Orlando Boat Show arrives on March 2, 3 & 4, 2018 at the Orange County Convention Center

Central Florida’s Premier Boat Show!
With 2
0 of Central Florida’s Best Boat Dealers
Representing Over 60 Manufacturers
Bowriders, Pontoon Boats, Ski Boats, Cruisers,
Fishing Boats, Bass Boats and Deck Boats
Marine Electronics, Accessories & Much More!
If You Are Interested In Being A Vendor At The
Show Please Call 386/943-8383 Or Email
contact@orlandoboatshow.com
See Over 60 Great
Booth Vendors!
The boat show in March will be
the best Orlando Boat Show Ever!
Don’t miss this spectacular show!
March 2, 3 & 4, 2018
at the Orange County
Convention Center
South Hall B
Fun for the whole family!
Kids 12 & Under Are Free
Show Hours
Friday – 10am to 8pm
Saturday – 10am to 8pm
Sunday – 10am to 5pm

 

Related Content

Vanna Announce Final Show

VANNA 2004 — 2017
BAND ANNOUNCES FINAL SHOW… EVER!

VANNA announced their breakup earlier this year and that they would be embarking on a series of “weekend warrior” shows through the summer. The band has just confirmed its final show ever at The Palladium in Worcester, Massachusetts on December 15. Doors are at 5pm and the show is sponsored by Sound Rink,Pure Noise, Union Press, and Shovel Brand.

Joining Vanna for their swan song will be the following bands:

Eighteen Visions
Knocked Loose
Bad Rabbit
Like Pacific
Kublai Khan
Lions Lions
Old Wounds
Sharptooth
Roseveiw

About the last show, frontman Davey Muise said, “We’ve had this day in the back of our minds since we started. None of us could have known that day would be well over a decade later. One thing we always knew though was we want to go out the same way we came in and the same way we’ve always done it — surrounded by love from all the bands, friends, family, and fans we can squeeze into a room. That day has finally come for us.

“We’ve put together one amazing night with incredible bands that we love and believe in. This will be the be-all, end-all party of the year and the perfect way to lay Vanna to rest. Come celebrate the life we’ve lived together all these years. Joy, tears, sweat, and a ton of surprises wait for you all. It’s one last time to let it all out. We’ve been a band called Vanna. Thank you. Goodnight.”

Pre-sale and VIP tickets go on sale on Tuesday, July 18 at this location.
The regular on-sale is set for Friday, July 21.

Tickets are also available at the Palladium Box Office, FYE Music and Video Stores, online at Ticketfly.com or by calling 877-987-6487.

Below is the band’s initial breakup statement, along with the final run of tour dates.

“Our band has always strived to take the negative in our lives and use it to fuel positive change. To foster good in a world that can be so bad. That and to cause the biggest ruckus with our fans while doing so. The relationship we share with you all and with our music has brought us to places we never dreamed of going; countries we never thought we’d step foot on, stages we only dreamed of playing. But the biggest impression left is the overwhelming sense of family that this scene has given us and let us be a part of. It’s helped us become the men we are today and, in a way, is partly responsible for different parts of our lives blossoming.

“After touring for over 10 years, living our lives on the road and on the stage, it’s time for us to go chase those other dreams that may have waited on a shelf. We’ve started families, careers, and new lives, all the while spending our nights sweating in a club or a Warped Tour parking lot with you and those sides of us and our lives need attention as much as Vanna did.

“Words can’t begin to express what you have all done for us. In keeping with always sharing ourselves with you, we now turn to you to share one last time with us. Let’s make this tour a celebration of every moment and memory as well as make a bunch of new ones with some amazing friends and bands.

“Come sing your hearts out and inevitably cry your eyes out with us as we leave a little piece of Vanna on every stage. This isn’t goodbye forever — it’s just a ‘We’ll see you around.’ Our music will be here whenever you need it; we truly love you and we will miss you all. But remember, all good things must come to an end, but all good things can begin again.
—Viva Vanna”

VANNA TOUR DATES:
8/9 — Toronto, ON — The Hard Luck $
8/10 — Pontiac, MI — Pike Room $
8/11 — Chicago, IL — Beat Kitchen $
8/12 — Columbus, OH — Double Happiness $
8/13 — Horseheads, NY — iMatter Fest
8/18 — Houston, TX — White Oak Music Hall %
8/19 — Dallas, TX — Dirty 30 %
8/20 — Austin, TX — Grizzly Hall %
12/15 — Worcester, MA — The Palladium

