Win Passes to the Kansas City Advance Screening of “ALPHA”

Media Mikes has teamed up with their friends at Sony Pictures to give (50) readers and a guest the chance to be among the first in Kansas City area to see the new film “ALPHA” at an advance screening to be held on Tuesday, August 14th.

All you have to do is click HERE.  The first (50) people to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.    After the allotted (50) passes have been claimed, the giveaway has ended.

The screening will be held at the AMC Towncenter 20 Theatre in Leawood, Kansas and will start at 7:30 p.m.

Good luck!

 

ALPHA opens in theaters August 17th.

CAST: Kodi Smit-McPhee, Natassia Malthe, Leonor Varela

DIRECTOR: Albert Hughes

SYNOPSIS: An epic adventure set in the last Ice Age, ALPHA tells a fascinating, visually stunning story that shines a light on the origins of man’s best friend. While on his first hunt with his tribe’s most elite group, a young man is injured and must learn to survive alone in the wilderness. Reluctantly taming a lone wolf abandoned by its pack, the pair learn to rely on each other and become unlikely allies, enduring countless dangers and overwhelming odds in order to find their way home before winter arrives.

OFFICAL SITE: http://www.alpha-themovie.com/site/www/#/

RATING: PG-13

RUNNING TIME: 96 Minutes

 

 

Win Passes to the Kansas City screening of “Mile 22”

 

Media Mikes has teamed up with their friends at STX Entertainment to give (50) readers and a guest the chance to be among the first to see the new Mark Wahlberg film, “Mile 22.”

All you have to do is click HERE.  The first (50) people to do so will receive a pass for (2) to attend the Kansas City advance screening on Wednesday, August 15th at the AMC Studio 28 Theatre in Olathe, Kansas.  The screening will begin at 7:00 pm.

This is a first come/first served giveaway.  Once all (50) passes have been claimed, the giveaway has ended.

Kansas City Theater Review: “Hairspray – the Musical”

“Hairspray – the Musical”

Starlight Theater – Kansas City, Missouri

July 27, 2018

 

I spent 13 years living in Baltimore.  As a movie theatre manager I was very fortunate to manage the theatre of choice of local filmmaker John Waters.  He was a frequent guest and, when I asked, would stop by the office for a few minutes after his film just to talk about what he had coming up.  Of course, I was glad to play the original film “Hairspray,” and am proud to be friends with some of the local talent used in the film.  Years later, Mr. Waters took the film to Broadway, where, 15 years ago, the musical version earned 13 Tony Award nominations, winning 8, including Best Musical.   This week, the fun and energy you can only find in Charm City is on display at the Starlight Theater as “Hairspray – the Musical” arrives.

Baltimore 1962.  Like many cities in America, civil rights are on the front burner.  We meet Tracy Turnblad (an outstanding Jessica Alcorn) as she greets the day, and the audience, with the bouncy “Good morning, Baltimore.”  Tracy is a fan of the Corny Collins afternoon dance program on television and secretly dreams to not only be a dancer on the show, but to end up in the arms of the show’s best male dancer, Link Larkin (Eric Geil).  Tracy lives at home with her parents.  Mother Edna (Brad Oscar) takes in washing and hasn’t been outside the apartment in years.  Her father, Wilbur (Bruce Roach), runs a joke shop called the Har-Har Hut.  Tracy has a friend named Penny, who encourages her to follow her dream.  And so she does.

First off, I must comment on the energy the entire cast brought to the show.  It’s always a plus when you can sense that the cast and crew WANT to be there.  The musical numbers were infectious.  If you knew the words (guilty) you quietly sang along.  If you didn’t, you were dancing in your seats.  As Tracy, Ms. Alcorn soars.  She is the heart and spirit of the show and she shines in a role that a lesser actress could easily dilute spirit-wise.  Supporting roles played by Katie Karel (Penny), Cathy Barnett (Velma Van Tussle) and Erin Riley (Amber) stand out here, as does Regina Levert whose Motormouth Maybelle steals the scenes she is in.

