Concert Review: Jimmy Buffett – “Son of a Son of a Sailor” Tour – Kansas City

 

Jimmy Buffett and the Coral Reefer Band – “Son of a Son of a Sailor” Tour 2018
Sprint Center – Kansas City, Missouri

May 19, 2018

When you see people wearing grass skirts and coconut-shell bras, parrots on their shoulders or over-sized Cheeseburgers and Shark Fins on their heads, you can only be in one place:  Margaritaville!  This weekend, Margaritaville was located inside the Sprint Center in Kansas City as Jimmy Buffett and the Coral Reefer Band debuted the “Son of a Son of a Sailor” tour.

 

Has it really been 40 years since Buffett released “Son of a Son of a Sailor?”  This is my favorite Buffett album and it solidified Buffett as one of my favorite songwriters.  Like another one of my favorites, the late Harry Chapin, Buffett wrote amazing “story-songs” that took you to places you never imagined you would travel to.  I knew that the night’s events would not disappoint.

Caroline Jones was the opening act.  A very talented singer and musician, she treated the crowd to a small set of songs that showed off both her vocal range and musical talents.  She would later come out during the main show to accompany Buffett  and the band on a couple more numbers.  I have to admit that, though I’ve heard Ms. Jones on Sirius Radio (she hosts a program known as “the Coffee House) I wasn’t aware that she was also a singer.   I recommend you give her a listen,

Finally it was showtime.  Buffett and the band hit the stage and kicked off the show with a rousing “Livingston Saturday Night,” one of seven songs from the “Son of a Son of a Sailor” album he would play tonight.  Afterwards he addressed the crowd, informing them that this was the inaugural show of the new tour and that he and the band had been practicing in Texas for a while.  He also noted the Fin Men, a group of gentlemen that had been patrolling around the venue with illuminated 6-foot shark fins on their heads.  This group of Parrotheads made the show even more entertaining, especially when they circled during the song “Fins.”  My understanding is that they are just a group of fans and aren’t officially part of the show but my advice to Mr. Buffett would be to fly these guys wherever you’re playing.  They are true ambassadors for your music as well as the great time experienced at your shows.

Besides the enthusiasm of Buffett, the show also includes the Coral Reefer Band, made up of some amazing musicians.  Chief among them is Mac McAnally, who has been chosen  the Country Music Association’s “Musician of the Year” an amazing 10 times.  McAnally is also a member of the Nashville Songwriters Hall of Fame, thanks to his having written or co-written such songs as “Down the Road” for Kenny Chesney, “Old Flame” for Alabama and “Thank God for You,” one of many hits he composed for Sawyer Brown.  At the concert’s mid-point – an energetic “Cheeseburger in Paradise” – Buffett left the stage “for some refreshments.”  In his absence, the audience was treated to an amazing mini-concert by steelpan player Robert Greenridge, who performed a beautiful rendition of the Beatles’ “Eleanor Rigby.”

Mac McAnally and Jimmy Buffett

The audience was not only treated to a barrage of Buffett’s music, but were also entertained with covers of songs by the Beach Boys “Sail On, Sailor”), Alan Jackson (“It’s Five O’Clock Somewhere” – a song on which Buffett also appeared on) and Crosby, Stills and Nash (“Southern Cross”).  The band was in top form.  It is hard to believe that this was the first show of the tour, so easily did all of the pieces work.

After a rousing three-song encore, which included Van Morrison’s “Brown Eyed Girl,” Buffett said his good nights to a crowd that had hardly sat down all evening.  If you’ve never experienced the magic that is a Jimmy Buffett concert, I urge you to catch him and the Reefers as soon as possible.  For a list of tour dates, or to learn pretty much about everything Buffett, click HERE

I was made an honorary Fin Man after the show. Love these guys!

SET LIST

Livingston Saturday Night, The Weather is Here – Wish You Were Beautiful, Tampico Trauma, Boat Drinks, Come Monday (w/Caroline Jones), Trip Around the Sun (w/Caroline Jones), It’s Five O’Clock Somewhere, Sail On,Sailor, Volcano, Cowboy in the Jungle, Son of a Son of a Sailor, Cheeseburger in Paradise, Grapefruit Juicy Fruit, Manana, Fool Button, Piece of Work, Coast of Marseilles, Fins, Changes In Latitudes/Changes in Attitudes, A Pirate Looks at Forty, Back Where I Come From (vocals by Mac McAnally), Margaritaville, Southern Cross, One Particular Harbor.

