“Scumdogs” 30th Anniversary Tour Starts Thursday September 16th
Rejoice humans! The day you’ve been waiting for is here! GWAR have released “Scumdogs Live!” an epic live event, filmed in the basement of GWAR’s Antarctican fortress, now available for you to own on Double LP, Blu-Ray/DVD/CD and cassette. What? You haven’t picked up a copy? Act now to spare your life! You can still order one HERE.
The band’s lead singer, the Berzerker Blóthar sez: “In making this recording, we spared no expense to recreate the atmosphere of those early tours for Scumdogs of the Universe. You can really hear the urgency and drive that comes from a group of rockstar primadonnas, worn down from truckstop love affairs and running dangerously low on shitty cocaine, frozen chicken chimichangas and fortified wine. I had forgotten how powerfully stupid these songs really are, but we managed to capture that perfectly!”
“It was a great honor to don the armor of my fallen comrade, Flattus Maximus, and perform the songs from Scumdogs. Unfortunately I shall be searching the galaxy for an audience worthy of indulging in the soundwaves captured on this audio recording. Until I find them, I suppose Earthlings can take this record for spin,” added guitarist Pustulus Maximus.
Coinciding with this release, GWAR is streaming a performance video of “Sick of You,” from “Scumdogs Live!” Watch the video HERE.
All worked up from seeing that clip? Answer the call to worship at the feet of your Lords and Masters “in person” when GWAR returns to the road on September 16th in Richmond, VA. This short run features a stop at RiotFest and headline dates featuring support from Madball and Eyehategod. The band then returns to the road October 28th in Norfolk, VA through December 14th New York, NY. Support on this run comes from Napalm Death and Eyehategod.
$ – with Madball / Eyehategod supporting
x – with Napalm Death / Eyehategod supporting
# – Festival
9/16/21 – Richmond, VA – The National $
9/17/21 – Columbus, OH – Newport Music Hall #
9/18/21 – Chicago, IL – RiotFest @ Douglas Park $
9/19/21 – Pittsburgh, PA – Mr. Smalls $
10/28/21 – Norfolk, VA – The Norva x
10/29/21 – Worcester, MA – The Palladium x
10/30/21 – Philadelphia, PA – Franklin Music Hall x
10/31/21 – New York, NY – Irving Plaza x
11/1/21 – Baltimore, MD – Baltimore Soundstage x
11/2/21 – Buffalo, NY – Town Ballroom x
11/4/21 – Milwaukee, WI – The Rave x
11/5/21 – Detroit, MI – Crofoot Ballroom x
11/6/21 – Indianapolis, IN – The Vogue x
11/7/21 – Cleveland, OH – House of Blues x
11/8/21 – Toronto, ON – The Opera House x
11/10/21 – Asheville, NC – Orange Peel x
11/11/21 – Cincinnati, OH – Bogarts x
11/12/21 – Atlanta, GA – The Masquerade x
11/13/21 – Daytona Beach, FL – Welcome to Rockville #
11/14/21 – Pensacola, FL – Vinyl Music Hall x
11/15/21 – Houston, TX – Warehouse Live x
11/16/21 – Dallas, TX – Gas Monkey Bar & Grill x
11/18/21 – Albuquerque, NM – Sunshine Theater x
11/19/21 – Tucson, AZ – Rialto Theater x
11/20/21 – Las Vegas, NV – House of Blues x
11/21/21 – Los Angeles, CA – The Belasco Theater x
11/22/21 – San Francisco, CA – The Regency Ballroom x
11/23/21 – Ventura, CA – Ventura Theater x
11/24/21 – Santa Ana, CA – The Observatory x
11/26/21 – Reno, NV – Virginia Street Brewhouse x
11/27/21 – Boise, ID – Knitting Factory x
11/28/21 – Portland, OR – Crystal Ballroom x
11/30/21 – Seattle, WA – Showbox SODO x
12/1/21 – Vancouver, BC – Commodore Ballroom x
12/3/21 – Calgary, AB – MacEwan Hall x
12/4/21 – Edmonton, AB – Midway Bar x
12/6/21 – Billings, MT – Pub Station
12/7/21 – Denver, CO – The Oriental Theater x
12/8/21 – Lawrence, KS – Granada Theater x
12/9/21 – Minneapolis, MN – First Avenue x
12/10/21 – Lincoln, NE – The Bourbon Theatre x
12/11/21 – Sauget, IL – Pop’s x
12/13/21 – Washington, DC – 9:30 Club x
12/14/21 – New York, NY – Irving Plaza x
World-renowned guitarist/songwriter Mark Tremonti is back with his fifth album from his solo band, Tremonti. The new album, entitled Marching In Time, is scheduled for global release on September 24th via Napalm Records and is available for pre-order beginning today.
Mark Tremonti is no stranger to storytelling. Throughout his years with top-charting bands Alter Bridge and Creed, and most recently his solo band, Mark has never strayed from his love of writing memorable songs. With the upcoming fifth album, Marching In Time, the band looks to continue this trend while exploring their love for heavy music, drawing from current events from the last year to form the basis of each song. While its predecessor, A Dying Machine, was an overall concept album seeped in darker sentiments and story, the vibe of Marching In Time is different – emerging as a charging rock/metal offering that takes the listener on 12 individual journeys. Marching In Time is now available for pre-order here: https://smarturl.it/MarchingInTime.
From the driving drum beat of opener “A World Away” to the epic closer “Marching In Time,” the new album is a reflective look at the world around us today. Tremonti’s unmatched musicianship bleeds through the album, showcased on tracks like “Thrown Further,” “In One Piece” and the thought provoking “Would You Kill.” Alternatively, the band displays their softer side on pensive tracks “The Last One Of Us” and “Not Afraid to Lose.” Epic title track “Marching In Time” tells the story of a father having a child during a global pandemic and how he prepares for life during that time – something Mark Tremonti recently experienced in his own life – while upcoming single “If Not For You” shows the evolution of the Tremonti sound in 2021. Marching In Time was produced longtime friend and collaborator Michael “Elvis” Baskette – the producer Mark has worked with exclusively since 2007.
The track listing for Marching In Time is: 1. A World Away 2. Now and Forever 3. If Not For You 4. Thrown Further 5. Let That Be Us 6. The Last One of Us 7. In One Piece 8. Under the Sun 9. Not Afraid to Lose 10. Bleak 11. Would You Kill 12. Marching In Time
Marching In Time will be available in the following formats*: -CD Digipak -Digital Album -2LP Gatefold Black -2LP Gatefold Marbled White / Black + Bonus Track (Band Store Only – limited to 500)-2LP Gatefold Sun Yellow + Bonus Track (Band Store Only – limited to 500) -2LP Gatefold Crystal Clear + Bonus Track (Band Store Only – limited to 500) -2LP Gatefold Pink Transparent (Napalm Mailorder Only – limited to 500) -Die-Hard Edition: 2LP Marble Transparent Black + Guitar Pick + Print (Napalm Mailorder Only – limited to 500) -Deluxe Box: Flag, Wristband & More! (Napalm Mailorder Only – limited to 500) *Additional formats will be available via individual retailers.
