickets are on sale Friday, August 20 at 10am local time. For more information, visit https://everytimeidie.net/.

EVERY TIME I DIE TOUR DATES 2021
8/28           Worcester, MA      The Palladium*
9/23           Memphis, TN        Growlers
9/24           Birmingham, AL    Furnace Fest
12/10-11   Buffalo, NY            ‘TID The Season
* supporting The Ghost Inside

2022
supporting Underoath
2/18         Dallas, TX                    Southside Ballroom
2/19         Houston, TX                 Bayou Music Center
2/20         San Antonio, TX           The Aztec Theatre
2/23         Phoenix, AZ                 The Van Buren
2/24         Los Angeles, CA          The Wiltern
2/25         Anaheim, CA                House of Blues
2/26         San Francisco, CA       The Warfield
2/28         Seattle, WA                  Showbox SODO
3/1           Vancouver, BC             The Vogue Theater
3/2           Spokane, WA               Knitting Factory
3/4           Salt Lake City, UT        The Complex
3/5           Denver, CO                  The Ogden Theatre
3/7           Minneapolis, MN          The Fillmore
3/8           Chicago, IL                   Radius
3/9           Detroit, MI                    The Fillmore
3/11         Toronto, ON                 History
3/12         Cleveland, OH              Agora
3/13         Wallingford, CT            The Dome
3/14         Boston, MA                  House of Blues
3/15         Pittsburgh, PA              Stage AE
3/17         Brooklyn, NY                Brooklyn Steel
3/18         Silver Spring, MD         The Fillmore
3/19         Philadelphia, PA          The Fillmore
3/20         Sayreville, NJ               Starland Ballroom
3/22         Cincinnati, OH              ICON
3/23         Charlotte, NC               The Fillmore
3/25         Atlanta, GA                   Tabernacle

Every Time I Die is Keith Buckley (vocals), Jordan Buckley (guitar), Andy Williams (guitar), Steve Micciche (bass), and Clayton “Goose” Holyoak (drums).

Album Review: Stone Temple Pilots “Tiny Music…Songs From the Vatican Gift Shop” Super Deluxe Edition

“Tiny Music…Songs From the Vatican Gift Shop” Super Deluxe Edition

Stone Temple Pilots

Rhino

3 Cd’s, 1 LP

Our Score: 4 out of 5 stars

Released originally on March 26, 1996, “Tiny Music…Songs From the Vatican Gift Shop” was Stone Temple Pilots third studio release and the follow up to the bands 1994 sophomore release “Purple”. “Tiny Music…” would was a huge success achieving double-platinum status and yielding three #1 hits – “Big Bang Baby,” “Lady Picture Show,” and “Trippin’ On A Hole In A Paper Heart.” To celebrate these achievements Rhino Records have release a “Super Deluxe Edition” of the album which includes a newly remastered version of the original studio album on both CD and vinyl, plus unreleased early versions of tracks, instrumentals, and alternate takes along with a complete concert recording from 1997 which all come housed in a colorful chromatic gatefold.

Easily one of the biggest bands of the nineties Stone Temple Pilots churned out hit after hit across four different albums, with three of those hits coming specifically from “Tiny Music…”. Given the albums achievements a special re-release was certainly fitting. Housed in a reflective gatefold adorned with the album’s original artwork the releases instantly grab’s the listener even before playing its first note. Upon opening the album, the release is separated into two sections. On the left you have the newly remastered LP of the record along with an oversized version of the liner notes which include lyrics and some great photos of the band from this era. The 180g LP remaster is crisp and pronounced which pairs nicely with the broad instrumentation and sounds on tracks like “Pop’s Love Suicide”, “Lady Picture Show” and the instrumental track “Daisy”.

On the right side of the collection are 3 different colored CD’s. Disc 1 is the remastered CD version of the album which includes all the same qualities of the LP version but in a more portable format.  Disc 2 features previously unreleased, alternate versions of each of the albums 12 tracks including one additional song (“Kretz’s Acoustic Song”). What I really enjoyed about this was that the track listing remained virtually the same as the studio release however, the alternate versions of each song brought a newness to the album that made it fresh while still retaining the structure and feel of the original. Often “previously unreleased” material is kept from the public for a reason and then when it is finally released often it’s done so as sort of an afterthought and it is lacking structure. This was not the case here. Disc 3 was easily my favorite of three as it is home to a previously unreleased live show from Spring break 1997. The band sounds strong and it’s great to hear the “Tiny Music…” songs performed live alongside other classic STP songs like “Crackerman”, “Vasoline” and “Interstate Love Song”. The only downside here is that I wish they had chosen a different show to include. Don’t get me wrong the one chosen is great however having been fortunate enough to see the band on the “Tiny Music…” tour it would have been great to have been able to relive more of that live show experience especially the mid-show acoustic sets they were doing at the time.

From front to back the “Tiny Music…Songs From the Vatican Gift Shop” Super Deluxe Edition is a nicely put together piece for Stone Temple Pilot fans. Even if you already have a copy of the original “Tiny Music…” album the newly re-mastering is certainly worth checking out but, where you will really find interest is the two discs containing brand new unreleased material. This is where the release really shined and the only thing I found lacking in this section was unlike the original album which included the liner notes and photos which accompanied the release in 1997 there was nothing visual to correspond with the studio outtakes and live performance. Had something additional like that been included this set would have been an instant homerun.

