Dr. Dilznik and the Last Rekrute Relese Their New Video, “Still the Same”

Cavalera Conspiracy’s Iggor Cavalera talks about latest album “Pandemonium”

“Pandemonium” is the latest release from the heavy metal band Cavalera Conspiracy.  Since the album’s release in October it has been garnering rave review amongst the music community. Media Mikes caught up with Iggor Cavalera recently to briefly discuss the albums creation, his working relationship with brother Max and the bands plans for 2015.

Adam Lawton: Can you give us some background on the group’s new album “Pandemonium”?
Iggor Cavalera: “Pandemonium” is a very raw record. I feel the new album really showcases Cavalera Conspiracy as a band and how we way are playing aggressive music these days. When it came to my drumming for the album I tried to keep things as minimal as possible. I sort of took the less is more approach.

AL: Can you tell us a little bit about yours and yours brother’s musical partnership and, With a two year gap in releases from the band do you think it will be hard to recapture fans attention due to the constant onslaught on new media?
IC: My brother Max and I have an incredible yet simple way of writing and performing music.It goes back to my previous comment about having that “less is more approach” to things. As far as regaining attention from our fans I don’t feel that is really a problem we have to worry about because our fans are very loyal. I don’t think they suceptable to being brainwashed by all the other types of media that our out there.

AL: Can you tell us what the bands immediate tour plans our as well as the bands plans going forward into the new year?
IC: Right now the plans are for us to start touring in the States sometime at the beginning of the year. Probably sometime in January or February. After that we will most likely be heading over to Europe for a number of the festival shows that take place there.

Vinyl Review: Trans-Siberian Orchestra “The Christmas Attic”

Trans-Siberian Orchestra
“The Christmas Attic””
Distributor: Audio Fidelity
Produced by Paul O’Neil
Co-Produced by Robert Kinkel
Mastered: Kevin Gray at Cohearent Audio

Our Score: 5 out of 5 stars

Recently, when I see a release from Audio Fidelity, I just know that it is going to be amazing, especially with a LP set. I recently reviewing the 2-LP set for the 1982 soundtrack for “TRON” and it was amazing! With the holiday season just around the corner, I am in the Christmas mood and their latest release is Trans-Siberian Orchestra’s classic album “The Christmas Attic”. This was originally released in 1998 and is the second installment of Trans-Siberian Orchestra’s Christmas Trilogy. This album contains a mix of vocal and instrumental songs including the well-known track “Christmas Canon”. It has also become a must listen to in our family during this time of the year.

This is the first time that “The Christmas Attic” has ever been being made available on vinyl. I have been leaving to these tracks for over 15 years and they have never sounded better. The remastered record is packaged in a seasonal gatefold jacket that includes a colorful 12-page booklet filled with the tale of The Christmas Attic as well as the lyrics to all the songs. This LP is also timed perfectly with the fact Trans-Siberian Orchestra will be touring during the 2014 and 2015 holiday season with “The Christmas Attic” show once again. All fans (with vinyl players) need to buy this record. Warm up next to your loved ones by the Christmas tree (yes, mine is already up) and enjoy this wonderful release.

Disc One
SIDE ONE
1 The Ghosts Of Christmas Eve
2 Boughs Of Holly
3 The World That She Sees
4 The World That He Sees
5 Midnight Christmas Eve

SIDE TWO
1 The March Of The Kings/Hark The Herald Angel
2 The Three Kings And I (What Really Happened)
3 Christmas Canon
4 Joy/Angels We Have Heard On High

Disc Two
SIDE ONE
1 Find Our Way Home
2 Appalachian Snowfall
3 The Music Box
4 The Snow Came Down

SIDE TWO
1 Christmas In The Air
2 Dream Child (A Christmas Dream)
3 An Angel’s Share
4 Music Box Blues

 

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Season After’s James Beattie talks about new album “Calamity Scars & Memoirs”

James Beattie is the guitarist for the hard rock/heavy metal band Season After. The group recently released their second full length album titled “Calamity Scars & Memoirs” and will be out touring in support of the release through December. Media Mikes spoke with James recently about the new album, the bands current tour and what they have planned for the coming year.

Adam Lawton: Can you give us a rundown of the band’s new album?
James Beattie: For the most part the album is about the struggles we were having in the bands down time. We weren’t sure if the band was going to keep going and there were several times where we felt like we were just being held down. The album is about not letting someone tell you what you can or can’t do or who you can or can’t be. It’s about pushing through all that stuff and making the best with what you have.

AL: Can you tell us about some of the setbacks the band experienced prior to the release of the new album?
JB: Our front man Chris left the band in 2010 leading us to pick up our current singer Tony Housh which has been fantastic. He is just really great to work with. We also lost our bassist and we picked up Jessie Saint which has also been really great. Not to take anything away from the former members but the process thus far has been pretty easy. The transition went a smoothly as we could have hoped for. At first we were a little unsure of how Tony was going to be received due to people perception on when a band changes it front man. We feel Tony has fit in well if not better for us as a band. We are very happy with the changes which have allowed us to move forward.

AL: Was there a conscious effort made to diversify this album from the previous due to the change in front men?
JB: I don’t think we concentrated on that very hard. It was more a matter of us all evolving from the time the first album was put out to the recording of the new one. The music might not be as heavy on this new album as compared to the first but that has nothing to do with the lineup change. That has more to do with the change in us as people. We didn’t really think about how we related to Tony or Chris as song writers but instead we focused on just always wanting to write good material. We had faith in what Tony brought to the table with each of the tracks whether it was more screaming type vocals or more melodic type vocals.

AL: What was it like for you balancing both your roles as band member and producer during the making of the album?
JB: That was something Dawson and I decided to do. It really wasn’t too crazy or hard. We were both obsessed with every little detail related to each song. Everyone in the band was that way. We knew from a production stand point what we wanted and where things needed to go. Everything just sort of fell in to place and it was a very natural transition for both Dawson and I.