$ With Phineas, Ghost Key, BackWordz
% With Ghost Key, BackWordz

Travis Barker Presents: MUSINK a Three-Day Tattoo Convention, Car Show & Concert

TRAVIS BARKER PRESENTS: MUSINK

THREE-DAY TATTOO CONVENTION, CAR SHOW & CONCERT
MARCH 17, 18, 19 AT OC FAIR & EVENTS CENTER IN SOUTHERN CALIFORNIA
WITH PERFORMANCES BY NOFX, THE USED, BAD RELIGION, PENNYWISE & MORE
TICKETS GO ON SALE WEDNESDAY, DECEMBER 7 AT 10:00 AM PT
WITH SPECIAL $35 SINGLE DAY TICKETS, WHILE SUPPLIES LAST
The 10th annual MUSINK, presented by Travis Barker, is set for March 17, 18, and 19, 2017 at the OC Fair & Events Center in Costa Mesa, CA. The three-day tattoo convention, car show and concert is America’s largest tattoo and music festival, featuring hundreds of world-renowned tattoo artists, Famous Stars and Straps presents the Low and Slow Car Show, a vendor village and music from headliners NOFX, The Used, Bad Religion, Pennywise, and more.
A limited number of discounted early bird tickets for MUSINK will be on sale this Wednesday, December 7 at 10:00 AM PT, while supplies last. Single-day, full weekend 3-day passes, and a selection of VIP ticketing options will also be available for purchase. Tickets can be purchased and additional ticketing information can be found at http://www.MusinkFest.com.
MUSINK producer Travis Barker says, “Stoked to be bringing in the 10th year of music, tattoos and cars with such legendary bands as NOFX, Pennywise, Bad Religion and The Vandals.”
NOFX’s Fat Mike explains, “When I have a cold I like to listen to Muse and take lots of Zinc. So when I heard of the MUSINK festival I got stoked! “We gotta play it!” Unless of course, I get sick.”
Fletcher Dragge of Pennywise says, “Couldn’t be more stoked to be back playing MUSINK, one of the best festivals in Southern California, if not the best! Tattoos, music, cars, bikes, and never ending booze? How can it get any better? Always an insanely great party with good friends, awesome tattoo artists, and some of the best bands on the planet. It’s a no brainer! See you in the pit, fools!”
Dan Whitesides of The Used comments, “Hey everyone! We’re so excited to be playing MUSINK in 2017! Travis Barker and company have been so kind as to ask us to play and we couldn’t be more pumped! MUSINK is our first show back from being in the studio where we will be recording our new album. We love Orange County, LA and the surrounding areas so much, so please join us and get yourself a USED tattoo on your forehead while you’re at it. See you soon! Love, Dan”
The current music lineup for MUSINK is as follows:
Friday, March 17: NOFX, The Vandals, Lagwagon, A Wilhelm Scream
Saturday, March 18: The Used, Glassjaw, Goldfinger, Story of the Year, Hell or Highwater
Sunday, March 19: Bad Religion, Pennywise, Swingin’ Utters
The MUSINK tattoo convention will feature hundreds of world-renowned tattoo artists. Specific tattoo artists that will be inking are viewable at http://www.MusinkFest.com. In addition, the MUSINK vendor midway will include dozens of vendors.
MUSINK attendees are invited to check out Famous Stars and Straps presents the Low and Slow Car Show, which will display some of the best American classics and lowriders in Southern California, including some from Travis Barker’s own collection. Daily tattoo contests will take place during the car show as well.
Ticket prices are as follows:
Early Bird Single Day: $35
Early Bird Weekend Pass (3-Day): $99
General Admission Single Day: Starting at $45
General Admission Weekend Pass (3-Day): Starting at $120
VIP Front Of Stage & VIP Lounge:
$129 (per day, only sold as a single day option)
– 1 VIP Admission Ticket to day of choice, which includes access to: Music Concert, Tattoo Convention, Car Show, and Vendor Midway
– Access to Premier VIP area near the front of the stage
– Access to the Exclusive MUSINK VIP Lounge (21 & over only), which includes: complimentary beer & signature cocktails (while supplies last), several shaded areas to sit and relax, additional food & drinks available for purchase
Travis Barker Ultimate VIP Meet & Greet:
$299 (per day, only sold as a single day option)
– 1 VIP Admission Ticket to day of choice, which includes access to: Travis Barker Meet & Greet, Music Concert, Tattoo Convention, Car Show, and Vendor Midway
– 1 VIP Travis Barker Meet & Greet Laminate
– Access to Premier VIP area near the front of the stage
– Access to the Exclusive MUSINK VIP Lounge (21 & over only), which includes: complimentary beer & signature cocktails (while supplies last), several shaded areas to sit and relax, additional food & drinks available for purchase
– Travis Barker Meet & Greet Includes: Group Meet & Greet with Travis Barker, one on one photo, and one signed item (at designated time), limited edition MUSINK poster, one pair of exclusive Travis Barker Drum Sticks
All ages are welcome, and kids 7 years old and under get in free.
MUSINK hours are 3:00 PM – 10:00 PM on Friday, March 17, 12:00 PM – 10:00 PM on Saturday, March 18, and 12:00 PM – 9:00 PM on Sunday, March 19.
MUSINK 2017 is produced by Bill Hardie, Travis Barker, John Reese of Synergy Global Entertainment (SGE), and Sean Akhavan.
The OC Fair & Event Center is centrally located in Southern California, just off the 405 and 55 freeways at 88 Fair Drive in Costa Mesa. The venue is convenient to all in Orange County, as well as Los Angeles, San Diego, San Bernardino and Riverside Counties. John Wayne Airport in Irvine, CA is also easily accessible for those traveling from other parts of the U.S. and the world.
For more information on MUSINK, please visit:

Blu-Ray Review: “T.A.M.I. Show and The Big T.N.T Show”

“T.A.M.I. Show and The Big T.N.T Show”
Shout Factory
Producer: Brian Blum
2 Discs
Runtime: 205 Minutes

Our score: 4 out of 5 stars

Fans of classic rock and soul can now own the legendary concert film “T.A.M.I. Show” along with its long -lost and much requested follow up “The Big T.N.T Show” which is being released via Shout Factory on December 2nd. The two films are available together in standard DVD and High Definition Blu-Ray and will both come packaged with a special 36 page booklet containing rare photos and detailed essays written by Don Waller.

If the music of the mid 1960’s is your thing then the great folks over at Shout Factory have a stellar two disc package for you. The “T.A.M.I. Show and The Big T.N.T Show” will be available just in time for Christmas and will a welcome gift under the tree of any music fan. Together all on two disc watchers are treated to classic performances by the likes of The Rolling Stones, The Beach Boys and Ray Charles to name just a few. Mastered from a new High Definition transfer the show looks and sounds amazing No-where else will you be able to see such early footage from acts that would go on to define a generation. Not only do you get to see the likes of Chuck Berry and many others but they are back by none other than “The Wrecking Crew” one of if not these best studio/backing band every assembled!

From beginning to end the “T.A.M.I. Show and The Big T.N.T Show” collection is a hit. Not only are the performances spot on but so is the audio and video as well. After all the decorations and excitement of the holidays are gone these films will be a great thing to put on and enjoy some peace and quiet with the family as they will instantly transport you back to a generation and world that unknowingly was on the cusp of great change.

“T.A.M.I. Show” Performances
David McCallum- (I Can’t Get No) Satisfaction (instrumental
Ray Charles- What’d I Say
Petula Clark- Downtown
The Lovin’ Spoonful- Do You Believe in Magic, You Didn’t Have To Be So Nice
Bo Diddley- Hey Bo Diddley, Bo Diddley
Joan Baez- 500 Miles, There But For Fortune
Ray Charles- Georgia On My Mind, Let the Good Times Roll
Joan Baez w. Phil Spector- You’ve Lost That Loving Feeling
The Ronettes- Be My Baby, Shout
Roger Miller- Dang Me, Engine Engine #9, King of the Road, England Swings
The Byrds- Turn!Turn!Turn!(To Everything There is a Season), The Bells of Rhymney, Mr. Tambourine Man

The Big T.N.T Show” Performances
Jan and Dean- 9Here They Come) From All Over the World
Chuck Berry- Johnny B. Goode, Maybelle
Gerry and the Peacemakers, Don’t Let the Sun Catch You Crying, It’s Gonna Be Alright
Chuck Berry- Nadine
Gerry and the Peacemakers- Like It
Smokey Robinson and the Miracles- That’s What Love is Made Of, You’ve Really Got a Hold on Me, Mickey’s Monkey
Marvin Gaye- Stubborn Kind of Fellow, Pride and Joy, Can I Get a Witness, Hitch Hike
Lesley Gore- Maybe I Know, You Don’t Own Me, You Didn’t Look Around, Hey Now, It’s My Party, Judy’s Turn to Cry
Jan and Dean- The Little Old Lady (From Pasadena) Sidewalk Surfin
The Beach Boys- Surfin’ USA, I Get Around

 

Related Content

The Journeys Alternative Press Music Awards Fueled by Monster Energy Announces 2016 Award Show Categories & Nominees

THE JOURNEYS ALTERNATIVE PRESS MUSIC AWARDS
FUELED BY MONSTER ENERGY

ANNOUNCES 2016 AWARD SHOW CATEGORIES & NOMINEES

EARLY BIRD TICKETS ON SALE NOW – ALL TICKETS ON SALE APRIL 4th
VOTE FOR YOUR FAVORITE ARTISTS NOW!