TINY MUSIC … SONGS FROM THE VATICAN GIFT SHOP: SUPER DELUXE EDITION

3-CD/1-LP Track Listing

Disc One: Original Album 2021 Remaster

  1. “Press Play”
  2. “Pop’s Love Suicide”
  3. “Tumble In The Rough”
  4. “Big Bang Baby”
  5. “Lady Picture Show”
  6. “And So I Know”
  7. “Trippin’ On A Hole In A Paper Heart”
  8. “Art School Girl”
  9. “Adhesive”
  10. “Ride The Cliché”
  11. “Daisy”
  12. “Seven Caged Tigers”

Disc Two: Early Versions, Instrumentals, & Alternate Mixes

  1. “Press Play” – Full Length Version *
  2. “Pop’s Love Suicide” – Early Version *
  3. “Tumble In The Rough” – Early Version *
  4. “Big Bang Baby” – Early Version *
  5. “Lady Picture Show” – Early Version *
  6. “And So I Know” – Early Version *
  7. “Trippin’ On A Hole In A Paper Heart” – Early Version *
  8. “5 Or 4 Times (Art School Girl)” – Early Version *
  9. “Adhesive” – Instrumental *
  10. “Ride The Cliché” – Instrumental *
  11. “Seven Caged Tigers” – Early Version *
  12. “Big Bang Baby” – Alternate Version *
  13. “Trippin’ On A Hole In A Paper Heart” – Percussion Mix *
  14. “Art School Girl” – Jaw Harp Version *
  15. “Kretz’s Acoustic Song” *

Disc Three: Live at Club La Vela, Panama City Beach, FL (3/14/97)

  1. “Crackerman” *
  2. “Meatplow” *
  3. “Tumble In The Rough” *
  4. “Vasoline” *
  5. “Wicked Garden” *
  6. “Trippin’ On A Hole In A Paper Heart” *
  7. “Plush” *
  8. “Big Empty” *
  9. “Interstate Love Song” *
  10. “Lady Picture Show” *
  11. “Unglued” *
  12. “Big Bang Baby” *
  13. “Dead & Bloated” *
  14. “Sex Type Thing” *

* previously unreleased

 

TREMONTI TO RELEASE FIFTH STUDIO ALBUM MARCHING IN TIME ON SEPTEMBER VIA NAPALM RECORDS

New Solo Album By Guitarist/Songwriter Mark Tremonti Now Available For Pre-Order https://smarturl.it/MarchingInTime 

World-renowned guitarist/songwriter Mark Tremonti is back with his fifth album from his solo band, Tremonti. The new album, entitled Marching In Time, is scheduled for global release on September 24th via Napalm Records and is available for pre-order beginning today.

Mark Tremonti is no stranger to storytelling. Throughout his years with top-charting bands Alter Bridge and Creed, and most recently his solo band, Mark has never strayed from his love of writing memorable songs. With the upcoming fifth album, Marching In Time, the band looks to continue this trend while exploring their love for heavy music, drawing from current events from the last year to form the basis of each song. While its predecessor, A Dying Machine, was an overall concept album seeped in darker sentiments and story, the vibe of Marching In Time is different – emerging as a charging rock/metal offering that takes the listener on 12 individual journeys. Marching In Time is now available for pre-order here: https://smarturl.it/MarchingInTime

From the driving drum beat of opener “A World Away” to the epic closer “Marching In Time,” the new album is a reflective look at the world around us today. Tremonti’s unmatched musicianship bleeds through the album, showcased on tracks like “Thrown Further,” “In One Piece” and the thought provoking “Would You Kill.” Alternatively, the band displays their softer side on pensive tracks “The Last One Of Us” and “Not Afraid to Lose.” Epic title track “Marching In Time” tells the story of a father having a child during a global pandemic and how he prepares for life during that time – something Mark Tremonti recently experienced in his own life – while upcoming single “If Not For You” shows the evolution of the Tremonti sound in 2021.  Marching In Time was produced longtime friend and collaborator Michael “Elvis” Baskette – the producer Mark has worked with exclusively since 2007. 

The track listing for Marching In Time is: 
1. A World Away
2. Now and Forever
3. If Not For You
4. Thrown Further
5. Let That Be Us
6. The Last One of Us
7. In One Piece
8. Under the Sun
9. Not Afraid to Lose
10. Bleak
11. Would You Kill
12. Marching In Time
Marching In Time will be available in the following formats*:
-CD Digipak       
-Digital Album   
-2LP Gatefold Black       
-2LP Gatefold Marbled White / Black + Bonus Track (Band Store Only – limited to 500)-2LP Gatefold Sun Yellow + Bonus Track (Band Store Only – limited to 500)
-2LP Gatefold Crystal Clear + Bonus Track (Band Store Only – limited to 500)
-2LP Gatefold Pink Transparent (Napalm Mailorder Only – limited to 500)
-Die-Hard Edition: 2LP Marble Transparent Black + Guitar Pick + Print (Napalm Mailorder Only – limited to 500)   
-Deluxe Box: Flag, Wristband & More! (Napalm Mailorder Only – limited to 500)
*Additional formats will be available via individual retailers.

Tremonti will hit the road in advance of the release of Marching In Time, starting on September 3rd in Pryor, OK at Rocklahoma with longtime friends Sevendust. The tour will make stops in Kansas City, MO, Sayreville, NJ, Flint, MI and Joliet, IL, to name a few, before wrapping on September 26th in Orlando, FL. All tour dates, ticket information and VIP packages can be found at www.marktremonti.com.  