ENCORE

Brown Eyed Girl, Love and Luck, One Love/People Get Ready

 

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Film Review: “The Book Club”

BOOK CLUB
Starring:  Jane Fonda, Diane Keaton and Candice Bergen
Directed by:  Bill Holderman
Rated:  PG 13
Running time:  1 hrs 44 mins
Paramount

Our Score: 4 out of 5 (stars!)

Between them they have 13 Academy Award nominations and 4 Oscars.  THEY are Jane Fonda, Diane Keaton, Candice Bergen and Mary Steenburgen and together they form the members of Paramount’s latest comedy, “The Book Club.”

Keaton plays Diane, recently widowed.  Fonda is Vivian, a wealthy hotel owner who refuses to sleep with men, meaning she’ll have sex but she won’t stay the night.  Bergen is Sharon, a Federal Judge whose husband (Ed Begley, Jr) left her 18 years ago and continues to date much younger women.  Steenburgen is Carol, married to the recently retired Bruce (Craig T. Nelson) who seems to have lost all interest in everything but his old motorcycle.  Each month this quartet of ladies meets and discusses a book they have recently read, an appointment they started in the 70s with Erica Jong’s “Fear of Flying.”  Feeling like the last few months entries have been lifeless, Vivian decides to spice up things by introducing the “50 Shades of Grey” series to their reading tables.  And spice things up it does.

There is nothing more enjoyable than seeing professionals at the top of their craft and “The Book Club” does not disappoint.

The film takes an honest, but humorous, look at love after 60.  It’s not all roses and champagne.  As the book begins to stir their desires, the three single women meet similar aged men who have refused to let age slow them down.  Diane meets a handsome airline pilot (Andy Garcia).  Vivian rekindles an old romance with Arthur (Don Johnson) while Sharon explores the world of on-line dating with both Richard Dreyfuss and Wallace Shawn.  The story has its great share of laughs but also some emotional times of reflection, all driven by a true all-star cast.

FYI, the four leading ladies also have between them 38 Golden Globe nominations (14 wins) and 12 Emmy nods (5 wins).  They should have called this film the Golden Girls.

Film Review: “Deadpool 2”

DEADPOOL 2
Starring:  Ryan Reynolds, Morena Bacarin and Josh Brolin
Directed by:  David Leitch
Rated:  R
Running time:  1 hrs 59 mins
20th Century Fox

Every once in a while a film comes along that not only bends the rules, but breaks them.  Such a film was “Deadpool.”  Is there any way the sequel can live up to that introduction?  Yes indeedy.

Ryan Reynolds continues his journey as the foul-mouthed, yet sensitive, Wade Wilson, better known to us moviegoers as Deadpool.  In this chapter he firmly puts tongue in cheek as he tries his best to learn the meaning of the word family.

Along the way he pokes fun at so many pop culture references that I literally lost count.  The Justice League.  “The Goonies.”  A still simmering anger with anything to do with Wolverine.  His sarcasm is razor fine and cuts just as easily.  A running gag where a line from the film “Frozen” sounds suspiciously like “Papa Can You Hear Me” from the film, “Yentl” is reigned in enough so it actually makes you laugh no matter how many times you hear it.  And the added humor that Josh Brolin is Barbra Streisands’s step-son only makes the gag even funnier.

Brolin, fresh off his gig in “The Avengers: Infiniti Wars,” plays Cable, a time-traveling mutant that’s as buff as his “Avengers” alter ego Thanos.  Brolin gives the role a sense of drama but isn’t above having a little fun himself.  If I’m sounding a little evasive here, it’s because the film company has asked reviewers not to give away too much of the film.  Just sit back and enjoy the ride.  Like its predecessor, “Deadpool 2” is one of the best comic book films ever.

Cannes Film Festival Review: “Astro”

ASTRO

 

Starring: Gary Daniels, Courtney Akbar and Michael Pare’

Directed by: Asif Akbar

Rated: Not Rated

Running time: 1 hour 45 mins

Avail Films

 

A young woman (Courtney Akbar) sits alone in her room as Christmas approaches.   She wonders aloud if she will ever see her father again.  She is greeted by a flash and is approached by a creature that calls herself “Vivian” (Max Wasa).  She informs the daughter that she is there to “show her the way.”

