CD Review: Wovenwar “Honor Is Dead”

“Honor Is Dead”
Wovenwar
Metal Blade Records
Tracks: 11

Our score: 3.5 out of 5 stars

Metal Blade recording artist Wovenwar are back with their sophomore release titled “Honor Is Dead”. The group which consists of former As I Lay Dying members Nick Hippa, Josh Gilbert, Phil Sgrosso and Jordan Mancino along with Oh Sleeper front man Shane Blay is taking things to the next level with their latest release consisting of 11 aggressive tracks which demand listener’s attention.

From the opening lines of “Confession” to the closing notes of “130” the latest offering from Wovenwar is a much more aggressive album than the groups 2014 self titled debut. Vocalist/guitarist Shane Blay seems to have settled in and planted his roots firmly with the former As I Lay Dying members which are nicely showcased on “Honor Is Dead”. The group once again does a great job blending melodic tinged vocals and crushing guitars but goes one step further amping up the heavy portion of the album with strategically placed guttural screams and lyric passages that will surely satisfy even the most fanatical heavy music listener. For those looking the album more melodic moments check out the title track “Honor Is Dead” as well as “Silhouette”. For those wanting the heaviest of the heavy take a listen to “Stones Throw” and “Cascade” as the will undoubtedly do the trick.

The band seems to only be getting better the more and more time they spend with each other and “Honor Is Dead” is a solid testament to that. Though I found the album lacking some of the catchiness found in the group’s previous release I still enjoyed listening to the new material. Clocking in at just over thirty minutes allowed for multiple listens and the diversity of each track cancelled out any redundancies making the latest from Wovenwar a solid pickup.

Track Listing:
1. Confession
2. Censorship
3. Honor is Dead
4. Lines in the Sand
5. World on Fire
6. Compass
7. Stones Throw
8. Cascade
9. Silhouette
10. Blood Letter
11. 130

 

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Need a Holiday gift idea for the Rockstar in your life? Check out Pluginz “Jack Rack”

PLUGINZ ‘Jack Rack’ Now Available via Guitar Center & Musician’s Friend –

The Hottest Music Accessory of 2016!

Take it from Reputable Industry Leaders such as Marshall Amplification and Metal Blade Records + Artists such as Dillinger Escape Plan, Of Mice & Men, Warrant, Atreyu and More…

www.thejackrack.com

Pluginz recently introduced their newest product – the latest musician’s must-have – the “Jack Rack”! Already making a name for itself, this unique, eye-catching wall-mounted keychain holder is the best way to “Hang Your Keys like a Rockstar”. Now, Pluginz is pleased to announce that in addition to their online store at www.thejackrack.com, you can now purchase your very own “Jack Rack” online via top musical gear retailers Guitar Center and Musician’s Friend.

Not only can you buy your own “Jack Rack” via Pluginz, you customize them for your business or brand, too. Artists and reputable companies in the music industry are already creating their own custom Pluginz “Jack Rack” designs after witnessing the personalized nature of the product – allowing them to further promote their brands with a fun and functional twist. To find out more on how to customize your very own “Jack Rack”, email Pluginz at: contact@pluginzkeychains.com.

Pluginz was founded in early 2015 by Mike Stricklin. Stricklin soon partnered up with Rockworld Merchandise owners Dan Jacobs of the band Atreyu, and his brother Joe Jacobs. After a successful Kickstarter campaign that raised over $10,000, Pluginz started making a buzz within the music industry. Soon after, the “Jack Rack” went viral on the front page of Reddit, as well as breaking records for post likes, comments, and shares on pages such as Guitar World, Revolver Magazine, Shut up And Take My Money, Celestion Speakers, 100.3 the Sound FM, Alt 98.7, OC Weekly and many more.

Take it from those who have used the “Jack Rack” and branded their own:

Josh Bernstein
Alternative Press
“There are many inventions in the world that I wish I came up with, such as the iPhone, the electric car and most recently, the cronut. But, when I saw the “Jack Rack” by Pluginz, I was truly humbled. I can’t think of a more highly coveted item by both music players and music fans alike. I know how I will be stuffing my stockings this winter!”

David Peterson
Shut Up and Take My Money
“Pluginz has single-handedly revolutionized the wall mounted key holder industry.”

Rick Zeiler
Coldcock Whiskey
“Dan’s been a longtime friend and business colleague of mine. He presented me with a COLDCOCK Whiskey “Jack Rack” and I was floored at the detail and quality that went into it, so much so we welcomed him using our trademark. Pluginz, the company Dan created, makes an instant impact and is a conversation starter, love them!”

Read more about the Pluginz “Jack Rack” via http://www.jackrack.com, and stay tuned for more news coming soon!

CD Review: Saxon “Let Me Feel Your Power”

“Let Me Feel Your Power”
Saxon
UDR Music
1 DVD+2CD’s

Our score: CD 4 out of 5   

                   DVD: 3.5 out of 5

British heavy metal legends Saxon have just released their 10th live album titled “Let Me Feel Your Power”. The two CD and one DVD/Blu-ray is being released via UDR Music and features 16 tracks that were recorded in Munich and Brighton in November of 2015. The release also contains bonus footage from the bands September 2015 show in Chicago. “Let Me Feel Your Power” is available in a variety of formats including a deluxe vinyl version which also includes the Blu-Ray and 2 CD’s and is limited to 1500 copies.

