Damn Your Eyes Bassist Oddie McLaughlin Discusses the Bands New Album “Kill The Outside”

New York based heavy metal group Damn Your Eyes have just released a brand new 10 track album titled “Kill The Outside”. The band which consists of former We Are The Enemy and Bonesmith members along with current Black Water Rising bassist Oddie McLaughlin have come together to forge a new musical path which draws deeply from the each of the members own personal experiences. Media Mikes had the chance to speak with Oddie recently about the creation of the new album, its deep personal meaning and what it like balancing duties between two bands.

Adam Lawton: Can you tell us about some of the work that went in to the new album “Kill The Outside”?

Oddie McLaughlin: Artie (Alexander) and I have played together off and on since we were first out of high school. We were always writing or learning different material. We recorded I think five songs with this drummer about fifteen years ago and then went our separate ways. Two of those songs from that period we kept. Basically it was just the riffs as there was no melody or vocal lines. That’s really where everything started. I got a call on day asking if I would be interested in starting something new and I said yes so shortly after we started writing songs for this release. When I got together with Artie after talking he already had few songs laid out including the two riffs we originally worked on. He had added some new ideas and things just started rolling. The writing for this album has been amazing and things have come together fairly easy. The songs all fell together nicely. Once we got our singer Kenny (Vincent Jr.) things moved even quicker. It’s just been a great process.

AL: The songs all seem very personal. Were the lyrics pulled from members past experiences?

OM: Oh yeah. Most of it is from Artie and some of it is from the other guys. They pulled from their experiences in the music business to how the world is going today. We expressed our emotions related to some of those events along with a bunch of other things. It’s definitely a record that deals with what is going on around us and personally.

AL: Do you ever find it hard to dig in to some of those emotions?

OM: No. We feel that if we put this stuff out there that it might help someone. Someone might see that they aren’t the only one feeling a certain way. I think it’s a great avenue to get it across to people especially metal fans.

AL: Along with personal lyrics the album also features a variety of musical styles. Was this something the band did consciously or was it something that occurred more naturally?

OM: I think it was something that happened organically. All the guys in the band like different styles of music but at heart we are total metal heads. We like a certain tone which has come from each of us evolving our sounds over the years. We all spent time on our own to craft just the right tone to get to where we are now. That’s what we are in to. The genre of music comes naturally for as we like to chug it out in order for that melody to come with a groove chorus or a main verse riff. We all have been doing this for some time now and we have a solid process which allows for the creation of material to occur fairly easily.

AL: What are the bands plans to tour in support of the album?

OM: We all work regular jobs and a couple of us have kids so planning a tour can be a little tricky. We are always willing and ready to get out there but for now have just a few shows set up to help things get going. I think this is a great band with great songs. I feel that no matter where we play we will go over well and we hope to be able to play as many shows as possible. Playing live is what we absolutely love. Practice, Recording and all that stuff is great but nothing beats performing live on stage.

AL: You also play in Black Water Rising. How do you go about splitting time between the two groups?

OM: It can be tough sometimes balancing two bands and your own personal life. You have to be really careful with scheduling in order not to double book yourself. Just last month this happened where I played with both bands in one night. I played an early show with Damn Your Eyes in Long Island and then had to drive to New Jersey for a show with Black Water Rising. I made it in plenty of time and something like that doesn’t happen often. When you’re booking you have to do things so far in advance that you forget and things get piled up.

For more information on Damn Your Eyes visit their official Facebook page here 

Harry and the Potters Paul and Joe DeGeorge Talk About Their New Album “Lumos”

Wizard Rock originators Harry and the Potters have been performing their signature brand of magic infused rock since 2002. Consisting of brothers Joe and Paul DeGeorge the duo have performed over 800 shows at various libraries, rock clubs, art spaces, bookstores, basements, and all ages’ venues all over the world. The band’s latest offering “Lumos” is the first studio album in 13 years to be released by the group and Media Mikes had the chance to speak with the brothers recently about its creation, the staying power of Harry Potter and the bands current tour.

Adam Lawton: Can you tell us a little bit about the new album?

Paul DeGeorge: Despite not having released a new studio album in the last 13 years we have still been pretty active touring. We felt that if we were going to be able to continue to exist in this current political climate that it would be nice to have some songs in the set that reflect the current reality. Having never actually written substantially about the seventh Harry Potter book we felt this was a good opportunity to revisit that. In book seven things really come to the fore with Harry and his friends fighting against fascism and exclusion in the wizard world. It felt really relevant to us on that level and we wanted to bring that to our live shows.

Joe DeGeorge: We have a unique position to take a perspective on this as two Harry Potters commenting on our world which has direct parallels to the world we are living in now.

AL: I assume you wrote a lot of this new music more recently?

JD: We set aside some time specifically to write and record this record. Paul doesn’t live close by so it’s been harder the last few years to casually work together as a lot of our time when we are together is touring or visiting with family.

PD: We had set aside a few weeks to put things together for this as we did have some ideas going in but, it wasn’t until last year actually that we carved things out.

AL: Can you tell us about your tour which kicks off June 20th?

JD: We mostly will be hitting libraries much like we have in the past. I am really looking forward to getting out there as playing libraries is a big part of why we started this band. We could play for kids and have it be their first rock show. On this tour we are going to be hitting a bunch of new places both here in the states and in Canada so that should be fun.

PD: Accessibility has always been important to us. We didn’t just want to play for young people and their parents but we also wanted to reach those kids who felt excluded by an age restricted music scene that was 18 or 21+. Some cities are more inclusive however, by touring libraries we are performing in places which are meant for everybody.

AL: With your music being solely based around Harry Potter do you ever feel the need to step outside of that?

PD: Not for this band. We do have other musical projects that we are involved in so if we want to do something else we just start a different band. We have one band that all we sing about are clams. Specifically hard shell clams regional to the North-Eastern seaboard.

AL: With the last film being released in 2011 what do you feel contributes to the staying power/appeal of Harry Potter?  

JD: I think what is so impressive about these stories is that they have such a far reach. It has become a cultural touch stone for the generation of people who grew up reading the books. They are sharing these stories that affected them and how they were markers of their own coming of age with the next generation.

PD: The continued popularity doesn’t surprise me in the least. Look at Star Wars for instance. If you look at music there are lots of bands who continue to play in 2019 that first started 50 years ago and who are just as popular today as they were then. Despite the absence of actual new material I have seen an uptick in the corporate side Harry Potter such as the merchandise and the creation of the parks (which I think are great). These types of things have certainly helped keeps things going. A lot of our fans aren’t really interested in that side of things as we have our own unique crowd.

AL: You both have other projects that you work on. Can you tell us what you currently have going on with those?

JD: I play in a band called Down Town Boys which is sort of this leftist type punk band. Our last record come out in 2017 called “Cost of Living”. Paul owns and run a shop in Kansas with my wife called Wonder Fair that deals with art, art supplies and stationary.

AL: What do you feel is the most rewarding part of taking you music out on the road for people to experience?

PD: It’s a big opportunity to connect with people. It’s great to be able to be a meaning part in people lives. Playing to young kids is such an honor as for a lot of kids we will be their first concert so that’s really great and something we take very seriously.

