Nothing More Guitarist Mark Vollelunga Talks About the Bands Recent Single “Just Say When”.

Mark Vollelunga is the guitarist for the Texas based rock band Nothing More. The group’s latest single “Just Say When” (which is a bit of a departure from the bands heavier style) recently rose to number 16 on the Billboard Charts for main stream rock songs. Media Mikes had the chance to speak with Mark recently about the release, the bands current tour with Five Finger Death Punch and the bands plans for the remainder of 2018.

Adam Lawton: Can you give us some background on the band’s latest single “Just Say When”?

Mark Vollelunga: Personally I am really stoked and happy with how the song is doing. It is a bit of a different color for us. It’s nice to have something that is a little more bare bones and that is all about the lyrics and melody. The song really came about after having toured so much on our self titled release. Touring takes a strain on your personal life and it had started to cause some division for Johnny and myself. What I poured into the song was the idea of co-existing. Sometimes you use that spark or connection which can cause a point of staleness. It can be sad when you just co-exist with the love of your life. Not to be a complete dreamer and say that is completely realistic as we all go through dry spells. This song hits at that pinnacle point when you are not sure whether to hold on or let go.

AL: Was this song actually created while you were out on the road or was put together after you were back home and in the studio?

MV: It started when we were still on the road. I was listening to a lot more folk jam songs at the time and I came up with this start of the start and showed it to Johnny. We clicked on it right away and started putting melody to it pretty quickly. After that the song sat for awhile until we were jamming together one day. After that we finished it to the point of what you almost here now. When we were done we weren’t sure if the song really fit with the rest of what we had put together and it almost didn’t make the record. The song emotionally fit but sonically we just didn’t know if it was in the same vein. At the eleventh hour we thought it would be cool and different to include it and I am so glad we did.

AL: Being that this track was much different from your other material did you approach the initial writing process any differently?

MV: Writing for me is different every time. If I have a guitar part or lyric thing happening or Johnny has a wacky programming idea or interesting spiritual thought it all just depends. Other times it comes out us all sitting and jamming together. We try not to limit ourselves in any way. I think if you go through the same process every time things can get stale. Even though we are approaching the same thing we try to come at it from different angles in hopes of inspiring something neat and unique.

AL: At what point was the decision made to release this song as a single?

MV: Generally you try and go with a more emotional song on your second or third single. This song really appealed to everyone and the feedback we got from people was great. I think a lot of people have been at the point that the song talks about and they can relate to it.

AL: There is also a video for the song as well. Can you tell us a little about that?

MV: We got to do something different once again with this as well so it’s been another great experience. My wife recently got me interested in to contemporary/lyrical dance. She loves a lot of the dance shows which are on television right now. At first I thought they were kind of cheesy and I didn’t really get them but the more I watched them I learned to appreciate them. What I like is when the choreography matches with the emotion and mood of the song. That’s kind of what we tried to do with “Just Say When”. We some professional dancers come in and we made this great piece which is sort of out of our genre but we try to tie everything in through our lyrics. The others guys may have been a bit skeptical at first but after showing them some pieces that moved me and were very compelling they became interested in the whole thing.

AL: Can you tell us about the tour that the band is currently apart of?

MV: We are coming off of doing three festival shows with a bunch of different bands. We got to play with Stone Temple Pilots headlining one and Incubus headlining another. I hadn’t seen Stone Temple Pilots with their new singer yet and being able to do that was really cool. It was a trip down memory lane for sure. Currently we are out on the road with Breaking Benjamin and Five Finger Death Punch. We have toured with both of these groups before and they are seasoned bands that have a lot of wise words they can pass on to us. We definitely try to be sponges when it comes to stuff like that. We will be going all over the United States from now until September. After that we will be doing this great self help festival that A Day to Remember puts on in Detroit. After that we go back to Europe for a run with Of Mice and Men and Bullet For My Valentine. To end the year we will be touring Canada with Three Days Grace. All these tours are going to a lot of fun.

AL: What is it like being able to play with such a diverse group of bands on all these different tours?

MV: It’s awesome! I love that we can cater to our audience. If you are a metal fan, a rock fan or just an alternative pop person I feel there is a lot in our music that touches on all of those genres and it can be appreciated. At the end of the day a good song is a good song. I feel our society puts too much importance on the style of songs and where it needs to be lumped into. If you think about bands like The Beatles and Led Zeppelin who had so many different genres of music within their own sound I am proud that we can do that as well.

AL: Was it difficult for you starting out being that you were trying to be very diverse?

MV: Absolutely! It was difficult. In 2011 I think we had our first label interest. We did some showcases and I remember hearing back from one label on my birthday that we weren’t left of center enough. We were just too much in the middle of the road for some people. To us it’s always been if the song is good then that’s what we go with. It has been hard to gain belief and understanding at times from the music industry because of that. Put us in front of any crowd though and we will win people over.

For more info on Nothing More visit www.nothingmore.net

Punk Veterans Down By Law To Release 11th Album, “All In”.

PUNK VETERANS DOWN BY LAW TO RELEASE 11TH ALBUM, ‘ALL IN,’ ON AUG 3RD
**STREAM THE NEW SONG “REBRAND IT” NOW AT BROOKLYNVEGAN.COM**

Seminal punk band Down By Law has announced today, plans to release their 11th, full-length album, All In, on August 3rd via Kung Fu Records under exclusive distribution through Cleopatra Records, Inc. In anticipation for the release, the band has partnered with BrooklynVegan.com to debut the record’s first new song, “Rebrand It.” Fans can also pre-order the record now at iTunes.

Stream “Rebrand It” now at BrooklynVegan.com: https://bit.ly/2N6YtG6

Dave Smalley: “One of the things that I’ve always loved about DBL is that we absolutely respect our musical roots, yet still sound like ourselves. “Rebrand It” is all about that – never forget the past, but also forge the future. Even has a loving tribute to the Bad Brains. One of my favorite thematic songs Sam and I have ever written.”

Sam Williams: “I think this song is the most traditional DBL sounding song on the album. It purposely displays a few of our most obvious influences that’ve been heard from the first album, on.”

For nearly 30 years, Down By Law has been a staple in the LA punk rock scene, influencing generations of bands and transcending musical trends along the way with their bold and adventurous musical style. After releasing 10 albums, the band has found a new home with Kung Fu Records and Cleopatra Records, where they’ll release their first record in 5 years, All In, on August 3rd. The forthcoming album also marks the return of the classic 90’s lineup, featuring Dave Smalley (ALL, Dag Nasty), Sam Williams and John DiMambro, convening for the first time in almost 20 years and joined by drummer Jack Criswell.

Follow the band at https://www.facebook.com/dblpunkrock/ for additional updates.

All In Tracklisting:
1.) Aperture
2.) Boredom
3.) Rebrand It
4.) Carousel
5.) Mountain
6.) End of Rhyme
7.) Undone
8.) Then and Tomorrow
9.) Infatuation
10.) Ride
11.) Mannequin
12.) Dear Fate

For More Information:
https://www.facebook.com/dblpunkrock/
http://cleorecs.com/
https://twitter.com/cleopatrarecord
https://www.facebook.com/CleopatraRecords/

Bullet For My Valentine Release “Letting You Go” From Fourth-Coming Album “Gravity”

BULLET FOR MY VALENTINE have released “Letting You Go,” the third track from forthcoming album, Gravity. The album is available for pre-order HERE.

