98° Jeff Timmons Talks About The Groups 2018 Holiday Tour

Photo credit: Elias Tahan

Jeff Timmons is a founding member of the pop group 98°. Together with Justin Jeffre and brother’s Nick and Drew Lachey the group has sold over 10 million albums worldwide since their debut release in 1997. The group is currently out on a Holiday Tour which runs through December 22nd and Media Mikes had the chance to speak with Jeff about the tour, the possibility of new music, and what’s at the top of his wish list this year.

Adam Lawton: Tell us about the decision to bring back the holiday tour for a second year?

Jeff Timmons: It gives us a chance to get back out there and perform. Prior to the last holiday run we had done some summer touring and it was a pretty grueling schedule. Three of us have families so to be away from them is hard. This tour allows us to go out and perform while our kids are still in school and then when we are done be home with them for the holidays. This is really something different because there are not a lot of pop groups doing holiday tours. We have a real blast doing this and helping get everyone in the holiday spirit. Last year’s response was great and this year has been even better. This is something I see us doing for as long as we can.

AL: Was there anything you guys wanted to change from last year’s performance to help bring something different to the show?

JT: I think you always want to tweak things in an effort to make the show better for the fans and for things to move smoother. The overall format from last year is basically what we are going with. We have two albums worth of Christmas material that we do and of course we have to throw in our hits or it wouldn’t be fair to the fans. We don’t take each other too seriously so there is quite a bit of comedy going on. We are playing in smaller venues which allows for a more intimate setting and it gives us a chance to be a bit more theatrical with our performances. These shows are much different than a typical concert and that was really our plan.

AL: How much pre-production and planning go in to a tour like this?

JT: We do a lot of stuff via email. We know basically what songs we are going to pull from each album but then we also throw ideas back and forth of personal favorites that we might want to add to the list as well. From there we can figure out how long the show is going to be and we can start rehearsals. Being that we are all super busy we don’t have as much time as we would like to rehearse together. We generally have about seven to ten days to get everything together before that first show so each of us has to come in ready to go. Fortunately we have been together so long that we know each other very well and that defiantly helps.

AL: You have added a few more stop to this year’s run. How do you guys select which stops you want to add?

JT: A lot of it has to do with routing. We work with an agency that looks at all the logistics which go in to a tour and then things go from there. It never is really up to us. We always want to include each of our home towns and we really campaigned to include the Mid-West and a few other areas this time out. We missed some fans last year and we got a lot of responses about that so we are trying to make sure we hit those spots. We certainly are covering more area this year and we feel very positive about all the stops.

AL: Has there been any talks of new material and possibly more touring in the coming year?

JT: There have been some talks about recording some new songs. We are not sure if it’s going to be an album or an EP. With today’s technology you can be more single driven and stream it all over so we will have to see. As far as more touring goes with everything each of us has going on we have to see how we can balance all of that while being on the road. When we first started dipping our toes in the water to see if people still wanted to see us we weren’t sure what we were going to be able to do. With the reception having been and continues to be so great that presents a lot more possibilities so we just have to see what we can make work. What I can tell you is that we enjoy doing music together and there are going to be some new things on the horizon.

AL: Being the holidays are right around the corner is there anything special you have at the top of your wish list?

JT: This is going to sound corny but I just want to be able to home for Christmas. It’s a grind out here on the road and we miss our families. Fortunately we are able to build in some off days so we do get to see them but when you’re out there getting everyone excited for the season it makes you miss them more. The tour wraps up on December 22nd so we will get to be home and just enjoy our time with one another. I think that will be the best gift.

For up to date info on 98° you can check out their Instagram at @98degrees

Bassist Sam Rivers Discusses His New Band SleepKillers and Their Self Titled Debut Album

Sam Rivers is best known as a founding member and bassist for the band Limp Bizkit. His new band Sleepkillers which includes Damien Starkey, Bobby Amaru and Adam Latiff is set to release its debut self titled album on January 25, 2019. Media Mikes had the chance to speak with Sam recently about the group’s formation, the new album and their video for the song “Dirty Foot” which premiered Nov. 2.

Adam Lawton: How did Sleepkillers come together?

Sam Rivers: As far as the writing that went into this first record goes it was me and Damien Starkey. I was living in Jacksonville at the time and we had been talking on the phone about getting together and doing some jamming. I ended up going over to his studio and after a couple of hours of just having fun we had the basis of three songs. We wanted to keep going so we just dove in. Soon after that Limp Bizkit was going back on tour and Damien had some stuff of his own going and we kind of lost touch. During that time we had both played the tracks for people and they kept saying we should turn what we had into a full length record. About a year and a half later we reconnected and after a couple bumps in the road we are here now with a finished record.

AL: At what point in time did the rest of the band come together?

SR: Bobby Amaru came in when we were still working on some of the songs. He helped us really turn things around. Adam Latiff didn’t come in until later. This was going to be just a small project for Damien and me but we took it further and needed people to play live. Bobby wanted to play drums and we couldn’t disagree. He may be the singer of Saliva but he is one hell of a drummer! Adam was a friend of Damien’s for a long time and now he and I are friends and he is just a great fit and an amazing guitarist.

AL: Did returning to the material over a year later cause you to change any of the initial recordings?

SR: I think the sound was really already there so we just rolled with it. We worked really hard at making sure everything blended together and matched up and I think we did a good job. We had that initial vision from when Damien and I first got together and that’s what we stayed with.

AL: Do you see Sleepwalkers as being more of a side project or, something you hope to do full time?

SR: I think we are going to go with it. Right now it’s just a great time. Our plan for right now is to push out as much material and content as we can. That will help us find our core fans which we can build tour and things like that around. I think the biggest thing right now is for us to get this record out and show people that we are a band. As time goes on we are going to evolve so this will be something we do full time but it’s going to be wrapped around our other work.

AL: What can you tell us about the first single “Dirty Foot”?

SR: That was a hard decision. Damien and I kept going back and forth between two or three different songs and we just couldn’t decide. We played it for a few close friends and they all had different picks. This was really odd because we had thought they would choose at least one of these three. That wasn’t the case so that didn’t really help. We took it to some of our peers and people who we really respected and let them listen to it and then sit on it for a bit. That gave us a different view on things. We still hadn’t agreed that “Dirty Foot” was going to be the one but after everything we decided that it had everything we wanted to showcase in our first single and we went with it.

AL: Can you tell us about the video you just released for the song?

SR: We had been trying to find someone who was not only in our budget but someone who was going to put their one hundred and ten percent in to this as well. We talked with David and gave him some of our ideas and from there he just ran with it. We just gave him the clearance so from there we could see what he could come up with. Our biggest thing was once we found someone we wanted to get behind them and stick with them. That’s not to say we won’t ever work with anyone else but we wanted to really see what David could do and open it up to keep going.

AL: Has there been any talks of touring in support of the release?

SR: That’s something we are planning and look to do at some point. We do have a few shows currently lined up which we will be streaming worldwide. There is no way we can hit Europe and all those places at one time so we thought this would be a cool way for us to get to those places and give them a feeling for what one of our shows is like.

For more in on Sleepwalkers you can visit their official website at www.sleepkillers.com

CKY Release GG Allin Cover, “Bite It You Scum”

CKY RELEASE GG ALLIN COVER, “BITE IT YOU SCUM”
RECORD STORE DAY VINYL EXCLUSIVE EP TOO PRECIOUS TO KILL OUT ON BLACK FRIDAY 11/23/18
WEST CHESTER, PA IN-STORE SCHEDULED FEATURING PHIL MARGERA AS SANTA CLAUS
ON TOUR NOW WITH NEKROGOBLIKON IN THE U.S.

