Concert Review: “IMatter Fest and The Gate Presents” Phinehas, My Heart to Fear, Alive in the Dark, Praxia, Take Two

“IMatter Fest and The Gate Presents”
Phinehas, My Heart to Fear, Alive in the Dark, Praxia, Take Two
Date: Saturday, August 24th 2013
Venue: The Gate, Horseheads, NY

Our Score: 4 out of 5 stars

Red Chord Records artist Phinehas brought their 2013 summer tour to The Gate located in the upstate NY town of Horseheads, NY on August 24th. The group who hails from Los Angeles is currently out on tour in support of their newest EP release titled “The Bridge Between”. Though the crowd on hand was of the smaller size all the bands who performed that evening gave their all in an effort to put on a great performance.

Take Two would hit the stage first and though the group experienced a few technical difficulties not of their own doing the local 5 piece punk/rock band forged through like professionals and did what all good openers do by priming the crowd for what was to come later in the night. Praxia another local band from the area would follow with their own unique style of metal core which definitely kicked things up a notch. Advent recording artists Alive in the Dark were up next and started off their set as though they were shot out of a cannon. The band certainly seemed to be enjoying themselves especially drummer Michael Guevarez who donned a creepy yet entertaining unicorn mask for a portion of the set.

Next up were Solid State Records artist My Heart to Fear. The band hails from Williamsport, PA an area probably best known for its baseball history however over the last few years have become a breeding ground for up and coming metal-core acts. Vocalist Trevor Pool worked the crowd in between songs which helped keep the excitement going and even though the bands tour van broke down between shows none of the members let that affect their performance which garnered a great response from the crowd.

Closing out the night were tour headliners Phinehas who put on a stellar performance from start to finish.
Each of the bands four members really put everything they had into the extended set which whipped the crowd in to several good sized circle pits. Guitarist Jason Combs and bassist Bryce Kelley made great use of the stage as they bounced and spun back and forth while delivering the bands crushing material. Drummer Lee Humerian was a show in his self dazzling the crowd with a bevy of stick twirling tricks while vocalist Sean McCulloch put the icing on the cake with his shredding vocals and commandeering stage presence.

I really have to give it to the people who handle The Gate. Not only do they provide a safe and fun environment to play and listen to music but they seem to be the only ones in the area that are doing anything for music fans and performers. Without their dedication to the art of music younger bands and listeners would have little to no chance to perform or experience some of the great music that is out there. Definitely keep up the good work!

Concert Review: Marina and The Diamonds – Rumsey Playfield, NYC

Marina and The Diamonds
The Lonely Hearts Club Tour
May 29th, 2013
Rumsey Playfield, New York City

On May 29th, Marina And The Diamonds took the stage at the Rumsey Playfield in New York City for the last stop on The Lonely Hearts Club Tour. Fans got there early, and by 5:00pm, the line to get into the venue was already reaching across Central Park. The concert was opened by Charli XCX, writer of the hit summer song, Icona Pop’s “I Love It.” When Marina finally took the stage, the sun had set, the crowd was ready, and the cheer was exuberant as she stepped out wearing a 1950’s-inspired pink dress and wedding veil.

The Welsh singer-songwriter, Marina, is mainly known for her electro-pop music with catchy lyrics and a kitsch-with-an-edge personal style. Fans refer to themselves as diamonds, and her lyrics often bank on offbeat humor and alter-egos to tell the stories of different characters. The set list was comprised of a nice mix of songs from both her debut album “The Family Jewels” (2010) and her more recent release, “Electra Heart” (2012).

Each song and each costume change throughout the concert seemed to depict a new character. The common thread throughout? Love.

And nowhere was the theme more present than when she took to the stage for the encore, solo- just her at her piano. Directly addressing the audience, she broke out in tears several times while talking about her struggles as an artist and what the fans meant to her. “Last year, I was like, I really enjoy doing Electra Heart, but I always felt like- oh, there were so many things wrong and, like, you know, people hated me or like, I’m definitely a glass half empty girl. But since the beginning of this year, I actually haven’t been, and I’ve done this Lonely Hearts Club Tour, and I’ve enjoyed it so much. It’s because of you guys. Of course, you know, I’d like to be a good artist, but it’s the fan base who spreads the word, and I’m not a hits artist. Obviously, I’ve had singles, but I know that you’re an album crowd. This is the end of Electra Hearts, but I have the feeling we’re going to stick together for a long time.”

You know what they say, Marina. Diamonds are forever.

 

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Concert Review: The Doobie Brothers “2013 Tour” – Mohegan Sun Arena

The Doobie Brothers: 2013 Tour
Mohegan Sun Arena
Uncasville, CT
July 3, 2013

Our Score: 5 out of 5 stars

“We decided to play a little rock and roll this evening.  Are you up for that, Connecticut?”

And, with that, the Doobie Brothers delivered as promised: nearly two non-stop hours worth of straightforward rock classics with instantly recognizable riffs that have been the band’s calling card for over 40 years. The focus of the 18-song show consistently stayed on the band’s most prolific era of the 70’s when they churned out anthems such as “Long Train Runnin’”, “Rockin’ Down the Highway”, “China Grove”, “Jesus is Just Alright and “Take Me in Your Arms”, all of which feature the founding vocal/guitar duo of Tommy Johnston and Patrick Simmons – both of whom are still part of the group’s current eight-member line-up.

The mellower Michael McDonald era of the late 70’s and early 80’s was only represented by the inclusion of an extended version of “Takin’ It to the Streets” that featured an impressive keyboard intro from Guy Allison, vocals from Simmons and bassist John Cowan, and a rippin’ sax solo from Marc Russo. It was a wise choice for the set list not only because of the song’s popularity as a hit, but because its inherent funky groove matches the Johnston-era classics that dominate the current touring band’s repertoire. They pull off the tune flawlessly live – so well, in fact, that the concert version almost outshines the McDonald original.

