GRETA VAN FLEET ANNOUNCES SOPHOMORE ALBUM, “THE BATTLE AT GARDEN’S GATE”

Brand New Single, “Age of Machine,” Is Released Today

After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on “The Tonight Show” and “Saturday Night Live,” GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden’s Gate due April 16, 2021 (Lava/Republic Records).  The album can be pre-ordered HERE.

A bold evolution from the band’s 2018 full-length debut Anthem of the Peaceful ArmyThe Battle At Garden’s Gate came together primarily on the road or while in the studio after the runaway success of 2017’s “Highway Tune” led to the band packing up, leaving home, and eagerly soaking up new experiences on an extended road trip around the world. Over the past three years, Greta Van Fleet – vocalist Josh Kiszka, guitarist Jake Kiszka, bassist Sam Kiszka, and drummer Danny Wagner – played to hundreds of thousands of people across North America, Europe, Japan, Australia, South America, New Zealand, and the UK.  While driving to gigs, the first-time world travelers passed many unfamiliar sights, from the favelas in Sao Paulo to the Gold Coast of Australia and everywhere in between, meeting and enjoying conversations with fans and other musicians that opened up new worlds to them.  

To cap off the change-filled era, the quartet moved from Michigan to Nashville, immersing themselves in Music City’s rich history.  The melding of all these experiences opened their eyes to amazing new worlds of culture, history, philosophy and spirituality – and ushered in an entirely new way of looking at life and the approach to their music.  Accordingly, Greta Van Fleet poured everything they experienced into these new songs – the music reflects their spiritual and intellectual growth, increased awareness of the inequalities plaguing the modern world, and deep empathy for what other people are going through.   

“We realized that while growing up, we had been shielded by many things, and we were unaware of a lot of things,” says drummer Danny Wagner.  “And then we were thrown out into this huge world, and it was a bit of a culture shock at first.  But as we started to travel a lot, meet new and different people and experience different cultures, our definition of ‘normal’ changed.” 

“I suppose that everything has changed except what got us here in the first place,” adds bassist Sam Kiszka.  “Everything – our perception of the world, perception of life itself, what it means to be an artist, what it means to be part of a beautiful, gorgeous society.  We’ve gained a larger understanding of why we’re all here.”

Greta Van Fleet L-R:  Jake Kiszka, Josh Kiszka, Sam Kiszka, Danny Wagner
Photo Credit:  Alyssa Gafkjen

In general, the album’s arrangements are spacious and leisurely, giving the music pleasing dynamics, as the band touches on all manners of rock ‘n’ roll.  The Battle at Garden’s Gate is cinematic, capturing the breathtaking energy of an exciting fight scene or the smoldering passion of a brooding, heroic protagonist saving the day.  The new music also illustrates that the members of Greta Van Fleet are paving the way for a new generation of musicians – ones that use rock ‘n’ roll’s foundational elements to build an entirely new sonic blueprint. 

Sonically, The Battle at Garden’s Gate also feels bracingly modern, an embodiment of genre-blended musical freedom.  Recorded in Los Angeles with Greg Kurstin (Foo Fighters, Paul McCartney), the album is ambitious and expansive, marked by epic journeys such as the second single, “Age of Machine,” released today (check it out HERE), and the Top 5 rock hit “My Way, Soon,” which boasts a towering chorus hook and rip-it-up-and-start-again lyrics.

Josh explains, “It’s very dynamic, lyrically speaking.  And that’s the human experience.  It’s much more than pain or fear; it’s also beauty.  People need people, and love is important.”  Lyrically, The Battle at Garden’s Gate muses about the influence of technology on modern life; the role conflict plays in the global sphere; the deceptive fulfillment of tangible riches; and philosophical questions about life, love and power. 

“There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” Josh says, while Jake adds, “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth.  What Josh does very well with the lyrics is telling ancient tales with a contemporary application.” 

For Josh, working with Kurstin provided the confidence he needed to push his songwriting into these vivid dimensions.  “I’m always a little bit hesitant about my abilities as an artist; I think a lot of artists feel that way,” he says.  “But Greg hovering over me while I’m on the piano, taking an interest in what I was doing – that was really important for me.” 

That added confidence is obvious.  Josh sounds commanding on each song, stretching his already-acrobatic voice to newer heights, while the instrumentalists fearlessly push themselves into new territory.  Easy going organ and acoustic folk-rock riffs drive one song, while another ends in a torrent of guitar noise that rivals Neil Young’s onstage guitar freakouts with Crazy Horse.  “For all of us, the performances – and the aspects of them that are captured – preserve where we’re at musically in time right now,” Jake says.  

The future is unwritten, and the sky’s the limit for these curious travelers and truth-seekers. Josh says, “certainly after this, we’ve grown in so many ways.  This album has taught us a lot, about life in general, about ourselves, about all of us, about the world we live in.”

BAD RELIGION CELEBRATE 40-YEARS BY RELEASING STREAMING SERIES “DECADES”

TICKETS ON SALE DECEMBER 1, 2020 12 PM (PST)

FIRST EPISODE, THE 80’S, TO PREMIERE DECEMBER 12, 2020 2 PM (PST)VIA NOCAP

Bad Religion celebrates their forty years of making music with Decades; a four-episode online streaming event captured live at The Roxy Theatre in Hollywood, California. The band felt it important to commemorate the conclusion of 2020 as a strange moment in history when they reached that 40-year milestone. The celebratory episodes will include live performance footage, exclusive interviews, and a peek at their rehearsals leading up to the taping of Decades. Singer & co-songwriter Greg Graffin discussed their motivation, “I can speak for the whole band when I say that we were so disappointed to not be able to tour this year. It is our fans and all those concerts we play each year that provide the life-force of Bad ReligionDecades allows new fans as well as those who were there at the beginning to get a rich overview of our entire career and witness the changes in songwriting and performance styles at each stage of our evolution.“ Bad Religion will participate in an accompanying live chat during the premiere of each episode. Show specific merchandise will be available for sale on the DecadesNoCap Shows page.

The ’80s – Bad Religion performs songs from How Could Hell Be Any WorseSuffer, and No Control. They discuss what it was like being young punks in a world of Pacman, Reaganomics, and Televangelism. 

The ’90’s – Bad Religion performs songs from Against The GrainGenerator, Recipe For HateStranger Than Fiction, The Gray Race, and No Substance. This decade cemented their position as one of the most influential and prolific bands of our time, but it didn’t come easy or without cost; the band discusses the growing pains and lessons learned. 

The ’00s – Bad Religion performs songs from The New AmericaThe Process of BeliefThe Empire Strikes First, and New Maps of Hell. Returning home and charging forward into a new millennium, Bad Religion continued to awe with their prowess, releasing some of their most beloved material to date.

