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An integral part of the early-’80s thrash metal movement that spawned acts like Metallica and Anthrax, New Jersey’s Overkill garnered a reputation for brutal, pounding speed and technique. Taking their moniker from the 1979 Motörhead album of the same name, an early demo; Power in Black, made waves in the underground tape-trading circuit and caught the attention of Megaforce Records, which issued the band’s full-length studio debut, Feel the Fire, in 1985. High-profile shows alongside luminaries like Slayer and Anthrax followed, and with the American thrash scene in full tilt, Overkill inked a major-label deal with Atlantic, which put out their sophomore effort, 1987’s uncompromising Taking Over. This was followed quickly in 1988 by the equally uncompromising, Under The Influence which spawned the MTV hit, ‘Hello From The Gutter’. Continuing their breakneck pace, the band issued the Terry Date -produced Years of Decay the following year in 1989, which saw them pushing their sound in a more epic direction, while maintaining the neck-snapping attack of their debut. Expanding their lineup to a five piece in 1990 they released the brooding and relentlessly heavy Horrorscope, which introduced elements of doom into the mix and would go on to become a defining release and fan favorite. Overkill continued to move toward a more epic Sabbath style on 1993’s I Hear Black but switched up again on 1994’s W.F.O. which marked a return to the whiplash-inducing thrash of the past.
Overkill are held in high regard as one of the true greats of the global metal scene, one they dominate to this day. These six albums cemented Overkill in the thrash hall of fame, while contributing to their 16 million record sales, notched up over the last 40 years and are all considered stone cold classics.
All six of these albums are back on vinyl for the first time in over a decade. Half speed mastered for dynamic range and pressed on 180g vinyl. Also available as a CD collectors box.
The Atlantic Years 1986 to 1994 contains :
UNDER THE INFLUENCE
THE YEARS OF DECAY
I HEAR BLACK
Continuing on from 2020’s year-long celebration of Motorheads iconic “Ace Of Spades” album comes the undisputed definitive live record of all time: “No Sleep ‘Til Hammersmith”. To celebrate the 40th anniversary of this number one album, it is being presented in a brand new deluxe four CD box set featuring a new remaster of the original album, bonus tracks and the previously unreleased – in its entirety – concert from Newcastle City Hall, March 30, 1981. If that was not enough the set also include the story of the album, previously unseen photos, reproduction poster, ticket, backstage pass and more.
If you are a Motorhead fan, then you undoubtably have crossed paths with “No Sleep ‘Til Hammersmith” at some point during your fandom. From the iconic cover photo featuring the band on stage with a lighted airplane looming overhead to the bombastic nature of tracks like “Ace of Spades”, “Overkill” and, “Motorhead”. It is only fitting that this album was next to get the special “Anniversary” treatment. Packed in a heavy duty black and gold box are the sets four audio discs which include the newly remastered “No Sleep ‘Til Hammersmith” (which sounds great!) the complete Newcastle City Hall (available for first time in its entirety) and a number of unreleased live versions of songs like “Stay Clean”, “Iron Horse” and “Limb From Limb”. A 28-page book complete with a bunch of unseen photos and stories detailing the events leading up to the recording accompanies the discs as well. Now some collections would stop there but not this one as like previous anniversary releases the Motorhead camp take things one louder including a reproduction all access pass, Europe 81’pin, Double sided poster, guitar pick and a Newcastle City Hall ticket which could almost pass for an original. No detail was spared as this is truly a collector’s piece and one fans of live performances will want to add to their collections.
The “No Sleep ‘Til Hammersmith” 40th Anniversary Edition follows in the footsteps of both the “Motorhead 79” and “Ace of Spades” collections as not only does it provide fans with an enjoyable listening experience the added packaging and period correct collectibles provide an added level of immersion which only helps add to the music over all appeal. Though it would have been nice to also have included some video footage from this period the added unreleased audio tracks certainly made up for this small, short coming. Even if you already own a copy of the original do your self a favor and check out the anniversary edition as there will certainly be something in there warranting the purchase of another copy.
The No Sleep ‘Til Hammersmith CD box set contains:
The No Sleep ‘Til Hammersmith album, remastered from the original master tapes, featuring extra bonus tracks and newly unearthed, previously unreleased sound check recordings.
The three full recordings of the concerts that made up No Sleep, never before released in their entirety.
The story of No Sleep ‘Til Hammersmith told through previously unpublished and new interviews with the people that were on the road at the time.
