Interview with Actor Robert Carradine

 

 

Actor Robert Carradine comes from an amazing family of actors.  His father, John, was a star during Hollywood’s Golden Age, appearing in such films as The Grapes of Wrath, The Ten Commandments and Around the World in 80 Days.  He also appeared in several westerns alongside John Wayne: Stagecoach, The Man Who Shot Liberty Valance and what would be Wayne’s last film, The Shootist.   His brother, David, is probably best remembered for his starring role in the television series “Kung Fu,” while another brother, Keith, won on Oscar for Best Original Song for his song “I’m Easy” from the film Nashville and went on to star on Broadway in “The Will Rogers Follies.”

 

Mr. Carradine earned praise for his powerful portrayal of doomed soldier Bill Munson in the Oscar winning film Coming Home.  He is probably best known for his role as Lewis Skolnick in the 1984 comedy Revenge of the Nerds and it’s sequels, as well as Sam McGuire, the father of the title character on the television series “Lizzy McGuire.”

His other films include Mean Streets, Joyride, The Big Red One, The Long Riders, and Django Unchained.  He also hosts his own Podcast, called “Party Nerds Popcast.”

 

On Friday, October 24th, Mr. Carradine will be appearing in Omaha, Nebraska at the Omaha Community Playhouse for a special screening of his first feature film, The Cowboys.  He kindly took some time out this week to talk to MediaMikes about his career.

 

With Jon Voight in “Coming Home”

 

Mike Smith:  Acting certainly runs in your family.  Did your father encourage you and your brothers to pursue the craft?

 

Robert Carradine:  Not directly.  I do remember that he did say if we had an interest in pursuing acting that we needed to get a literary education.

 

MS:  Your father was such a great speaker.  A true orator.  Such an amazing gravitas.  Was that acting or did he always speak like that?

 

RC:  That’s how he spoke all the time.  He took a great deal of pride in his diction and his vocabulary.  He did have gravitas when he spoke.

 

MS:  The first film I saw you in was Joyride, which starred a second generation of Hollywood talent (NOTE:  besides Mr. Carradine, the film starred Desi Arnaz, Jr, Melanie Griffith (daughter of Tippi Hedren) and Anne Lockhart (daughter of June Lockhart).  Was the casting intentional?

 

RC:  That was totally planned.  They wanted that so they could use it in their advertising.

 

MS:  You’re appearing this week in Omaha for a special screening of The Cowboys.  Any good John Wayne stories?

As Slim Honeycutt in “The Cowboys”

 

RC:  The one story that gets people is when I was on location.  It was about the fourth day of a ten week shoot.  I’m seventeen-years old and we’re shooting a scene where each one of the cowboys has to ride a bucking bronco.  After the fourth kid tries, A. Martinez, the actor that played Cimaron, rides into the ring, jumps on the bucking horse, rides all the rough off of her and makes her back up.  He basically breaks the horse.  He rides the horse up to the fence where we’re all sitting, hands the reigns to the next kid and says, “here boy…maybe you can ride her now.”  The kid jumps off the fence to fight Cimaron, and I jump off the fence to protect the kid, because he’s a little kid.  John Wayne breaks it up and he pulls me away from the fight.  He says, “you.  Get back on that fence where you belong.”  He’s then supposed to curse Cimaron.  But before he can say his line, I say, “excuse me, Mr. Wayne.  I don’t think you should tell me to get back on the fence where I belong.  I think you should just tell me to get back on the fence.  Because I’m the head kid.”

 

That did not go over well!

 

MS:  Wayne and your dad both starred in The Man Who Shot Liberty Valance.  Did he know who you were?

 

RC:  Oh yeah.  He definitely knew the name.

 

MS:  You later went on to star in “The Cowboys” television series and, later, “Lizzy McGuire.”  Do you enjoy doing television?

 

RC:  I love doing it.  The thing that’s great about television is that you tend to not get behind.  Things run on time.  When you get a call sheet with the day’s work on it you can pretty much count on the fact that you’re going to get to everything.  There’s a certain comfort in knowing that the work’s going to get done.

With brothers Keith and David in “The Long Riders”

MS:  Here’s a Long Riders question that I asked James Keach. What was it like working with your brothers?  And were you competitive with the other groups of brothers?  (NOTE:  Walter Hill’s 1980 Western The Long Riders co-starred Mr. Carradine and his brothers, David and Keith, as well as Stacy and James Keach, Dennis and Randy Quaid and Christopher and Nicholas Guest)

 

RC:  There was a joking competitiveness.  One of the things that became quite competitive was seeing who could get out in front of the hotel first in the morning when we had to get picked up.  It got to the point where people began showing up fifteen-minutes early. (laughs)

As Lewis Skolnick in “Reenge of the Nerds”

MS:  Time for the obligatory Revenge of the Nerds question.  Did you have a sense while filming that the film would have the success that it did?