And I would be remiss if I didn’t note that Kansas City audiences are having the rare treat of seeing a true Broadway legend in Brad Oscar.  Ever since Harvey Fierstein first originated the character, Edna has been played with dignity.  Mr. Oscar continues that tradition here.

“Hairspray – the Musical” plays at Starlight through August 2nd.  For tickets to those shows click HERE.

Guess who had a good time at the Kansas City Crypticon??

PHOTOS BY DAN LYBARGER

A few years ago I wrote a very scathing review of the Kansas City Crypticon Convention.  I felt my review was honest and it was based on not only my own observations but those of people I spoke with, both convention guests and attendees.  While I continued to attend each year, I didn’t write anything about the show because I didn’t want it to look like I was uncaring or that I was just looking to continually kick the organization.

 

 

 

 

Last year the show left the nasty hotel (recently torn down by the city) it called home and headed an hour north up Interstate 29 to the birthplace of Jesse James:  St. Joseph, Missouri.  I wasn’t able to attend last year because of a previous commitment that weekend but this year I decided to check it out.  And what I discovered was a pretty cool con.

The show was held at the St. Joseph Civic Center, and I thought the layout was perfect.  The bottom, open middle section was set up for the dealers.  Whereas in Kansas City the dealers rooms were always cramped and hard to navigate, here they were a breeze to explore.  Plenty of room, and a nice selection of goods.  The upper level was devoted to a few dealers and ALL of the celebrity guests.  The area was bright and clean and every celebrity had a very nice banner, as opposed to the construction paper and magic marker creations from the past.

And the celeb lineup was first class.  As this is mostly a horror-themed convention, the guest list was perfect.  Linda Blair from The Exorcist.  Nick Castle and P.J. Soles from Halloween.  William Kaat from Carrie.  And, for fans of more recent horror, you couldn’t do any better than “American Horror Story’s” Dennis O’Hare.  These guests, and about a dozen more, greeted fans and many of them (especially the Halloween gang) seemed to have a steady line at their tables.  Autograph/photo op prices were pretty reasonable as well, which is always a good thing at one of these events.

One of my “bucket list” celebs – William Kaat. He shared some great stories with me.

Congratulations to the people behind the Crypticon conventions.  You’ve done an amazing job in transforming your show from one of the worse in the Midwest to a destination event.  I look forward to next year.

No hard feelings?  🙂

Win Passes to the Kansas City premiere of “Mission: Impossible – FALLOUT

Media Mikes has teamed up with their friends at Paramount to give (25) readers and a guest the chance to be among the first to see the latest adventures of Ethan Hunt and company:  “Mission: Impossible – FALLOUT.”

The film will be screened at the AMC Barrywoods 24 Theatre in Kansas City on Monday, July 23 and will begin at 7:00.

All you have to do is click HERE.  The first (25) readers to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once the allotted (25) passes have been claimed, the giveaway is over.  Good luck!

 

“Mission: Impossible – FALLOUT”

Monday, July 23, 2018 – 7:00 p.m.

AMC Barrywoods 24, Kansas City, Missouri

Theatre Review: “The King and I” – Kansas City

‘The King and I”

Starlight Theater – Kansas City, Missouri

June 14, 2018

 

I can imagine it’s pretty hard to write a Broadway musical.

In 1943, a couple of guys named Richard and Oscar took a popular novel and turned it into one of the most popular musicals of all time; “Oklahoma!”  They followed it up with “Carousel,” “State Fair” and ‘South Pacific.”  Four hits in a row.  What would Mr. Rodgers and Mr. Hammerstein come up with for their next show?

Our story begins with Anna Leonowens (Elena Shaddow) aboard a boat with her son, Louis (Ryan Stout).  They have traveled from England to visit the court of the King of Siam, where Anna has been employed as the new teacher for the King’s wives and children.  Both mother and son are taken by the pageantry that accompanies their journey to the palace, as well as the exuberance of the King (Jose Llana) himself.  The King wishes to have his country adapt more modernist attitudes, and he hopes this English teacher can help him change.  And help him she does.