CKY have released a cover of GG Allin classic “Bite It You Scum” today ahead of their exclusive Record Store Day release. The song is from a vinyl-only EP called Too Precious To Kill, which will be released in stores on Black Friday, November 23, 2018 (Record Store Day).

“Nobody knows fucking GG Allin!” says frontman and guitarist Chad I Ginsburg. “CKY will kill you!!!…with this relentless and quite vicious studio version of this classic punk rock song. It has been a longtime staple in the CKY live show and highly requested for over a decade! Here it is in studio quality, only available as part of our record store day exclusive. Crank it up and take a shit on someone!”

CKY will make a hometown in-store appearance at Creep Records in West Chester, PA at 2 PM EST on November 23, 2018, with none other than Phil Margera participating as Santa Claus. Visit www.creeprecords.com for more info.

CKY is currently wrapping up their North American run of dates with Nekrogoblikon.

Myrkur Announces “Juniper” EP Out 12/7, Unveils Video for title Track

MYRKUR ANNOUNCES NEW JUNIPER EP OUT 12.7 ON RELAPSE RECORDS
UNVEILS VIDEO FOR TITLE TRACK – WATCH “JUNIPER” HERE

CONFIRMS ROADBURN 2019 ‘FOLKESANGE’ PERFORMANCE

Danish composer, vocalist and classically trained multi-instrumentalist, Myrkur, unveils her powerful new ballad and video, “Juniper”. Director Philippe de Grenade, gorgeously captures her ethereal performance on 16mm film as she stuns listeners with an infectious chorus and lush string arrangements.

Myrkur is Amalie Bruun. For her forthcoming Juniper EP, she’s joined forces with Jaime Gomez Arellano (Ghost, Paradise Lost, Solstafir, Cathedral) at Orgone Studios in Bedfordshire, England. The album’s B-Side, “Bonden og Kragen”, is a solo reinterpretation of a traditional Danish folk song from the 1600s. Together, both tracks exquisitely display Myrkur’s eclectic sound and captivating personality. A limited edition of the 7″ will coincide with the digital release, December 7th on Relapse Records. “Juniper” is available now on all streaming services and you can pre-order it here.

Myrkur’s 2017 sophomore album ‘Mareridt’, was released to soaring, worldwide critical acclaim from NPR, Rolling Stone, FACT, The Guardian, Revolver, Paste, Decibel, Kerrang! and many more. Since then, she’s toured the globe, including direct support slots for The Smashing Pumpkins, Marilyn Manson, Enslaved and more. Myrkur is currently on her first headlining European run and has confirmed a performance at Roadburn 2019. Check below for a full list of dates.

Photo: Jacob Top Møller

MYRKUR LIVE DATES:

12/03: SE Stockholm, Vasateatern 04/12 – NO Oslo, John Dee #
12/05: SE Gothenburg, Pustervik #
12/07: DK Aarhus, Voxhall #
12/08: DK Copenhagen, Pumpehuset (Sold Out) #
12/10: PL Poznan, U Bazyla #
12/11: PL Krakow, Kwadrat #
12/13: HU Budapest, Durer Kert #
12/14: AT Vienna, Arena #
12/16: NL Tilburg, 013 KZ #
12/18: UK London, The Dome #
12/19: UK Bristol, The Fleece #
12/20: UK Nottingham, Rescue Rooms #
12/21: UK Glasgow, CCA #
12/22: UK Manchester, Gorilla #
04/11: NL Tilburg – Roadburn Festival ^
07/14: PL Bolkow Castle, Castle Party
08/09 – 08/10: CZ Jaromer, Brutal Assault

# – Jo Quail supporting
^ – Myrkur: Folkesange

Iron Maiden Announce 2019 North American “Legacy of the Beast” Tour

Iron Maiden Announce 2019 North American “Legacy of the Beast” Tour

IRON MAIDEN will bring the “Legacy Of The Beast” tour to North America in 2019 for an extensive series of arena and amphitheater shows produced by Live Nation, including a first-ever headline appearance at the Banc of California Stadium in Los Angeles. The tour will cover a total of 33 cities right across the U.S.A. and Canada, including Portland, Oregon where they haven’t played since 1987 on the “Somewhere In Time” tour, Hartford, Connecticut where they last played in 2005, and many other places not visited since the “Maiden England” 2012-2013 tour. The full list of dates is below.

Tickets will go on sale to the general public beginning Friday, November 16 at 10 a.m. local time at LiveNation.com. As always, there will be an exclusive pre-sale for IRON MAIDEN fan-club members.

The band’s triumphant first leg of the “Legacy Of The Beast” tour opened in Europe earlier this year to outstanding critical acclaim, not just by the 750,000-plus fans who came to see the show but right across national press and rock media, including The Times (UK) newspaper calling it “an extraordinary show filled with world class theatrics… a masterclass in performance and staging.”

MAIDEN vocalist Bruce Dickinson comments: “We’re excited to return to North America and share the ‘Legacy Of The Beast’ tour with all our friends there! We’re immensely proud of this show and we’ve had great reactions from the many fans who came to see us in Europe earlier this year. The production is based on our mobile game ‘The Legacy Of The Beast’ which basically takes various incarnations of Eddie into many different MAIDEN worlds. This inspired us to put together a stage show to take our fans through different worlds and experiences set to appropriate songs. It is not that easy designing different worlds on stage and we put a huge amount of work into this to make it work and the end result we feel is our most spectacular and certainly the most complex show to date. We’ve got all kinds of crazy things going on, including a replica Spitfire plane dominating the stage during ‘Aces High’, tons of pyro, a giant Icarus, muskets, claymores and some truly marvellous flame-throwers which I have a hell of a lot of fun with, as you will see! And, of course, we have Eddie, as you’ve never seen him before, and absolutely loads of other surprises. I’ve had the time of my life playing with all these magnificent props on stage, it’s been fantastic, we can’t wait to bring this show to you!”

Steve Harris, bassist and founder member adds: “We gave a lot of thought to the set list for this tour as the songs needed to follow the narrative of the changing worlds of the stage show. We feel we ended up with a very strong and well balanced set mixing songs we haven’t played in many years, like ‘Flight Of Icarus’, ‘Sign Of The Cross’ and ‘The Clansman’ with songs we know the fans want to hear like ‘The Trooper’, ‘2 Minutes To Midnight’, ‘The Number Of The Beast’, ‘Fear Of The Dark’, ‘Run To The Hills’, ‘Hallowed Be Thy Name’ and others, reflecting the journey through the different themes of the show. The whole band is really enjoying this tour and we are really looking forward to seeing everybody again!”

Support on the 2019 tour comes from THE RAVEN AGE. Additionally, FOZZY will be guests for the Banc of California Stadium show in Los Angeles.