 

RC:  No.  But I do remember that we had an incredible time making the film.  It was a lot of fun.  And I think that the camera records how you actually feel and, the fact that we were on fire, for lack of a better phrase, the camera recorded that.  That was one of the things that made that film work on a massive level.

 

MS:  You’ve worked with some amazing filmmakers, among them Hal Ashby, Martin Scorsese and Quentin Tarantino.  You’ve also directed for television.  Any thoughts of tackling a feature film from behind the camera?

 

RC:  I have two feature films currently on the back burner at the moment because, as I’m sure you can imagine, it’s terribly difficult to raise the funds to make a feature film.  But we have people that do that who are currently working on raising funds and we’ll see if that comes to fruition.

 

MS:  You’ve sung in a few films.  Any thoughts of taking a shot at musical theatre like Keith did?

 

RC:  It’s funny you should ask.  I had the opportunity to do some musical theater where I would have had to dance.  I would have had to sing.  I’m not really a singer, and there was a lot of dialogue.  I took a long look at it.  Initially I said “yes” but as I started to get into it I realized I was in over my head, so I had to back out.

MS:  What do you have coming up?

 

RC:  I just finished a movie in Canada called Sorority Shark Attack.  And that title tells you everything you need to know!

 

If you’re interested in attending the screening of The Cowboys, you can order tickets by calling (402) 350-8000.

 

You can listen to the Party Nerd Popcast HERE.

 

FIlm Review: “Caught Stealing” REVIEW # 2

 

  • CAUGHT STEALING
  • Starring:  Austin Butler, Regina King and Zoe Kravitz
  • Directed by:  Darren Aronofsky
  • Rated:  R
  • Running time:  1 hr 47 mins
  • SONY/Columbia Pictures

 Our Score:  3 out of 5

The following is from my review of Darren Aronofsky’s last film, “The Whale” –

 

“As a filmmaker, director Darren Aronofsky can be very hit or miss.  On one side of the spectrum, he created a masterpiece with “Requiem for a Dream.”  On the other hand, I give you “The Fountain.”  “The Whale” is another fine achievement and one that should be seen and appreciated.” 

 

The above line holds true still with the director’s latest film, “Caught Stealing.”

 

Hank Thompson (Butler) is a one time baseball phenom whose bad decision making has led him to his present stage of life – working as a bartender.  When he comes home one night he is met by his friend Russ (Matt Smith) who tells him he must leave town to take care of his ill father and asks Hank to care for his pet cat.  When Hank comes home the next night to find a couple of tough guys looking for Russ – and giving Hank a terrible beating – Hank begins to realize there is more to the story then Russ is letting on.

 

Mr. Aronofsky directed Brendan Fraser to an Academy Award winning performance in “The Whale.”  The star of “Caught Stealing” was Mr. Fraser’s biggest competition for the award, Austin Butler, whose portrayal of Elvis Presley is one of the best biographical performances ever put on film.  Mr. Butler is well cast here, playing Hank as an easygoing person whose past continues to haunt him while he now deals with both the police and the criminals who are convinced Russ gave him something besides a cat.

 

The story is one of deceit and double cross and you’re not really sure who is who as the film progresses.  Peppered throughout the film are references to Hank’s baseball glory days, though except for giving the film a clever title, they really offer nothing to the story.  Hank could have been an up and coming scientist and found himself in the same situation due to his bad decisions.

The cast is strong, with Butler and Ms. King giving storng performances.  Special mention to Mr. Smith, whose mohawk adorned Russ gives the film a kick in the pants every time he is on screen.

 

The story is a little formulaic but the biggest problem I had with it was Hank’s almost superhero like ability to run, dive and hang off buildings despite recently having a kidney removed is pretty, well, you know what I’m saying.

 

On a scale of zero to five, I give “Caught Stealing”   

Film Review: “Nobody 2” REVIEW # 2

 

  • NOBODY 2
  • Starring:  Bob Odenkirk, Connie Nielsen and Christopher Lloyd
  • Directed by:  Timo Tjahjanto
  • Rated:  R
  • Running time:  1 hr 29 mins
  • Universal

Our score:  3 out of 5 

Bob Odenkirk…action star?  That’s the first thing I thought when I saw 2021’s film, “Nobody.”  Could Saul Goodman actually kick some ass?  Yes he could, and he was very good at it.  Four years later he’s still good at it, but looking for a break.  He takes his family on vacation to his favorite childhood water park, where no one will bother him.  Right?

 

Action packed, “Nobody 2” follows Hutch (Odenkirk) and his family, including his bad ass father David (Lloyd) enjoying the sites and sounds of small town America when Hutch’s son gets into a scrap with the son of the town sheriff.  Hutch is given a dressing down and thinks the situation is over, but some people just never learn.  The more involved Hutch gets the more he discovers that his childhood memories may not have been all good.