For more info on the band visit www.Harryandthepotters.com  

ACE FREHLEY RELEASES NEW ANIMATED MUSIC VIDEO FOR “MISSION TO MARS”

Watch Video Here

ALL NEW SOLO LP, SPACEMAN OUT NOW

2019 TOUR DATES ON SALE NOW

Founding KISS guitarist and Rock and Roll Hall Of Fame member Ace Frehley has released the music video for “Mission to Mars.” 

The music video is entirely animated by artist Christopher Fequiere, a first for Frehley. Chock full of KISS fandom easter eggs, this video is the second music video that we’ve seen from the Spaceman LP. “Mission to Mars” follows the release of “Rockin’ With The Boys” that was released last year.
Ace Frehley released Spaceman last year via Entertainment One (eOne) to much critical praise such as Associated Press claiming that Frehley “oozes classic rock style and six-string chops that sound as good today as they did in 1975.” Spaceman debuted at #5 Rock, #5 Vinyl and #9 on Billboard’s Current Album Sales Charts and has gone on to sell more than 10,000 pieces of vinyl alone.

“No need to worry, I’ll be home soon, ’cause I’m rockin’ with the boys,” Frehley sings on“Rockin’ With the Boys,” which tells the tale of life on the road. Ace says he wrote the original version of the song back in KISS’s heyday in the ’70s. Both “Rockin With The Boys” and “Bronx Boy” are available on all streaming platforms today and are iTunes instant grat tracks for fans who preorder the album. 

In addition to Ace’s distinctive guitar sound on each track, Ace played bass on all of the songs on Spaceman except for two.  The listener might recognize the mighty dinosaur growl of a bass tone belonging to Gene Simmons on the album opener, “Without You I’m Nothing,” which Gene also co-wrote,  and “Your Wish Is My Command.” Both songs were recorded at Frehley’s home studio in Rancho Santa Fe, California. 

Ace’s reconnection with Simmons and fellow KISS vocalist-guitarist Paul Stanley (who joined Ace on a cover of Free’s “Fire and Water” for 2016’s covers LP Origins, Vol. 1) might be chalked up to the fact that Frehley has been sober for more than a decade (he celebrates 12 years of sobriety in September). Ace’s clean living no doubt has a lot to do with his productive streak, which began with the release of his top 20 Anomaly album in 2009.
Spaceman (a title suggested by Simmons, himself) serves as the first collection of all new Frehley-penned material since 2014’s Space Invader, which debuted at #9 on the Top 200 Chart. The LP scored the highest charting position of any former or current  KISS band member ever and marked Frehley’s first return to the Top 10 since KISS’s 1998 Psycho Circus reunion album.

Space Invader received praise from critics. Rolling Stone wrote, “Gene Simmons has claimed Ace Frehley doesn’t deserve to wear Kiss’ Kabuki clown paint, but the former Spaceman’s first solo LP in five years says otherwise,” while Associated Press hailed, “…the original Kiss lead guitarist has recorded his best solo album since his groundbreaking self-titled album in 1978.” 

Widely known as the original “Space Ace” and founding guitarist for 16 cumulative years (over 2 tenures) of the multi-platinum selling rock band KISS, Frehley is demonstrably the most popular original member. In addition to having the best-selling solo album career (vintage or current) among the original foursome, Frehley’s self-titled Ace Frehley, released in 1978, went on to sell over one million copies, producing the only Top 40 single, “New York Groove,” from any of the legendary KISS solo albums (peaking at #13).  

Brick By Brick Guitarist Mike Valente Talks About the Bands New Album “Hive Mentality”

Mike Valente is the guitarist for the Upstate New York hardcore/metal band Brick By Brick. The band is set to release a new album titled “Hive Mentality” on February 22nd and Media Mikes had the chance to talk with Mike recently about the release, working with “Orange is the New Black “star Jessica Pimentel and the bands upcoming European tour.

Adam Lawton: Can you give us some background on your band Brick By Brick?

Mike Valente: The band has been around since 2004 and at that time we had confined ourselves to be just a local band. We had a couple members that couldn’t do a lot of traveling so it was basically something we did just for fun. As the band progressed and there was a bit of a demand for us we had to look at getting some new members who could commit more time. In 2014 we added Ray Mazzola on vocals and since that time things have been a lot of fun.

AL: What can you tell us about the band’s new album “Hive Mentality”?

MV: The last record we put out really didn’t have the distribution reach that we had wanted. In order to make up for that we went back in and re-worked a bunch of things and finished up some other material that we hadn’t done before. We are now working with Upstate Records and they have been really good to us. At the time we were slated to be part of the Rebellion Tour in Europe and we needed a new record so we went into the studio so this time when we were touring over there people had a better idea of who we were and could get our record. Getting picked up for this tour in March is what really kicked things into motion.

AL: There a few different guests on the record. Can you tell us about those?

MV: Tony Foresta from Municipal Waste/Iron Reagan has been a friend of mine for a long time. When those guys come through we always have a great time. I had been listening to a lot of thrash music at the time of writing the song and Ray and I though Tony would be perfect for the song as it has a real party vibe to it. The experiences we have had together match perfectly so I called Tony up and he didn’t even bat an eye as he was totally down for it. The song we “In The Ruins” which features Vincent Bennett of The Acacia Strain was a song we had originally released on a split with the band Ruckus from California about six or seven years ago. The original version was with our old singer and there was a limited amount pressed. Everyone was down for it so that worked out nicely. We also have Jessica Pimentel from Alekhine’s Gun. A lot of people know her from “Orange is the New Black”. I have known her for quite some time as well and thought she would be perfect for the rant part in “Hive Mentality”. Just like with the others I called her up and she was more than happy to do it.

AL: How did the cover of Motorheads “Iron Fist” end up on the album?

MV: We had been asked to be part of a Motorhead compilation that Upstate Records was putting together called “Damage Cases”. We had intended on doing a more obscure song but when we looked at the track listing a lot of other bands were looking to do the same thing. I couldn’t believe no one had picked “Ace of Spades” or “Iron Fist” being they are such iconic Motorhead songs. We chose “Iron Fist” as it’s such a fun song to play. We did our own spin on it and it’s just a great song to play live.

AL: Can you tell us more about the bands European tour in March and about any other shows you have lined up?

MV: We kick things off with our release party show on February 22nd. We are doing that at Upstate Concert Hall in Clifton Park, NY. Anyone who buys a presale ticket will also get a copy of the album. We are doing a bunch of other cool packages for that show as well. The line includes Dying Fetus, Ramallah, I Am, Assault on the Living, Snap Mare and Close to Nothing. After that we aren’t doing anything until we leave for Europe March 6-18. I think this is the eight year that they have done the Rebellion tour/festival over there. We will be playing with Madball, Iron Reagan and bunch of other great bands. That tour is going to be a lot fun and we are defiantly looking forward to it.