AL: With all the changes the band has undergone over the past three years do you feel those things will impact the reception of the new album in any way?
JB: I think that hiatus was the difference for us. I feel that if we would have had all these changes happen with the lineup and then immediately tried to go in to the studio and blast out an album we may not have been received as well. There is always that stigma when a band changes singers. We certainly read quite a few things online wondering what happened to Chris and why did we make the change. We knew people don’t always understand the inner workings of things so we had time to address a lot of things while working on the new material and growing as a band.

AL: Can you tell us about the bands upcoming tour run and what other plans you guys might have going into the New Year?
JB: We have a run of show through December which was initially lined up prior to the album’s release. We wanted to get out there as soon as we could and get our feet wet again. We also want to make sure we get the word out about the new album and hopefully create a buzz around it. As far as plans for the New Year we are hoping to get our stuff to radio during the first couple months of the year from there the plan is to go as nonstop as we are able to.

CD Review “Disney Fantasia: Music Evolved – Original Soundtrack”

Disney Fantasia: Music Evolved
Original Soundtrack
Composer: Inon Zur
Label: Sumthing Else Music Works
Release Date: October 21, 2014

Our Score: 4 out of 5 stars

I was very excited when I heard about the game “Disney Fantasia: Music Evolved” coming out. After I saw the track list though filled with today’s crappy pop hits, I was a little less excited. When I think of Fantasia, I think about big orchestrations. Luckily the original soundtrack to “Disney Fantasia: Music Evolved” is what I would expect. It consists of the game’s orchestral themes scored by award-winning composer Inon Zur and the music team at Harmonix. It also includes new performances of classical masterpieces from Bach, Dvořák, Liszt, Mozart, Mussorgsky, Tchaikovsky, Vivaldi and more recorded with the London Symphony Orchestra, Academy of St. Martin In The Fields and Chamber Orchestra of London at the famed Abbey Road Studios.

Sumthing Else Music Works is a rally cool record label that is solely dedicated to video game soundtracks, who also recently released the soundtrack to “Borderlands: The Pre-Sequel”. Even though this music is hearing throughout the game in the background, it is nice to see that it is able to get showcased here on this album. I think that “Fantasia” actually introduced me to classical music and I am excited that I am already able to do the same for my daughter. If you want more tracks, Sumthing Else is also coming out with a “Director’s Cut” soundtrack, which will offer 21 additional exclusive remixes of the classical selections and original score B-sides for collectors. The Director’s Cut will be released for digital download exclusively on Sumthing.com.

Track List:
1. Main Theme – London Symphony Orchestra (Inon Zur)
2. Toccata and Fugue in D Minor – London Symphony Orchestra (Johann Sebastian Bach)
3. Meeting The Master – Inon Zur
4. The Shoal – Emeen Zarookian, Steve Pardo
5. Eine Kleine Nachtmusik (Allegro) – Academy of St. Martin In The Fields (Wolfgang Amadeus Mozart)
6. Introducing The Hat – Michael Veloso, Inon Zur
7. The Hollow – Michael Veloso, Inon Zur
8. Night on Bald Mountain – London Symphony Orchestra (Modest Mussorgsky)
9. Scout’s Theme – London Symphony Orchestra (Inon Zur)
10. The Nation – Peter Moore, Steve Pardo, Inon Zur
11. Symphony No. 9, from the New World, IV. Allegro con fuoco – Chamber Orchestra of London (Antonin Dvořák)
12. Pressing On – Michael Veloso, Inon Zur
13. The Press – Drew Olsen, Inon Zur, Steve Pardo
14. Hungarian Rhapsody No. 2 – Chamber Orchestra of London (Franz Liszt)
15. Asking The Moon – Michael Veloso, Inon Zur
16. The Capsule – Peter Moore
17. The Next Phase – Michael Veloso, Inon Zur
18. Making An Impression/A Malignant Force – Inon Zur
19. The Apology – Inon Zur
20. Selections from the Nutcracker (Medley) – Academy of St. Martin In The Fields (Pyotr Ilyich Tchaikovsky)
21. The Four Seasons: Winter, I., Allegro non molto – Academy of St. Martin In The Fields (Antonio Vivaldi)
22. Theme from Fantasia: Music Evolved – Inon Zur
23. A Familiar Friend – Michael Veloso
24. Finale – Inon Zur

The Blind Boys of Alabama’s Jimmy Carter talks about new album “Talkin’ Christmas!” and the band’s 70th Anniversary

Jimmy Carter is one of The Blind Boys of Alabama, the five-time Grammy Award winning gospel group. This year marks the band’s 70th Anniversary together and Jimmy is a founding member and has been there since the beginning. The band has collaborated with musicians like Ben Harper, Tom Waits and has performed for numerous Presidents over the year. Jimmy took out some time to chat wiht Media Mikes about their new album “Talkin’ Christmas!” and about the band’s 70th anniversary.

Mike Gencarelli: “Talkin’ Christmas!” is your second Christmas album after 2003’s “Go Tell it On the Mountain”; how did this come about and teaming up with Taj Mahal?
Jimmy Carter: Taj Mahal has been fans of The Blind Boys for a long time and we have been a fan of his as well. When we approached him, he was ready and eager to do it! Then we all got together went into the studio and did our thing [laughs].

MG: I listen to a lot of Christmas albums and if you are lucky an artist includes one new song in their album. You guys have given us seven brand-new holiday songs – six of which you written yourselves with this new album; what made you decide to that this route?
JC: That’s right. It is mostly all original stuff on this album. We all got together and wrote some great songs. I think that is what makes it a good album. The first Christmas that we did was mostly traditional songs but this one we wanted the material to be new. I hope it goes over good. We are trying to remind people what Christmas really is about. Christmas had gotten very commercial, so we are trying to put Christ back into Christmas.

MG: Since this is a holiday themed album, I am curious when was it recorded?
JC: We recorded this one in March, if I remember correctly. With the songs that we had it put us in the Christmas mood. So it wasn’t hard at all to record after the holidays and ended up being quite fun.

MG: 2014 is your 70th anniversary of The Blind Boys of Alabama, what is it like to be performing together all these years?
JC: It still feels good. Every year you get a little older but when you still enjoy and love what you do it keeps you going. Everyone is still in pretty good shape, so I foresee us being around for at least a little bit longer [laughs].