Never before seen photos and rare memorabilia.
Double sided, A3 concert posters from 1981.
Reproduction USA ’81 tour pass.
MOTÖRHEAD ‘England’ plectrum.
1981 European tour badge.
Reproduction Newcastle City Hall ticket.
Port Vale gig flyer post card.
1.) Ace of Spades
2.) Stay Clean
4.) The Hammer
5.) Iron Horse
6.) No Class
8.) (We Are) The Road Crew
12.) Over The Top
13.) Train Kept A-Rollin’
Soundcheck: Newcastle 30th March 1981
14.) Stay Clean
15.) Limb From Limb
16.) Iron Horse
Disc 2: Live at Newcastle City Hall, 30th March 1981
1.) Ace of Spades
2.) Stay Clean
3.) Over The Top
5.) Shoot You In The Back
6.) The Hammer
8.) Leaving Here
9.) Iron Horse
10.) Fire Fire
12.) Too Late Too Late
13.) No Class
14.) (We Are) The Road Crew
15.) Bite The Bullet
16.) The Chase Is Better Than The Catch
Disc 3: Live at Newcastle City Hall, 29th March 1981
1.) Ace of Spades
2.) Stay Clean
3.) Over The Top
5.) Shoot You In The Back
6.) The Hammer
8.) Leaving Here
9.) Fire Fire
11.) Too Late Too Late
12.) No Class
13.) (We Are) The Road Crew
14.) Bite The Bullet
15.) The Chase Is Better Than The Catch
Disc 4: Live at Leeds Queens, Hall, 28th March 1981
Ska-punk pioneers The Mighty Mighty Bosstones are set to release their 11th studio record on May 7th. The album titled “When God Was Great” is being released via Hellcat Records and features 15 tracks Co-produced by longtime collaborator Ted Hutt and Rancid front-man Tim Armstrong. “When God Was Great” has the band bringing back friends, tour-mates, and bandmates from the past for a sonic celebration that stresses the power of perseverance and human connection during tumultuous times.
The patron saints of plaid are back and doing what they do best, bringing upbeat, relatable music to anyone willing to listen. Over the course of the fifteen tracks which make up “When God Was Great” listeners are treated to a wide musical landscape that blends almost seamlessly with the signature raspy delivery of vocalist Dicky Barret. Tracks like the catchy “I Don’t Believe In Anything”, “The Killing of Georgie (Part III) and “You Had To Be There” are classic Bosstones through and through as each song offers an upbeat feel with bright instrumentation and resonating lyricism which will surely align with issues many people are facing each and every day. As little more than midway through the album listeners are treated to a unique rendition of the John Fogerty song “Long As I Can See The Light”. The band does a great job of capturing the original versions soulfulness while at the same time breathing in a breath of freshness and style. Other tracks worth mentioning are “The Truth Hurts” which features the return of original guitarist Nate Albert who left band in 2000 and “The Final Parade” which features guest spots by Angelo Moore, Tim Timebomb, Aimee Interrupter among others as they take turns belting out verses for the albums closing number.
“When God Was Great” is a fitting follow up to the bands 2018 release “While We’re at It” as it follows the more mature sound of later Bosstones records featuring more laid-back traditional ska sounds as opposed to the distorted, punk driven sounds found on earlier records such as “Devil’s Night Out” and “Don’t Know How to Party”. Sure, it would have been nice to hear some of the sounds that first got me into the band however it is a completely different time and place. People change, bands change, musical tastes change. The Mighty Mighty Bosstones have embraced these changes and because of this we are treated to albums like “When God Was Great” which will provide an enjoyable listening experience time and time again.
Remastered by three-time GRAMMY® Award-winning engineer Paul Hicks (The Beatles / The Rolling Stones / David Bowie) Joe Strummer “Assembly” is a 16-track compilation featuring three previously unreleased versions of classic The Clash tracks, including a never-before-heard recording of “Junco Partner” a live performances of “Rudie Can’t Fail” and “I Fought The Law” recorded by Joe Strummer and The Mescaleros at London’s Brixton Academy on November 24, 2001. In addition, Assembly” includes exclusive liner notes written by Jakob Dylan.