We are not alone.

That is the message we quickly learn in director Asif Akbar’s latest film, “Astro.”

The film begins with radio broadcasts, as well as newspaper accounts, of the various incidents reported in the late 1940s in Roswell, New Mexico.  For years, Roswell has either been looked upon as either a tourist trap or the place where the government is hiding SOMETHING!  We are privy to an examination of a “creature,” under the guidance of billionaire space enthusiast Alexander Biggs (Marshal Hilton).  When a DNA test of the creature reveals the name of a long lost friend, Biggs realizes that his thoughts and hopes about extraterrestrials may finally be coming true.

An entertaining film, “Astro” benefits from a strong cast and firm direction.  I am a huge fan of Mr. Akbar’s 2012 documentary, “Top Priority:  The Terror Within,” a film in which he took on the government after learning of a major security breach along the border, and his approach to this story is almost the same.  His use of close-ups gives one the impression one is watching a documentary, which puts the viewer more into the story that is unfolding on screen.

The cast are also “all in” on the story, with nary a false note in sight.   Mr. Hilton is slickly smooth, channeling a cross between Jeremy Irons and Charles Dance.  Mr. Daniels and Ms. Akbar are a devoted father/daughter team, one whose bond seems genuine.  And, to be honest, I’ve always liked Michael Pare’, so it’s always a pleasure to see him on the big screen.

The script, by Mr. Akbar and Bernard Selling, adds enough humor to keep the story light and the musical score, by Erick Schroder, sets the tone for the entire film.  If there is a fault in the film, it is its budget.  The special effects, while passible, do have a homemade quality to them.  Nothing horrible, but when you release your film at the same time as the new “Avengers” or “Solo” is in theatres, you’d have to understand the criticism.

That being said, like “Close Encounters” before it, the questions need to be answered!”

 

Theater Review: “The Lion King” in Kansas City

Disney’s “The Lion King”

Music Hall – Kansas City, Missouri

May 10, 2018

 

AMAZING!  That is the first word that popped into my head as “The Lion King” began.  While being mesmerized by the animated and musical Rafiki (Makelisiwe Goga), we were treated by a parade of animals down the aisle, from the rear of the theater to the stage.  Birds.  Gazelles.  Elephants.  They strode past in their proud majesty and filled the stage.  And for the next two and half hours, the excitement never died.

“Rafiki” in THE LION KING North American Tour. ©Disney. Photo by Joan Marcus.

Based on the 1994 animated film of the same name, the story of “The Lion King” is much as it was in the film.  Some of the characters are fleshed out more and there are more songs, also written by Elton John and Tim Rice.  The characters are familiar and are portrayed in an amazing way.  While the majority of the lions just wear lion heads, other characters are portrayed by actors holding/wearing puppets.  The effect is jaw-dropping.  Even the lovable duo of Timon and Pumba are portrayed this way, a way that is not distracting in the least.

The original show, which is now the third longest running show in Broadway history, was nominated for an amazing eleven Tony Awards, winning six, including Best Musical.  I’ve been attending shows, both on Broadway and off, since 1980, and I would easily put “The Lion King” in my top 10 of best shows ever.

“The Lion King” runs in Kansas City at the Music Hall through May 27th.  For ticket information, or to see where the tour is heading next, click HERE.

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Interview with SUPERCON director Zak Knutson

 

Fans of Kevin Smith’s View Askew Universe may be quite familiar with Zak Knutson.  The co-writer and director of the new comedy “Supercon” worked for a decade for Smith, often producing and directing Smith’s independent video projects.  To honor his friend, he named Seth Rogen’s character “Zack” in “Zack and Miri Make a Porno.”  And his face will be familiar to anyone that saw “Clerks II.”  He was “the Sexy Stud,” the purveyor of “Inter-species Erotica” – better known as “the Donkey Show,” at the end of the film.

Promoting his first feature film as director, Zak took some time out to chat with me about being in charge and why Clancy Brown is actually a funny guy.

 

Mike Smith:  I’ve worked behind the scenes at enough conventions to know that you have too!  What was your inspiration to make “Supercon?”