The latest live offering from Saxon is a solid testament to the staying power of one of the originators of the NWOBHM movement. Vocalist Biff Byford and company sound great through all 30 tracks making this an enjoyable listen and one of the better live releases I have heard recently. The video portion (which coincides with the audio portion) of the package is equally good as it features a variety of crystal clear camera angles with top notch sound. Songs like “Motorcycle Man”, “Power and Glory” and “Queen of Hearts” rip through your speakers with surprising clarity which allows you to hear every instrument with ease, often a rarity with live recordings even with today’s modern technology.

With a track listing that is a mixture of both new and old Saxon “Let Me Feel Your Power” has something for just about every era of Saxon fan out there. Combine that with top notch audio and video and you have a really enjoyable release. Though there are a few songs which you get duplicate versions of and a lack of any real bonus or behind the scenes footage of the band (which would have been cool) these small short comings weren’t enough for me to not highly recommend this release as it’s a great heavy metal listen.

Audio Track Listing:
 Disc 1
1. Battering Ram
2. Motorcycle Man
3. Sacrifice
4. Destroyer
5. Power and the Glory
6. 20,000 FT
7. The Devil’s Footprint
8. Heavy Metal Thunder
9. Queen of Hearts
10. Princess of the Night
11. Wheels of Steel
12. Denim and Leather
13. Crusader
14. Eye of the Storm
15. Battalions of Steel
16. Requiem

Disc 2
1. Motorcycle Man
2. This Town Rocks
3. Sacrifice
4. Power and the Glory
5. Solid Ball of Rock
6. Dallas 1 pm
7. Heavy Metal Thunder
8. Rock the Nations
9. The Eagle Has Landed
10. Wheels of Steel
11. Backs to the Wall
12. Just Let Me Rock
13. Strong Arm of the Law
14. 747 (Strangers in the Night)
15. Princess of the Night
16. Denim and Leather

Lamb of God to release “The Duke” EP on November 18

LAMB OF GOD to Release The Duke EP,

Featuring Two Never-Before-Heard Songs and Three Live Tracks

The Duke EP out November 18 | Vinyl out November 25

Internationally-renowned heavy rock band LAMB OF GOD will release a brand new EP, entitled The Duke, on November 18, 2016 via Epic Records. The EP will be released as a vinyl version the following week, on November 25. The Duke EP is titled after the new track “The Duke”, written in honor of the band’s late friend and fan, Wayne Ford, who was named after “The Duke” John Wayne.

“A little while ago I became friends with a fan named Wayne Ford – he was terminal – leukemia. I talked with him often, even video chatted him into the studio. He was very calm about his impending death, and we discussed it very openly. I learned a lot from him. This song is for him,” dedicates vocalist Randy Blythe.

You can stream the new track “The Duke” and read an in-depth, exclusive interview about The Duke EP with Randy Blythe now via Rolling Stone: http://www.rollingstone.com/music/features/hear-lamb-of-god-honor-late-fan-on-new-song-the-duke-w445283

Exclusive pre-order bundles for The Duke EP, including CD and vinyl versions, are available via http://theduke.lnk.to/merch. Pre-orders on iTunes, Amazon, Google Play and other digital retailers, plus Spotify streaming of “The Duke” single will beginning  Friday, October 21.

The Duke EP Track List:

1) The Duke

2) Culling

3) Still Echoes – live from Rock am Ring

4) 512 – live from Bonnaroo

5) Engage the Fear Machine – live from Bonnaroo

In conjunction with The Duke EP release, LAMB OF GOD will be offering the following items with all proceeds going to the Leukemia & Lymphoma Society (WWW.LLS.ORG):

– Randy Blythe’s Ashes of the Wake gold record plaque

– Signed signature model guitars

– Signed copies of handwritten lyrics

– Signed copies of The Duke EP on CD

– Signed copies of The Duke EP on Vinyl

– Signed copies of Randy Blythe’s book

– Plus more

The charity campaign is being hosted via Propeller.la and will launch Friday. For more information, please visit www.lamb-of-god.com.

LAMB OF GOD is:

Randy Blythe (vocals)

Mark Morton (guitar)

Willie Adler (guitar)

John Campbell (bass)

Chris Adler (drums)

LAMB OF GOD Online:

www.lamb-of-god.com

www.facebook.com/lambofgod

https://twitter.com/lambofgod

http://instagram.com/lambofgod

Concert Review: Regina Spektor

“Regina Spektor Tour 2016”

Regina Spektor
Friday, October 14th 2016
The State Theater, Ithaca, NY

Our Score: 4 out of 5 Stars

Singer/Songwriter Regina Spektor paid a visit to the historical State Theater in Ithaca, NY on Friday, October 14th where she performed to a sold out crowd. Spektor who is currently out on the road in support of her latest album “Remember Us To Life” put on a stellar performance which combined her unique performance style and emotionally fueled vocal styling’s which tugged at the inner most parts of the Ithacan crowds emotions.