The ’10s – Bad Religion performs songs from The Dissent of ManTrue North, and Age Of Unreason. The Covid-19 pandemic cut short their plans to tour in support of The Age Of Unreason and are now performing material never seen live before. The band discusses the gratitude they live with every day looking back on 40 years of being Bad Religion and the legacy they are still actively creating. 

No Caps Shows will host Decades; a four-episode package will sell for $40, individual episodes may be purchased for $15. Tickets for Decades will go on sale Tuesday, December 1 at noon PST. Episodes will remain up for sale and viewing through the conclusion of the series and available until 12 AM PST on January 5th.  

Decades episodes will premiere at 2:00 PM Pacific Standard Time.

December 12th: Bad Religion, the ’80s

December 19th : Bad Religion, the ’90s

December 26th: Bad Religion, the ’00s

January 2nd: Bad Religion, the ’10s 

4 Decades 4 Episodes $40 bucksBadreligion.nocapshows.com#BadReligionDecades #BR40 #BRDecades

Shout! Factory TV Presents The Aquabats! Super Show! Super Marathon Stream Saturday, December 5

A Full-Day Marathon of the Daytime Emmy Award-Winning Comedy Rock Series Hosted by the Aquabats

Aquabats, let’s go! Shout! Factory TV will proudly present The Aquabats! Super Show! Super Marathon on December 5 to celebrate the fan-favorite musical comedy series’ debut on Shout! Factory TV. The marathon will feature every episode of The Aquabats! Super Show!, the unaired pilot episode, specials and music videos.

Fans can hang out with The Aquabats as they answer popular questions from the fans, share never-before-heard trivia and behind-the-scenes tidbits and showcase actual props from the show. One lucky winner will also receive a prize pack including a Fender guitar signed by The Aquabats and a signed, limited edition vinyl copy of the band’s new album Kooky Spooky…in Stereo!

The Aquabats! Super Show! premiered in 2012 on the Hub Network and aired for two seasons and a total of 21 episodes. The series was helmed by Christian Jacobs, Scott Schultz (creators of the series Yo Gabba Gabba!), and director Jason deVilliers. Throughout its run, the show received eight multiple Daytime Emmy nominations and one win. Shout! Factory previously released 

The Aquabats! Super Show!: Season One on DVD in 2013. Based on the superhero mythology of The Aquabats!, a real comedy rock band which series co-creator and lead singer Jacobs formed in 1994, The Aquabats! Super Show! follows the comic adventures of a fictionalized version of the band, a musical group of amateur superheroes, as they haphazardly defend the world from a variety of villains and monsters. Styled similarly to the campy aesthetics of 1960s and 1970s children’s television and Japanese tokusatsu, The Aquabats! Super Show! utilizes various mediums of visual styles and special effects, mixing live-action storylines with cartoon shorts, parody advertisements and musical interludes.

The marathon begins Saturday, December 5 at 9 a.m. PT and will continue all day. The stream can be viewed on ShoutFactoryTV.com; Shout! Factory TV’s Roku, Amazon Fire, Apple TV, and Android apps; and the following digital streaming platforms: Twitch, Pluto TV, Samsung TV Plus, Comcast Xfinity, Xumo, Vizio, Redbox, IMDb TV, STIRR, Sling TV, THETA.tv and Local Now. 

Every episode of The Aquabats! Super Show! is also now available for viewing on demand on ShoutFactoryTV.com; Shout! Factory TV’s Roku, Amazon Fire, Apple TV, and Android apps; and on various Shout! Factory TV branded channels including Tubi, Amazon Prime Channels, and the Roku Channel.

About The Aquabats! The Aquabats!, formed in 1994 in Orange County as a way to have some harmless fun in a music scene that took itself too seriously. Their Paul Frank designed “power belts,” trademark rash guards, black eye masks, “anti-negativity” helmets and onstage antics quickly caught on, earning the group a fiercely loyal following that spans generations. Their line-up and music is continuously evolving, including Blink 182’s Travis Barker as former drummer “Baron Von Tito.” In 2012, the band debuted The Aquabats! Super Show!, a live-action musical action comedy television series which aired on the Hub Network. The show received eight multiple Daytime EMMY nominations and one win. To date, The Aquabats’ music library includes The Return of the Aquabats (1996), The Fury of the Aquabats! (1997), The Aquabats vs. The Floating Eye of Death (1999), Myths, Legends and Other Amazing Adventures, Vol. 2 (2000), Yo! Check Out This Ride! (EP, 2004) Charge!! (2005), Radio Down! (EP, 2010), Hi-Five Soup! (2011), and 2020’s newest addition – full studio album Kooky Spooky… In Stereo! Current members are Christian Jacobs as “The MC Bat Commander” (lead singer), Chad Larson as “Crash McLarson” (bass, vocals), Ian Fowles as “Eaglebones Falconhawk” (guitar), Richard Falomir as “Ricky Fitness” (drums), and James Briggs, as “Jimmy the Robot” (keyboards, woodwinds, vocals). 

About Shout! Factory TV Shout! Factory TV is a digital entertainment streaming service that brings timeless and contemporary cult favorites to pop culture fans. Shout! Factory TV offers an unrivaled blend of original programming and TV shows and movies curated from major studios, independent producers and its own distinctive entertainment library. The Shout! Factory TV family of channels also includes Mystery Science Theater 3000, TokuSHOUTsu™ and Johnny Carson TV, with more to come soon. Shout! Factory TV provides an immersive, high-quality viewing experience across a wide variety of platforms: online at ShoutFactoryTV.com, on smartphone devices, tablets and connected TV, and via apps on the Roku player, Android, Apple TV, and Amazon Fire TV. Shout! Factory TV is also available as a branded channel on Amazon Prime Channels, Comcast Xfinity, IMDb TV, Pluto TV, Redbox, Roku Premium Subscriptions, Samsung TV Plus, STIRR, Tubi, Twitch, Vizio and XUMO, among others. For more information, please visit ShoutFactoryTV.com.   

SEVENDUST’S MORGAN ROSE RELEASES MUSIC VIDEO FOR NEW SINGLE “EXHALE”

WATCH THE VIDEO FOR “EXHALE” HERE

DEBUT SOLO EP “CONTROLLED CHAOS” NOW AVAILABLE HERE: https://riserecords.lnk.to/ControlledChaos

As the largest shopping weekend in the United States concludes, Sevendust drummer Morgan Rose spent it celebrating the release of his debut solo EP Controlled Chaos. The EP was released on November 27th via Rise Records to critical and fan acclaim alike. Controlled Chaos shines the spotlight on not only Morgan’s drumming prowess, but his songwriting, singing, and production chops as well. Morgan co-wrote the EP with Sevendust bandmate Clint Lowery. To commemorate the release, today Morgan is releasing the first music video from the EP for the haunting track “Exhale.” The video follows Morgan as he prepares to head out and face all the challenges the world presents him while inspiring others to follow his path.