Joe Strummer’s work as the front man for legendary punk rock group The Clash has been well documented through various forms of media however the music Joe went on to create after the groups disbanding in 1986 has received less coverage and fan fair. The newest compilation from Dark Horse Records does an impressive job shining the light on Joe’s solo work with the sixteen tracks which make up this release. The album runs the gamut of styles associated with Strummer’s career as listeners are treated to a spattering of sounds including upbeat rockers like “Coma Girl” and “Love Kills” to raucous live version of Clash staples “I Fought the Law” and “Rudie Can’t Fail”. The album is not all just angsty vocals and distorted guitars as tracks like “Long Shadow” “Redemption Song” and “Junco Partner” (previously unreleased) all feature acoustic accompaniment which showcase Strummer’s signature vocal style. Also included are tracks like “Get Down Moses” and “At The Border, Guy” which lend a nod to Joe’s reggae influences. You even get a little of that 80’s synth rock sound with the inclusion “Love Kills” which was a person favorite of mine.
“Assembly” offers a wide sound pallet that showcases a portion of Joe Strummer’s career which in my opinion does not get enough credit. From rock to reggae and electronic to acoustic Dark Horse put together a solid compilation that showcased the diversity of Joe Strummer’s post Clash career. To add to the audio portion of the release is some very cool packaging which combines a mixture of matte and glossy appointments and photos, Lyrics for all sixteen tracks and newly written liner notes from Jakob Dylan.
Chicago Punk’s The Lawrence Arms are set to release their 6th studio album July 17th titled “Skeleton Coast”. The album which is being released via Epitaph records contains elements of the band’s sound which fans have come to love for nearly two decades. Although it was written and recorded before the Corona virus upended the world, “Skeleton Coast” sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free
Coming in at 35 minutes spread over 14 tracks the latest offering from veteran punks The Lawrence Arms provides an upbeat lift during uncertain times. Don’t let the upbeat rhythms fool you as the albums lyrical content cuts deeps leaving a lasting impression that will stick with listeners long after the closing notes ring out. Having caught these guys last year opening for Bad Religion I was anxious to hear what the group’s latest studio album had to offer. Upon first listen I was drawn to tracks like “Quiet Storm”, “Belly of the Whale” and “Last Last Words” which are all straight ahead rockers showcasing the dual vocals of guitarist Chris McCaughan and bassist Brendan Kelly. The mixture of McCaughn’s smoothness with Kelly’s gravelly more rough and tumble approach give the band a solid one, two punch while drummer Neil Hennessy delivers the knock-out blow. For listeners wanting something a little more aggressive and fitting of the worlds current climate check out tracks like “Planes Trains and Automobiles”, “Demon” and “Goblin Fox Hunt” as they will certainly kick up the angst level.
“Skeleton Coast” checks nearly all the boxes fans of melodic punk will be looking for. As the follow up to 2014’s “Metropole” the album showcases the bands continued growth over the past six years between while still staying true to the sound which has endeared them to fans since the late 90’s. You have to commend The Lawrence Arms along with the countless other bands who are still putting out new music despite the inability to tour and support that material for the remainder of 2020. When an album is as good as “Skeleton Coast” is, I hope to hear these tracks echoing through our hometown venues sooner than later.
After a five year lapse veteran Virginia Metallers Lamb of God return with a brand new studio album simply titled “Lamb of God”. The ten track release which was produced by Josh Wilbur and is being released via Epic Records is the follow up to the bands critically acclaimed 2005 album “VII: Sturm und Drang”. “Lamb of God” is the first studio release to feature drummer Art Cruz who replaced Chris Adler after his departure from the group in 2019.
Lamb of God wastes no time getting to the point with their latest self titled studio offering. The albums opening track “Momento Mori” features a haunting spoken lyric passage courtesy of Lead singer Randy Blythes while an equally eerie rolling guitar riff plays in the back background moments before giving way to a full on bombastic assault of your senses. “Momento Mori” is also the longest track of on the album clocking in at just under six minutes giving you ample time to get comfortable for the remaining nine tracks all of which pack an equally aggressive punch. Tracks like “Check Mate”, “New Colossal Hate” and “Resurrection Man” feature impressive dueling guitar work by Willie Adler and Mark Morton. The two players really complement one another in their attack giving each track a killer mix of equal parts shredding and chugging. Drummer Art Cruz is equally impressive across the board as his playing fits in seamlessly with that of bassist John Campbell providing a thunderous attack of low end thunder. “Lamb of God” also features a couple guest spots courtesy of Hatebreed front-man Jamey Jasta on the song “Poison Dream” and Chuck Billy of Testament on “Routes”. I highly recommend checking out both of those tracks as each of the guest performers spots add a little something special to an already impressive canvas.