After a four year hiatus it was great to finally not only hear new music from Regina Spektor but also be able to see her live and in such an intimate venue as the State Theater. With the theater at capacity Spektor and her band took the stage to a loud wave of applause and cheer. The singer quickly thanked the crowd and kicked off the night with “On the Radio” and “Better” both from her 2006 album “Begin to Hope”. As the set progressed Regina included several songs from her latest album “Remember Us to Life” including “Older Taller”, “Bleeding Heart” and, “Grand Hotel”. Spektor and company seemed to connect almost flawlessly with only a few minor errors coming during “Après Moi” which saw Spektor throw her head back and shake it in disapproval at her mistake though like a true professional she didn’t let the slip bother her and continued on with a bright smile on her face. A unique moment in the set occurred when a fan shouted out a request for the song “Sailor Song”. Spektor who stated “we never take requests” broke her rule due to the fact the band knew the song though she did apologize beforehand if there were any mess ups. The song went off without much of a hitch and the crowd seemed to really enjoy the bands willing to give the song a try and provide a special moment for the night’s crowd.

From start to finish the concert was a great experience. Regina’s voice sounded amazing and was a perfect fit to the classic theaters surroundings. Aside from her work on the “Orange is the New Black” theme song “You’ve Got Time” and a few other tracks I was only a casual listener of her works however after seeing her and her band perform live I have a much greater appreciation for her music and quickly found myself transforming into a fan. If you have the chance to catch Regina I strongly encourage you to do so. Not many artists are able to perform night after night at the level Regina does as she is able to connect with the listener on a number of different levels making for a really great concert/music listening experience.

Set List:
1.) On the Radio
2.) Better
3.) Tornadoland
4.) Bleeding Heart
5.) Older and Taller
6.) Grand Hotel
7.) Blue Lips
8.) Black and White
9.) Small Bill$
10.) Ballad of a Politician
11.) Après Moi
12.) You’ve Got Time
13.) The Trapper and the Furrier
14.) Sailor Song
15.) Obsolete
16.) The Light
17.) Seller of Flowers
18.) The Visit
19.) Us
Encore:
20.) Fidelity
21.) Hotel Song
22.) Samson

Guitarist Todd Campbell talks about teaming up with his family to form Phil Campbell and the Bastard Sons

Phil Campbell and the Bastards Sons is the latest post Motorhead offering from long-time guitarist Phil Campbell. What makes this group unique is that the “Bastard Sons” really are Campbell’s sons. Along with Neil Starr on vocals Phil’s sons Todd, Dane and Tyler round out the group’s lineup which is set to release their self titled debut EP on November 18th. Media Mikes had the chance recently to talk with Todd Campbell about the group’s formation, the creation of the EP and about the bands upcoming tour.

Adam Lawton: How did the idea for the new band come about?

Todd Campbell: About four years ago I celebrated my 30th birthday and we had a party with a band. My dad happened to be home at the time and we got up and jammed along with my buddy Neil Starr. We did a few Rolling Stones songs and it went really well. We had said that we should do that more often and things have just sort of carried on since then. That really was the basis for the band. My dad and I play guitar, my youngest brother Tyler plays bass, my other brother Dane plays drums and we have Neil singing. Us Campbell’s we can play a bit but our voice is a bit un-cool. (Laughs)

AL: From a creative stand point how did the album come together?

TC: The whole process was really cool. We didn’t really have a time frame to get the EP out so we just played quite a bit together. We would sort of sit on the material for a bit then my dad would come in and give his thoughts and input in different parts. It was all really easy to be honest. I think my dad actually enjoyed the process as well because being related we were all sort of on the same page already so it was a good experience.

AL: What was it that appealed to the band about doing an EP for your first release as opposed to a full length album?

TC: There were some time and budget factors that helped with that decision but when you do a full album you in a way are sort of tied to that specific sounds for a couple of years. With an EP you can bounce to the next thing a little quicker and get some fresh material out there to your fans. It also gives us an angle to play some new songs live as we move on to the next album.

AL: Do you think the music market right now sort of lends itself more to EP’s as opposed to full length albums?

TC: The value of music these days is just lost. Gone are the days of saving up your money and going to the music store and buying an album. We originally had this idea of doing just one song and then charging $100 dollars for it. (Laughs) We figured if we made the most expensive song people would look at it and just wonder why it was expensive in hopes to bring value back to the industry. We never ended up doing it because we figured after one person bought they would just share it and the thing would die on its ass. In today’s market you have about 30 seconds to grab some ones attention and that’s all you get. Despite all of that I think for rock bands the album will always be there. You get that 45 minutes or an hour to put your stamp on something which is important in rock music.

AL: “Big Mouth” is the bands first single. What was about this track that stood out above the rest?

TC: That song has a good rock and roll vibe and is also really punchy. That was about the third song I think we actually worked on. I had come up with the riff and then my dad unlocked the rest of it. I think that song came together the most organically. We all agreed this was the one that should go our first to everyone so they could gauge us as a band. It was all a very natural process.

AL: A lot of times we see band members taking on dual roles as producers. Your situation is even more unique as you are not only both of those but also a son and brother. How do you go about balancing all of those rolls?