Zak Knutson:  I worked for Kevin Smith for about 10 years so naturally I was exposed to the con culture.  And then I started going to them with my friend Dana Snyder, who does the voice of Master Shake on “Aqua Teen Hunger Force,.”  I went with him down to Florida to the actual SUPERCON and I really got see all of the people and the different things going on.  I realized we hand’t seen a movie set in that place before.  In that kind of culture.

MS:  A brilliant stroke of genius in casting Clancy Brown as Adam King.  Most people wouldn’t think of him when doing a comedy.  How did you settle on him for the role?

ZK:  I have always been a huge fan of Clancy Brown, going all the way back to “Bad Boys.”

MS:  Viking!

ZK:  Exactly…Viking.  But if you notice, the one thing that Clancy does in almost every single one of his performances, even though they weren’t comedic, he was funny in them.   He would find that humility, that human side of the character, even if he was being the most evil of guys.  He could just have a delivery on a line that could be funny.  And I just thought, “this guy would be funny in a comedy.”  He knew when somebody else was being funny to sit back.    He just had everything.  I was so excited to be able to ask him.  And he said, ‘I’m not really a comedy guy,’ and I said, “but you are.  You are.”  And it worked out.  He is one of the best things in the movie.

 

Clancy Brown as Adam King in SUPERCON

MS:  The same with Malkovich?  How were you able to get him?

ZK:  Malkovich was a strange one.  He actually ended up getting a hold of a script.  I thought he was going to be Adam King, because he hadn’t been cast yet, or he was going to be Gil Bartell (the convention promoter, played in the film by Mike Epps).  But he had read Sid and he wanted to play Sid.  We got a call that said ‘John Malkovich wants to play a part.’  How do you say no?  So we went back and scaled the character down to his age, because it was originally written for a Stan Lee-95-year old kind of guy.  We scaled it down.  But the hair and the bow tie, those are all John.  He came ready to have a good time.

 

Zak Knutson, the “Sexy Stud” of CLERKS II

MS:  Any plans on showing the film at conventions?

ZK:  I think we’re going to take it to Florida in July, to the actual SUPERCON.  Clancy’s coming with me.  We’re all going down for a big SUPERCON to-do.

MS:  What do you have coming up next?

ZK:  Next up is a documentary that we’re getting ready to announce that is pretty awesome.  And I sold a script to a couple of people and it looks like later on this summer we’ll be able to shoot it.  Time is going to tell with the money on that one.  But next up is the doc.

MS:  On the script you sold, will you be attached as director?

ZK:  Yes, I am.  But again, it’s kind of all up in the air right now.

Bruce Crawford bringing “ALIEN” to Omaha

“In Space No One Can Hear You Scream”

But they sure will in Omaha.  Film historian Bruce Crawford has announced that the film to be presented at his 42nd Tribute to Classic Films will be the 1979 thriller ALIEN.

The film will be screened on Friday, May 25th. 2018 at 7:00 pm at the beautiful Joslyn Art Museum, 2200 Dodge Street, Omaha, Nebraska.  The screening’s special guest will be actress Veronica Cartwright who played navigation officer Lambert in the film.  This is the 26th year that Crawford has hosted film legends and the classic films they worked on.

ALIEN has become one of the most popular science fiction thrillers in cinema history and has spawned seven sequels/crossover films in the past four decades. Miss Cartwright will speak before the screening and share stories about the making of this iconic film. There will also be a meet and greet and autograph session for fans after the screening. .Tickets to see the film and hear/meet Miss Cartwright are $24 and can be purchased at the customer service counters of all Omaha-area Hy Vee food stores and go on sale Wednesday, April 26th. For more information call (402) 932-7200

 Proceeds will benefit the Nebraska Kidney Association. 

Film Review: “I Feel Pretty”

I FEEL PRETTY
Starring:  Amy Schumer, Michelle Williams and Lauren Hutton
Directed by:  Abby Kohn and Marc Silverstein
Rated:  PG 13
Running time:  1 hrs 50 mins
STX Entertainment

 

Do you ever look in the mirror and wonder?  Why is my nose this way?  Why is my chin that way?  Do other people think I’m pretty?  Or handsome?  They say beauty is in the eye of the beholder, which Amy Schumer learns with a vengeance, in “I Feel Pretty.”