 

The action here is well staged and Odenkirk does indeed prove to be a fine action star.  However, unlike Arnold or Sly, Odenkirk plays Hutch as a real man, one who isn’t bullet proof and gets winded easily.  A fine presentation.  It’s always great to see Christopher Lloyd on screen and he has more to do here then he did in the first film.  The big surprise here is Sharon Stone, who plays the criminal mastermind of the town with a coolness she hasn’t shown since “Casino.”

 

The film is quite short, but it doesn’t feel rushed.  Some times less is more.  That certainly applies here.

 

On a scale of zero to five, I give “Nobody 2”   

 

Film Review: “The Naked Gun” (2025) REVIEW #2

 

  • THE NAKED GUN (2025)
  • Starring:  Liam Neeson, Pamela Anderson and Danny Huston
  • Directed by:  Akiva Schaffer
  • Rated:  PG 13
  • Running time:  1 hr 25 mins
  • Paramount

Our score:  3.5 out of 5 

I think I’m one of the very few people that watched the original “Police Squad” television show.  Created by the comedy genius’ behind the film “Airplane” the short lived series starred Leslie Nielsen as Frank Drebbin, a bumbling cop who still managed to get the job done.  Like “Airplane,” and their next film, “Top Secret,” the team of Brothers David and Jerry Zucker and Jim Abrahams, immortalized as ZAZ, the show kept bombarding the audience with jokes.  Some stuck, some didn’t, but the results were always funny.  I would be remiss if I didn’t mention writer Pat Proft, who also contributed to the humor.

 

“Police Squad” spawned three feature films, beginning with “The Naked Gun.”  Following the same formula as their previous projects, ZAZ (and Proft) gave audiences comedy gold.  Can Frank Drebbin, Jr. follow in his father’s hilarious footsteps?

The story line, as it were, finds Frank Drebbin, Jr. (a hilariously deadpan Neeson) foiling a bank robbery thanks to the power of disguise.  The opening moments set the tone for the rest of the film.  Yes, this is your father’s “Naked Gun.”  Frank’s partner, Ed Hocken, Jr (Paul Walter Hauser), like Frank, is the son of a former Police Squad detective, played in the original films by George Kennedy.  A great scene show the sons paying tribute to their fathers while the son of former officer Nordberg just dismisses his pop.  If you know, you know.

 

Neeson, who has shown his comedic chops in films like “Ted 2” and “A Million Ways to Die in the West” (both done my Seth McFarlane, who also produced this film) is perfect here.  His rugged face, and action film cred, make his character especially likeable.  Kudos also to Danny Huston, who is making an excellent living out of playing bad guys.  In a role where she is almost unrecognizable, Ms. Anderson proves herself to be a fine film comedienne.

 

If I have one issue, it’s that the film is quite short.  The 85-minute running time noted above includes the end credits. Hopefully the next one (fingers crossed) will be longer.

 

On a scale of zero to five, I give “The Naked Gun” ★1/2   

 

 

Film Review: “Superman”

 

  • SUPERMAN
  • Starring:  David Cornsweat, Rachel Brosnahan and Nicholas Hoult
  • Directed by:  James Gunn
  • Rated:  PG 13
  • Running time:  2 hrs 9 mins
  • Warner Bros

 Our Score: 3.5 out of 5

47-years ago, several of my high school friends and I gathered at the Hillsboro Theatre in Tampa to catch the first show of “Superman: The Movie.”  We loved it.  As fate would have it, not only are we all still great friends, but I was back home in Tampa when the latest adventures of the Man of Steel hit the big screen.  We went.  We liked it.

 

As told by director/co-writer James Gunn, some things are different in the DC comic universe that I grew up reading about and watching.  We now find Clark Kent (Cornsweat) and Lois Lane (Brosnahan) in a committed relationship.  Of course, this means Lois knows his secret identity, which was always a bad thing in the past.  However, the chemistry between the two is such as you don’t mind that this fact is one of the many that are now apparently cannon for the character.  We are introduced to Krypto, the Superdog.  And a pretty amazing Fortress of Solitude.  Everything for comic book lovers to fawn over and discuss.  One blink and you’ll miss it line, which I won’t divulge, took me by surprise though I was assured after the movie by two of my true comic books reading chums that the fact in question was pointed out in a late 1970s edition of the comic.  OK, back to the film.

 

As usual, Superman is put upon by the evil machinations of one Lex Luthor (Hoult), who is quite good here.  For some reason, from Gene Hackman to Jesse Eisenberg, Lex Luthor has been played to laughs with his schemes.  In my opinion, only Kevin Spacey in “Superman Returns” really nailed the Lex Luthor I remembered from my youth.  Hoult is right up there with Spacey, giving Luthor the menace he truly exudes.