2016 APMAS * JULY 18, 2016 * COLUMBUS, OH
LIVE FROM SCHOTTENSTEIN CENTER

Honorees, Presenters, Performers and More Coming Soon:
WWW.ALTPRESS.COM/APMAS

As announced last month, the 2016 Journeys Alternative Press Music Awards, Fueled by Monster Energy will air live on TV and social media on the evening of July 18th from Schottenstein Center in Columbus, OH (555 Borror Dr., www.schottensteincenter.com). Displaced due to the Republican National Convention taking over its hometown of Cleveland, Alternative Press will stage their own Punk Rock Convention, hosted by Alex Gaskarth and Jack Barakat of eight-time AP cover stars All Time Low.

Although many of Alternative Press’ young readers may not be able to vote in the upcoming U.S. election, those same readers (in addition to music fans all around the globe) can let their voices be heard by voting for their favorite artists at the Alternative Press Music Awards! Voting is open now – in fact, during the past 16 hours, over 50,000 votes have been cast from 113 different countries around the world (including all 50 U.S. states). This is more than double the first round voting numbers within the first 24 hours from 2015.

See below for the official list of newly announced award categories and nominees, and visit the Vans Voting Site at www.altpress.com/apmas to cast your vote.

Best Vocalist:
1. Alex Gaskarth – All Time Low
2. Patrick Stump – Fall Out Boy
3. Kellin Quinn – Sleeping With Sirens
4. Lzzy Hale – Halestorm
5. Corey Taylor – Slipknot
6. Caleb Shomo – Beartooth

Best Drummer Presented By DW Drums:
1. Maxx Danziger – Set It Off
2. Loni Robinson – letlive.
3. Dani Washington – Neck Deep
4. Aaron Gillespie – Underoath
5. Jerod Boyd – Miss May I
6. Christian Coma – Black Veil Brides

Best Bassist Presented By Razor & Tie:
1. Skyler Acord – Issues
2. Ryan Neff – Miss May I
3. Matthew Taylor – Motion City Soundtrack
4. Ralph Sica – Being As An Ocean
5. Ahren Stringer – The Amity Affliction
6. Kelen Capener – The Story So Far

Best Guitarist:
1. Jack Fowler – Sleeping With Sirens
2. Kevin Skaff – A Day To Remember
3. Chad Gilbert – New Found Glory
4. Misha Mansoor – Periphery
5. JB Brubaker – August Burns Red
6. Kellen McGregor – Memphis May Fire

Artist Philanthropic Presented By Hopeless Records and Sub City:
1. Jake Luhrs – HeartSupport
2. Andrew McMahon – Dear Jack Foundation
3. The Used – Living the Dream
4. You Me At Six – Passport Back To The Bars, The Ghost Inside U.K. Fundraiser, PETA
5. The Wonder Years – Puppies Behind Bars, After School All-Stars, The Herren Project, Futures Without Violence
6. This Wild Life – National Breast Cancer Foundation

Most Dedicated Fanbase Presented By Fearless Records:
1. The Ghost Inside
2. New Years Day
3. Issues
4. PVRIS
5. The Maine
6. Mayday Parade

Song Of The Year Presented by Epitaph Records:
1. Pierce The Veil – “The Divine Zero”
2. Panic! At The Disco – “Hallelujah”
3. Of Mice & Men – “Would You Still Be There”
4. State Champs – “Secrets”
5. Falling in Reverse – “Just Like You”
6. Never Shout Never – “Hey! We OK”

Best International Band:
1. Babymetal [Japan]
2. Marianas Trench [Canada]
3. Parkway Drive [Australia]
4. One OK Rock [Japan]
5. As It Is [United Kingdom]
6. You Me At Six [United Kingdom]

Best Underground Band:
1. Moose Blood
2. Tiny Moving Parts
3. Creeper
4. Too Close To Touch
5. ROAM
6. Cane Hill

Breakthrough Band:
1. State Champs
2. Set It Off
3. Knuckle Puck
4. I Prevail
5. New Years Day
6. Neck Deep

Best Live Band:
1. Slipknot
2. Issues
3. Neck Deep
4. Beartooth
5. Motionless In White
6. Attila

Best Music Video Presented By Journeys:
1. Twenty One Pilots – “Stressed Out”
2. Panic! At The Disco – “Emperor’s New Clothes”
3. August Burns Red – “Identity”
4. State Champs – “If I’m Lucky”
5. The Wonder Years – “Cardinals”
6. All Time Low – “Something’s Gotta Give”

Artist Of The Year Presented By Monster Energy:
1. Real Friends
2. PVRIS
3. Fall Out Boy
4. Twenty One Pilots
5. Beartooth
6. All Time Low
7. Motionless In White
8. Slipknot
9. Panic! At The Disco
10. Sleeping With Sirens

Album Of The Year Presented By Journeys:
1. Bring Me The Horizon – That’s the Spirit
2. All Time Low – Future Hearts
3. Twenty One Pilots – Blurryface
4. Knuckle Puck – Copacetic
5. The Maine – American Candy
6. Sleeping With Sirens – Madness
7. State Champs – Around The World And Back
8. August Burns Red – Found In Far Away Places
9. Marilyn Manson – The Pale Emperor
10. Neck Deep – Life’s Not Out To Get You

Watch all of the exclusive Journeys Alternative Press Music Awards nominee announcement videos here, hosted by Tonight Alive’s Jenna McDougall and Set It Off’s Cody Carson.

Alternative Press Music Awards Early Bird tickets are on sale now – visit THIS LINKto grab yours! General sale tickets will be available through Ticketmaster beginning April 4th. In addition, the APMAs is partnering with PromoWest Fest (www.promowestfest.com, Columbus, OH, July 15-17), so tickets will also be available via their box office through Ticketmaster.

“Columbus is a huge music city, so we’re excited to host the APMAs this year. The date aligned perfectly with PromoWest Fest and we are working with the APMAs to leverage our two events to create a 4-day weekend that showcases top artists and music industry professionals. Stay tuned for some surprises,” states Becky Long, Vice President of Sales & Brand Marketing at PromoWest Fest.

Details regarding tickets and VIP packages, honorees, presenters, performers, pre-show parties, red carpet appearances, and more will be available soon via www.altpress.com/apmas.