METALLICA ANNOUNCE THE BLACK ALBUM REMASTERED AND BLACKLIST ALBUM

THE BLACK ALBUM REMASTERED

THE METALLICA BLACKLIST ALBUM FEATURING 53 ARTISTS

Celebrate The 30th Anniversary Of The Black Album Your Way September 10th

The Metallica Blacklist Album Pre-Orders Receive Instant Gratification Tracks “Nothing Else Matters” by Miley Cyrus (feat. WATT, Elton John, Yo-Yo Ma, Robert Trujillo, Chad Smith) and “Enter Sandman” by Juanes

The Black Album Pre-Orders Receive Instant Gratification Tracks “Enter Sandman (Remastered)”, “Enter Sandman (Live at Tushino Airfield)” and “Enter Sandman (July 12th, 1990 Demo)”

100% Of The Metallica Blacklist Sales To Benefit 52 Charities

Watch the Trailer HERE

Metallica marks the 30th anniversary of its self-titled fifth album — a/k/a The Black Album — with two landmark releases, both out September 10th on the band’s own Blackened Recordings:

The Black Album is one of the most commercially successful and critically acclaimed records of all time. Its 1991 release not only gave Metallica its first #1 album in no fewer than 10 countries, including a 4-week run at #1 in the U.S., its unrelenting series of singles — “Enter Sandman”, “The Unforgiven”, “Nothing Else Matters”, “Wherever I May Roam”, and “Sad But True” — fueled the band’s rise to stadium headlining, radio and MTV dominating household name status. The album’s reception from the press was similarly charged, building over the years from the top 10 of the 1991 Village Voice Pazz & Jop national critics poll to becoming a constant presence in the likes of Rolling Stone’s 500 Greatest Albums Of All Time. The album’s impact and relevance continue to grow—as proven by one indisputable fact: The Black Album remains unchallenged as the best-selling album in the history of Nielsen Soundscan, outselling every release in every genre over the past 30 years.

To commemorate its 30th anniversary, the GRAMMY-winning, 16x platinum-certified Black Album is receiving its definitive re-release.  Remastered for ultimate sound quality, The Black Album remaster will be available in multiple configurations including 180 gram Double Vinyl LP, Standard CD and 3 CD Expanded Edition, digital, and Limited Edition Deluxe Box Set (containing the album remastered on 180G 2LP, a picture disc, three live LPs, 14 CDs (containing rough mixes, demos, interviews, live shows), 6 DVDs (containing outtakes, behind the scenes, official videos, live shows), a 120-page hardcover book, four tour laminates, three lithos, three guitar picks, a Metallica lanyard, a folder with lyric sheets, and a download card).

Much more than a mere tribute album, The Metallica Blacklist celebrates the enduring influence of this musical milestone with one of the most ambitious projects ever conceived by the Metallica team: An unprecedented 50+ artists spanning an unbelievably vast range of genres, generations, cultures, continents and more, each contributing a unique interpretation of their favorite Black Album cut.

The Metallica Blacklist offers up new dimensions of the record whose gravitational pull first drew the mainstream to Metallica—and provides new insights into the universal and timeless appeal that kept it there: the boundary-smashing influence these 12 songs have had on fans and musicians of all stripes. The Metallica Blacklist’s 53 tracks find singer songwriters, country artists, electronic and hip hop artists sharing their love of these songs alongside punk rockers, indie darlings, icons of rock, metal, world music and many, many more… and for 50+ good causes: Profits will be divided evenly between charities of the artist’s choice and Metallica’s All Within My Hands Foundation.

The Metallica Blacklist is a fitting and limitless homage, one that features bands who’ve shared stages with Metallica alongside artists who are younger than the original album. It’s a truly staggering, at times mystifying assemblage of musicians, dozens of whom have little to nothing in common other than the shared passion for the music that’s united them for this album: 1 Album. 12 Songs. 53 Artists. Unlimited Possibilities.

The Metallica Blacklist will be available in formats including digital, 4 CD and a limited edition 7 LP vinyl pressing. Pre-orders will instantly receive multi-platinum selling recording artist, songwriter, philanthropist and trailblazer Miley Cyrus’ version of “Nothing Else Matters” featuring WATT, Elton John, Yo-Yo Ma, Robert Trujillo and Chad Smith, and Colombian-born rock/pop superstar, and winner of 20+ Grammy & Latin Music Grammy Awards  Juanes’ interpretation of “Enter Sandman.”

*All profits from The Metallica Blacklist will be split evenly between the All Within My Hands Foundation and 50+ charities chosen by the artists who play on the album. All Within My Hands was founded by the band in 2017 as a way for the entire Metallica family to give back to communities that have supported the band by supporting workforce education, the fight against hunger, and other critical local services.

BULB (PERIPHERY’S MISHA MANSOOR) SETS JULY 16 RELEASE DATE FOR DEBUT SOLO ALBUM

MODERATELY FAST, ADEQUATELY FURIOUS (3DOT RECORDINGS)

https://lnk.to/bulb-moderatelyfast-adequatelyfurious

WATCH THE “PARABOLICA” VIDEO NOW

Misha Mansoor, the highly-innovative musician renowned for his acclaimed guitar acrobatics, is set to release his first proper solo album using the longtime Bulb moniker that earned him internet fame in his pre-Periphery days. The album, Moderately Fast, Adequately Furious, arrives on July 16 via 3DOT Recordings.

An introduction to the 11-song album arrives via the newly released “Parabolica” video (https://youtu.be/K1TGQ9LUBKY).

“I can’t tell you guys how excited I am and how cathartic it feels to finally be able to put out my first solo album. Moderately Fast, Adequately Furious has technically been about 15 years in the making, so your patience has been appreciated,” explains Mansoor. “It was important that I felt genuinely happy with this Bulb debut, but I can say that I finally put together something that I am proud of. This album represents something important to me, and that was both the impetus and the goal in its creation and completion. With that said, I do hope that you enjoy it too!”