The rest of the main cast is strong.  Cornsweat has big boots to fill.  To me, the late Christopher Reeve will always be Superman, but I’ve had no issue with how the character was portrayed in later films by Brandon Routh and Henry Cavill.  Cornsweat is very reminiscent of the character the way he was portrayed in film serials by Kirk Allyn.  If I have one issue with the casting it’s that apparently James Gunn has never been to Kansas.  In the past, Superman’s adoptive father, Jonathan, has been a strong, simple man who offered advice when needed, be he played by Glenn Ford or Kevin Costner.  Here, as portrayed by Pruitt Taylor Vince, Pa Kent is a yokel in coveralls.

 

Still, the special effects are outstanding and there are enough Easter eggs – one character is named Otis Berg – to make longtime fans happy.

 

On a scale of zero to five, I give “Superman” ★1/2   

 

 

 

Homecoming Week – JAWS Turns 50

PHOTOS BY VALENTINO CAPONE

 

 

It has been one heck of a summer.  With the return of Jaws to the big screen this weekend, I felt the need to take a look back at the 50th Anniversary Celebration, which took place on Martha’s Vineyard from June 19-22.  I was not only there as a fan.  I had the amazing honor of taking part in many of the festivities.

Richard Dreyfuss answers questions at LET’S TALK JAWS LIVE@

 

The official Amity Homecoming Weekend kicked off on Thursday, June 19th, when the Martha’s Vineyard Museum allowed myself and my co-hosts, Nate Jones and Jane Jones Clark, to record our long running YouTube show, “Let’s Talk JAWS Live!” in front of a sold-out audience, most importantly because it was a fundraising event for the Museum.  We were joined by such JAWS celebrities as Production Designer Joe Alves, actors Jeffrey Kramer, Tom Dunlop and Gary Springer, author Dennis Prince and special effects creator Kasey Erokhin.  Also joining the show via the Internet was actress Gigi Vorgan.  For 90 minutes, the audience had the opportunity to ask questions in an up-close and intimate setting.  What those in attendance didn’t know was that a very special guest had decided to join the show.  The crowd rose as one and burst into applause when Matt Hooper himself, Oscar winner Richard Dreyfuss, entered the room.  Taking his place in front of the room, Dreyfuss answered questions and shared stories with Alves and Kramer.  As I write this, the video of Dreyfuss’ surprise entrance has received over two million views on Tik Tok.

 

Friday, June 20th, the film’s official 50th Birthday, saw myself and Joe Alves, along with Dennis Prince, at Edgartown Books, which sponsored a book signing for Joe’s new biography as well as my own “FINATICS – 50 Years of JAWS.”  The crowd was steady for the two hours we were there, often stretching down the street in front of the bookstore.  Other authors, including Ryan Dacko (“The Book of Quint”) and Ira Marcks (“Shark Summer”) also graced the porch of the bookstore that week. 

The ORCA returns

 

Friday also saw two major panels at the Museum.  The first, “JAWS: A Deep Dive” was presented by Historian and JAWS expert Bow Van Riper.  Later in the day, director Guy Masterson took fans behind the scenes of the Broadway show “The Shark is Broken,” which was scheduled to make its Vineyard debut in July. 

 

Friday also saw the return of two classic modes of transportation to the Island.  Michael Sterling, who had created his own replica of the famed ORCA, docked it along the water in Oak Bluffs, allowing fans the opportunity to take photos of the classic ship.  On the land, fans were treated to Gabe DiSaverio’s replica of Chief Brody’s Amity PD 1974 Chevy Blazer. 

 

Finally, Friday also saw the beginning of the largest non-official event of the weekend:  a cast and crew meet and greet held at the Wharf Restaurant.  The event, which took place on Friday, Saturday and Sunday evening, was hosted by the Wharf’s longtime manager, Jeffrey Voorhees, who is better known as shark victim Alex Kintner.  As I did not attend the event I reached out to fans that had for their thoughts.  While some enjoyed the experience of having the opportunity to see so many famous Jaws celebrities in the same room, others complained about ticketing issues, the confined space – one attendee wrote “packed like sardines in a hot tin can does come to mind” – while others lamented the fact that guests promoted as appearing via the internet, most notably actor and co-screenwriter Carl Gottlieb, were “inexplicably absent.”  Still, many enjoyed the opportunity to meet a who’s who of Jaws alumni.

 

Saturday featured two more packed panels.  “Growing Up with Uncle Quint,” featured author Christopher Shaw Myers, the nephew of Jaws co-star Robert Shaw.  Mr. Myer’s mother, Joanna – Robert Shaw’s sister – had appeared at the 2012 JawsFest.  Also speaking that day, Wendy Benchley, the wife of Jaws author Peter Benchley.  Ms. Benchley not only shared stories from the set of the film but also highlighted her work highlighting global ocean conservation efforts.