Each Alternative Press Music Awards show has featured some of the greatest artists in modern music, ranging from today’s biggest rock stars such as Fall Out Boy, Paramore, Panic! At The Disco and Weezer, to musical legends such as Aerosmith’s Joe Perry, Slash, Joan Jett & The Blackhearts, Smashing Pumpkins and Ice-T. Countless renowned artists such as Rob Zombie, Blink-182, Twenty One Pilots, Taking Back Sunday, All Time Low, Motionless In White, Run of RUN DMC, Bring Me The Horizon, and beyond have appeared at the APMA’s, with spectacular performances from artists including (but not limited to) New Found Glory, Yellowcard, A Day To Remember, Against Me!’s Laura Jane Grace, Motion City Soundtrack and more. Additionally, the APMA’s is recognized for presenting collaborative cover performances unlike music fans have ever seen before, like Joan Jett and Slash teaming up to perform “Star Star” by the Rolling Stones, Asking Alexandria performing Duran Duran’s “Hungry Like The Wolf” with Jonathan Davis of Korn, Halestorm and Slipknot/Stone Sour vocalist Corey Taylor covering Temple Of The Dog’s “Hunger Strike”, and many more.

Last year’s event – which took place July 22, 2015 at Quicken Loans Arena in Cleveland – was a massive victory for the music community, garnering unprecedented support demonstrated by a staggering 15.7 billion total media impressions (over seven times the impressions of the 2014 show). Last year’s event also earned the title of “The GRAMMYs of Alternative Music” by TIME Magazine. The 2015 Alternative Press Music Awards achieved over 1 million views on AXS TV, and over 3 million views on YouTube. Re-live 2015’s best moments via the highlight reel here.

Building upon the success of last year’s event, the APMAs is thrilled to once again be supported by returning title sponsor Journeys, a leader in the teen specialty retail scene focused on lifestyle-driven branded footwear and accessories in over 800 stores across all 50 states, Puerto Rico and Canada. In addition to Journeys, the APMAs also welcomes fellow sponsors Monster Energy, CreativeLive, DW Drums, CD Baby, Disc Makers, Rise Records, Eleven Seven Music, Better Noise Records, Musician’s Institute, Earthquaker Devices, Razor & Tie, Hopeless Records, Sub City, Ernie Ball, Epitaph Records, Equal Vision Records, Merch Now, Vans and Fearless Records.

Don’t miss the 2016 Alternative Press Music Awards and your chance to cast your vote for your favorite bands! Check www.altpress.com/apmas over the coming weeks for new announcements and information.

The APMAs are produced by Mike Shea, Joe Scarpelli, Josh Bernstein, Kevin Lyman and Marc Grant.

DVD Review “Strawberry Shortcake: Berry Best in Show”

Number of discs: 1
Rated: NR (Not Rated)
Studio: 20th Century Fox
DVD Release Date: May 12, 2015
Run Time: 67 minutes

Our Score: 3.5 out of 5 stars

When I was a kid, I remember growing up with the 80’s version of “Strawberry Shortcake”. This new version is really colorful and cute for kids today. My daughter is in love with this show and rocks out totally to this series’ opening song. Fox has been slowly releasing this episodes on DVD and this is the latest. “Berry Best in Show”” contains three episodes from the “Strawberry Shortcake” series: “Partners in Crime”, “A Boy and His Dogs” and “The Mystery of the Disappearing Dog Show”. If you are a fan of this show this is another great release.

Official Premise: Join Strawberry Shortcake and some new furry friends in these delightful “tails” about being yourself and encouraging others to do the same. During his road trip to find homes for his orphan puppies, Huckleberry Pie and his four-legged crew get stranded in Berry Bitty City. Luckily, Strawberry and her berry best pals decide to help out with the strays in “A Boy and His Dogs.” Blueberry Muffin and Huck become “Partners in Crime” when they try to write a mystery story together…with surprising results. And the fur is sure to fly when the girls try to help Huck start a dog shelter in “The Mystery of the Disappearing Dog Show.” It’s a howling good time with sweet doggy delights for everyone!

Accompanying the DVD, there are some decent bonus features including Printable Coloring Pages and also a digital copy of the episodes. I think this is a very important and welcomed feature having the digital copy for this series. I hope they continue it in the future. Also included for a limited time is a copy of the app “Perfect Puppy Digital Story Book” by Cupcake Digital, Inc. My daughter is in love with this app and has been playing it non-stop on my phone. Looking forward to the next release in the series.

CD Review: Rob Zombie “Spook Show International Live”

Rob Zombie
“Spook Show International Live”
T-Boy Records
Produced by: Rob Zombie
Tracks: 19

Our Score: 5 out of 5 stars

“Spook Show International Live” is the latest release from Rob Zombie and his make-up clad crew of homicidal maniacs. The first live release from Zombie in 8 years consists of 19 pounding tracks that contain enough power to wake the dead. Recorded during the “Venomous Rat Regeneration Vendor” tour Rob and his band deliver their signature show right to your living room.

This is the way Rob Zombie should be heard! Yes all the studio versions of the songs contained on “Spook Show International Live” good in their own right but this is how they should really be heard. Each of the 19 tracks are vibrant and clear allowing the listener to experience the power of the band as if they are standing in the front row of a live show. Signature RZ tracks like “Living Dead Girl” and “Never Gonna Stop” blend in perfectly with newer tracks such as “Sick Bubblegum” and “Dead City Radio” while White Zombie classics such as “Thunderkiss ‘65” and “More Human Than Human” round out an already impressive set list along with some other really special numbers. Even the background vocals can be heard clearly through the heavy distortion and bombastic drums and bass adding to the albums appeal.

Whether you have seen Rob Zombie multiple times or never had the chance you need to get this album. Very rarely can the true essence of a live performance be captured and then transferred for personal listening however “Spook Show International Live” goes the extra mile and then some giving listeners something they can listen to time and time a again.

Track Listing:
1.) Teenage Nosferatu Pussy
2.) Superbeast
3.) Living Dead Girl
4.) Dead City Radio
5.) Drum Solo
6.) More Human Than Human
7.) Sick Bubblegum
8.) House of 1000 Corpses
9.) Meet the Creeper
10.) Never Gonna Stop
11.) Blitzkrieg Bop
12.) Thunder Kiss ‘65
13.) Jesus Frankenstein
14.) Were An American Band
15.) Dragula
16.) Demonoid Phenomenon
17.) Pussy Liquor
18.) Demon Speeding
19.) Ging Gang Gong De Do Gong De Laga Raga

 

Related Content

Book Review “Disney Minnie: Minnie’s Winter Bow Show”

Age Range: 3 – 5 years
Grade Level: Preschool – Kindergarten
Paperback: 24 pages
Publisher: Disney Press
Release Date: September 16, 2014

Our Score: 5 out of 5 stars

It is getting to be that time of the year! Fall is already here and we are entering the Holiday season. My two year old daughter loves nothing more than Minnie Mouse and especially Minnie’s Bowtique on Disney Junior. “Minnie’s Winter Bow Show” is the latest book in the series and is based on a movie event airing on Disney Junior this Winter (or on DVD November 4th). This is already going to be an instant classic in your house. The book is so incredible colorful and come stocked with 70 special sparkly stickers!