The video can be seen here: https://youtu.be/Lk5BVCfJW_E

Controlled Chaos is now available for purchase at https://riserecords.lnk.to/ControlledChaos.

With 2020 being a year of transition for so many, Morgan took the newly found time he was given, and decided it was time explore ideas of growth and change. With Clint on guitar and Jason Christopher [Corey Taylor, Prong] on bass, Morgan tracked six songs in less than ten days at The Lair in Culver City, CA. Fans of Morgan’s main gig will be pleasantly surprised at the different shades presented on Controlled Chaos, as the EP presents a varied musical blueprint on the legendary drummer. Morgan sounds equally at home singing with a keyboard and orchestral accompaniment as he does belting out his trademark primal screams in a full band setting. The EP’s first single “The Answer,” is a bombastic introduction to the EP, taking a page from Sevendust’s penchant for thick guitars, up-tempo rhythms, and gritty yet melodious vocals.

A lyric video for that song can be seen here: https://youtu.be/pjAqgDiekiE. 

Controlled Chaos Track List:

1. Intro

2. The Answer

3. Faster Man

4. Clarity

5. Come Alive

6. Exhale

Photo Credit: Travis Shinn

About Morgan Rose: Morgan Rose began his career over 25 years ago as a founding member of the Atlanta-based metal band, Sevendust. Morgan’s stickwork with the band has been nationally recognized, being named the number one metal drummer by Modern Drummer Magazine, as well as one of the top 100 drummers of all time by Drum magazine, Hit Parader, and Drummerworld. Rose, in addition to his work with Sevendust, is known for his contributions to projects Call Me No One with Clint Lowery of Sevendust and Methods of Mayhem with Tommy Lee of Mötley Crüe. With an impressive 3 million albums sold, Rose has proved a powerhouse alongside Sevendust, helping the band earn four RIAA gold-certified albums. Following in his own success, Morgan has branched out with his highly anticipated solo EP Controlled Chaos, available everywhere on November 27th.

VOCALIST JAMES DURBIN ANNOUNCES DEBUT DURBIN ALBUM

 (photo credit Heidi Durbin)

“THE BEAST AWAKENS” DUE FEBRUARY 12, 2021

FIRST SINGLE, ‘KINGS BEFORE YOU’ FT. CHRIS JERICHO & PHIL DEMMEL OUT NOW

Hailing from the shores of Santa Cruz, CA, USA, modern heavy metal revivalist James Durbin is on the verge of releasing his boldest, heaviest album to date with the announcement of the debut album from DURBIN, “The Beast Awakens”. Coming February 12, 2021 via Frontiers Music Srl, fans can get their first taste of the album with the release of the single ‘Kings Before You’ featuring Chris Jericho (Fozzy) and Phil Demmel (ex-Machine Head, Vio-lence). Listen to the song on your favorite streaming platform or on YouTube HEREhttps://youtu.be/7ojvtjwZYgM

Pre-order/save the album HEREhttps://orcd.co/beastawakens

James Durbin is finally releasing the album he has always wanted to over the course of his decade long recording career. Combining his love of all things DIO, Iron Maiden, and Judas Priest, Durbin set out to craft his own signature strain of fantasy inspired power metal for his debut Durbin album, “The Beast Awakens”. 

“I’ve found a home for my creativity with Frontiers. They really share my vision for the type of metal I wish to create and we’re all excited to see where it will lead,” 

says Durbin. ‘Kings Before You,’ the first single released from Durbin’s forthcoming album, features guest vocals from Fozzy vocalist (and AEW Wrestling star) Chris Jericho and renowned guitar wizard Phil Demmel (BPMD, ex-Machine Head).

For each of the solo sections on the remainder of the album tracks, Durbin called upon his own axe wielding brethren to help out. Jon Yadon Jr., Marc Putnam, Dylan Rose, and Nick Gallant all contributed guitar solos for the album. Due to the situation with COVID-19, the album was recorded largely remotely, with only Durbin himself, alongside his producer Ellison, occupying the recording studio. Durbin says,

“the fact that the album sounds the way it does, with the way it was recorded, is a testament to the passion of everyone involved. I am very grateful for all the love and care that was given to my songs and I can’t wait to unleash my metal upon the world.”

All the songs included on “The Beast Awakens” were written solely by Durbin himself. “2020 has been such a strange year for all of us. Coincidentally, our shelter in place order happened just as I had begun writing for the album. It really forced me to write by myself and not rely on others to write the riffs for me. And then to write the lyrics and melodies too,” tells Durbin. 

Once the songs were written and demoed by Durbin, he brought in the rhythm section of virtuoso drummer Mike Vanderhule (Y&T) and master bassist Barry Sparks (Ted Nugent, Scorpions, Dokken, B’z). With Durbin handling the album’s rhythm guitars, his core lineup was complete. 

James Durbin is an American singer, songwriter, and guitarist from Santa Cruz, California. Many associate his name with his appearance on Season 10 of American Idol (2011), where he was unabashedly flying the flag for heavy metal. In fact, on the finale, he appeared with undisputed metal gods Judas Priest for rousing renditions of “Livin’ After Midnight” and “Breaking the Law” and also appeared with legendary guitarist Zakk Wylde. This was followed by Durbin’s debut album, 2011’s “Memories Of A Beautiful Disaster” that blended a mix of hard hitting riffs, vulnerable lyrics, and Durbin’s signature scream. James has also worked and performed alongside many incredible musicians including Stevie Wonder, Don Was, Sheryl Crow, Tom Jones, Mick Mars of Mötley Crüe, Bob Babbitt of The Funk Brothers, and Steel Panther, just to name a few. 

Durbin’s signature vocal prowess and powerful stage presence have earned him stamps of approval and praise from rock and metal royalty like Steven Tyler, Sammy Hagar, Rob Halford, and more. He has four full length albums to his name, in addition to lending his voice to a handful of various albums.
James Durbin is an artist on the rise and a performer you don’t want to miss. Expect his debut record under the name “Durbin” in early 2021. Fans of heavy metal revivalists like Haunt, Eternal Champion, Sumerlands, Enforcer, and the like, as well as hard rock and classic heavy metal fans in general are in for a treat!