IRON MAIDEN “Legacy Of The Beast” 2019 North American tour dates:

Jul. 18 – Sunrise, FL – BB&T Center
Jul. 20 – Atlanta, GA – Cellairis Amphitheater At Lakewood
Jul. 22 – Charlotte, NC – Pnc Music Pavilion
Jul. 24 – Bristow, VA – Jiffy Lube Live
Jul. 26 – Brooklyn, NY – Barclays Center+
Jul. 30 – Philadelphia, PA – Wells Fargo Center*
Aug. 01 – Boston, MA – Xfinity Center
Aug. 03 – Hartford, CT – Xfinity Theatre
Aug. 05 – Montreal, QC – Bell Centre
Aug. 07 – Quebec City, QC – Videotron Centre
Aug. 09 – Toronto, ON – Budweiser Stage
Aug. 10 – Toronto, ON – Budweiser Stage
Aug. 13 – Buffalo, NY – Keybank Center
Aug. 15 – Cincinnati, OH – Riverbend Music Center
Aug. 17 – Pittsburgh, PA – Ppg Paints Arena
Aug. 19 – Nashville, TN – Bridgestone Arena
Aug. 22 – Tinley Park, IL – Hollywood Casino Amphitheatre
Aug. 24 – Indianapolis, IN – Ruoff Home Mortgage Music Center
Aug. 26 – St. Paul, MN – Xcel Energy Center*
Aug. 28 – Winnipeg, MB – Bell Mts Place
Aug. 30 – Edmonton, AB – Rogers Place
Aug. 31 – Calgary, AB – Scotiabank Saddledome
Sep. 03 – Vancouver, BC – Pepsi Live At Rogers Arena
Sep. 05 – Tacoma, WA – Tacoma Dome
Sep. 06 – Portland, OR – Moda Center
Sep. 09 – Sacramento, CA – Golden 1 Center
Sep. 10 – Oakland, CA – Oracle Arena
Sep. 13 – Las Vegas, NV – Mgm Grand Garden Arena
Sep. 14 – Los Angeles, CA – Banc Of California Stadium
Sep. 17 – Phoenix, AZ – Talking Stick Resort Arena*
Sep. 19 – Albuquerque, NM – Isleta Amphitheater
Sep. 21 – Dallas, TX – Dos Equis Pavilion
Sep. 22 – Houston, TX – The Cynthia Woods Mitchell Pavilion
Sep. 25 – San Antonio, TX – At&T Center

* on sale starting 12 p.m. local time
+ on sale starting Monday, November 19 at 10 a.m. local time
No further cities will be added to this touring schedule.

For the 2019 shows, IRON MAIDEN will, in conjunction with the promoters, be implementing a partial digital ticketing system in as many venues as possible. This technology, being used by the NFL amongst others, is a progression of the paperless system that MAIDEN have been successfully using since 2010 and has worked well in lessening ticket scalping and the drain of prime tickets into the Secondary market.

Fans in the USA and Canada will once again be able to enjoy a Trooper VIP Upgrade package allowing early access to the venue, a pile of Trooper goodies, Trooper beers, food and a designated area to meet with other fans, plus the opportunity to win some great prizes. Packages will be available from IronMaiden.com, priced at $220 ($290 CAD for Canadian shows), with a 10% discount for IRON MAIDEN fan-club members.

Kiss Announce First Dates For “End of the Road” Final Tour

Kiss Announce First Dates For “End of the Road” Final Tour

After an epic and storied 45-year career that launched an era of rock and roll legends, KISS announced that they will launch their final tour ever in 2019, appropriately named “End Of The Road”. The initial announcement was made a month ago on NBC’s “America’s Got Talent”, which sent the Internet into overdrive with fans hoping their city would get one final KISS show. The band announced today the first set of dates and cities in North America, produced by Live Nation. International markets were also announced simultaneously today. Tour itinerary detailed below; KISS will be offering VIP experiences and special KISS Army fan presales.

KISS Meet & Greet Experiences will be available beginning Tuesday, October 30 at 10 a.m. local time through KissOnline.com. KISS Army fan club presales will begin Wednesday October 31 at 10 am local time also through KissOnline.com. Citi is the official presale credit card for the “End Of The Road” world tour. As such, Citi cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, October 31 at 12:00 p.m. local time until Thursday, November 1 at 10:00 p.m. local time through Citi’s Private Pass program. Tickets to the general public will go on sale starting Friday, November 2 at 10 a.m. local time at LiveNation.com.

Known for their trademark larger-than-life blistering performances, KISS has proven for decades why it is hands down the most iconic live show in rock and roll. The Rock And Roll Hall Of Famers who have sold more than 100 million albums worldwide have said this tour is devoted to the millions of KISS Army fans.

Said KISS: “All that we have built and all that we have conquered over the past four decades could never have happened without the millions of people worldwide who’ve filled clubs, arenas and stadiums over those years. This will be the ultimate celebration for those who’ve seen us and a last chance for those who haven’t. KISS Army, we’re saying goodbye on our final tour with our biggest show yet and we’ll go out the same way we came in… Unapologetic and Unstoppable.”

“End Of The Road” tour dates:

North America
Jan. 31 – Vancouver, BC, Canada @ Rogers Arena
Feb. 01 – Portland, OR @ Rose Garden Moda Center
Feb. 02 – Tacoma, WA @Tacoma Dome
Feb. 04 – Spokane, WA @ Spokane Arena
Feb. 07 – San Diego, CA @ Viejas Arena
Feb. 08 – Fresno, CA @ Save Mart Center
Feb. 09 – Sacramento, CA @ Golden 1 Center
Feb. 12 – Anaheim, CA @ Honda Center
Feb. 13 – Glendale, AZ @ Gila River Arena
Feb. 15 – Las Vegas, NV @ T-Mobile Arena
Feb. 16 – Los Angeles, CA @ The Forum
Feb. 19 – Corpus ChrisW, TX @ American Bank Center
Feb. 20 – Dallas, TX @ American Airlines Center
Feb. 22 – New Orleans, LA @ Smoothie King Center
Feb. 23 – Memphis, TN @ FedEx Forum
Feb. 26 – Oklahoma City, OK @ Chesapeake
Feb. 27 – Kansas City, MO @ Sprint Center
Mar. 01 – Milwaukee, WI @ Fiserv Forum
Mar. 02 – Chicago, IL @ United Center
Mar. 04 – Minneapolis, MN @ Target Center
Mar. 06 – Sioux Falls, SD @ Denny Sanford Premier Center
Mar. 07 – Omaha, NE @ CenturyLink Center
Mar. 09 – Grand Rapids, MI @ Van Andel Arena
Mar. 10 – Moline, IL @ Mark of the Quad CiWes
Mar. 12 – Louisville, KY @ KFC Yum! Center
Mar. 13 – Detroit, MI @ Lible Caesars Arena
Mar. 16 – Columbus, OH @ Nationwide Arena
Mar. 17 – Cleveland, OH @ Quicken Loans Arena
Mar. 19 – Montreal, QC, @ Canada Bell Centre
Mar. 20 – Toronto, ON, @ Canada Air Canada Centre
Mar. 22 – Uniondale, NY @ Nassau Veterans Memorial Coliseum
Mar. 23 – Uncasville, CT @ Mohegan Sun Arena
Mar. 26 – Boston, MA TD @ Garden
Mar. 27 – New York, NY @ Madison Square Garden
Mar. 29 – Philadelphia, PA @ Wells Fargo Center
Mar. 30 – Pittsburgh, PA @ PPG Paints Arena
Apr. 02 – Quebec City, QC @ Videotron Centre
Apr. 03 – Obawa, ON @ Canadian Tire Centre
Apr. 06 – Raleigh, NC @ PNC Arena
Apr. 07 – Atlanta, GA @ Philips Arena
Apr. 09 – Nashville, TN @ Bridgestone Arena
Apr. 11 – Tampa, FL@ Amalie Arena
Apr. 12 – Jacksonville, FL@ Jacksonville Veterans Memorial Arena
Apr. 13 – Birmingham, AL @ BJCC

