Cradle of Filth’s Dani Filth talks about debut album “The Great and Secret Show” with Devilment

Dani Filth is best known as the founder and lead vocalist of the metal band Cradle of Filth. Filth’s newest musical endeavor goes by the name Devilment whose debut album title “The Great and Secret Show” will be released on October, 31st via Nuclear Blast Records. Media Mikes spoke recently with Dani about the new release, working with Bam Margera and the group’s upcoming tour with Motionless in White.

Adam Lawton: Can you give us some background on the formation of “Devilment”?
Dani Filth: A couple of years ago I met up with Daniel Finch and he asked me if I would be interested in working on a project with him. Over the course of those years the project has sort of grown and grown and flourished into a full blown band. All the members of the band live in pretty close proximity of one another and we are now set to release our first album. Scott Atkins who worked on the last Cradle of Filth album jumped on board helping with the recording process and we have been picked up by Nuclear Blast Records. Paul Ryan who was the original guitarist for Cradle of Filth is our manager/booking agent. He also is booking for Cradle of Filth now as well. We are keeping a lot of things in house with this project.

AL: What is it that you want to accomplish with this new album/band?
DF: It’s vastly different than Cradle of Filth. It’s a totally different entity in that’s its completely original. Each of the band members has their own unique perspective on metal and music in general. Our keyboardist Lauren doesn’t come from a metal background at all though she has come to appreciate it. Six of us have come together to create this unique thing. It is more riff driven and somewhat in the vein of Rammstein or White Zombie. The songs have more of a heavy groove to them. Lauren has brought this John Carpenter type vibe to the whole thing which is really great. The music is definitely in the realm of horror.

AL: With the music being different from your work with Cradle of Filth did you take a different creative path during the writing/recording process?
DF: Not overly. Cradle does a lot of stuff via the internet and then we all get together when needed for touring and such. With Devilment everyone lives locally unlike Cradle where members are literally spread across the world. Having everyone so close has made the experience different, as has writing in a lower key. Though I still write the same way as I always have I do approach the Devilment material a bit differently. I am a little more contemporary with the choruses and such. I don’t like to say it but the material has almost a pop sensibility.

AL: For the digi-pack release of the album you recorded a cover of Midnight Oil’s “Beds are Burning” can you tell us about that and, how Bam Margera ended up also on the track?
DF: That song comes wasn’t meant to be included on the 10 track version of the album. This song will be included on the special version along with two other songs. It sounds a little odd just because of the nature of the song. The original is a fucking awesome song and just very catchy. We have made it a bit heavier and added some keys to it as well. It has this “Exorcist”/”Tubular Bells” vibe to it. I chose Bam to sing on it because he actually owed me a favor. I sang at his wedding in Iceland last year so I thought I would return the favor. He went in to the studio with a producer in Philadelphia and his parts sound really great. The song has these kind of call and response portions to it. Bam sounds a lot like Pete Steele. It’s a very interesting and powerful track.

AL: Can you tell us about the upcoming video for the song “Even Your Blood Group Rejects Me”?
DF: The video is black and white with a splash of red every now and then. We worked with a photographer/video director named Scott Hunter. The video has a very cool fashion shoot vibe to it. It looks very contemporary and fresh. There is a lot of performance based elements that look really great. The way everything came together makes it one of those videos you have to watch a couple times just to be able to see everything.

AL: What type of tour plans do you have in place thus far?
DF: Cradle of Filth is heading out on the road prior to heading in to the studio in December. We will be in Russia for about a month then I have a few days off before hitting the road with Devilment. We will be out supporting Motionless in White and Lacuna Coil. That’s going to be a fresh experience for me being that we are not the headlining act. It’s going to be a big tour. This is Motionless in Whites first time in Europe.

AL: You just did a track with Motionless in White for their new album correct?
DF: Yes. That was actually unrelated and happened prior to the tour being announced. I suppose it garnered some favor. The song is called “Puppets 3” and it’s quite brutal. I was quite surprised because I knew of Motionless however I hadn’t really heard them. When I heard the track I thought it was a cross between early Cradle and At the Gates.

AL: Do you find it hard balancing your two groups due to them being quite different from one another?
DF: At the moment yes. The time factor has made things a bit tricky as we will be heading to Russia with Cradle, then I go out with Devilment and then come back to work with Cradle in the studio. There’s a lot of hard work ahead. Nuclear Blast has done a great job keeping me busy with press for Devilment it’s really great. It’s a bit hectic but it’s better than sitting around being bored.

Dani de Waal talks about touring with Broadway hit play “Once”

Dani de Waal is an English actress, who recently joined the touring cast of the Broadway hit “Once”, playing the role of ‘Girl’. Her previous achievements on stage include “Picnic” on Broadway and “Mamma Mia!” for the role of Sophie Sheridan on West End. Media Mikes got a chance to chat with Dani about “Once” and her role as she was kicking off the 29 city tour which runs until October 2014.