TC: I have worked/played with a lot of different bands and when you don’t know someone as well you have to be rather tactful with your approach to different things. In this case where I have known everyone practically my entire life you just get right to it. If I think something is shit I can come right out and say that. (Laughs) You can be really upfront with everyone. Sometimes when people see us sound check they are a bit taken back as we are very honest with each other. We have these mini arguments but then 2 minutes later it’s all been forgotten about. Everyone is very honest and no one’s feelings get hurt as we just move on being we have that family bond with one another. Where I had to step back from things was during the mixing process. I wanted to bring someone in with fresh ears. You can sort of obsess when it’s your own work so we brought in Cameron Webb who mixed the last few Motorhead records. He did a fantastic job and that sort of took some pressure off of me. Having those outside ears keeps you on the ball as well because you can’t be lazy. You have to get everything right before it goes on to that next process where you won’t be as involved.

AL: Can you tell us about the bands upcoming UK tour and if there are plans to bring the band to the States?

TC: We are doing a run of shows on our starting October 18th and then towards then of the year we will be doing some shows with Saxon which should be really great. We definitely want to come to the U.S. and we have representation there now. The EP is really kicking things off for us and now that we have the Motorhead team behind us I think that’s going to really help. Before we just called ourselves the “All Star Band” and only played here or there but now we have something bigger going and we are taking it serious so we hope to be able to get out to as many different places as possible.

For more info on Phil Campbell and the Bastard Sons you can check out their Facebook page at https://www.facebook.com/PhilCampbellATBS

 

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Concert Review: Elvis Costello w/Larkin Poe

“Elvis Costello Detour Tour”

Elvis Costello w/Larkin Poe
Friday October 7th, 2016
Yardley Hall at Johnson County Community College, Overland Park, KS

Our Score: 3.5 out of 5 Stars

Concert Review by J.R. Deeter

I have to admit I haven’t really listened to Elvis Costello in a long while so when I heard he was having a show at a local “small” venue, I thought it would be cool to check it out, enjoy the hits and see what was new with the man who first caught my attention when I was a radio DJ in the 80’s. Back then “Everyday I Write the Book” and “Allison” were staples of my Top 40 airplay.

The setting for this “Detour Tour” was both simplistic and engaging. Centered around a giant TV screen on which still photos and occasional videos played out moments of time in the life of Costello (including a performance of his fathers 1960’s version of “If I Had A Hammer”) were an easy chair, a few guitars and a borrowed piano from his wife, jazz artist Diana Krall.

Opening act Larkin Poe was an unexpected pleasure. The duo from Atlanta are often described as Southern roots rockers and they do deliver with their bluesy, guitar driven sound. The vocals of Rebecca Lovell and lap steel guitar of sister Megan combined to entertain and for me, the highlight of their set was a smokin’ cover of Black Sabbath’s “War Pigs.” Larkin Poe also serve as backing musicians for Costello for a good portion of his show.

Costello’s performance rolled through several waves, moving at times from guitar to piano and back to guitar. In between, anecdotes and reminiscences were delivered, along with the occasional Trump jab, to an appreciative audience. Many in the audience were surprised to learn that Costello had written several songs for a planned stage musical based on the film “A Face In the Crowd.” Upon divulging this, Costello performed “Blood & Hot Sauce” and “Burn the Paper Down to Ash” featuring vocals by Larkin Poe’s Rebecca Lovell. Top moments for me included the off mike, into the audience version of “Alison” and the rousing, crowd pleasing “Peace, Love and Understanding.” On the downside, no “Veronica” or “Radio Radio.”

Elvis Costello Set List:
1.)New Amsterdam
2.)Poison Moon
3.)Accidents Will Happen
4.)They’re Not Laughing at Me Now
5.)All This Useless Beauty
6.)Everyday I Write the Book
7.)Shipbuilding
8.)Deep Dark Truthful Mirror
9.)No Man’s Woman
10.)Face in the Crowd
11.)Little White Lies
12.)American Without Tears
13.)Watching the Detectives
14.)Alison
Encore
15.)Blame It on Cain
16.)Clown Strike
17.)Burn the Paper Down to Ash
18.)Vitajex
19.)That’s Not the Part of Him You’re Leaving
20.)American Mirror
Encore 2
21.)(The Angels Wanna Wear My) Red Shoes
22.)Jimmie Standing in the Rain
23.)Side By Side
24.)Blood & Hot Sauce
Encore 3
25.)Brilliant Mistake
26.)Down on the Bottom
27.)(What’s So Funny ’bout) Peace, Love and Understanding
28.)Good Year for the Roses

The tour continues through the month. Upcoming dates include:

October 11: Majestic Theater Dallas, Texas

October 13: Austin City Limits Live at the Moody Theater Austin, Texas

October 14: Revention Music Center Houston, Texas

October 15: Saenger Theater New Orleans, Louisiana

October 17: Ryman Auditorium Nashville, Tennessee

October 18: Cobb Energy Centre Atlanta, Georgia

Album Review: NOFX “First Ditch Effort”

“First Ditch Effort”
NOFX
Fat Wreck Chords
Tracks: 13

Our Score: 4 out of 5 stars

Punk veterans Nofx are back with their first album in six years titled “First Ditch Effort”. The new album which is being released via Fat Wreck Chords features 13 tracks from the Nor-Cal punkers and is classic Nofx through and through with however with a tinge of maturity.