For more info on Brick By Brick you can visit their Facebook page at www.facebook.com/brickbybrickny and on Instagram at @brickbybrickhc

Guitarist Steve Dadaian Discusses His New Album “Follow the Light”

Steve Dadaian is an Armenian-American fusion guitarist based in the Tri-State NY,NJ,PA area. Steve’s latest album “Follow the Light” is a theatrical, symphonic soundscape packed full of razor-sharp guitar work that will leave listeners slack-jawed. Media Mikes had the chance to speak with Steve fresh off his appearance at this year’s Winter NAMM convention where we discussed the albums creation, his work System of a Down’s Serj Tankian and Soilwork’s Bjorn Strid.

Adam Lawton: What was it that first got you started with music?

Steve Dadaian: I grew up in New Jersey and where I went to school they made you take a mandatory guitar class. That was really my first exposure to the instrument. I listened to a lot of classic rock artists like Jimi Hendrix and Randy Rhoads. Listening to music like that you get drawn to the guitar and as I got older I started listening to more progressive stuff like Rush and Dream Theater. Listening to all those bands helped me build my technique and was the foundation for where my playing is today.

AL: Your new album “Follow the Light” is a shift from your previous work. Can you tell us about that progression?

SD: With this record aside from one song there really aren’t any vocals. In order to fill that space I had to think about how I was going to write each piece and what I wanted to use on each track. With symphonic music there are so many different ways you can go. This was a lot of fun because I could use different chord structures and voicing’s that a traditional vocalist might not be able to do. As a guitar player I was really able to open up which I enjoyed.

AL: Where did you start when writing these pieces?

SD: That’s something I struggle with quite a bit. Sometimes I will come up with a melody other times it will be just a riff. For the title track of the album I started with the opening riff and then everything came after that. Generally the symphonic stuff comes last. The guitar is my base line as that is what I do. The chords, leads and riffs are the bulk of the song so once I have those I will go back and fill in the space to help each section sound more epic. Aside from that my process always seems to vary.

AL: Did you provide all the instrumentation on the album or did you work with other musicians?

SD: On three of the tracks I collaborated with other artists. I worked with Claudio Pietronik from Italy who does a lot of stuff for Jam Track Central. He is a great player with a lot of knowledge about cinematic music. We were able to collaborate on two tracks and another we co-wrote. For the most part the instrumentation all comes from me. I do love working with other artists but when you have a technical riff it can be hard to add things in order to make it sound bigger. I have a good sense of where I want things to be so for a majority of the album it’s just me.

AL: The track “Soul Connection” has a great back story behind it. Can you tell us about that?

SD: That was the only song on the album with vocals. I like to hear a track with vocals from time to time so I included “Soul Connection”. This was a song I originally wrote for a writing competition put on by Serj Tankian from System of a Down. This song meant a lot to me and I actually ended up being a finalist in the competition. I wanted to do more with the track and the chance to work with Bjorn Strid from Soilwork presented itself. I had told him the story of the song and it resonated with him the same way it had with me so I sent it to him and about three days later it came back perfect. Bjorn gave a brilliant performance. What’s really cool is the first seven notes of the song are the ones Serj came up with through what I submitted to the contest. I feel this song is a pivotal point in the concept record. One other thing that is really great about this song is that all proceeds from it are being donated to the Creative Armenia Foundation. They are an initiative to help fund artists world-wide who might not have resources available to them. They work with musicians, film makers and of other artistic formats. It’s a great cause that I am glad to help out with.

AL: Are there any plans in place to tour in support of the release?

SD: I just came back from a performance at NAMM which was really great. I currently have some guitar clinics lined up around the Tri-State area for this year and I have also been talking with some New York City venues about putting on a few different things. As the demand increases we will certainly look at expanding things. I just had a request to perform in Miami so there are quite a few things that are being put together

For more info on Steve you can follow him on Instagram @SteveDadaian and on Facebook at Stevedadaianguitar

Incite’s Richie Cavalera Discusses Their New Album “Built to Destroy”

Richie Cavalera is the vocalist for the heavy metal band Incite. The Phoenix, AZ based group is set to release their fifth full length studio album on January 25th titled “Built to Destroy”. Media Mikes spoke with Richie recently about the upcoming release, their new video and, the groups subsequent tour which kicks off on January 25th as well.

Adam Lawton: What can you tell us about the bands upcoming release “Built to Destroy”?

Richie Cavalera: We have two tracks from the album out now. The first is “Ruthless Ways” and then we have a video for the title track “Built to Destroy”. This was a killer record to make as it is the third one with this same lineup. We have been touring a lot and getting more comfortable with one another so I think that helped the process quite a bit. When people hear it they are going to know what it’s like to hear us live as I think this album captures our live sound quite well. There are lots of great solo spots as wells as two guest spots. One features Kirk Windstein from Crowbar and the other has Chris Barnes of Six Feet Under. From beginning to end this is a no bullshit record.

AL: This being your third release with the same lineup was there anything different you set out to accomplish?

RC: I think the biggest thing right off the bat was that we let Dru (Rome) our guitarist really write. In the past we had always pieced things together but for the first time we sat back and let Dru present us with full songs. It was a cool move which added a killer feel. People will notice that guitar work on this album is like nothing we have ever done before. Seven or eight of the albums eleven songs have solos and there is a lot of dynamic. This album was a lot of fun to make.

AL: What was it that led you to the decision of having Dru take control of a bigger part of the writing?

RC: I think there were quite a few things that led us to that decision. In the past we had done a lot of the email stuff by just sending parts back and forth to one another. We would assemble songs from riffs. This time things were presented as full songs. We had been touring a lot so a bunch of the work was done in venues and dressing rooms. Basically where ever we could get work done we did it. I think that helped add to the albums live feel. Switching things up worked out really well.

AL: Even though the process worked well for you did you find it difficult to write/record while on the road?

RC: It was defiantly difficult. At this stage of all of our lives there is a lot going on and there isn’t ever a real stopping point. The cycle between recording and touring never seems to end so you just have to go with it. We found a time where we were stopped and just went full bore while keeping our fingers crossed that no tours would come up. Thankfully we were able to get everything done the way we wanted it.

AL: What was it that made you decide to work with producer Steve Evans again?

RC: We had known him from working on our last album “Oppression”. Steve has worked on so many great albums so when we got to work with him on the last record we were very excited and it was just a great time. We knew going into the record for the new record time was going to be a big factor so being we were comfortable with Steve we wanted to work with him again. He actually came out to Arizona and sweat it out with us this time around. To be able to have a good bond with your producer really helps the process.

AL: Can you tell us about the video for the title track “Built to Destroy”?

RC: That song is the opening track on the album. It is a full on explosion of everything this band is. We feel we are at a point to take on the metal world and be that band to help carry the metal torch. We have always done crazy videos in the past but this time we wanted to showcase what the band is about. I think the video shows a great image of the band. We are rocking out with nothing else crazy going on. This is actually one of two video we shot. The other is for the song “Resistance”. We shot that one on skid row in Los Angeles and I think it will be out around the time the album comes out.

AL: Can you tell us about the upcoming tour which starts on the same day the album releases?