Mike Gencarelli: Tell us what made you want to be a part of “Once: A New Musical” for its North American tour?
Dani de Waal: I saw the movie years ago when it came out, I was England at the time then. I loved it and the music and thought it was a beautiful story. I ended up seeing the show on Broadway also when I came to New York on a holiday. I remember saying to myself and secreting it to the universe that I would love to be in this show [laughs]. As it turns out, I ended up moving to New York the following year. I got an audition and it sort of happened from there. It really has been a dream come true. It is one of those shows that I wouldn’t [laughing] mind being in it for free every night. It is so incredible and doesn’t feel like a job at all.

MG: What made you connect with the character, ‘Girl’?
DDW: She is very interesting. She has this sort of cold exterior, I guess you can say. She’s hard to read. She has these walls up to protect herself. She also has a very warm and inquisitive side about the world and about people. She really believes that music can save us and change us. I share that as well in fact. Music is a universal language that can touch anyone no matter what we speak. I love how she expresses herself through the music and playing the piano. I have played piano most of my life but never have done it in a job. So that was an amazing thing for me to explore. Also singing with everyone on the stage as a band, I have never done that before either. It all has this kind of magical quality to it in playing her for this show.

MG: What is your most challenging aspect of the role?
DDW: When I first came to the part it was the piano. It was getting over the nerves of playing in front of people. So that was it initially, but now being that we are on stage pretty much the whole show once you are in it you are in it. I quite enjoy that. Stamina wise that was quite a challenge to get going but now it is something that I really love about it. You step up on stage in the beginning and sort of don’t breathe until curtain call. In a way it is a challenge but it is a great thing as well.

MG: The music is so amazing, which song is your favorite to hear and/or sing?
DDW: I have to say my favorite is “Falling Slowly” but the reprise version, which is at the very end. The song is beautiful anyway but the reprise in particular has everyone joining in and singing. It has that swell moment that is just incredible. So that one to listen to and also play, it is just such a highlight for me. Also since it comes at the end of the show, there is this great build up and then you have that moment.

MG: How you had a chance to meet Glen Hansard and Markéta Irglová?
DDW: No, we haven’t met that yet. I know they were very involved with the show’s process when it first started. I am pretty sure at some point within the show’s run we are going to get to meet them. But we only recently just started touring, so hopefully soon.

MG: Is there a city that you are looking forward to visit most on the tour?
DDW: I haven’t been around America at all, so I just very excited to see all of it really. I have never been to the West Coast and we hit there next summer, so I am really looking forward that. We are currently in Chicago and it has been amazing so far, so I can’t wait to see what comes next.

Here is the rest of the tour schedule! Check it out when it comes to a city near you!

Chicago, IL (Oriental Theatre)
Oct. 9 – 27, 2013

Philadelphia, PA (Academy of Music)
Oct. 29 – Nov. 10, 2013

Cleveland, OH (Playhouse Square)
Nov. 12 – 24, 2013

Toronto, ON (Royal Alexandra Theatre)
Nov. 26, 2013 – Jan. 5, 2014

Boston, MA (Boston Opera House)
Jan. 7 – 19, 2014

Durham, NC (Durham Performing Arts Center)
Jan. 21 – 26, 2014

Orlando, FL (Bob Carr Performing Arts Centre)
Jan. 28 – Feb. 2, 2014

Miami, FL (The Adrienne Arsht Center)
Feb. 4 – 9, 2014

Tampa, FL (Straz Center)
Feb. 11 – 16, 201

Fort Myers, FL (Barbara B. Mann Performing Arts Hall)
Feb. 18 – 23, 2014

New Haven, CT (Shubert Theater)
Feb. 26 – March 2, 2014

Atlanta, GA (Fox Theatre)
March 4 – 9, 2014

Pittsburgh, PA (Benedum Center)
March 11 – 16, 2014

Rochester, NY (Auditorium Theatre)
March 18 – 23, 2014

Buffalo, NY (Shea’s Performing Arts Center)
March 25 – 30, 2014

Minneapolis, MN (Orpheum Theatre)
April 1 – 6, 2014

St. Louis, MO (The Fox Theatre)
April 8 – 20, 2014

Des Moines, IA (Civic Center of Greater Des Moines)
April 22 – 27, 2014

Tempe, AZ (ASU Gammage)
April 29 – May 4, 2014

Denver, CO (Buell Theatre)
May 6 – 18, 2014

Las Vegas, NV (Smith Center for the Performing Arts)
May 20 – 25, 2014

Seattle, WA (The Paramount Theatre)
May 27 – June 8, 2014

Portland, OR (Keller Auditorium)
June 10 – 15, 2014

San Francisco, CA (Curran Theatre)
June 17 – July 13, 2014

Los Angeles, CA (Pantages Theatre)
July 15 – Aug. 10, 2014

San Diego, CA (Civic Center)
Aug. 12 – 17, 2014

Costa Mesa, CA (Segerstrom Hall)
Aug. 19 – 31, 2014

Charlotte, NC (Blumenthal Performing Arts Center)
Sept. 30 – Oct. 5, 2014