From thought provoking lyrics and tongue and cheek song tiles everything you have come to expect from Nofx is included on the band’s latest release “First Ditch Effort”. The album starts off with the 90 second screamer “6 Years on Dope” which features guitarist Eric Melvin on lead vocals. Thought this isn’t the first time Melvin has lent is voice to a NOFX track his voice sounds better than ever making wish he would sing on a few more tracks. Front man Fat Mike is no slouch either in the vocal department as he much like the rest of the band only seems to get better with age. Tracks like “California Drought” and “Generation Z” are perfect example of this as the both of these tracks show the bands cohesiveness. For listeners looking for a more somber moment in the record and/or something similar to what was found on the “Cokie the Clown” EP from 2009 check out the track “I’m So Sorry Tony” a heartfelt tribute to No Use For a Name front-man Tony Sly who passed away in 2012.

Clocking in at just over 30 minutes “First Ditch Effort” harkens back to the bands mid 90’s heyday but with a modern twist. Catchy sing along choruses and tales of aging and loss fuel the 13 tracks making up the album which is easily the bands strongest release since 1994’s “Punk In Drublic”

Track Listing:
1.) Six Years on Dope
2.) Happy Father’s Day
3.) Sid and Nancy
4.) California Drought
5.) Oxy Moronic
6.) I Don’t Like Me Anymore
7.) I’m a Transvest-lite
8.) Ditch Effort
9.) Dead Beat Mom
10.) Bye Bye Biopsy Girl
11.) It Ain’t Lonely at the Bottom
12.) I’m So Sorry Tony
13.) Generation Z

Guitarist Andy Timmons talks about his new album “Theme From a Perfect World”

Andy Timmons has been performing on stages all over the world since the mid 1980’s most notably with the band Danger Danger, Kip Winger and as the musical director/guitarist for Olivia Newton-John. When not working in the studio or with one of his many projects Andy focuses on his group The Andy Timmons Band. The group has just released a new instrumental album titled “Theme From a Perfect World” and Media Mikes had the chance to speak with Andy recently about the albums creation, his creative process and the bands current U.S. tour.

Adam Lawton: What can you tell us about your bands latest album?

Andy Timmons: We started working on the record about six years ago. What happened was is we started working on “Theme From a Perfect World” and that sort of morphed in to the “Sgt. Pepper” album. That really took on a life of its own and we ended up finishing the Pepper record first. It took us a little bit of time to get back to this new record as we had been doing a bunch of live shows along with all of us being very busy outside of the Andy Timmons. We are here now after about ten years with a new batch of original material. That certainly was much too long of a stretch and we hope to correct that in the coming years.

AL: Can you tell us about the decision to do an all instrumental album?

AT: For me I think my uniqueness to music is my voice on the guitar. I have certainly done a fair share of music with vocals and such but I think guitar is what I do best and that’s really what I have spent my life doing. Instrumental music is a more pure and direct way of communicating especially if you are able to develop that connection on your instrument. With the guitar I think I am just scratching the surface really. Two of my heroes are Jeff Beck and Pat Matheny. Those guys really set a bench mark with their level of expression. There are a lot of great players out there but those two guys are at the forefront of people who raise the bar. That’s the path I am aspiring to and the band and I are just really trying to strike a deeper chord with our music as opposed to taking a more generic route.

AL: Is there a different creative process for you when writing instrumental music as opposed to lyrical
music?

AT: It’s all driven by the same muse. I am trying to create music that I love. I think the songwriting process or the guitar soloing process is really driven by that same desire. I want to create something that’s equal in quality to all the music I have taken in over the course of my life.

AL: The album has a deep melodic feel to it. Is that something that evolved over the course of making the album or was that something you consciously wanted to do?

AT: That has been sort of an ongoing growth/development. It’s been a natural progression for me. I think there have been some good songs on some of my earlier releases but what has always been in the forefront of my mind. Yes I wanted to write some good songs but I also wanted to play my ass off. With the maturing and growing process it’s clear that none of that means anything unless you have a great song. You want people to listen repeatedly and it to be something they want to hear multiple times.

AL: How do you think your songwriting has evolved since your early days with Danger Danger?

AT: It sort of has just evolved in the way it’s evolved. It’s hard for me to really speak much about that because I am so close to it. The inspirations and motivations haven’t changed that much. I do think I am getting better at reflecting the emotions that I want to get across. Not every moment on the new record has a deep meaning but there are a handful of the songs that are based around some very heavy life changing events. Everything was very much in the moment and a heartfelt document of what was happening at that time.

AL: Can you tell us about the bands current tour?

AT: This is the bands very first U.S. tour. It’s a bit crazy to hear me say that because we have been a band since 1988! It’s been an interesting trajectory for the band in that our career has sort of lived more in Europe and South East Asia. In the States things seemed a bit more daunting. We have all done higher level touring here in the states with other bands so the prospect of jumping in a band and potentially lose money didn’t seem that appealing. Doing that is fine in your early 20’s but not so much these days. Thanks to the internet and things like that people have been able to find more of our material which is great because we now are able to get out on the road here in the States. We will be out in the states for three weeks then we head over to Asia in November. We have December off and then in January we will be appearing at the NAMM show in California. I want to concentrate more on the U.S. at this point. We will still probably hit Europe sometime next year as well. There’s going to be several pockets of touring activity but Mike and I have a lot of recording we want to do as well. There’s going to be a much more ongoing creative process going forward.