From front to back “Lamb of God” is a full on knock to your senses. Josh Wilbur hit it out of the park with the overall production of the album as it sounds great no matter if it’s played through ear buds or on large speakers. Each member’s performance seems to have been carefully crafted to insure it tied into the next without issue. Art Cruz undoubtedly had some big shoes to fill in his new full time role and he more than delivered as the band has never sounded tighter. Well worth the price of admission “Lamb of God” is a fitting soundtrack to this chaotic and uncertain time.
1.) Momento Mori
2.) Check Mate
4.) Reality Bath
5.) New Colossal Hate
6.) Resurrection Man
7.) Poison Dream (feat. Jamey Jasta)
8.) Routes (feat. Chuck Billy)
9.) Bloodshot Eyes
10.) On The Hook
Be sure to check out our exclusive interview with Lamb of God Bassist John Campbell here
Included as part of the upcoming “The Bowie Years” 7 disc set exploring Iggy Pop’s Berlin-era releases “Lust For Life” The Deluxe Edition will also be made available separately and includes the original release of “Lust For Life” along with a second disc “TV Eye” which is a live album featuring rare outtakes and alternate mixes. Also included is a 40 page book of lyrics, photos and interviews housed in special multi-fold packaging,
More than 40 years after its initial release Iggy Pop’s “Lust For Life” remains as one of the most influential albums ever made as to this day it continues to inspire and influence artists of all genres both past and present. Disc 1 feature’s a newly mastered version of 1977’s “Lust For Life” courtesy of Tony Dixon. Each of the 9 tracks sounded great with the new mastering as there is just enough freshness added to make it the release shine on any of today’s audio format while still staying true to the albums original sound. Personally I really enjoyed tracks such as “The Passenger” and “Neighborhood Threat” as they just sounded so good blasting through my speakers that I had to listen to them multiple times.
Disc two of the release titled “TV Eye: 1977 Live” is a collection of liver performances from the year of the album’s release. Not a bad collection however, The audio does vary from song to song given not all the live recordings are from the same concert or appearance. A couple EQ tweaks took care of this fairly quickly making for a decent addition to the set.
If you don’t already own this release I highly recommend the Deluxe Edition as you will surely enjoy the new mastering and the other bonus material included in this package. If you are a long time Iggy fan there may not be enough here to warrant a repurchase however if you are live recording fan then you will need this for your collection you also get the 40 page booklet and alternate packaging which is pretty cool on its own. Both this title and “The Idiot” are available now or if you want to wait until the end of June and get the complete 7 disc “Bowie Years” Collection both new versions of “Lust For Life” and “The Idiot” are a part of that set.
On May 29th Polish death metal legends Behemoth will release a new EP titled “A Forest” via Metal Blade Records. Dark and demonic, the EP consist of four unique tracks which instantly pull you away from the ongoing chaos of 2020 and is a welcomed taste of new Behemoth music.
The title track “A Forest” is very little like The Cure song you may be accustomed to. The phantom spirit of the original is still there, however Behemoth have managed to lace it with their own brand of black metal infused energy. Along with the help of Shining front-man and recognizable demon caller, Niklas Kvarforth, the songs very much stands on its own and fits right in to the bands catalog.
The live version of “A Forest” is from the Merry Christless 2018 show in Warsaw, Poland and again features Niklas Kvarforth. Though not a bad inclusion there is nothing really different from the studio recording, besides a small dose of Behemoth’s live energy. The remaining two tracks are unreleased songs from the “I Loved You At Your Darkest” album sessions. “Shadows ov Ea Cast Upon Golgotha” is probably my favorite track on the EP and better than some songs on ILYAYD. Inferno’s drumming is relentless from the beginning and adds fist-pumping adrenaline to the otherwise less extreme release. “Evoe” is more akin to other tracks on ILYAYD and probably would have felt repetitive if included on that album. It works well here, but reminiscent of other more recent Behemoth offerings.
“A Forest” certainly is different, yet classic Behemoth at the same time. Niklas Kvarforth’s vocals on the title track and live version help make this release something truly unique while the other two new songs are worthy additions even if they do echo the band’s last album. Overall a great EP which is very much appreciated during this crazy time in history. It’s reassuring to know we can count on Behemoth to make things a little crazier for us all.