MG: If you were asked to pick the first highlight that comes to your head over the many years together, what would that be?
JC: A few come up actually. We had the privilege to singing to three Presidents. Even got to meet former President Jimmy Carter twice [laughs]. That was really cool. Then we got our first Grammy in 2002 and that was an amazing moment. Those are the two that come up the top of my head right now.

MG: You have teamed up with songwriters such as Ben Harper, Eric Clapton and Prince in the past; any more team ups planned next?
JC: I especially enjoyed working with Ben Harper. He is a great writer, a great singer and a great musician. He brought a lot to the table man. I really enjoyed working with him. I think Ben wants to do something else with us. We have to sit down and talk about it but I think he is ready…so we will see.

MG: Any tour dates planned for this album this Fall?
JC: Yes! We are going to start our Christmas tour on November 28th. We are starting that Friday night in Fredrick, MD and we will end up December 23rd in San Diego, CA.

Crobot discusses touring and their latest album “Something Supernatural”

I first learned about Crobot in September through my wife, who is attending this year’s ShipRocked Cruise, where Crobot is one of the performing bands. She very excitedly forwarded me the link to the band’s video for “No Where to Hide” and informed me that this was the band to watch for. I clicked the link and as the music proceeded, I glanced at my wife and just mouthed out “Wow!”. Mixing in powerful vocals and groove-centric rhythm, “No Where to Hide” immediately grabbed my attention and had me seeking out more songs. It wasn’t long after that night we heard the same tune being belted out on Sirius/XM’s Octane channel. Again, I turned to my wife and just mouthed out “Wow!”.

Oddly enough, the exclamation of “Wow!” has been reiterated on more than one occasion as we spoke with friends that have either seen Crobot live or sampled some of their music. I don’t think that the short reply was one of surprise, rather, an immediate reaction to how the band’s music made them feel. “Wow!” – like watching the Macy’s 4th of July Fireworks display for the first time, or seeing a fighter land a crushing knockout blow. The music is impact, full of soul and jolts your insides with electricity. Crobot’s “No Where to Hide” is not a one-hit wonder or $15 song, though. Seemingly every track on the quartet’s first release “Something Supernatural” resonates with energy and heart. Power titles like “Skull of Geronimo” mix an in your face metal chorus with extreme funk during the verses. While more subtle, infectious tunes like “La Mano de Lucifer” drag your mind into stoner rock territory, until Brandon Yeagley unleashes a skull splitting vocal assault in the chorus.

On November 7th, Crobot made their way to the Local 662 in St. Petersburg, FL, and I was fortunate to grab some of their time before their performance. I initially didn’t know what to expect, as I first ran into Brandon and Jake Figueroa outside of the venue’s entrance. A little bit of small talk at first, the typical hokey “welcome to Florida” speak. But as we were joined by Chris Bishop and Paul Figueroa, the conversation transitioned very rapidly. I remember the first question Paul asked me was “Have you ever played Dungeons and Dragons?”. A short discussion on role playing games quickly dissolved into laughter, and with that, familiarity was set and the interview began.

Eric Schmitt: How did everything come together for the release of “Something Supernatural” and the tour announcement with Volbeat and Anthrax?
Brandon Yeagley: Well, we recorded in November to December of 2013. Feels really good to have it all out there, walk into a record store and see your record on the shelf. It’s pretty awesome. The Anthrax and Volbeat thing we’ve sort of been hearing about for a little while, and that finally solidified too. It’s going to be a great tour for us.
Chris Bishop: It all just sort of happened by chance, too. Announcing the Volbeat tour and our album release. We didn’t plan that – it just turned out that both were on the same day.

ES: A lot of people are currently looking for the lyrics to the songs on “Something Supernatural.” Listening to them (the songs), you can hear that a lot of them seem to tell their own story. Where did the inspiration come from?
BY: In general, it’s a lot of Sci-Fi and Horror flicks growing up as a kid. Listening to Ozzy and Rainbow, Dio, we were fans that grabbed on to that “mystique”. I’m a product of my environment when it comes to that. I look to guys like Neil Fallon of Clutch, probably the best storyteller of our time, I think, as a lyricist. I really take from what he does and put my own spin on that.

ES: So what’s your favorite horror flick?
BY: Army of Darkness. That was always my favorite.
Jake Figueroa: Attack of the Killer Tomatoes.
ES: Ooh! Going old school, there!
CB: I’d say the Notebook. (Laughter)
Paul Figueroa: I’ve gotta go with Aliens. I was really little when I saw it – I saw it before I saw the original Alien. And I saw it on laserdisc, actually. That’s how long ago I saw Aliens. That scared the crap out of me!

ES: Describe the process the band went through when putting together a song like “La Mano de Lucifer”. That’s pretty intricate both lyrically and musically.
CB: There was a lot of different riffs going into that (song). It started with the verse/groove riff going on and we were sitting in Brandon’s kitchen playing acoustics and we came up with the turn-arounds and transitions. Jumping from 3 to 4, our sort of “War Pigs” intro and bridge we wanted to throw in there. We started jamming it and it went from there.
JF: I think it was originally an 8 or 9 minute song. It had 2 bridges, 2 choruses –
CB: If you think that (the song on the album) was progressive, you should have heard the version before!
JF: It was all over the place, like Mars Volta shit.
PF: With crappier drumming. (Laughter)

ES: What do you guys consider the best part and worst part of touring?
JF: Probably waking up after getting drunk.
BY: That’s the worst, no matter what.
JF: For me, that’s the best and the worst! (Laughter) Some mornings it’s the best.
CB: We just keep the party going.
JF: Others it just sucks.
CB: The shitters sometimes suck.
ES: Is that from a shit or piss perspective?
CB: Shit – I can piss anywhere. Well, I can actually shit anywhere now. I’ve shit in some of the sketchiest places known to man cuz I can shit fast. That’s the talent I’ve got.
PF: You do have a talent for that!
ES: So it’s like a Shit n’ Run?
CB: I build it up to where it’s explosive, then I’m out! (Laughter)
PF: In fact, when anybody shits within 5 minutes, it’s called a “Bishop”.
CB: Yep, I’ve got my own shit.
JF: It’s like Superman goes into a phone booth, drops a hot deuce, then comes right out. He walks in there as Superman, shits, and Clark Kent comes walking out. (Laughter)
PF: The worst part for me is when the tour ends. It’s just like “boo!”. At least that’s how I feel. The best part of the tour? I guess when it starts then. I love it!
BY: The best part is definitely sweating and shaking our dicks every night. Worst part, definitely running out of weed.