Lineup:
James Durbin – Vocals. Rhythm Guitars
Jon Yadon Jr., Marc Putnam, Dylan Rose, & Nick Gallant – Guitars
Barry Sparks – Bass
Mike Vanderhule – Drums

WOLFGANG VAN HALEN RELEASES FIRST PIECE OF MUSIC FROM HIS SOLO BAND MAMMOTH

The Video for the Debut Single “Distance” – A Tribute to His Father and Guitar Icon Eddie Van Halen – Can Be Seen Here: https://youtu.be/HI3aPJkZmNU

https://found.ee/MammothWVH

Proceeds from the sale of the single will benefit The Mr. Holland’s Opus Foundation

Everybody has a name they are born with. Having one of the most recognizable names in entertainment, Wolfgang Van Halen has been preparing to release music from his solo band Mammoth WVH for some time. That plan was altered when his father and guitar icon Eddie Van Halen called him and told him his cancer had returned. Wolfgang decided to put everything on hold to be with his father through his battle. During that time, Wolfgang was writing material for his upcoming solo album (available via Explorer1 Music Group/EX1 Records in 2021) for which the first single “Distance” would be born. The song is available via all digital service providers here: https://found.ee/MammothWVH.

“As my pop continued to struggle with various health issues, I was imagining what my life would be like without him and how terribly I’d miss him. While the song is incredibly personal, I think anyone can relate to the idea of having a profound loss in their life,” explains Wolfgang Van Halen. 

Writing the song and performing all of the instrumentation and vocals for Mammoth WVH, “Distance” is an open letter to his father – one Wolfgang was fortunate to play for his dad and would become a favorite of Eddie’s – declaring “no matter what the distance is, I will be with you.” The video for the song is created from a collection of family home movies through the years and offers an inside look in to one of music’s most notable personalities. Chronicling the family through the years, the video ends with a touching voicemail left from Eddie to his son. The video for “Distance” can be seen here: https://youtu.be/HI3aPJkZmNU

“I never intended ‘Distance’ to be the very first piece of music people would hear from me, but I also thought my father would be here to celebrate its release. This is for him. I love and miss you, Pop.”

An organization that is very close to the Van Halen family is the Mr. Holland’s Opus Foundation. Eddie was very supportive of the organization via numerous donations throughout his lifetime. Following in his father’s footsteps in another way, Wolfgang is donating his portion of all proceeds from “Distance” to the foundation. 

“Our connection with Eddie grew out of his generous nature, his delight in seeing kids learn and play music, and ultimately understanding what’s important in life. Eddie lived out loud through his music, and I believe that he wanted to see that kind of expression ignite in the students. Music saved him and he loved giving back through what we do for kids through the power of music. Thank you, Eddie. We’ll never forget you.” – Felice Mancini, the President and CEO of The Mr. Holland’s Opus Foundation

Photo Credit: Travis Shinn

ALICE COOPER UNVEILS ROCK & ROLL THE FIRST SONG FROM THE UPCOMING STUDIO ALBUM “DETROIT STORIES”

FEATURING: STEVE HUNTER, JOHNNY BEE, PAUL RANDOLPH, PLUS “HONORARY DETROITER” JOE BONAMASSA

“Rock & Roll”: A Detroit Story…

Alice Cooper releases “Rock & Roll” today as a first taste of the upcoming studio album Detroit Stories, coming February 262021 on earMUSIC.
“Rock & Roll,” a classic song by The Velvet Underground from the album Loaded, is not a casual choice: It’s a song of joy and celebration of that magical moment when we all first turned on Rock and Roll radio …and it saved our lives. 

Have a listen: Maybe it will save yours too!

Here are some interesting Detroit Stories for the fans of rock and roll trivia and for those who believe that nothing happens by chance (especially in Detroit). 

In 1971, the Alice Cooper Group was working in Detroit, with producer Bob Ezrin. Around the same time, also in Detroit, a band called… Detroit, which featured Mitch Ryder, Johnny Bee and Steve Hunter, recorded a heavy new arrangement of Lou Reed’s “Rock & Roll” also produced by… Bob Ezrin.

It was when he heard that version that Lou Reed decided to work with Ezrin on the follow-up to his monster hit album “Transformer.” Their collaboration produced the seminal and fascinating classic album Berlin.
But wait, there is more!  

Steve Hunter, the amazing guitar player who created the iconic main riff that drives Detroit’s cover of the song in 1971, ended up working with Ezrin on many of his productions. He toured and recorded with Alice and with Lou Reed as well…and that same riff is the backbone of this new recording of the song which was done in…Detroit, of course.

Alice Cooper and Lou Reed shared a relationship of mutual respect and friendship over the years. Bob and Lou collaborated several other times and were dear friends for 40 years. Alice and Bob can’t remember how many albums this is and have been creative partners for 50 years.

Listen to Alice’s powerful new version of Lou Reed’s “Rock & Roll” featuring Johnny “Bee” Badanjek (Detroit Wheels), Steve Hunter (Detroit), Paul Randolph (legendary Detroit jazz and R&B bassist) and special guests Joe Bonamassa and Tommy Henriksen (for this occasion, crowned “Honorary Detroiters”) here: https://alicecooper.lnk.to/RocknRoll

A visualizer for the single can be found on YouTube:https://youtu.be/wmkf57yffT0

Detroit Stories Alice’s upcoming new album, is a celebration of the sound and spirit of the Golden Era of Detroit rock. 

“Detroit was Heavy Rock central then,” explains Alice, “You’d play the Eastown and it would be Alice Cooper, Ted Nugent, the Stooges and the Who, for $4! The next weekend at the Grande it was MC5, Brownsville Station and Fleetwood Mac, or Savoy Brown or the Small Faces. You couldn’t be a soft-rock band or you’d get your ass kicked.”

“Los Angeles had its sound with The Doors, Love and Buffalo Springfield,” he says, “San Francisco had the Grateful Dead and Jefferson Airplane. New York had The Rascals and The Velvet Underground. But Detroit was the birthplace of angry hard rock. After not fitting in anywhere in the US (musically or image wise) Detroit was the only place that recognized the Alice Cooper guitar driven, hard rock sound and our crazy stage show. Detroit was a haven for the outcasts. And when they found out I was born in East Detroit… we were home.”

50 years later, Alice and Ezrin have united in Detroit with their Detroit friends to record Detroit Stories, Cooper’s new album.  If 2019’s Breadcrumbs EP laid down the trail to the city, Detroit Stories drives like a muscle car right down Woodward Ave.  

Discover Detroit Stories as they were meant to be told.

BLACK VEIL BRIDES Return With New Single “Scarlet Cross” From The Upcoming 2021 Album The Phantom Tomorrow

Epic Video Directed By Longtime Collaborator Patrick Fogarty Can Be Seen Here: http://smarturl.it/scarletcross

After teasing fans for days on social media, Los Angeles rockers Black Veil Brides are releasing a new single and video for the track “Scarlet Cross.” The song comes from the band’s upcoming 2021 concept album The Phantom Tomorrow – the band’s sixth full-length album. The album tells the story of the antihero character “The Blackbird” and a group of societal outcasts known as simply as “The Phantom Tomorrow.” The first single “Scarlet Cross” – produced by Erik Ron (Godsmack, Dance Gavin Dance, Bush) and guitarist Jake Pitts – is available via all digital partners today. 