Official Premise: Minnie’s Winter Bow Show is quickly approaching-Minnie needs to make preparations, but she also needs to keep an eye on her two rambunctious nieces, Millie and Melody. One morning, the twins are playing in the glove balloon when it suddenly flies off with Minnie in tow! The balloon takes them on a wild winter wonderland adventure all the way to the Clubhouse North Pole! Will Minnie be able to make it back to her Bow-tique in time for her Winter Bow Show?

 

Related Content

Cradle of Filth’s Dani Filth talks about debut album “The Great and Secret Show” with Devilment

Dani Filth is best known as the founder and lead vocalist of the metal band Cradle of Filth. Filth’s newest musical endeavor goes by the name Devilment whose debut album title “The Great and Secret Show” will be released on October, 31st via Nuclear Blast Records. Media Mikes spoke recently with Dani about the new release, working with Bam Margera and the group’s upcoming tour with Motionless in White.

Adam Lawton: Can you give us some background on the formation of “Devilment”?
Dani Filth: A couple of years ago I met up with Daniel Finch and he asked me if I would be interested in working on a project with him. Over the course of those years the project has sort of grown and grown and flourished into a full blown band. All the members of the band live in pretty close proximity of one another and we are now set to release our first album. Scott Atkins who worked on the last Cradle of Filth album jumped on board helping with the recording process and we have been picked up by Nuclear Blast Records. Paul Ryan who was the original guitarist for Cradle of Filth is our manager/booking agent. He also is booking for Cradle of Filth now as well. We are keeping a lot of things in house with this project.

AL: What is it that you want to accomplish with this new album/band?
DF: It’s vastly different than Cradle of Filth. It’s a totally different entity in that’s its completely original. Each of the band members has their own unique perspective on metal and music in general. Our keyboardist Lauren doesn’t come from a metal background at all though she has come to appreciate it. Six of us have come together to create this unique thing. It is more riff driven and somewhat in the vein of Rammstein or White Zombie. The songs have more of a heavy groove to them. Lauren has brought this John Carpenter type vibe to the whole thing which is really great. The music is definitely in the realm of horror.

AL: With the music being different from your work with Cradle of Filth did you take a different creative path during the writing/recording process?
DF: Not overly. Cradle does a lot of stuff via the internet and then we all get together when needed for touring and such. With Devilment everyone lives locally unlike Cradle where members are literally spread across the world. Having everyone so close has made the experience different, as has writing in a lower key. Though I still write the same way as I always have I do approach the Devilment material a bit differently. I am a little more contemporary with the choruses and such. I don’t like to say it but the material has almost a pop sensibility.

AL: For the digi-pack release of the album you recorded a cover of Midnight Oil’s “Beds are Burning” can you tell us about that and, how Bam Margera ended up also on the track?
DF: That song comes wasn’t meant to be included on the 10 track version of the album. This song will be included on the special version along with two other songs. It sounds a little odd just because of the nature of the song. The original is a fucking awesome song and just very catchy. We have made it a bit heavier and added some keys to it as well. It has this “Exorcist”/”Tubular Bells” vibe to it. I chose Bam to sing on it because he actually owed me a favor. I sang at his wedding in Iceland last year so I thought I would return the favor. He went in to the studio with a producer in Philadelphia and his parts sound really great. The song has these kind of call and response portions to it. Bam sounds a lot like Pete Steele. It’s a very interesting and powerful track.

AL: Can you tell us about the upcoming video for the song “Even Your Blood Group Rejects Me”?
DF: The video is black and white with a splash of red every now and then. We worked with a photographer/video director named Scott Hunter. The video has a very cool fashion shoot vibe to it. It looks very contemporary and fresh. There is a lot of performance based elements that look really great. The way everything came together makes it one of those videos you have to watch a couple times just to be able to see everything.

AL: What type of tour plans do you have in place thus far?
DF: Cradle of Filth is heading out on the road prior to heading in to the studio in December. We will be in Russia for about a month then I have a few days off before hitting the road with Devilment. We will be out supporting Motionless in White and Lacuna Coil. That’s going to be a fresh experience for me being that we are not the headlining act. It’s going to be a big tour. This is Motionless in Whites first time in Europe.

AL: You just did a track with Motionless in White for their new album correct?
DF: Yes. That was actually unrelated and happened prior to the tour being announced. I suppose it garnered some favor. The song is called “Puppets 3” and it’s quite brutal. I was quite surprised because I knew of Motionless however I hadn’t really heard them. When I heard the track I thought it was a cross between early Cradle and At the Gates.

AL: Do you find it hard balancing your two groups due to them being quite different from one another?
DF: At the moment yes. The time factor has made things a bit tricky as we will be heading to Russia with Cradle, then I go out with Devilment and then come back to work with Cradle in the studio. There’s a lot of hard work ahead. Nuclear Blast has done a great job keeping me busy with press for Devilment it’s really great. It’s a bit hectic but it’s better than sitting around being bored.

Mike O’Meara & Robb Spewak talk about their podcast “The Mike O’Meara Show”

“The Mike O’Meara Show” is a daily podcast available through their website or iTunes. The show is hosted by Mike O’Meara and includes Robb Spewak and Oscar Santana. The show is also streamed via video through their website or Ustream. Media Mikes had a chance to chat with Mike O’Meara and Robb Spewak to chat about the podcast.

Craig Kish: Throughout your careers in broadcasting you were just a W-2 employee of a major corporation, and now you guys are co-owners of your own small business. How has that transition been, going from just worrying about your day to day duties as compared to being concerned with about all aspects of the show?
Mike O’Meara: I can’t speak for Rob, but I had an experience on my own for a very brief period of time back in the 1980’s when I left a small radio station company to run my own production company. I did contract production actually before I started working with Don. So I had a taste of it and I liked it. I liked the fact that I was independent of a corporation, but unfortunately that did not allow me to continue because the money just wasn’t there. So I ended up getting back into radio on the talent side; I had it on the management side. So, I had a taste of it – but this is much different because we are able to do it on our own but still as a collaborative effort. We have such a great group of guys and we kind of narrowed it down in the last year. We have more of a little circle but we all know what are jobs are and our responsibilities are and it’s just a lot of fun. Watching it grow is even more fun because we know that the circle is small – that if the show does well that we are all going to do well. So it’s a tremendous thrill for me.
Robb Spewak: And to add to that. It’s always been an exciting job for me; I love what I do. I think Mike will agree with me that in the past four years it’s probably been even more exciting because we are working so directly with our partners. It’s not diluted by the fact that before we make a decision we no longer have to go through three levels of management in New York City. It’s three guys making a decision and is much more immediacy, much more excitement, and it’s been a lot more fun than the last year we had on the terrestrial side.