ES: If Crobot were given a live action TV show, similar to the Scooby Doo cartoon premise, who would you want to play you and why?
CB: Phil Anselmo would play me. Just because we look alike when I shave my head.
JF: I was thinking about this the other day, something similar. I would go with John Leguizamo.
BY: I’m gonna say Rick James. Maybe the dead version. Zombie Rick James. Yeah! Imagine what he’d have to say? AAAAAHHHHH! (Laughter)
JF: (to Paul) You should totally have Daphne from Scooby Doo play you!
PF: Was she the lesbian chick with the glasses?
ES: I think that was Velma.
JF: That’s who I meant! Velma!
PF: Yeah, we’ll go with that. Cartoon Velma in human form.

ES: What are you guys looking forward to with upcoming shows like Kink Festival in Orlando and ShipRocked?
JF: Things like Kink Fest I always look forward to because there’s always a little tent where you can get some free booze and everyone pretty much runs around like a madman.
CB: Meaning Jake usually runs around like a madman. (Laughter)
JF: That’s an odd setting where nobody really complains about it, so I like that.
CB: Definitely ShipRocked is going to be awesome. We have a bunch of other stuff coming up that we can’t announce yet, but ShipRocked is definitely going to be awesome. I went to the Bahamas once when I was like 10 years old, that was the last time I was there. I got all my money stolen on the fucking ship. Well, here’s the story – I went with my friend and his grandmother and she had all the cash together. When she was in the casino, she apparently left her purse and when she came back all of her money was stolen. Maybe she gambled it away, I don’t know.
PF: I’m definitely looking forward to that Volbeat/ Anthrax tour. Those will be the biggest venues we’ve ever played at. I don’t think there’s anything I’m not looking forward to. We just have lots of awesomeness going on.
BY: Yeah, what he said. Tomorrow is going to be awesome!
PF: Actually, tomorrow is going to be awesome. The day after, not so much – we have to drive home.

There is a stark contrast between the personalities of Crobot when they hit the stage from when we were conducting the interview. The shit talk (literally) is gone; replaced by four musicians who love to perform. The set list for the performance mirrors the tracks on “Something Supernatural” and the opener, “Legend of the Space Born Killer” immediately injected a tremendous amount of energy to the crowd of the Local 662. Many of these patrons had not heard or seen Crobot perform live before, but were on their feet grooving along. The front of the stage was inhabited by fans of the band who were not averse to reciting the lyrics and getting down with the constant movement of Chris, Brandon and Jake.

By the time the band had reached their radio hit “No Where to Hide,” the crowd was frenzied by the performance. Musically, vocally and physically, you can’t helped but get caught up in the performance. Crobot seemingly telepathically transmits their passion for the music to its audience, and I have to say, it’s easy to start shouting lyrics, stomping feet and throwing your hands in the air during a chorus. It’s as if we were attending a roadside tent revival, and for that night our God was a dirty funk quartet delivering one of the sickest musical performances ever witnessed. Song after song, beat after beat, lyric after lyric, the crowd remained energized and wanting more.

After their performance, the band exited the stage and headed directly towards their merchandise table. They greeted fans both old an new with the same playfulness exhibited during the performance, taking time to speak and take pictures with everyone. It’s very easy to fall in love with the music and the personalities of the bands’ members, two characteristics that will undoubtedly push Crobot quickly towards success. I honestly left the Local 662 that night feeling like I had just spoke to and witnessed greatness in the making. I can only imagine that this was the feeling people got after interviewing the likes of Black Sabbath and Led Zeppelin early in their careers.

CD Review: Exodus “Blood In Blood Out”

Exodus
“Blood In Blood Out”
Nuclear Blast
Tracks: 11

Our Score: 3.5 out of 5 stars

“Blood In Blood Out” is the newest release from bay area thrash legends Exodus. This is the bands 10th studio release and, the first to feature Steve “Zetro” Souza since 2004. The album is being released via Nuclear Blast records and features 11 ear splitting tracks that harkens back to the early 80’s when thrash metal reigned supreme.

Right from the start “Blood In Blood Out” commands your attention as it the track “Black 13” kicks off the album with a thunderous kick drum and eerie overdubs flanked by building guitars riffs that build in to a full on ripping symphony helmed by newly rejoined front man Steve “Zetro” Souza. As the album progresses through tracks like “Blood In Blood Out” and “Collateral Damage” it’s clearly a riff driven album that is unrelenting in its approach. A perfect example of this is the track “Salt The Wound” which features former Exodus guitarist and long time Metallica guitarist Kirk Hammett who lays down his signature styling’s along side Gary Holt and the rest of his former band mates making this track a must listen. The assault continues as you move through tracks like “Wrapped In The Arms of Rage” and “Honor Killings” both of which had me turning the volume up louder as the tracks progressed.

Even though I found some of the lyrical subject matter to be a bit over the top I still enjoyed the album as a whole. All of the musical arrangements were perfectly executed and well thought out as each track kept me on edge due to the sheer power and presentation of all 11 tracks. The overall mix of the album wasn’t too bad however I felt a little more bass guitar could have been brought in the really round out each number. Exodus fan or not the album is worth giving a listen.

Track Listing:
1.) Black 13
2.) Blood In Blood Out
3.) Collateral Damage
4.) Salt The Wound
5.) Body Harvest
6.) BTK
7.) Wrapped In The Arms of Rage
8.) My Last Nerve
9.) Numb
10.) Honor Killings
11.) Food For The Worms

CD Review: Lagwagon “Hang”

Lagwagon
“Hang”
Fat Wreck Chords
Produced by: Joey Cape
Tracks: 12

Our Score: 4 out of 5 stars

Fans of 90’s punk rock darlings Lagwagon can all rejoice as the band is back with their first new album in 9 years. Simply titled “Hang” the album features 12 brand new tracks from lead vocalist Joey Cape and company and capitalizes on the bands signature punk sound while blending in elements of rock and heavy metal giving each track and edgy in your face punch.