Renee Bennett (Schumer) is a fun girl.  But she’s insecure.  She’s a little more “curvy” than some women and, while attractive, doesn’t see herself as pretty.  Some of this self-doubt comes from the fact that she works in the online department of one of the world’s largest makeup companies, whose spokesperson/owner (Williams) is the cover girl.  Renee spends her free time with her friends Vivian (Aidy Bryant) and Jane (Busy Phillips) and, while the three aren’t setting any records with attracting men, they enjoy being together.  One night, while watching the movie “Big,” Renee jokingly wishes she were beautiful.  The next day, at a SPIN class, she falls and hits her head.  When she comes to, she looks in a mirror and smiles.  She IS beautiful.

Though I’m still trying to figure out the message (Beauty is on the inside?  Be careful of what you wish for?  Be happy with who you are?) the film is trying to send, I found “I Feel Pretty” to be a funny film with a little bit of heart.  Now that she’s “pretty,” Renee has the courage to apply for a job as receptionist of her company, a job she’s noticed is normally filled by amazingly beautiful women.  Instead of being the woman who feels she’s five pounds too heavy, she sees herself as one of the beautiful people, giving herself the self-confidence she needs to not only get the job but flirt with the handsome brother of her boss.  But soon she is self-absorbed with the idea of her beauty, abandoning her friends and climbing the social ladder.  She doesn’t realize that it’s not her perceived looks that are getting her places, it’s her confidence in herself, and this is what impresses.

The film is well cast, with Schumer striking all the right notes.  This is not the raunchy Amy Schumer you may be familiar with.  This version is a little tamer, but still fun loving.  A scene where she impulsively enters a bikini contest, hiking her shorts and t-shirt up to expose her stomach, undulating to the music, is a moment of pure freedom.  Williams, with a Jennifer Tilly-esque voice, is also well cast as a woman whose beauty doesn’t allow others to see how intelligent she is.  Rory Scovel is Ethan, a man Renee meets “cute” at a coffee shop who falls in love with Renee the way she is, not the way she sees herself.  And, my God, how is it that 74 year old Lauren Hutton is as beautiful today as she was when I was a teenager??

 

Directors/screenwriters Kohn and Silverstein, who previously gave us “Never Been Kissed” and “He’s Just Not That Into You,” do a fine job keeping the story moving in their feature directorial debut.  I appreciate the fact that, even when she looks into a mirror, Schumer sees what we see – Amy Schumer – and not some high cheekboned model.  Both Renee, and Schumer, are just fine the way they are.

Interview with Comedian Sandy Bernstein

 

I’ve known Sandy Bernstein for over three decades.  We met at a backyard party her boyfriend at the time was holding in the fall of 1984.  She was cute, friendly…and funny.  I’m happy to say that 34 years later she hasn’t changed.

At age 50, she threw her hat in the ring of stand-up comedy and is quickly climbing the ladder of funny.  She recently achieved her dream of performing before a packed house on the main stage of the Washington D.C. IMPROV and she killed!

Sandy recently took time out from her schedule to chat about her career.

 

Mike Smith:   What made you pursue comedy at this stage of your life?

Sandy Bernstein:   Interesting story behind how I decided to get into comedy. I was 53 years old, and had never even considered it. There was no way I thought I could do it, so it wasn’t even an option.

I am a writer/editor in the marketing department of University of Maryland University College. My team handles internal clients, like Human Resources and Diversity Initiatives. In summer 2014, HR decided they wanted to do a talent show and needed my team to promote it. I attend all the kickoff meetings with my boss, and at this meeting, I made a wise crack: “I have the perfect headline. ‘Who Wants to Commit Career Hari Kari?'” One of the organizers of the talent show said, “That’s it, I’m signing you up to do stand-up!” I started to object, and my boss said, “Sandy, you need a stretch project for your performance review.” I said, “Fine, when I go down in flames, you’re going to have to be the one to write the Performance Improvement Plan.” So I guess you could say I did it on a dare.

There were difficult things going on in my life at that time. My boyfriend (now husband) was undergoing chemo and radiation for Stage 3 colorectal cancer, and my mother was in a nursing home, dying from Alzheimer’s Disease, so I was having a lousy year. I figured this would either be a welcome distraction or the cherry on top of my shit sandwich. In any event, I figured, WTF.  I was looking at it as a one-shot deal. You know, one and done.