Watch it HERE.

“‘Letting You Go’ was a very challenging song to write in so many ways,” said vocalist + guitarist Matt Tuck. “It’s by far the most experimental track I’ve ever written – musically and lyrically. I really wanted to make a track that stood out from the crowd and separated us from any other band in our genre, and that’s exactly what ‘Letting You Go’ does.”

Gravity, out June 29, is BFMV’s first album under the Search and Destroy/ Spinefarm Records banner, and aptly sees the band rewriting their own future – finding new ways to invent heavy noise and remaining unshackled by the legacy that comes with being masters of their trade.

BFMV will play second to headline on the Friday of Download (UK) Festival – their first home-turf festival performance in five years. The band will then headline European summer festivals and venues before travelling to Japan for the Summersonic event.

The band will return to the U.S. in the fall with support acts to be announced. Dates are below.

BULLET FOR MY VALENTINE ON TOUR:
FALL 2018:
SPECIAL GUESTS TBA:
9/13: Kansas City, MO @ Harrah’s
9/15: St. Paul, MN @ The Myth
9/18: St. Louis, MO @ The Paegant
9/20: Oklahoma City, OK @ Diamond Ballroom
9/21: Dallas, TX @ House of Blues
9/22: Austin, TX @ Emo’s
9/24: San Antonio, TX @ Aztec Theater
9/25: Houston, TX @ House of Blues
9/27: Atlanta, GA @ Buckhead Theatre
9/30: Grand Rapids, MI @ 20 Monroe Live
10/2: Cleveland, OH @ House of Blues
10/3: Syracuse, NY @ SI Hall
10/4: Boston, MA @ House of Blues
10/7: Detroit, MI @ Fillmore Detroit
10/9: Wichita, KS @ Cotillion Ballroom
10/10: Denver, CO @ Ogden Theatre
10/12: Los Angeles, CA @ The Wiltern
10/14: Sacramento, CA @ Aftershock Festival*
10/16: Las Vegas, NV @ House of Blues
*FESTIVAL

For More Info Visit:
https://www.facebook.com/BulletForMyValentine
https://twitter.com/bfmvofficial
http://bulletformyvalentine.com/
https://www.instagram.com/bfmvofficial/

 

Related Content

An Interview with Music Legend Peter Asher

 

If I mention the name Peter Asher I’m going to guess that the first thing that comes to mind is his musical career as half of the popular 1960s British duo Peter and Gordon.  Teamed up with schoolmate Gordon Waller, Mr. Asher, who already had success as a child actor, placed 10 songs in the US TOP 40, including the #1 hit “World Without Love.”  Other hits include “I Go to Pieces,” “True Love Ways” and “Lady Godiva.”

Mr. Asher’s sister Jane, also an actress, had a boyfriend who was also a musician and even wrote “World Without Love” for Peter and Gordon to record.  His name was Paul McCartney and for a time Macca lived with the Ashers, sharing the second floor with Peter.

Peter Asher (r) and Gordon Waller

When Peter and Godon stopped recording in 1968, Mr. Asher became the head of A&R for the Beatles‘ record label, Apple.    It was here that he signed an unknown singer/songwriter named James Taylor, also agreeing to produce his first album.  Though the album was not a success, Mr. Asher believed in Taylor’s abilities so much that he quit his gig at Apple and moved to the United States, where he became Taylor’s manager.   For 15 years he would produce Taylor’s albums, including “Sweet Baby James,” “Mudslide Slim and the Blue Horizon” and “JT,” the latter helping him win the Producer of the Year Grammy Award in 1977.

In the early 1970s he took another young singer under his wing;  Linda Ronstadt, who would go on to sell over 30 million albums in her career.  While managing both Taylor and Ronstadt, Mr. Asher also produced classic albums for artists like Cher (“Cher,” ” Heart of the Stone”), Neil Diamond (“Lovescape,” “Up on the Roof: Songs from the Brill Building”) and soundtracks for such films as “The Land Before Time,” “The Mambo Kings” and “Armageddon.”  He also won two more Grammy Awards.  One was for Producer of the Year for Ronstadt’s “Cry Like a Rainstorm, Howl Like the Wind” album in 1989.  He also took home the award for producing the Best Comedy Album of 2002 – “Robin Williams: LIVE.”

These days you can catch Mr. Asher on Sirius Radio’s Beatle Channel, where he hosts a weekly show called “From Me to You.,” where he spins some of his favorite records (from the Fab Four and others) and shares some amazing stories from his almost six decade career in music.

I recently had the great honor of speaking with Mr. Asher about his career.

Mike Smith:  Most music fans remember you as half of the popular duo Peter and Gordon…

Peter Asher:  The old ones do. (laughs)

MS:  How did you two get together?

PA:  We met in school.  We both played the guitar together and sang.  Gordon was more of a rock and roll fan and I was more of a folkie.  I was singing Woody Guthrie songs while he was singing Eddie Cochran songs.  So we tried singing together to see what it sounded like.  It coincided that we were both huge fans of the Everly Brothers.  They were our original idols and that’s who we were trying to sound like.

MS:  You were an early champion of artists like James Taylor and Linda Rondstadt.  How do you know, as a producer, when you’ve found that rare talent?

PA:  I think you just do.  I mean, when I first heard James, everything about him was remarkable.  He had great songs, he was a terrific guitar player with a unique style all his own.  He combined a sort of folk style of guitar playing with some jazz chords.  An amazing combination.  And he was a great singer.  And the songs he sang to me, the ones he wrote, were just amazing.  I don’t know HOW you know.  You just kind of do.  It’s the same now.  When I hear somebody brand new.  I think it’s just an instinctive thing.  When they’re original and great and a pleasure to listen to.  “Who’s this?  What’s that?”  It’s great.

MS:  Some great music trivia is that both James Taylor and Linda Ronstadt appear on Neil Young’s “Heart of Gold.”  Did you have a hand in that?

PA:  i know Neil Young and I’m friends with his manager but I think that was just Neil asking James and Linda to come and sing.  They all knew each other.  I think James also played banjo on one cut.  (he did).

MS:  One thing I always took notice of growing up in the 70s is that the majority of Linda Ronstadt’s hits were covers of previous hit songs.  “That’ll Be the Day.”  “Blue Bayou.”  “Heatwave.”  Was that something that was intentional?

PA:  As a producer we look for great songs everywhere, and that includes songs that other people had done before as well as brand new songs.  And we did some of each.  But, yes, quite a few of them became cover versions.  People seemed to like them and they became hits.  We didn’t shy away from a song just because someone had already done it.  But basically we would look at all songs equally.  And if we found an amazing song that was brand new, something like “Heart Like a Wheel,” or a favorite song from out past, like a Buddy Holly song, we did it.  We look everywhere for great songs, old and new.

Mr. Asher still performs today.

MS:  You’ve also produced a few film soundtracks.  Are they easier to produce as opposed to a musical group’s album?

PA:  It’s very different.  I’ve produced some tracks for a soundtrack that Hans Zimmer has been working on.  Working with Hans is a particular pleasure because he’s brilliant.  But it’s very different then making a song with an artist.  In Hans’ case sometimes it’s a song that I will fit into a soundtrack.  I will work with Hans.  One time he was recording 12 drummers all at the same time.  I was there to just help the session go smoothly and that Hans got what he needed.  But you can’t guarantee which sessions (a soundtrack or a musical group) are going to be easy or hard.