Tremonti will hit the road in advance of the release of Marching In Time, starting on September 3rd in Pryor, OK at Rocklahoma with longtime friends Sevendust. The tour will make stops in Kansas City, MO, Sayreville, NJ, Flint, MI and Joliet, IL, to name a few, before wrapping on September 26th in Orlando, FL. All tour dates, ticket information and VIP packages can be found at www.marktremonti.com.
On the heels of their first-ever virtual acoustic radio tour Acoustour and after teasing fans for days on social media, Los Angeles rockers Black Veil Brides have released the full details of their upcoming 6th studio album, The Phantom Tomorrow. The new album is scheduled for release on June 4th via Sumerian Records and is a concept record based on a story idea created by vocalist Andy Biersack. The album is comprised of a dozen tracks and has spawned the current Top 20 Active Rock single “Scarlet Cross.” The cover artwork for The Phantom Tomorrow was created by Eliran Kantor – known for his work with Testament, Hatebreed, Havok and Andy Black to name a few. The Phantom Tomorrow is produced by Erik Ron (Godsmack, Dance Gavin Dance, Bush) and co-produced by guitarist Jake Pitts – is available for pre-order in various bundle configurations here: www.phantomtomorrow.com.
To coincide with the announcement of The Phantom Tomorrow, Black Veil Brides are releasing the next music video from the upcoming album. The video for “Fields Of Bone” marks the directorial debut by vocalist Andy Biersack. Backed by guitarists Jake Pitts and Jinxx, bassist Lonny Eagleton and drummer Christian Coma; the video picks up where the “Scarlet Cross” video (http://smarturl.it/scarletcross) left off. The main character “The Blackbird” returns to square off against “9,” his adversary depicted throughout the “Fields OF Bone” video. He has been used in the band’s tease posts all week. The video also showcases the new look the band will be utilizing throughout the entire cycle for The Phantom Tomorrow. The video for “Fields Of Bone” can be seen here: https://youtu.be/JR37XyIXqPg.
Hardcore thrash/punk unit SNAFU (Situation Normal All Fucked Up) will unleash their Exile//Banishment full-length on March 26th via Life After Death Records.
Spawned from the ruins of Detroit, Michigan, SNAFU self-released their debut full length, Fear The Future, in 2013. Later distributed by Profane Existence, the songs bore a raw punk expression of raging cynicism and the destructive nature of mankind. Further honing their artistry, 2015’s Present Day Plague LP stayed true to their aggressive raw punk roots while working in elements of thrash and grind. Punknews crowned the record, “the soundtrack for the apocalypse.” Glacially Musical concurred, further likening the work to a, “violent trip through a post-apocalyptic landscape of human decadence.”
This year, amidst plague, governmental corruption, and widespread societal suffering, the band spews forth the seething sounds of their third full-length, Exile//Banishment. Tracked and produced by Phil “Landphil” Hall (Municipal Waste, Cannabis Corpse, Iron Reagan etc.) and twin brother Josh “Hallhammer” Hall (Cannabis Corpse) at Blaze Of Torment Studios in Richmond, Virginia, mixed by Adam Shepard, and mastered by Joel Grind (Toxic Holocaust), Exile//Banishment is the band’s heaviest, darkest, and angriest affair yet focusing on personal frustrations and the hopeless future of humanity.
“I’ve been good friends with Phil and Josh for a couple years now,” reveals guitarist/vocalist Scott Curnow. “We’ve gigged with all of their bands multiple times and I sometimes crew for Waste and Iron Regan; we’ve also toured with Cannabis Corpse. Phil has always given me advice and tips on how to help SNAFU to be more successful. So when we were getting ready to record a mutual friend was like, ‘hey, doesn’t Phil and Josh track all of their own bands? You should hit them up,’ and sure enough they were down. It was great having them there. Josh gave a lot of input when it came to the drums and Phil lent some great ideas on guitar parts and some solos. This album has basically been finished since May 2020 and with the pandemic we didn’t really know what to do with it or how to go about releasing it.”
In advance of the release of Exile//Banishment, SNAFU delivers “Choking Game” for public feasting, noting of the track, “Conjuring old Sepultura and early Slayer vibes, ‘Choking Game’ offers a dark look into the world of mental illness, drug addiction, and depression so often overlooked in today’s society.”
Watch the Official Video for Debut Single “In Stride”HERE
Never a musician to waste any precious time, Alter Bridge and Slash and the Conspirators vocalist MYLES KENNEDY used the recent pandemic downtime to finalize his sophomore solo album. The finished result is the exciting new offering, The Ides Of March, which incorporates Myles’ love of rock, blues and country and is slated for release on May 14, 2021 via Napalm Records.
During his time at home due to all touring being canceled, Myles created the framework for the song ideas that would make up The Ides Of March. He then called up his cohorts from his Year Of The Tiger debut – longtime friend and drummer Zia Uddin and bassist/manager Tim Tournier – and the three musicians drove to Florida to record the album with longtime producer Michael “Elvis” Baskette. From the slide guitar riffs of the album opener “Get Along” to the pensive blues style of closer “Worried Mind,” it is clear that Myles has crafted a formidable follow up to his debut solo album. While Year Of The Tigerwas more of an acoustic exploration through Myles’ mind, The Ides Of Marchfinds him strapping on his electric guitar and pushing himself as a guitarist/songwriter. Tracks like “A Thousand Words,” “Wake Me When It’s Over” and “Moonshot” showcase the diverse musical arrangements that have garnered Myles fans globally across all of his projects. The epic “The Ides Of March” clocks in at over seven minutes, and Myles, Tim and Zia showcase their musical chops on the track.
The first single, “In Stride”, opens with Myles showcasing his slide playing before delivering a lyrical message to “take it all in stride.” The video for “In Stride” marks a return by Stefano Bertelli (who created the recent “Native Son” video for Alter Bridge) and shows an animated Myles as he takes the end of the world in stride.
“Chill out. That pretty much sums it up,” explains MYLES KENNEDY about the single. “The lyric paints a picture of a survivalist preparing for an impending zombie apocalypse. It was inspired by the first wave of lockdowns as everyone was buying vast amounts of toilet paper and supplies. I started to ask myself if it might be wise to try and gain some perspective and not overreact… keep calm and carry on.”
The Ides Of March tracklisting:1) Get Along 2) A Thousand Words 3) In Stride 4) The Ides of March 5) Wake Me When It’s Over 6) Love Rain Down 7) Tell It Like It Is 8) Moonshot 9) Wanderlust Begins 10) Sifting Through The Fire 11) Worried Mind
The Ides Of March will be available in the following formats: – Digital Album – 1 CD Jewel Case – 1 CD Digipack (Napalm mailorder, limited to 500 worldwide) – 2 LP Gatefold Black Vinyl – 2 LP Gatefold Gray Vinyl – 2 LP Gatefold Bottle Green Transparent Vinyl (Napalm mailorder, limited to 400 worldwide) – Die Hard Limited Edition: 2 LP Gatefold Clear Splatter Mint/Violet/White Vinyl + Aluminum Print (Napalm mailorder, limited to 300 worldwide) – Limited Deluxe Box: Glow In The Dark Vinyl + Cover Artprint + 7” Glow In The Dark “A Thousand Words” Vinyl Demo Single + Pendant + Slipmat (Napalm mailorder, limited to 700 worldwide)
Julien Baker will release her third studio album, Little Oblivions, on February 26 via Matador Records. Today she reveals the first look at the album via “Faith Healer.” She says, “Put most simply, I think that ‘Faith Healer’ is a song about vices, both the obvious and the more insidious ways that they show up in the human experience. I started writing this song 2 years ago and it began as a very literal examination of addiction. For awhile, I only had the first verse, which is just a really candid confrontation of the cognitive dissonance a person who struggles with substance abuse can feel– the overwhelming evidence that this substance is harming you, and the counterintuitive but very real craving for the relief it provides. When I revisited the song I started thinking about the parallels between the escapism of substance abuse and the other various means of escapism that had occupied a similar, if less easily identifiable, space in my psyche.