1.) A Forest (The Cure Cover)
2.) A Forest (The Cure Cover) [Live from Merry Christless Warsaw Poland December 2018]
Fake Names’ self-titled debut gives a nod to early UK Punk and Power Pop as well as the seminal groups from which the members emerged. Consisting of Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Michael Hampton (S.O.A., Embrace, One Last Wish), Dennis Lyxzén (Refused, INVSN), and Johnny Temple (Girls Against Boys, Soulside) “Fake Names” is being released via Epitaph Records and includes 10 infectious tracks produced by Michael Hampton and Geoff Sanoff.
From the albums new wave tinged opener “All For Sale” to edgier tracks like “Brick” and “Lost Cause” the debut offering from punk super-group Fake Names is a fun and fresh listen that packs a familiar feel courtesy of the bands well known line up. Clocking in at just under 30 minutes the album is a balance of sounds and influences which make up for the short run time. Tracks like “Darkest Days” and “Weight” were personal stand outs as they contained some really cool guitar riffs and sounds that I just kept going back to for multiple listens.
I always find it interesting when groups like Fake Names come about as often times they showcase different sides of the musician involved. This album definitely gives you those moments while still offering the right amount of familiarity. Each member turns in a solid performance making it seem as though the band has been performing together for a long time. During this unique time in the world the debut offering from Fake Names is just what you need to lift your spirits. From its cohesive song structures and catchy choruses this is an album that will certainly brighten your day.
Track Listing: 1. All For Sale 2. Driver 3. Being Them 4. Brick 5. Darkest Days 6. Heavy Feather 7. First Everlasting 8. This Is Nothing 9. Weight 10. Lost Cause
“Angry Machines”, “Magica”, “Killing The Dragon”, “Master Of The Moon”
Our Score: 5 out of 5 stars
If you’re on the hunt for long out of print Ronnie James Dio solo albums, you’re in luck. Ten years after his passing, BMG has reissued the classic final four Dio albums. Each stunning release is fully re-mastered and features previously unreleased recordings and rarities.
Kicking things off is “Angry Machines”, originally released in 1996. The original album’s here in its entirety and damn it sounds great. Included is a bonus CD featuring 12 live recordings from the Angry Machines Tour 1997 featuring classics such as “The Last In Line” and “Rainbow In The Dark”. Next we have “Magica”, originally released in 2000. Not only do you get the long sought after album, but the bonus CD is packed with goodies. Included you’ll get 8 tracks (all from the “Magica” studio album) recorded live on the Magica Tour 2001. As well as the rare studio track “Electra” and the rare 18 minute “Magica Story” spoken-word piece, which is real treat for hardcore fans. “Electra”, originally intended for Dio’s never released “Magica II & III”, plays like a classic Dio track and is a great addition to your collection.
A personal favorite of mine is the “Killing The Dragon” reissue. The album was originally released in 2002 as somewhat of a concept album, Dio’s middle-finger to the digital age. Mascot Murray stands tall, bloody sword in hand, over a slain dragon in the badass Marc Sasso artwork. The bonus CD accompanying the original album includes 6 tracks recorded live on the Killing The Dragon Tour between 2002 and 2003. Not a whole lot new here, considering tracks like “Heaven and Hell” are on every live bonus disc besides the aforementioned “Magica”.
Last but not least is Dio’s epic “Master of the Moon”, originally released in 2004. The album that gave us headbanger’s like “One More For the Road” and “Shivers”. As with each release, the album sounds better than ever. The bonus CD included with “Master of the Moon” features four live tracks recorded on the Master Of The Moon Tour between 2004 and 2005. Also included is the rare studio track “Prisoner of Paradise”, originally included on the Japanese album pressing.
Each release is a must have for hardcore Dio fans, the re-masters are bar none. If you’ve already procured these albums in the past, the bonus live tracks and rarities are a special treat. The CD releases are gorgeous, featuring a solid media-book packaging and vibrant artwork. The colors of each cover pop brighter than ever before. Throughout the lyric pages more great artwork can be found and within the books themselves.
If you are a vinyl fan you are in for a treat as each of these four albums come pressed on heavy weight 180 gram vinyl packed in colorful gate-fold sleeves complete with lenticular covers and full color inserts. Overall a rather stunning release of reissues across all available formats.