MS:  You’re now hosting your own show on the Beatles channel.  As someone that has been in the business for as long as you have, can you explain their continual appeal?

PA:  Not in any way that adds anything new to the equation.  They’re just better than any other band, before or since.  That’s why.  It’s pathetically simple, I know.  But their songs are amazing.  Their singing is amazing.  Their playing is amazing.  What they came up with as a group was greater than the sum of its parts.  The answer to your question lies in listening to it.  If you listen you know not to turn away from that channel because you know the next song is going to be another song that you love.

MS:  You often mention on your show that you used to share the 2nd floor of your parent’s home with Paul McCartney.  Any housekeeping secrets you can share?  Did he make his bed every morning?

PA:  (laughing)  I don’t really remember.  Sadly, I have no intimate domestic details.

 

Related Content



Motograter Vocalist James Anthony Legion Talks About the Bands New Video For the Song”Daggers”

The heavy metal band Motograter are currently out on the road in support of their most recent release “Desolation” which was released early in 2017 and Media Mikes had the chance to speak with the bands singer James Anthony Legion about the tour, the bands current lineup and their most recent video for the track “Daggers”.

Adam Lawton: Can you give us some info the bands current tour and if you will be hitting new areas this time out?

James Anthony Legion: This is a short two week run that we set up to help break in some of our newer members. We will be hitting places like Seattle, Fresno, and Hollywood at the Viper Room which is place we really enjoy playing at. I don’t think we are hitting any new places this time around.

AL: Can you tell us about the bands new line up?

JAL: We have Aeon Cruz playing bass. She is the first ever female member of Motograter. Nuke had met her in Los Angeles and she is a really good bass player with a great look so we brought her in to the fold. We have never had a female in the band before and most of the time we are shirtless covered in body paint. Bringing a female into that situation obviously posed some issues (Laughs). We were able to figure something out and it looks really cool. We have also added Ryan Ramirez on drums. He is just a super sick player!

AL: With this being just a short run what are the bands plans after this leg wraps up?

JAL: We are trying to get a new album put together. In the mean time we are going out and doing a couple short tour runs here and there. We have another one set up with the guys from Terror Universal. That one will start after a festival show we have booked with Mushroomhead. We have a few other things in the works however we can’t announce those just yet.

AL: You just released a video for the song “Daggers” can you tell us about that?

JAL: That song is a real favorite of mine and one that I very much believe in. I think it has a great hook and the lyrics will speak to a lot of people. We are hoping this song will makes its way on to the radio much like “Dorian” did. We want to push this song the same way. It felt good having a song on the charts next to ones from bands like Korn and Stone Sour. With the look of the video we had ideas but Matt the director was really the guy behind that. We shot some stuff that in the end didn’t fit and we kept things to a pure performance type of video.

AL: Do you find it hard selecting one song to stand out above others you have a close relationship to?

JAL: For me it has a lot to do with the meaning behind the song and whether or not it strikes a chord with me. When I am writing I try to think about what is really on my mind and what is important. I try and transfer that to my lyrics. I feel if you are writing lyrics that mean something to you then chances are people will pick up on that and in turn they will mean something to them as well. If I feel I did a really good job getting my thoughts across and things are resonating then that’s a track that’s going to stand out.

AL: Where is the band currently in relation to the release of a new album?

JAL: We work in sort of a unique way. I am based in North Carolina while the majority of the band is in California. With me being a vocalist it’s a little easier for me as I don’t have to necessarily be there jamming on instruments. Nuke generally comes up with song ideas and then will send things over to me to add my stuff. He will then send something that is a little more finished and that’s when I add vocals. We have started working a little bit on things already but in between these two tours is when we plan to really start going.

For more info on Motograter you can visit their official website here.

Related Content

Sumo Cyco’s Skye “Sever” Sweetnam Talks About the Bands Current Tour and Plans For A New Album.

The Canadian hard rock group Sumo Cyco first burst onto the scene in 2011 with their debut release “Lost in Cyco City”. A short time later the band released their second full length “Opus Mar” and have been out on the road in support of that ever since. Media Mikes had the chance to speak with the groups lead singer Skye “Sever” Sweetnam about the group’s formation, her transition from pop to rock music and, the bands current tour with Nonpoint and The Butcher Babies

Adam Lawton: Can you give us a little background on the band an how you all came together?

Skye Sweetnam: Sumo Cyco is a four piece band based out of Hamilton, Ontario. I first met Matt who plays guitar in the band when I was fourteen. I was auditioning guitarists for my solo project and we started working together through that and from there we decided to start Sumo Cyco.

AL: Having come from a successful pop career what was that interested you about doing Sumo Cyco which is very much a rock orientated project?

SS: Matt was a big influence on that as he is always giving all sort of different music to check out. When I was younger I had the chance of being the opening act for Britney Spears and after getting off stage all my band mates would be blasting music like Metallica and Pantera. I soaked all that in and when changes started happening with my pop career and as I transitioned from a teenager to a young woman I felt I wanted to try something a little bit different. I really enjoyed working with Matt and felt like this type of project would be a good collaboration for us. From the outside it might look like a really drastic change but during my career as I pop singer I actually got to work with people like Tim Armstrong from Rancid, Mark Hoppus from Blink 182 and a bunch of other great people. For me it was more of a natural progression as I always loved rock and heavy music.

AL: The band has an impressive YouTube following and is putting out some very high quality pieces independently. Can you tell us about your process for that?

SS: I grew up watch B and C movies and it was always a goal to try and find the weirdest movie you could from one of those truck stop bargain bins. (Laughs) I have always loved film and the idea of being able to make a piece that went along with our music without be told from an outsider of how it should look or be. I love being able to come up with these ideas and add something visual to our music. I enjoy turning the music and videos into just one big project. This is another passion of our and we are self taught when it comes to all of it. We knew we could save a lot of money by doing things ourselves and with so much content being released each day this is a fun way for us to attract new fans.

AL: Is this something you see yourself doing more of?

SS: For sure! There have been talks of one day doing a film and there are just so many projects I want to do but right now the band is taking precedence. We have a lot of great opportunities and we are going with the flow of that. We will be expanding things as time go on.

AL: Can you tell us about the bands current tour with The Butcher Babies and Nonpoint?

SS: We first met the Butchers in the UK when we toured with them over there about two years ago. The same thing goes for how we first met Nonpoint. When our name came up for the tour they knew who we were and what we could bring. The tour has been great so far and a lot of fun so far and we still have a bunch of shows left as the tour runs through mid June.

AL: What are the bands plans after this tour wraps up?

SS: We have been working our album “Opus Mar” for about a year and a half now so we are looking to head back in to the studio to record some new material. We did release a single at the beginning of the year titled “Undefeated” but we are getting hungry to back in the studio and record some new material. We are always coming up with new ideas so I think that is our next step. We just started working with a new management and are putting together a lot of new stuff for the upcoming year.

For more info on Sumo Cyco you can visit their Official Facebook page here

 

The Damned’s Pinch talks about the bands latest release “Evil Spirits”

The Damned, easily the greatest surviving British punk band, bar none – are back with their first new album in a decade titled “Evil Spirits”. Where their peers either burnt out, or faded away into mediocrity The Damned continue to fire on all cylinders and breaking all the rules along the way. Media Mikes had the chance to talk with Pinch (Damned Drummer since 1999) about the new album, the bands recent video for “Look Left” and about the bands upcoming touring plans.