RC: We lucked out and things lined up quite nicely with that. We will be out opening for Kataklysm and Soulfly. We haven’t toured with those guys since we first got this band going. The tour is going to be a lot of fun and we will be going all over. I think there are around twenty eight shows scheduled on this run then we head over to Europe with Septic Flesh and Krisiun. We are also working on some things in June and July here in the states before heading back to Europe for the summer festivals. This will be our first time getting to do the big festival shows so to be able to play in front of twenty five thousand people is going to be amazing. We have been dreaming along time about what we could in front of that many people and now we are finally going to be able to do it.

For more info on Incite you can visit their Facebook page at https://www.facebook.com/INCITEband/

The Crown Remnant Guitarist Will Ash Discusses “The Wicked King: Part II”

Will Ash is the lead guitarist for the Los Angeles based metal band The Crown Remnant. The five piece band which also includes vocalist Geordy Shallan, guitarist Jorge Lopez, bass guitarist Josue Lara and drummer Art Ramirez is set to release a brand new album on January 18th titled “The Wicked King: Part II”. Media Mikes had the chance to speak with Will recently about the albums concept, its creation and what the band has planned for the New Year.

Adam Lawton: Give us a little background on the band if you could?

Will Ash: Los Angeles is kind of a funny place. Everyone has their own things going on so you tend to explore a lot of different avenues when you are trying to be creative out here. I think we are lucky in this band as we have a bunch of guys who are all adventurous enough to want to try a number of different things such as theater, comedy, stunt work and pod-casting. Being that we all come from these different areas of entertainment we are able to use those different experiences to help us create this music. The band sort of started when our singer Geordy came into where I teach guitar lessons. We started talking and had some of the same ideas. He and I coming together kind of solidified the start of The Crown Remnant. The name was already in place and everything so from there we started to audition people. We reached out via Facebook and a bunch of other avenues to get the lineup that we have now.

AL: The new album is titled “The Wicked King: Part II”. Can you tell us about that and how you built on the concept established from the first record?

WA: This was a good creative experience. I like music that is thematic and records that keep a theme throughout the individual tracks. We actually wrote part 1 and part 2 in tandem with one another. We started with a very wide perspective. We knew we wanted an album that was cohesive from the first track all the way to the last track. From there we chose to do a split release. Part 2 is the answer to the call sounded by part 1. The first record has a brighter more idealistic approach and this new album is the antithesis of that. It’s a little crazier, a bit darker and somewhat bigger.

AL: With both records being written at the same time how did you decide what songs went where?

WA: That was a question that went through all of our brains for quite some time. Initially we were very starry eyed and wanted a full 13 track release. The more we thought about it the more saw the benefits two releases could bring. We wanted to keep things consumable so the decision to do two releases was really the first decision we made. From there it was just a question of what songs were going to make it into the records. We looked at the concepts and ideas of each song to see where they would best fit. Geordy and I do a lot of writing together and each of our writings comes out in a certain way. I think that was a big help also when it came time to split things up.

AL: You also score music for video games. How did the writing of this record compare or contrast to that of your game work?

WA: I love video games! It does end up being a little different. I get very excited when I have the chance to mix in more orchestral pieces with the type of music we play in this band. I am very much in to symphonic music so to be able combine these styles is very enjoyable. When I sit down and work on game pieces I am looking a whole different set up instrumentation. Fundamentally things are the same when it comes to writing however beyond the basics there tends to be much more going on within the game pieces. It becomes a different task in that the playing style is more emotive. With the band I have to balance things to be able to include a vocalist and different percussive elements so you have to look at how you approach things to ensure you achieve the feel you are looking for.

AL: What are the bands plans to tour going into 2019?

WA: We are certainly going to be out there! We are very excited to get out there on our first tour. We have not been around very long as a band so it’s a nice feet to be able to string together a multi-state tour. The tour kicks off January 23rd and I believe runs through Mid-February. The record releases on January 18th so it’s going to be a great time to be out there supporting the record. I am looking forward to being out there on the road with my buddies playing music and eating junk food. Hopefully we will be able to get the band’s name out there more help generate some excitement around this new record.

AL: Do you have any other projects outside of the band we can also be watching for?

WA: I try to stay busy as much as I can. Being a young guy I try to juggle quite a few things at one time. I am at the point now where I am very driven so there is not just one project that I am working on right now that I can announce. I do have one project I am heading which falls more on the composing side coming out soon. More details on that should be coming out after we get done with this first run of shows.

For more info on The Crown Remnant you can check out their official website at www.crownremnant.com

98° Jeff Timmons Talks About The Groups 2018 Holiday Tour

Photo credit: Elias Tahan

Jeff Timmons is a founding member of the pop group 98°. Together with Justin Jeffre and brother’s Nick and Drew Lachey the group has sold over 10 million albums worldwide since their debut release in 1997. The group is currently out on a Holiday Tour which runs through December 22nd and Media Mikes had the chance to speak with Jeff about the tour, the possibility of new music, and what’s at the top of his wish list this year.

Adam Lawton: Tell us about the decision to bring back the holiday tour for a second year?

Jeff Timmons: It gives us a chance to get back out there and perform. Prior to the last holiday run we had done some summer touring and it was a pretty grueling schedule. Three of us have families so to be away from them is hard. This tour allows us to go out and perform while our kids are still in school and then when we are done be home with them for the holidays. This is really something different because there are not a lot of pop groups doing holiday tours. We have a real blast doing this and helping get everyone in the holiday spirit. Last year’s response was great and this year has been even better. This is something I see us doing for as long as we can.

AL: Was there anything you guys wanted to change from last year’s performance to help bring something different to the show?

JT: I think you always want to tweak things in an effort to make the show better for the fans and for things to move smoother. The overall format from last year is basically what we are going with. We have two albums worth of Christmas material that we do and of course we have to throw in our hits or it wouldn’t be fair to the fans. We don’t take each other too seriously so there is quite a bit of comedy going on. We are playing in smaller venues which allows for a more intimate setting and it gives us a chance to be a bit more theatrical with our performances. These shows are much different than a typical concert and that was really our plan.

AL: How much pre-production and planning go in to a tour like this?

JT: We do a lot of stuff via email. We know basically what songs we are going to pull from each album but then we also throw ideas back and forth of personal favorites that we might want to add to the list as well. From there we can figure out how long the show is going to be and we can start rehearsals. Being that we are all super busy we don’t have as much time as we would like to rehearse together. We generally have about seven to ten days to get everything together before that first show so each of us has to come in ready to go. Fortunately we have been together so long that we know each other very well and that defiantly helps.

AL: You have added a few more stop to this year’s run. How do you guys select which stops you want to add?

JT: A lot of it has to do with routing. We work with an agency that looks at all the logistics which go in to a tour and then things go from there. It never is really up to us. We always want to include each of our home towns and we really campaigned to include the Mid-West and a few other areas this time out. We missed some fans last year and we got a lot of responses about that so we are trying to make sure we hit those spots. We certainly are covering more area this year and we feel very positive about all the stops.

AL: Has there been any talks of new material and possibly more touring in the coming year?