As far as newer material is concerned…well…the Doobies don’t really have much of it. The group has only released one studio album over the past decade: 2010’s reunion with longtime producer Ted Templeman, “World Gone Crazy.” While that album is fairly tepid in comparison to the band’s multi-platinum mega-sellers from the 70’s, the two songs performed from it at this show – the title track and “A Brighter Day” – work quite well when played live and are a good addition to the band’s set list of classics.

With all of the driving guitar rhythm provided by the band’s four axemen and the percussive power of dual drummers Tony Pia and Ed Toth, it’s easy to forget that one of the key ingredients to Doobies music is intricate vocal harmonies that flesh out the songs and provide them with the richness that makes them worth savoring. To that end, the show’s overall sound was impeccably mixed, something that was especially evident when all four of the band’s frontsmen, Johnston, Simmons, Cowan, and endlessly-versatile instrumentalist John McFee, delivered the four-part a cappella harmony outro to “Black Water.” As much as it is truly amazing that these guys can still belt it out as clearly as they did when they recorded the song in 1974, it’s equally impressive that the 2013 tour’s audio crew was able to make every aural nuance sound as clear as possible within the context of a live show.

The music of the Doobie Brothers, when at its best, manages to effectively blend elements of rock and roll, country, bluegrass, soul, funk, and blues to produce songs that never pidgeon-hole themselves into an era and subsequently become dated. At their core is an element that is truly timeless: they’re fun. Given the band’s sheer exuberance while onstage, it’s clear that the Doobie Brothers themselves are still having a blast touring and energetically jamming out to these classics. As they proved to the Connecticut crowd, you don’t necessarily need fireworks to kick off a 4th of July holiday party. All you have to do is listen to the music. All the time.

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[NOTE: Big thanks go out to the guy who first introduced me to the Doobies – and music in general – my father, Tom Picton, for his invaluable assistance with this article. ]

 

 

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Concert Review “Unity Tour 2013” with 311, Cypress Hill and G.Love & Special Sauce – Kansas City, Missouri

The Unity Tour
311
Cypress Hill
G.Love & Special Sauce
Starlight Theater
Kansas City, Missouri
July 2, 2013

Our Score: 5 out of 5 stars

I have seen 311 more times than I can count on my fingers (unless I had Bill Cosby’s hands) and as always the only thing I can say after seeing them is AMAZING!!

The 2013 Unity Tour kicked off with G.Love & Special Sauce performing their smooth mix of bluesy, hip hop, and R& B stylings. They played a great set and started the night off perfectly. It was about 80 degrees and sunny and the crowd was in it from the start. Playing “Cold Beverages” had everyone in the audience holding there beers up, resulting in more spilling going on than drinking at that time. G.Love has been a staple in my music collection since college and they did not disappoint in my first time seeing them live.

As more people started filling in the seats I began seeing and smelling many different groups forming. I could only think “what an appropriate welcoming for Cypress Hill.” If you are not familiar with the name Cypress Hill you will be familiar with their largest hit, “Insane in the Brain.” You couldn’t go anywhere in the mid to late 90’s it seemed without hearing that song or
a reference to that song. They lived up to their billing and, after all these years, they still brought a fresh set and energized performance to KC.

As good as the opening performances were I noticed I could hear the sound of people rushing into Starlight as 311 prepared to come on stage. I thought I had seen Starlight packed before.. but not like this! They must have been at capacity by this time of the night and for good reason. 311 has and always will put on one of the best live performances you will ever see! During their annual 3/11 day concerts they’ve been known to play up to 84 song over a two day period. They put together a tight play list for this concert. From the opening “Omaha Stylee” to their encore of “Creatures (For a While),” they had the crowed riled up, jumping yelling, singing. I’d bet the majority of the crowd knew every word to every song… every word.

What separates 311 from other acts I have seen is they know what the fans want to hear. They have consistently put out records since 1993. They still have current singles on the radio but they don’t push all of their new material. Their set list spawns 20 years now and they hit every album, playing not only songs considered their greatest hits but songs that only the most die hard fans would know. There isn’t a new song they are trying out. It is just straight hits: “Down,” “All Mixed Up,” “Amber,” “Don’t Tread on Me,” “Logo,” and “Behind the Gray Sky.” While they can’t play every song (remember they’ve been known to do 80-plus songs at a concert) I never thought ” aw man they didn’t play that song.” I was as pleased with this concert as the others I’d attended.

This group of acts is something you shouldn’t sit on, They are hitting tons of cities and great venues, GO AND GET YOUR TICKETS! They will sell out everywhere and you will hear your friends just rant about the concert. Especially 7/21(West Palm Beach), 7/23,(Tampa) 7/27(Houston) and 8/3 (Chula Vista) when they pickup Penny Wise and Sublime w/Rome on those dates. Extremely jealous that I will not be around those cities on those dates.

You can check out all the tour dates at http://www.311.com/shows

They will have a different set list at all the cities so if you get to see them I would love to see your comments and their set list.