“There are so many channels and behaviors that we use to placate discomfort unhealthily which exist outside the formal definition of addiction. I (and so many other people) are willing to believe whomever– a political pundit, a preacher, a drug dealer, an energy healer– when they promise healing, and how that willingness, however genuine, might actually impede healing.” Watch the Daniel Henry-directed video here.
“Faith Healer” introduces the exhilarating, widescreen musical palette and infectious spirit of risk-taking found on Little Oblivions, a transformative sonic shift from Baker’s more spare and intimate previous work. Engineered by Calvin Lauber and mixed by Craig Silvey (The National, Florence & the Machine, Arcade Fire), both of whom worked with Baker on 2017’s Turn Out the Lights, the album was recorded in Baker’s hometown of Memphis, Tennessee between December 2019 and January 2020. Baker’s tactile guitar and piano playing are enriched with newfound textures encompassing bass, drums, synthesizers, banjo and mandolin, with nearly all of the instruments performed by Baker. The album weaves unflinching autobiography with assimilated experience and often hard-won observations from the past few years, taking Baker’s capacity for starkly galvanizing storytelling to breathtaking new heights.
Little Oblivions is the follow up to Baker’s 2017 sophomore album and first on Matador, Turn Out The Lights. The New York Times said Turn Out The Lights is “the work of a songwriter who has resonated with an international audience (…), the rare second album that, despite new self-consciousness, stretches beyond an unspoiled debut to reach for even bigger things, with all its passion intact”. The Sunday Times said “the mix of detached vocals, lush arrangements and laid-bare post-mortems on love, loss, dysfunction and acceptance is devastating”. Baker went on to perform songs from the album on the Late Show with Stephen Colbert and CBS This Morning. In 2018 Baker formed boygenius with Phoebe Bridgers and Lucy Dacus. The resulting eponymous EP and joint North American tour made for one of the most celebrated and talked about musical communions of 2018, highlighting Baker among the forefront of a burgeoning generation of era-defining artists.
Baker shot to worldwide attention in 2015 with show-stopping debut, Sprained Ankle. Recorded in only a few days, it was a bleak yet hopeful meditation on identity, addiction, faith, resilience and redemption. MOJO called it “comforting as it is unsettling as it is cathartic”, while Pitchfork noted, “if you prefer redemption songs to sound as raw as they feel, Sprained Ankle could bring you to your knees”. The album went on to appear on many end of year lists.
An intense and immersive performer, her live shows were described by The New Yorker as “…. hushed, reverential. The only sounds you hear between songs are her fingers as she tweaks the tuning on her electric guitar, scattered whispers between friends, and the rustling as the crowd waits patiently for Baker to start strumming again”.
Baker has collaborated on studio recordings with Frightened Rabbit, Matt Berninger, Becca Mancari, Mary Lambert, and on stage with Justin Vernon, The National, Sharon Van Etten, Ben Gibbard and others.
Volbeat confirm the release of Rewind, Replay, Rebound: Live In Deutschland, available digitally worldwide on November 27th via Republic Records. The new 27 song set features songs recorded during the sold-out German leg of last year’s Rewind, Replay, Rebound World Tour, along with two additional tracks recorded earlier on the tour. The album marks the first official live recordings of 11 songs from the band’s latest studio release, Rewind, Replay, Rebound as well as fan favorites from throughout the band’s career played in front of the their die-hard German fans in cities such as Stuttgart, Cologne and Hamburg. The set, mixed by long time Volbeat collaborator Jacob Hansen, will be available for streaming and download from your favroite digital service. Click here to pre-save.
The first song from Rewind, Replay, Rebound: Live In Deutschland, “Cheapside Sloggers – Live In Stuttgart,” is available today. Watch the video here.
Leading up to the release of Rewind, Replay, Rebound: Live In Deutchland, Volbeat will also be streaming three full shows from the Rewind, Replay, Rebound World Tour via their YouTube channel. The first of these, Live at the Barclaycard Arena in Hamburg, Germany, will be streamed on Thursday, October 22nd. Watch volbeat.dk for complete details.
Germany holds an important place in the story of Volbeat. From playing their first note on German soil at the Rock Hard Festival in Gelsenkirchen 14 years ago, Germany has embraced the band and lovingly christened themselves the band’s “second home.” Says vocalist/guitarist Michael Poulsen, “the German audience has always had a special place in our hearts, since the very beginning. They have always supported us and still do. It’s amazing to see the impact the fans have had on Volbeat, we’ve become fans of theirs, too.”
Recently, Volbeat announced their Record Store Day Black Friday release, Hokus Bonus: a vinyl-only compilation of ‘bonus tracks’ from special and international editions of the band’s previous albums. Limited to 3,000 copies, the LP features brand new cover art from long-time Volbeat illustrator Karsten Sand and will be pressed on “Magician’s Smoke” colored vinyl. Hokus Bonuswill also be available November 27th at independent record stores participating in Record Store Day. For a full list, visit https://recordstoreday.com/Stores.
VOLBEAT emerged from Copenhagen in 2001. Since then, they’ve tirelessly clawed their way to hard rock’s upper echelon with endless touring, a string of seven beloved full-length albums which have sold 2.5 M copies in the US alone, and eight #1s on the mainstream rock airplay chart. Their 2010 album Beyond Hell/Above Heaven, which features hit singles “A Warrior’s Call” and “Heaven Nor Hell,” has received RIAA Gold Certification. 2013’s Outlaw Gentlemen & Shady Ladies, which includes the Grammy nominated “Room 24” and is also certified Gold, bowed at #9 on the Billboard Top 200 upon release, marking the highest U.S. chart entry for a Danish act since 1997. A distinction that Volbeat topped in 2016 when Seal The Deal & Let’s Boogie debuted at #4. The band also released Let’s Boogie! Live At Telia Parken, a concert film and album documenting their landmark 2017 Copenhagen show in front of 48,250 fans, the largest show a Danish band has ever performed in Denmark. Their latest album, Rewind, Replay, Rebound, was released on August 2nd, 2019 and has spawned the hit singles “Last Day Under The Sun,” “Die To Live (feat. Neil Fallon)” and “Leviathan.”
