Win Passes to the Kansas City Premiere of “Gringo”

 

Media Mikes has teamed up with their friends at Amazon Studios to give (50) readers and a guest the chance to be among the first to see the new comedy, “Gringo,” in Kansas City.

 

The film, starring David Oyelowo and Charlize Theron, will be screened on Wednesday, March 7, at the AMC Studio 28 Theatre in Olathe, Kansas and will begin at 7:00 pm.

 

All you have to do to receive your pass for (2) is to click HERE.  The first (50) readers to do so will receive a pass to attend the screening.  This is a first come/first serve giveaway.  Once all passes have been claimed the giveaway is over.  Good luck!

Film Review – “Survivor’s Guide to Prison”

 

SURVIVOR’S GUIDE TO PRISON

Starring:  Danny Trejo, Matthew Cooke and Susan Sarandon

Directed by:  Matthew Cooke

Rated:  Not Rated

Running time:  1 hrs 42 mins

Gravitas Ventures

 

 

 

 

When I sat down to write this review, I tried to think of a film that, upon its release, found itself on the front page because of the subject matter it covered.  All I could come up with was “The China Syndrome,” which was released in March 1979.  12 days after it opened, events unfolded at Three Mile Island which nearly mirrored the film.  Recently here in Kansas, a man named Lamonte McIntyre was released from prison after serving 19 years for a crime he didn’t commit.  That theme is repeated in filmmaker Matthew Cooke’s latest project, “Survivor’s Guide to Prison.”

 

The film introduces us to two very different people with one thing in common:  innocence.  Bruce Lisker was a white 17-year old boy when he came home one afternoon to find his mother dying from multiple stab wounds.  He called 911 but when the police arrived they took him into custody “for his protection.”  He would not see freedom again for 26 years.  Reggie Cole was a young black man who was also arrested for murder.  He was lucky.  He only had to fight for 16 years for his freedom.  Both men were the victims of shoddy police work, ineffectual representation and this country’s eagerness to throw people in prison.  And it’s not getting any better.

 

Narrated by a host of celebrities, among them Trejo, Quincy Jones, Danny Glover, Sarandon, Ice T and director Cooke himself, the film is a step-by-step, by the numbers guide on how to do whatever it takes to keep yourself out of prison.  As they tick through the bullet points – “Be Polite” is first and foremost – it’s almost humorous to see people like Trejo, his face weathered from having spent over a decade himself in prison, offer reminders on how to stay clean.  But the more they speak, the more you realize you’d better pay attention.  It is revealed that with all of the new and various laws being passed constantly, the average American can commit three felonies a day without knowing it.

 

As we learn more and more about life behind bars, the film also revisits Lisker and Cole, and they’re own struggles.  The true definition of irony comes when, five years into his sentence, Cole kills a man in self-defense.  Because of the circumstances that put him behind bars for murder, an innocent man is NOW a murderer.  Hidden camera and surveillance footage show the brutal way of life that is a constant for those incarcerated.

 

A sobering look at a life any of us, if enough things work against us, could find ourselves living, “Survivor’s Guide to Prison” is a film that should not be missed.

“GET OUT” chosen the Best Film of 2017 by Media Mikes readers.

After tabulating the votes from more than 3,000 entries, “Get Out,” writer/director Jordan Peele’s debut feature, was chosen the Best Film of 2017 by the readers and staff of Media Mikes.   The film also nabbed Peele the award for Best Original Screenplay.

 

Director Guillermo del Toro was chosen the year’s Best Director for his film “The Shape of Water.”       

 

In the acting categories, James Franco was selected as Best Actor for his role in “The Disaster Artist” while Frances McDormand was chosen Best Actress for her performance in “Three Billboards Outside Ebbing, Missouri.

 

 

 

 

 

 

 

 

 

 

 

In the supporting categories, Sam Rockwell was named Best Supporting Actor for “Three Billboards” while Allison Janney was named Best Supporting Actress for “I, Tonya.”

 

 

 

 

 

 

 

 

 

 

 

 

 

“Coco” was chosen the year’s Best Animated Feature.

 

“Call Me By Your Name” was recognized for it’s Best Adapted  Screenplay.  Benjamin Wallfisch was named Composer of the Year for his work on “IT” and “Bladerunner 2049.”