CK: How has the change from being just co-workers previously to now being co-owners and running the show yourselves changed your relationship between each other?
Mike: Well, Rob talked about the fact that we don’t run things up the flag pole with management and all the different layers, but at the same time the three of us – Mike, Rob and Oscar – when we come in every morning anybody that had anything that’s great material that they think – not that I think but they think – is great material, it gets on the show and if It doesn’t it’s an oversight on my part because I just forgot it. But there is total creative flexibility with these guys as well as myself. We bring whatever we want into the show on a daily basis and if it’s good material we try to get to it. Sometimes I am guilty of not getting to everything in the 79 minutes or so we do the show. I really love it when one of the other two guys comes in with something special and we can go in a totally different direction. But as far as the content for the bulk of the show, now it really is a collaborative effort as well.
Rob: Having worked with mike the past 20 years I’ve gotten to know him better the past 4 years because of the freedom we have in the show. Sometimes we can really spin out and really be ourselves and show different sides of us that you never saw before.
Mike: It’s not like on the old radio show we didn’t have to pre-approve content. But after the fact you would never know where the fallout was going to be and if you said something. Especially after the whole Janet Jackson incident we were so scrutinized and we had meetings about standards in what we could say and what we couldn’t say and once your trained that way you never forget it and our shows are inherently broadcast friendly. But with just a little more freeform that allows you to relax. We relax; we work hard and always thinking about creating good content. It’s a relaxed atmosphere and we have confidence that the material we are providing is being well received by our audience and that is the most important thing to us.
Rob: It’s almost impossible to be spontaneous and funny when you have to second guess yourself before you say something. That was the environment we left when we left terrestrial. We probably didn’t have to be that way but it was so drummed into us like Mike said and now we are a little more relaxed with our presentation because we are just being ourselves more the less. I think the show is funnier because of it.

CK: We talked about how you guys go through the show day to day and how it’s been a change versus terrestrial radio. I know your broadcast on 1630 (A.M.) in Iowa, and you had another station you were broadcast on and the station just recently dropped off, right?
Mike: That was WTNT here in Washington D.C. The show is formatted for radio so if there is a fit out there that wants us and we felt it would be good for us we would do it. So we tried an experiment with WTNT that was not a fit basically because of the absolutely abysmal signal at WTNT. They had a format change coming up at the same time and they had overtures to go bring us to this other signal they had. I think we are done with that experiment. If we are going to be on in a market I’d rather be on in a market that has better coverage. We tried it with WTNT and do we regret it? No, but I also thought when they said that they wanted to make a change as far as moving us to another signal, I said, “Yea I think that experience is over now.” We always keep the door open to get this particular incarnation of the show on radio. I like radio, but the show from this point forward will pretty much be “they will take what we give them and if they don’t want it, oh well.” There are not a lot of program directors out there that like to do that. They want to do their own thing, and it’s tough to find a fit in this day of right wing talk and sports talk, too. It’s very tough to find the right station, but I am always curious about it and I will always entertain it. We will never shut the door on that at all, but at the same time our primary audience is our online audience and that is the foundation of the show and the way it works now.

CK: So you don’t actively shop the show to terrestrial companies?
Mike: I don’t actively shop the show, but at the same time I am connected, Rob has connections in the business, and you never know – but I can see the show sometimes being on some radio station. If someone got creative again then it becomes a possibility, but as far as actively pursuing – no. The active thing we are focused on is our online following and catering to the online following. That’s why we developed a new website in November and we restructured how we deliver our premium content as well. And, we focused on our business operation – making that better and more customer friendly and improving our customer support. The online community is we really were making most of our efforts.
Rob: To take a step back, I think for myself I was pleasantly surprised after launching the show. My thought was after launching the podcast the next natural step would be to be picked up on radio station. After we stayed at it for a couple of years we realized how much passion and support we received from the online community. The radio tie-in seemed to me anyway less important because the passion that existed for the show was more that I could have imagined. Something that I really come to love and enjoy about doing the show is that being online allows a, for lack of a better word, more “intimate” relationship with the listener we never had a chance to have before. Like Mike had said before, we will never shut the door to radio – but I am much more enthusiastic about our internet presence than I was when we launched the show. I just didn’t realize the passion was there.
Mike: Going forwards in a perfect world I would love to gather more listeners on a daily basis. We are always looking for new and innovative ways to do that. As we move forward we are continuing to focus on doing that. We know we have a great product and we want to expose the product online to as many people as we possibly can and set the hook in as many mouths as we can too. We know we have a fun thing and if we can hook you on it we can make you part of the family. That is really the way we see our listeners – as one big extended family. People communicate with us like we are relatives, not like we are doing a radio show – so that’s what we want to do. We want to try and get the word out, if we can get more and more people to get involved we can keep this thing successful for a long time and keep doing it for a long time.

CK: Where do you see the show going in the future? Are there any projects you are working on, or anything you haven’t implemented in the show yet?
Mike: The future of the show is going to involve some technological changes. It is going to involve a lot more travel. It’s going to involve a lot more location broadcasts, starting with the Consumer Electronic Show (UPDATE: this was in January, and the broadcasting was fantastic!). We are going to be having the equipment installed in everybody’s domiciles. It’s not going to be concentrated in the living room studio and we are very excited about the fact that we don’t really lock in where we are going to travel to. You know where the show is going to be broadcast from but you are going to see a lot more different locations from different guys. We had a lot of fun with Oscar in China, all of us in Maine and me alone in Maine last year. You are going to get a lot more of that. I think that is going to bring a lot more excitement and diversity to the show. We are really looking forward to that!

 

Related Content

DVD Review “Regular Show: Rigby Pack”

Starring: William Salyers
Studio: Cartoon Network
Release Date: September 9, 2014
Run Time: 176 minutes

Our Score: 3.5 out of 5 stars

If you watch “Regular Show”, you probably love the character of Rigby just like I do. If you do they the latest DVD of Cartoon Network’s hit show “Regular Show: Rigby Pack” is definitely for you. I had a chance to interview the voice behind the character last year, William Salyers, click here to read interview and he is just the coolest guy ever!

“Regular Show: Rigby Pack” is actually the eighth DVD release of “Regular Show”. It features a collection of sixteen episodes from spread out from seasons one through five of the show. Complete episode list are “Bank Shot”; “Don”; “Temp Check”; “Rigby in the Sky With Burrito”; “Return of Mordecai and the Rigbys”; ; “Wall Buddy”; “Survival Skills”; “One Pull Up”; “This Is My Jam”; “Trash Boat”; “A Bunch of Full Grown Geese”; “Journey to the Bottom of the Crash Pit”; “The Heart of a Stuntman”; “Fool Me Twice”; “Sandwich of Death” and “Rigby’s Body”.