For more info on Andy and the Andy Timmons Band you can visit http://andytimmons.com/

New Jersey Kiss Expo takes over Somerset, NY on Sunday, October 9th 2016

New Jersey Kiss Expo takes over Somerset, NY on Sunday, October 9th 2016
Tickets on sale now.

One of the longest running and largest Kiss fan expo’s in the world returns this year to the Somerset/Bridgewater Hotel (formerly the Crowne Plaza) in Somerset, NJ. On Sunday October 9th 2016 the rooms and halls of the hotel will be ALIVE with all things KISS! From endless tables of collectibles and rarities to a star studded list of celebrities including current Kiss drummer Eric Singer and former Kiss/current Grand Funk guitarist Bruce Kulick. There will plenty of other events also happing through out the day making this year’s expo the must see event for Kiss fans of all ages.

For tickets and complete event info visit: www.njkissexpo.com

Concert Review: Ace Frehley

“Ace Frehley Tour 2016”

Ace Frehley, Simo
Saturday, September 24th 2016
Magic City Music Hall, Binghamton, NY

Our Score: 4 out of 5 Stars

The original Space Man himself Ace Frehley landed in Binghamton, NY on September 24th to perform at the Magic City Music Hall. The Rock and Roll Hall of Famer is out in support of his most recent studio release titled “Origins Vol. 1” a collection of covers handpicked by Ace himself. Though Ace had not performed in the Binghamton area since 2000 the Broome County fans certainly hadn’t forget about the man from Jendel.

 
Starting of the night were the blues tinged jam band Simo. Hailing from Nashville, TN the group performed a writhing 35 minute set which helped get the night underway. Front man JD Simo didn’t waste much time interacting with the crowd as he and his band mates let the music do the talking. The power trio all seemed quite well versed in their instrumentation as each song the band performed featured lengthy solo areas that each member filled in with ease. The band closed out the set with an energetic rendition of Joe Cockers “A Little Help From My Friends” which easily garnered the largest applause from the assembled crowd. After a momentary set change Ace Frehley and his band would hit the stage as echoes of Ace’s song “Fractured Mirror” played over the PA system. The band kicked off the night with “Rip It Out” from Frehley’s 1978 solo album setting the tone for the night’s adventure. The set touched on almost all of Ace’s solo works as wells as some of the material he wrote during his days with Kiss including “Parasite”, “Rocket Ride” and “Strange Ways” which features bassist Chris Wyse on vocals. Another highlight of the nights was “2 Young 2 Die” from Ace’s “Trouble Walkin’” album featuring guitarist Richie Scarlett on vocals.

Despite a few out of key moments and a couple tempo issues the band still put on a solid performance which the audience in Binghamton seemed to really enjoy. With the chances of Ace returning to Kiss growing slimmer and slimmer with each passing day the 65 year guitarist is showing no signs of slowing down anytime soon as a solo artist, Nor should he as he is still able to get up on stage and put on an entertaining show night after night. There are still just a few more chances to catch Ace this year so if he is coming to your town or one nearby I highly recommend you get yourself a ticket as soon as possible.

Ace Frehley Set List:
(Fractured Mirror Intro)
1.) Rip It Out
2.) Toys
3.) Emerald (Thin Lizzy Cover)
4.) Parasite
5.) Love Gun
6.) Snowblind
7.) Sister
8.) Rocket Ride
9.) Bring It On Home (Willie Dixon Cover)
10.) Rock Soldiers
-Bass Solo-
11.) Strange Ways
12.) New York Groove
13.) 2 Young 2 Die
14.) Shock Me
-Guitar Solo-
15.) Cold Gin
Encore
16.) Detroit Rock City
17.) Deuce

Eric Johnson hits the road to support first all acoustic solo album “EJ”

ERIC JOHNSON HITS THE ROAD TO SUPPORT FIRST
ALL ACOUSTIC SOLO ALBUM TITLED EJ

Tour Kicks Off At Jackson, MS’ Duling Hall on October 5 And Wraps In His Hometown of Austin, TX At The Paramount Theatre on November 19

Austin, TX – Eric Johnson will hit the road next week in support of his first acoustic solo album titled EJ. Thirty years after his breakthrough solo release ‘Tones’ brought him national recognition, the new release showcases nine original compositions and four covers. Johnson shares, “Ever since I was young, I’ve played piano and acoustic guitar in my private life. This type of music has always been a part of me, but I never showcased it on any kind of bigger level, like a full acoustic record. With EJ, I just decided to be more honest with myself and everybody, and show more of my personal side.”

Johnson, long known for his painstaking approach to making records, used a much more immediate attack for the self-produced EJ. “Almost all of that material was cut live,” Johnson explains. “Some of the songs I actually sang and played at the same time – just live in the studio. Recording this way gave it more of an honest realism and organic emotion. Especially on the acoustic, you just have to get in there and play.”

On the original compositions “Wonder,” “Fatherly Downs,” and “All Things You Are,” Johnson frames his voice with his prized 1980 Martin D-45, a gift from his late father. He plays the steel-string on his superlative instrumentals “Once Upon a Time in Texas,” “All Things You Are,” and “Song for Irene.” He conjures the beautiful, pensive tones of “Serinidad,” another original instrumental, on a Ramirez nylon-string guitar. A spirited steel-string arrangement of Simon and Garfunkel’s “Mrs. Robinson” rounds out the solo guitar tracks.