“The King and I” is a show I’ve been dying to see performed live since I first saw the film in the early 1970s.  The closest I ever got was a touring production, starring Yul Brynner, that came through Baltimore in the mid 1980s.  Sadly, I didn’t get to see the show, but I later did eat in the same Chines restaurant made popular by the fact that, when Brynner visited for dinner, somebody stole his shoes.   And, while it would have been amazing to see Brynner in his career-defining role, this new tour is equally every bit its equal.

Elena Shaddow and Jose Llana in Rodgers and Hammerstein’s “The King and I.” Photo by Jeremy Daniel

Both leads give amazing, energized performances and I would be remiss if I did not point out that Mr. Llana makes the role of the King his own.  The supporting cast is just as good and the music….well, it’s Rodgers and Hammerstein, for God’s sake!  What’s amazing is that Rodgers and Hammerstein still had “Cinderella” (a perennial favorite on television), “Flower Drum Song” and “The Sound of Music” to follow.  Filled with familiar songs like “Hello Young Lovers,” “Getting to Know You” and “Shall We Dance,” the show is easily one of the best productions I’ve seen at Starlight in a long time.

The show plays in Kansas City through June 17th.  For tickets to a performance, either in Kansas City or later in the tour, click HERE.

Concert Review: Poison/Cheap Trick – Kansas City

REVIEW AND PHOTOS BY DAN LYBARGER

Poison/Cheap Trick/Pop Evil

Sprint Center – Kansas City, Missouri

May 25, 2018

Our Score:     Poison *** out of 5    Cheap Trick  **** out of 5

 

 

Thirty years ago, I wanted to kill a fellow editor at my college newspaper because he went missing the night before the semester’s final edition was due at the printer. When I woke him the next morning, I became even more enraged because he and decided to catch a concert without telling me or my peers, and it was Poison.

 

 

Had he abdicated his responsibility for Todd Rundgren, Pink Floyd, The Rolling Stones or The Smiths, I might have excused him. But no, it had to be that silly hair band whose songs about partying were relatively easy to play.

 

Another friend who had seen them play, lamented their musical limitations by dubbing guitarist C.C. DeVille “C.C. Distortion” for his sloppy solos, and an another buddy laughed when he saw concert footage of them on MTV and observed they were playing beginners’ instruments. Because my own musical chops are stunted, I’m not sure what was so embryonic about what axes Poison used to play. Nonetheless, we both felt smug as we continued to watch them perform on television.

 

 

After finally seeing the band play for myself on May 25 at the Sprint Center in Kansas City, I think I can now easily forgive the other editor. Of course, we still made our deadline. I can also say I don’t envy him because the performance I caught might have been better than the one he saw. Now that their hair has grayed (where it still remains), the band has actually developed some skill and showmanship that wasn’t in their old videos.

 

 

Lead vocalist Bret Michaels constantly thanked the crowd and rattled off other area venues where he played with the band or as a solo act. It’s always nice when the band knows they’re on the Missouri side of the state line and can recall something about your town other than a stage.

 

Cheap Trick, who played before them, one-upped the headliners by claiming they had written a recent tune after eating at Gates Barbecue, a blue collar eatery when the clerks greet you as loudly as if they were playing the Sprint Center.

 

Unlike the musicians, the clerks don’t need microphones.

 

Michaels and the rest of Poison gave the crowd high fives throughout the set and genuinely seemed to enjoy being in the barbecue capital of the world. The band have had personnel changes and breakups, but the original lineup were all performing that evening. The set seemed oddly touching when Michaels briefly mentioned that drummer Rikki Rockett had survived cancer.

 

Both he and bassist Bobby Dall looked healthy and enthusiastic, so it was a jolt to hear that Rockett, who regularly tosses his drumsticks in the air and twirls them between beats, almost didn’t make it to the stage.

 

 

 

Because I was attempting to photograph the show from a pit at the bottom of the stage, I almost felt sorry for people in the back of the arena who couldn’t see what he was doing. When he later played an extended toward the end of the set, it made Michaels’ revelation all the more touching.