311 Set list:
1. Omaha Stylee
2. Sunset In July
3. Freak Out
4. Misdirected Hostility
5. Beautiful Disaster
6. Wild Nights
7. Random
8. My Stoney Baby
9. Come Original, Loco
10. Time Bomb
11. Applied Science
12. Amber
13. All Mixed Up
14. Wake Your Mind Up
15. Taiyed Hey You
16. Beyond The Gray Sky
17. Freeze Time
18. Visit
19. Down
20. Jackpot
21. Creatures

Concert Review “Gigantour 2013” Canandaigua, NY

“Gigantour 2013”
Megadeth, Black Label Society, Device, Hellyeah, Newsted, Death Division
Date: Saturday, July 6th 2013
Venue: CMAC, Canandaigua, NY

Our Score: 3 out of 5 stars

The rolling hills of the CMAC Center were alive with the sound of metal on July 6th as the Gigantour package made its way to the small upstate town of Canandaigua, NY. The tour now in its 6th run has featured acts like Dream Theater, Lamb of God and Fear Factory. This year’s lineup is again being headlined by tour creators Megadeth along with Black Label Society and Hellyeah which features former members of Mudvayne and Pantera.

The first thing that came to mind when looking at this year’s “Gigantour” lineup was that it read like a who’s, who of rock artists who are now in fact performing with a different band than the one they are normally associated with. Everyone from Disturbed front man Dave Draiman to Rock and Roll Hall of Fame member Jason Newsted is out touring their new projects under this one bill. Before even entering the venue the parking lots were a bevy of discussion about the various new material that was about to be bestowed upon those in attendance.

Kicking off the festivities was Death Division who hails from Hollywood, California and features former Danzig bassist Jerry Montano and Morbid Angel drummer Tim Yeung. The group’s performance was on par however it did very little to capture the audience’s attention. Next up on the bill was former Metallica bassist Jason Newsted’s newest group simply titled Newsted. Jason seemed very comfortable in his role as front man and the band which also features Staind guitarist Mike Mushok were incredibly tight. Mushok is a great addition and seems to be able to stretch his legs a little more performing a number of blistering solos. Due to time constraints however the group was given the signal to leave the stage prior to their set completion which left fans chanting for more. Hellyeah took the stage next performing one of the better sets of the day. Vocalist Chad Grey (formerly of Mudvayne)worked the front of the stage like a consummate pro pausing only briefly to introduce the bands next song which generally started with the rumble of legendary Pantera/Damage Plan drummer Vinnie Paul’s bass drums. Highlights of the groups set included a in your face rendition of “Drink, Drank, Drunk” which had the audience singing and fist pumping throughout its duration.

After a brief speech by Jim Florentine of “VH1’s That Metal Show” Device would take the stage in a synth induced swell which did very little to grab the audience which now numbered around 2000-2500 attention. The noise at times seemed chaotic and with the only real exception being that of former Evanescence drummer Will Hunt who provided a majority of the excitement. In fact there was such a lull in the crowd that singer Dave Draiman attempted to revive the situation several times with little result. The leather and denim clad, Zakk Wylde fronted Black Label Society was up next performing material that covered each of the group’s albums. Though I would have liked to hear more vocals and less guitar soloing songs such as “Forever Down” and “Bleed for Me” were personal highlights. Megadeth closed out the night performing in front of massive video and lighting rigs which only elevated the extremely technical playing of Mustaine and company. The set featured such classics as “Hangar 18” and “Sweating Bullets” as well as new material from the group’s recent release “Super Collider” before rounding out the evening with “Symphony of Destruction” and “Peace Sells”.

Though the day consisted of up and down performances and low attendance numbers don’t let that steer you away from buying a ticket to one of the remaining dates on the tour. Megadeth’s performance alone is worth the price of admission and if you’re interested in checking out what former members of Metallica, Disturbed and Pantera are doing then you will certainly want to check out this year’s Gigantour.

Newsted Set List:
1.) Heroic Dose
2.) Soldierhead
3.) …As the Crow Flies
4.) Twisted Tail of the Comet

Hellyeah Set List:
1.) War in Me
2.) Drink Drank Drunk
3.) Cowboy Way
4.) Matter of Time
5.) Rage/Burn
6.) You Wouldn’t Know
7.) Hellyeah!

Device Set List:
1.) Penance
2.) You Think You Know
3.) A Part of Me
4.) Out of Line
5.) Opinion
6.) Haze
7.) Recover
8.) Vilify
9.) Wish (NIN Cover)

Black Label Society Set List:
1.) Godspeed Hell Bound
2.) Destruction Overdrive
3.) Bleed for Me
4.) Forever Down
5.) Guitar Solo
6.) Parade of the Dead
7.) Overlord
8.) Suicide Messiah
9.) Concrete Jungle
10.) Stillborn

Megadeth Set List:
1.) Trust
2.) Hangar 18
3.) Kingmaker
4.) She-Wolf
5.) Skin o’ My Teeth
6.) Architecture of Aggression
7.) Sweating Bullets
8.) Ashes in Your Mouth
9.) Hook in Mouth
10.) A Tout Le Monde
11.) Super Collider
12.) Symphony of Destruction
13.) Peace Sells
Encore:
14.) Cold Sweat
15.) Holy Wars…The Punishment Due

CD/DVD Review “Richard Pryor: No Pryor Restraint – Life In Concert”

Richard Pryor
“No Pryor Restraint – Life In Concert”
Release Date: June 11, 2013
Number of Discs: 9
Label: Shout Factory!

Our Score: 5 out of 5 stars

Wow! If you are a Richard Pryor fan, you cannot honestly ask for more here. “No Pryor Restraint – Life In Concert” is a superb seven CDs and two DVDs collection that includes over 12 hours of Pryor in his prime from 1966 to 1992. Since it is titled “Life in Concert”, that is not just a title, it literally comes his early years right through his final onstage performances. Some people might have been able to take Richard Pryor all the time but I always though that he was very unique and always funny. If he was raunchy, there was a reason to be raunchy. Besides the CDs and DVD, this amazing set also includes a deluxe book with rare photos, multiple essays, exclusive celebrity tributes, a discography, a filmography, and a personal note penned by Richard’s widow, Jennifer Lee Pryor. The presentation of this release is very impressive by Shout! Factory.  They must be big fans of Pryor because they deliver him a lot of love and respect here.