Europe
May 27 – Leipziger Messe – Leipzig, Germany
May 29 – Stadthalle – Vienna, Austria
May 31 – Konigsplatz – Munich, Germany
Jun. 02 – Georg Meiches Stadium – Essen, Germany
Jun. 04 – Waldbuhne – Berlin, Germany
Jun. 05 – Expo-Plaza – Hannover, Germany
Jun. 07 – Sweden Rock Festival – Sölvesborg, Sweden
Jun. 11 – Ice Arena – St. Petersburg, Russia
Jun. 13 – Dinamon Stadium – Moscow, Russia
Jun. 16 – Nsa Stadium – Kiev, Ukraine
Jun. 18 – Tauron Arena – Krakow, Poland
Jun. 25 – Ziggo Dome – Amsterdam, Netherlands
Jun. 27 – Tons Of Rock – Oslo, Norway
Jun. 28 – Trondheim Rocks – Trondheim, Norway
Jul. 02 – Ippodromo Snai San Siro – Milan, Italy
Jul. 04 – Hallenstadion – Zurich, Switzerland
Jul. 06 – Rennbahn – Iffezheim, Germany
Jul. 09 – Birmingham Arena – Birmingham, England
Jul. 11 – O2 Arena – London, England
Jul. 12 – Manchester Arena – Manchester, England
Jul. 14 – Newcastle Arena – Newcastle, England
Jul. 16 – Sse Hydro – Glasgow, Scotland

As most fans remember, back in 2000 and 2001, KISS already performed a “Farewell Tour”. The trek, which was the last to feature both guitarist Ace Frehley and drummer Peter Criss, played 142 shows over five legs, covering North America, Japan, and Australia.

“Let’s put it into perspective and try to at least get a sense of what’s different [this time around],” frontman Paul Stanley told Rolling Stone. “The farewell tour took place 19 years ago. The farewell tour was at the end of the time that we had brought back the two original members [guitarist Ace Frehley and Peter Criss] and it was such drudgery and so difficult and so unhappy that it just seemed, like, ‘Let’s put the horse down.’ And after the tour was over, it didn’t take me very long to realize I didn’t want to say goodbye to the band; I wanted to say goodbye to two members. So that was the differences. We’ve had 19 years of the band. The band has never been better, happier… But with all that in mind, it’s time to think about an end.”

Although Stanley didn’t rule out the possibility of guest appearances by former members, he didn’t promise anything either. “I really can’t say,” Stanley said. “This will be a celebration of KISS and not any individual lineup or any individual members. I wouldn’t rule anything out, but it’s not the crux of what we’re doing… and I’m not being coy either. I don’t want to mislead anybody, really that’s not something that’s been given a lot of thought at this point, the majority of our time has gone into what is the stage going to be, what is the show going to be, and we’re actually in the midst of toying with setlists now.”

Rumors of KISS’s final run of live shows gained strength several months ago following the news that the band was attempting to trademark the phrase “The End Of The Road.” An application from KISS was filed in February to the United States Patent and Trademark Office, which means that the band could use it in connection with “live performances by a musical band.”

Bassist/vocalist Gene Simmons recently told Sweden’s Expressen newspaper that KISS’s next tour will last three years. Calling it the band’s “most spectacular tour ever,” the bassist/vocalist added that the trek will make stops on “all continents.”

CD Review: Atreyu “In Our Wake”

“In Our Wake”
Atreyu
Spinefarm Records
Tracks: 12

Our Score: 3 out of 5 stars

Metalcore mavens Atreyu have returned with a brand new full length studio album titled “In Our Wake” The album is being released via Spinefarm Records and includes 12 tracks from the So-Cal natives. “In Our Wake” is the bands seventh studio release and the follow up to the 2015 album “Long Live” which peaked at No. 26 on the Billboard 200.

Since the bands return from a self imposed hiatus Atreyu have produced a continuous stream of melodic infused metal which can be describes as two parts metalcore and two parts post-hardcore and they further cement this statement with their latest offering “In Our Wake” from tracks like the anthemic opener “In Our Wake” to the thunderous, angst filled “Nothing Will Ever Change” the band showcases the numerous facets of their signature sound which they first debuted in 2002 with the release of “Suicide Notes and Butterfly Kisses”. The band continues to incorporate more and more electronic elements into their sound and tracks like “Blind Deaf & Dumb” and the somber “Terrified” are fitting examples. Another highlight of the album is its closing track “Super Hero” which features guest appearance from Avenged Sevenfold front man M. Shadows and Underoath’s Aaron Gillespie.

Atreyu fans will certainly want to add “in Our Wake” to their collection as nearly every song on the album has potential to dominate the charts and your playlist and even though I found the use of gang vocals to bit a excessive (almost every track features some form of this) each songs performance seems to have been carefully crafted and arranged as the album has a solid flow and unique textures providing an enjoyable listen time and time again.

Track Listing:
1.) In Our Wake
2.) House of Gold
3.) The Time Is Now
4.) Nothing Will Ever Change
5.) Blind Deaf & Dumb
6.) Terrified
7.) Safety Pin
8.) IntoThe Open
9.) Paper Castle
10.) No Control
11.) Anger Left Behind
12.) Super Hero

Stellar Circuits Vocalist Ben Beddick Discusses the Bands New Album “Ways That Haunt”

Photo By: Brian Patrick Krahe

Ben Beddick is the vocalist for the North Carolina based rock group Stellar Circuits. The band is set to independently release their first full length album titled “Ways That Haunt” on November 9th. Media Mikes had the chance to speak with Ben recently about the group’s formation, the creation of the new album and the bands upcoming tour.

Adam Lawton: Can you tell us a little bit about your band Stellar Circuits?

Ben Beddick: The band has been together for about 3 or 4 years now. We were all friends and we started out initially playing covers. From there thing’s happened rather organically as we began to write our own material. Stellar Circuits is a band that I like to think has a sound that spans across multiple genres or styles. We all have lots of different influences and I think that comes across in our sound. We grew up on the west coast in the 90’s listening to bands like Alice in Chains, Stone Temple Pilots and the Deftones. That style of music certainly impacted us early on and I think you can hear those influences when you listen to us.

AL: What was it like be able to work on your first full-length release?

BB: It was a long process. We started writing this shortly after our EP came out in 2015. Even though it was a long process I think this was something that each us has always had as a goal. As much as we loved doing our first EP it was more of us getting our feet wet. Being able to write a full-length record was like creating a feature film. That’s how we looked at in the scope of the work. I think we all changed quite a bit during the process and when you work on something over the course of three years those changes are inevitable. I think we were able to hone in our individual crafts as well as being a band. The fact we were able to spend a good amount of time on this release played a big part in the end result. We didn’t have to feel rushed or pressured to get things done. It was all up to us.

AL: Are the tracks that make up “Ways That Haunt” all newly written songs or was there some material left over from the EP that you chose to include as well?

BB: With the exception of two tracks everything was newly written. Our drummer Tyler who joined the band about two years was a part of writing a

majority of the songs. The song “Fuller Dream” was one of the tracks we had written for the EP however, we chose not to include it for whatever reason. It was interesting to see how that song evolved over the course of time. We added quite a bit to it. I see that song as sort of a transition song for us from where we started to where we are now. The other older track “Nocturnal Visitor” was one that was around but never finished. We sort of had bits and pieces of it but nothing solid. To be able to finally finish that was really cool.

AL: How did your relationship with producer Jamie King come together?