Once Again, KC’s Planet Comicon Stands Above All Others

I’ve been going to conventions since the late 1970s. I’ve gone to small, one room gatherings, to the World Science Fiction Convention and every size Con in between. And every year, the one that consistently gets my nod as the Midwest’s best is Kansas City’s Planet Comicon. This year’s event was no different.

What makes Planet Comicon so special, and it was true again this year, was the variety of guests the show attracts. Besides perennial fan favorites from film, television and comics, they always bring out big guns with guests not only making their Kansas City convention debut but, on occasion, their very first convention appearance ever. This year, Planet Comicon treated it’s attendees with the chance to meet film stars John Cusack, Jason Mamoa and musical legend Alice Cooper. Not a bad trifecta of guests, especially when you pair them with other fan favorites in attendance, including Danny Trejo, Michael Rooker and Alan Tudyk. They were among the nearly 40 celebrity guests on hand this year.

Also popular, as has been the case in recent years, was the amazing cosplay participants who once again spared no expense in honoring their favorite characters. For the newly initiated to cosplay, there were several tables in the dealers area that were more then equipped to get you started on your way. The days of poorly made costumes and rubber-band held masks are long gone as cosplay continues to dominate the convention floor.

We at MediaMikes would like to send out a special “thank you” to Chris Jackson, Tracy Jackson and their incredible staff for their constant kindness over the years. I’ve attended every Planet Comicon since it began and it has amazingly not only gotten bigger every year but better. Next year will mark the 20th Anniversary of Planet Comicon and I can only imagine what kind of a celebration they have planned for 2019!

Photos by Dan Lybarger

The Godfather of Shock Rock gets Geeky We found Waldo Clever “Moana” cosplay John Cusack talks about the 1980’s classics he’s starred in The biggest John Carpenter fans at the convention We want to see this crossover Danny Trejo radiates cool Wet on wet Hands down, the best “IT” cosplay at the convention

 

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Win Passes to the Kansas City premiere of “Annihilation”

 

MediaMikes has teamed up with their friends at Paramount to give (50) readers and a guest the chance to be among the first to see the latest film by Alex Garland, “Annihilation.”  The film, starring Academy Award winner Natalie Portman, will be shown on Wednesday, February 21 at the Cinemark Palace on the Plaza in Kansas City, Missouri.  The screening will begin at 7:00 pm

 

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once (50) passes have been claimed the contest is over.  GOOD LUCK!

 

ANNIHILATION

Wednesday, February 21, 2018 – 7:00 p.m.

Cinemark Palace on the Plaza – Kansas City, Missouri

 

CAST : Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, and Oscar Isaac

 

DIRECTOR: Alex Garland

 

SYNOPSIS: Lena, a biologist and former soldier, joins a mission to uncover what happened to her husband inside Area X – a sinister and mysterious phenomenon, known as THE SHIMMER, that is expanding across the American coastline.  Once inside, the expedition discovers a world of mutated landscape and creatures, as dangerous as it is beautiful, that threatens both their lives and their sanity.

 

It’s writer/director Alex Garland’s follow-up to his critically-acclaimed 2015 film EX MACHINA. Garland adapted for the screen based on Jeff VanderMeer’s acclaimed first volume of the best-selling Southern Reach Trilogy.

 

WEBSITE: www.AnnihilationMovie.com

 

RATING: Rated R

 

RUNNING TIME: 115 minutes

 

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Film Review – “Black Panther”

BLACK PANTHER
Starring:  Chadwick Boseman, Michael B. Jordan and Lupita Nyong’o
Directed by:  Ryan Coogler
Rated:  PG 13
Running time:  2 hrs 14 mins
Walt Disney Pictures

 

 

Holy Crap!!

I continue to be amazed at how the films in the Marvel Universe seem to keep getting better and better.  And it’s not just my opinion.  In checking back though our pages, I found that NONE of the main film reviewers on this site (myself, Mike Gencarelli, Jeremy Werner and Lauren Damon) have given a Marvel film less than four stars out of a possible five.  And “Black Panther” is no exception.

We first met our hero briefly in 2016’s Captain America: Civil War.  Our story here takes us to Oakland in the early 1990s.  While young boys shoot hoop in the courtyard of the projects they call home, high above them they see a flash of light among a dark cloudy sky, briefly forgetting their problems.  But those problems will not go away, no matter who you are.