 

Later that evening, fans gathered at the Winnetu Oceanside Resort for an outdoor screening of the film, accompanied by the Cape Symphony.  The show began with an appearance by Richard Dreyfuss, who addressed the crowd prior to the screening.

 

Sunday was the last day and the promoters of the event saved the best for last.  Panels with Joe Alves, with Dennis Prince, Hollywood makeup master Greg Nicotero, and Deputy Hendricks himself, Jeffrey Kramer, were presented to sold out audiences.  The lawn of the Martha’s Vineyard Museum took on a carnival vibe as “Reunion Day,” a joint effort between the Museum and the Vineyard Gazette Media Group, welcomed fans from literally all over the world to mingle with special guests, participate in Jaws trivia games, and get autographs from the special guests in attendance.  One such guest was Molly Scheider, the daughter of Chief Brody himself, the late Roy Scheider.  As a young man, with Roy’s permission, I had started and ran his official fan club.  It was truly an honor to meet Molly.  As we said hello I surprised her with a gift – a scrapbook of photos and articles featuring her father that I had begun collecting 50 years earlier.  Just the expression on her face told me I had given her something special, something I hope she passes on to her children.

 

As the sun set at the end of a perfect weekend I said goodbye to old friends, some I’d known for years and some I’d just met.  It was that kind of weekend!     

Concert Review: Happy Together Tour – 2025

 

  • Happy Together Tour – 2025
  •    Kauffman Center – Kansas City, Missouri
  • August 22, 2025

 

 

I was born in 1960.  So I’ve had the amazing opportunity of listening to music for almost seven decades.  And while I will always maintain that the 1970s was the best decade for film, you can’t compare any other decade to the 1960s when it comes to music.  Rock and roll.  Pop.  Soul.  We had it all together on the same radio station.  So when a band or performer from that decade comes to town I do my best to attend.  But when FIVE groups come to town, you cant keep me away.  This past Friday the latest version of the popular Happy Together Tour hit Kansas City and I was not disappointed.

The Cowsills (l-r) Susie, Paul, Bob.

Staring the show were the Cowsills, a band so popular in it’s day that they served as the inspiration for the popular television series, and recording act, the Partridge Family.  Brothers Paul and Bob, along with little sister Susie, had a great set, ending with a raucous audience sing-along of their huge hit “Hair.”  I also learned something new when they sang the theme from the television show “Love, American Style.”  I was today years old when I learned that they sang the song.

 

They were followed by the Vogues, whose harmonies on such hits as “Five O’clock World” and “Come a Little Bit Closer” were as pure as the day they were recorded.    Next up was the great Gary Puckett who, at age 82 still has a powerful voice.  Again, the audience joined in happily as he led them during “Woman, Woman.”

 

Jay and the Americans were next.  I had forgotten that they sang “Only in America,” a song I always loved listening to as a boy.  Jay Reincke hit all the notes on Cara Mia,” a great tribute to the band’s original lead singer, Jay Black, who passed away in 2021.  All of the groups had a distinctive sound during their heyday and it was their voices that shined on this evening, none more so then the next act, Rock and Roll Hall of Famer Little Anthony.  At age 84 his voice was as soft and sweet as when he released his first hit, “Tears on My Pillow” in 1956!

 

Closing the show were the Turtles, whose hit song gave the tour it’s name.  Fronted by Ron Dante, the band brought the crowd to their feet repeatedly with hits like “Elenore” and “You Baby.”  Fun fact:  the most popular record of 1969 was “Sugar, Sugar,” by the Archies, a popular comic book series that became an animated show I watched faithfully as a kid.  I was taken back to Saturday morning when Dante did the song.  I wish I had been closer to the stage because I would have yelled, “Now do Bang Shang-a-lang!”

“Sugar, Sugar”

The show ended with all of the groups returning to the stage for a mini-medley that had the crowd on their feet clapping and singing along.  To paraphrase another 60s band, the Beatles, “a splendid time was indeed guaranteed for all!”

 

SET LIST:  COWSILLS – Indian Lake, The Rain, the Park & Other Things, Love, American Style, Hair.  THE VOGUES – Five O’clock World, My Special Angel, Turn Around, Look at Me, You’re the One.  GARY PUCKETT – Lady Willpower, Over You, Woman, Woman, Young Girl.  JAY AND THE AMERICANS – Only in America, Let’s Lock the Door (and Throw Away the Key, “Cara Mia, Come a Little Bit Closer, This Magic Moment.  LITTLE ANTHONY:  Tears on My Pillow, Shimmy Shimmy Ko Ko Bop, Hut So Bad, Goin’ Out of My Head.  THE TURTLES – She’d Rather Be with Me, You Baby, It Ain’t Me Babe, Sugar, Sugar, Elenore, Happy Together.  