Bulb is known within guitar circles as the online moniker Mansoor used as he shared demos and playthroughs via fan forums, eventually coming to international attention for his groundbreaking guitar playing via his GRAMMY-nominated and highly influential band Periphery. In the years since, Bulb has become both an enduring nickname as well as a reference to Mansoor’s solo work. Over the latter half of 2020, Mansoor released ten archival Bulb albums featuring 110 tracks from those early aughts explorations.

Albums pre-orders, including the first ever Bulb vinyl (limited to 300 pieces), can be found now via the 3DOT Recordings’ webstore (https://store.3dotrecordings.com/) as well as the standard digital service providers (https://lnk.to/bulb-moderatelyfast-adequatelyfurious).
 
 
Moderately Fast, Adequately Furious tracklist:
1. Unleash The Pwnies Redux
2. Echo Teuffel
3.Breeze Redux
4. Parabolica
5. Two Brothers
6. Far Too High (feat. Axel Mansoor)
7. Füf Redux
8. Press Enter Redux
9. Upload Apathy
10. Download Happiness
11. And Yet, This Man Will Soar
 
Photo credit: Ekaterina Gorbachva

Party Icon ANDREW W.K. Announces Upcoming Fifth Full-Length Rock Album

“God Is Partying” out September 10, 2021, via Napalm Records

Watch the New Music Video for ANDREW W.K.’s Most Intense Single Yet,
“I’m In Heaven”HERE

Pre-Order God Is Partying HERE
 
North American Tour Dates Announced – Learn More HERE

Hark, disciples of partying – the long wait is finally over! Napalm Records and ANDREW W.K. are thrilled to announce the impending release of the iconic Party God’s fifth full-length studio rock album, God Is Partying. The long-awaited nine track opus of maximalist rock grandeur is set for release on September 10, 2021.
 
Hovering in the fluorescent spotlight of his legendary party power, God Is Partying sees ANDREW W.K. ransack the corners of the human psyche, reaching a triumphant apex in his catalog, 20 years after the release of his chart-topping 2001 full-length debut, I Get Wet. Emotive yet steadfast, ominous yet invigorating, God Is Partying embraces both the break-ups and break-downs of life, and ANDREW W.K. once again provides his audience with the perfect soundtrack to celebrate life in all its perplexing and euphoric intensity.
 
Today, audiences can experience another early serving from the album, in the form of ANDREW W.K.’s latest single, the structurally unconventional and atmospherically unnerving, “I’m In Heaven”, alongside an equally idiosyncratic new music video. As the follow up to the colossal sonic success of the recently released “Babalon”“I’m In Heaven” offers a refreshingly dissonant and weighty dose of what’s to come on God Is Partying.
 
Phem C. Palmer, the director of “I’m In Heaven”, discusses how they constructed the video’s visual language:
“A secret is no longer a secret if it isn’t being kept, and this is how we approached the spirit of meaning as it applies to the non-diegetic sound images in the ‘I’m In Heaven’ video.”
Watch the official music video for “I’m In Heaven” HERE

Showcasing his indisputable musicality, God Is Partying features ANDREW W.K. performing all the album’s instruments, in addition to co-producing the album with his long-time recording partner, Grammy Award-winning engineer, Ted Young.
 
Channeling the manic euphoria that has compelled ANDREW W.K.’s auditory insignia for decades, God Is Partying is soaked with a flood of epic energy – often traversing seemingly impenetrable lyrical themes while remaining refreshingly relatable, inspiring, and vital for survival. From sinister metallic bastions like the buzzing single “Babalon”, to the timeless story telling of “Remember Your Oath”, the album will have fans embracing their own party power and reveling in the depths of musical euphoria. God Is Partying opens triumphantly with ANDREW W.K.’s hyper-melodic keyboard stylings introducing the menacing and magical music of “Everybody Sins”, perfectly setting the scene for the dramatic immensity to follow. Tracks like the poetic, “No One To Know”, and the soaring tension of “Stay True To Your Heart”, transport the listener to the precipice of a paradoxically infinite sonic horizon – rising into synthesizer-infused epics of mega-jumbo rock music, each track showcasing another example of ANDREW W.K.’s expanding abilities as a vocalist and songwriter. Only halfway through the album is the listener driven directly into fiery depths with the massive track, “I’m In Heaven”, before ascending back up and into the sonic stratosphere with the tracks “My Tower” and the album’s gargantuan closer, “And Then We Blew Apart”God Is Partying is a true ode to the quiddity of ANDREW W.K.

Pre-Order God Is Partying HERE

God Is Partying tracklisting:*
1) Everybody Sins
2) Babalon
3) No One To Know
4) Stay True To Your Heart
5) Goddess Partying
6) I’m In Heaven
7) Remember Your Oath
8) My Tower
9) And Then We Blew Apart
 
*Various formats will include additional bonus tracks “I Made It” and “Not Anymore”.
 
God Is Partying will be available in North America in the following formats:
-1CD Jewelcase
-1LP Gatefold White + Poster
-1LP Gatefold Turquoise Transparent + Poster
-1LP Gatefold Marbled Transparent / Dark Green + Poster (Napalm Worldwide Mailorder only – limited to 800)
– 1LP Gatefold Marbled Red Transparent / Black + Poster (ANDREW W.K. store only)
-Digital Album

1LP Gatefold Marbled Transparent / Dark Green + Poster
(Napalm Worldwide Mail order only – limited to 800)

his just in – ANDREW W.K. will bring his party of positivity on the road this fall! Beginning on Friday, September 10 in Los Angeles, CA, the tour will traverse several major cities before ending on the east coast on Friday, September 24 in Philadelphia, PA. See below for all confirmed tour dates and visit https://andrewwk.com/tour for more information.