I was terrified. But having worked there for seven years, I had a lot of material. I put together a PowerPoint to run in the background. The first slide was my head on Mylee Cyrus’s body, because I had a joke about twerking at the talent show. I figured if that didn’t get them laughing, nothing would. So I practiced relentlessly for several weeks. My poor husband had to hear it over and over again. He said he preferred chemo.

So the day of the show came, and the second I stepped on stage, before I even said a word, people were laughing hysterically, because they had already put up the Mylee Cyrus slide. I probably had one of the best sets of my life, and I’ve been chasing that pink cloud ever since. Now I know how junkies feel. Before I even left the stage, I was thinking about where I was going to get my next fix. People were coming up to me afterwards asking me how many years I’d been doing it. I was blown away. I actually have a video of that set, along with talent shows from subsequent years, on my website, www.sandybernsteincomedy.com.

The rest is history, but it took me a while to get going. My mother passed away in November of that year, and my husband had finished his treatments and surgeries. (BTW, he has been cancer-free for four years now.) So in January 2015, I took a course at the DC Improv called “Five Minutes to Funny,” taught by Chris Coccia. It was on five or six consecutive Sundays, culminating in a graduation show on the main stage of the Improv. Chris had done a great job with us, and we all ripped the room. From there I started doing open mics once every week or so, and some showcases for new comics. I had heard that you needed to go up at least three times/week if you wanted to progress, but with a full-time job, I couldn’t even fathom doing that. But by that summer, I felt kind of stuck. There were some comics who seemed to be making remarkable progress, and one of them turned me on to The Fat Doctor. He was one of only four comics to make Richard Pryor’s top four comedians list. After dealing with some health issues, he focused on training other comics. He has taught, mentored, wrote for, and/or influenced comedians such as Martin Lawrence, Patton Oswald, Tommy Davidson, Wanda Sykes, and Dave Chappell,  just to name a few.  I have been studying with him via Skype sessions since September 2015. In January 2016, I resolved to get on stage at least twice a week. I figured out how to make it work while working full time. I ended up getting out a minimum of three times a week, sometimes more, and only then did I feel like I was starting to make progress.

 

MS:  With some of the comedians out there today, your comedy could almost be called “tame.”  Was that a decision going in or did you just find that it suits your style better?

SB:  Tame is in the eye of the beholder. I just did a Jewish-themed comedy show where I kept it PG-13, but my references to sex and body parts did not go over so well. Even though my stuff could probably fly on late-night TV, it definitely isn’t tame enough for many clean comedy shows. I’m actually trying to work cleaner!

MS:  First joke you ever told – not on stage but in your life?

SB:  I’m afraid I don’t remember. I was very shy as a kid. I have an older brother, and he was the one to make all the jokes growing up. He’s my biggest fan.

MS;  First time you told a joke on stage and nailed it?

SB:  From our work talent show –  “Apparently, twerking is frowned upon in this organization.”

For Sandy’s appearance schedule, check out her website, www.sandybernsteincomedy.com

To check out Sandy’s performance at the Washington D.C. Improv, click HERE

Interview with Comedian Eric Schwartz

You may have seen comedian Eric Schwartz in one of his many appearances on Showtime, “The Tonight Show,” BET or his HULU special “Surrender to the Blender.”  If you haven’t, get over to YouTube because you’re missing one funny man.

Schwartz is currently embarking on his “Release the Sounds” tour (he is in Kansas City on Tuesday, April 17th) but found time to answer some questions between gigs.

 

Mike Smith:  Who in the hell is the OTHER Eric Schwartz and how did he beat you to EricSchwartz.com?  He isn’t near as funny as you are.
Eric Schwartz:  THANK YOU FOR ASKING THIS QUESTION AND STARTING IT WITH “WHO IN THE HELL…”

Most people don’t realize we’re two completely different people. Yes, two different people, who happen to have the same name, and who happen to both do comedy and music. It’s beyond frustrating–it’s infuriating!  But, I have to admit, “the other Eric Schwartz” is a supremely talented musician and brilliant writer.  It’s hard to be mad at the guy when his only crime is not changing the name his parents gave him. At least he’s not out there bringing shame to the name. By the way, I’m pretty sure he calls me, “the other Eric Schwartz,” too.