Last year Cartoon Network released the complete first season on Blu-ray and there hasn’t been a peep of when season two will be released yet alone all the way through season five. As much as I love these themed released, I really hope that they get on track with the complete seasons and start cranking them out on Blu-ray. Until then you can get your “Regular Show” fix with this great collection of amazing episodes!! WOOOOOAAAAHHHHHH!!!!

Blu-ray Review “The Zombie Horror Picture Show”

Actors: Rob Zombie
Directors: Rob Zombie
Rated: Unrated
Studio: UMe
DVD Release Date: May 19, 2014
Run Time: 81 minutes

Our Score: 4 out of 5 stars

“The Zombie Horror Picture Show” is the first concert film from musician/director Rob Zombie. The 81 minute feature-length concert film was recorded over two nights in Texas and captures Zombie’s elaborate, multi-media production of mind blowing effects, animatronics robots and pyrotechnics combined with Rob’s powerhouse band featuring John 5, Piggy D and Ginger Fish. The film is being released via UMe and is available in both DVD and Blu-ray formats.

Finally Rob Zombie has decided to capture not only his power live sound but his over the top visual presentation which fans all around the world have to come to expect and love. “Rob Zombie: The Zombie Horror Picture Show” is a bombastic assault on your senses as the bands takes you on a 81 minute musical journey with songs spanning Zombies 20+ year career. The overall look of the film may be a bit chaotic at times but fans of Rob’s work with White Zombie and his subsequent solo career know what to expect.

The sound of the film is top notch only adding to the appeal as songs like “Superbeast”, “Sick Bubblegum” and the semi acoustic “House of 1,000 Corpses” blast through the speakers with clarity while still retaining that live concert feel. My only complaint is that the special features portion of this release is almost non-existent. Included in this section you do get some pretty cool still photos courtesy of Rob Fenn however with this being Zombies first concert film it would have been cool to include some behind the scenes footage and/or band interviews to help make this the total package.

Track Listing:
1.) Teenage Nosferatu Pussy
2.) Superbeast
3.) Super Charger Heaven
4.) Living Dead Girl
5.) We’re An American Band
6.) More Human Than Human
7.) Sick Bubblegum
8.) Never Gonna Stop
9.) Ging Gang Gong De Do Gong De Laga Raga
10.) Meet the Creeper
11.) Angry Red Planet
12.) Mars needs Women
13.) House of 1,000 Corpses
14.) Lords of Salem
15.) Dead City Radio and the New Gods of Super Town
16.) Thunder Kiss ‘65
17.) Dragula

Concert Review “Sandy Hackett’s Rat Pack Show” Kansas City, Missouri

Sandy Hackett’s Rat Pack Show
Kauffman Center for the Performing Arts
Kansas City, Missouri
May 27 – June 1, 2014

Our Score: 4 out of 5 stars

Ah, Las Vegas in the 1960s. It still had the lure of mystery and DEFINITELY wasn’t kid friendly. If you were lucky, you could head to the Sands Hotel and take in the hottest show in town featuring a quartet of entertainers whose talents could never be topped. They were known as the Rat Pack – and for a few hours in Kansas City, they were back!

We were greeted by the jovial “voice of God.” And if you’re in Las Vegas who better to portray your deity then Buddy Hackett. As the voice of the late, great comedian comes through the speakers the audience is transported back five decades. The spotlight hits center stage and there they are: Funny man Joey Bishop (Sandy Hackett), the “King of Cool,” Dean Martin (Tom Wallek), the “Candyman,” Sammy Davis, Jr. (Louie Velez) and, of course, the “Chairman of the Board,” Francis Albert Sinatra (Danny Grewen). After a group opening number, entitled “Hello Again,” the audience is treated to some great one liners courtesy of Joey/Hackett. The son of the great Buddy Hackett, the comedy genes run deep in this family. The timing is spot on as is the quick wit, evident when some “Kansas City” themed jokes appear. The rest of the first act relies on the banter between Dean and Sammy as the two trade musical numbers. The act ends with the silhouette of Sammy bathed in light.

Act two welcomes Frank back to the stage. After a great medley of some signature songs (“Come Fly With Me,” “You Make Me Feel So Young,” “Fly Me to the Moon”), Frank takes a quiet moment to think about the one that got away. This brings on an appearance by “Frank’s One Love” (Lisa Dawn Miller, like Hackett a producer of the show) Miller is the daughter of song writing legend Ron Miller, whose songs include “Touch Me in the Morning,” “I’ve Never Been to Me” and “For Once in My Life,” which Frank performs in the show. The rest of the act consists of more laughter and music.

I’m very fortunate (and old) in that I had the great opportunity to see both Frank Sinatra and Sammy Davis, Jr. perform before they passed away. With those memories in my head I naturally compared that experience to the one I had at this show. And I wasn’t disappointed. Grewen has that smooth, clear quality that made Sinatra extraordinary and Velez was spot-on perfect as Sammy Davis, Jr. Ms. Miller belted out her number with gusto, making herself a proud member of the group. If there was any disappointment it came courtesy of Tom Wallek’s Dean. He had the look and the mannerism’s down, but the voice just wasn’t right. During the on stage banter he sounded more like Johnny Carson then Dean Martin. A little quibble maybe, but something that someone like me, who grew up watching, and own on DVD, Martin’s classic television roasts. That being said, “Sandy Hackett’s Rat Pack Show” is a must-see for anyone that wants to recapture those magical days of yesterday!

 

Related Content

DVD Review “The Bob Newhart Show: The Complete Series”

Actors: Bob Newhart, Suzanne Pleshette, Marcia Wallace
Directors: Peter Bonerz
Number of discs: 19
Rated: NR (Not Rated)
Studio: Shout! Factory
DVD Release Date: May 27, 2014
Run Time: 3180 minutes

Series: 5 out of 5 stars
Extras: 3.5 out of 5 stars

Dr. Hartley will see you now… Shout! Factory is bringing the The Complete Series of “The Bob Newhart Show” home to you in a spectacular 19-DVD box set. This iconic TV show is still relevant and extremely funny today. Bob Newhart has always been a riot and even still continues to co-starring recently in CBS’ hit sitcom, “The Big Bang Theory”. Originally airing on CBS from 1972 to 1978, this show is no question of the best television shows of all-time. I feel that if a show is able to still be this funny after all these years that it deserves to be considered a legend. I look at TV today in disgust as our programming is garage compared to real shows like “The Bob Newhart Show”. This is a must for an true classic TV fan out there.