BB: Jamie is also from Winston-Salem. This is where he did all his work with bands like Between the Buried and Me and The Contortionist. He is a hometown hero to fans of heavy music in the area. He actually mastered our EP and that helped us get our foot in the door. From then on we had our hearts set to work with him on our full-length. Jamie has an amazing track record and was super accommodating. It was like a dream for us to be working with him and getting to spend so much time with him I think helped us take the record to the next level.

AL: A lot of bands choose to release their records independently today. Can you tell us about your bands decision to do so?

BB: This was an area we were really unfamiliar with. Jamie was really helpful again because we could bounce ideas off of him and he could gauge his advice based off of other bands he had worked with. We had our hearts set on finding a label at the beginning to help us with and we talked to a few smaller labels but when it came down to it we had to look at what would be the most beneficial move for the bend. At this point in our career we are still doing basically everything ourselves including financing the projects. Unfortunately we were unable to come to terms with any of the labels we talked to. There was certainly no bad blood between any of us but things just didn’t work out. As a young band these things can be difficult to navigate but it was one of those things that just happened the way it was suppose to. We learned a lot and made some good connections. We of course are still interested in working with a label in an effort to get our music to as many people as possible but this time around the best choice was to release things independently.

AL: Are there any tour plans in place to help support the release when it comes out?

BB: We are very excited to go out on our first tour which kicks off on the same day as the album release November 9th. We have played a bunch of shows on the east coast but never much further than that. This time around we are hitting the road and going all over. After that we have a few things in the works for if not the end of 2018 for early 2019 that will take us further.

For more in on Stellar Circuits you can visit their official website here.

Ted Nugent Announces New Full-Length Album Titled “The Music Made Me Do It”

Multi-platinum guitar legend Ted Nugent announces a new full-length album.
THE MUSIC MADE ME DO IT, due out Friday, November 9th via Round Hill Records.

The effort is Nugent’s first studio album in four years. The album features Greg Smith (Billy Joel, Alice Cooper, Ritchie Blackmore’s Rainbow) on bass, Jason Hartless (Joe Lynn Turner, Mitch Ryder) on drums, and the Motor City Madman himself on lead guitar and vocals. Accompanying the CD is a Bonus DVD, LIVE AT FREEDOM HILL, an electrifying full-length concert captured at Freedom Hill Amphitheatre in Sterling Heights, Michigan.

In advance of the album’s release, Nugent has just released the live music video for title track, “The Music Made Me Do It”. The video was shot at The Canyon Club in Agoura Hills, California during Nugent’s summer tour and showcases the raw energy of his legendary live performances, offering a taste of the new studio material he recorded over the last year for the upcoming album, THE MUSIC MADE ME DO IT. To access the full album, THE MUSIC MADE ME DO IT, please click here. Please consider the album for feature and review coverage. Ted Nugent is available for interviews, please let me know if you would like to set something up.

Ted Nugent has carved a permanent place in rock n’ roll history as the ultimate guitar-shredding showman, selling more than 40 million albums and performing in excess of 6,700 (and counting!) high-octane live shows. As a budding musician, Nugent was strongly influenced by Chuck Berry and Bo Diddly, and knew he wanted to pursue that type of sound and attitude. Early bands, The Royal Highboys, and The Lourds, paved the way for the Amboy Dukes – and their psychedelic JOURNEY TO THE CENTER OF THE MIND kicked young Ted’s career into hyper drive. The axe maniac soon broke out as a solo artist, where the guitarist’s prodigious talent, earshattering volume and over-the-top stage antics quickly earned him the moniker of Motor City Madman.

Cranking out hits like CAT SCRATCH FEVER, JUST WHAT THE DOCTOR ORDERED, FREE FOR ALL and the iconic STRANGLEHOLD, Ted Nugent garnered international acclaim and truly hit his stride, becoming one of the top-grossing tour acts in America. His no-holds-barred career now spans six decades of multi-platinum hits. The ultimate Road Warrior, touring and recording continue at Ted’s breakneck pace. Nugent and his inimitable sound have been featured on VH1’s Behind the Music, A & E’s Biography and more. He was recently named Detroit’s Greatest Guitar Player of All Time by readers of MLive. For more information, please visit www.tednugent.com.

Claudio Simonetti’s Goblin Announces Additional ‘Suspiria’ North American Tour Dates

Influential Italian Prog Rock Masters to Live Score Soundtrack to Fantastical Film on Highly Anticipated Autumn Trek

   Legendary horror film soundtrack composer Claudio Simonetti and his critically acclaimed band, Claudio Simonetti’s Goblin, have announced a fall North American headlining tour. At the special shows, the group will live score their classic soundtrack to Dario Argento‘s revered 1977 supernatural horror film Suspiria, during a full screening of the film. Due to popular demand, the highly anticipated tour event, which will launch on October 28 in Baltimore, MD, has added tour stops in an additional 16 cities as well as special matinee shows and/or additional performances in Atlanta, Austin, Chicago, New York and Oakland, where the previously-announced shows have sold out in advance. Claudio Simonetti’s Goblin — the keyboardist’s new version of Goblin — will also perform additional time-honored Goblin material at the shows.

Described by Rolling Stone as both “iconic” and “horror canon”, the soundtrack to Suspiria has become the genre’s standard bearer and the criterion by which resulting horror film scores have come to be judged. Utilizing experimental instruments atypical of soundtracks at the time – tabla, bouzouki, and Moog synthesizer – Simonetti and Goblin created the movie’s iconic, eerie music-box–like main theme, and additional tense exercises in rhythm, dissonance and bizarre funky prog that NPR has hailed as “chilling” and Entertainment Weekly called “hauntingly spooky”. The main title theme was named as one of the best songs released between 1977–79 in the book The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present, compiled by influential music website Pitchfork.

The updated tour itinerary is as follows:

Claudio Simonetti’s Goblin Performs ‘Suspiria’ North American tour dates:
Presented by Tone Deaf Touring and MetalSucks