To make things even more interesting, we actually know each other.  He moved from the East Coast to two blocks from me in L.A. We’ve actually shown up to the same gig before after the booker tagged  us both on Facebook.  He once dated someone I knew and she would sometimes accidentally call me all sultry like, “Baby…did you see the moooon tonight?”  I was like, “Yeah, Suzanne. But I’m not taking my clothes off like the last time we talked.”
And yes, one of my biggest career regrets was not grabbing EricSchwartz.com when I was building my first website in 1999.  For some reason, I chose “SuburbanHomeboy.com,” which now forwards to my current site, EricSchwartzLive.com.
MS:   How did you get into comedy?
ES:  I got hooked on Eddie Murphy, George Carlin, Robin Williams and SNL as a kid. I would do their bits and characters to my friends at school.  Everyone already thought of me as a comedian at that point, but I knew I had to start writing material.  I was also a DJ, which is where the musical element came in. In college, I put on my own comedy shows in the dorms mixing comedy and music and somehow didn’t get kicked out.
MS:  When do you know a joke is working? Or isn’t?
ES:  Unless my ears take the night off, I can tell right away.  The cool thing about a live show is the audience will let you know if it’s working or not.
MS:  Do you have a good “I put that heckler in his place” story?
ES:  Most hecklers are actually having a good time and want to participate. They just go a bit overboard on their approach.  But if you ever encounter a mean-spirited heckler, here’s something you can do. Make peace by offering them a free CD.  When they thank you, shout, “SEE DEEZ NUTS!”
MS:   Besides your tour, what else are you working on.
ES:  The “Release The Sounds” Tour is in support of the audio from my first hour special, “Surrender to the Blender” being re-released to Sirius-XM, as well as digital platforms like Pandora, Spotify, Apple Music and Amazon Music. I’m also working on shooting my second special this year.
For upcoming tour dates or to hear some of Eric’s work, click HERE

 

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CD Review: “This is Jerry Pearce”

 

My first concert was February14, 1977 at the Bayfront Center in St. Petersburg, Florida.  The performer?  None other than the King himself, Elvis Aron Presley.  Not a bad start, wouldn’t you agree?

Since then I’ve been fortunate to see many of the people whose work defined the Great American Songbook.  Frank Sinatra.  Sammy Davis, Jr.  Wayne Newton.  Barbra Streisand.  Johnny Mathis.  All masters at their craft and several of them no longer with us.  If you feel the void I sometimes do, I would like to suggest the vocal stylings of one Jerry Pearce.

His latest CD, entitled “This is Jerry Pearce,” is a beautiful trip down memory lane.  Accompanied by the Alan McPike Trio, Pearce puts his own signature on such classics as “Always,” “From Here to Eternity” and, one of my all time favorites, “Fly Me to the Moon.”  He also tackles lesser known songs, like “Watch What Happens” and “Girl Talk.”  In all, there are (10) selections on this disc, and all of them are trips down memory lane.  (No, I’m not THAT old, but this is the music my mother played when I was growing up).

 

If you’re interested in learning more about Jerry, or would like to order one of his many CDs, click HERE

You can read my recent interview with Jerry HERE

 

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Kansas City fans, win tickets to see comedian Eric Schwartz

 

Eric Schwartz, one of the fastest rising comedians in the country, will be making an appearance on Tuesday, April 17th at the Record Bar in Kansas City and Media Mikes has arranged for one lucky reader and a guest to go to the show.

All you have to do is let us know below, if you had the chance to see any legendary comedian live in person, who would it be?  Your choices can be living or dead.  Just let us know who you think would make for one funny evening.  One winner will be chosen randomly from all entries on Sunday, April 15th and will be notified by email.  Good luck!

Recently Eric tried to challenge some of the unwritten rules of Kansas City barbecue.  Click HERE for the results.

Win Passes to the Kansas City Premiere of “I Feel Pretty”

 

Media Mikes has teamed with their friends at STX Entertainment to give (50) readers and a guest the chance to be among the first to see the new comedy starring Amy Schumer, “I Feel Pretty.”