ANDREW W.K. 2021 US Tour Dates:
9/10 – Los Angeles, CA – Teragram Ballroom
9/11 – San Francisco, CA – Bimbo’s 365
9/13 – Seattle, WA – Neumos
9/14 – Portland, OR – Revolution Hall
9/19 – Pittsburgh, PA – Spirit Hall
9/21 – Washington, DC – 9:30 Club
9/22 – Boston, MA – Royale
9/23 – New York, NY – Bowery Ballroom
9/24 – Philadelphia, PA – The Theatre Of The Living Arts
9/26 – Birmingham, AL – Furnace Fest (**festival date)

Staind Guitarist Mike Mushok Discusses New Live Album “Live: It’s Been Awhile”

The rock group Staind is back on May 7th with their first release in nine years titled “Live: It’s Been Awhile”. Accompanying the album’s release is a two-night streaming event titled “The Return Of Staind: A Two Part Global Streaming Series”. Media Mikes had the chance recently to talk with Staind guitarist Mike Mushok about the release, the set of streaming performances and the bands plans for going forward.

Adam Lawton: Can you tell us about the decision to release the bands new album now amidst the ongoing pandemic?

Mike Mushok: If this were a record with new material, we would be holding on to it like a lot of other bands are. This was a chance for us to get some material out there as we were trying to put a couple things together at one time. We had filmed the show where we got back together in 2019 at the Foxwoods Casino. We put a lot more than normal into that show and we wanted to capture all of that. Starting May 1st fans can stream that show. The album will come out May 7th and then on May 8th we will be doing another stream celebrating the 20-year anniversary of “Break the Cycle”.

AL: What was it like putting together the “Break the Cycle” show

MM: It is definitely different going out there and performing with no audience. It is almost like a rehearsal that is being filmed. It’s different but, you just get into what you are doing and do the best you can. I thought the venue we chose to film at was great and the lighting looked great as well. I don’t remember how many different cameras were being used but some of what I have seen is really exciting. To go along with the performance is a short documentary which takes fans back to where we were when the album initially was released. I also went back and found a ton of old footage from around that time is well. When I was going through all this stuff, I actually found the footage from our first gig ever in 1995.The cool thing about that was it was filmed about three blocks from where we shot this new performance There’s a lot of other things that fans will get to see besides us performing the record.

AL: How was it as a band revisiting this material?

MM: It was great to be able to go back and revisit such a good time in our career. This was our most successful record and it really changed everything for us. It was cool going back listening to things and relearning that material. There are a few songs that we had never played lived from this record so that was another that was really cool.

AL: The band had plans to go out and tour in 2020 but due to the pandemic those shows were unable to happen. Have there been any talks about trying to reschedule?

MM: We are trying to figure that all out right now. We had originally planned to go out with Disturbed as part of their 20-year celebration of “The Sickness”. That tour was recently cancelled but we are looking at some festival shows in July that we are booked for as well as some shows later in the summer. We are still waiting on confirmation of those so there is still a chance that we will be out there later this year. I think everyone is still just trying to figure stuff out as every place is different which makes things challenging.

AL: How much of an effect did the Pandemic have on the band personally being that you had just gotten back together after some time?  

MM: We had a great plan in place, and it was disappointing. I was definitely looking forward to getting back out there. I can’t complain though as other people have gone and continue to go through way worse things. During that first part of things when I was home, and you couldn’t go anywhere it was nice to be able to be with my family and not have to worry about other obligations. It was great to just be together and now things are starting to get back to the way they were and that is nice also. For the band we are looking to regroup and get things back on track. 2021 seems like it is going to be this feeling out period as more and more things change and open.

AL: Your involved with a couple other projects can you give us an update on those?

MM: I have the band Saint Asonia with Adam Gontier who used to be in Three Days Grace. We are working on some new music and hope to have an EP out sometime soon. Staind is also working on some new material as well. Aaron is finishing up a country record at the moment and once that is done, we can start digging through some of the material we have. I am part owner of the Six String Grill and Stage in Foxboro; Massachusetts and we are starting to look at being able to book shows there again later this year. Combine all of that with being a dad and a husband I am pretty busy (Laughs).

For more info and updates on Staind be sure to visit www.staindofficial.com

Sonny Vincent and Bobby Liebling Discuss Their New Band The Limit and The Album “Caveman Logic”

The Limit are a newly formed heavy rock band that is set to release their debut album “Caveman Logic” on April 9th. Consisting of Bobby Liebling (Pentagram), Jimmy Recca (ex-The Stooges), Sonny Vincent (Testors), Hugo Conim (Dawnrider) and Joao Pedro (Dawnrider) the bands five members combine their diverse talents to craft a unique sound which is equal parts punk and doom. Media Mikes had the chance recently to speak with Bobby and Sonny about the group’s formation and their new album.

Adam Lawton: How did the group initially come together?

Sonny Vincent: We didn’t know each other really at all. Bobby and I have a mutual friend who was my tour bus driver on a couple of tours. He played Bobby my music and after that he gave me a call. We started talking over the phone and got to know each other pretty well. After awhile we started to get serious and thought we should make an album

Bobby Liebling: After talking for awhile we decided to give Jimmy Recca a call as he was a guy, we both knew. Sonny had worked with Hugo Conim previous and he had just gotten a new drummer (Joao Pedro) that he was going to bring along as well to start recording in Maryland. That ultimately didn’t work out and we ended up traveling to Portugal to make the album.