REWIND, REPLAY, REBOUND: LIVE IN DEUTSCHLAND Track list:
1 Intro/Lola Montez 2 Pelvis On Fire 3 Doc Holliday 4 Sorry Sack Of Bones 5 The Garden’s Tale 6 Ring Of Fire 7 Sad Man’s Tongue 8 When We Were Kids 9 Slaytan 10 Dead But Rising 11 Fallen 12 Die To Live 13 Seal The Deal 14 For Evigt 15 7:24 16 Cheapside Sloggers 17 Lonesome Rider 18 Parasite 19 The Everlasting 20 Cloud 9 21 Last Day Under The Sun 22 The Devil’s Bleeding Crown 23 Leviathan 24 Let It Burn 25 Pool Of Booze, Booze, Booza 26 Boa [JDM] 27 Still Counting
“One of the most intensely joyful experiences we’ve ever had as a band.” – Rhett Miller
Watch the Video for First Single “Turn Off The TV” HERE
“Terse, wry, and supremely catchy roots-rock.” – THE ATLANTIC
“A well-loved pioneering force in the alt-country movement… [they’ve] still got the same raucous, sweaty energy that’s made [them] so beloved all this time.” – NPR
“Blistered, blasted, and brilliant.” – NEW YORKER
Old 97’s, the iconic alt-country outfit fronted by Rhett Miller, is returning with their twelfth album, the aptly titled Twelfth, to be released on August 21 on ATO Records. Twenty-seven years in, Old 97’s still features its original lineup – Miller, guitarist Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples – and Twelfth is a testament to the band’s staying power. The album’s cover image of former Dallas Cowboys quarterback Roger Staubach is both an homage to Miller’s childhood hero and a recognition that, in making their livings as musicians, the 97’s themselves have achieved their lifelong dreams.
In an interview with Rolling Stone, Miller talks about how his five-year sobriety influenced the new album, saying, “Going back in, I thought, ‘What if I don’t bring anything to the table? What if I’m like Samson and the whiskey was my long hair and I cut it off and can’t write songs anymore?’… But [Twelfth] was the first record where, top to bottom, I felt I was back in the driver’s seat, found my voice, and came out the other side. It feels good.”
The band shares Twelfth’s first single “Turn Off The TV” today alongside a video directed by Liam Lynch that features Puddles the Clown as well as footage of the band throughout their career. Watch the video below and pre-order TwelfthHERE.
Old 97’s – TwelfthAugust 21, 2020 – ATO Records
1. The Dropouts
2. This House Got Ghosts
3. Turn Off The TV
4. I Like You Better
5. Happy Hour
6. Belmont Hotel
7. Confessional Boxing
8. Diamonds on Neptune
9. Our Year
10. Bottle Rocket Baby
11. Absence (What We’ve Got)
12. Why Don’t We Ever Say We’re Sorry
MORE ON TWELFTH:
“Somehow what we’ve got never breaks down,” Rhett Miller sings on Old 97’s exhilarating new album, Twelfth. At first, the line comes off as a boast, as a declaration of invincibility from a band that’s managed to survive three decades of rock and roll debauchery, but as the phrase repeats over and over again, it slowly transforms into something more incredulous, something more vulnerable, something deeply human.
“We experienced some close calls over the last few years,” says Miller, “and I think that led us to this dawning realization of the fragility of it all. At the same time, it also led us to this increased gratitude for the music and the brotherhood we’ve been so lucky to share. I think all of that combined to make recording this album one of the most intensely joyful experiences we’ve ever had as a band.”
That joy is utterly palpable on Twelfth. Loose and raw, the record is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmates—bassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeples—teamed up once again with GRAMMY-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97’s record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience. Perhaps the band is growing up; maybe they’re just getting started. Either way, Old 97’s have never been happier to be alive.
“You have to take pride in the unlikeliness of it all,” says Miller. “It’s mind boggling to think that we’ve been able to last this long, that we’ve been able to support ourselves and our families on our own terms for almost thirty years. Twelve is a lot of records.”
Formed in Dallas, Texas, Old 97’s first emerged in the early ’90s with an adrenaline pumping blend of rock and roll swagger, punk snarl, and old-school twang that quickly brought them into the national spotlight. Conventional wisdom places the band at the forefront of a musical movement that would come to be known as “alternative country,” but, as the New York Times so succinctly put it, their sound always “leaned more toward the Clash than the Carter Family.” Fueled by breakneck tempos, distorted guitars, and wry storytelling, the foursome built a reputation for high-energy albums and even higher energy shows, earning themselves performances everywhere from Conan and Letterman to Bonnaroo and Lollapaloozaalongside countless rave reviews. NPR lauded the group as a “pioneering force,” while Rolling Stone hailed their music’s “whiskey-wrecked nihilism and slow-burn heartbreak,” and The New Yorker praised their songwriting as “blistered, blasted, and brilliant.” On top of his prodigious output with Old 97’s, Miller simultaneously established himself as a prolific solo artist, as well, releasing eight studio albums under his own name that garnered similarly wide-ranging acclaim and landed in a slew of prominent film and television soundtracks. A gifted writer beyond his music, Miller also contributed essays and short stories to The Atlantic, Salon, McSweeney’s, and Sports Illustrated among others, and in 2019, he released his debut book, a collection of poetry for children, via Little, Brown and Company.
While part of Old 97’s charm has always been the air of playful invulnerability they exude onstage every night, reality began catching up with the band in 2017. The night before a television appearance in support of the group’s most recent album, Graveyard Whistling, Peeples collapsed in a hotel parking lot, falling backwards and cracking his skull on a concrete abutment. He spent weeks in the ICU and was forced to miss the first leg of tour. Bethea, meanwhile, began to notice a loss of feeling in the fingers of his right hand. As his condition continued to deteriorate on the road, the numbness spread to his leg, and he was eventually forced to undergo spinal surgery in order to regain full motor control. Miller, for his part, found himself at more of an existential crossroads, questioning attitudes and behaviors he’d long taken for granted. Yes, he was a rock and roll star (whatever that means nowadays), but he was also a father and a husband, and he decided it was long since time to get sober.
“Back when we were in our 20’s, we put ourselves through these terrible trials because we thought we could survive anything,” says Miller. “But over the last few years, it started becoming clear that we’re human.”
Rather than slow things down, the band decided to embrace their mortality as all the more reason to seize the day. Life is short—a lesson that was hammered home on the group’s first day of recording in Nashville, when a series of deadly tornadoes ripped through town—and Twelfth is the sound of Old 97’s recommitting themselves to making the most of every moment they’ve got left. Addictive opener “The Dropouts” sets the stage, taking stock of the band’s journey from its very first days, when they cut their teeth playing the bars of Deep Ellum in exchange for pitchers of beer and pizza. Like much of the record to come, it’s a nostalgic look back on simpler times, but it smartly avoids looking at the past through rose-colored glasses, instead recognizing that change is neither inherently good nor bad, only inevitable.
“There’s a line about sleeping on hardwood floors in that song,” says Miller, “and that’s what we did in the early days. But that image of hardwood floors keeps coming back and building on itself in different songs throughout the album, and over time it begins to mean different things as we grow up and start families and own homes.”