The video for “Scarlet Cross” was directed by longtime collaborator Patrick Fogarty and based on a concept written by frontman Andy Biersack. The video was filmed on the Santa Clarita Studios backlot and is the first in a series of videos that will follow the story of the main character “The Blackbird.”. The video opens as a female member of “The Phantom Tomorrow” takes to the streets only to be discovered and followed. As things get dire, the “The Blackbird” arrives only to fade to black. Shot to look like an old school comic book serial, the video ends with the cliffhanger tease leaving the viewer unsure of the fate of the heroine or her attackers. The video for “Scarlet Cross” can be seen here: http://smarturl.it/scarletcross.

Black Veil Brides are hard at work putting the finishing touches on the upcoming album The Phantom Tomorrow– scheduled for release via Sumerian Records in 2021More information on the latest musical creation from Andy Biersack, Jake Pitts, Jinxx, Lonny Eagleton and Christian Coma will be available in the near future. 

“We are incredibly excited to share not only this new song ‘Scarlet Cross,’ but also our vision for the world of “The Phantom Tomorrow” and its characters. We are in the final stages of writing for this record and have begun work on our forthcoming “The Phantom Tomorrow” graphic novel. We intend to continue to share elements of the story in the coming months and can’t wait for everyone to see what we have been working on!” 

Photo Credit: Jonathan Weiner
L to R: Lonny Eagleton (Bass), Jake Pitts (Guitars), Andy Biersack (Vocals), Christian Coma (Drums), Jinxx (Guitars)

Like their band name suggests, Black Veil Brides evoke transcendent visions of an impenetrable hereafter, intermingling with a steely focus on the dark passions and elusive mysteries of the here and now. A romantic fantasy first summoned in a small town by founder Andy Biersack – a creative who was fascinated with death rock, theatricality, and monsters (both real and imagined). It wasn’t until moving to Los Angeles that the unstoppable force the band is currently was finalized. The band (and its members Andy Biersack, Jake Pitts, Jinxx, Lonny Eagleton, Christian Coma) Instagram and Twitter accounts command close to 10 million followers between them. Vale, the group’s most recent full-length album, went to No. 1 on Billboard’s Top Hard Rock Albums chart. In the hearts and minds of their fans, Black Veil Brides represents an unwillingness to compromise and a resistance to critics (personal and professional), fueled by the same fire as the group’s own heroes, the iconoclasts whose creative output, once dismissed, is now canonized.

FOO FIGHTERS LIVE FROM THE ROXY

SATURDAY, NOVEMBER 14th
FROM THE STAGE TO YOUR SCREEN WITH THANKS TO COORS LIGHT

TICKETS ON SALE NOW AT 
http://foofighters.co/Roxy

“SHAME SHAME” VIDEO LIVE NOW AT http://foofighters.co/Shame/youtube

Photo Credit: Danny Clinch

Foo Fighters are taking literally no time to bask in the ecstatic reception to their November 7 Saturday Night Live debut performance of “Shame Shame,” the first taste of the 10th FF album, Medicine at Midnight, due out February 5, 2021 on Roswell Records/RCA Records—well, maybe a few seconds, after all Entertainment Weekly did call it a “hypnotic earworm,” Stereogum lauded its “refreshing twist on their signature sound,” and Billboard noted “a groovy, sexy beat”… and that’s quite enough of that because…

On Saturday, November 14th at 5pm Pacific Time, Foo Fighters will be regrouping to mount a full on rock invasion of your living room, when they play a full set streamed live from the Roxy in Hollywood for any and all who buy a ticket for $15 at http://foofighters.co/Roxy. If you can’t be in front of a TV, tablet, phone, laptop etc. at exactly that time, don’t worry: Ticket buyers will have access to replay the full stream for 48 hours from the start of the show. And if that’s not enough… Limited event merchandise will be available at https://shop.foofighters.com/.

Foo Fighters’ Roxy streaming concert event is brought to you in part by the good people at Coors Light, and will feature innovative new technology custom created for this one of a kind Foo Fighters show: Beer’s Eye View. For 25 years, Coors Light has been on stage – and in hand – with Foo Fighters. Now for the first time, Beer’s Eye View will take fans behind the scenes backstage, into the thick of the action onstage, and to the best seat in the house (the VIB a/k/a Very Important Beer section)—all from the unique perspective of a live “Can Cam” attached to Dave’s own Coors Light.

In other boundary breaking Foo Fighters visual news, the official video for “Shame Shame” has premiered at http://foofighters.co/Shame/youtube. Directed by Paola Kudacki and co-starring Dave Grohl and Sofia Boutella, “Shame Shame” renders in stunning black and white an interpretation of a recurring dream that’s haunted Grohl since his childhood days.

Medicine at Midnight is available for preorder at http://foofighters.co/MAM  with exclusive configurations including a purple smoke vinyl available only through the band’s online store and an indie retail-only blue vinyl, and more to be announced.

A portion of proceeds from Foo Fighters’ Roxy streaming show will go to Sweet Relief. Founded in 1993 by Victoria Williams, Sweet Relief Musicians Fund provides financial assistance to all types of career musicians and music industry workers who are struggling to make ends meet while facing illness, disability, or age-related problems. Sweet Relief is providing immediate assistance to anyone in the music industry who has been financially impacted by COVID-19. Applications are being accepted now, please apply for help or DONATE if you can at SweetRelief.org.

Coors Brewing Company was founded in 1873 by Adolph Coors, who chose the Clear Creek Valley in Golden, Colo., for his new brewery because of the pure water in the nearby Rocky Mountain springs. The brewery’s original and most enduring beer is Coors Banquet (Coors.comFacebook.com/CoorsBanquetYouTube.com/OfficialCoorsBanquet), still brewed exclusively in Golden using only Rocky Mountain water and high-country barley. Coors Light (CoorsLight.comFacebook.com/CoorsLight, @CoorsLight on Twitter, @coorslight on Instagram, YouTube.com/CoorsLight) was introduced in 1978 and now is the second-best-selling beer in the United States. Triple-filtered smooth Keystone Light (KeystoneLight.comFacebook.com/KeystoneLight) is one the country’s most popular economy beers. Learn more at MolsonCoors.com, at Facebook.com/MolsonCoors or on Twitter through @MolsonCoors.