SV: None of us new each other well. Aside from meeting briefly over the years and talking on the phone that was really it. Now Bobby, Jimmy and I were flying to Portugal to meet these other two guys. It was sort of “Lord of the Flies” at first because Bobby and I are used to running the show in our other projects. Add in Jimmy, Hugo and Joao and everything but the music at first was this weird nightmare. We had a killer engineer and the music turned out better than we had expected.

AL: What was the writing process like?

SV: Bobby and I had written a bunch of songs together. I would have the riffs and song structures and then Bobby would come in with the melody. We had some songs together prior going to Portugal but there were some lyrics that still had to be finished.

BL: We still had to do the arrangements once we got there with the whole band. There was some switching around and extending certain parts we did in order to make them all fit.

SV: I had sent the songs to Jimmy prior to leaving so he could get all his parts down. He actually got a little mad as he had learned the songs the way they were originally sent to him then we ended up changing a bunch of parts, so he had to go back and learn them again but with all the changes.

BL: He was pretty pissed. I do remember that.

AL: Was this how you have worked in your previous projects?

SV: We both approached this in different ways. Sometimes you start with the lyrics and then add the music or its the other way around. I know Bobby has done things differently as well. In fact, he told me about one album where he virtually played everything but drums.

BL: When we go in to do a Pentagram album, I am used to the whole band being there in the same place. We then take a good three to six months to play and plan everything out that way when you get to the studio you can bang out each song pretty quickly. We sort of stumbled our way through things with this project.

SV: I know that was one of the things that was pretty difficult for Bobby being in the past he has always worked in a very methodical way. I don’t do that.

BL: Sonny has worked with a lot of different people where I have worked in a more stabilized environment. Yes, Pentagram has switched members, but we have been together for fifty years so of course you’re going to have some member changes. Not many guys are going to dedicate half a century to a project. Sonny has a much bigger network of people that he has worked with. He has worked more as a solo artist per say where he reaches out to well know players for an album and after that he moves on.

SV: Early on I wanted to have a group with a solid lineup, but something was always happening where members couldn’t stay. I knew I wasn’t going to break up with myself, so I just decided to skip the whole band thing.

BL: I have always been opposite where I am the guy continually waving the Pentagram flag and bringing in new members to keep the band moving.

SV: With us coming from such different styles there was a good amount of stress at the start for sure. We got passed it and we found that we generally did agree on how things should go.

BL: We knew this was for the cause of making each song our child. You then groom that child to have certain traits which each person feels is best for them.

AL: How did you go about choosing the first three singles that have been released?

SV: The first two released were “Black Seas” and “Kitty Gone”. Those were both quite popular and the label asked us to do one for “Death of My Soul”. They felt this song really showed the scope of what we do. For the video I knew a guy in Canada who is a professional film maker. I was originally going to give him some guidance as to what we were looking for but decided not to as I wanted to let him come up with what he thought fit the song. He shot it and sent it back and then I took it to the label and they really liked it, so we were all happy.

BL: We had a lot of artistic freedom when it came to picking songs. However, our label has a staff of nine people who have to arbitrate over decisions and of course not everyone is going to think the same thing.

SV: The singles were a bit difficult especially the first one. Hugo and I worked for about a month on that when I looked at it there was something missing. It just didn’t have the emotion to tie everything together. Even though we had made it ourselves I just wasn’t happy. We ended up sending that to the record company and they had some who worked there that took parts of what we did and mixed it with some new things and that helped a lot. The final version made you feel things as you were watching and that’s what I was going for. With “Kitty Gone” we used the same guy at the label, and we shared ideas and that one turned out much better.

BL: That one is fantastic as far as I am concerned. You can actually watch it and lyrically follow it as if you are watching a film where people are talking to one another. You can really follow it from scene to scene. It has a screenplay type feel.

AL: Prior to COVID-19 were there plans to tour and, if so, are you still planning to do so when possible?

SV: We didn’t put any barriers up against doing things at first. We went in to do the album and while listening to the rough mixes we thought it could be cool to play these for people. When we heard the final mixes, we got really excited. There are offers for the band to perform and we are interested but things are still very uncertain due to COVID-19. We just have to wait and see what is going to happen.

AL: Do you see The Limit as a one-time thing or are you interested in working more together as a group?

SV: We want to do another album. We all know each other more now and at the start of this record there were things that moved in a negative way. We had a thirty-four-hour travel time to Portugal, during that trip Jimmy had lost his wallet at one point and was back tracking his steps trying to find it. He asked Bobby and I to watch his bag. We got talking and accidentally walked away from the bag. We saw Jimmy at a coffee shop, and he asked where his bag was. He of course got mad and thought that we didn’t care about him enough to even watch his bag. That set things off in the wrong direction.

BL: That layover in the London airport was fourteen hours by itself. We were already ten to fifteen hours into the thing prior to this layover and then we had another flight to get to Portugal. It was a pretty rough start to say the least.

For more info on The Limit and their debut album “Caveman Logic” click here.

Album Review: Lamb of God “Live in Richmond, VA” LP

“Live in Richmond, VA” LP

Lamb of God

Epic Records

Tracks: 10

Our Score: 4.5 out of 5 stars


Originally, released June 19 of 2020Lamb of God’s first new album in five years was met with universal acclaim. The self- titled album landed at number one on the Overall, Rock and Metal iTunes album chart upon release and would then go on to take the coveted #1 spot on Consequences of Sound’s Top 30 Metal + Hard Rock Albums of 2020. “Live in Richmond, VA” was recorded at The Broadberry in the band’s hometown of Richmond, Virginia and gives fans their first live taste of the new material due to the COVID 19 pandemic postponing the bands scheduled spring/summer tour.