Adam Lawton: With a 10 year lapse between albums, what prompted the idea/creation to go ahead with a brand new full length release?

Pinch: It was the Pledge campaign, which after launch, was so successful we could see there was the demand for a new record that we all knew was there. To see that demand become real was very satisfying and we have to heartily thank our incredible fans for that. After our last (self funded) record, we knew we had to have Dave V fully on board with this one and he stepped up admirably, committing both musically and promotionally, whereas previously he had seemed somewhat reticent to launch himself fully into the project. The record really needed Dave’s touch and I’m happy that he dusted off the cobwebs and got songwriting again. His tunes and vision really drive “Evil Spirits” nicely and I think the mix of song styles by all contributing writers underlines the Damned’s ability to pleasantly surprise both fans and new listeners.

AL: How did the writing process go for “Evil Spirits”? Do you work separately from one another or collectively?

Pinch: It was a funny chess game leading up to this album. Captain seemed to be holding back his contributions, encouraging Dave to feel he had the freedom to create whatever took his fancy. It seemed at one point that everyone was too scared to offer up demos for fear of the wrong direction being taken. Thankfully, when push came to shove and we had a producer and studio time locked down, the songs were popping into the dropbox thick and fast. We ended up with at least a couple of records worth of songs from all writers, and it was decided to let someone else choose the final songs for “Evil Spirits”. I think the record works really well as a collection and perhaps some of the songs that didn’t make it would sound great together too, but as a band, sometimes you are too close to the art to make that call clearly. Captain likes to deliver fully finished demos, very well produced I may add, whereas the rest of us offer up a mostly completed song that benefits from all members adding their personalities. Sitting in a room together with a blank notepad is not the way any of us work best, as the years of pharmaceutical inspiration are thankfully long gone. However, working under the gun, with deadlines looming, seems to drag out inspiration by the bucket full.

AL: You recently released a video for “Look Left”, can you tell us about the story behind that and what made you choose that song for a video treatment?

Pinch: I had the bones of that song kicking around for a few years, hoping that it would eventually develop into something The Damned could use. The phrase- “while everybody’s looking left, what the hell is happening right?” seemed to really sum up where I could see the programming of humanity taking us. Whilst we are being distracted by some nonsensical celebrity twaddle, there would be a vote on a crucially important social issue that would sneak its way into law. Today’s media really have fine tuned the craft of distraction to the point of perfection. When perfectly true, well researched articles are labeled fake news to fit nefarious agendas, AND everybody swallows it, where does that leave the truth? Other than being just another opinion. Ultimately, whose opinion is right and whose is wrong are things we all currently have the liberty to discuss, but with increasing media censorship, I fear for our future ability to make any kind of disagreeable statement without some kind of social punishment. It was the label that chose “Look Left” as a single to have a video, and I really had to leave the interpretation to the video director, as these guys don’t like you stepping on their visions. Also, it was nice to see someone else’s take on my lyrics and sentiment. Ultimately, Radio declined to get on board with the song, stating some kind of half baked excuse about it not fitting the listenership they were “moving toward”. If the most commercial, hooky single the Damned have ever released can’t make a daytime radio playlist, with the album sitting at number 7 in the charts, you have to wonder if that age old Damned phobia hasn’t simply moved through the decades of radio producers and makes me ultimately think- Why Bother? Let’s just go back to the biff boom crash that the band are known for and screw any notion of radio success. Sad really but it’s an unfortunate reality.

AL: The band has a number of live performances booked starting in May. Can you tell us about the upcoming UK run, the few stops you have scheduled in the States and your plans for the remainder of the 2018 tour season?

Pinch: Due to the recording of the album being pushed back, we were kind of scrambling to lock in a good live touring plan. Only WE could release a record with ZERO live dates either side of release but, that is where we find ourselves. We head off to Europe next week starting in Germany and ending in France, by way of Switzerland, Italy and Holland. A short Arena tour of the UK with Hollywood Vampires is set for June, where Mr. Vanain and Mr. Depp can compare hair style notes and the benefits of a fine snifter no doubt. Then another short Pacific North West and Canada run in early July, including Burger Boogaloo in Oakland, which we are all excited to play. It sounds like a whacky thing that we would all enjoy, AND I get to see Devo the night before which is never a bad thing. October sees us embarking on another coast to coast U.S run, starting in Boston and ending in San Diego, before coming back to the UK for our traditional winter tour to wrap up the year. Hopefully we will debut some more songs from “Evil Spirits” at some point on these dates, it’s always good to see how they translate live.

AL: Each of you tends to have a number of projects going on at one time. Can you tell us about some of those and where we can keep up to date with everything?

Pinch: Not sure what the other guys have going on at the moment, but when I am not touring, I work a production gig in the United States that sees me working with a mind bending array of legendary artists that constantly makes me chuckle. Did I ever think I would be attending to the needs of Mr. Englebert Humperdinck when I was living in a punk squat in Grantham all those years ago? Well, anything can happen with an open mind, and often does. Think! It’s not illegal …..YET.

For more info on The Damned you can visit www.officialdamned.com

Monster Magnet’s Dave Wyndorf Talks About The Bands New Album “Mind Fucker”

Dave Wyndorf is the lead vocalist and guitarist for the rock group Monster Magnet. The groups latest album (Their first in five years) titled “Mind Fucker” was released on March 23rd and Media Mikes had the chance to speak with Dave recently about the albums creation, its first single “I Am God” and about the groups upcoming European tour run.

Adam Lawton: It has been five years since the bands last release “Last Patrol”. Can you tell what has been going on with the band during that time and what led to the release of the new album?

Dave Wyndorf: The band tours every year predominately around Europe and the world as that’s where rock really lives. I only tour here in the states every couple of years as rock music is sort of dead here so we have to sort of wait it out. We have been in the studio quite a bit as we were re-imagining/recording two records making them sound-scapes that would allow for psychedelic, alternative listening experiences. Things never really stop we just sort of take a left or right turn down a rabbit hole and then pop up in public whenever it suits us.

AL: Can you tell us about some of the work that went into the new album and also maybe about the catchy title?

DW: I wanted to make something along the lines of a punk rock record. I wanted it to have that spirit while being this sort of proto-punk, straight ahead rock record. At the time I was doing a lot of long form psychedelia and I wanted to put this album out quick. I was kind of going from the hip and wrote this album in about three weeks. The idea was for it to be a sex, drugs and rock and roll album then the whole political and information melt down that happened from 2016 to 2018 started creeping its way into the lyrics. During the writing I had started calling the album “Mind Fucker” and thought it was the perfect title for album being released in 2018. It was really supposed to be an “I want to drive my camaro of a cliff just for fun” type of record but then the blending of all these things happened and it sort of morphed into a weird mixture of the two.

AL: Was it hard for you to transition back into writing more straight forward material as opposed to the long form material you were currently working on at that time?

DW: It wasn’t hard to dream it up but I did have to re-calibrate myself as to what I wanted as I wrote. It was a challenge. The thing with the long form sound-scape material is you are creating this place for people to be in for awhile. You take your time getting there. With the type of record “Mind Fucker” is it’s much quicker and goes right to the point.

AL: At what point do the other members of the band come into the writing/recording process?