With 9 years since the release of Lagwagon’s last album “Resolve” I wasn’t quite sure what to expect from the band dominated my car stereo during my early college years. Well it’s safe to say I was not let down. Everything that first drew me to the band was present along with some newly added bells and whistles. Tracks like “Reign” and “Burning Out in Style” are classic Joey Cape numbers reminiscent of the bands earlier songs found on albums like “Hoss” and “Double Plaidinum” while tracks like “The Cog in the Machine” and “Western Settlements” have a much harder feel which was something that I really enjoyed.

From start to finish “Hang” runs the gambit of musical styling. From full on punk rock to acoustic tinged ballads there is something for everyone on this album. Musical variety and catchy, heartfelt lyrics make this a great listen.

Track Listing:
1.) Burden of Proof
2.) Reign
3.) Made of Broken Parts
4.) The Cog in the Machine
5.) Poison the Well
6.) Obsolete Absolute
7.) Western Settlements
8.) Burning Out in Style
9.) One More Song
10.) Drag
11.) You Know Me
12.) In Your Wake

Andy Wood talks about new album “Caught Between the Truth and a Lie”

Andy Wood has been performing music since a very young age starting out with his grandfather and cousin. Wood spent most of this past year touring with Scott Stapp serving as the bands musical director during the Creed front mans successful solo run. Wood has also appeared on variety of album as a session player and recently released his second solo album titled “Caught Between the Truth and a Lie”. Media Mikes had the pleasure of speaking with Andy recently about the new double album release and his first memories of music.

Adam Lawton: Can you give us some background on how you got your start in music?
Andy Wood: I grew up playing bluegrass with my grandfather and cousin. We started right around the time I was about 5 years old. I was playing mandolin and my cousin was playing fiddle. As I got older I kept playing music and started getting hired to perform and different places. Once I discovered electric guitar it was all downhill. (Laughs) I started session playing and really working doing various hired gun gigs. I did work with people like Sebastian Bach and list of others. If there was an opening I would jump in there and help out. On the side I was still doing my own music which helped me stay sane. After you work on other people’s material you need an outlet for your own creativity.

AL: You recently worked with Creed front man Scott Stapp can you tell us how that came about?
AW: I was hired while Scott’s solo album was in the mixing process. Tim Pierce played on the album but I was brought on to be the bands musical leader. It’s been a great time being out on the road. I am kind of the go to guy when it comes to the musical arrangement and such. I have to sort of manhandle the decisions when it comes to recreating the album live. If Scott wants to rework a song or something like that I put it all together and bring it to the band. I also will fill in on keyboards or other instruments if needed.

AL: Can you tell us about your new double disc solo album?
AW: The album came from self reflection. I am not just a guitar player or just a mandolin player. I wanted to put together an album that still featured those things but not be jarring to the listener. I put together songs like “The White Tree” which is on the acoustic half of the release and songs like “The Four Horseman” which is on the electric side. The release runs the gambit of Celtic/bluegrass to full on heavy metal. When you look at those two genres there’s not a lot of cohesiveness so I wanted the songs to have a nice transition. The first disc starts out with acoustic tracks and leads in to some more rock type tracks. The second disc starts out with more ballad type rock songs before it really takes off with the heaviest parts of the album. It does slow back down a little with some country type songs which help transition back to the first disc. I wanted the release to make sense no matter which disc the listener started with.

AL: So the idea of doing a double album was something you had always wanted to do?
AW: Absolutely! I wanted to tell the world I more than just what I am normally associated with. I am not just an electric guy or a bluegrass guy. There is a side of me that writes music which is very relaxed and low key. I needed an outlet to where it was ok to show who I am and all the different sides of my musical personality while not alienating my fan base.

AL: With your wide variety of styles was it hard to narrow it down to which ones you wanted to showcase on the new records?
AW: There were some difficult parts but, I went in to the sessions with about 50 fresh ideas. I went in really overloaded with material. To help narrow things down a bit I put a checklist together which the songs would have to match the specific criteria I laid out. There had to be a lot of melodic content because that it’s self is huge. The songs needed that memorable melody rather than something that was just full of guitars licks and flash.

AL: Being a multi-instrumentalist which do you find more comfortable to write on?
AW: I think where ever I am at be it guitar, mandolin, sousaphone or whatever the instrument acts as the translator. I try to be a musician first over anything else and I want to make sure that the melody I come up with will work well no matter what it’s played on. When I am writing the instrument is just an outlet.

AL: Have you thought about putting together a tour to support the release?
AW: With it being towards the end of the year not a whole lot of touring happens throughout the holidays. Once the New Year kicks off in January I will be appearing at Winter NAMM in Anaheim, CA. In February I will be out on the Ship Rocked Cruise which is always a lot of fun. I think we have done four of those so far. The fans that go on those cruises are just so excited for every show. It’s a really great time.

AL: What other plans do you have for the coming year?
AW: I think those phone calls will start to come as the year roles on. A lot of times everyone is so tired from the previous year that they take a few months off to relax and then start back up working again.

CD Reviews “Walt Disney Records: The Legacy Collection”

Just when you think you have a complete collection of Disney soundtracks…think again! “Walt Disney Records: The Legacy Collection” includes the latest releases of your favorite film soundtracks. The first three that have been released in this collection are “Sleeping Beauty” (55th anniversary), “Mary Poppins” (50th anniversary) and “The Lion King” (20th anniversary)  featuring new and remastered content. These CDs aren’t just a collection of songs, they are an immersive experience. A must for any Disney nut and music collector.

“Walt Disney Records The Legacy Collection: Sleeping Beauty” is a 2 disc set, which features the classic songs and score from the film as well as studio recordings of Princess Aurora’s songs performed by Mary Costa, and never before released demos and tracks. Also included is beautiful new original artwork inspired by the original properties illustrated by Lorelay Bove, a visual development artist at Walt Disney Animation Studios (“Tangled”, “Wreck-It Ralph”).