When COVID-19 brought the world to a standstill in early 2020 it also brought with it a whole host of questions and problems. For musicians they could no longer support new releases due the traditional routes of promotion being put on hold or cancelled. To combat that artists turned to live streaming performances which fans could watch from the safety of their homes. Lamb of God took that model and ran with it. Over the course of two nights in September of 2020 the band performed their latest self-titled release just as it appears on the studio version. Live albums tend to be hit or miss for me, but I have to say I actually almost prefer the live version of “Lamb of God” to the studio version. Don’t get me wrong the studio version is a great album but this newly released live version really captures the band in their element giving each of the ten songs extra edge and bite. “Momento Mori” and “Resurrection Man” kick off each side of the LP setting the standard high for the tracks which follow. Songs like “Checkmate”, “Gears” and “Poison Dream” pulverize your senses via the razor like vocals of Randy Blythe and the twin guitar attack of Willie Adler and Mark Morton while other songs like “New Colossal Hate”, Bloodshot Eyes” and “On The Hook” go straight in for the kill with thunderous bottom end courtesy of bassist John Campbell and drummer Art Cruz.

This was a record I found myself listening to multiple times in one sitting. A rarity for me as I tend to have a tension span that is a bit on the shorter side especially when it comes to music. The overall mix of the album combined with the bands impressive performance kept me coming back for more even after listening to it in succession. Though I had wished the full live performance had been included on the 150 gram LP as those missing songs would have been a nice bonus but, given the time constraints vinyl present I understand. Thankfully, the complete performance is available in a Deluxe three-disc version of “Lamb of God” which includes the studio version of the record, the live version including two bonus tracks and a live DVD performance. If you missed the initial streams or you want to revisit those performance’s, you will certainly want to grab one of these as you won’t be disappointed.   

Track Listing:

Side: 1

1.) Memento Mori

2.) Checkmate

3.) Gears

4.) Reality Bath

5.) New Colossal Hate

Side:2

1.) Resurrection Man

2.) Poison Dream

3.) Routes

4.) Bloodshot Eyes

5.) On The Hook

ATREYU ANNOUNCE NEW ALBUM BAPTIZE OUT JUNE 4

BAND SHARES TWO NEW SONGS
LISTEN TO “WARRIOR” + “UNDERRATED

Atreyu have announced their new album Baptize, out June 4 via Spinefarm Records. Pre-order it here.

The band has shared not one but two brand new songs from the record.

Listen to the anthemic “Warrior,” featuring Travis Barker, and “Underrated.”

“‘Warrior‘ is song about persistence and never giving up,” the band shares. “We hope this song can be the puzzle piece that helps people realize that we ALL have the capacity for greatness. Sometimes, greatness can exist in the shadows and lives buried under negativity, trauma, or anxiety. ‘Warrior’ is about searching through all of that endless darkness to finally find the sunrise.” 

Atreyu continues, “When we wrote ‘Warrior,’ the idea to do a big marching drum break came about. We wanted it to feel like a hometown football game. Travis Barker was the perfect person to bring this to life. It’s cool to have him be a part of the song and to perform in a different light than what people may be used to.”

About “Underrated,” the band says, “We’ve always had to prove ourselves. We’ve never been handed anything nor have we taken any shortcuts. It’s never been ‘the easy way.’ Over two decades later, we’re still making our mark.” 

BAPTIZE TRACK LISTING:

“Strange Powers of Prophecy”

“Baptize”

“Save Us”

“Underrated”

“Broken Again”

“Weed”

“Dead Weight”

“Catastrophe”

“Fucked Up”

“Sabotage Me”

“Untouchable” Feat. Jacoby Shaddix of Papa Roach

“No Matter What”

“Oblivion” Feat. Matt Heafy of Trivium

“Stay””Warrior” Feat. Travis Barker 

ATREYU ARE:

Brandon Saller — Vocals

Dan Jacobs — Guitars

Travis Miguel — Guitars

Portner McKnight — Bass + Vocals

Kyle Rosa — Drums

SUZI QUATRO Drops Title Track from New Studio Album ‘The Devil In Me’ Out March 26 via SPV/Steamhammer

Rock n’ Roll Queen SUZI QUATRO has released a new single and music video from her upcoming studio album. “The Devil In Me” is the title track for Quatro’s new LP, which will see a March 26th release on Steamhammer. The artwork for the single was created by famous Brazilian Neo-Pop artist Romero Britto. Fans can watch the video for “The Devil In Me” here: https://youtu.be/7klLUVWXAo0