Concert Review: “Herb Alpert and the Tijuana Brass”

 

  • HERB ALPERT AND THE TIJUANA BRASS
  • Kaufman Center, Kansas City, Missouri
  • August 5, 2025

 

The decade of the 1960s gave us some great music.  The Beatles.  The Supremes.  The Doors.  Their sound changed the industry forever.  You wouldn’t know it by listening to today’s music, but when I was a kid instrumental music – loud horns and sweet strings with no or minimal vocals – ruled the airwaves.  Al Hirt.  Sergio Mendes and Brasil ‘66.  But the king, at least in my house, was Herb Alpert and the Tijuana Brass.  At age 90, Alpert and the Brass took over the Kaufman Center and had the crowd on their feet for two solid hours.

 

Accompanied by vintage film clips, the show began with the great Louis Armstrong, no slouch on the trumpet himself, introducing the band.  As the opening notes of “The Lonely Bull” began, the crowd roared.  Something about a trumpet that gets your blood flowing.  At age 90, Mr. Alpert could have been excused for taking the occasional break.  But he played every note as strong and as sweet as if he was still in his 30s.  In between songs he addressed the audience and even invited questions.  He told some great stories, from how the “Whipped Cream and Other Delights” came to be to how he met his beautiful wife of 52 years, vocalist Lani Hall, who joined him on stage later in the show for a medley of some of the songs she did as the lead vocalist for Sergio Mendes and Brasil ’66, including “The Look of Lovke” and “Fool on the Hill.”

 

Before introducing Ms. Hall, Mr. Alpert choked up when talking about his dear friend Sergio Mendes and gave a loving tribute to songwriter Burt Bacharach, who penned his #1 hit “This Guy’s in Love with You.”   I’m not sure if Mr. Apert knew it or not, but Bacharach not only grew up in Kansas City but lived about 20 blocks from where the Kaufman Center now stands.

 

As the band played hit after hit (“Tijuana Taxi,” “A Taste of Honey,” “Rise”) the crowd clapped along, giving many of the numbers well deserved standing ovations.  The music brought back so many great memories for my wife and myself.  As we left I noticed several young children among the capacity crowd and each one I asked, “did you like it?” gave a resounding “yes!”

 

The tour runs through January 2026.  If you have the opportunity to see Mr. Alpert and the Brass, I urge you to take it.  For information on upcoming shows, please click HERE.

 

SET LIST

 

The Lonely Bull, Work Song, Whipped Cream, Spanish Flea, Lady Fingers, Lollipops and Roses, Bittersweet Samba, Mexican Shuffle, Tangerine, I’m Getting Sentimental Over You, Love Potion No. 9, This Guy’s in Love with You, a medley of songs with Ms. Hall, Rise, A Taste of Honey, Smile, What Now My Love, A banda, Tijuana Taxi. 

Film Review: “How to Train Your Dragon” (2025)

 

 

  • HOW TO TRAIN YOUR DRAGON (2025)
  • Starring:  Mason Thames, Nico Parker and Gerard Butler
  • Directed by:  Dean DeBlois
  • Rated:  PG
  • Running time:  2 hrs 5 mins
  • Universal

 

Our score:  4 out of 5

 

In case you haven’t noticed, there has been, for the past few years, a trend in Hollywood.  Take a beloved animated film and do a live action remake.  It makes sense.  The studios already own the property so need to pay the screenwriter any more money.  And, if the animated film was a success, you already have a built-in audience.  When they work, like Disney’s latest “Lion King” films, they work beautifully.  When the don’t, well they don’t (and I’m looking at you “Snow White.”  I hope you’ve blinked since I last saw you.)  Another risk is that they spoil the affection fans of the original have.  I’m happy to say that that affection still runs deep in me after seeing “How to Train Your Dragon.”

 

Like the 2010 animated feature, the film tells the story of young Hiccup (Thames), a well-meaning lad who tries his best to impress his father, the head of the Viking village he lives in.  However, no matter what he tries, and how well intentioned his plans are, disaster usually follows.  Then one day he meets a very special dragon.  And his adventures begin.

 

Beautifully shot, with amazing visual effects, the film manages to capture the feel of its predecessor thanks to a strong cast.  As Hiccup, Thames is just quiet enough to hide his new-found skills and Ms. Parker is a strong asset to the group of youngsters hoping to become first-rate dragonslayers.  Butler, who also voiced tribe leader Stoick in the original animated film, is his usually blustery best.  Whether he’s fighting dragons or haunting Paris opera houses, Butler has never met a role he couldn’t yell through!

 

The visual effects are top notch though I will warn that some of the more intense scenes scared several of the little ones that attending the screening I was in.  However, children over the age of eight should enjoy the action.