DW: I start out by writing everything to a click track. I will arrange it the best possible way I can with melody, guitar and bass. From there I will take it to the drummer and come up with a proper arrangement. We get the meat of how things are going to go together and then we bring in the rest of the guys. I give them an idea of what each song is about and then they take things from there. I write with everyone in mind so that when the time comes the material is right in their wheelhouse.

AL: What can you tell us about the album’s first single “I Am God”?

DW: “I Am God” is just a way for me to yell at people without saying it’s me. (Laughs) I wanted to write a song about god yelling at people as it was apropos with the time. I figured this song would hit someone out there. It’s an easy song to remember and who doesn’t want to scream “I Am God” while riding down the highway? It was written with a sense of humor involved. Being the song is so blunt it just had to be released as a single.

AL: The band performed a couple shows here in the NY area recently and you are now set to tour Europe can you tell us about that run of shows?

DW: We kicked things off with a few shows in the New York area to celebrate the release of the album and, we will be announcing a whole North American tour here in the next few weeks. However, first we will be heading over to Europe for around a month and a half. During that time we will be looking for more opportunities during the summer in possibly Australia and/or South America. We are always trying to hit new places so we will just have to wait and see. I would really like to make it into China.

AL: Being a guy who is always busy do you have anything else you are currently working on right now?

DW: Right now I am really trying to sell the new album as hard as I can. Once I get back from Europe I will be diving in to writing and seeing where that goes. I try to focus on one thing at a time so I can get the most experience out of it and then when I am totally exhausted I sit down and think back on what I learned during that time. I just live life and then write about life. That’s where the music and lyrics come from for me.

For more info on Monster Magnet you can visit their official facebook page at: https://www.facebook.com/monstermagnet/

Guitarist Michael Landau Talks About His New Solo Album “Rock Bottom”

Michael Landau is world renowned session musician and producer who has worked with everyone from James Taylor and Michael Jackson to Pink Floyd and Miles Davis. Outside of his work as a session player Michael has released a hand full of solo albums and on February 23rd will release his newest solo album titled “Rock Bottom”. Media Mikes had the pleasure of speaking with Michael recently about the albums creation, his studio work and his touring plans for 2018.

Adam Lawton: Can you give us some details on your new solo album “Rock Bottom”?

Michael Landau: My last couple of albums had been instrumental albums. With this new one I reunited with my old pale David Frazee who I played with in Burning Water in the 90’s. We wrote a bunch of tunes and I got to rock again. I wanted to do vocal music again and put out something that had a little harder edge to it. We did this album to actual tape as I still have a tape machine in my studio. The album has a real nice creamy tape sound that’s just big and gooey.

AL: Are the songs that made it on the album all newly written songs or are there some that have been around for awhile?

ML: A few years ago I got together with my brother Teddy and Alan Hertz as I had some tunes I had written and we recorded those over the course of a couple days. It took me awhile to getting to finish those however once I reunited with David things came together pretty quickly and we also started to write new material.

AL: Can you tell us a little bit more about who you have playing on the album with you?

ML: The drummer is Alan Hertz who has toured with throughout the years. My brother Teddy who doesn’t really play professionally is a rock solid bass player. I love the way he plays as he has a really big tone. He actually co-wrote a couple of the songs on the album. David and I did those three or four records together in the 90’s and he is just a great vocalist and lyricist. He writes really interesting melodies and I am just a big fan of his. Also playing organ on the record is Larry Goldings. Any record I do I try and get him on there as he is one of my all time favorite musicians.

AL: When you are working with a group or on your own where do you traditionally start with your songwriting process?

ML: I play a lot every day. I don’t have a real practice regime or anything but I do play around the house quite a bit. Songs always start with some kind of riff. There was one song I wrote titled “Freedom” which is this sort of spooky ballad that I had lyrics for first. Mostly things start with toying around with riffs that come about when I am playing at home. From there I will edit them and move things around until everything comes together.

AL: Having done predominately instrumental albums over the last few years, what was it like delving back in to lyrical based music?

ML: David did most of the vocal on the record. I would say he wrote probably seventy percent of lyrics as well. There are one or two tunes that I sing but I don’t think I wrote the lyrics for those. It’s fun for sure as I enjoy singing if it’s a range I am comfortable with. Lyrics are fun for me to write even though I don’t write them that often.

AL: With you having done a lot of work/playing for other musicians how do you go about putting your personal touches on someone else’s material?

ML: One of the things I think I do well is backing up a vocalist. I try and contribute parts that will enhance the material while still being respectful of the tune. I kind of pride myself on being able to do that quite well. For a long time when I was doing sessions people would hire me as they had an idea of what I was about sonically so when you go in there you have to sort of fit in but push and add to things without taking anything away. Overtime with experience I learned that being able to edit myself made things quicker rather than having whoever I was working with at the time have to do it.

AL: The album is set for release in late February. What are your plans once it is out?

ML: The plan is certainly to get out there and play this material live. Europe is obviously easier for a musician like me to put together a tour over there. We actually have a nice four week run of shows set up over there in support of the album. We are looking at hitting Asia also this year along with some dates here in the States. After that I will be touring Europe with the Steve Gadd band right after my tour finishes’ so I will be over there for quite a bit. I have some more James Taylor duties to handle this year as well and those start in either April or May. There have been talks to end that tour by doing a couple shows with the Eagles so that should be really great.

For more info on Michael Landau you can visit his official site at www.mikelandau.com

Related Content

 

Reggie and the Full Effect Frontman James Dewees Talks About the Bands Latest Album “41”

Reggie and the Full Effect is the solo project of Get Up Kids keyboardist James Dewees. On February 23rd Reggie releases their first album in four years simply titled “41”. Media Mikes spoke with James recently about the albums deep subject matter, the return of James’s alter-ego Klaus and the bands upcoming tour with Senses Fail which kicks off on February 27th.

Adam Lawton: Can you give us some background on your new album “41”?

James Dewees: I started working on the music just after the release of “No Country For Old Musicians”. During that time there was stuff going on with Get Up Kids and I was working with Gerard Way as well. I tend to do a lot of projects as I find while I am working on those projects I come up with ideas that could be songs for Reggie. The music came about pretty well as I started with about twenty or twenty five demos. For the lyrics I was sort of fishing around and trying to decide what type of record to make. It came down to when I found out my mom was diagnosed with lung cancer and my mother in-law at the time was diagnosed with leukemia. That next year was really just me traveling back and forth to Missouri to be with my mom and then back to Long Island for my mother in-law. Basically I was just going to doctors appointments all the time. I would do a couple shows here or there to make some money but then I would go straight back to the hospital. These events were where the lyrical content ended up coming from. My mom passed on April 9th and then my mother in-law passed away on May 9th. It was a really heavy and emotional time that made it seem pointless in trying to do my silly, funny project. Things were just a big bummer. After about the first year of that I started writing lyrics that were more about what I was going through. This was my way of going through the stages of grief. On the record there is stuff that is kind of funny then some that’s more serious, sad and angry. Music has always been my escape and it’s something that I really enjoy doing and it helped me get through all the stuff I had going on at this time.

AL: Being that you didn’t start writing until a year or so after those passing’s what was it like diving back in and reopening those wounds?

JD: I cried in the studio a lot. Trying to sing songs like “New Years Day” and “Next Time with Feeling” which are really heavy songs was difficult. Whenever I would revisit those feelings and I would remember something else about that time that I had forgotten. I did the record with Ray Toro from My Chemical Romance who is a really close friend and it was very personal and private with just him and me working on the album. This made it where it was ok to cry and be upset and I had a friend there to support and encourage me. He pushed me to keep going even during difficult times.