Suzi Quatro‘s new studio album, ‘The Devil In Me’, will be released on March 26th, 2021 through SPV/Steamhammer as a CD DigiPak (incl. fold-out poster), 2LP gatefold version (incl. 2 bonus tracks), and download + streaming: https://SuziQuatro.lnk.to/TheDevilInMe 
‘The Devil In Me’ Tracklisting:
CD Version
1. The Devil In Me 3:242. Hey Queenie 4:083. Betty Who? 3:574. You Can‘t Dream It 3:105. My Heart And Soul 5:13 (long version)6. Get Outta Jail 3:187. Do Ya Dance 2:44 8. Isolation Blues 3:369. I Sold My Soul Today 2:3710. Love‘s Gone Bad 4:3511. In The Dark 3:0812. Motor City Riders 3:54
2 LP Version:
Side A: 1. The Devil In Me 3:242. Hey Queenie 4:083. Betty Who? 3:574. You Can‘t Dream It 3:10
Side B:1. My Heart And Soul 5:13 (long version)2. Get Outta Jail 3:183. Do Ya Dance 2:44 4. Isolation Blues 3:36
Side C:1. I Sold My Soul Today 2:372. Love‘s Gone Bad 4:353. In The Dark 3:084. Motor City Riders 3:54
Side D:1. Can I Be Your Girl 3:34 (bonus track)2. Desperado 3:37 (bonus track)
SUZI QUATRO Live 2021
4.17.21: UK-Peterborough – Showground
5.9.21: DE-Dessau – Anhalt Arena
5.10.21: DE-Dresden – Kulturpalast
5.12.21: DE-Wuppertal – Historische Stadthalle
5.14.21: DE-Mönchengladbach – Red Box
5.17.21: DE-Berlin – Friedrichstadtpalast
5.22.21: DE-Siegen/Hilchenbach – KulturPur
5.23.21: DE-Fulda – Esperantohalle
5.28.21: DE-Stuttgart – Liederhalle
6.19.21: ES-Vitoria-Gasteiz – Azkena Rock Festival
6.26.21: DE-Neuleiningen – Burgsommer
8.1.21: DE-Seebronn – Rock of Ages Festival
8.4.21: DE-Monschau – Burg Monschau
8.5.21: NL-Steenwijkerwold – Dicky Woodstock Festival
8.14.21: DE-Mülheim – Freilichtbühne
8.21.21: DE-Rust – Europa Park
9.3.21: DE-Cottbus – Stadthalle
9.4.21: DE-Zwickau – Stadthalle
9.5.21: DE-Dexheim – Kultur auf dem Hof
9.17.21: DK-Vejle – Musikteater
9.18.21: DK-Knebel – Fuglsøcentret
9.19.21: DK-Copenhagen – Docken
10.03.21: DE-Neuruppin – Kulturkirche (sold out)
10.30.21: DE-Dillingen – Lokschuppen
11.6.21: DE-Mannheim – Rosengarten
11.23-30.21: AUS- Brisbane – Rock The Boat
12.18.21: DE-Leipzig-Arena
2022 
4.20.22: London, UK – Royal Albert Hall
4.30.22: Obertraubling, DE – Airport-Eventhall
6.3.22: Ulm, DE – CCO Halle

MYLES KENNEDY to Release Sophomore Solo Album, The Ides Of March, on May 14, 2021 via Napalm Records

Pre-Order HERE

Watch the Official Video for Debut Single “In Stride” HERE

[Photo Credit: Chuck Brueckmann]
Never a musician to waste any precious time, Alter Bridge and Slash and the Conspirators vocalist MYLES KENNEDY used the recent pandemic downtime to finalize his sophomore solo album. The finished result is the exciting new offering, The Ides Of March, which incorporates Myles’ love of rock, blues and country and is slated for release on May 14, 2021 via Napalm Records.

During his time at home due to all touring being canceled, Myles created the framework for the song ideas that would make up The Ides Of MarchHe then called up his cohorts from his Year Of The Tiger debut – longtime friend and drummer Zia Uddin and bassist/manager Tim Tournier – and the three musicians drove to Florida to record the album with longtime producer Michael “Elvis” Baskette. From the slide guitar riffs of the album opener “Get Along” to the pensive blues style of closer “Worried Mind,” it is clear that Myles has crafted a formidable follow up to his debut solo album. While Year Of The Tiger was more of an acoustic exploration through Myles’ mind, The Ides Of March finds him strapping on his electric guitar and pushing himself as a guitarist/songwriter. Tracks like “A Thousand Words,” “Wake Me When It’s Over” and “Moonshot” showcase the diverse musical arrangements that have garnered Myles fans globally across all of his projects. The epic “The Ides Of March” clocks in at over seven minutes, and Myles, Tim and Zia showcase their musical chops on the track.

The first single, “In Stride”, opens with Myles showcasing his slide playing before delivering a lyrical message to “take it all in stride.” The video for “In Stride” marks a return by Stefano Bertelli (who created the recent “Native Son” video for Alter Bridge) and shows an animated Myles as he takes the end of the world in stride.

“Chill out. That pretty much sums it up,” explains MYLES KENNEDY about the single. “The lyric paints a picture of a survivalist preparing for an impending zombie apocalypse. It was inspired by the first wave of lockdowns as everyone was buying vast amounts of toilet paper and supplies. I started to ask myself if it might be wise to try and gain some perspective and not overreact… keep calm and carry on.”
Watch the music video for “In Stride” HERE:

Pre-Order The Ides Of March HERE

The Ides Of March tracklisting:1) Get Along                           
2) A Thousand Words
3) In Stride
4) The Ides of March
5) Wake Me When It’s Over
6) Love Rain Down
7) Tell It Like It Is
8) Moonshot
9) Wanderlust Begins
10) Sifting Through The Fire
11) Worried Mind

The Ides Of March will be available in the following formats:
– Digital Album
– 1 CD Jewel Case
– 1 CD Digipack (Napalm mailorder, limited to 500 worldwide)
– 2 LP Gatefold Black Vinyl
– 2 LP Gatefold Gray Vinyl 
– 2 LP Gatefold Bottle Green Transparent Vinyl (Napalm mailorder, limited to 400 worldwide)
– Die Hard Limited Edition: 2 LP Gatefold Clear Splatter Mint/Violet/White Vinyl + Aluminum Print (Napalm mailorder, limited to 300 worldwide)
– Limited Deluxe Box: Glow In The Dark Vinyl + Cover Artprint + 7” Glow In The Dark “A Thousand Words” Vinyl Demo Single + Pendant + Slipmat (Napalm mailorder, limited to 700 worldwide)