Johnson recasts another Simon and Garfunkel favorite, “Scarborough Fair,” for voice and piano, and plays piano on the originals “Water Under the Bridge,” “November,” and “Wrapped in a Cloud,” an ensemble track with acoustic bass, cello, drums, and percussion. In a move that’s sure to surprise his fans, Johnson rearranged Jimi Hendrix’ “One Rainy Wish” for guitar and piano, capping the performance with a jazz-inflected piano solo. Rounding out the record is Johnson and guest guitarist Doyle Dykes’ superlative cover of Les Paul and Mary Ford’s 1951 classic, “The World Is Waiting for the Sunrise.”

Throughout his career, Johnson has approached music as a healing force, a way to enhance a listener’s consciousness and conjure joy and inspiration. “That’s what I’ve always appreciated most about other artists,” he says. “Some artists inspire us to wake up and get back to the clarity of consciousness. With this record, I’m trying to do that too, because I appreciate it so much in other people.”

Confirmed appearances include:
10/05 Jackson, MS Duling Hall
10/06 Atlanta, GA Center Stage
10/07 Rocky Mount, VA Harvester Performance Center
10/08 Elkins, WV Mountain Stage
10/09 Cleveland, OH Music Box Supper Club
10/11 Oakmont, PA The Oaks Theater
10/12 Annapolis, MD Rams Head On Stage
10/13 Richmond, VA Tin Pan
10/14 Sellersville, PA Sellersville Theater
10/15 Westbury, NY The Space At Westbury
10/16 Washington DC The Hamilton
10/18 Fairfield, CT StageOne
10/19 Fall River, MA Narrows Center For The Arts
10/20 New Brunswick, NJ State Theatre
10/21 Beverly, MA Cabot Theatre
10/22 Cohoe, NY Cohoes Music Hall
10/23 Shirley, MA Bull Run Restaurant
10/25 New York, NY Highline Ballroom
10/26 Londonberry, NH Tupelo Music Hall
10/27 Norfolk, CT Infinity Hall
10/28 Brownfield, ME Stone Mountain Arts Center
10/29 Londonderry, NH Tupelo Music Hall
10/30 Pawling, NY Daryl’s House
11/01 Ferndale, MI The Magic Bag
11/02 St. Louis, MO Old Rock House
11/03 Minneapolis, MN Dakota Jazz Club
11/04 Milwaukee, WI Back Room @ Colectivo Coffee
11/05 Chicago, IL City Winery
11/06 Nashville, TN City Winery
11/09 Charlotte, NC McGlohan Theatre
11/10 Durham, NC Carolina Theatre
11/11 Charleston, SC Charleston Music Hall
11/13 Asheville, NC Diane Worham Theatre
11/15 Clearwater, FL Capitol Theatre
11/16 Ponte Vedra Beach, FL Ponte Vedra Concert Hall
11/18 New Orleans, LA House of Blues
11/19 Austin, TX Paramount Theatre

Album Review: Against Me! “Shape Shift With Me”

“Shape Shift With Me”
Against Me!
Total Treble Music
Producer: Laura Jane Grace, Marc Hudson
Tracks: 12

Our Score: 4 our of 5 stars

Against Me! is back with their seventh studio album title “Shape Shift With Me”. Produced by front-woman Laura Jane Grace and Marc Hudson the album features 12 brand new tracks which are being released via Total Treble Music. The album is the bands first new studio album since 2014’s “Transgender Dysphoria Blues” and is the follow up to the bands 2015 live album “23 Live Sex Acts”.

Against Me! have been moving at what seems like a relentless pace since the release of “Transgender Dysphoria Blues” in 2014. Between playing countless shows all around the globe, releasing a live album in 2015 and now with a new studio album to add to their resume the band seems to be firing on all cylinders. “Shape Shift With Me” further verifies that statement as the album despite clocking in at just under forty minutes bolsters quality song writing and performances which make you want to listen to this album over and over again. From the catchy choruses of “Boyfriend” and “Crash” to the seethe “Delicate, Petite & Other Things I’ll Never Be” and the rockabilly like rumblings of “Haunting, Haunted, Haunts the album is a diverse yet cohesive listen that grows on you the more and more you listen to it.

Though the latest offering from the band didn’t grab me right away like their two previous studio releases “Shape Shift With Me” over timed seeped into my senses and after a few full listens I found it to be the only thing I wanted to hear when it came time for some listening enjoyment. Don’t let the albums brief run time or the redundant opening track “ProVision L-3” sway your first responses as this is an album that needs a little breathing time and requires more than one or two listens before it settles in but, once it does it will quickly become a favorite.