The following CDS included are “Richard Pryor (1968)”, “‘Craps’ (After Hours) (1971)”, “That Nigger’s Crazy (1974)”, “…Is It Something I Said? (1975)”, “Bicentennial Nigger (1976)”, “Wanted/Richard Pryor – Live In Concert (1978)”, “Live On The Sunset Strip (1982)” and “Here And Now (1983)”. This is his best material available in one release. Also includes are nearly two hours of previously unreleased material, including “…And It’s Deep Too! The Complete Warner Bros. Recordings (1968-1992)” and “Evolution/Revolution: The Early Years (1966-1974)”. This is a collection of great rare recordings. Still want more…well you got it! Top that with three complete concert films on DVD. “Richard Pryor Live In Concert (1979)”, “Richard Pryor Live On The Sunset Strip (1982)” and “Richard Pryor… Here And Now (1983)”. Pryor had such a presence on stage and there is nothing like seeing him mesmerize his audiences live. Like I said easily one of the best compilation sets ever decided to this great comedian.

 

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Concert Review: Jon Secada @ The Club at Treasure Island, May 4th, 2013

Jon Secada
The Club at Treasure Island
May 4, 2013
Treasure Island, FL

Our Score: 5 out of 5 stars

May 4th, 2013. It was a beautiful night in Tampa, Florida. There was no humidity, no wind, and the sun was setting over calm waters as my wife and I walked into The Club at Treasure Island. But for this particular fan, it could have been cold, windy and raining locusts and I wouldn’t have cared one bit. I was about to see Jon Secada live in person.

This was an exciting night for me, as we had meet-and-greet passes for after the show. It has been twenty years since Jon released his very first album, and I remember it like it were yesterday. I was ten years old, and I saved my allowance for almost two months before I was able to go buy it at The Wall (that’s a blast from the past for some of you mall-goers…it’s now known as F.Y.E.). It was the second CD I had ever bought. And on this night, after all these years of enjoying his music, I would meet Jon personally. I couldn’t wait to shake his hand and say “thank you.”

For many of us music fans seeing one of your favorite artists live in concert is as good as it gets. In my personal experience, unfortunately, I think that some artists disappoint. For a variety of reasons, the live experience just may not live up to the clean, crisp sound of the album. However, despite the intimate setting of a yacht club ballroom temporarily turned concert hall, Jon’s show was exactly the opposite. Jon and his band sounded fantastic that evening. So great, in fact, that I’d say that a professional studio recording doesn’t do him and his band members justice.

Jon sang several of his hits that he’s well known for such as “Just Another Day,” but he also played a handful of other songs such as “What a Wonderful World,” originally performed by Louis Armstrong and “My Way,” originally written by Paul Anka and performed by ‘Ol Blue Eyes himself. Between songs, Jon told stories from throughout his career – like how he was asked by Frank Sinatra to sing a duet with him for his aptly-named album, and about his time performing on Broadway in Greese and Cabaret. He even performed a part of his role from Cabaret.

The show was absolutely incredible. The setlist was well chosen, Jon sounded great, and the band behind him couldn’t have been better. It was everything a fan could have hoped for – and more. The only bad part to the show was the end – because the audience was left wanting more

 

Jon Zazula talks about his work with Megaforce Records and SuperStorm Sandy Benefit Concert

Jon Zazula affectionately known as Jonny Z by the heavy metal masses is a true living legend. As one of the founders of Megaforce Records,  Jonny and his wife Marsha are responsible for launching the careers of bands such as Anthrax, Testament and Metallica. Together with the Old Bridge Metal Militia Jonny and Marsha are putting on a benefit show in New Jersey to help people still feeling the effects of  Super Storm Sandy. Media Mikes had the pleasure of talking with Jonny recently about his career in the business and how the idea of the benefit came about.

Adam Lawton: For those not familiar with your history can you tell us a little bit of how you first got exposed to the heavy metal music scene?
Jon Zazula: My wife Marsha and I started a record store in 1981 with only about $180.00 in our pockets. Six months later we already were up to about $60-$70,000 worth of merchandise from successful sales. Those sales brought in demo’s which resulted in Metallica coming to us. We contacted them and invited them to do 12 shows here in the NJ area as Marsha and I were also promoting shows. Metallica came and did those shows and from there we started talking about putting out a record. No one wanted to put this thing out so we decided to do it ourselves and started Megaforce Records. The label through its licensing and such has gone on to sell about 40 million records. We have worked with everyone from Metallica and Anthrax to Warren Haynes and Ace Frehley. We also had the pleasure of signing Kings X. That was one of the labels proudest moments were signing that band.

AL: Was your wife Marsha always in to what you were doing?
JZ: Marsha was knee deep in everything with me. When we decided to open the shop we were both working regular jobs and wanted to do something were we could at least make $500-$600 per week. We decided on buying and selling rare records and hoped we would make that money on the weekends at the store. From that everything just grew.

AL: Signing to Megaforce Records was really the first big step for Metallica. Knowing the band through their entire career how do you think they have evolved as a band?
JZ: The only way I think Metallica has evolved is that they have written more music and become fine craftsman at their tools. When I go and see Metallica these days I really don’t see much different from when we had the band. They are the same guys up on that stage and that’s what made them successful. They were the fans and the players and they never changed. I think now more than ever they resemble the band I first saw in the early 80’s.