JT: There have been some talks about recording some new songs. We are not sure if it’s going to be an album or an EP. With today’s technology you can be more single driven and stream it all over so we will have to see. As far as more touring goes with everything each of us has going on we have to see how we can balance all of that while being on the road. When we first started dipping our toes in the water to see if people still wanted to see us we weren’t sure what we were going to be able to do. With the reception having been and continues to be so great that presents a lot more possibilities so we just have to see what we can make work. What I can tell you is that we enjoy doing music together and there are going to be some new things on the horizon.

AL: Being the holidays are right around the corner is there anything special you have at the top of your wish list?

JT: This is going to sound corny but I just want to be able to home for Christmas. It’s a grind out here on the road and we miss our families. Fortunately we are able to build in some off days so we do get to see them but when you’re out there getting everyone excited for the season it makes you miss them more. The tour wraps up on December 22nd so we will get to be home and just enjoy our time with one another. I think that will be the best gift.

For up to date info on 98° you can check out their Instagram at @98degrees

Bassist Sam Rivers Discusses His New Band SleepKillers and Their Self Titled Debut Album

Sam Rivers is best known as a founding member and bassist for the band Limp Bizkit. His new band Sleepkillers which includes Damien Starkey, Bobby Amaru and Adam Latiff is set to release its debut self titled album on January 25, 2019. Media Mikes had the chance to speak with Sam recently about the group’s formation, the new album and their video for the song “Dirty Foot” which premiered Nov. 2.

Adam Lawton: How did Sleepkillers come together?

Sam Rivers: As far as the writing that went into this first record goes it was me and Damien Starkey. I was living in Jacksonville at the time and we had been talking on the phone about getting together and doing some jamming. I ended up going over to his studio and after a couple of hours of just having fun we had the basis of three songs. We wanted to keep going so we just dove in. Soon after that Limp Bizkit was going back on tour and Damien had some stuff of his own going and we kind of lost touch. During that time we had both played the tracks for people and they kept saying we should turn what we had into a full length record. About a year and a half later we reconnected and after a couple bumps in the road we are here now with a finished record.

AL: At what point in time did the rest of the band come together?

SR: Bobby Amaru came in when we were still working on some of the songs. He helped us really turn things around. Adam Latiff didn’t come in until later. This was going to be just a small project for Damien and me but we took it further and needed people to play live. Bobby wanted to play drums and we couldn’t disagree. He may be the singer of Saliva but he is one hell of a drummer! Adam was a friend of Damien’s for a long time and now he and I are friends and he is just a great fit and an amazing guitarist.

AL: Did returning to the material over a year later cause you to change any of the initial recordings?

SR: I think the sound was really already there so we just rolled with it. We worked really hard at making sure everything blended together and matched up and I think we did a good job. We had that initial vision from when Damien and I first got together and that’s what we stayed with.

AL: Do you see Sleepwalkers as being more of a side project or, something you hope to do full time?

SR: I think we are going to go with it. Right now it’s just a great time. Our plan for right now is to push out as much material and content as we can. That will help us find our core fans which we can build tour and things like that around. I think the biggest thing right now is for us to get this record out and show people that we are a band. As time goes on we are going to evolve so this will be something we do full time but it’s going to be wrapped around our other work.

AL: What can you tell us about the first single “Dirty Foot”?

SR: That was a hard decision. Damien and I kept going back and forth between two or three different songs and we just couldn’t decide. We played it for a few close friends and they all had different picks. This was really odd because we had thought they would choose at least one of these three. That wasn’t the case so that didn’t really help. We took it to some of our peers and people who we really respected and let them listen to it and then sit on it for a bit. That gave us a different view on things. We still hadn’t agreed that “Dirty Foot” was going to be the one but after everything we decided that it had everything we wanted to showcase in our first single and we went with it.

AL: Can you tell us about the video you just released for the song?

SR: We had been trying to find someone who was not only in our budget but someone who was going to put their one hundred and ten percent in to this as well. We talked with David and gave him some of our ideas and from there he just ran with it. We just gave him the clearance so from there we could see what he could come up with. Our biggest thing was once we found someone we wanted to get behind them and stick with them. That’s not to say we won’t ever work with anyone else but we wanted to really see what David could do and open it up to keep going.

AL: Has there been any talks of touring in support of the release?

SR: That’s something we are planning and look to do at some point. We do have a few shows currently lined up which we will be streaming worldwide. There is no way we can hit Europe and all those places at one time so we thought this would be a cool way for us to get to those places and give them a feeling for what one of our shows is like.

For more in on Sleepwalkers you can visit their official website at www.sleepkillers.com

Stellar Circuits Vocalist Ben Beddick Discusses the Bands New Album “Ways That Haunt”

Photo By: Brian Patrick Krahe

Ben Beddick is the vocalist for the North Carolina based rock group Stellar Circuits. The band is set to independently release their first full length album titled “Ways That Haunt” on November 9th. Media Mikes had the chance to speak with Ben recently about the group’s formation, the creation of the new album and the bands upcoming tour.

Adam Lawton: Can you tell us a little bit about your band Stellar Circuits?

Ben Beddick: The band has been together for about 3 or 4 years now. We were all friends and we started out initially playing covers. From there thing’s happened rather organically as we began to write our own material. Stellar Circuits is a band that I like to think has a sound that spans across multiple genres or styles. We all have lots of different influences and I think that comes across in our sound. We grew up on the west coast in the 90’s listening to bands like Alice in Chains, Stone Temple Pilots and the Deftones. That style of music certainly impacted us early on and I think you can hear those influences when you listen to us.

AL: What was it like be able to work on your first full-length release?

BB: It was a long process. We started writing this shortly after our EP came out in 2015. Even though it was a long process I think this was something that each us has always had as a goal. As much as we loved doing our first EP it was more of us getting our feet wet. Being able to write a full-length record was like creating a feature film. That’s how we looked at in the scope of the work. I think we all changed quite a bit during the process and when you work on something over the course of three years those changes are inevitable. I think we were able to hone in our individual crafts as well as being a band. The fact we were able to spend a good amount of time on this release played a big part in the end result. We didn’t have to feel rushed or pressured to get things done. It was all up to us.

AL: Are the tracks that make up “Ways That Haunt” all newly written songs or was there some material left over from the EP that you chose to include as well?

BB: With the exception of two tracks everything was newly written. Our drummer Tyler who joined the band about two years was a part of writing a

majority of the songs. The song “Fuller Dream” was one of the tracks we had written for the EP however, we chose not to include it for whatever reason. It was interesting to see how that song evolved over the course of time. We added quite a bit to it. I see that song as sort of a transition song for us from where we started to where we are now. The other older track “Nocturnal Visitor” was one that was around but never finished. We sort of had bits and pieces of it but nothing solid. To be able to finally finish that was really cool.

AL: How did your relationship with producer Jamie King come together?

BB: Jamie is also from Winston-Salem. This is where he did all his work with bands like Between the Buried and Me and The Contortionist. He is a hometown hero to fans of heavy music in the area. He actually mastered our EP and that helped us get our foot in the door. From then on we had our hearts set to work with him on our full-length. Jamie has an amazing track record and was super accommodating. It was like a dream for us to be working with him and getting to spend so much time with him I think helped us take the record to the next level.