A story of diversity, family and compassion, Black Panther roars onto the screen at a million miles an hour.  Having lost his father, the former king of the African country of Wakanda, in a terrorist attack, Prince T’Challa (Boseman) returns home to find that he has much to learn.  The only place on the planet where one can find Vibranium, the world’s hardest metal, the country hides its vast wealth and technological advantages behind the guise of a small, third-world country.  Before he can rightly take the throne, T’Challa must accept and defeat all who would challenge him.  He does this with the help of his head of security, Okoye (Danal Gurira), brilliant sister Shuri (Letitia Wright), loving mother (Angela Bassett) and former partner in crime and matters of the heart Nakia (Nyong’o).  As the work to keep their country safe, they must take on the challenge of a long-lost relative, Erik Killmonger (Jordan), who is defiant of the fact that Wakanda is a wealthy country with seemingly endless resources.  He wants to share the wealth and make it possible for everyone to reap its benefits.  Of course, this brings a great hub-bub up to King T’Challa.  “If we take in people and their problems they wil soon become our problems as well.”  Sounds familiar.

Director Coogler, who directed Fruitvale Station and Creed, has once again filled his cast with an amazing set of actors.  Besides Boseman, who has played everyone from James Brown to Jackie Robinson to Thurgood Marshall on film recently, the cast contains recent Oscar winners Forest Whitaker and Nyong’o, as well as Academy Award nominee Bassett.  These films are meant to be taken serious and the cast more than delivers on that promise.  But these films are also meant to be fun, and with great visuals and a brilliant musical score, Black Panther more than fills the bill.

Film Review – “Hostiles”

 

HOSTILES
Starring:  Christian Bale, Rosamund Pike and Wes Studi
Directed by:  Scott Cooper
Rated:  R
Running time:  2 hrs 14 mins
Entertainment Studios Motion Pictures

 

What would you do if you’d spent your entire adult life hating someone only to find that they are now your roommate? I’ll wait while you think up an answer.

A young husband (Scott Sheppard) is alerted by his wife (Pike) that there is a band of Native Americans approaching their homestead. The husband orders her and their young daughters to flee while he takes up his rifle. Sadly, he is no match for the marauding group, nor are his children. Terrified, the woman seeks refuge in the neighboring woods.

As things in Washington D.C. get progressive, Army Captain Joseph Blocker (Bale) looks forward to retiring soon. He has spent the majority of his military career hunting down (and killing) the Native Americans the government has deemed dangerous. Among them, was Chief Yellow Hawk (Studi), a Cheyenne who, along with his family, was captured by Blocker. Blocker is surprised to find out that the plight of the Native Americans has reached the cosmopolitan east coast of the country and that his last assignment will be to escort the Chief and his family safely to Montana, where he can live out his days as a free man. Blocker refuses, only relenting when he learns that to disobey will cost him his pension. To say he’s not happy is an understatement.

Scott Cooper has always been an entertaining filmmaker. Whether it’s the day to day life of singer Bad Blake in “Crazy Heart” or the bond of the Baze brothers in “Out of the Furnace,” he has a unique way of telling a story that makes the viewer feel they are part of the story. And he also knows how to get great performances out of his actors. Jeff Bridges won an Oscar for “Crazy Heart” and both Bale and Casey Affleck did some of their best work in “Furnace,” which is saying a lot since they both also have Oscars. Bale shines again here, as does the group of soldiers he takes with him on the mission, including Jesse Plemons, Jonathan Majors and newly Academy Award nominated Timothee Chalamet. Add to this group long time performers like Ben Foster and Scott Wilson, as well as the quiet, dignified Studi, and you have a cast that is more than up to the task. This also goes for Ms. Pike, who is found by Blocker’s party and taken into the group, with Blocker going out of his way to ensure her safety. Not for any ulterior motive but out of a sense of chivalry and decency.

Visually the film is beautifully shot, with director Cooper and DP Masanobu Takayanagi (“The Grey,” “Silver Linings Playbook”), along with composer Max Richter (television’s “Black Mirror”) painting portraits of the long ago countryside.

THE SHAPE OF WATER Dominates 90th Annual Academy Award Nominations

 

The Shape of Water, director Guillermo det Toro’s “fish out of water” love story, led all nominees when the nominations for the 90th Annual Academy Awards were announced this morning, receiving thirteen, including Best Picture and both Best Director and Best Original Screenplay for del Toro.