AL: Can you tell us how the Benefit for SuperStorm Sandy Concert first came about?
JZ: Everything really started through Facebook. We just decided to get on their in December and we got in touch with the Old Bridge Metal Militia through there. They started talking about wanting to do some sort of reunion or party. Marsha and I talked about it after having this dream one night that really put things in motion. Marsha said “Let’s do it!” so we posted on Facebook “Let’s do it!” Things just blew up and we received between 200-300 comments. The line up for the show came together very fast as we have known Raven and Anvil for many years. They agreed to come and then Rockin’ Ray from the Old Bridge Metal Militia mentioned he would like to have The Rods perform. I didn’t even know they were still together. It took me about a week to track down Carl Canedy who is the drummer for The Rods and after a few days those guys agreed to be a part of things. We first looked at The Stone Pony in Asbury Park as a venue. That place holds about 800 people and we were looking to draw around 500. The date of May 11th got announced and we then signed on for a bigger venue in Freehold that holds 1,800 people. We didn’t know how we were going to fill it. Next thing I know I am talking with Eddie Trunk from “That Metal Show” about how

Twisted Sister were looking to do something like this in NJ. The next day I got a call from JJ French asking if we had room for them on the bill. Tickets have been selling well and even before we started promoting we had 800 tickets sold virally. We are now close to sold out. The other cool thing to come out of this at 12:55pm on the same night TT Quick will be doing a reunion show which is going to be just killer. Also the band Lord’s of Mercy who are opening that show are a great act as well. It is going to be one hell of a night!

AL: Where you and Marsha always aware of the Old Bridge Metal Militia?
JZ: Oh yeah. We have been aware of them from the very beginning. Rockin’ Ray always used to come in to Rock and Roll Heaven and by anywhere from 10-20 albums at a time. He would drop like $200 every Friday on records. We asked him one time what was going on and he invited Marsha and I to a party he was throwing. These parties ended up getting really big as they had this giant PA system that required them to pad the walls so the neighbors wouldn’t call the cops. These guys would have private shows in their basement with bands like Slayer and Metallica. Parts of Metallica’s “Ride the Lightning” album was written at Metal Joe’s house when the band was in town.

AL: How did the idea to make the show a benefit come about?
JZ: That was Marsha. She and I were always discussing what we could do for New Jersey as they had done so much for us. We decided to give the money to charity which made everyone happy. Everyone who is involved with this event is working for free. 100% of the profits made from this show will be donated directly to the people. We hope to raise around $50,000 and if we do we are going to do a bunch of $100 gift cards to Home Depot so people can take those and get the things they need to repair their homes. We are just going to knock on doors and give people these cards to help make repairs on their homes that were damaged during the storm.

AL: Can you tell us about some of the amazing raffles that also will be going on during the show?
JZ: People are going to be able to walk away with guitars like you have never seen. We have Tom Araya of Slayer’s signature bass signed by the entire band including the late Jeff Hanneman. We also have a couple custom Oktober Guitars up for raffle as well. Stuff has been coming in everyday. Just recently we received a Jackson guitar signed by Anthrax and last night we got word from Metallica that they also will be sending a signed guitar and Lars is sending a signed drum head. The people who win these raffles will have to sign a disclaimer stating they will not sell them on EBay the following day or they will need to be returned to the Old Bridge Metal Militia. We really don’t want to see this stuff selling on EBay the next day.

AL: Do you and Marsha see yourself getting back in to putting on shows again?
JZ: Well I have to tell you my mind is very fragile you see so we will have to see how we do during this show and take things from there. Bands and people are coming from all over the world for this thing. It’s a real throw back to how things were in the 80’s and I don’t think you will ever see another one like unless we do it again. You never know what Marsha and I may walk in to next.

For tickets to “ROCK N ROLL HEAVEN PRESENTS THE OLD BRIDGE METAL MILITIA REUNION CONCERT” click on the link below
http://www.ticketfly.com/event/232485-rock-n-roll-heaven-old-freehold/

Concert Review: Hatebreed “Divinity of Purpose 2” Tour

“Divinity of Purpose 2 Tour”
Hatebreed, Every Time I Die, Terror, Job For A Cowboy, This Is Hell
Date: Thursday, April 18, 2013
Venue: Water Street Music Hall, Rochester, NY

Our Score: 3 out of 5 stars

The Water Street Music Hall in Rochester, NY was the second to last stop on Hatebreed’s “Divinity of Purpose 2 Tour”.  Along with the veteran hardcore band were special guests Every Time I Die, Terror, Job For A Cowboy and This Is Hell. Though the show was at the end the tours second leg each band appeared to be somewhat dedicated to putting on a solid performance.

This Is Hell from Long Island, NY opened up the night with solid performance that was pure NY hardcore. Fans still making their way into the venue quickly moved towards the stage providing the band with ample applause. Job For A Cowboy would take the stage next for a brief set that for me fell flat. The band appeared stiff and offered little to no interaction with the crowd. Victory Records artist Terror would be next and were intense from start to finish. Vocalist Scott Vogel commanded the audience often joining them by jumping the security barrier or by giving them the microphone to sing several notable lines of the band’s songs. Terror’s 30 minute set seemed to be the turning point for the night igniting the crowd’s energy. Nearby Buffalo, NY natives Every Time I Die would take the stage next to chants of “Let’s Go Buffalo” and proceeded to destroy anything that got in their way. Midway through the set guitarist Andy Williams and company launched into a thunderous breakdown of Pantera’s “Domination” which was just spot on. Tour headliner Hatebreed would close out the night performing songs from their vast catalog including “Last Breath”, “Perseverance” and the always popular “This Is Now”. Early on in the set lead singer Jamey Jasta halted the show due to several fights taking place in the middle of the floor. Jasta spoke harshly to the crowd telling them that everything spoken during the night was about “positivity” and respecting one another. No other stops were required and those in attendance seemed pleased with the bands 17 song performance which wrapped up shortly before midnight.