Miller has a knack for capturing those sorts of little details that tell a larger story, for crafting richly cinematic scenes that transform seemingly mundane moments into metaphors for life itself. The driving lead single “Turn Off The TV,” for instance, spins a free cable hookup into a celebration of the visceral pleasures of living in the present, while the larger-than-life “Diamonds On Neptune” turns an astronomical phenomenon into a meditation on what really matters, and the waltzing “Belmont Hotel” finds emotional symbolism in the restoration of a Dallas landmark.
“‘Belmont Hotel’ is a microcosm of the album, and of our band,” says Miller. “When we first started out, the Belmont was in absolute ruins, and we even did a photoshoot in the empty parking lot. Now, though, it’s more beautiful than it was in its glory days, and that got me thinking about the way we approach our relationships. Whether it’s a friendship or a marriage or a band, it’s inevitable that you’re going to go through ups and downs, but if you’re willing to put in the work and stick out the hard times, you can wind up with something that’s better than it ever was before.”
While Miller collaborated with writers like Butch Walker and Nicole Atkins on Graveyard Whistling, he penned everything on Twelfth himself (outside of the Spaghetti Western-esque “Happy Hour” and hypnotic album closer “Why Don’t We Ever Say We’re Sorry,” which were both written and sung by Hammond). It’s a return to form he credits in part to his increasing comfort with sobriety, a comfort that finds him effortlessly running the gamut from playful romance (the dreamy “I Like You Better”) and brash bravado (the blistering “Confessional Boxing”) to supernatural fantasy (the Kinks-ian “This House Got Ghosts”) and old-school twang (the rollicking “Bottle Rocket Baby”). It’s perhaps the jaunty “Absence (What We’ve Got)” that captures this particular moment in Old 97’s history best, though, as Miller marvels at the way things change while staying the same. “The wine turns into whiskey / And the whiskey turns to tears / It’s been this way for years,” he sings, later summing the whole magic act up with a deceptively simple confession: “This is what I do.”
Old 97’s may be human, but somehow what they’ve got never breaks down.
Albert and Joe Bouchard are best known as founding members of Blue Öyster Cult. The original line-up sold millions of albums for Columbia Records, with such classic songs as “Don’t Fear the Reaper” and the #1 hit on the Billboard Mainstream Rock chart “Burning For You”. Both contributing to songwriting, and lead vocals on some of their greatest songs, such as Albert’s vocals on “Cities on Flame with Rock and Roll”, and Joe’s on “Hot Rails To Hell”.
Albert’s infamous cowbell part in “Don’t Fear The Reaper” was the basis of the classic Will Ferrell skit on SNL, which also starred Christopher Walken. With “The Reaper,” an all-time classic on YouTube and every other digital platform, with zillions of views, the Bouchard brothers are forever cemented in pop culture.
Now they are ready to embark on their next venture together with RockHeart Records. With multiple albums being readied for release, the Bouchard’s manager, Jeff Keller, suggested the idea of forming a new imprint label that would be owned and operated by the Bouchards, with Keller’s assistance. Keller sought a partnership with a label that could assist with the new imprint label and the distribution, manufacturing, and marketing. “I had previously worked on a release with Deko Music and I was impressed with their team, experience, and the enthusiasm. Deko loved the idea of the imprint label and their team was excited to work with us,” said Keller. This led to the birth of RockHeart Records and a new partnership with Deko Music. Deko Entertainment president Bruce Pucciarello states, “Deko is thrilled to be partnering with RockHeart Records in releasing Joe and Albert’s new music. Having been fortunate enough to preview this material I can promise fans (because I am a big one) that they won’t be disappointed.”
Joe Bouchard will release his brand new solo album ‘Strange Legends’ on July 31st. The first single and lyric video “Forget About Love” will drop on June 19th, with the follow up “She’s A Legend” dropping on July 17th. Keep checking back at Deko Entertainment as Joe will continually take you on a special behind the scenes song by song look at ‘Strange Legends’.
For the last two years, Joe has worked tirelessly on his 6th and best solo album. For the production of this album he enlisted the help of Micky Curry, a drumming powerhouse, who has played with Hall and Oates, Alice Cooper and more. He is currently the drummer for Bryan Adams, playing on all of his big hits. He has over 40 gold records in his archives.
Several of the songs were written by Joe Bouchard and lyricist/sci-fi writer John Shirley. John Shirley is a long-time lyricist for Blue Öyster Cult, and has written dozens of sci-fi novels. He was the co-screenwriter for ‘The Crow,’ starring Brandon Lee. Other songs on the album were written by the late John Elwood Cook, a very prolific songwriter, who wrote many songs on Joe’s earlier solo albums. Joe’s album also includes a cover of Ray Davies and the Kinks’ “All Day and All of the Night.”
Joe says, “I really got to explore the production and mixing of this album like nothing I’ve ever done before. The guitar sounds are especially well produced. I play all the bass on this album, one thing that many of the Blue Öyster Cult fans miss on other projects, and wanted to hear more of. The vocals and guitars fit so well with Micky’s drums. It’s the best I’ve ever done.” There are limited edition bundles (while supplies last), which can be ordered via:
Product Includes: – One (1) Joe Bouchard – Strange Legends (Autographed) CD – One (1) Joe Bouchard – Signature Guitar Pick – One (1) Joe Bouchard – Strange Legend Poster – One (1) Joe Bouchard – Strange Legends Shirt
– Exclusive Early Download of “Forget About Love” Before Anyone Else
LOOK FOR ALBERT’S ALBUM RE IMAGINOS this fall. This is his own personal updated take on the Imaginos Album by Blue Öyster Cult from 1987.
Coming soon on RockHeart Records and Deko Entertainment.
“Strange Legends” Tracklist: 1.The African Queen 2. Forget About Love 3. Walk of Fame 4. Hit and Run 5. Racin’ Thru the Desert 6. She’s a Legend 7. All Day and all of the Night 8. Once Upon a Time at the Border 9. Bottom for the Bottomless 10.Strangely in Love 11.Winter
WATCH FOR MUSIC PREVIEWS, LYRIC VIDEOS, AND MORE ON SPOTIFY AND YOUTUBE.
PRIZE PACK FEATURES CENTURY MEDIA CDS, HEAVY METAL MAGAZINES, IRON MAIDEN COMICS, T-SHIRTS, AND MORE
Century Media Records announces partnership with Heavy Metal Magazine. To celebrate, both companies have teamed up for “The Ultimate Stay At Home Prize Pack”, which starts today, May 11th and ends on Friday, May 15th. Each prize pack will include 1 Heavy Metal t-shirt, 1 Century Media Blue Horns t-shirt, 1 3TEETH Face Mask, 5 issues of Heavy Metal Magazine, 5 issues of Iron Maiden‘s Legacy of the Beast comics, and 10 select Century Media CD’s from your favorite artists such as Napalm Death, Body Count, Lacuna Coil, Sons Of Apollo, Mayhem, Beneath The Massacre, Entombed A.D., Iced Earth, and Unearth. There will be one winner per day. No purchase necessary. Fans can enter for a chance to win HERE.