AL: A lot of bands choose to release their records independently today. Can you tell us about your bands decision to do so?

BB: This was an area we were really unfamiliar with. Jamie was really helpful again because we could bounce ideas off of him and he could gauge his advice based off of other bands he had worked with. We had our hearts set on finding a label at the beginning to help us with and we talked to a few smaller labels but when it came down to it we had to look at what would be the most beneficial move for the bend. At this point in our career we are still doing basically everything ourselves including financing the projects. Unfortunately we were unable to come to terms with any of the labels we talked to. There was certainly no bad blood between any of us but things just didn’t work out. As a young band these things can be difficult to navigate but it was one of those things that just happened the way it was suppose to. We learned a lot and made some good connections. We of course are still interested in working with a label in an effort to get our music to as many people as possible but this time around the best choice was to release things independently.

AL: Are there any tour plans in place to help support the release when it comes out?

BB: We are very excited to go out on our first tour which kicks off on the same day as the album release November 9th. We have played a bunch of shows on the east coast but never much further than that. This time around we are hitting the road and going all over. After that we have a few things in the works for if not the end of 2018 for early 2019 that will take us further.

For more in on Stellar Circuits you can visit their official website here.

Guitarist K.K. Downing Discusses His New Book “Heavy Duty: Days and Nights in Judas Priest”

 

Picture by: Pauli Juppi

Ken “K.K.” Downing is a founding member of the heavy metal band Judas Priest. He was active with the group from its inception in 1969 to his departure from the group in April of 2011. Downing has recently released a book via Da Capo press title “Heavy Duty: Days and Nights in Judas Priest”. Media Mikes had a chance recently to speak with Ken about the creation of the book and where he plans to go next

Adam Lawton: Can you give us some background behind the writing of the book?

Ken Downing: Since my departure from the band eight years ago lots of people have been asking me if I would like to do a book. Year after year I just kept saying no and then finally last year I decided to finally do it. I sort of had three basic ideas for doing this. I thought it would be a good opportunity for fans to get to know me a little bit better. That probably sounds a bit ridiculous after having been around for so long now but, there is always another story to tell. I wanted to share how I started off in life and ended up playing some of the biggest stages in the world. Lastly I wanted to bring some sort of closure to the banter which was being thrown about across the internet related to my position within the band.

AL: How did you go about selecting what memories or stories you wanted to include in the book?

KD: That was really the difficulty part as I didn’t have a plan or anything. My ghost writer Mark Eglinton helped quite a bit with this side of things. He helped me dig a bit deeper along the way as we approached things chronologically as one lives life. As we moved along we paid attention to what would come to the surface and tried not to dwell on certain topics too long as we wanted to keep the book moving. If I had elaborated too much on things this would be a very thick book. (Laughs) It was difficult at times as I wanted to keep things honest and after forty years in rock and roll there were a couple stories we had to leave out. (Laughs)

AL: How did you get connected with Mark (Eglinton)?

KD: Mark came to me through my website which is run out of Helsinki, Finland. I had been approached previously by a bunch of other people about doing a book but Mark was in the UK and he made a couple trips down to see me where we just talked and got to know one another. I felt that worked well and we went from there. We did things in chunks based on a certain amount of years. That let me focus on one specific time period at a time. Mark and I would just basically talk. Every now and then he would prompt me to elaborate more on certain periods of the band. Both Mark and his brother have been rock fans for a very long time so he had a fans perspective of what other fans might want to know more about.

AL: Was it hard revisiting some of your earlier years growing up?

KD: It was. I had always kept a lot of those memories be it good or bad to myself. My childhood was very personal to me and I had never shared my experiences with anyone. To have someone hear them and then in turn document them for others to read was something I really had to think about. To keep things transparent we went ahead with it. I may have skirted around a couple things or been less descriptive but it’s all there. When you are born in to a dysfunctional family things are going to be a bit different so I didn’t have to go into too much detail.

AL: Had you let any of the people included in these stories know beforehand that you were releasing a book on your life?

KD: No not really. I had talked to my mom as I was a bit concerned she might get a little emotional about me telling the family story. As it happened when I spoke with her she told me she was not worried and she also mentioned she had read Ozzy Osbourne’s book and loved that one. (Laughs) When she did get the chance to read my book she affirmed that that’s how things were so I was pleased with that.

AL: Now that people have had a chance to read the book, are there any pieces you feel you should not have included or been so detailed with?

KD: I feel a little relieved now that it’s out and that I have not received any real adverse repercussions. The general feedback has been much better than I was expecting. Every now and then I think about other things I would have mentioned but didn’t. That seems to happen though be it with this book or records you always want to turn out the best product so you keep working and working at it. Eventually you just have to stop and turn it in. I wanted to put out something that people could get their heads into and find it just as enjoyable as watching television or something.

AL: With the completion of the book are you looking to now shift your focus back to music?

KD: I am thinking with the coming winter here in the UK I am going to disappear into my music room and just see what happens next. I have a few ideas I might want to play about with but this game for me is all about getting that chance to jump back into Judas Priest. If I am not doing that then the name of the game is creating new material.

For more in on Ken you can visit his official website at www.kkdowning.net

Be sure to check out our review of “Heavy Duty: Days and Nights in Judas Priest” here.

Guitarist Phil Palmer Discusses Dire Straits Legacy Tour

Phil Palmer is a legendary session guitarist who has performed on countless albums for acts such as Robbie Williams and George Michael and Bob Dylan. Palmer has also had the distinction of being a member of both Eric Clapton’s band and 80’s hit makers Dire Straits. Palmer is currently on the road touring with Dire Straits Legacy (DSL) a group made up of former Dire Straits members wanting to pay tribute the bands amazing catalog. Media Mikes had the chance to speak with Phil recently about the group’s formation and the bands first tour of the United States in ten years.

Adam Lawton: Can you give us some history as to how you initially became with Dire Straits?

Phil Palmer: I was part of the band during the group’s last world tour between 1991 and 1992. I think we did something around 270 shows. Prior to joining Dire Straits I had been in Eric Clapton’s band for about three years. That time period was quite busy for me as Eric’s group was very active and then I went right over to Dire Straits to play over 200 shows.

AL: What was it like transitioning stylistically from Eric Clapton to Dire Straits?

PP: The main difference I guess was for Eric’s tour we did around three days of rehearsal. It was all very much by the seat of your pants. At that time I think he had the best band in the world. The situation was very fluid and the arrangements would often evolve as we began playing as the environment was very free. When I joined Dire Straits we rehearsed for three months prior to the tour starting. There were quite a few complicated sections and the arrangements were very important to Mark. That was probably the biggest difference. To be in Dire Straits you have to be regimented. Half of my job was to make sure that when Mark decided to be spontaneous with his playing that I stayed out of his way while still providing a supportive role. This was much different than where I had just come from. As a session player those are the types of things I am good at so after the three months of rehearsal and we started playing shows things lightened up a bit. The real important thing was the dynamics which tended to be the hardest thing to get everyone in sync to.

AL: Now how did the Dire Straits Legacy project start out?