Though most of the sets were brief the night still proved to be a good time.  When the band on stage may have been at a bit of a lull in their sets the audience made up for it. At times I felt the crowd was just as, if not more entertaining to watch than the band on stage. Fans overseas wanting to catch the show will have the chance when the band is in Europe from April 27-August 6.

Hatebreed Set List:

1.)    Put It to the Torch

2.)    Doomsayer

3.)    Tear It Down

4.)    Everyone Bleeds Now

5.)    In Ashes They Shall Reap

6.)    Last Breath

7.)    Indivisible

8.)    Smash Your Enemies

9.)    Empty Promises

10.)  Dead Man Breathing

11.)  Perseverance

12.)  A Call for Blood

13.)  Honor Never Dies

14.)  This Is Now

15.)  Live for This

16.)  Under the Knife

17.)  I Will Be Heard

 

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Concert Review: Steel Panther “Spreading the Disease” Tour

“Spreading the Disease Tour”
Steel Panther w/ special guest Hillbilly Herald
Date: Friday, April 19th, 2013
Venue: Upstate Concert Hall, Clifton Park, NY

Our Score: 5 out of 5 stars

The 80’s were alive and well in Clifton Park on April 19th as the spandex clad Steel Panther brought their own brand of hair metal to the intimate Upstate Concert Hall. The band along with special guest Hillbilly Herald are currently on the road for Steel Panthers first full length tour which is being billed as the “Spreading the Disease Tour” (STD). Both bands proved that this is a legitimate tour and even though Steel Panthers on stage antics and subject matter is anything but serious the group’s performance was top notch.

Elkhart, Indiana’s own Hillbilly Herald would kick off the night with an energetic sound that could be described as AC/DC meets ZZ Top. The bands 45 minute set was a mixture of original material and a few notable covers that  included a unique take on the John Denver classic “Country Road”. The band received a large amount of praise from the near capacity crowd and seemed to be a fitting act for the opening slot. After a brief intermission the house lights would come down and the intro from the bands most recent album “Balls Out” blasted over the PA. Guitarist Satchel would take the stage first launching in to the opening of “Super Sonic Sex Machine”. Lead singer Michael Starr worked the crowd like a pro paying especially close attention to several scantily clad women in the front row. As the night moved on the band treated the crowd to songs off both of their albums such as “Asian Hooker” and “Turn Out the Lights”. In between songs the band would take comedic jabs back and forth at each other while propositioning the women in attendance with sexual explicit banter.

It was great to see the band which has been around since 2000 finally take their show outside of their weekly Los Angeles and Las Vegas shows. The band’s look is straight out of 1985 but the performance is fresh and fun. Though it may not be a show you want to take your children to it’s definitely a night full of great music and laughs. Don’t let the bands look fool you as they are all accomplished musicians who despite their wild/funny personas are serious players who like to go out and have fun while entertaining the crowd. If you have a chance to check out the “Spreading the Disease Tour” make sure to get your tickets early, tease up your hair and throw on your favorite pair of spandex as this is a tour you won’t want to miss.

 Steel Panther Set List:

1.)    Super Sonic Sex Machine

2.)    Tomorrow Night

3.)    Fat Girl (Thar She Blows)

4.)    Asian Hooker

5.)    Just Like Tiger Woods

6.)    Turn Out the Lights

7.)    If You Really Really Love Me

8.)    Guitar Solo

9.)    It Won’t Suck Itself

10.)  Girl From Oklahoma

11.)  Community Property

12.)  Eyes of the Panther

13.)  Death to All but Metal

Encore

14.)  Party All Day (Fuck All Night)

15.)  17 Girls in a Row

 

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Concert Review: 3 Doors Down and Daughtry – Main Street Armory, Rochester, NY

“3 Doors Down and Daughtry”
Aranda, 3 Doors Down, Daughtry
Date: Saturday, February 9th 2013
Venue: Main Street Armory, Rochester, NY

Our Score: 3 out of 5 stars

The second leg of the 3 Doors Down & Daughtry tour made its way to the Main Street Armory in Rochester, NY on Saturday despite cancelling the previous night’s show due to extreme weather conditions. Though some of that weather was still lingering it didn’t stop any of the bands from putting on a solid show for the near capacity crowd.

The hard rock band Aranda would open up the night and though their set was brief the band definitely seemed to give it their all. At one point during the 30 minute set guitarist Dameon Aranda began playing slide guitar with his boot. An interesting touch if I do say so myself. 3 Doors Down would be up next and from the first notes of “Time of My Life” to the closing sounds of “When I’m Gone” singer Brad Arnold and the boys commanded the stage. Though the setlist was virtually unchanged from the first leg of the tour the band sounded just as good if not better. To take things up another notch Chris Daughtry would make a guest appearance on the bands most notable hit “Kryptonite” sharing vocal duties.

Daughtry and company would close out the night performing a somewhat hodge podge of songs from the American Idol alums 3 albums. The beginning of the set started off a little rough as it was plagued with sound issues causing the fans in the first few rows closest to the stage to begin voicing their displeasures. As the set progressed the sound seemed to get better however the crowd began to noticeably thin out only after a few of Daughtry’s song. This really made me question the lineup for the evening. Those things aside probably the most exciting part of Daughtry’s set was the cover of Phil Collins classic song “In the Air Tonight” which featured Brad Arnold returning the favor as a guest vocalist.

If you didn’t have a chance to catch this lineup on the first leg of the tour and are a fan of either artist you surely won’t want to miss your second chance. All three acts put on a solid show belting out hit after hit which makes for a great night of music that the whole family can enjoy.