ABOUT CENTURY MEDIA Since 1988, Century Media Records has been a force within the hard rock and metal market. With a worldwide legacy that has launched the careers of artists as lauded as In This Moment and Lacuna Coil, as well as genre trailblazers including Suicide Silence and Shadows Fall, the German-founded Century Media Records is continuing its third decade in the music business with the same sense of volume and vision it was founded on. The label continues to dominate the genre by delivering epic releases by trailblazing artists such as Body Count, Mayhem, Arch Enemy, Lacuna Coil, Iced Earth, Napalm Death, Queensryche, Triptykon, and more.
ABOUT HEAVY METAL First published in 1977, Heavy Metal, the world’s foremost illustrated fantasy magazine, explores fantastic and surrealistic worlds, alternate realities, science-fiction and horror in the past, present, and future. Writers and illustrators from around the world take you to places you never dreamed existed. Heavy Metal was the first magazine to bring European legends Moebius, Tanino Liberatore, Philippe Druillet, Enki Bilal, Pepe Moreno and Philippe Caza to the U.S. as well as showcasing American superstars Richard Corben, Jim Steranko and Bernie Wrightson. The magazine continues to showcase amazing new talent as well as allow established creators to have “carte blanche.” Heavy Metal magazine is now published six times per year. Most issues feature one or two serialized graphic novels, several short stories, and two artist galleries. Recent creators have featured Grant Morrison, Stephen King, Bart Sears, Tim Seeley and Kevin Eastman. With new CEO Matt Medney and newly appointed Publisher and Chief Creative Overlord, David Erwin, at the helm, Heavy Metal promises to continue Heavy Metal’s legacy, as the leader in cutting-edge science fiction, fantasy, and horror storytelling.
Shred guitar pioneer Michael Angelo Batio will release his 12th studio album More Machine Than Man on June 12th via Rat Pak Records. The album features 13 new studio tracks and is the highly anticipated follow up to 2013’s Intermezzo. More Machine Than Man is an all instrumental shred album from the Fastest Guitarist On The Planet that’s sure to resonate with past fans, as well as garner new fans along the way. From the infectious guitar riffs from album openers “Laser Guided” and “The Badlands”, to the crushing bonus-track finale of “No Backup Plan” Michael has created something truly special and engaging.
Mixed and Mastered by longtime Batio engineer Chris Wisco, the album also features guest performances by Chris Adler(Lamb of God), lending his drum skills on the tracks “More Machine Than Man” and “The Two Sirens”. Also appearing on the album is renowned bassist Victor Wooten who performs on “AVTD”, and guitar virtuoso Andrea Martongelli who guest solos on “The Countdown Is On”.
Regarding the release, Michael comments, “This is the most “in your face” album I have ever recorded. I limited the use of keyboards so you can hear the detail and precision of the rhythm guitars. My goals were to write the best songs I could, keep the tracks as raw and natural as possible and make the grooves relentless! I’m borrowing a quote by NITRO singer Jim Gillette that I think describes this album perfectly – “If this album doesn’t rock your socks off, call the coroner ‘cause you must be dead!””
With heavy rhythm riffs, blazing guitar solos and rock-solid grooves More Machine Than Man delivers all the power and punch that one would expect from this high-level player and is sure to be a favorite of shred lovers around the globe!
Michael Angelo Batio showcased his guitar techniques and innovations for the first time with his early instructional programs, as well as in his live performances, which are now considered “standard techniques” amongst guitarists worldwide. Michael not only invented but was the world’s first player of the double-guitar and was also voted one of the World’s Top 100 Guitarists Of All Time by Guitar World Magazine. He also holds the YouTube record for his instructional video “Speed Kills”, the highest views for a guitarist coming in at over 21 million!
For the better part of the past five years, top-charting masked metal machine MUSHROOMHEAD have been crafting the epic follow up to their monumental 2014 full-length album, The Righteous & The Butterfly – waiting ever-so-patiently to drop their next collection of anthems. The Cleveland collective make their prodigious return with the new full-length oeuvre, A Wonderful Life – the eighth release of their benchmark career – out June 19, 2020 via Napalm Records.
Available in several enticing formats, A Wonderful Life clocks in at a whopping 70+ minutes with its four bonus tracks – leaving a total of 17 stellar compositions in its wake for fans to devour. A Wonderful Life is accented by the sharp production of band mastermind/drummer Skinny, as well as the standout mixing prowess of Matt Wallace (Faith No More, 3 Doors Down), also recognized for his work on the band’s classic offering XIII.
Today, MUSHROOMHEAD have dropped their first new single – the arena-ready anthem “Seen It All”. The hair-raising earworm will have listeners chanting along in no time and is surefire proof that MUSHROOMHEAD are back in prime form. New full-time vocalist Mr. Rauckhorst leads the pack in an apropos cry for societal unity and marks a confident return for the band. Sing along and watch the new music video for “Seen It All” below.
Watch the new official music video and listen to “Seen It All” HERE:
At its start, an ominous choir invites the listener into A Wonderful Life – introductory track “A Requiem For Tomorrow” smoothly shifts into an industrial-metal inspired, grooving punch to the gut juxtaposed with a melodic, synth-laden chorus. This sets the stage for stocky, chant-worthy anthems such as “Seen It All” and hair-raising, politically-inclined tracks like “The Heresy” and “Carry On”, both featuring the sinister multi-voice attack of new full-time vocalist Ms. Jackie and returning longtime vocalist J Mann, with an extra strike from aforementioned new vocalist Mr. Rauckhorst on the latter. Tracks like “What A Shame”, “I Am The One” and “Madness Within” will prove a treat for new and diehard MUSHROOMHEAD fans alike – providing the macabre inspiration followers have come to crave with a weighty dose of galloping drums and bone-rattling guitars, to boot.
MUSHROOMHEAD attacks track after track with a refreshed focus, delivering a carefully-curated selection of certified future hits. A Wonderful Life re-cements the band’s position as one of the most consistently impactful heavy bands of our generation.
A Wonderful Life Tracklist: 1. A Requiem for Tomorrow 2. Madness Within 3. Seen it All 4. The Heresy 5. What a Shame 6. Pulse 7. Carry On 8. The Time has Come 9. 11th Hour 10. I am the One 11. The Flood 12. Where the End Begins 13. Confutatis 14. To the Front (Bonus Track) 15. Sound of Destruction (Bonus Track) 16. Another Ghost (Bonus Track) 17. Lacrimosa (Bonus Track)
A Wonderful Life will be available in the following formats*: – CD Digipak – 2 LP Gatefold Black + Mask- Digital Album – 2 LP Gatefold Gold / Black Inkspot + Mask – CD Digipak + Cover T-Shirt Bundle – 2 LP Gatefold Gold / Black Inkspot + Mask + Cover T-Shirt Bundle – US Mailorder Only – 2 LP Gatefold Black + Mask + Cover T-Shirt Bundle – USA Mailorder Only – Skateboard ONLY – CD Digipak + Skateboard – USA Mailorder Only – 2 LP Gatefold Black + Mask + Skateboard – USA Mailorder Only – 2 LP Gatefold Gold / Black Inkspot + Mask + Skateboard Bundle – USA Mailorder Only – CD Digipak + Cover T-Shirt + Skateboard Bundle – USA Mailorder Only – 2 LP Gatefold Black + Mask + Cover T-Shirt + Skateboard Bundle – USA Mailorder Only – 2 LP Gatefold Gold / Black Inkspot + Mask + Cover T-Shirt + Skateboard Bundle – USA Mailorder Only
*All first edition vinyl pressings of A Wonderful Life include a cardboard punch out mask to help you become the next member of MUSHROOMHEAD!