Track Listing:
1.) ProVision L-3
2.) 12:03
3.) Boyfriend
4.) Crash
5.) Delicate, Petite & Other Things I’ll Never Be
6.) 333
7.) Haunting, Haunted, Haunts
8.) Dead Rats
9.) Rebecca
10.) Norse Truth
11.) Suicide Bomber
12.) All This (And More)

Concert Review: “Make America Rock Again Tour”

“Make America Rock Again Tour”

Trapt, Saving Abel, Saliva, Alien Ant Farm, Crazy Town, Tantric, 12 Stones
Friday, September 16th 2016
Tag’s Summer Stage, Big Flats, NY

Our Score: 2 out of 5 Stars

Trapt, Saliva, Saving Abel, Alien Ant Farm, Crazy Town, Tantric and 12 Stones all made their way to the quaint town of Big Flats, NY on September 16th as part of the “Make America Rock” tour. Despite the tour package boasting some of the biggest artist of the early 2000nds the night came up short making for a rather dull concert experience.

 

Taking the stage first was the group 12 Stones. The group probably had one of if not thee toughest spot on the bill as concert goers were still filing into the spacious outdoor venue and also waiting in line for their choice of tasty beverages so, needless to say the attention at this time was focused elsewhere. Despite these obstacles that band still appeared to give their all and should be commended for their efforts. Next up was the group Tantric whose song “Breakdown” dominated the airwaves in 2001 and still receives regular play to this day. The groups set seemed to be plagued by technical difficulties making vocalist Hugo Ferreira hard to hear almost the entire set. Luckily the technical setbacks did little to kill the crowds growing momentum though and the group forged ahead with their 5 song set. Crazy Town would be up next and surprisingly I thought had the best set of the night. Not only did the group display a tremendous amount of energy but they also appeared extremely well rehearsed which made their set undoubtedly my favorite of the night.

 

Alien Ant Farm was next on the bill and put on a performance that sort of had people scratching their heads. The bands front man Dryden Mitchell awkwardly milled about the stage while his band mates remained relatively immobile. Even during the bands hit cover of Michael Jackson’s “Smooth Criminal” the band seemed less than interested in being there making their 7 song set list about 7 songs too long. The latest incarnation of Saliva which now consists of Wayne Swinny, Paul Crosby, Bobby Amaru and Brad Stewart would be up next and easily had the second best set of the night. Despite having a soft spot for the bands original line up the current bands configuration did a solid job as they blasted thorough their list of hit songs which included “Always” and of course “Click Click Boom” which closed out the nights set. Mississippi natives Saving Abel would be up next and put on a performance that sort of followed suit with the evening as it came of flat and at times a bit forced. Vocalist Scott Austin’s attempts to be the “crazed front man” were pretty lame and did little to entice the crowd who by this point of the night were running on fumes. However they did come alive briefly for the bands performance of the hit song “Addicted”. Trapt would close out the night this evening which in my mind was a bit questionable however, it was what it was and away the band went with a set that was just as flat as the previous bands performance. Of course the crowd appreciated hearing “Head Strong” but other than that both the band and the remaining crowd seemed to force themselves through the remaining moments of the night.
When a lineup of bands that all had their fair share of hits and exposure join together for a tour after having been away from the public eye for some time you would hope that each of the bands come out swinging and with their best feet forward. Sadly that was not the case for the “Make America Rock Again” tour. Despite solid performances from Crazy Town and Saliva the remaining 5 act seemed to do little for the medium sized audience who ventured to Big Flats making me wonder if everyone had gotten their money’s worth. I can’t say I would be down for checking out another show however if you want to throw caution to the wind and a little cash as well the tour will be out on the road through mid October for you to check out.

 

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Album Review: Charred Walls of the Damned “Creatures Watching Over the Dead”

“Creatures Watching Over the Dead”
Charred Walls of the Damned
Metal Blade
Producer: Jason Suecof
Tracks: 9

Our Score: 3.5 out of 5 stars

“Creatures Watching Over the Dead” is the latest release from the heavy metal group Charred Walls of the Damned. The band which features Tim “Ripper” Owens, Steve DiGiorgio, Jason Seucof and Richard Christy has laid down 9 brand new tracks which pull from each of the member’s diverse history in both the modern and classic heavy metal genres. Produced by guitarist Jason Suecof and released via Metal Blade Records on September 23rd “Creatures Watching Over the Dead” is sure to make up for the five year lapse between release from the group which first debuted in 2009.

If you are looking for a near perfect mixture of both new and old heavy metal then the latest offering from Richard Christy’s Charred Walls of the Damned is right up your alley. Extended gaps between releases can often be detrimental to a bands sound and or its members however Charred Walls of the Damned sounded better than ever. Songs like the albums opener “My Eyes” and “Reach into the Light” explode out of the gate with reckless abandonment while tracks such as “Afterlife” and “Lies” which both start off with melodic acoustic intros which give way to the groups new meets old style of metal providing a unique listening experience

For those familiar with the members various other projects the material contained on “Creatures Watching Over the Dead” will come as no surprise. Each of the bands 4 members appear to have given their all making this album as the album’s 9 songs have something for everyone. From thunderous double bass, ripping guitar solos and soaring vocal passages. The latest from Charred Walls of the Damned is a solid package.

Track Listing:
1.) My Eyes
2.) The Soulless
3.) Afterlife
4.) As I Catch My Breath
5.) Lies
6.) Reach Into the Light
7.) Tear Me Down
8.) Living in the Shadow of Yesterday
9.) Time Has Passed

Be sure to check out interview with Charred Walls of the Damned drummer Richard Christy in the interview portion of the site.

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