3 Doors Down Set List:
1.) Time of My Life
2.) It’s Not my Time
3.) Duck and Run
4.) The Road I’m On
5.) Away From the Sun
6.) Let Me Go
7.) Goodbye
8.) Loser
9.) There’s a Life
10.) Landing in London
11.) One Light
12.) Here Without You
13.) Citizen/Soldier
14.) Symphony of Destruction (Megadeth Cover)
15.) The Better Life
16.) Kryptonite (w/ Chris Daughtry)
17.) When I’m Gone

Daughtry Set List:
1.) Break the Spell
2.) Feels Like Tonight
3.) Outta My Head
4.) Crawling Back to You
5.) What I Want
6.) Renegade
7.) Start of Something
8.) Gone Too Soon
9.) Tennessee Line
10.) Over You
11.) No Surprise
12.) In The Air Tonight (Phil Collins Cover)(w/ Brad Arnold)
13.) Every Time You Turn Around
14.) We’re Not Gonna Fall
15.) Home
16.) September
17.) It’s Not Over

Concert Review: The Machine, Ridgefield Playhouse – Ridgefield, CT

The Machine
Ridgefield Playhouse
Ridgefield, CT
January 25, 2013

Our Score: 3 out of 5 stars

Above all other bands, Pink Floyd live concerts were a feast for the eyes and ears – a true spectacle combining finely-crafted progressive music and a grand scale high-tech theatrics. At their best, they blended these elements perfectly and their shows were in a league of their own both aurally and visually. With this in mind, any band that exclusively covers Pink Floyd faces a massively daunting task in trying to recreate what going into the “Floyd void” was like. It’s a Davis versus Goliath situation that requires one hell of a slingshot.

Out of the trifecta that currently dominates the Faux Floyd scene – The Machine, The Australian Pink Floyd show, and Brit Floyd – the New York City-based Machine has been tackling this task for the past 25 years making them the band that’s been in the game for the longest span of time. And for good reason: on a musical level, they’ve really mastered the Floyd back catalog with a degree of virtuosity and meticulousness that borders on the realm of the uncanny.

This phenomenon was clearly on display at the Ridgefield playhouse who were treated to a broad-ranging set list that not only included many of the well-known song staples from mega-selling LPs “Wish You Were Here”, “The Wall” and “Dark Side of the Moon” but also from almost every other Pink Floyd album – including ones from the David Gilmour-led “Momentary Lapse of Reason” and “Division Bell” albums. To the delight of the assembled masses, the band delved into the epic “Pigs (Three Different Ones)” from 1977’s oft-desired but seldom heard in live performance “Animals” album – songs from which the Floyd themselves last performed during the 1978 tour supporting that album. Even the title track from the last studio album to feature Roger Waters, “the final cut” as well as the first song of their encore set, “Careful With That Axe, Eugene”, were there to please the fanatics who hungered for the deepest of deep tracks.

As a band, The Machine rarely takes any liberties with the songs; they’re pretty much note-for-note renditions of the classics that the Floyd committed to vinyl for over 30 years. When they do break the mold, however, the results are mixed. In general, the excursions work best when they involve softer more hushed tones, such as shifting into acoustic mode mid-way through 1994’s “Coming Back to Life” or adding a spacey outro jam to “Money”. Things don’t fare as well when the band cranks their amps past 11, as was evidenced during “Echoes” in a spacey Grateful Dead-style jam that disintegrated into a cacophony of swirling keyboard looping. It was an ear sore – one compounded by its bisecting a track that is one of Pink Floyd’s most defining and sacred songs.

On a visual level, however, the show lacked the true spectacle of latter era Floyd mega-shows. Sure, the iconic circular movie screen was there for all to see but, like the rollercoaster that’s shut down undergoing repairs the day you’re at the amusement park hoping for the thrills that it can usually provide, it remained dormant throughout the vast majority of the show. And while the fog machines were clearly working overtime, there were no lasers to be found – only a bank of Vari-lites that frequently maneuvered themselves to point directly at the crowd. This had the effect of making the band difficult to see due to the need to squint and occasionally turn away completely.

Overall, The Machine’s show was a worthwhile one – but could indeed use a fair degree of fine-tuning to truly provide an approximation of what the total Pink Floyd experience was all about.

Concert Review: All American Rejects – Syracuse, NY

All American Rejects with The Stone Foxes, Pacinello
Date: Wednesday, December 5th, 2012
Venue: Wescott Theater, Syracuse, NY

Our Score: 3 out of 5 stars

The popular multi platinum selling act All American Rejects made a stop at the Wescott Theater in Syracuse, NY on December 5th as part of their current U.S. tour. Though the venue was only about half full, each act performed as though they were playing to a sold out crowd. Syracuse’s own Pacinello opened up the show and made me instantly questions as to how they became part of the nights bill. The band consisting mostly of teenagers performed an odd assortment of covers with a few original songs throw in here and there. Though the group was not bad per say they definitely were out of their element as they were not yet at the caliber they needed to be in order to be playing where they were. It was however pretty cool to see teenagers doing what they love and I am sure the performance will definitely bolster their resume.

The Stone Foxes hailing from San Francisco, CA were up next instantly throwing the show in to high gear. The band’s sound was a mixture of indie rock and vintage rhythm and blues that was really enjoyable. Each member of the band showcased a multitude of talents by playing a number of different instruments throughout the set. From a musical stand point the bands versatility was great however, each time the members paused to change positions I felt it interrupted the flow of the set. The band played for just under an hour and left the crowd chanting “one more song” to which the members of the band seemed quite grateful. After a rather lengthy stage change the All American Rejects would finally take the stage. The band started their set off with the hit song “Dirty Little Secret” which instantly ignited the built up excitement within the venue. Lead vocalist Tyson Ritter was a ball of uncontrollable energy that moved about the stage with reckless abandonment as the band blasted though song after song pausing briefly to interact with fans. The band closed out its 70/80 minute set with the popular sing-a-long anthem “Gives You Hell” before leaving the stage for the night

It was great to see all the bands on the bill perform as though the venue was full as each one could have easily given a half hearted performance due to the minimal attendance. The bands professionalism and dedication was certainly appreciated by those who braved the cold temperatures and intermittent snowfall as each band was rewarded with strong streams of applause. An enjoyable night of music is what you will find if you are able to make it out to one of the remaining tour dates. Hardcore All American Reject fans wanting to see the band stripped down in an intimate setting will surely want to get their tickets.