Don’t Tell the Kids
Hunter of the Heart
Stay Out of My Mind
Dying in America
This Is Your Life
Jesus, Mary & the Holy Ghost – Straight Through the Heart
Warbringer returns with their highly anticipated sixth studio album, Weapons of Tomorrow, their second release on Napalm Records. The Californian thrash metallers leave no neck unbroken. This album is a pure adrenaline heavy metal powerhouse. Modern influences and old school thrash clash into an intricately woven, expertly produced metal classic. Have your neck brace handy, this release is relentless.
In a blaze of gunfire the album begins with “Firepower Kills,” a fiery tornado of riffs burning behind John Kevill’s earth scorching vocals. Not to mention a guitar solo surely to melt any face presented to it. Warbringer has never disappointed when it comes to guitars and Weapons of Tomorrow is no exception. All five members are at peak performance and every track from the very start shows this.
Pressing the pause button on your annihilation, “Defiance of Fate” creeps in. A melodic black metal thrash fusion you’ve needed desperately in your miserable life. Blended throughout the album are thrash metal ragers, as well as sweeping jaw-dropping epics. The former, “The Black Hand Reaches Out” is sure to go down in thrash history or at least open up some brutal circle pits. With never a dull moment, Weapons of Tomorrow is a metal genre fusing modern masterpiece.
Over ten years in, this band isn’t here to party, they’re here to destroy everything in their wake. A legit modern thrash metal band that trades in the red cups for ammunition boxes. The New Wave of Thrash, a genre this very band helped create, is over. Warbringer cement themselves as straight to the point, no nonsense, pure fucking thrash metal.
Punk rockers from upstate New York, Take Two have unleashed a brand new album “We Aren’t Big” upon the world. The album (the band’s 4th release) stampedes onto the scene like a mohawk clad rhinoceros whose metallic punk riffs run you over while the catchy choruses bring you back for another beating. From the vintage comic book cover art, to the New Found Glory and Descendents influences, “We Aren’t Big” screams PUNK ROCK! directly in your face.
Featuring nine raging tracks with a little something for everyone, I found “Hearts Will Remain” to be the stand out hit on the album. Its a classic pop punk track with a chorus capable of getting stuck in your head for eons. 90’s and early 2000’s fans of the genre will definitely approve. Going a little deeper thought provoking tracks like “Shots & Scars”, as well as “Red Eye”, are also solid stand outs as both recount tales of the road and the determination of a band never willing to give up. Now if you’re more in the mood for lights out, fist pumping mosh pits, look no further than “Burner” as nonstop head-banging will certainly ensue as the track closes out with a mega mosh riff which beckons a bloodbath of furious spinning back kicks and seismic circle pit activity measurable by the Fujita scale.
Take Two’s influences certainly shine through, making for a familiar listen However, the new territory the group covers brightens up an otherwise usual punk-fare. The metal riffs and intricate drum fills are a welcome flourish not to mention the heavier vocals and powerful choruses. Much of the album will inspire car ride sing along’s, as well as the previously stated mosh pits and neck cramps. Listening I couldn’t help but reminisce of said trips, beers with friends, and the girl at the rock show.
If you’re a fan of old school pop punk sing along’s, but also smashing beer cans on your forehead before jumpin’ in the pit, “We Aren’t Big” is a must for you! Every track brings something different to the table by mixing what you already love about punk with something new and fresh. The sky is the limit for the ambitious Take Two and I’m eager to see what they come up with next.
Agnostic Front is back with a brand new studio album simply
titled “Get Loud”. The album which is being released via Nuclear Blast Records
features 14 gut crushing tracks that are nothing short of classic hardcore. Picking
up where 2015’s “The American Dream Died” left off “Get Loud” comes in hard and
fast leaving a giant sized boot print on your senses.
after the release of Ian McFarland’s 2017 Documentary “The God Fathers of
Hardcore” which depicts members of the band recounting there nearly 40 year
career. “Get Loud” could serve as the perfect soundtrack to that film by
solidifying where the band is today in 2019. Tracks like “Spray Painted Walls”,
“Dead Silence” and “In My Blood” showcase a more modern metal/hardcore sound while
tracks like “Anti Social”, “Attention” and “Pull The Trigger” contain that
classic hardcore sound which blasted out of places like CBGB’s and the A7 during
the gritty pre-Giuliani era New York City. Easily my favorite track of the
album is “I Remember” which details the bond between front-man Roger Miret and
guitarist Vinnie Stigma. The band recently released a really cool video for
this song as well that’s packed with lots a vintage footage and photos.
at a swift thirty minutes, “Get Loud” wastes no time getting in and out. From a
performance stand point each member of Agnostic Front brings their A game which
smacks you upside the head leaving a mark on your senses. “Get Loud” offers
something for the old school and new school hardcore fans making for a solid
edition to your music collection.