 

Michaels, who had a series of frightening health problems of his own in 2010, is also lucky to be alive. Perhaps that’s why their enthusiasm seems genuine. Playing in front of a house that can hold 19,000 people sure beats lying in a hospital bed or worse.

 

While Poison can play their old hits like “Every Rose Has Its Thorn” or “Talk Dirty to Me” with more technical assurance than they used to, they do little more than plow through their old catalog.

 

Their fans didn’t object.

 

They did supplement their set with a large video screen that featured cartoons of the band before they took the stage. Their cover of Loggins and Messina’s “Your Momma Don’t Dance” proved to be a great excuse to feature the late pinup queen Bettie Page shimmying as they played. With Bettie just about any band would sound as good as the Stones on their best day.

 

Following a typically lively set by Cheap Trick requires a masochism few bands have. The three original members are all in their sixties and still have their old skills. Whereas DeVille impressed the crowd by mimicking Eddie Van Halen’s finger tapping and slipping in a bit of Edvard Grieg’s “In the Hall of the Mountain King,” Cheap Trick’s Rick Nielsen switched genres, playing styles and even guitars. The 69-year-old ax-man didn’t need a featured solo break because just about every song gave him a workout.

 

 

Oh, and while he was playing tunes like “Dream Police,” he was also tossing out picks at the crowd. Somehow his poses, witty asides to the crowd and acts of violence involving small pieces of plastic, never caused him to skip a note or detract from a solo. How he managed to hit me in the pit with a pick and get through the set at the same time baffles me.

 

Dall treated the crowd to his own version of Henry Mancini’s theme to The Pink Panther, but Cheap Trick bassist Tom Peterson gave his 12-string instrument a thorough workout and even sang a powerful medley of The Velvet Underground’s “Waiting for the Man” and “Heroin.” Nielsen complemented Peterson’s work with some tasteful slide solos, which lead vocalist Robin Zander accompanied with his own acoustic 12 string.

 

 

 

Zander happily took a break because during the rest of the set he still pushed his voice to its limit. Thankfully that limit seems superhuman. If his throat cracked a couple of times, he can still effortlessly reach high notes and make 40 to 30 year old songs sound fresh and committed.

 

If you’ve caught Cheap Trick in the past or have listed to At Budokan to the point where you’ve memorized all the words, their current shows are still worth catching. Daxx Nielsen, Rick’s son, has ably replaced Bun E. Carlos on drums, and Zander’s son Robin Taylor fleshes out the band’s harmonies and played most of the rhythm guitar parts.

 

Thanks to That 70s Show, the band have a few songs (like their version of Big Star’s “In the Street”) that are more recent than anything Poison played, and the samples from their newer albums Bang, Zoom, Crazy… Hello (2016) and We’re All Right! (2017) fit seamlessly in with their hits. Radio stations may ignore their most recent offerings, and it’s the broadcasters’ loss.

 

 

 

They also surprised the crowd by featuring the Melvins, who joined them for a rousing version of “Surrender.” Drummer Hayley Cramer from opening band Pop Evil even joined the bands as they gave the 40 year old chestnut all they had.

 

As lead singer Leigh Kakaty kept reminding the audience, Pop Evil from North Muskegon, Michigan, have been around for a decade. While Kakaty lamented the empty seats on the floor (that were filled when the headliners arrived), and the rest of the ensemble still approached their set with vigor and enthusiasm.

 

 

He opined that the newer generation should learn, “There is a difference between a Gibson guitar and a motherfucking Apple computer.” Fortunately, he and his crew of analog performers and the bands that followed made an eloquent case for that argument.

The tour moves from Kansas City to Pryor, Oklahoma and continues for the summer.  For more information and upcoming tour dates, click HERE.

 

Related Content

Concert Review – Poison/CheapTrick/Pop Evil – Kansas City

CONCERT REVIEW AND PHOTOS BY DAN LYBARGER

 

 

Poison/Cheap Trick/Pop Evil

Sprint Center – Kansas City, Missouri

May 25, 2018

Thirty years ago, I wanted to kill a fellow editor at my college newspaper because he went missing the night before the semester’s final edition was due at the printer. When I woke him the next morning, I became even more enraged because he and decided to catch a concert without telling me or my peers, and it was Poison.   Had he abdicated his responsibility for Todd Rundgren, Pink Floyd, The Rolling Stones or The Smiths, I might have excused him. But no, it had to be that silly hair band whose songs about partying were relatively easy to play.