NoCap, the brainchild of Roxy Theater co-owner and musician Cisco Adler along with an all-star list of partners in the music and tech industries, is both a platform and promoter of venue-based livestream concerts giving fans around the world access to intimate live performances with unlimited capacity. With its easy-to-use text-based ticketing technology and custom concert streaming solution, NoCap is providing a much-needed lifeline for artists, crews and venues suffering during the Covid-19 pandemic that will remain a viable outlet post pandemic while becoming the new general admission creating unlimited profit potential for a new live music model. NoCap gives fans globally a chance to experience live shows by top-tier talent in storied venues, including The Roxy (Los Angeles), Belly Up (Solana Beach, CA/Aspen, CO), SOhO (Santa Barbara), Sony Theatre ( NYC ) and even Drive-In Concert Venues across the country , from home or on the go with visually stunning concert-quality sound, creating unforgettable performances. For more info, visit www.nocapshows.com.

FOO FIGHTERS DEBUT NEW SINGLE “SHAME SHAME” ON SATURDAY NIGHT LIVE

STREAMING NOW AT http://foofighters.co/Shame   

NEW ALBUM MEDICINE AT MIDNIGHT NOW AVAILABLE FOR PRE-ORDER AT http://foofighters.co/MAM  

Photo Credit: Danny Clinch

Foo Fighters just transformed Studio 8H at 30 Rockefeller Plaza in to a rock n roll party, with the first ever performance of their smoldering new single “Shame Shame” on the November 7 episode of Saturday Night Live, hosted by friend of the band Dave Chappelle.

“Shame Shame” is the first taste of the band’s forthcoming 10th album, Medicine at Midnight, due out February 5, 2021 on Roswell Records/RCA Records.

Medicine at Midnight is available for pre-order as of… midnight (give or take)—including a limited edition purple swirl vinyl version, available exclusively at http://smarturl.it/FFOnlineStore.

Produced by Greg Kurstin and Foo Fighters, engineered by Darrell Thorp and mixed by Mark “Spike” Stent, Medicine at Midnight packs the following nine songs into a tight-ass 37 minutes:

     Making a Fire
     Shame Shame
     Cloudspotter
     Waiting on a War
     Medicine at Midnight
     No Son of Mine
     Holding Poison
     Chasing Birds
     Love Dies Young

Foo Fighters are Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear, and Rami Jaffee.

SYSTEM OF A DOWN RELEASES TWO BRAND NEW SONGS

IT TOOK AN ATTACK AGAINST ARMENIANS TO BRING IT ABOUT, BUT THE WAIT IS OVER SYSTEM OF A DOWN RELEASES TWO BRAND NEW SONGS TO RAISE AWARENESS AND FUNDS TO AID THE PEOPLE OF ARTSAKH AND ARMENIA AFTER CONTINUED ATTACKS BY AZERBAIJAN AND TURKEY.

“We’re probably the only rock band that has governments as enemies,the only rock band that’s at war, so I wrote these songs to boost the moraleof our troops and Armenians around the world.”– Daron Malakian

Photo Credit:  Armen Keleshian

It’s been 15 years since the GRAMMY®-winning, multi-Platinum-selling SYSTEM OF A DOWN, one of the most beloved rock bands in the world, released new music.  For years, fans and press speculated about this, and of late, the rumor mill has gone into overdrive hypothesizing when the band might return to the studio.  

Today, motivated by the recently-erupted conflict between Artsakh and Azerbaijan, the latter aided by Turkey and accountable for the greatest violence the region has endured in 26 years, System Of A Down – Daron Malakian/guitars, vocals, Serj Tankian/vocals, Shavo Odadjian/bass, and John Dolmayan/drums – announces the release of its first new songs in 15 years:  “Protect The Land” and “Genocidal Humanoidz.”  

Produced by Malakian, who also wrote the music and lyrics, both songs are streaming now on all DSPs and are available for purchase on Bandcamp with band royalties earmarked for the Armenia Fund.  You can check out the music video for “Protect The Land” HERE.

So why now?  Last month, profoundly affected by the unwarranted surprise attacks and bombings of civilians perpetrated by Azerbaijan and Turkey (Turkey was responsible for the genocide of 1.5 million Armenians in 1915 as well as over 100 years of denial), Dolmayan texted his three bandmates.  Said Dolmayan, “I texted, ‘no matter how we feel about each other, no matter what issues linger from the past, we need to put them aside because this is bigger than System Of A Down and bigger than all of us…..we need to do something to support our people.'”  Joined together on a subsequent conference call, everyone voiced the same concern and the vital importance of helping in some way, the way they knew best – music.

“The aggression and injustice being perpetrated against the Armenian people in Artsakh and Armenia by Azerbaijan and Turkey is a human rights violation and a war crime,” said Tankian.  “All of us in System realize this is an existential battle for our people, so this is very personal for us. What we need right now is for the world to put politics aside and support Armenia by sanctioning Turkey and Azerbaijan and recognizing Artsakh.”

Photo Credit:  Clemente Ruiz

System Of A Down also releases the music video for “Protect The Land,” that incorporates recent footage of the protests and on-the-ground fighting in Artsakh, but in a very personal and aesthetic way.  As he did for all previous System Of A Down releases, Odadjian executive produced the music video and curated the cover and brand art for the project.  “I wanted to show the unification of our people around the world for one common cause, illustrating the power in numbers,” he said, “so we brought together people from all ages and professions who believe in and are fighting for that same cause.  It’s one thing to come up with an idea, but to see it come alive as happened with this video, has been just incredible.”

On the recording of “Protect The Land” and “Genocidal Humanoidz,” Odadjian added, “It was such a pleasure for us to be together in the studio again, very comforting and natural, like no time had passed at all.” 

https://systemofadown.com

Clutch Frontman Neil Fallon Discusses “The Obelisk” and Virtual Shows.

Neil Fallon is the vocalist for the rock band Clutch. The group which has been churning out its own unique brand of riff heavy sludge rock since 1991 just release  a very special, limited edition 16 LP set titled “The Obelisk” As part of wave three of 2020’s Record Store Day . Media Mikes had the chance to talk to Neil recently about the collection, the bands label Weather Maker Music and, the group’s recent series of live stream concert events.

Adam Lawton: Can you tell us about the band’s latest release “The Obelisk”?

Neil Fallon: We had wanted to do something for Record Store Day and things kept getting shifted around and staggered due to the pandemic. What we did was put together a collection of all the full length vinyl releases that Weathermaker Music has put out. We are always getting asked about putting things out such as “Elephant Riders” but we do not own the masters to that stuff. Weathermaker Music is our label and we own all of that material so we can release it however we want. “The Obelisk” is a beast of a collector’s piece which weighs about 12lbs. There are twelve records each symbolized on the cover and that equates to about 16 or 18 discs.