The screening will be held on Tuesday, April 17, 2018 at the B&B Overland Park Theatre in Overland Park, Kansas and will start at 7:00 p.m.

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for two to attend the screening.  This is a first come/first serve giveaway.  Once all (50) passes have been claimed, the contest is over.  GOOD LUCK!

 

I FEEL PRETTY

Tuesday, April 17, 2018  –  7:00 p.m.

B&B Overland Park Theatre – Overland Park, Kansas

 

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Win Passes to the Kansas City Premiere of “Super Troopers 2”

Media Mikes has teamed with their friends at Fox Searchlight Films to give (50) readers and a guest the chance to be among the first to see the new comedy from the gang at Broken Lizard, “Super Troopers 2.”

The screening will be held on Monday, April 16, 2018 at the AMC Studio 28 Theatre in Olathe, Kansas and will start at 7:00 p.m.

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for two to attend the screening.  This is a first come/first serve giveaway.  Once all (50) passes have been claimed, the contest is over.  GOOD LUCK!

 

SUPER TROOPERS 2

Monday, April 16, 2018  –  7:00 p.m.

AMC Studio 28 Theatre – Olathe, Kansas

 

 

Film Review: “Chappaquiddick”

Starring:  Jason Clarke, Ed Helms and Jim Gaffigan
Directed by:  John Curran
Rated:  R
Running time:  1 hrs 46 mins
Apex Entertainment

Our Score: 4 out of 5 stars

Before I begin I’m going to share something.  I was born in 1960 and the Kennedy family were royalty in our house.  One of the few times I can remember my father crying was the day JFK was assassinated and I can remember my mother doing the same thing in 1968 when Bobby was killed.  My first presidential election was 1980 and I worked tirelessly for Ted Kennedy’s campaign.  So I kind of go into anything related to the Kennedy legend with a very wary eye.  I’m so glad that “Chappaquiddick” did not disappoint.

July 18, 1969.  While the world waits as Apollo 11 heads towards the moon, the mood is festive on Chappaquiddick Island, a spur of Martha’s Vineyard in Massachusetts.  It’s a reunion of sorts for the Boiler Room Girls, a dedicated group of young women that campaigned long and hard for Robert Kennedy in 1968.  Joining the women are several members of RFK’s campaign staff, including his younger brother, Ted (Clarke).  As the film’s opening montage tells us, the Kennedy boys, from oldest brother Joe – a Navy pilot who died in World War II, John – our 35th President and Bobby, who died before he could accomplish the great deeds he set out to do, had all died young, leaving Ted to carry the family mantle.  It is something he is reluctant to do, but he is also contemplating running for President in 1972.

Also at the party is pretty Mary Joe Kopechne (Kate Mara), one of Bobby’s strongest supporters.  She and Ted talk for a while and then the two leave the party, get into Ted’s car, and drive away.  Hours later, Ted will return alone and on foot.  He will tell those who greet him “I’m not going to be President.”

A solid film that keeps you guessing on the facts, “Chappaquiddick” is an unbiased attempt to tell the story everyone thinks they know.  The story is helped along by solid direction and a cast that embodies more than imitates the characters.  Clarke does a fine job as Kennedy, nailing the mannerisms and accent perfectly.  As Kennedy cousin (and family fixer) Joseph Gargan (from the Fitzgerald side of the family) Ed Helms gives a fine dramatic performance.  Also so nice to see Jim Gaffigan, who was so great in “Chuck,” continue his journey to dramatic actor as family friend Paul Markham.  And Bruce Dern, in a role that’s almost wordless, is still stern and tough as family patriarch Joseph Kennedy.

The Dike Bridge

As an added bonus, if you’re a fan of the film “Jaws” – and if you’ve ever read my stuff you know it’s my favorite film – you’ll get to see a lot of Edgartown exactly as it appears in the film.  Even the real life area doctor, Robert Nevin, who played the town doctor in the film, rates a mention.

Finally, and this is just a mention, but I’ve been to Chappaquiddick and I’ve driven over the Dike Bridge.  Sober.  In broad daylight.  It’s still pretty narrow if you ask me.  If you don’t believe me, give it a look yourself.  And while you’re there, stop and pay your respects at the grave of Pipit, the dog from “Jaws.”

Pipits Grave. I wasn’t kidding.