 

Other films with many nominations include Dunkirk (8),  Three Billboards Outside Ebbing, Missouri (7), Phantom Thread (6) and Lady Bird (5).  All of those films were nominated in the
Best Picture category.  Other Best Picture nominees:  Call Me by Your Name, Darkest Hour, Get Out and The Post.

 

Director Christopher Nolan finally earned his first nomination in the Best Director category for his work on Dunkirk.  Joining him are del Toro, Jordan Peele (Get Out), Greta Gerwig (Lady Bird)
and Paul Thomas Anderson (Phantom Thread).

 

Best Actor nominees are Timothée Chalamet (Call Me by Your Name), Daniel Day-Lewis (Phantom Thread), Daniel Kaluuya (Get Out), Gary Oldman (Darkest Hour) and Denzel Washington (Roman J. Israel, Esq).  Missing from this list, in my opinion, is James Franco, whose work in The Disaster Artist, was nothing short of brilliant.

 

For Best Supporting Actor, the nominees are Willem Dafoe (The Florida Project), Woody Harrelson (Three Billboards), Richard Jenkins (The Shape of Water), Christopher Plummer (All the Money in the World) and Sam
Rockwell (Three Billboards).  This is Rockwell’s first nomination.  All of the other actors in this category have been nominated before, with Plummer winning the award for Beginners.  If he wins, I’m curious if Plummer will thank Kevin Spacey, who he replaced in the film.

 

Best Actress nods went to Sally Hawkins (The Shape of Water), Frances McDormand (Three Billboards), Margot Robbie (I, Tonya), Saoirse Ronan (Lady Bird) and Meryl Streep (The Post). Amazingly, this is Streep’s 20th Academy Award nomination, giving her eight more than 2nd place legends Katherine Hepburn and Jack Nicholson.

 

Best Supporting Actress nominees are Mary J. Blige (Mudbound), Allison Janney (I, Tonya), Lesley Manville (Phantom Thread), Laurie Metcalf (Lady Bird) and Octavia Spencer (The Shape of Water). Again, in my opinion, this list is missing Holly Hunter, who was so good in The Big Sick.

 

Speaking of multiple nominations, congratulations to composer John Williams, who earned his 51st nomination for his score for Star Wars: The Last Jedi.

 

For a complete list of nominations, click HERE

 

The 90th Annual Academy Awards will be presented on Sunday, March 4th

OSCAR images copyright AMPAAS

Film Review – “Call Me by Your Name”

 

CALL ME BY YOUR NAME\
Starring:  Armie Hammer and Timothee Chalamet
Directed by:  Luca Guadagnino
Rated:  R
Running time:  2 hrs 12 mins
Sony Pictures Classic

 


What is it about Italy that makes people fall in love?  Is it the weather?  The countryside?  The language?  I really don’t know.  I was only in Italy for a weekend and all I did was play softball.  But it was a beautiful country!

Elio (Chalamet) is a 17 year old musical wiz.  He lives with his parents in a small Italian town where the only signs of life are usually in the local tavern.  As summer begins, a car brings the tall, handsome Oliver (Hammer) to the house, where he will serve as Elio’s father’s research assistant.  Of course this means Elio having to move out of his room to another, which he eventually shrugs off.  Like Oliver, Elio and his family are Jewish, though they don’t go out of their way to announce it (according to Elio, his mother likes to say that they are “discretely” Jewish).  As the summer, and their friendship, progresses, they will discover they have much more in common.

A beautifully told story about discovering love, “Call Me by Your Name” is buoyed by the performance of its two lead actors.  Hammer, who you may remember as BOTH of the Winklevoss twins from “The Social Network,” shows a side I’ve never seen.  He makes Oliver both confident and unsure, worried that what is growing between he and Elio may harm the young man.  As Elio, Chalamet gives a true star-making performance, a boy, not yet a man, learning to deal with feelings he doesn’t understand.

The script, adapted from the Andre’ Acimen novel, is written by three-time Academy Award nominated director James Ivory, who was so instrumental in the success of films like “The Remains of the Day” and “Howards End.”  “Call Me by Your Name” actually plays like a Merchant/Ivory film – brilliantly performed and produced.  This is a story of love, though even those involved are unsure of its consequences.  As a character says in the film, “cinema is a mirror of reality and it is a filter.”  Just like life.