AL: What is the bands process for selecting what will be released on a compilation like this?

NF: You can’t give it all away at once. We know there will be another Record Store Day event next year and we are unsure if we will have new material recorded by then. I think with the collectors mind set you want to make something special that is limited. The limited availability of a piece is what drives that collector to go out and get it. Yes you can go out and get the records individually but you are not going to get the box or some of the other stuff that is included. Some of the stuff included has been really hard to get such as the picture disk for “Earth Rocker”. It’s a hard needle to thread as you want to get this stuff out but you also want to make sure that you are keeping an eye on releasing new material as well.

AL: Has the band always been conscious of saving material for special releases like this?

NF: Every time we write a record we have this conversation. It used to be with a major label you would record 15 songs and only 10 or 12 would make the album. You then had the remaining tracks to use for B sides or whatever. For our last album “Book of Bad Decisions” we recorded 15 songs with the intention of putting 12 on the album and having three other versions of the album going to different areas of the world. We ended up not going that route and just included all 15 (Laughs).

AL: With vinyl making this resurge over the last few years is that something the band has always been in to or is that something that occurred more recently?

NF: I am not really a vinyl guy. I often just use Spotify to listen to my own music. I am very modern. Then again I do understand the appeal of vinyl. With the pandemic I know vinyl has even taken off more. When it comes to vinyl a label like ours tends to have to get at the back of line for pressing as we generally aren’t pressing 50 thousand copies at a time. I like the tangible qualities of vinyl when in this day and age so many things are non-tangible. I listen to so much music that having to constantly get up to flip and change records is just not something I think I have time for in the day.

AL: The band has also been releasing cover material under the “Weathermaker Series” moniker. Can you tell us a little bit about that group of songs and your plans going forward?

NF: We wanted to see what would happen if we started doing just digital releases. To test that out we started with some re-records and a bunch of cover songs. We weren’t sure if it would piss off our fans or behave different and we didn’t want gamble on it with new material. It’s hard to sell physical records and you have to be very accurate with how much you press. This was sort of a protective play. A lot of those old songs we can play a lot better and I hate to say it but, in between albums you have to stay engaged and let people know you are not dead(Laughs). We would just record a bunch of these and release them every six to eight weeks as a way to bridge the gap between albums. That would have worked had the pandemic not occurred. The plan for all of these is to be put together for a vinyl release and probably CD as well in the near future.

AL: Having been in the music industry since the 1990’s what has been the biggest change in the business to impact the band?

NF: File Sharing. You could wrap that in a bigger box and say the internet as a whole. We enjoyed the patronage of major labels all through the 90’s and our shows were numbering in the hundreds here in the states and a couple dozen overseas at this time. After people started illegally sharing music and getting the word out all of a sudden our shows became much, much bigger. Would we have liked to have been paid for every time someone listened to us? Sure! However those listens get parlayed into someone buying a ticket and then a t-shirt. People then become fans and maybe begin buying merchandise even when you are not on tour. It was a marathon and not a sprint but this was certainly a watershed moment for the band. It was word of mouth on a global scale.

AL: What can you tell us about the bands recent virtual concerts and are there any plans for more in the future?

NF: That was really a baptism by fire. Around the end of March, Early April when it became apparent that touring wasn’t going to be able to happen until the Fall at the very earliest. We had a bunch of festivals booked and like most bands a majority of our income comes from touring and merchandise sales. Yes, we own our own record label but you can only put out so many records and it’s not something you can do every night. There was a little bit of a panic mode as to what we could do but we knew we had the means and where with all to stream via You Tube so we started there. From that our booking agent got us connected with some people at Live From and we learned how to put things together. We didn’t go to a sound stage or use a bunch of cameras we just used Face Time and people seemed to enjoy the do it yourself approach we took. It is weird singing to a camera or laptop and I am very grateful that we had around 7 to 8 thousand people buy tickets. Once this all came together we were able to breathe a sigh of relief in knowing we could bridge the gap between then and whenever we are able to go back out on tour. It’s never going to be as satisfying as smelling an audience (laughs) but with the band all living within close proximity to one another we are able to do these as some bands have members all over which doesn’t allow something like this. As far as a third live stream that’s something we are in the process of scheduling right now.

AL: Going in to your third stream are there things you know ahead of time that you want to change or add that you weren’t able to do with the previous shows?

NF: I think the main thing is trying to make the sets different from one another.  I don’t think people would be too stoked about paying for the same set every time. Thankfully we have a pretty long discography. The last stream we let a fan choose the set which was a fun exercise. I think there is a sweet spot between the DIY and production value side of things as you want to make it better each time you do it but at the same time I think people like a certain amount of grit.

AL: What are the bands plans going into 2021 and where is the best place fans can go to keep up with everything related to the band?

NF: I think come January we have decided not to think about anything other than the next record, with the assumption we can go back out on tour. I’m not sure how sustainable streaming shows are for ones mental health (Laughs). It’s going to be a slow curve to get back to touring but then we can look back and be glad this is behind us. Fan’s can check out Clutch official on Instagram and Twitter. Those are usually our main outlets for showing people what’s going on. If people are looking for merchandise they can check out Clutchmerch.com.   

METAL VETERANS BUTCHER BABIES DEBUT AN EVOLVED NEW SOUND IN NEW SINGLE “BOTTOM OF A BOTTLE”

EXCLUSIVELY PREMIERED WITH LOUDWIRE
BAND ALSO RELEASES 10 YEAR ANNIVERSARY WINE‘BLOOD RED’ CALLED “BUTCHER BURGUNDY”

Metal mainstays, recording artists Butcher Babies today release their first new single in three years called “Bottom Of A Bottle” with celebratory new wine to accompany the release called Butcher Babies branded ‘blood red’ wine. Both commemorate their 10-year anniversary as a tour de force band. 

The new song premiered on Loudwire and in lauding the song said, “‘Bottom of a Bottle’ showcases a more melodic side of the Butcher Babies, and is sure to attract both rock and metal fans alike.”
“Bottom Of A Bottle” marks a musical evolution for this seasoned band. The new sound is a bit of a departure from the band’s extreme metal history,  taking their signature sound and building on it to create something entirely new for listeners.

Distorted guitars and driving drums still back the powerful vocal duo of Heidi Shepherd and Carla Harvey, but the band has moved to a catchier and more melodic sound. 

In talking about the new song, Carla tells Loudwire, “Haven’t we all been at the bottom of the bottle at some point? Name a better way to commiserate about it than by writing an anthem that turns the heartache into a celebration. We are pumped to finally release some new tunes that showcase a different side of who we are, yet remain uniquely Butcher Babies.”