“The Lion King” was the first of these to be released. Celebrating its 20th anniversary, This sound includes all the classic songs from this film. There is also about 30 minutes of previously unreleased score included. This is a real treat for any fan of the film. It is crazy to this that this has never been released before. There are also liner notes by Don Hahn (producer) and Oscar-winning composer Hans Zimmer, which gives great insight in the content included.

Last up for now is “Mary Poppins”, which actually gets a 3 disc set and trumps the others. I love that these Legacy Collection releases come in a book format and not just a crappy jewel case. Along with the wonderful and timeless music from the film, this also includes Mary Poppins Lost chords and excerpts from the P.L. Travers Story Meetings with Don DaGradi and The Sherman Brothers. I had no idea that there was so much extra music for this film but if you are a fan of “Mary Poppins”, this is definitely the ultimate collection. collector should own and enjoy.

“Walt Disney Records: The Legacy Collection” is going to be expanding over the next few years. Personally, I purchase all my music digitally these days but Disney has just given us a reason to purchase physical CDs again. Next up “The Little Mermaid”, which is being released November 24th. I am very excited for this release and to hear the demo and bonus content.  Beyond that there are plenty of upcoming anniversaries to celebrate including “Pinocchio” (75th), “Fantasia” (75th), “Cinderella” (65th), “Lady and the Tramp” (60th) and “Toy Story” (20th).

All Time Low’s Zack Merrick talks about clothing line “Amerrickan”

Zack Merrick is best known as the bassist for the pop/punk band All Time Low. However in his down time away from the band he designs limited addition clothing for his company Amerrickan. Zack took time out of his busy schedule recently to discuss the clothing line his partnership with Killbrand and gave us an update on All Time Low’s upcoming album.

Adam Lawton: What can you tell us about the new run from Amerrickan?
Zack Merrick: Right now we have pulled everything off of our website because we are trying to push the designs that are on hottopic.com. So anyone wanting to pick up some of our designs can get them directly through Hot Topic.

AL: What was that initially interested you in doing a clothing line?
ZM: It was a great way to keep myself creative while I wasn’t playing music. I started taking photos and Jonny from Killbrand really liked them. We saw that there was a great response so we teamed up together and started Americkan.

AL: Can you tell us a little more about your partnership with Jonny and Kill Brand?
ZM: We have a lot of “joint meetings” and “joint files”. (Laughs) Jonny is like my big brother. He takes care of me and is always looking out for me and worrying about me. He is just as worried about me as my mom is sometimes. Jonny is super easy to work with and it’s really a lot of fun. When I head to California to work on designs with him I usually end up staying on his couch

AL: Most of the line is done as limited edition runs. Can you tell us a little bit about that decision?
ZM: It’s easier for me to make designs and think of things in a limited run. It’s also a unique way of doing things so that only 50-100 fans can get a shirt instead of everyone having the same shirt. This way you don’t over saturate the market.

AL: Can you give us an update on All Time Low and what the band has planned for the coming year?
ZM: I just finished recording my bass tracks the other day. Alex is in the studio currently working on vocals and guitar tracks. As a whole we are all gearing up to start press for the new album along with some doing some new photo shoots. We start touring in February over in UK with You and Me at Six and then we bounce around the planet to Australia then back to the States and so forth. With the new record coming out in 2015 it should be a good year and a long touring run.

 

CD Review: Kontrust “Explositive”

Kontrust
“Explositive”
Napalm Records
Tracks: 11 (Plus 2 Bonus Tracks on DigiPack)
Release Date: November 11, 2014

Our Score: 4 out of 5 stars

When Mike Wolff, guitarist for Kontrust, told me that the new album “Explositive” would be “in your face,” he wasn’t exaggerating. From the opening track “Dance” to the album’s final note in “Bad Time,” Explositive packs a heavy handed punch full of harmonized riffs, hyperbole vocals and deep set drum/bass grooves that would get even the most stoic person to bust a move.

Explositive is Kontrust’s fourth full length album, and fans of their previous releases will certainly find plenty of the yin-yang pop/metal vocals that Agata Jarosz and Stefan Lichtenberger have masterfully produced over the last 9 years. Often contrasting within a song, the duo’s vocals create almost a “Dark vs. Light” effect, especially evident in the songs “Just Propaganda,” anthem-esque “Cosmic Girls” and “Play!”. The shift from Stefan’s rapid fire lyrics that punctuate the melody on “Play!” lead into a beautiful chorus by Agata, a formula that adds another dimension to the chop heavy tune. However, songs like “Dance” and “Vienna” allow the duo to harmonize, creating a wonderful lyrical balance to carefully laid out instrumentals.

One of the distinct differences between Explositive and Kontrust’s previous release, Secondhand Wonderland, is the absence of post-production “effects”. Shooting for more of a “raw” sound, Kontrust relies more heavily on pure instrumentals for the new release, which given the tracks on the album yielded a very positive result. Wolff’s guitar work is extremely crisp and fluid, and Gregor Kutschera’s bass lines are some of the best he’s dropped in the four full length albums. Punctuating the tracks is some mean skin beating by drummer Roman Gaisbock and percussionist Manuel Haglmuller. The beats transition from tribal to thrash with relative ease and display the duo’s prowess for providing the backbone to Explositive’s song structure.

A distinct pitfall encountered by crossover genre artists is repetitiveness, something that Kontrust has managed to avoid over the course of their 9 year lifespan. Explositive is a great example of the band’s desire to change direction at the drop of the hat, so that songs are not only acoustically pleasant, but almost mathematically complex at the same time. Whether it’s the vocals shifting gears, the guitars slinking from metal to funk, or the bass dropping some Parliament-esque riffs into the middle of an otherwise “metal” song, the listener is kept on edge, anticipating the next seamless transition. It’s not only a brilliant tactic, but something that listeners who are bored of “sterile” radio play will appreciate.