October 28       Baltimore, MD             Rams Head Live (Days of Darkness Festival)  /All ages, $19
October 30       Raleigh, NC                  Lincoln Theatre /All ages, $20
October 31       Atlanta, GA                   The Earl  / 21+, $25 ADV – $30 DOS
November 2     Austin, TX                     Come and Take It Live /All ages, $35 ADV – $40 DOS
November 2     Austin, TX                     Come and Take It Live / matinee show /All ages, $25 ADV – $30 DOS
November 3     Houston, TX                 White Oak Music Hall /All ages, $30
November 4     Dallas, TX                     Gas Monkey /All ages, $20 ADV – $25 DOS
November 6     Tempe, AZ                    Marquee Theatre /All ages, $33
November 7     San Diego, CA              The Irenic /All ages, $35
November 8     Los Angeles, CA          Union /18+, $30
November 9     Oakland, CA                  Oakland Metro Operahouse /All ages, $30 ADV – $35 DOS
November 9     Oakland, CA                  Oakland Metro Operahouse /All ages, $35 ADV – $45 DOS
November 11   Portland, OR                 Hawthorne Theatre /All ages, $25
November 12   Seattle, WA                   El Corazon / 21+, $25 ADV – $30 DOS
November 14   Salt Lake City, UT         Metro Music Hall / 21+, $27 ADV – $29 DOS
November 15   Denver, CO                    Gothic Theatre / 16+, $29.75 ADV – $35 DOS
November 16   Kansas City, MO          Armour Theatre /All ages, $40
November 17   Milwaukee, WI              Oriental Theatre /All ages, $35
November 18   Chicago, IL                    Reggies Rock Club / 17+, $35 ADV – $40 DOS
November 18   Chicago IL                     Reggies Rock Club / matinee show /17+, $30 ADV – $35 DOS
November 19   Grand Rapids, MI         Wealthy Theatre /All ages, $25 ADV – $30 DOS
November 20   Toronto, ON                  The Opera House / 19+, $32.50 ADV – $38 DOS
November 21   Ottawa, ON                   Mavericks / 19+, $35 ADV – $45 DOS
November 22   Montreal, QC                Théâtre Fairmount / 18+, $35 ADV – $40 DOS
November 23   Homer, NY                    Homer Center for the Arts /All ages, $35
November 24   Brooklyn, NY                 Murmrr Theatre /All ages, $35 ADV – $40 DOS
November 25   Brookline, MA               Coolidge Corner Theatre /All ages, $40
November 26   New York, NY               Le Poisson Rouge / 18+, $30
November 28   Asheville, NC                Orange Peel 16+, $25 ADV – $28 DOS
November 29   Louisville, KY                Diamond Pub Music Hall 18+, $25 ADV – $28 DOS
November 30   Pittsburgh, PA              Mr Smalls Theatre All Ages, $30 ADV – $35 DOS
December 1     Lexington, KY               Cosmic Charlies 18+, $30 ADV – $35 DOS
December 2     Nashville, TN                Marathon Music Works All Ages, $37.50 ADV – $40 DOS
December 3     Birmingham, AL           Saturn 18+, $30 ADV – $35 DOS
December 4     Tampa, FL                     Orpheum All Ages, $25 ADV – $30 DOS
December 5     Spartanburg, SC           Ground Zero All Ages, $30 ADV – $35 DOS
December 6     Atlanta, GA                    Aisle 5 All Ages, $25 ADV – $30 DOS
December 7     Richmond, VA               Byrd Theatre All Ages, $30 ADV – $35 DOS
December 8     Philadelphia, PA           The Trocadero All Ages, $30 ADV – $35 DOS
December 10   Winnipeg, MB                Park Theatre All Ages, $40 ADV – $45 DOS

With filmmaker Luca Guadagnino set to unleash his much-talked-about film retelling of Suspiria this fall, including a score composed by Radiohead‘s Thom Yorke, there is no better time to revisit the terrifying original motion picture and its shocking soundtrack, performed by its original creators in an intensely intimate setting.

About Claudio Simonetti:

Claudio Simonetti (born 19 February 1952, São Paulo) is a Brazilian-born Italian musician and film composer. The keyboardist of the progressive rock band GoblinSimonetti has specialized in the scores for Italian and American horror films since the 1970s. A long-time collaborator of director Dario ArgentoSimonetti has worked on several of the director/producer’s films including Deep RedSuspiriaDawn of the DeadTenebraePhenomenaDemoni, and Opera. His work has long been an iconic staple of Italian genre cinema, collaborating with directors like Ruggero Deodato, Umberto Lenzi, Lucio Fulci, Enzo G. Castellari, Lamberto Bava, and Sergio Martino. Simonetti’s highly experimental scores are known for their signature, electronic and progressive rock-influenced sound, and have been imitated countless times. He studied at the Conservatorio di Santa Cecilia in Rome.

About Suspiria:

Suspiria (pronounced [sʊsˈpɪ.ri.a], lit. Latin: “sighs”) is a 1977 Italian supernatural horror film directed by Dario Argento, co-written by Argento and Daria Nicolodi, partially based on Thomas De Quincey’s 1845 essay Suspiria de Profundis (Sighs from the Depths) and co-produced by Claudio and Salvatore Argento. The film stars Jessica Harper as an American ballet student who transfers to a prestigious dance academy in Germany but realizes, amidst a series of brutal murders, that the academy is a front for a supernatural conspiracy.

Guitarist K.K. Downing Discusses His New Book “Heavy Duty: Days and Nights in Judas Priest”

 

Picture by: Pauli Juppi

Ken “K.K.” Downing is a founding member of the heavy metal band Judas Priest. He was active with the group from its inception in 1969 to his departure from the group in April of 2011. Downing has recently released a book via Da Capo press title “Heavy Duty: Days and Nights in Judas Priest”. Media Mikes had a chance recently to speak with Ken about the creation of the book and where he plans to go next

Adam Lawton: Can you give us some background behind the writing of the book?

Ken Downing: Since my departure from the band eight years ago lots of people have been asking me if I would like to do a book. Year after year I just kept saying no and then finally last year I decided to finally do it. I sort of had three basic ideas for doing this. I thought it would be a good opportunity for fans to get to know me a little bit better. That probably sounds a bit ridiculous after having been around for so long now but, there is always another story to tell. I wanted to share how I started off in life and ended up playing some of the biggest stages in the world. Lastly I wanted to bring some sort of closure to the banter which was being thrown about across the internet related to my position within the band.

AL: How did you go about selecting what memories or stories you wanted to include in the book?

KD: That was really the difficulty part as I didn’t have a plan or anything. My ghost writer Mark Eglinton helped quite a bit with this side of things. He helped me dig a bit deeper along the way as we approached things chronologically as one lives life. As we moved along we paid attention to what would come to the surface and tried not to dwell on certain topics too long as we wanted to keep the book moving. If I had elaborated too much on things this would be a very thick book. (Laughs) It was difficult at times as I wanted to keep things honest and after forty years in rock and roll there were a couple stories we had to leave out. (Laughs)

AL: How did you get connected with Mark (Eglinton)?

KD: Mark came to me through my website which is run out of Helsinki, Finland. I had been approached previously by a bunch of other people about doing a book but Mark was in the UK and he made a couple trips down to see me where we just talked and got to know one another. I felt that worked well and we went from there. We did things in chunks based on a certain amount of years. That let me focus on one specific time period at a time. Mark and I would just basically talk. Every now and then he would prompt me to elaborate more on certain periods of the band. Both Mark and his brother have been rock fans for a very long time so he had a fans perspective of what other fans might want to know more about.

AL: Was it hard revisiting some of your earlier years growing up?

KD: It was. I had always kept a lot of those memories be it good or bad to myself. My childhood was very personal to me and I had never shared my experiences with anyone. To have someone hear them and then in turn document them for others to read was something I really had to think about. To keep things transparent we went ahead with it. I may have skirted around a couple things or been less descriptive but it’s all there. When you are born in to a dysfunctional family things are going to be a bit different so I didn’t have to go into too much detail.

AL: Had you let any of the people included in these stories know beforehand that you were releasing a book on your life?

KD: No not really. I had talked to my mom as I was a bit concerned she might get a little emotional about me telling the family story. As it happened when I spoke with her she told me she was not worried and she also mentioned she had read Ozzy Osbourne’s book and loved that one. (Laughs) When she did get the chance to read my book she affirmed that that’s how things were so I was pleased with that.

AL: Now that people have had a chance to read the book, are there any pieces you feel you should not have included or been so detailed with?

KD: I feel a little relieved now that it’s out and that I have not received any real adverse repercussions. The general feedback has been much better than I was expecting. Every now and then I think about other things I would have mentioned but didn’t. That seems to happen though be it with this book or records you always want to turn out the best product so you keep working and working at it. Eventually you just have to stop and turn it in. I wanted to put out something that people could get their heads into and find it just as enjoyable as watching television or something.

AL: With the completion of the book are you looking to now shift your focus back to music?

KD: I am thinking with the coming winter here in the UK I am going to disappear into my music room and just see what happens next. I have a few ideas I might want to play about with but this game for me is all about getting that chance to jump back into Judas Priest. If I am not doing that then the name of the game is creating new material.