Heidi continues, “This song is a product of the environment it was created in. At that moment, I was the guy at the end of the bar telling stories from yester-year. I’ve been there a time or two so the lyrics just flowed. This song holds a special place in my heart because of that exact moment. We’ve been sitting on this song for a long time so I can not wait for our fanbase to take the trip with us!”

In addition to the new song, Butcher Babies are celebrating 10 years as a band by releasing their own signature wine called “Butcher Burgundy”. Heidi says, “We are stoked and feel like pairing an AZ wine with a song we wrote in AZ fits perfectly with a song called “Bottom of a Bottle”.  Now we can all enjoy a Bottle together!”

The new wine will be available for purchase on the Butcher Babies website.

The new single marks the first release from Butcher Babies forthcoming EP, which is set for release in mid-2021. 

PUBLIC ENEMY RELEASE “PUBLIC ENEMY NUMBER WON” FT. BEASTIE BOYS’ MIKE D, AD-ROCK AND RUN DMC

WATCH LYRIC VIDEO FEATURING CLASSIC DEF JAM-ERA FOOTAGE HERE

‘WHAT YOU GONNA DO WHEN THE GRID GOES DOWN?’New Album Out Now via Def Jam Recordings

“a well-timed return to the center of the industry” – Rolling Stone

“In the hour of need, Public Enemy returns to fight the power once more.” – Billboard

“this group has continued to make such politically and potent work after more than 30 years together” – NPR Music

“the group’s message remains potent decades on” – Vulture

P.E. ANNOUNCE SUPPORT OF ELECTION SUPER CENTER’S “MAKE HISTORY HERE” INITIATIVE Bringing Safe, Socially-Distanced Voting to Sports Arenas Across the Country

Public Enemy photo by Eitan Miskevich

Public Enemy just released the latest visual from their widely acclaimed new album What You Gonna Do When The Grid Goes Down?. “Public Enemy Number Won” features Beastie Boys’ Mike D and Ad-Rock along with Run DMC, and the new lyric video features classic Def Jam-era footage of the artists and more. Watch the lyric video for “Public Enemy Number Won” here: https://youtu.be/GIa-8GxnllA.

Public Enemy also announced their support of Election Super Centers “Make History Here” initiative. The non-partisan group has been working with local election authorities and more than 70 NBA, MLB, NFL, NHL and MLS arenas and teams as well as prominent artists and athletes, to let communities know their local venues are open as polling locations, ensuring access to safe, socially-distanced voting at sports arenas across the country. For more info and voting locations here, visit: https://makehistoryhere.org.

“With less than a week to go before election day, we’re seeing record breaking early voting numbers across the country, and this effort is a once-in-a-lifetime opportunity to encourage voters to make their voices heard at their favorite sporting venues,” notes Chuck D. “Every American deserves access to a ballot, and every vote counts.”

What You Gonna Do When The Grid Goes Down? marked the group’s historic return to Def Jam Recordings and includes guest appearances by Nas, YG, Rapsody, DJ Premier, Black Thought, Questlove, Cypress Hill, Run-DMC, Ice-T, PMD, George Clinton, Daddy-O, Jahi, The Impossebulls, Mark Jenkins, S1Ws Pop Diesel and James Bomb and Mike D and Ad-Rock of Beastie Boys. Listen to the full album HERE.

Previous singles from the album include “Fight the Power: Remix 2020,” a powerful reimagining of their classic track featuring Nas, Rapsody, Black Thought, YG, Jahi and Questlove and riveted audiences at the2020 BET Awards; “State of the Union (STFU)” which holds nothing back as it calls out Donald Trump and his destructive reign, produced by DJ Premier; and single “Grid” featuring Cypress Hill and George Clinton–“a love letter to hip-hop’s golden era (and the classic Def Jam roster’s role in it), full of withering political analysis, blistering boom-bap and rap-rock productions (Vulture).”

Public Enemy performed “Grid” along with Cypress Hill on CBS’s special live broadcast of The Late Show with Stephen Colbert on Tuesday, September 29th, immediately following the first presidential debate.

Watch the video HERE and the performance HERE

Public Enemy have proven that rebellion is more than the sound of a musical genre, the culture of a social class, or the color of a skin; it is an unmovable, unmistakable state of mind and heart. PE is hellbent on creating change where it is needed most. Determined to give voice to those who have long been ignored, unafraid to question institutional injustices, and intent on challenging any and all obstacles to social justice, Public Enemy have resisted with unprecedented intensity and eloquence.

Their classic albums are the soundtrack to hip-hop’s rise as a form of social and political commentary. 1988’s It Takes a Nation of Millions To Hold Us Back was, and still is, one of the most important records ever made, with Rolling Stone recently naming it the #15 Greatest Album of All Time and The New York Times added it to their list of “25 Most Significant Albums of the Last Century.”Fear of a Black Planet–also named on the Rolling Stone list–features PE anthems including the original version of “Fight The Power,” “911 Is a Joke” and “Welcome To The Terrordome.” 

As America faces a fresh rebellion against racial division and social inequality, it is no surprise that the world looks to hip-hop’s original champions of change to continue the fight alongside them. What You Gonna Do When The Grid Goes Down? is available now atwww.publicenemy.com, along with exclusive Public Enemy merchandise.

Deluxe 40th Anniversary Editions of MOTÖRHEAD’s Ace Of Spades Out Today

Ace Of Spades Virtual Exhibition Launches Online

Forty years ago the inimitable MOTÖRHEAD line up of the three amigos, Lemmy, Fast Eddie and Philthy, created one of those magical moments in time with the seminal Ace Of Spades album. As the 40th anniversary celebrations of this slab of rock history continue, MOTÖRHEAD are launching a virtual Ace Of Spades online exhibition of exclusive photos and memorabilia from the era. All loyal Motörfans from all over the world are welcome and can enjoy it from the comfort of their own homes during these global pandemic times.

As well as the deluxe boxset, triple LP and double CD and digital boxset, 40th anniversary editions of Ace Of Spades that are out today, it’s now available in 360 Reality Audio, a new immersive music experience utilizing Sony’s spatial audio technology. Put on your headphones on to experience the song in a totally new way on Tidal, Deezer and Amazon Music HD. 

Watch the full video and get your 3-month free trial promo code at Music.com upon registration.https://cutt.ly/music_com_Motorhead

Finally, if you’ve not yet listened to the new official, Ace Of Spades podcast series, The Motorcast, make sure you subscribe to all the episodes on your favorite podcast platform here – https://motorhead.lnk.to/MotorcastPR. There’s two episodes live right now, with more to come every two weeks.

ORDER ACE OF SPADES 40TH ANNIVERSARY EDITIONS HERE:https://motorhead.lnk.to/AOS40PR

Check Out Our Review of the Ace of Spades 40th Anniversary Edition Box Set Here

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