Another friend who had seen them play, lamented their musical limitations by dubbing guitarist C.C. DeVille “C.C. Distortion” for his sloppy solos, and an another buddy laughed when he saw concert footage of them on MTV and observed they were playing beginners’ instruments. Because my own musical chops are stunted, I’m not sure what was so embryonic about what axes Poison used to play. Nonetheless, we both felt smug as we continued to watch them perform on television.

 

After finally seeing the band play for myself on May 25 at the Sprint Center in Kansas City, I think I can now easily forgive the other editor. Of course, we still made our deadline. I can also say I don’t envy him because the performance I caught might have been better than the one he saw. Now that their hair has grayed (where it still remains), the band has actually developed some skill and showmanship that wasn’t in their old videos.

Lead vocalist Bret Michaels constantly thanked the crowd and rattled off other area venues where he played with the band or as a solo act. It’s always nice when the band knows they’re on the Missouri side of the state line and can recall something about your town other than a stage.

Cheap Trick, who played before them, one-upped the headliners by claiming they had written a recent tune after eating at Gates Barbecue, a blue collar eatery when the clerks greet you as loudly as if they were playing the Sprint Center.  Unlike the musicians, the clerks don’t need microphones.

Michaels and the rest of Poison gave the crowd high fives throughout the set and genuinely seemed to enjoy being in the barbecue capital of the world. The band have had personnel changes and breakups, but the original lineup were all performing that evening. The set seemed oddly touching when Michaels briefly mentioned that drummer Rikki Rockett had survived cancer.

 

Both he and bassist Bobby Dall looked healthy and enthusiastic, so it was a jolt to hear that Rockett, who regularly tosses his drumsticks in the air and twirls them between beats, almost didn’t make it to the stage.

Because I was attempting to photograph the show from a pit at the bottom of the stage, I almost felt sorry for people in the back of the arena who couldn’t see what he was doing. When he later played an extended toward the end of the set, it made Michaels’ revelation all the more touching.

Michaels, who had a series of frightening health problems of his own in 2010, is also lucky to be alive. Perhaps that’s why their enthusiasm seems genuine. Playing in front of a house that can hold 19,000 people sure beats lying in a hospital bed or worse.

While Poison can play their old hits like “Every Rose Has Its Thorn” or “Talk Dirty to Me” with more technical assurance than they used to, they do little more than plow through their old catalog.

Their fans didn’t object.

They did supplement their set with a large video screen that featured cartoons of the band before they took the stage. Their cover of Loggins and Messina’s “Your Momma Don’t Dance” proved to be a great excuse to feature the late pinup queen Bettie Page shimmying as they played. With Bettie just about any band would sound as good as the Stones on their best day.

Following a typically lively set by Cheap Trick requires a masochism few bands have. The three original members are all in their sixties and still have their old skills. Whereas DeVille impressed the crowd by mimicking Eddie Van Halen’s finger tapping and slipping in a bit of Edvard Grieg’s “In the Hall of the Mountain King,” Cheap Trick’s Rick Nielsen switched genres, playing styles and even guitars. The 69-year-old ax-man didn’t need a featured solo break because just about every song gave him a workout.

 

 

Oh, and while he was playing tunes like “Dream Police,” he was also tossing out picks at the crowd. Somehow his poses, witty asides to the crowd and acts of violence involving small pieces of plastic, never caused him to skip a note or detract from a solo. How he managed to hit me in the pit with a pick and get through the set at the same time baffles me.

Dall treated the crowd to his own version of Henry Mancini’s theme to The Pink Panther, but Cheap Trick bassist Tom Peterson gave his 12-string instrument a thorough workout and even sang a powerful medley of The Velvet Underground’s “Waiting for the Man” and “Heroin.” Nielsen complemented Peterson’s work with some tasteful slide solos, which lead vocalist Robin Zander accompanied with his own acoustic 12 string.