PP: This group was born out of a chance meeting really. I had not seen any of the other Dire Straits guys in about ten years or so. There was an idea for us to get together and play the Dire Straits music presented so we all met in Rome and at the start we weren’t really in to the idea. After a nice dinner and a few bottles of wine everyone loosened up to the idea. After that a small show was set up for us just outside of Rome. With very little rehearsal we showed up to a field filled with around ten thousand people waiting to hear us play. We realized then that there was a lot of life left in the Dire Straits band and the only person who was not there that should have been was Mark Knopfler. Most of the original Dire Straits personnel from the tour in 92’ came out for this show and had fun.

AL: With Mark not being involved in the project was there any trepidation on your part to do the project?

PP: Yes. We weren’t sure people were going to accept it without Mark. The surprising thing is it’s the music that shines through. Marks songs and arrangements are so good that people still love it and even after twenty five years of being away the shows go over great! The music is just so interesting that people really love it.

AL: Can you tell us about the current DSL line up?

PP: Steve Ferrone and I have known each other since the Eric Clapton days. He is such a great drummer and to have him involved in this is very cool. His history with Tom Petty speaks for itself. Trevor Horn is a guy who I have worked a lot with over the years and, one day I mentioned to him that we were going to be doing this tour. He said he was interested in being a part of it and jumped on board. It’s interesting to look at the resumes the guys in the band have. It’s just extreme! There so much material that we could pull from each of our careers. The other day we were playing “Owner of a lonely Heart” which Trevor wrote and produced for Yes. That’s a great song to listen to and play. It also gives a slight diversion from the Dire Straits stuff. We really wanted to explore everyone’s talent even if it was outside of Dire Straits. We plan to add a few other songs outside of the Dire Straits set as time goes on.

AL: It has been awhile since the group has been to the United States. Can you tell us about the upcoming shows here and possibly why you have been absent from the U.S. market?

PP: We like playing in the States however this project can be a bit hard to promote. We are playing the music of the Dire Straits however we are not the Dire Straits. We can’t legally use the name so it’s hard for us to explain to people what they are buying tickets to see. That’s really been our main issue. We have a showcase booked in Nashville for all the American promoters and it was basically brought us to the States. We are doing some other gigs because we want to play but everything sort of revolves around this showcase which we hope will generate gigs for 2019. By coming over to the States now in late 2018 we are hoping to get the foot hold we need to make a solid presence for next year.

AL: In 2017 DSL release “3 Chord Trick”. Are any of the songs from that album going to be featured in the set for this run of U.S. shows?

PP: We are going to play a few tracks from that album. We had a lot of fun recording that record. The idea was to record the old way where the band was all in one room and not use any modern equipment. It was a lot of fun and I think the album has a depth that you just don’t hear today. It is quite diverse. There are some Dire Straits moments in there as the nucleolus of the band (Alan Clark and myself) we were inspired by Mark’s music but we didn’t deliberately go out and try to produce a Dire Straits album. We like to think that “3 Chord Trick” is the next stage of our development rather than Dire Straits.

AL: Are there any other projects you are currently working on outside of the Dire Straits Legacy project?

PP: Alan and I have been working with Trevor on a project called “The 80’s Reinvented”. It’s a bunch of classic tracks from that era done in Trevor Horn’s signature style. That’s been a lot of fun! We have been working with a full orchestra and a lot of very special guest performers. Trevor being who he is able to call up just about anyone and ask them to be on his record and they more than likely will do it! It’s great fun.

For more info in Dire Straits Legacy visit www.dslegacy.com

 

A Light Divided Vocalist Jaycee Clark Talks About the Bands New Album “Choose Your Own Adventure”

Jaycee Clark is the vocalist for the Winston-Salem NC based rock band A Light Divided. The band is set to release a brand new album on October 5th titled “Choose Your Own Adventure”. Media Mikes had the chance to speak with Jaycee recently about the band, their new album and their latest single/video “Fear of Heights”.

Adam Lawton: Can you give us some history on A Light Divided and how the band came together?

Jaycee Clark: About ten years ago I started the band with our drummer Adam Smith and a few other people who are no longer in the band. Adam and I have always had our eye on the prize and after a few years we found some other guys who had the same passion we have and who are willing to do whatever it takes to get the band to the next level. Staying out on the road and all that can be a lot to ask somebody so having a group of guys who are down for that just as much as I am is really awesome.

AL: The new album comes out Oct. 5. Can you give us some background on that?

JC: We have worked with producer Kile Odell on all of our releases. When we went in to start work on “Choose Your Own Adventure” things were a little bit different as we had some new members this time around. Things were much more collaborative between the five of us and it wasn’t just one person writing music and another writing lyrics. Everybody had their own say and influences reflected in the process which was great. Ultimately I think this record came out better because of all that. We bounced a lot of ideas off one another and if everyone thought it was cool we went with it. At the end of the day everyone was super stoked with what we had done.

AL: Aside from the collaboration aspect of this album was there anything else that happened differently this time around during the writing/recording process?

JC: I think this record is a lot different than our previous works. Prior to starting work on the record we were sort of feeling boxed in as to what A Light Divided was supposed to sound like. We decided to throw all of that out the window so that we could have a fresh start. We really took our time making something that all of us could be proud of.

AL: Can you tell us about the album’s title “Choose Your Own Adventure”?

JC: There was a little bit of nostalgia we wanted to capture from the book series we grew up reading. With those books you had decisions to make which resulted in different outcomes. I liked that sentiment and related it to real life. For me “Choose Your Own Adventure” means to not be afraid to just take life by the balls and go after the things that make you happy. Every song on this record is about making a choice from removing negative people in your life to stop fighting your inner self. We really took the ideas behind the book series and applied it to real life.

AL: You recently released a video for the song “Fear of Heights”. Can you tell us about that?

JC: It was really important for us to showcase our live performance and who we are as a band. We are very high energy basically all of the time. We love getting on stage and showing the emotion behind each of the songs. We also feel if we are not having fun on stage how will anyone else have fun? We wanted to showcase the type of band we are visually right off the bat. “Fear of Heights” is such an upbeat song that it was a no brainer for us to pick that song as our first single. It is a very guitar driven song with a super catchy chorus. The song gives me a very summer type vibe that makes me think of going to the beach and blasting songs with the windows down. “Fear of Heights” is perfect for that!

AL: Are there plans in place for the band to tour behind the albums release?

JC: We are going to be doing a south east run called the “Chapter 1” tour (laughs). We are very excited about this new album and want to hit the ground running once it is released. This first run is going to be just us headlining the shows as we felt it was important for us to go out alone to show who we are and then let things grow from there. This tour is going to be a game changer for us as before when we toured we could only go out for about ten days or so before we had to get back. With this upcoming run we are going to be out a bit longer and most of us will probably lose our jobs (laughs). We are choosing our own adventure on this run and it is do or die so we are going out there to really do this.

For more info on A Light Divided you can find them on facebook.com/alightdivided and check out the video for “A Fear of Heights” here.

Nothing More Guitarist Mark Vollelunga Talks About the Bands Recent Single “Just Say When”.