AL: The album also features a new track from Common Denominator. Can you tell us about that track and when/if we will finally get a full length release from Klaus?

JD: With the popularity of Trap music I thought it would be really funny that with Klaus coming from Finland he didn’t know what it was and believed it was about trapping animals. Instead of singing about drugs and whatever he is singing about trying to catch animals. I have played around with the idea of doing a whole album but every time I have started it things just don’t come together. The thing with Common Denominator is that it can’t be thought about too much. The music has to be written in about twenty minutes and if possible recorded in twenty minutes. You really can’t write the lyrics to much. You just have to start recording and see what comes off the top of your head otherwise I think it loses the humor.

AL: Can you tell us about the latest single off the album titled “Karate School”?

JD: That was a song the label picked after going back and forth for awhile about what songs to release. I chose “Horrible Year” which was released first and they chose “Karate School” there is one more song set to come out but I won’t tell you what that one is just yet. I like the song as its heavy and defiantly a traditional Reggie song. It’s not really about anything it just a song about my day. The label wanted something about the song for a press release so I came up with the Harry Potter story as I couldn’t think of anything without making it sound dull. (Laughs)

AL: The band heads out on the road with Senses Fail on February 27th can you tell us about that?

JD: That came about through a discussion with the label. We originally were going to be out on tour in January doing a headlining run but Buddy Nielsen and I started talking and decided to do a tour together. The tour starts in late February and runs through March. After that Reggie has some solo shows in early April and then I will be pretty busy with Get Up Kids.

For a full list of tour date visit: www.facebook.com/reggieandthefulleffect

Related Content

Greta Van Fleet Guitarist Jake Kiszka Talks About the Bands New EP “From the Fires”

Greta Van Fleet burst onto the rock music scene in early 2017 with their debut EP titled “Black Smoke Rising”. By September the track “Highway Tune” was topping the Billboard charts. To capitalize on this momentum the band has released a second EP titled “From the Fires”. Media Mikes had the chance recently to speak with the bands guitarist Jake Kiszka about the bands new EP, their recent tour with Halestorm and the bands plans for 2018.

Adam Lawton: Can you give us some back ground on Greta Van Fleet and possibly tell us some of your influences?

Jake Kiszka: With Josh, Sam and I being brothers our influences are very similar. We were exposed to music at a very early age. I remember going on trips and listening to bands like The Allman Brothers. We had access to the same vinyl collection so I think that had a lot to do with what we are doing now. Danny also was in to a lot of the same music. Around the time I got into high school I started bringing friends over to jam and eventually Josh would start coming out and singing then a little later Sam started coming out and playing bass. A short time after all that happened Danny started coming over and was basically the last piece of the puzzle.

AL: Can you tell us about the bands new double EP “From the Fires”?

JK: We had put out “Black Smoke Rising” and we still had a bunch of songs that we had either written or recorded so to showcase some other elements of our playing we dipped into those songs. We also wanted to cover some material from a one of our influences Sam Cooke. We had those songs and some live tracks that we picked from for this release.

AL: How does your work on this release compare to that of your debut EP?

JK: The first EP was a spread of songs we had written over the course of five years. “Highway Tune” was actually the first song we had ever written followed by “Safari Song” about a year later. “Flower Power” was another song that was written about two years into the group’s existence and “Black Smoke Rising” was written right before we were set to go in to the studio and record.

AL: What type of process does the band have for song writing?

JK: We write in a lot of different ways. A lot of times one of us will bring something to the table and then we all decide if it is something we want to work on. That’s when the four of us really start to contribute to making one piece of music. We all bring things in to the writing process so it tends to vary.

AL: You guys just wrapped up a tour with Halestorm. Can you tell us about that experience?

JK: It was fantastic! Seeing people singing our songs and just rocking out was really great. I don’t think that was something any of us really expected as our sound is a bit different. The whole experience of that night after night was shocking and humbling.

AL: You guys have a string of sold out shows lined up through December. Can you tell us your thoughts on that?

JK: That’s another thing that was not expected. We really didn’t figure all those shows would sell out so quickly. It’s going to be a great thing that takes us right up until the holidays and then after that we plan to head into the studio in January to record our first full length album.

AL: What can we be expecting from that new album?

JK: The album will probably be another spread of both newer and older material that we have written at different points in time. We hope to have the album done early to mid 2018. With everything that has happened for us this past year we have gained some resources that will help us take things further with this new album. We will be looking to hit bigger venues and festivals as well as hitting some new countries also.

Related Content

The Haxans Matt Montgomery talks about the bands new album “Party Monsters”

Matt Montgomery aka Piggy D is probably best known for his work as the fanged four string player in Rob Zombie, a position he has helmed for over ten years. Matt’s latest project The Haxans is the culmination of three years of work which have resulted in the band’s debut full length “Party Monsters”. Media Mikes had the chance to speak with Matt recently about the band, the albums creation and where things are at with the latest Rob Zombie album.

Adam Lawton: Can you tell us how The Haxans initially came together?

Matt Montgomery: This was an idea I had kicking around for some time. I had been working on music with a girl back and forth for years. At first we started by sending CD’s with ideas on them to each other through the mail. It was very archaic. We had two songs under The Haxans name but it was just never really a good fit as we both were going in different directions musically. I knew in order to do this the way I had envisioned it I was going to have to make a change. By chance I met Ash Costello at an awards show through a mutual friend and thought she would get what the project could be. We started hanging out and finding out what stuck musically and that’s when things really started to take shape and become something.

AL: Is the “Party Monsters” album made up of all new material or does it contain ideas from the bands earlier incarnation?

MM: We started recording three years ago. What came out first was “Three Hits From Hell”. That was us trying to find our footing and musical finger print. The oldest song which is still kicking around is “Black Cat Bones” which Ash and I reworked and it made it on to “Party Monsters”. We tried a whole bunch of things both new and old for this record. Its funny how one person’s energy can change the room as I would pull some of the older songs out that I was excited about but after working on them a little bit they just didn’t have the same feel I had hoped for. We really tried to go for what made us both excited and that’s the stuff that kept making it through the filters. There was a lot of material we went through but we went with what made the clearest statement of what the record and we as a band were about.

AL: How does working on a project like The Haxans compare to the work you do with Rob Zombie or some of your other previous groups?

MM: Going back to my work with Wednesday 13 what people saw of me with that group was basically just from a live stand point. I never wrote any riffs or lyrics with them. With Rob I have wrote a little but not very much. There has been I think two songs on two records in the time I have been with him. I played on all the records but I wasn’t the guy sitting around for months figuring out where all the riffs would go. In a way “Party Monsters” is the first thing I have done since my first solo record that I did a long time ago. This album is in a way my first music statement since being a part of groups like Amen, Wednesday 13 and Rob Zombie.

AL: Can you tell us about the most recent video you filmed for the song “Young Blood”?

MM: This is our fifth video as a group and fourth for this album as we have done videos for “Vampira”, “Dirty Magic”, “Black Cat Bone” and “Lights Out” as well. We actually shot five videos in three days. “Young Blood” was shot during the first half of one of those days. We knew visually what we wanted for that one. I directed the last four videos and that made things easier as I knew what shots I wanted to get and where I wanted the camera. I only had to be in one so the rest of the time I was making sure we got coverage of everyone else. We story boarded everything beforehand but we still had to hurry to get everything done.