All Amercan Rejects Set List:
1.) Dirty Lil’ Secret
2.) Fallin’ Apart
3.) My Paper Heart
4.) Beekeeper
5.) I Wanna
6.) Walk Over Me
7.) Stab My Back
8.) Swing, Swing
9.) Mona Lisa
10.) Cheese No Keys
11.) It Ends Tonight
12.) Lethal Weapon
13.) Gonzo
14.) Move Along
15.) Kids In The St.
16.) Heartbeat
17.) Gives You Hell

 

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Concert Review: Daughtry and 3 Doors Down – Binghamton, NY

“Daughtry and 3 Doors Down”
Daughtry, 3 Doors Down, Otherwise
Date: Saturday, December 1st, 2012
Venue: Broome County Veterans Arena, Binghamton, NY

Our Score: 4 out of 5 stars

The co-headlining tour of Daughtry and 3 Doors Down made their way to the quaint Veterans Arena located in upstate Binghamton NY, on Saturday, December 1st where they performed to a near capacity crowd. Those in attendance were treated to hit after hit as both acts put on a stellar show that had something for everyone.

Kicking of the night was the hard rock act Otherwise. Vocalist Adrian Patrick and company provided a high energy performance which did a great job setting the stage for what was to come later in the evening. The band performed songs off their latest album titled “True Love Never Dies” with songs such as “Soldiers” and “I Don’t Apologize” garnering the biggest applause. 3 Doors Down were up next and proceeded to take things up a notch by blasting out hit after hit. The band performed several new tracks such as “There’s a Life” and “One Light” which are both contained on the bands recently released greatest hits album. The set also featured a dual drum solo between vocalist Brad Arnold and Greg Upchurch during the performance of “Citizen/Soldier”. “American Idol” season 5 finalist Chris Daughtry closed out the night and had fans on their feet from the opening notes. Fans were treated to songs off Daughtry’s latest album “Break the Spell” as well as fan favorites such as “Feels Like Tonight” and “Over You” during which Chris brought one lucky fan on stage to sing with him. Other notable performances during the set were a great a duet between Chris and Brad Arnold from 3 Doors Down on the song “Tennessee Line” as well as a solid interlude performance of Pink Floyd’s classic “In the Flesh”.

The night was packed full of hits which kept the crowd’s attention and energy going throughout the night. Not only were fans treated to great sounding performances but they were all visually appealing as well. The lineup of Daughtry and 3 Doors Down offers the perfect blend of emotion and sound that transcends perfectly to audiences of all ages. Definitely get your tickets for this tour as there are still a few remaining dates left on this run.

 3 Doors Down Set List:
1.)    Time of My Life
2.)    It’s Not My Time
3.)    Duck and Run
4.)    The Road I’m On
5.)    Away From the Sun
6.)    Let Me Go
7.)    Goodbye
8.)    Loser
9.)    There’s a Life
10.)  Landing In London
11.)  One Light
12.)  Here Without You
13.)  Citizen/Soldier
14.)  Symphony of Destruction (Megadeth Cover)
15.)  The Better Life
16.)  Kryptonite
17.)  When I’m Gone

Daughtry Set List:
1.) Break the Spell
2.) Feels Like Tonight
3.) Outta My Head
4.) Crawling Back to You
5.) What I Want
6.) Start of Something Good
7.) Gone Too Soon
8.) Tennessee Line
9.) Over You
10.) No Surprise
11.) Every Time You Turn Around
12.) We’re Not Gonna Fall
13.) It’s Not Over
14.) Home
15.) September

Concert Review: Matisyahu “College Tour” – Ithaca, NY

“College Tour”
Matisyahu, The Constellations
Date: Tuesday, November 6th 2012
Venue: State Theater, Ithaca, NY

Our Score: 3 out of 5 stars

Matisyahu brought his brand of Hasidic infused reggae on November, 6th to the historic State Theater located in Ithaca, NY. The medium sized college town venue seemed to be a perfect fit for the artist as he performed to a crowd just as diverse as his sound. The Constellations a blues/rock band from Atlanta, Georgia took the stage first bombarding the audience with a vast sound that seemed to have something for everyone. Vocalist Elijah Jones played just enough to the crowd to where he would get your attention and then not let it go. Bassist Wes Hoffman did a great job providing the low end of the group’s sound while his over the top afro hair style was a show unto its self.

Anticipation grew as did the crowd just before Matisyahu was set to take the stage and to amp things up even more a droning bass beat consumed every corner of the theater as it blasted out over the pa system. Within moments Matisyahu and his backing band the Dub Trio were onstage blending genres and minds. Though Matisyahu hid behind sunglasses and had little to no interaction with the crowd that did not stop the onslaught of applauses he received during the brief seconds between songs. Though Matisyahu has traded in his traditional Hasidic appearance for a more modern look his sound and message remain unchanged. Those looking for a laid back evening of good music will definitely want to catch one of the many dates Matisyahu has scheduled from now through February 2013.

Matisyahu Partial Setlist:
Beat Box
Time of Your Song
Close My Eyes
Youth
Time of Your Song
One Day
King Without a Crown

 

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