It’s October and what better time of year to unleash a crusty death metal album upon the world? After three long years and numerous splits and EPs later, Arizona death metal band Gatecreeper return with possibly the best death metal album of 2019. Deserted, released October 4th on Relapse Records is a shear force of nature. Upon listening, the album summons desert twisters of sand and sidewinders it’s so heavy.
There should be no worry of a sophomore slump here. These guys take their art seriously and have only honed in on what makes them so great. The musicianship and songwriting has elevated to new heights on this album. Every riff soaked song is seeping with what you love about Gatecreeper, with some new elements thrown in. Songs like “Puncture Wounds” will be a welcomed breath of fresh air for those growing tired of the early-90’s era death metal revival. While tracks “Everlasting” and “Sweltering Madness” may be the best material the best has ever released. Three minutes into the former and any self-respecting metalhead is telling their friends to “shut-up and listen to this part.”
They stick to their guns on this one and stay true to the Gatecreeper formula. Yet they still manage to bring something new out of the coffin and continue to impress. All of the bands influences are on display here, granting some nostalgia to old school death metal fans. Chase Mason’s vocals are as low as ever, while his blood-curdling metal shrieks have really tightened up compared to earlier releases. Guitar riffoholics Jack Maniacky and Eric Wagner have improved their skills and completely plastered this album in thick, heavy riffs. While the rhythm section, bassist Sean Mears and drummer Matt Arrebollo, have impressively made every song on the album engaging and great for head-banging. Let’s not forget about the amazing as always Godcity mixing done by the legendary Kurt Ballou.
This album should be listened to at high volumes and while you’re punching someone in the face. It’s heavy, grimy, and sometimes slightly melodic and creepy. Everything you need in a death metal album. If you’re sleeping on this band you need to get to the nearest record store or on the internet and become the next biggest Gatecreeper fan. Death metal and the metal scene at large needs bands like this to keep putting out quality music and make us all proud to be fans of this often overlooked genre. Check out “Deserted” today and be sure to catch Gatecreeper on tour with Exhumed throughout the end of 2019
2. Puncture Wounds
3. From the Ashes
6. Barbaric Pleasures
7. Sweltering Madness
8. Boiled Over
9. In Chains
10. Absence of Light
11. Anxiety (Bonus Track)
Punk veterans Lagwagon return with a brand new studio album simply titled “Railer”. The 12 track releases which is being released via Fat Wreck Chords as was produced by Cameron Webb is the follow up to the bands 2014 release “Hang” which marked the bands return to the studio after a nine year lapse.
With nearly thirty years of being a band under their belts the members of Lagwagon which consist of vocalist Joey Cape, guitarists Chris Flippin and Chris Rest, bassist Joe Raposo and drummer Dave Raun could have easily sat back and phoned it on their latest release as they certainly have earned it. Instead the band which has been churning out albums since 1992 pulled out a shred-tastic in your face punk album that is equally fresh as it is familiar. Tracks like “Surviving California”, “Dangerous Animals” and “Bubble” showcase some impressive guitar work set against an extremely tight rhythm performance which serves as a near perfect stage for Capes signature vocals. Other notable tracks include the piano tinged “The Suffering” and “Pray For Them” and the bands take on Journey’s “Faithfully” which is the first cover to appear not as bonus material since the band included their version of the Agent Orange song “Everything Turns Gray” on 1998’s “Let’s Talk About Feelings”.
Clocking in at just less than forty minutes I was blown away with how much musicality Lagwagon packed in to this record. Listeners were given just a taste of the bands heavier side with previous releases but “Railer” rips the band-aid off as the band just goes for it. Despite the rather short run time I found myself listening to it from start to finish multiple times as there is just so much to take in and enjoy. Both long time listeners and newer fans will surely want to check out this release as it shows that just because a band has been around awhile it doesn’t have to become complacent and that music can always be taken and explored further no matter how many albums you have released prior or how many years you have been together.
1.) Stealing Light
2.) Surviving California
5.) Dangerous Animals
7.) The Suffering
8.) Dark Matter
9.) Fan Fiction
10.) Pray For Them
11.) Auf Wiedersehen