AL: How did you go about choosing which five songs were going to get video treatments?

MM: That was tough. You just have to listen through the songs and get everyone’s input as to which might be the ones to choose. Of course everyone has their own opinions so it can make things be a bit all over the place. The feedback I got from those who heard the songs all mentioned the songs we shot so we decided to start with those ones.

AL: Have there been any talks to do some live performances of this material?

MM: There has been a lot of talk about doing shows and we have made a few attempts however nothing has come together just yet. We were looking at options to tour in the first quarter of 2018 however schedules just are going to match up. Touring sort of goes hand and hand with why this record took three years to make. Ash and I are these two whirling tornadoes that randomly collided and that’s what we are trying to contain which is just impossible. (Laughs)

AL: Can you give us a quick update on where things are at with the new Rob Zombie album and anything else you might have in the works for 2018?

MM: I have heard things and it’s fucking nuts! It’s really awesome and that’s about all I am going to say. There is a lot of material and things are still in the demo stage so I have yet to go in and play my parts just yet. As for what else is in store for 2018 I am not sure. You would think after being in bands for so long the last thing I would want to do at my age is start another band but, I might, maybe I will start two! There are a lot of things on the list that have been there for some time but I think it’s that way for everyone. We will just have to wait and see.

GWAR’s Blothar The Berserker Talks New Album “The Blood of Gods”

GWAR fans were first introduced to Blothar the Berserker in 2014 when he returned to Earth shortly after the death of Oderus Urungus. Since that time Blothar has cemented himself as the formidable leader of the crack addicted space aliens from Scumdogia. On October 20th the band will release their 14th studio album titled “The Blood of Gods” via Metal Blade Records. Media Mikes had the chance to speak with Blothar recently about  the new album, the bands upcoming fall tour and which celebrities they have in their sites to slay.

Adam Lawton: The band recently wrapped up its debut appearance on this summer’s Warped Tour can you tell us a little bit about that?

Blothar: It was miserably hot! With us coming from Antarctica and being over a million years old it wasn’t exactly a glory gig getting dressed in a semi truck and then exposing ourselves to a whole new group of young people. Despite all the annoyances and high level of venereal diseases that were flying around we did it. We had trouble even getting good drugs out of these kids. What is ecstasy anyways? I don’t want drugs to make me feel good. I want drugs to amplify my misery! It was however a delight to see all the innocent faces upturned and the light drain from their eyes as they witnessed something they had never seen before and possibly never will see again. It’s always fun to play to a crowd who has never seen us before so it was a good time.

AL: Gwar’s new album “The Blood of Gods” will be your first full length recording with the band. What do you think you were able to bring to the album?

Blothar: Without Oderus we knew we had to do something different. If we had just gone and done the same thing we knew it would probably come off as a cheap imitation. There are things that Oderus did that were wonderful and they were his so, for us to try and recapture that was much less interesting. Gwar has always been a group effort. When Oderus was around people could work behind the scenes and not be visible as Oderus’s role in the band was to be the front man and be seen. Now that he is gone there is room for everyone who helped create this project to become more known. Everyone in the band has risen to the occasion beyond anything I could have imagined. Who knew Balsac was such a great lyricist. That guy knows the Gwar voice better than anyone. Oderus was a great writer and his songs were jammed full of words and phrases. I made a deliberate choice to scale back on the lyrics and let the sounds be the focal point.  I mainly wanted to add the hooks and melody. This is definitely a different approach from the last few Gwar albums. That’s not to say they never had these types of elements but I think this album has more of those things and the music has more space.

AL: Was coming up with a new style part of the reason an album featuring you took so long to complete?

Blothar: Yes. We had to find a way to be able to make music without Oderus. We went down a few different paths before we got to where we are with this album. There was also a lot of material that was created during this time. We needed to focus on eight songs that seemed to have what it took to be a Gwar record in order to make the best record we possibly could. A lot of material came very last minute which tends to be fairly typical. Between April and May we wrote a lot of the music. Once we figured out what we were doing and how it was supposed to go that’s when things took off. Prior to all of this the band was very distracted with lots of other things aside from having to work without the guy who had such an important vision. We didn’t know how to deal with the massive hole that was left and it took awhile to figure everything out.

AL: The first single released from the record was titled “Fuck This Place”. With Gwar having been around for millions of years now why have you just decided to say fuck this place?

Blothar: Gwar has always been this sort of cosmic Gilligan’s Island. We are stuck on this planet that we can’t get off and the few times we have gotten off we get sucked right back in. “Fuck This Place” I think is in some ways like all the rest Gwar being in the wilderness. We are looking around and now that Oderus is gone things look a lot different. Balsac wrote this song because he just didn’t like what he saw anymore.

AL: The album also features a cover of AC/DC’s “If You Want Blood”. Was this the bands idea or just another trick by manager Sleazy P. Martini to try and make more money off the fans?

Blothar: When you do a cover really you are not making any money for yourself. Sleazy doesn’t like that so he had AC/DC killed and replaced by animatronic puppets. As a result we now collect all of their publishing. What Sleazy wants is important and the theme of us dealing with corporatization is all across the new album. We did the first recording of this song for the AV Club. I think that recording is actually a much better vocal performance that what ended up on the album. I wish we did that first version now. (Laughs) It’s a tough song to sing. Like most AC/DC songs its bit ridiculous as you don’t really know what it’s about.

AL: The band heads back out on the road the same day the album releases (Oct. 20). Who has the band decided to kill this time around?

Blothar: People keep expecting the Trump family to show up. Maybe they will? It would be nice to just move through all of them at one time. He does have a lot of kids though. Sawborg Destructo has been making some noise lately so he might show but, as far as celebrities goes aside from Trump I’m not sure. That guy we found out is immortal. We have been ripping his guts out every night and he keeps coming back for more! We can’t figure out a way to keep him down.

AL: Do you think “Blood of Gods” will finally silence the #BlotharRuinedGwar movement?

Blothar: No! It’s not going to silence it. What it is going to do is kick it into overdrive. That’s what I am expecting it to do anyways. This album is polarizing and people are going to either like it or not like it. Gwar has such an immense history that musically it’s difficult because people will hear this record and hear things they maybe haven’t heard since “This Toilet Earth”. At the same time you have people who will listen and there experience from the band has been from “Violence Has Arrived” on and they are expecting a more metal sound. “Blood of Gods” is somewhere in between. It definitely is a lot different as compared to the group’s last three albums.

Act of Defiance’s Matt Bachand talks about the bands new album “Old Scars, New Wounds”.

Matt Bachand is probably best known for his work with the heavy metal band Shadows Fall however since 2014 he has been a member of the band Act of Defiance which features former Megadeth members Shawn Drover and Chris Broderick along with former Scar the Martyr front man Henry Derek. The band is set to release their second full length album titled “Old Scars, New Wounds” and Media Mikes had the chance to speak with Matt about the release, his switch to bass guitar and the plans prospective tour plans.

Adam Lawton: Can you tell us a little bit about the band’s new album “Old Scars, New Wounds”?

Matt Bachand: Everything was different for us this time around with this record. With the first record Chris and Shawn wrote a majority of the album and they did it pretty quickly. They went from not having a band at all to having a record out in a matter of months. When I came in the material was pretty much done. I did write some bass lines around things which was a bit different from me but it was fun to be doing something different. This time around we had a good chunk of time to work the material and provide input. We all wrote a bunch of stuff for the album and you can definitely tell that this is a band no and not just a project.