Mark Vollelunga is the guitarist for the Texas based rock band Nothing More. The group’s latest single “Just Say When” (which is a bit of a departure from the bands heavier style) recently rose to number 16 on the Billboard Charts for main stream rock songs. Media Mikes had the chance to speak with Mark recently about the release, the bands current tour with Five Finger Death Punch and the bands plans for the remainder of 2018.

Adam Lawton: Can you give us some background on the band’s latest single “Just Say When”?

Mark Vollelunga: Personally I am really stoked and happy with how the song is doing. It is a bit of a different color for us. It’s nice to have something that is a little more bare bones and that is all about the lyrics and melody. The song really came about after having toured so much on our self titled release. Touring takes a strain on your personal life and it had started to cause some division for Johnny and myself. What I poured into the song was the idea of co-existing. Sometimes you use that spark or connection which can cause a point of staleness. It can be sad when you just co-exist with the love of your life. Not to be a complete dreamer and say that is completely realistic as we all go through dry spells. This song hits at that pinnacle point when you are not sure whether to hold on or let go.

AL: Was this song actually created while you were out on the road or was put together after you were back home and in the studio?

MV: It started when we were still on the road. I was listening to a lot more folk jam songs at the time and I came up with this start of the start and showed it to Johnny. We clicked on it right away and started putting melody to it pretty quickly. After that the song sat for awhile until we were jamming together one day. After that we finished it to the point of what you almost here now. When we were done we weren’t sure if the song really fit with the rest of what we had put together and it almost didn’t make the record. The song emotionally fit but sonically we just didn’t know if it was in the same vein. At the eleventh hour we thought it would be cool and different to include it and I am so glad we did.

AL: Being that this track was much different from your other material did you approach the initial writing process any differently?

MV: Writing for me is different every time. If I have a guitar part or lyric thing happening or Johnny has a wacky programming idea or interesting spiritual thought it all just depends. Other times it comes out us all sitting and jamming together. We try not to limit ourselves in any way. I think if you go through the same process every time things can get stale. Even though we are approaching the same thing we try to come at it from different angles in hopes of inspiring something neat and unique.

AL: At what point was the decision made to release this song as a single?

MV: Generally you try and go with a more emotional song on your second or third single. This song really appealed to everyone and the feedback we got from people was great. I think a lot of people have been at the point that the song talks about and they can relate to it.

AL: There is also a video for the song as well. Can you tell us a little about that?

MV: We got to do something different once again with this as well so it’s been another great experience. My wife recently got me interested in to contemporary/lyrical dance. She loves a lot of the dance shows which are on television right now. At first I thought they were kind of cheesy and I didn’t really get them but the more I watched them I learned to appreciate them. What I like is when the choreography matches with the emotion and mood of the song. That’s kind of what we tried to do with “Just Say When”. We some professional dancers come in and we made this great piece which is sort of out of our genre but we try to tie everything in through our lyrics. The others guys may have been a bit skeptical at first but after showing them some pieces that moved me and were very compelling they became interested in the whole thing.

AL: Can you tell us about the tour that the band is currently apart of?

MV: We are coming off of doing three festival shows with a bunch of different bands. We got to play with Stone Temple Pilots headlining one and Incubus headlining another. I hadn’t seen Stone Temple Pilots with their new singer yet and being able to do that was really cool. It was a trip down memory lane for sure. Currently we are out on the road with Breaking Benjamin and Five Finger Death Punch. We have toured with both of these groups before and they are seasoned bands that have a lot of wise words they can pass on to us. We definitely try to be sponges when it comes to stuff like that. We will be going all over the United States from now until September. After that we will be doing this great self help festival that A Day to Remember puts on in Detroit. After that we go back to Europe for a run with Of Mice and Men and Bullet For My Valentine. To end the year we will be touring Canada with Three Days Grace. All these tours are going to a lot of fun.

AL: What is it like being able to play with such a diverse group of bands on all these different tours?

MV: It’s awesome! I love that we can cater to our audience. If you are a metal fan, a rock fan or just an alternative pop person I feel there is a lot in our music that touches on all of those genres and it can be appreciated. At the end of the day a good song is a good song. I feel our society puts too much importance on the style of songs and where it needs to be lumped into. If you think about bands like The Beatles and Led Zeppelin who had so many different genres of music within their own sound I am proud that we can do that as well.

AL: Was it difficult for you starting out being that you were trying to be very diverse?

MV: Absolutely! It was difficult. In 2011 I think we had our first label interest. We did some showcases and I remember hearing back from one label on my birthday that we weren’t left of center enough. We were just too much in the middle of the road for some people. To us it’s always been if the song is good then that’s what we go with. It has been hard to gain belief and understanding at times from the music industry because of that. Put us in front of any crowd though and we will win people over.

For more info on Nothing More visit www.nothingmore.net

Punk Veterans Down By Law To Release 11th Album, “All In”.

PUNK VETERANS DOWN BY LAW TO RELEASE 11TH ALBUM, ‘ALL IN,’ ON AUG 3RD
**STREAM THE NEW SONG “REBRAND IT” NOW AT BROOKLYNVEGAN.COM**

Seminal punk band Down By Law has announced today, plans to release their 11th, full-length album, All In, on August 3rd via Kung Fu Records under exclusive distribution through Cleopatra Records, Inc. In anticipation for the release, the band has partnered with BrooklynVegan.com to debut the record’s first new song, “Rebrand It.” Fans can also pre-order the record now at iTunes.

Stream “Rebrand It” now at BrooklynVegan.com: https://bit.ly/2N6YtG6

Dave Smalley: “One of the things that I’ve always loved about DBL is that we absolutely respect our musical roots, yet still sound like ourselves. “Rebrand It” is all about that – never forget the past, but also forge the future. Even has a loving tribute to the Bad Brains. One of my favorite thematic songs Sam and I have ever written.”

Sam Williams: “I think this song is the most traditional DBL sounding song on the album. It purposely displays a few of our most obvious influences that’ve been heard from the first album, on.”

For nearly 30 years, Down By Law has been a staple in the LA punk rock scene, influencing generations of bands and transcending musical trends along the way with their bold and adventurous musical style. After releasing 10 albums, the band has found a new home with Kung Fu Records and Cleopatra Records, where they’ll release their first record in 5 years, All In, on August 3rd. The forthcoming album also marks the return of the classic 90’s lineup, featuring Dave Smalley (ALL, Dag Nasty), Sam Williams and John DiMambro, convening for the first time in almost 20 years and joined by drummer Jack Criswell.

Follow the band at https://www.facebook.com/dblpunkrock/ for additional updates.

All In Tracklisting:
1.) Aperture
2.) Boredom
3.) Rebrand It
4.) Carousel
5.) Mountain
6.) End of Rhyme
7.) Undone
8.) Then and Tomorrow
9.) Infatuation
10.) Ride
11.) Mannequin
12.) Dear Fate

For More Information:
https://www.facebook.com/dblpunkrock/
http://cleorecs.com/
https://twitter.com/cleopatrarecord
https://www.facebook.com/CleopatraRecords/

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