Zander happily took a break because during the rest of the set he still pushed his voice to its limit. Thankfully that limit seems superhuman. If his throat cracked a couple of times, he can still effortlessly reach high notes and make 40 to 30 year old songs sound fresh and committed.

 

If you’ve caught Cheap Trick in the past or have listed to At Budokan to the point where you’ve memorized all the words, their current shows are still worth catching. Daxx Nielsen, Rick’s son, has ably replaced Bun E. Carlos on drums, and Zander’s son Robin Taylor fleshes out the band’s harmonies and played most of the rhythm guitar parts.

Thanks to That 70s Show, the band have a few songs (like their version of Big Star’s “In the Street”) that are more recent than anything Poison played, and the samples from their newer albums Bang, Zoom, Crazy… Hello (2016) and We’re All Right! (2017) fit seamlessly in with their hits. Radio stations may ignore their most recent offerings, and it’s the broadcasters’ loss.

They also surprised the crowd by featuring the Melvins, who joined them for a rousing version of “Surrender.” Drummer Hayley Cramer from opening band Pop Evil even joined the bands as they gave the 40 year old chestnut all they had.

As lead singer Leigh Kakaty kept reminding the audience, Pop Evil from North Muskegon, Michigan, have been around for a decade. While Kakaty lamented the empty seats on the floor (that were filled when the headliners arrived), and the rest of the ensemble still approached their set with vigor and enthusiasm.

He opined that the newer generation should learn, “There is a difference between a Gibson guitar and a motherfucking Apple computer.” Fortunately, he and his crew of analog performers and the bands that followed made an eloquent case for that argument.

The tour heads to Pryor, Oklahoma for their next gig.  For more information and other tour dates, click HERE.

 

SET LISTS

CHEAP TRICK

Hello There
You Got It Going On
That 70s Show
California Man
Long Time Coming
Baby Loves to Rock
When I Wake Up Tomorrow
The Summer Looks Good on You
Waitin’ for the Man
The Flame
I Want You to Want Me
Dream Police
Surrender (w/The Melvins)
Goodnight

 

POP EVIL and POISON’s SET LISTS WERE NOT AVAILABLE

 

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Theater Review: “On Your Feet” – Kansas City

 

“On You Feet”

May 22, 2018

Starlight Theater – Kansas City

REVIEW BY JUANITA SMITH

 

They were one of the most popular bands of the 1980s, selling over 100 million albums worldwide.   But before the Miami Sound Machine started, what was the story that brought Emilio and Gloria Estefan together?

With set pieces set in Cuba and Miami, “On Your Feet” is a highly entertaining tale about two people destined to meet and create some of the most popular music of the last century.  It is also a story of the power of love, which comes into play after tragedy strikes and music is the furthest thing.

The show rides along on the mighty shoulders (and voices) of Mauricio Martinez and Christie Prades who, as Emilio and Gloria, share the majority of the vocal duties.  Both are well cast and their chemistry is evident.

The supporting cast is equally strong.  The choreography is top notch and the direction keeps the show flowing easily.  And then there are the songs!

If you’re looking for an entertaining night at the theater, you can’t go wrong with “On Your Feet.”

The show plays in Kansas City through May 27th.  For upcoming show information and tickets, click HERE

 

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Concert Review: Jimmy Buffett – “Son of a Son of a Sailor” Tour – Kansas City

 

Jimmy Buffett and the Coral Reefer Band – “Son of a Son of a Sailor” Tour 2018
Sprint Center – Kansas City, Missouri

May 19, 2018

When you see people wearing grass skirts and coconut-shell bras, parrots on their shoulders or over-sized Cheeseburgers and Shark Fins on their heads, you can only be in one place:  Margaritaville!  This weekend, Margaritaville was located inside the Sprint Center in Kansas City as Jimmy Buffett and the Coral Reefer Band debuted the “Son of a Son of a Sailor” tour.