Re-visiting the interview I just held with Kontrust, I now realize what Mike Wolff meant when he said that Explositive was Kontrust “reduced to the maximum”. All of the fluff post production has been stripped away and fans of the band will be in for a treat, as the album truly showcases how talented this group of artists really is. Explositive is a great addition to Kontrust’s existing discography and will not only excite the loyal fans of the group, but should also gain them a great deal of new fanfare from listeners hearing the band for the first time. Me, I was hooked the first time I heard Secondhand Wonderland; Explositive just confirms that Kontrust is an artist that needs to permanently reside on my play list.

Queensrÿche Launch “Building the Empire”, a New Album – Pre-order via Pledgemusic

Band Offering Fans Various Unique Experiences In Conjunction With Pre-Order Including An Opportunity For Accredited Investors To Purchase A Stake In Queensrÿche Corporation

Eddie Jackson, Todd LaTorre, Parker Lundgren, Scott Rockenfield and Michael Wilton to Release New Album via Century Media in Spring 2015

(November 4th, 2014 – New York, NY) – A newly revitalized Queensrÿche have partnered with PledgeMusic.com for a new album pre-order campaign entitled Building The Empire. Eddie Jackson, Todd LaTorre, Parker Lundgren, Scott Rockenfield and Michael Wilton will offer fans various unique experiences to bring them closer to the band than ever before. The band is offering everything from limited edition vinyl and merchandise to the actual instruments played on the upcoming album and a chance to hang with the band in their hometown of Seattle. The album pre-order as well as all of these other items and experiences can be found at www.pledgemusic.com/queensryche.

“For the first time in the history of Queensrÿche, we are doing something we have never done before,” states bassist Eddie Jackson. In conjunction with the PledgeMusic.com pre-order, Queensrÿche has created an opportunity for accredited investors to purchase a stake in Queensrÿche Holdings, LLC. This stake will allow select investors that meet certain financial requirements to share in all of the profits the band makes moving forward. This opportunity is being offered on a limited basis; interested parties should go www.queensrycheofficial.com/investment for more information and to begin the investor accreditation process.

Queensrÿche has recently begun writing music for their new album that is slated for release in Spring 2015. This release marks the band’s second album with Century Media as well as the second album with new vocalist Todd LaTorre. This release will be the follow up to their self-titled 2013 release which debuted on Billboard’s Top 200 chart landing at #23 and selling 13,659 copies its first week. That album received critical acclaim including Billboard magazine’s review stating: “From the moment Rockenfield’s drums and Wilton and Parker Lundgren’s guitars go on the attack in “Where Dreams Go to Die,” the traditional Queensrÿche sound is back. The hooks are arresting, and the rhythm section packs unmitigated fire power.” Sites such as Metal Underground proclaimed: “The band has brought back much of the direction that made it one of the most revered in progressive/power metal history,” and BraveWords.com exclaims: “This self-titled slab of faith-restoring metal boasts the return of the almighty riff, twin guitar leads, and brazen in-your-face melodies.”

Queensrÿche first burst onto the music scene in 1982 with the release of their self-titled 4 song EP Queensrÿche. They very quickly gained international recognition and performed to sold out audiences around the world. With the follow up first full-length album “The Warning” in 1984, and the ground breaking 1986 release of “Rage For Order”, Queensrÿche continued to prove their worldwide dominance as one of the most respected and creative bands of the 80’s. In 1988 the band turned out yet another monumental album “Operation: Mindcrime”, which would go on to become one of the TOP 10 best selling concepts records of all time, and set the stage for continued sold out performances around the world. With the release of the critically acclaimed and commercially successful “Empire” in 1991, the band earned multiple Grammy Award nominations and won the MTV “viewer’s choice” award for the #1 chart topping hit “Silent Lucidity”. During the next ten years, the band continued to release albums and tour the world to sold-out audiences. Queensrÿche has sold over 30 million albums worldwide and have continued to break new ground and push their creative process.

Queensrÿche is Todd La Torre (vocals), Michael Wilton (guitars), Parker Lundgren (guitars), Eddie Jackson (bass) and Scott Rockenfield (drums).

www.queensrycheofficial.com

http://www.facebook.com/QueensrycheOfficial

www.pledgemusic.com/queensryche

www.queensrycheofficial.com/investment

Austrian crossover band Kontrust talks about new album “Explositive”

As I imagine many of us do, I dabble in late night encounters with the YouTube wormhole. I start by looking up some silly video of a cat riding a Roomba, or pull up a music video for one of my favorite bands. On September 28th, I was watching a DevilDriver video on the Napalm Records YouTube channel and an image on the side bar caught my eye; some oddly costumed farmer looking fellow screaming into the camera and the band name “Kontrust” with a song titled “Hey DJ!”.

Throwing caution to the wind, I clicked the link and the video started. The aforementioned farmer pulled out a vinyl and spun it on an antique phonograph. A female voice screamed “Don’t play me a punk song!” and a barrage of metal power chords followed. I’ll admit, I’m very selective about female lead singers in metal music, but once Agata Jarosz’ powerful voice hit on the first line of the verse, I was hooked. What followed was a seamless, intricate blend of funk, metal, and industrial music. I was sold. Kontrust had just made its way onto my play list and I hadn’t even made it through the entire song.

The follow up video to my Kontrust introduction was a song called “Sock N Doll.” Extremely unique, the video features a venue filled with sock puppets, and the band represented in the same fashion, but dressed in traditional Austrian garb. A quick yodeling lead in by Agata and then the vocals of Stefan Lichtenberger took over. Mixing elements of Korn, Pink and Buju Banton, this was one of the most beautifully diverse and energizing songs I had ever heard! I couldn’t get enough – so I took my crusade to eBay and secured a copy of Kontrust’s “Secondhand Wonderland.”

Song after song, my interest for this band and its musical prowess grew. I had Secondhand Wonderland playing non-stop in the Camaro, at work and at home. It was an obsession because the music made me feel good. It was the ultimate “Party Metal” album, without the after effects of a hangover. Much to my delight, I found out that there was going to be a follow up to this masterpiece – and extremely soon! “Explositive” is due to be released by Napalm Records on November 7th, 2014. I wanted desperately to get a hold of the band to talk about the successes of “Secondhand Wonderland” and what fans (and new listeners) could expect from the new album. I was fortunate enough to be granted a live Skype session (from Austria!) with three of the band’s members: Agata (vocals), Mike (guitar) and Gregor (bass and synth).