 

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Theater Review – THE COLOR PURPLE – Kansas City

The Color Purple
The Kauffman Center for the Performing Arts – Kansas City, Missouri
January 16, 2018

 

Since it’s publication in 1983, Alice Walker’s “The Color Purple” has won many awards.  The Pulitzer.   A couple of Tonys.  Heck, if it wasn’t for some bizarre Steven Spielberg backlash the 1985 film version would have one a couple of Oscars.

 

The musical version of “The Color Purple” opened on Broadway in 2005, closing after running for over two years.  In 2016 the show returned to Broadway, where it won the Tony award for Best Revival of a Musical.  Now the show is on the road and it is definitely not one to miss.

 

The show begins in rural Georgia in 1909.  We meet sisters Nettie (N’jameh Camara) and Celie (Adrianna Hicks).  Nettie is smart and wants to be a teacher.  Celie has always been mistreated and is about to give birth to her second child – by her stepfather.  The baby is born and given away.  We meet Mister (an amazing Gavin Gregory), a widower looking to marry Nettie.  However, when told she is unavailable he settles for Celie, thinking of her not as a wife but as someone to raise his kids and clean his house.    Not exactly a honeymoon.

 

Powerfully told, “The Color Purple” is fairly faithful to the book and film many people will be familiar with.  Many of the familiar characters are here:  Sofia (Carrie Compere), Harpo (J. Daughtry), Squeak (Erica Durham) and, of course, the amazing Shug Avery (Carla R. Stewart).  The story is presented on a minimalistic stage, which consists mostly of a set of risers and a set of wooden chairs.  But the show moves smoothly (though a little slow in the first act) and the cast is amazing.  Both Ms. Hicks and Ms. Stewart have the power to bring down the house with their vocals.  As Sofia, my favorite character in every incarnation of this story, Ms. Compere is both funny and heartbreaking. And I must make special mention of Mr. Gregory, who manages to make a character as dark and seemingly heartless as Mister sympathetic.

 

If you’re familiar with the story, you will genuinely enjoy this production.  If you’re not, you need to take this opportunity to make it’s acquaintance.

 

The show is playing at the Kauffman Center for the Performing Arts in Kansas City through January 21st.  For tickets and information on this show and future productions, click   HERE

Win Passes to the 2018 Kansas City Planet Comicon

What if you could go to a party and chat with Alice Cooper, John Cusack, Jason Mamoa, Danny Trejo and others?  You’d jump at the chance, of course!

Media Mikes is giving (4) lucky readers the chance to win weekend passes to the 2018 Kansas City Planet Comicon.  If you’ve ever attended, or read our annual write-ups, you know that Planet Comicon is THE Midwest convention and the one that all of the others strive to be.

All you have to do is let us know below what guest you would like to see at a future convention.  On February 14, (4) random commenters will be chosen to receive (2) weekend passes to attend the show.

Planet Comicon runs from February 16 -19, 2018 and will be held at Bartle Hall in downtown Kansas City, Missouri.  For more information click HERE

Good Luck!

Pick the Winners of the 2017 Media Mikes Awards and Win Some Swag!

Hello 2018.  Which means it’s time to say goodbye to the films and performances we loved in 2017.  And once again, the readers of MediaMikes.com will have the opportunity to choose the winners of the 2017 Media Mikes Awards.

All you have to do is let us know your pick as the Best in each of the following categories:  Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress and Animated Feature.  You can leave your nominees in the comments below or send them HERE

All nominations will be totaled up and the winners announced on Monday, February 12th.  (5) random entries, either on this post or via email, will be selected and will receive a selection of 2017 movie swag.  Balloting runs through 6:00 pm CST on Sunday, February 11, 2017.  Thanks for voting!

Film Review – “The Post”

 

 

 

THE POST
Starring:  Meryl Streep, Tom Hanks and Bob Odenkirk
Directed by:  Steven Spielberg
Rated:  PG 13
Running time:  1 hr 56 mins
20th Century Fox

 

They were called The Pentagon Papers, an analysis of the almost 30-year history of the United States’ involvement in Vietnam which did not paint a rosy picture for a war that would eventually take the lives of nearly 60,000 Americans.  Their impact, not only on how the war was perceived but in how the press was regarded, is the story of Steven Spielberg’s latest film, “The Post.”