 

Has it really been 40 years since Buffett released “Son of a Son of a Sailor?”  This is my favorite Buffett album and it solidified Buffett as one of my favorite songwriters.  Like another one of my favorites, the late Harry Chapin, Buffett wrote amazing “story-songs” that took you to places you never imagined you would travel to.  I knew that the night’s events would not disappoint.

Caroline Jones was the opening act.  A very talented singer and musician, she treated the crowd to a small set of songs that showed off both her vocal range and musical talents.  She would later come out during the main show to accompany Buffett  and the band on a couple more numbers.  I have to admit that, though I’ve heard Ms. Jones on Sirius Radio (she hosts a program known as “the Coffee House) I wasn’t aware that she was also a singer.   I recommend you give her a listen,

Finally it was showtime.  Buffett and the band hit the stage and kicked off the show with a rousing “Livingston Saturday Night,” one of seven songs from the “Son of a Son of a Sailor” album he would play tonight.  Afterwards he addressed the crowd, informing them that this was the inaugural show of the new tour and that he and the band had been practicing in Texas for a while.  He also noted the Fin Men, a group of gentlemen that had been patrolling around the venue with illuminated 6-foot shark fins on their heads.  This group of Parrotheads made the show even more entertaining, especially when they circled during the song “Fins.”  My understanding is that they are just a group of fans and aren’t officially part of the show but my advice to Mr. Buffett would be to fly these guys wherever you’re playing.  They are true ambassadors for your music as well as the great time experienced at your shows.

Besides the enthusiasm of Buffett, the show also includes the Coral Reefer Band, made up of some amazing musicians.  Chief among them is Mac McAnally, who has been chosen  the Country Music Association’s “Musician of the Year” an amazing 10 times.  McAnally is also a member of the Nashville Songwriters Hall of Fame, thanks to his having written or co-written such songs as “Down the Road” for Kenny Chesney, “Old Flame” for Alabama and “Thank God for You,” one of many hits he composed for Sawyer Brown.  At the concert’s mid-point – an energetic “Cheeseburger in Paradise” – Buffett left the stage “for some refreshments.”  In his absence, the audience was treated to an amazing mini-concert by steelpan player Robert Greenridge, who performed a beautiful rendition of the Beatles’ “Eleanor Rigby.”

Mac McAnally and Jimmy Buffett

The audience was not only treated to a barrage of Buffett’s music, but were also entertained with covers of songs by the Beach Boys “Sail On, Sailor”), Alan Jackson (“It’s Five O’Clock Somewhere” – a song on which Buffett also appeared on) and Crosby, Stills and Nash (“Southern Cross”).  The band was in top form.  It is hard to believe that this was the first show of the tour, so easily did all of the pieces work.

After a rousing three-song encore, which included Van Morrison’s “Brown Eyed Girl,” Buffett said his good nights to a crowd that had hardly sat down all evening.  If you’ve never experienced the magic that is a Jimmy Buffett concert, I urge you to catch him and the Reefers as soon as possible.  For a list of tour dates, or to learn pretty much about everything Buffett, click HERE

I was made an honorary Fin Man after the show. Love these guys!

SET LIST

Livingston Saturday Night, The Weather is Here – Wish You Were Beautiful, Tampico Trauma, Boat Drinks, Come Monday (w/Caroline Jones), Trip Around the Sun (w/Caroline Jones), It’s Five O’Clock Somewhere, Sail On,Sailor, Volcano, Cowboy in the Jungle, Son of a Son of a Sailor, Cheeseburger in Paradise, Grapefruit Juicy Fruit, Manana, Fool Button, Piece of Work, Coast of Marseilles, Fins, Changes In Latitudes/Changes in Attitudes, A Pirate Looks at Forty, Back Where I Come From (vocals by Mac McAnally), Margaritaville, Southern Cross, One Particular Harbor.