AL: Can you talk about the decision to record separately from one another?

MB: That was done more by necessity than anything. We didn’t have a budget that would allow us all to travel and stay in one place while we recorded so we worked on things in each of our own locations. With all of us living in different parts of the country the cost would have been astronomical just for travel not to mention studio time. Once everything was done we sent it to Dave Otero for mixing and after a few tweaks everything was sounding good. Dave was awesome to work with and gave us a great sounding product.

AL: What has the transition from guitar to bass been like for you?

MB: I had known Shawn for a long time going back to when Shadows Fall toured with King Diamond and he was a tech for them. He knew I played bass in a cover band around where I am from and also knew that Shadows Fall was going to be taking a break for awhile so they gave me a call. Even though I had played bass in a cover band I had never really written music from a bass perspective. I think part of the appeal for me in wanting to do this was it was something different from what I had been doing. On that first record I was basically just writing and playing around what had already been written. I was focusing on now being apart of the percussion section as opposed to just riffing. With the bass playing off of what the drums are doing I really wanted to make sure I locked in with Shawn first.

AL: What are the plans for the band to tour behind the release?

MB: We are trying to pull some things together as we speak. We had a few things lined up but unfortunately they have fallen through so we are working as quickly as we can to remedy the situation. In the mean time we are working on some play through videos and things like that to keep things moving and to keep everyone involved with the band.

AL: Has there been any talk of Shadows Fall coming out of hiatus any time soon?

MB: Everyone is super busy right now so we haven’t really talked about it. Jason is playing with Overkill and Jon is with Anthrax and I am doing this project so everyone has a lot going on right now. A couple other guys in the band have families now so we have to figure out the timing. After 20 years of being in a band life eventually gets in the way so everyone has slowed down. Nothing is out of the question for us to play again it just has to be the right time for everyone.

For more info on Act of Defiance visit https://www.facebook.com/actofdefiancemusic/

Former Misfits Vocalist Michale Graves talks “Beginning of the End” tour

Michale Graves is a singer/actor who first burst onto the music scene as the front-man for the mid 1990’s reincarnation of the seminal punk rock band The Misfits. Since his departure from the group Michale has enjoyed a successful solo career and appeared in a number of different short film projects. Media Mikes had the chance to speak with Michale about his career and his recently announced “Beginning of the End” tour which has him and his band revisiting all aspects on the singers 20+ year music career.

Adam Lawton: What was going on with the Misfits at the time of your departure?

Michale Graves: There was a lot going which led up to the bands break up in Orlando. There were a lot of things going on that were dysfunctional for the band. Looking back having been removed from the situation for almost 20 years now, I was a difficult young man to deal with at times. Here I am the lead singer of one of the most influential/popular punk rock band of all time. I was difficult at times. With that being said I contributed an awful lot of work to that bands vision, soul and direction. I was very much a huge reason the team we started off as was experiencing so much success. After the “American Psycho” album especially I wasn’t really being respected for what I brought to the band. I was being treated like and unruly, bothersome kid. If I said something that wasn’t liked I was told that if I didn’t like what was going on I could go home as there were a 100 people willing to take my place. That didn’t make me feel very special. That was a very disrespectful place for those core guys to take. Things were a real mess at the end. Guys didn’t talk or stand up for each so everyone was practically alienated from one another. We weren’t a team anymore with the same goal in mind. Things were just a mess. I decided to give it all up so I could keep my integrity and not be some sort of yes man for a thing I helped build. Everything aside when the four of us were together we were a great band. When we were a unit we working together we were great! It’s sad and unfortunate that things drove us apart.

AL: After the Misfits you started a solo career and also working with other artists such as Marky Ramone. What was it like being out from under a band and being able to do your own thing?

MG: It was very tough at first. I worked with Dr. Chud still for a bit after we left the Misfits but it was hard. That was a starting over point for me. By the time I started working with Marky I very confident in my ability and I was in great shape. I had it in my mind that there was no other person aside from Joey that could sing those songs as good as me. That was a highlight of my career for sure. Getting to perform and talk with Marky was just great. To be around that crew was very special. I remember when all those guys were alive and still the Ramones. Being from New Jersey I was in the same circle as all those guys. They were always around so all those years later to be the guy with Marky and be privy to certain conversations it was an incredible time for me. We were a great band.

AL: In April you released your first live DVD titled “Black Thorn 51 Live” can you tell us about that?

MG: We filmed that in Queens, NY as a three piece. Mikey Pain is playing bass and Tony Baptist is on drums. There had been a shortage of high quality, high produced videos of us performing that I felt like we needed to put something out. We taped the show and after listening to it we felt it sounded really good so we pulled the trigger. This is the tip of the iceberg for what is coming. Right now I am focusing on a major uptick in video production and content across my social sites including my new official site that is being built. There’s going to be a lot more content coming out. I am feeling a momentum with my career right now that making for an exciting time. A lot of my stuff has been very scattered which I think has made it harder for people to grasp what I am doing so I am working on consolidating all of that in hopes of providing a clearer vision for people.

AL: You have started appearing in a number of short films recently. Can you tell us about that?

MG: A couple years ago I partnered with Mark Allen Stuart to create a company called Hydraulic Entertainment. That’s where all my past records live. There is a ton of music we produced through that company. Most of the films that have been done are ones that Mark has come up with. He would write and produce them and then I would appear in them. For me as an artist I was able to step away from the writing role and jump into the acting side of things. We have started with short films to help us get our feet wet in an effort to create bigger things. There is defiantly a lot more to come. I am working on a project right now that has me both behind and in front of the camera. We have a lot of talented, motivated people in the industry with us on this. It’s pretty exciting.

AL: For you was it film or music that grabbed your attention/interest first?

MG: I think it was music first for me. My earliest memories related to music come from listening to records and the radio with my uncle. I always remember music having a profound effect on me. When I listen to music as strange as it may sound it’s almost like I can see it. It stirs something inside me that causes all these other internal things to start up. Acting quickly followed but things have just been all encompassing really. I have always had this urge to communicate.

AL: Can you tell us about the “Beginning of the End” tour you just kicked off?

MG: This is a very large tour. We are going to be trying to cover as much ground as we can in an effort to raise my visibility within the industry and get myself in front of fans who might not realize what I have been doing as of late. I have found there’s a good chunk of people who the last time they saw me was 1999. This new show is a powerful, physical assault. We are playing all of the legacy Misfits songs that people love. We are playing tons of songs from the “American Psycho” and “Famous Monsters” albums. We are doing around 30 songs a night and I have brought back the make-up to help showcase the story I try to create each night over the course of our set. If fans want to meet me I am super accessible at each show as I enjoy meeting and talking with everyone so please come out and say hello.

For a complete list of tour dates visit Michale’s Official Facebook page at https://www.facebook.com/Michale.Graves

Copyright: MediaMikes.com © 2017 · Powered by: nGeneYes, Inc. · Login

All logos and images used on this website are registered trademarks of their respective companies. All Rights Reserved. Some of the content presented on our sites has been provided by contributors, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. MediaMikes.com is not liable for inaccuracies, errors, or omissions found herein. For removal of copyrighted images, trademarks, or other issues, Contact Us.