 

On a scale of zero to five I give the live action version of ‘How to Train Your Dragon” ★★★

Film Review: “Jurassic World: Rebirth”

 

  • JURASSIC WORLD:  REBIRTH
  • Starring:  Scarlett Johannson, Mahershala Ali and Jonathan Bailey
  • Directed by:  Gareth Edwards
  • Rated:  PG 13
  • Running time:  2 hrs 13 mins
  • Universal

 

Our score:  3 out of 5

 

I love dinosaurs.  My favorite is the triceratops, a love I developed as a child from reading the book “The Enormous Egg.”  Apparently, a lot of people love dinosaurs as the EIGTH film in the Jurassic Park series comes to theatres.

 

Set five years after 2022’s Jurassic World: Dominion, the film tells the tale of a group of people, led by Zora (Johansson) and Duncan (Ali) to escort a scientist (Bailey) back to Isla Nublar, the island that contained the original Jurassic Park on a mission to retrieve DNA from three very large, and very nasty, species of dinosaurs who were left behind on the island because they were too terrifying.  Apparently the nicer members of the species are now free to wander the world aimlessly, including the brontosaurus who blocks traffic in Brooklyn!  I can hear those car horns now.

While entertaining, the film lacks what made 1993’s original “Jurassic Park” such a great film.  Emotion.  Not just yelling and screaming, but a true emotional connection with the characters.  The most recent films in the series have pretty much just thrown characters you’re not emotionally invested in amongst a series of bigger and more terrifying monsters.  Like a great roller coaster ride you’re caught up in the excitement of the moment but on the ride home from the amusement park you’re talking more about the giant corn dog you ate instead of the ride.  That being said, the monsters are scary and you do get those brief moments of excitement.  You just may not remember them on the ride home.

 

On a scale of zero to five I give “Jurassic World: Rebirth”

Film Review: Jaws@50: The Definitive Inside Story

 

  • JAWS@50: THE DEFINITIVE INSIDE STORY
  • Documentary
  • Featuring:  Steven Spielberg, Cameron Crowe and Jordan Peele
  • Directed by:  Laurent Bouzereau
  • Not Rated
  • Running time:  1 hr 28 mins
  • National Geographic

 

Our score:  5 out of 5

 

I bought my first laser disc in 1995.  It was a special edition collection to celebrate the 20th Anniversary of the greatest film ever made, Jaws.  I bought it for one reason.  The amazing documentary put together by filmmaker Laurent Bouzereau.  I should note here that at the time I did not own a laser disc player.

 

As someone that prides himself on his knowledge of the film Jaws (my most recent book, “FINATICS: 50 Years of Jaws” was just released) I usually the various documentaries on the film with a grain of salt because I usually don’t learn anything new.  That being said, I knew when I watched Jaws@50 that that would not be the case.  And I was not disappointed!

 

A skilled documentarian, Mr. Bouzereau has also done outstanding “making of” films about such classic movies as Close Encounters of the Third Kind, E.T. and Jurassic Park, as well as last year’s amazing Music by John Williams.  He has a style that allows him to share the story of a familiar film in a way you never expected, making the familiar seem new.  And Jaws@50 is no exception.

 

Through an amazing treasure trove of archival footage, and current interviews with Steven Spielberg, as well as conversations with some of the greatest filmmakers working today, the film manages to weave a tale I’ve never known.  Each film clip, or comment by Mr. Spielberg, opens  new windows into the film and the behind-the-scenes troubles that nearly kept it from being made.  To someone that has seen the film literally hundreds of times, Jaws@50 made it seem like I was watching Jaws for the first time, learning more and more about something I have loved for five decades.

 

The film premiers on the National Geographic channel next Thursday, July 10th, and can also be found on the new 50th Anniversary 4K Steelbook.  Even if you don’t own  4k player, buy it.  I don’t and I did!

 

On a scale of zero to five I give Jaws@50:  The Definitive Inside Story ★★★★★

Film Review: “Karate Kid: Legends”

 

  • KARATE KID: LEGENDS
  • Starring:  Jackie Chan, Ben Wang and Ralph Macchio
  • Directed by:  Jonathan Entwistle
  • Rated:  PG 13
  • Running time:  1 hr 34 mins
  • SONY/Columbia Pictures

 

Our score:  3 out of 5

 

A young boy becomes a fish out of water when he and his mother move to a new city.  There he is bullied and only being trained in martial arts can help him.  Sound familiar?  That’s the plot of the original “Karate Kid,” released in 1884.  It’s also the plot of the new “Karate Kid: Legends,” which plays like a cross between the familiar “Karate Kid” themed films mixed with a little “Best of the Best.”  The film is entertaining, but it’s very formulaic.

 

The film opens with a scene from “Karate Kid Part II,” with the wise Mr. Miyagi (Pat Morita) explain the secrets of his family’s karate to his student, Daniel Larusso (Macchio).  The scene is expanded to inform the audience that Miyagi-go karate is also based in kung-fu.