Official Premise: This sitcom classic stars the incomparable Bob Newhart as Dr. Robert Hartley, a Chicago psychologist who finds himself surrounded by some unusual and neurotic characters on the job, as well as at home! Hartley faces an uphill battle to not lose patience with his patients, but with the support of his quick-witted wife Emily (Suzanne Pleshette), you can count on him to conduct a healthy session of laugh therapy in all 142 episodes of The Bob Newhart Show. An outstanding supporting cast is on call to back up Newhart and Pleshette, including Bill Daily (I Dream of Jeannie), Peter Bonerz (Man on the Moon), Jack Riley (Rugrats, Spaceballs), and Marcia Wallace (The Simpsons).

The box set includes new interviews with Bob Newhart, Jack Riley, Bill Daily, Peter Bonerz, and Michael Zinberg called “Group Therapy” (2014). There is “The Bob Newhart Show 19th Anniversary (1991)” special included, which is a one-hour clip show which finds the show’s characters in the present day. There are audio commentaries tracks with Bob Newhart, Marcia Wallace, David Davis, Peter Bonerz, Fred Willard, Jim Burrows, Suzanne Pleshette, Tom Poston and Jack Riley. There is a very funny Gag Reel included. Lastly there is a 40-page collectible booklet wrapping up this fine release.

William Shatner talks about his one-man show “Shatner’s World”

Photo Credit: Manfred Baumann

You might know William Shatner as Captain Kirk from “Star Trek: The Original Series”, or Denny Crane from “Boston Legal”, either way the man is a legend in the business. At age 83, he is still going strong and has tackled everything from acting to theatre to being an author. In 2012, he returned to the stage on Broadway with his one-man show, “Shatner’s World”. Since then he took the show on tour and now it will be playing in movie theaters for a special engagement on April 24th through Fanthom Events. Media Mikes had the special privilege to chat with Mr. Shatner about the show and his outstanding career.

Mike Gencarelli: You took “Shatner’s World” from Broadway, then touring and now to cinemas; what has been the highlight for you this journey?
William Shatner: The highlight is at the end of the evening…I think I am safe in saying that at every performance that I have done, the audience had stood up and applauded at the end. The emotion that comes over the footlights between me and the audience has moved me to tears many times. The audiences affection at the end of the evening is palpable and that is truly the highlight for me, Mike. And for the price of a movie ticket, you can see a Broadway play in theaters. This is a live capture of the Broadway play and it will be released in 700 theaters and you can see it for the price of only a movie ticket. So you can’t beat that.

MG: “Shatner’s World” calls back to your roots starting off in theatre; how was it returning back to that setting?
WS: I have been asked for years, since the last time I was on Broadway, to come back and do a play and in some cases a musical. But they needed to get at least a six month commitment and I didn’t have that time available. So I thought “I guess that’s it for me and Broadway”. But within months of saying that came an opportunity to go back to Broadway with this show and I even was able to go to the the exact theater where I was for my last Broadway play. So the irony of that, or the beautiful or symmetry of that is not lost on me.

Photo Credit: George Qua-Enoo Photography

MG: What was the the name of that last Broadway show?
WS: It was “A Shot in the Dark” with Julie Harris…many years ago.

MG: In “Shatner’s World”, you mentioned several struggles on your career early on; what would you say is your defining moment?
WS: I have the kind of career that was a slow build. Every time something sensational was going to happen it didn’t work out that way it was suppose to. There was this slow wave of attention and activity that I think actually climaxes in this one-man show. To go on stage alone for an hour and a half to two hours and hold an audience and get the kind of reaction I’ve been am getting, that is the cumulation of years of experience and attention. It didn’t happen suddenly, there was no defining moment. Instead, there was a series of small wavelets as apposed to a tsunami.

MG: Having such a full career, what were some of the hard decisions you had to make to cut out in order to get this show down to an hour and a half?
WS: There were many parts that didn’t make it, especially getting the show ready for Broadway. I had to sharpen and refine and reduce it to it’s supreme moments, if you will, where it epitomizes everything that I wanted to say. Not only stories but also extraneous words, so it is a difficult process. The core of this show was to say “Yes” to life. To give this idea, this concept, that life is precious and needs to be embraced with both ears and smothered by you because it is over so quickly. So the stories that went along with that core were the stories that I kept.

MG: I loved the energy that you brought to the stage; how do you channel all that energy running around on stage and still while being funny and charming?
WS: It is part of the entertainer’s magic, I guess, but that is my energy and it comes from my core. That is what I bring to you on stage, you being the audience. I feel that there is a magical link between me and the audience. I feel it and you feel it. I am there for you. We are having a love affair, the performer and the audience. I actually feel the embrace and perform to that and that is energizing to me.
MG: I have to honestly say that from just watching the show, I felt pumped and I didn’t even see it in person, so congrats on that as well for being very effective.
WS: I am so glad to hear you say that, thank you. That is a lovely compliment and I appreciate you saying it.

MG: You bet!, what would you say is biggest challenge doing a one-man show?
WS: There is a number of challenges. You are talking continuously for two hours and trying to remember the words. It is not unlike musicians doing a set and having the set numbers in front of them. They have clues as to what is next. So that is what I had but it still had to remember those words. So now that I haven’t done this in many months I am going to be in Las Vegas at the MGM Grand on June 19th, 20th, 21st doing the one-man show, which is what a thrill let me say, so I am going to have to re-learn the lines now. So that is a challenge but not only that but I am going to have to teach the show to an individual on how to work that software for the electronics and the media. So that is going to be a challenge in Las Vegas. Then I am going on a tour for a few selected dates in January and have to re-do that again. So the dint of the words and the expenditure of energy that is so orgasmic [laughs] and you have to be ready for it, so those are challenges also.

MG: You mentioned your musical career in the show; do you have any plans to go down that road again?
WS: Well, I have been asked to do a cover album…and I just may do that. I love music. I can’t sing or sustain a note but what I do have is the musicality of the language. Many languages, English among them, has an intrinsic melody and rhythm that needs to be sought out, if you will. It is one thing to speak like we do but another to find the heart of the language and I love that. So my ability to be able to combine that musicality of the words with a melody line that comes in behind it, it became a signature thing. I just love doing it and I am anxious to do it again, so whether it is an album or live. I did perform my newest album, which is called “Ponder the Mystery”. I did it three times with Billy Sherwood’s group in the Los Angeles area last year and it got a great response and I would love to repeat that.

MG: From being an actor, author, spokesperson etc; what is left on your bucket list that you want to do?
WS: Oh my goodness. I haven’t done anything in life. I feel unaccomplished and I feel like I have done nothing [laugh]. Being a performer, once the performance is over…it is gone. It is in the ether. It may have just as well not happened. The next night is the next challenge. It is a challenge of many kinds. It is a challenge of redoing that performance that only you can remember. The challenge is also that if there will be an audience for that performance. I am feeling that way right now. Doing all this publicity is an attempt to fill that gap that I hope that 700 theaters will be filled up with people coming to see the show on April 24th. There is so much to do and so little time left to do it.