Passengers on a government jet observe a young man chatting with current Secretary of Defense Robert McNamara (Bruce Greenwood). “Who’s that,” someone asks, unaware that the subject of his question will one day set in motion a series of events that, in today’s cycle of “fake news,” will open eyes to the power of the press.  The young man in question is Daniel Ellsberg (Matthew Rhys).  Unhappy with what he has observed and been told, the military analyst leaks a series of reports commissioned by the Rand Corporation to the New York Times, which in 1971 begins to publish excerpts.  Outraged by this, President Nixon orders government attorneys to file a suit forcing the paper to stop publishing the papers in the interest of national security.

In Washington D.C., Ben Bradlee (Hanks), editor of The Washington Post, is upset.  Once again, the Times has scooped him.  This is such a common occurrence that Bradlee brandishes a copy of the Times and asks his reporters “anyone else tired of reading the news?”  The Post is owned by Katherine Graham (Streep), a D.C. socialite whose grandfather had owned the Post and who inherited the publisher’s mantle when her husband, Phillip, committed suicide.  She is wary of Bradlee’s plans.  Not only is there a chance that publishing the information will put her in jail – “Wouldn’t you go to prison to stop this war,” Bradlee asks – but she also risks alienating some of her closest friends, including Bob McNamara.  Decisions, decisions.

A film that packs a powerful punch, “The Post” joins “All the President’s Men” and “Spotlight” as films that show the true power of the press in the face of adversity.  Hanks has fun as the tough but compassionate Bradlee and Streep adds another outstanding performance to her already amazing resume’.  The supporting cast is just as strong, with fine turns by Odenkirk, Carrie Coon, Sarah Paulson, Jesse Plemons and Tracy Letts.  Even Richard Milhouse Nixon gets raves as the evil Wizard who thinks he can rule the Emerald City, and this country, anyway he deems fit.  Rather than employ an actor to portray our 37th President, Spielberg uses Nixon’s actual words and voice, through taped telephone conversations, to show what a devious and paranoid man the President was.

Spielberg keeps the story moving and, as with all of his films, the technical aspects are first rate.  And add another magnificent John Williams score to perfectly accompany the story.

Media Mikes staff picks the Best and Worst Films of 2017

As 2017 comes to a close it’s time our film critics look back on the movies they enjoyed and the ones they didn’t.  Enjoy!

 

Mike Smith –  You must remember, it takes a lot for me to dislike a film – if it’s in focus I’ll give it a “star” – so the few on my list are, as Joseph Bologna said in MY FAVORITE YEAR, “Stinkburgers!”  Happy New Year.

 

THE BEST

1.  ALL THE MONEY IN THE WORLD – I was a teenager when John Paul Getty III was kidnapped and I was intrigued about the case then as much as I am now.  For those of you who may have been out of the loop, director Ridley Scott had already finished this film, with Kevin Spacey appearing as billionaire/grandfather John Paul Getty, when news of Spacey’s “issues” came   out.  Rather than have his film judged, unfairly in my opinion, with it’s association with the disgraced actor, Scott was able to gather his cast and crew together in late November and re-shot all of Spacey’s scenes with Christopher Plummer now playing the part.  That he was able to do this and complete a flawless edit in a month is worthy of an award just on that achievement alone.  I wonder if Plummer will thank Spacey in his Oscar acceptance speech?

2.   GET OUT – I was late to the table in seeing this (thank you Academy screeners).  Writer/director Jordan Peele gives us not only one of the most original horror films ever created, but also uses his art to make us all sit back and recognize the world we are living in.

3.  THE POST – Tom Hanks.  Meryl Streep.  And the master director, Steven Spielberg.  Put them together with a story that was actually taken from the headlines and you’ll get a lesson not only in first-rate film making but in how this government is supposed to run.  Will make an amazing part of a double feature with ALL THE PRESIDENT’S MEN.

4.  THREE BILLBOARDS OUTSIDE EBBING, MISSOURI – A first rate story backed by powerhouse acting, if this film doesn’t bring Sam Rockwell his first Academy Award nomination then the fix is in.  Extra points for it’s make-up work, created by the drummer of my garage band in high school , Corey Castellano.

5.  SPIDER-MAN: HOMECOMING –  Yes, there have been some great superhero films the past few years, but THIS was the Spider-man we’ve all been waiting for.  Instead of the polished young man/junior photographer, we get a nervous, anxious teenager still trying to understand his gift.  Extra points for making Aunt May a hottie.