 

China.  Enter Mr. Han (Chan), the featured teacher in the 2010 version of “The Karate Kid” starring Jaden Smith.  These days Mr. Han runs a kung-fu academy and his prize student is Li (Wang).  Li’s mother, (Ming-Na Wen) is not happy that Li is doing, having lost a son in a fight years ago.  When Li and his mother move to New York City, mom believes LI’s fighting days are over.  As Sam Kinison used to ask, “Is she RIGHT?”

 

Familiar, with lots of foreshadowing, “Karate Kid: Legends” obviously hopes to ride the tails of the recently ended Netflix series “Cobra Kai.”  And while the story is easy to figure out, I can’t deny that the film is entertaining.  Li meets Mia (Sadie Stanley), a local girl who works in her father’s pizzeria.  He immediately pisses off Mia’s ex-boyfriend, who just happens to be the karate champion of the city.  And so on and so on.

What makes the film enjoyable is the cast.  Wang is both a skilled fighter and endearing young man.  When he’s referred to as the “Chinese Peter Parker,” you can imagine him in the part, bringing the same youthful feel to the role that Tom Holland has.  The supporting cast is strong as well.  Ms. Stanley plays Mia as tough but tender and Joshua Jackson, who plays Mia’s father, has certainly come a long way from “The Mighty Ducks.”  As the television commercials inform you, Ralph Macchio returns as Daniel Larusso though his role is just a little larger then a cameo.

 

The martial arts scenes are spectacularly done, with some amazing choreography.  Chan is 71 – Macchio is 63 – but they both move like they are in their prime.

 

Overall, the nostalgia of the previous films is a big drawing point for the film and it’s with those fond memories in the back of your head that “Karate Kid: Legends” excels.  Another plus, you don’t have to be familiar with the “Cobra Kai series to enjoy this film but if you are you’ll be rewarded for having done so.

 

While my 8-year-old grandson, Hudson, told me to write it’s “the greatest movie ever made,” on a scale of zero to five I’m giving “Karate Kid: Legends”  

New Books will celebrate the 50th Anniversary of “Jaws”

2025 brings the 50th Anniversary of the film Jaws, which was released on June 20, 1975.  The celebration will be felt from Hollywood to Martha’s Vineyard, where the film was shot.  In honor of the film’s milestone event, two new books will be released next month.

 

“FINATICS:  50 Years of Jaws,” will celebrate the iconic film’s influence on Pop Culture with in-depth looks at the films, television programs, books and magazines the film has inspired, as well as the recent attempts to bring the story of the film to the Broadway stage.

 Written by Media Mikes co-creator Michael A. Smith, and featuring a foreword by Academy Award winner Richard Dreyfuss, the book also highlights (50) fans (the “Finatics”) of the film from all over the world, including the United States, Great Britain, Serbia and Ukraine.

 

Packed with nearly 300 full color photographs, the book is a salute to the film as well as to the fans that have made Jaws the beloved classic it is. 

Also being released in June is the 50th Anniversary Edition of Edith Blake’s 1975 book “On Location – On Martha’s Vineyard:  The Making of the Movie Jaws.”  The new edition will not only includes the original book but expanded and updated material written by Smith.  Also included are dozens of new photographs taken on the set of Jaws by Ms. Blake, a photographer for the local newspaper, in 1974 that have never previously been published.  Both books are being published by BearManor Media and will be available on Amazon.com and other book outlets.   

Win Passes to the Kansas City Premiere of “Karate Kid: Legends”

 

Media Mikes has teamed up with their friends at SONY Pictures to give their Kansas City – area readers the cnance to be among the first to see the new film, “Karate Kid: Legends.”

 

The film will be screened on Tuesday, May 27, at the AMC Studio 28 Theatre in Olathe, Kansas and will start at 7:00 pm.

 

All you have to do is click HERE.  You will receive a pass for two (2) to attend the screening.  This is a first come/first serve giveaway.  When the allotted number of passes have been claimed the giveaway is ended.

 

Good luck!

 

KARATE KID: LEGENDS opens nationally on May 30th.

 

Karate Kid: Legends unites the iconic martial arts masters of one of the most beloved film franchises of all time to tell a completely new story full of action and heart. When kung fu prodigy Li Fong (Ben Wang) relocates to New York City with his mother to attend a prestigious new school, he finds solace in a new friendship with a classmate and her father. But his newfound peace is short-lived after he attracts unwanted attention from a formidable local karate champion. Driven by a desire to defend himself, Li embarks on a journey to enter the ultimate karate competition. Guided by the wisdom of his kung fu teacher, Mr. Han (Jackie Chan), and the legendary Karate Kid, Daniel LaRusso (Ralph Macchio), Li merges their unique styles to prepare for an epic martial arts showdown.