Eric Schmitt: So how was Kontrust formed? As far as where did the members come from and how did you decide on the direction to go in?
Gregor Kutschera: In the beginnings it was a band from the countryside in upper Austria – you may know it from “The Sound of Music” musical. We three, are actually from Vienna. The other guys, they are from Up-Austria. They formed the band, like 10 years, 12 years ago or something. We joined in 2005, mixed Up-Austria with Vienna, the big city, you know? They moved to Vienna to work and to study. They played mostly in a hardcore band, you know, before Agata joined with her clean vocals.
Agata Jarosz: It was really bad (bad-ass) and really {growls}. Then Agata came and said, “I’m sorry, that’s not my way. You have to come with me and go my way.” {laughs}So Kontrust started!.
Mike Wolff: It all started around 2001, then in 2005 the major change was applied. Agata joined and the whole band structure changed – it’s gotta have a little more “pop” factor in there.
GK: Or melody.
MW: Yes, melodies, to go a little bit in the pop music direction. Well, 9 years later, we’re still here and the last 3 albums, Time to Tango, Secondhand Wonderland and Explositive channel what we’ve been doing for those 9 years. Explositive is definitely something to more of the essence to what we are doing; reduced to the maximum if you want.

ES: The mix of musical genres is really successful with the albums, it works. The way you go from pop to metal to reggae. So I wanted to get an idea of what kind of musical influences brought everything together. In particular, personal influences that drove you to mix the genres together.
AJ: There is one band that every one of us was hearing when we were younger – it was Rage; Rage Against the Machine.
GK: Yeah, that’s the band we can all agree on. It’s the only act we can all agree on. {laughs}
AJ: I think the 90’s – we are all kids of the 90’s, so this is our music.
MW: Well, Rage Against the Machine was the only band that we agreed upon, that each of us likes. I mean there is so much other stuff in there that adds to it. From Skunk Anansie to even Iron Maiden. {Laughter} I have to say that! I’m the biggest Iron Maiden fan.
GK: Run to the…… {Laughter}
MW: We’ve got to leave that in the interview! Anyways, I guess it’s just – I don’t know – It’s kinda hard to say. I think of Kontrust basically being something where all of the musical influences we have where we can agree on those things.
GK: Some of us like some songs more than others.
MW: It’s diverse, but I guess that’s what drives us. There’s always so much tension when we’re writing the songs, it doesn’t just happen. You have to convince the others in the band-
GK: It’s fighting, it’s struggling, it’s pain….. And it’s awesome!

ES: As far as the new album, Explositive goes, what were the driving forces behind the tracks that you decided on?  What factored in to actually choosing the tracks to go on the new album?
AJ: Good question.
GK: We did lose some of our best parts (of tracks) along the way because they didn’t fit into songs. In the end, we all took the best the songs that worked. Every part fits perfectly well. It’s hard to say, I just have the feeling we lost some good parts and heavy parts along the way, but that doesn’t matter. The song was the focus.
MW: We write like 120 ideas and lose so much along the way. It’s just because we find something to start the song, then everything else has to fit. In the end we find it doesn’t fit Kontrust, so that song is going to get thrown out. Then we go back into the archive and digging for material, then start putting that (material) together. So basically, it’s all about an idea – is this Kontrust? Or could we sell this, say to Megadeth? {Laughter} When you work together as a band, with us being six people, there’s so much input you have to filter. Then it ends up with ideas that everyone is happy with.

ES: What are the tour plans once the new album is released?
AJ: The dates are in progress. We are planning a tour next year in the Netherlands, Germany and in Europe. This autumn, we will only play in Austria, in every major city. Next summer is festival season, and that’s the most important part (of the year) for us.
GK: So we take a slow start in the winter, then start out in spring and summer for festivals. There are a lot of big festivals in Europe, so we’re looking forward to that.
MW: We’re thinking about coming over the pond (to America), it all depends on how the album is perceived in the States.

ES: Are there any differences (from Secondhand Wonderland) in the new album that you would like to elaborate on?
Mike: Everyone is looking at me! {Laughter}
GK: We will give this to Mike, because he is our Minister of Propaganda. {Laughter}
MW: First of all, this album has been the easiest for us.
AJ: I think that we all like this album more than Secondhand Wonderland. It’s more “back to the roots,” that’s a very big reason why I like the album. Secondhand Wonderland was very over-produced. We wanted to over-produce the album, it was something special and different. (But) it was too much “pling pling”. Explositive is more “in your face”.
MW: It’s more in your face, it’s kind of reduced. All the stuff you hear, there’s almost no added artificial samples or anything, (as) compared to Secondhand Wonderland. It’s us playing, a little bit of synth, which Gregor plays,  and everything else, all the effects, are all natural. The reverb you hear is real. It’s basically this room here.
AJ: We recorded the album in this room (a slow turn of the phone shows me Kontrust’s spacious studio).
MW: The album, we think, is straight forward, in your face, has the party mood and has the feel of “bang your head on something hard and see what happens.” I guess when people who already like Kontrust will like this album a lot because it’s more of essentially what Kontrust is. Less of  the added stuff. And people who don’t know us yet will probably have an easier time to get into us just because the album, at least we think, is really “simple”.

If Explositive is Kontrust’s idea of “simple,” I would be intrigued to hear what “complex” would sound like to them. Napalm Records posted a preview of all of the songs on the new album, which can be heard by clicking HERE, or see above, as well as the first release on the album “Just Propaganda.” The new album sounds just as diverse and intricate as Secondhand Wonderland, but offers more of a raw appeal. Explositive can be pre-ordered through the Napalm Records Webstore as well as Secondhand Wonderland, which this author HIGHLY recommends! I am personally looking forward to November 7th and the release of Explositive, and have high hopes that 2015 will bring this extremely talented, energetic and most of all, friendly band stateside, so that Americans can see what we’ve been missing out on all these years!

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