For more in on Ken you can visit his official website at www.kkdowning.net

Be sure to check out our review of “Heavy Duty: Days and Nights in Judas Priest” here.

Concert Review: FOO FIGHTERS in Kansas City

 

 Foo Fighters
 Sprint Center, Kansas City, MO
 October 12, 2018
 
During an introduction a few years ago on CBS’s “Late Show with David Letterman,” the now-retired host said this about the Foo Fighters, “We can all sleep easy at night knowing that somewhere at any given time, the Foo Fighters are out there fighting Foo.” With founder Dave Grohl at the helm, Foo Fighters did plenty of that and then some in front of a packed audience for three wild hours on Friday night (Oct. 12) at the Sprint Center in downtown Kansas City, Missouri.
 
After hitting the multi-generational crowd with three songs – “Run,” “The Sky Is a Neighborhood” and “La Dee Da” – from their ninth studio album “Concrete and Gold,” Grohl, who somehow manages to not blow out his vocal chords, took a break from wailing to let drummer Taylor Hawkins perform an epic solo, which was upon a miniature stage that rose a couple stories above the main stage. This led into “Something From Nothing,” also from their current album, before Grohl and company – bassist Nate Mendel, guitarist Pat Smear, Hawkins, guitarist Chris Shiflett, and keyboardist Rami Jaffee – took the Sprint Center on a rock journey across their 23-year music career.
 
Using just the right amount of laser lights and other visuals to complement their music, the Foo Fighters often went on extended, improvised versions of such classic hits as “The Pretender” and “Learn to Fly.” Without missing a beat, the audience was impressively able to sing every song word for word when called upon by Grohl, who once again proved he is a master showman. Some singers can bore you to tears when they decide to stop and talk in between songs. Grohl is a brilliant exception. Even with plenty of f-bombs to spare, Grohl, much like he did while sitting in a guitar throne three years ago during their last Sprint Center appearance, kept his spectators engaged and entertained.
 
The Foo Fighters took a break from their hit parade to allow each band member to have their own feature solo. No one in the house was disappointed as they demonstrated masterful musicianship, highlighted by a fantastic rendition of “Blitzkrieg Bop” with Smear taking the lead and “Under Pressure” with Grohl on drums and Hawkins on lead vocals. However, perhaps no more fun was to be had than when Grohl explained how important music can be to healing differences with Jaffee playing “Imagine” in the background. With everyone expecting to sing along with the John Lennon classic, Grohl surprised everyone by doing Van Halen’s “Jump” lyrics to the music of “Imagine,” again showing their versatility and playful side.
 
The Foo Fighters wound up the raucous evening of pure American rock with classics “My Hero,” “Monkey Wrench” and “Best of You” before diving into a slightly surprising encore. It featured Grohl inviting an 11-year-old kid onstage to play “Enter Sandman” on guitar, which was to the gleeful delight of the crowd, before the group ultimately ended with mainstay “Everlong.”

SET LIST:  Run, The Sky is a Neighborhood, La Dee Da, Sunday Rain, Something From Nothing, Walk, These Days, Arlandria, The Pretender, Times Like These, All My Life, Learn to Fly, Breakout, Another One Bites the Dust, Imagine/Jump, Blitzkrier Bop, Under Pressure, My Hero, Monkey Wrench, Best of You.  ENCORE:  Enter Sandman, Dirty Water, This is a Call, Everlon.,

 

New GWAR Graphic Novel To Split Hell Wide Open- Pre-Orders Available Now!

NEW GWAR GRAPHIC NOVEL TO SPLIT HELL WIDE OPEN – PRE-ORDERS AVAILABLE NOW!

GWAR: The Enormogantic Fail – Graphic novel
96 pages, softcover, $19.99 US, ISBN: 9781988903477

You know their name, you know their music but do you know their story? Everyone’s favorite blood spewing alien band return to comics in an all new 96 page graphic novel.

The Master is at it again in a fierce battle against Cardinal Syn. To get into the Master’s good graces, the Destructo brothers have trapped GWAR in order to interrogate them to find the key to destroying Cardinal Syn once and for all. Will Sawborg and Bozo Destructo get the answers they need? Can GWAR escape their clutches? Will Cardinal Syn destroy them all? And what really happened when GWAR were banished to earth?

All will be revealed in GWAR: The Enormogantic Fail, a new 96 page graphic novel from GWAR and Renegade Arts Entertainment. Written by Matt Maguire (GWAR) and Matt Miner (Critical Hit, Toe Tag Riot), with art by some of the greatest comic creators this side of Flab Quarv 7, hand-picked by GWAR themselves.

Available for pre-order now along with exclusive prints, pins, CDs, signed goods and even unique stage props. Pre-orders will be delivered June 2019.
Now, go to GWARCOMIC.COM and get your pre-order in to make sure you get the exclusives before they run out.

Quotes:
Sawborg Destructo, GWAR: ‘The time has come once again, human filth, to show your Lords and Masters your undying, but most likely dying, devotion! I Sawborg Destructo commands you to get your pre orders in now for GWAR’s new comic The Enormogantic Fail! That’s right, get your preorder in today and maybe you’ll survive long enough to read it.’

Matt Miner, writer: ‘Well it looks like I’m not quite done with GWAR yet, and I’ll be hanging out with that crew long enough for some more dick jokes and blood spray. Always a good time when I can hide from the world in piles of bodies, covered in spew.’

Alexander Finbow, Publisher: ‘The opportunity to work with GWAR on this new graphic novel gave us the chance to help create a great story in a collaborative process that respects the band, creators and GWAR fans. The first GWAR comic series was successfully funded through Kickstarter, but the team were keen to try out a different approach this time, one that tied in with some ideas we’d also wanted to try. That’s why we created the gwarcomic.com website, a place where GWAR fans can find out easily what the book is all about, and decide whether they want to sign up for the ride.’

Writers: Matt Maguire And Matt Miner
Artists: Matt Maguire, Liana Kangas, Lukasz Kowalczuk, Matt Lejeune, Katie Longua, Jeff Martin, Kelly Williams
Colour Artist: Josh Jensen
Cover Artists: Jonathan Brandon Sawyer And Josh Jensen
Letters: Taylor Esposito Editor: Brendan Wright Publisher: Alexander Finbow

Ace Frehley Releases New Music Video for “Rockin With the Boys”. New Solo Album Due 10/19

ACE FREHLEY RELEASES NEW MUSIC VIDEO FOR “ROCKIN’ WITH THE BOYS” VIA BILLBOARD MAGAZINE
ALL NEW SOLO LP, SPACEMAN, DUE THIS FRIDAY
NYC POP UP STORE ANNOUNCED FOR STREET DATE

FREHLEY TO APPEAR ON GOOD DAY NY

2018 TOUR DATES ON SALE NOW
PRE-ORDERS AVAILABLE NOW

Watch “Rockin With the Boys” here

Founding KISS guitarist and Rock and Roll Hall Of Fame member ACE FREHLEY has released the music video for “Rockin’ With The Boys.” Filmed live in Detroit Rock City, this is the first music video we’ve seen from The Spaceman since he released the video for “Fire and Water.”

That video featured KISS frontman Paul Stanley and was off of Origins, Vol. 1, released in 2016. The video was done by veteran director Justin Reich.

This is the second song Frehley has released this year, from his forthcoming all-new Spaceman album, due October 19, 2018, via Entertainment One (eOne). Frehley previously released the track “Bronx Boy” in April.