Stay tuned for more coming soon from MUSHROOMHEAD!
Featuring Bobby Blitz, Mike Portnoy, Mark Menghi and Phil Demmel
They’ve been teasing their formation and the arrival of new music for months, and now the wait is nearly over! BPMD – the new heavy metal juggernaut featuring icons Bobby Blitz (Overkill) on vocals, drummer Mike Portnoy (The Winery Dogs, Sons of Apollo), bassist Mark Menghi (Metal Allegiance) and guitarist Phil Demmel (Vio-lence, ex-Machine Head) – is pleased to announce that they have signed a worldwide contract with Napalm Records, joining the label’s growing roster of premier talent.
The members of BPMD first came together in the summer of 2019 with one goal in mind: to pay homage to some of their favorite classic rock tunes, give them their own heavy twist, and to have a blast doing it. We all could use a bit of fun, and that’s what BPMD is here to provide – a party on wax performed by some of the greatest musical talents in the world!
BPMD will officially announce the release of this music – arriving in the form of their first full-length album – very soon. Stay tuned for more details and music, coming soon!
BPMD bassist Mark Menghi says:“We’re super excited about our first BPMD record. Last summer, I was inspired and came up with this crazy idea and here we are, not even a year later, and it’ll see the light of day in these very trying times. The planet needs something to feel good about, and I 100% whole-heartedly believe these tunes will do the trick. Buckle up and make way for BPMD…”
BPMD frontman Bobby Blitz drops a few more hints:“The BPMD sessions were very fun. They took us all back to our roots and even pre-roots. As it developed, we all realized it was something special, as did Napalm Records, with one listen!”
BPMD will make their performance debut at Bulldozer Bash 5 in Old Bridge, NJ on Saturday, May 30! The event, which will take place at Old Bridge Elks Lodge, is a benefit show to raise funds for the Old Bridge Militia Foundation, a 100% non-profit 501 C3 charity foundation. Show details will be announced soon, but for now, visit https://oldbridgemilitia.org.
Keep your eyes (and ears) at the ready – new music from BPMD is just around the corner.
Danish composer, vocalist and classically trained multi-instrumentalist, Myrkur (Amalie Bruun), journeys into the heart of Scandinavian culture. Through Bruun’s crystalline vocals, an array of traditional instruments and storytelling, ‘Folkesange’ offers listeners an immersive, emotional and transcendent experience that resonates in today’s turbulent times.
“Burrowing into a lifelong love of Scandinavia’s traditional music and writing her own modern versions, and without sacrificing her intensity.” – THE GUARDIAN (FOLK ALBUM OF THE MONTH)
“Ella has the steady, almost ominous tread of her earlier, darker works, and her layers of voice have an almost eerie resonance. The song swells and subsides (she refers to it as “a rebirth-ritual in the sea”) before building to an almost orchestral-sounding finale.” – WNYC’s SOUNDCHECK
“Lush acoustic instruments and a restrained composition give full breadth to Myrkur’s voice, and the pristine production is more fitting of new age music than black metal” – CONSEQUENCE OF SOUND
“transcendent… sweeping, hypnotic” – REVOLVER
“Scandinavian heritage has been a very important element of black metal since its beginning, but no musician before Myrkur has translated it so successfully to its music to attain recognition both within the genre and without, and although her work polarized the black metal community intensely in the beginning, ever more people are realizing the unique merit and quality of Myrkur’s work” – ULTIMATE GUITAR
“gorgeous…It breaks new ground with its wild, almost lyrical sound, and really transports the listener back to days of old.” – EXCLAIM!
“indeed in the trad-folk realm, with a little ethereal dream pop in the mix too” – BROOKLYN VEGAN
“she’s the Lana Del Ray of Black Metal” – THE PIT
“Bruun has a way of breathing new life into the past, by taking these old folk songs and reenvisaging them as expansive explorations into the netherworld of black metal” – LINE OF THE BEST FIT
“a gracious, quite accessible offering, one that invites us to other worlds, times, and cultures.” – THE PROG MIND
Myrkur’s Amalie Bruun has always paved her own path and challenged underground preconceptions of heavy genres. Just after newfound motherhood, Bruun set out on a journey into the very heart of the Scandinavian culture that marked her own childhood with on her latest album, Folkesange. Available today on Relapse Records, Folkesange relinquishes black metal for a refined yet far-reaching evocation of traditional folk, combining songs ancient and new to sublimely resonant effect.
On Myrkur‘s first two full-length studio albums (2015’s M and 2017’s Mareridt), she recast black metal in the most personal yet expansive of terms, their blending of Bruun‘s Danish folk roots with tempestuous internal struggles breathing new life into a subgenre whose followers can be rigidly possessive.
After the nightmare-induced visions that wrought themselves throughout 2017’s immensely acclaimed Mareridt, Folkesange offers an emotional sanctuary, a means to reconnect to something permanent and nature-aligned. It’s an awareness that’s become deeply bound to the album’s organic, regenerative spirit.
Storytelling, rites of passage, and the invocation of a continuity that passes through time and generation are all part of folk music’s tapestry, and Folkesange taps into all these currents in their most essential form. In part a purist’s approach to the genre, free from over-interpretation and fusion, the use of Kulning (an ancient Scandinavian herding call) and traditional instruments throughout, such as nyckelharpa, lyre and mandola offer adeeper, more tactile connection to their source, an unbroken line of communication back to the past.
But the album is no museum piece; it resonates in the here and now, aided by the spacious production of Heilung member and musical collaborator Christopher Juul. Cinematic yet intimate, Folkesange exists in a state of boundless reverie, bourne by string-led drones, cyclical, elegiac rhythms and Bruun‘s frictionless voice, all carrier signals for deep-rooted, ancestral memories, and associations felt on an elemental level.
An immersive experience in its own right, but also belonging to a wider, pagan folk-based renaissance that has attracted a devoted following worldwide, Folkesange answers a need that has become ever more pressing in turbulent times. A zeroing in on a resonance that is both intrinsic and enduring, it’s a rediscovery of personal grounding, and an experience that reaches beyond culture to remind us of a shared, deeply rooted inheritance. A tuning fork that binds the personal and the universal, Folkesange is a reminder that the most transcendent experiences are those closest to home.
(Los Angeles, CA, March 9, 2020) — As part of Record Store Day 2020, Varèse Sarabande Records will release five amazing soundtrack LPs: Hackers and Army of Darkness will be available as double LPs and Mortal Kombat and The Dark Crystal: Age of Resistance get the picture disc treatment, (Age of Resistance in two different variants), on April 18, 2020, at thousands of independent record stores. A list of participating stores can be found at recordstoreday.com and for more info about these special LPs visit VareseSarabande.com.