ENCORE

Brown Eyed Girl, Love and Luck, One Love/People Get Ready

 

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Theater Review: “The Lion King” in Kansas City

Disney’s “The Lion King”

Music Hall – Kansas City, Missouri

May 10, 2018

 

AMAZING!  That is the first word that popped into my head as “The Lion King” began.  While being mesmerized by the animated and musical Rafiki (Makelisiwe Goga), we were treated by a parade of animals down the aisle, from the rear of the theater to the stage.  Birds.  Gazelles.  Elephants.  They strode past in their proud majesty and filled the stage.  And for the next two and half hours, the excitement never died.

“Rafiki” in THE LION KING North American Tour. ©Disney. Photo by Joan Marcus.

Based on the 1994 animated film of the same name, the story of “The Lion King” is much as it was in the film.  Some of the characters are fleshed out more and there are more songs, also written by Elton John and Tim Rice.  The characters are familiar and are portrayed in an amazing way.  While the majority of the lions just wear lion heads, other characters are portrayed by actors holding/wearing puppets.  The effect is jaw-dropping.  Even the lovable duo of Timon and Pumba are portrayed this way, a way that is not distracting in the least.

The original show, which is now the third longest running show in Broadway history, was nominated for an amazing eleven Tony Awards, winning six, including Best Musical.  I’ve been attending shows, both on Broadway and off, since 1980, and I would easily put “The Lion King” in my top 10 of best shows ever.

“The Lion King” runs in Kansas City at the Music Hall through May 27th.  For ticket information, or to see where the tour is heading next, click HERE.

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Kansas City fans, win tickets to see comedian Eric Schwartz

 

Eric Schwartz, one of the fastest rising comedians in the country, will be making an appearance on Tuesday, April 17th at the Record Bar in Kansas City and Media Mikes has arranged for one lucky reader and a guest to go to the show.

All you have to do is let us know below, if you had the chance to see any legendary comedian live in person, who would it be?  Your choices can be living or dead.  Just let us know who you think would make for one funny evening.  One winner will be chosen randomly from all entries on Sunday, April 15th and will be notified by email.  Good luck!

Recently Eric tried to challenge some of the unwritten rules of Kansas City barbecue.  Click HERE for the results.

Win Passes to the Kansas City Premiere of “I Feel Pretty”

 

Media Mikes has teamed with their friends at STX Entertainment to give (50) readers and a guest the chance to be among the first to see the new comedy starring Amy Schumer, “I Feel Pretty.”

The screening will be held on Tuesday, April 17, 2018 at the B&B Overland Park Theatre in Overland Park, Kansas and will start at 7:00 p.m.

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for two to attend the screening.  This is a first come/first serve giveaway.  Once all (50) passes have been claimed, the contest is over.  GOOD LUCK!

 

I FEEL PRETTY

Tuesday, April 17, 2018  –  7:00 p.m.

B&B Overland Park Theatre – Overland Park, Kansas

 

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Win Passes to the Kansas City Premiere of “Super Troopers 2”

Media Mikes has teamed with their friends at Fox Searchlight Films to give (50) readers and a guest the chance to be among the first to see the new comedy from the gang at Broken Lizard, “Super Troopers 2.”

The screening will be held on Monday, April 16, 2018 at the AMC Studio 28 Theatre in Olathe, Kansas and will start at 7:00 p.m.

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for two to attend the screening.  This is a first come/first serve giveaway.  Once all (50) passes have been claimed, the contest is over.  GOOD LUCK!

 

SUPER TROOPERS 2

Monday, April 16, 2018  –  7:00 p.m.

AMC Studio 28 Theatre – Olathe, Kansas

 

 

Win Passes to the Kansas City Premiere of “Isle of Dogs”

 

Media Mikes has teamed up with their friends at Fox Searchlight to give (35) Kansas City-area readers and their guest the chance to be among the first to see the latest film by Wes Anderson, “Isle of Dogs.”

The film will be shown on Monday, April 2, 2018 at the AMC Studio 28 Theatre in Olathe, Kansas and will start at 7:00 p.m.

All you have to do is click HERE.  The first (35) to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once (35) passes have been claimed the giveaway is over.

Good Luck!

 

ISLE OF DOGS

Monday, April 2, 2018  –  7:00 p.m.

AMC Studio 28 Theatre  –  Olathe, Kansas

 

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