Spaceman, Frehley’s eighth solo LP, features nine new original tracks, plus a cover of Eddie Money’s “I Wanna Go Back,” a ripping power pop makeover of the original.

Ace Frehley will be appearing on GOOD DAY NY/WNYW Fox 5 tomorrow, October 16, 2018, at 9 AM EDT, performing his new single, “Rockin’ With The Boys” in its entirety.

Additionally, an Ace Frehley “Spaceman” pop up store powered by Looney Tunes is planned for Friday, October 19 at the Sam Ash Music store, located at 333 W 34th St. in New York City. Ace will be appearing from 5-7PM EDT signing copies of his new album.

Spaceman LPs and CDs will be available to purchase as well as the limited edition Orange Vinyl only currently available at indie store locations in the U.S.

“No need to worry, I’ll be home soon, ’cause I’m rockin’ with the boys,” Frehley sings on “Rockin’ With the Boys,” which tells the tale of life on the road. Ace says he wrote the original version of the song back in KISS’s heyday in the ’70s. Both “Rockin With The Boys” and “Bronx Boy” are available on all streaming platforms today, and are iTunes instant grat tracks for fans who preorder the album.

In addition to Ace’s distinctive guitar sound on each track, Ace played bass on all of the songs on Spaceman except for two. The listener might recognize the mighty dinosaur growl of a bass tone belonging to Gene Simmons on the album opener, “Without You I’m Nothing,” which Gene also co-wrote, and “Your Wish Is My Command.” Both songs were recorded at Frehley’s home studio in Rancho Santa Fe, California.

Ace’s reconnection with Simmons and fellow KISS vocalist-guitarist Paul Stanley (who joined Ace on a cover of Free’s “Fire and Water” for 2016’s covers LP Origins, Vol. 1) might be chalked up to the fact that Frehley has been sober for more than a decade (he celebrates 12 years of sobriety in September). Ace’s clean living no doubt has a lot to do with his productive streak, which began with the release of his top 20 Anomaly album in 2009.
Spaceman (a title suggested by Simmons, himself) serves as the first collection of all new Frehley-penned material since 2014’s Space Invader, which debuted at #9 on the Top 200 Chart. The LP scored the highest charting position of any former or current KISS band member ever and marked Frehley’s first return to the Top 10 since KISS’s 1998 Psycho Circus reunion album.

Space Invader received praise from critics. Rolling Stone wrote, “Gene Simmons has claimed Ace Frehley doesn’t deserve to wear Kiss’ Kabuki clown paint, but the former Spaceman’s first solo LP in five years says otherwise,” while Associated Press hailed, “…the original Kiss lead guitarist has recorded his best solo album since his groundbreaking self-titled album in 1978.”

Widely known as the original “Space Ace” and founding guitarist for 16 cumulative years (over 2 tenures) of the multi-platinum selling rock band KISS, Frehley is demonstrably the most popular original member. In addition to having the best-selling solo album career (vintage or current) among the original foursome, Frehley’s self-titled Ace Frehley, released in 1978, went on to sell over one million copies, producing the only Top 40 single, “New York Groove,” from any of the legendary KISS solo albums (peaking at #13).

Upcoming 2018 Dates
Oct 27, 2018 – Oct 28, 2018 – Las Vegas, NV, KISS Mini Golf
Oct 31, 2018 – Nov. 5, 2018 – Miami to Key West and Nassau, KISS Kruise VIII
November 7, 2018- Pensacola, FL, Pensacola Saenger Theatre
November 9, 2018- Clearwater, FL, Capital Theatre
November 10, 2018- Melbourne, FL, King Center for the Performing Arts
November 11, 2018- Miramar, FL, Miramar Ampitheatre

Track Listing
1. Without You I’m Nothing
2. Rockin’ With the Boys
3. Your Wish Is My Command
4. Bronx Boy
5. Pursuit Of Rock and Roll
6. I Wanna Go Back
7. Mission To Mars
8. Off My Back
9. Quantum Flux

Knocked Loose Debut New Video for “The Rain”

ACCLAIMED HARDCORE HEROES KNOCKED LOOSE DEBUT NEW VIDEO FOR “THE RAIN”
*BAND’S NORTH AMERICAN TOUR IN SUPPORT OF LAUGH TRACKS UNDERWAY NOW*

Critically heralded Kentucky hardcore band Knocked Loose has teamed up with ConsequenceOfSound.net to unveil a new video for their song “The Rain.” The track is featured on the band’s acclaimed, debut album, Laugh Tracks, which is available everywhere now from Pure Noise Records.

WATCH THE VIDEO FOR “THE RAIN” NOW AT CONSEQUENCEOFSOUND.NET: http://bit.ly/2A25dke

“We’re really excited about this one, I think we’re ending the Laugh Tracks cycle on a strong note thanks to Max Moore. Definitely the most fun video to shoot.” – Bryan Garris

PURCHASE/STREAM LAUGH TRACKS:
MerchNow – http://bit.ly/2CAuioW
Apple Music – https://apple.co/2yuAom5
Spotify – https://spoti.fi/2INa5wh
Amazon – https://amzn.to/2PwnZFO

Knocked Loose’s new video for “The Rain” comes as the band is amidst their final North American tour in support of their groundbreaking 2016 debut album, Laugh Tracks. The band’s tour with Beartooth and Sylar will continue through October and November. Tickets are on sale now!

Follow the band at https://www.facebook.com/KnockedLoose for more updates.

Knocked Loose 2018 Fall Tour Dates with Beartooth and Sylar:
10/10 – Charleston, SC @ Music Farm
10/11 – Carrboro, NC @ Cats Cradle
10/12 – Charlotte, NC @ The Fillmore
10/13 – Atlanta, GA @ Buckhead Theatre
10/14 – Lake Buena Vista, FL @ House of Blues
10/16 – Fort Lauderdale, FL @ Revolution Live
10/17 – Tampa, FL @ Orpheum Theatre
10/18 – Jacksonville, FL @ Nighthawk’s
10/19 – New Orleans, LA @ House of Blues
10/20 – Houston, TX @ House of Blues
10/21 – Corpus Christi, TX @ Brewster Street Ice House
10/23 – Dallas, TX @ House of Blues
10/24 – San Antonio, TX @ Alamo City Music Hall
10/26 – Albuquerque, NM @ Sunshine Theater
10/27 – Phoenix, AZ @ The Pressroom
10/28 – San Diego, CA @ House of Blues
10/30 – Los Angeles, CA @ The Belasco Theater
10/31 – Anaheim, CA @ House of Blues
11/01 – Las Vegas, NV @ House of Blues
11/02 – Fresno, CA @ Strummer’s Bar & Grill
11/03 – Sacramento, CA @ Ace of Spades
11/04 – Berkeley, CA @ The UC Theatre
11/06 – Portland, OR @ McMenamins Crystal Ballroom
11/07 – Seattle, WA @ Showbox SoDo
11/09 – Salt Lake City, UT @ The Depot
11/10 – Denver, CO @ The Oriental Theater
11/11 – Wichita, KS @ Rock Island Live
11/12 – Lawrence, KS @ Granada Theater
11/13 – Omaha, NE @ Sokol Auditorium
11/14 – Minneapolis, MN @ Varsity Theater
11/15 – Sauget, IL @ Pop’s
11/17 – Columbus, OH @ Express Live
12/15 – Buffalo, NY @ Buffalo Riverworks *
* with Every Time I Die (no Beartooth or Sylar)

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