HACKERS – Various Artists (Double LP)
On vinyl for the first time, the definitive soundtrack to the film Hackers is being released in conjunction with the 25th anniversary of the film. The double LP features never-before-released tracks including “Hackers Suite” performed by composer Simon Boswell, as well as two pieces by Guy Pratt, “One Combination” and “Grand Central Station” featuring David Gilmour.
“This was such a fun thing to do, had to quickly knock it up at home and then David swung by and did his inimitable thing in one take.” – Guy Pratt
Additionally, tracks that were not on the original soundtrack release in 1995, including “Protection” by Massive Attack, and “Open Up” by Leftfield, are part of this special album edition. The commemorative package includes two black vinyl LPs in a gatefold, new notes from director Iain Softley, and unreleased photos of the cast.
“Halcyon and On and On” Performed by Orbital
“Hackers Suite” Performed by Simon Boswell
“Open Up” Performed by Leftfield
“Cowgirl” Performed by Underworld
“Voodoo People” Performed by Prodigy
“Connected” Performed by Stereo MC’s
“Original Bedroom Rockers” Performed by Kruder & Dorfmeister
“One Love” Performed by The Prodigy
“Good Grief” Performed by Urban Dance Squad
“Protection” Performed by Massive Attack
“One Combination” Performed by Guy Pratt
“Grand Central Station” Performed by Guy Pratt, featuring David Gilmour
“Heaven Knows” Performed by Squeeze
ARMY OF DARKNESS – Joe LoDuca (Double LP)
This double LP soundtrack for Sam Raimi’s 1990’s classic Army of Darkness film (a continuation of Raimi’s Evil Dead series, which also starred Bruce Campbell as Ash) features the original cover graphics with new notes and images, and a newly remastered score by composer Joe LoDuca. Years later, LoDuca continued to score Evil Dead projects through the Starz series, Ash vs The Evil Dead. The latter series ran from 2015 – 2018. Army of Darkness is musically distinct, however, in having a secondary contributing composer: Danny Elfman’s (Batman, Pee-wee’s Big Adventure, The Simpsons) killer theme “March of the Dead.”
“Building The Deathcoaster”
“Give Me Some Sugar / Bone’Anza”
“Ash In Chains”
“The Forest Of The Dead / Graveyard”
“God Save Us”
“March Of The Dead” Theme Composed by Danny Elfman
“Whites Of Their Skulls”
MORTAL KOMBAT – George S. Clinton (Picture Disc)
Originally released on CD only in 1995 and currently unavailable in any physical format, this score to the first film ever developed for the massive gaming franchise will get the LP treatment in conjunction with the film’s 25th anniversary. Side A of this two-sided picture disc features the iconic Mortal Kombat logo, while Side B features Goro, a fan favorite from the game and film who is generally considered by gamers to be one of the most memorable and difficult bosses in gaming culture. In fact, the four-armed fighter did not lose a battle for 500 years before a first-ever loss to Mortal Kombat hero, Johnny Cage. The music was composed by George S. Clinton with a heavy assist from the guitarist, Buckethead (Guns N’ Roses, Primus), who appears on 10 of the 26 tracks.
“Taste Of Things To Come”
“Liu Vs. Sub-Zero”
“It Has Begun”
“The Garden” featuring Buckethead
“Goro Vs. Art” featuring Buckethead
“Liu Vs. Katana”
“Liu’s Dream” featuring Buckethead
“Liu Vs. Reptile” featuring Buckethead
“Johnny Vs. Scorpion” featuring Buckethead
“Hand And Shadow” featuring Buckethead
“Scorpion And Sub-Zero” featuring Buckethead
“On The Beach”
“Johnny Cage” featuring Buckethead
“Goro Chase” featuring Buckethead
“Flawless Victory” featuring Buckethead
THE DARK CRYSTAL: AGE OF RESISTANCE, The Aureyal & The Crystal Chamber – Daniel Pemberton, Samuel Sim (Picture Discs)
Two truly special picture disc editions featuring imagery unavailable anywhere else! The Aureyal, a symbol representing the unity of the seven Gelfling Clans, presents itself in the visions of various important Gelfling characters and is formally identified as “the sigil of great power” by skekGra the Heretic. The Aureyal picture disc is complemented on the other side with the cover art from the Volume 1 CD and digital release. The Crystal Chamber disc depicts the floor of the Dark Crystal’s chamber; a circle of 18 arcane symbols, one for each of the urSkeks that came to Thra during the first Great Conjunction. The Crystal Chamber picture disc is complemented on the other side with the cover art from the Volume 2 CD and digital release. Consumers should note that the track selections on the two picture discs are completely different. Although available for individual purchase, they are thematically a set.
The Dark Crystal: Age of Resistance is a 10-episode prequel to the groundbreaking 1982 fan-favorite The Dark Crystal, and stars Taron Egerton, Star Wars’ Mark Hamill, Harry Potter’s Helena Bonham-Carter, Tomb Raider star Alicia Vikander and Outlander’s Caitriona Balfe. The show’s composer Daniel Pemberton reveals, “I wanted the music to be as magical as Thra itself – organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself, as well as using thematic largescale orchestral elements to bring an emotion to the journey of the characters.”
The Aureyal Picture Disc
“Dzenpo!” – Daniel Pemberton
“Remember Your Oath” – Samuel Sim
“Puppet Show” – Samuel Sim, Daniel Pemberton
“Song Of Thra” – Daniel Pemberton
“The Skeksis Arrive” – Samuel Sim
“Outcast” – Daniel Pemberton
“Outside Podling Wayhouse” – Daniel Pemberton
“An Old Story” – Daniel Pemberton
“The Three Brothers Rise” – Daniel Pemberton
“Attack Of The Arathim” – Samuel Sim, Daniel Pemberton
“Our Sister Is Gone” – Samuel Sim
“The Dark Crystal: End Credits” – Daniel Pemberton
“The Dark Crystal: The Age Of Hope” – Daniel Pemberton
The Crystal Chamber Picture Disc
“The Dark Crystal: Age Of Resistance” – Daniel Pemberton
“Another World, Another Time” – Daniel Pemberton
“Story Of The Dark Crystal” – Daniel Pemberton
“Rian + Mira Dreamfast” – Daniel Pemberton
“Aughra Awakes” – Daniel Pemberton
“The Crystal Chamber” – Daniel Pemberton
“Essence Draining” – Daniel Pemberton
“What Lies At The Dream’s End” – Daniel Pemberton
“Together We Fight” – Daniel Pemberton
“The Blue Flames Part 1” – Daniel Pemberton
“Deet In The Woods” – Samuel Sim
“Speak For The Dead” – Daniel Pemberton
“Brea And The Library” – Samuel Sim
“Her Light Faded” – Daniel Pemberton
ABOUT VARÈSE SARABANDE RECORDS
Founded in 1978, Varèse Sarabande is the most prolific producer of film music in the world, releasing the highest quality soundtracks from the world’s greatest composers. From current box office hits and top television series to the classics of Hollywood’s Golden Age, Varèse Sarabande’s catalog includes albums from practically every composer in every era, covering all of film history; from Bernard Herrmann, Alex North and Jerry Goldsmith to Alexandre Desplat, Michael Giacchino and Brian Tyler. Varèse Sarabande is a part of Concord.