6.  IN DUBIOUS BATTLE – The first film on my list to star and be directed by James Franco, this adaptation of a John Steinbeck novel features amazing performances from a cast lead by Franco and Vincent D’Onofrio.

7.  THE SHAPE OF WATER – Guillermo del Toro’s love letter to THE CREATURE FROM THE BLACK LAGOON, proving that love can exist anywhere.  Sally Hawkin’s wordless performance is heartbreaking.

8.   THE DISASTER ARTIST – Film number two from Mr. Franco and company.  A behind the scenes look at the making of a film that ranks as one of the most unusual off all time.

9.   STAR WARS: EPISODE VIII – THE LAST JEDI – I don’t understand all of the backlash this film is taking.  Writer/director Rian Johnson has taken the galaxy on a new direction and I have no doubt that J.J. Abrams will bring this final trilogy to a satisfactory conclusion.  If you don’t tear up when Luke Skywalker and Princess/General Leia embrace than you’ve obviously gone over to the Dark Side.

10.  IT –  If you read my review, you know I FRICKIN HATE CLOWNS!  That being said, this is the film that kept me up nights long after I first saw it.

 

THE WORST

BEFORE I FALL – Good lord, what a piece of junk!  Imagine if you will the worse movie ever made involving the supernatural and GROUNDHOG’S DAY.  Now multiple that by 100.  A young girl keeps dying, then coming back, only to die again.  After the third time I was silently praying that the next one to die would be me.  Note to the filmmakers – Valentine’s Day is on February 14th, not the 13th.

THE SPACE BETWEEN US –  This came out a few weeks before BEFORE I FALL, and the latter was so much worse that I found myself apologizing to it on my Podcast.  A woman gives birth to a baby while in space.  For some reason, this makes him as vulnerable to the world as Sam Jackson was in UNBREAKABLE.  Now a teenager, the youngster comes to Earth to meet his on-line gal-pal and find his father – whose identity is obvious 10 minutes into the film.

FIST FIGHT – How in the world can you make Charlie Day UN-funny?  This film has three credited writers, none of whom apparently have never heard of comedy.  Shame on you.  Charlie deserved better.

 

Mike Gencarelli

 

BEST

BEAUTY AND THE BEAST – Music was amazing, especially the new songs. Emma Watson was amazing. Overall perfect!

GUARDIANS OF THE GALAXY – VOL 2 – Nearly perfect. Love everything about this film. Drax steals the show!

THE LEGO BATMAN MOVIE – I’ve seen this film probably 25 times already and it only gets better and better with each viewing. So much is packed in here and is super funny and yet still heart filled.

GET OUT – Funniest movie I’ve seen all year (according to the Golden Globes assholes). It is really a creepy mind fuck that does not get out of your head.

IT – Expectations were HUGE and they were destroyed! Great scares. Finally a GOOD Stephen King adaptation

BLADE RUNNER 2049 – Gorgeous, slow moving yet full of detail and deeper meanings. Perfect sequel.

THOR: RAGNOROK – Absolutely insanely funny, easily one of the top Marvel films to date.

COCO – Great songs and a real family message, which I loved.

STAR WARS: THE LAST JEDI – No explanation needed.

THE GREATEST SHOWMAN – Music is outstanding. This movie makes me so happy.

 

 

 

WORST

RESIDENT EVIL: THE FINAL CHAPTER

RINGS

GOESTORM

ALIEN: COVENANT

BAYWATCH

THE DARK TOWER

THE EMOJI MOVIE

TRANSFORMER: THE LAST KNIGHT

POWER RANGERS

THE GREAT WALL

 

 

Lauren Damon – Lauren will share her reasons behind her choices later this week in a separate article.

 

BEST

 

  1. THOR: RAGNAROK
  2. CALL ME BY YOUR NAME
  3. I, TONYA
  4. STAR WARS: THE LAST JEDI
  5. IT

 

WORST

 

MOTHER!

 

 

Jeremy Werner – I didn’t rank my top movies of the year because I felt like anyone of these movies could be my favorite on the year. That’s how good 2017 has been to us cinephiles.

 

Top 5 in No Particular Order:

 

BABY DRIVER –  With Edgar Wright in the driver’s seat, nearly every little thing about “Baby Driver” is perfect, from the action sequences, the dialogue callbacks, and the perfect harmony between soundtrack and cinematography. One of the most accessible and fun movies of the year.

 

 

GET OUT – Jordan Peele’s satirical horror has already cemented the first time director in the annals of horror movie history. From the first to final frame, “Get Out” meticulously weaves a thrilling horror,that not only scares, but masterfully comments on 21st century racism.

 

DETROIT –  On that same note, “Detroit” gives a history lesson on America’s racism. Unlike “Get Out,” Kathryn Bigelow couldn’t tinker much with reality. Out of everything I’ve watched on the year, “Detroit” was the most visceral as it unrelentingly forces viewers to live through a horrific and tragic ordeal.

THREE BILLBOARDS OUTSIDE EBBINGS, MISSOURI – This may be writer and director Martin McDonagh’s best work, thanks to an outstanding ensemble cast, led by Frances McDormand. The film is a puree of heart-wrenching drama, side splitting comedy, and a mixed message about how morality is never black and white.

THE FLORIDA PROJECT – Some in modern America don’t have a home, or even an apartment, to retreat to at the end of the day. Those lower class families, sometimes with unemployed and/or single parents, scrounge for pennies to pay to live at rundown motels in the shadow of America’s corporate greed. “The Florida Project” is about those people and at times it’s oddly beautiful.

 

Movies on the Outside Looking In:

 

BLADE RUNNER 2049

CALL ME BY YOUR NAME

BEAUTY AND THE BEAST

THE MEYEROWITZ STORIES

GOOD TIME

STAR WARS: THE LAST JEDI

 

Movies You Should Never See That Were Unfortunately Released in the Same Year as the Above Movies:

 

A DOG’S PURPOSE – Mixing reincarnation with a Christian message is confusing, but at its core I believe this film attempts to preach a misguided and dangerous message about humanity’s power and even God’s power over animals. If you’re a dog lover, donate to a local animal shelter instead of buying this dog turd of a movie.

 

BAYWATCH – So it IS possible for the Rock to make a genuinely terrible film?  Lacking in any heart, fun or laughs, this comedy reboot tries to follow in the footsteps of “21 Jump Street,” but instead trips and falls flat. A TV show about hunky beach detectives shouldn’t be that hard to make fun of.

 

CHIPS – Speaking of reboots, here’s one that should have been left behind at the pitch meeting. Dax Shepard, who I’m sure is a wonderful outstanding guy, continues to find funding for his terrible movies. Dax, maybe the things you liked as a kid should remain a fond memory.

 

HOME AGAIN – I’m not the target audience for this film, but I’m also not sure who is. It plays out like a weak sitcom before the predictable ending that wraps up every problem with a neat bow tie. I felt like I was watching a “Lifetime” original TV show lacking any creative effort.

 

POWER RANGERS – I am the target audience for this and I found myself bored. I’m not sure why the Power Rangers needed a gritty reboot, complete with forced subliminal advertising, but I would have been fine with it if it had attempted any character development or compelling storytelling.

 

Other movies that should be forgotten about forever and never mentioned again: THE MUMMY, THE HITMAN’S BODYGUARD and XX.

 

 

Loey Lockerby

 

BEST

 

GET OUT

THE DISASTER ARTIST

THE BIG SICK

ALL THE MONEY IN THE WORLD

DOWNSIZING

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

BLADE RUNNER 2049

DUNKIRK

STAR WARS:  THE LAST JEDI

LOGAN

WORST

WISH UPON

THE MUMMY

THE HITMAN’S BODYGUARD

SUBURBICON

VALERIAN AND THE CITY OF A THOUSAND PLANETS

 

 

Win Passes to the Kansas City Premiere of “The Commuter”

Media Mikes has teamed up with their friends at Lionsgate Films to give (50) readers and a guest the chance to be among the first to see the new Liam Neeson thriller, “The Commuter.”

The screening will be held on Tuesday, January 9, 2018 at the AMC Studio 28 in Olathe, Kansas and will start at 7:00 pm

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for (2) to attend the advance screening.  This is a first come/first serve giveaway.  Once all (50) passes have been claimed the giveaway has ended.

LINK HAS BEEN ACTIVATED – MY APOLOGIES – THANK YOU

 

The Commuter

                                 When:  Tuesday, January 9, 2018 – 7:00 pm                                                                       Where:  AMC Studio 28 Theatre – Olathe, Kansas