CD Review: Jimmy Buffett “‘Tis The SeaSon”

Jimmy Buffett “‘Tis The SeaSon”
Released: October 28, 2016
Genre: Christmas
Length: 39:31
Label: Mailboat Records
Producer: Mac McAnally, Robert Utley

Our Score: 5 out of 5 stars

In our house if Jimmy Buffett’s music is not playing then something must be wrong. With the holidays coming, that is still no excuse to get in the mood. For the last 20 years, we have spent each season listening to Jimmy Buffet’s first Christmas album, “Christmas Island”. It is a must listen every Christmas season. So now finally after 20 years of waiting, Jimmy has released his follow-up to that album with “‘Tis The SeaSon”. I have to admit, I was hoping that it wasn’t going to disappoint especially how high “Christmas Island” was held in our household but it delivers nothing but non-stop holiday cheer and smiles all around. Definitely a perfect way to get into the Christmas mood.

Some highlights for the album definitely have to be the very funny “The Twelve Days Of Christmas” with its Parrothead version of the classic track. It is a must listen. I think I almnost have it down pat to repeat after numerous listens. “What I Didn’t Get For Christmas” is a great track written by fellow Coral Reefer, Mac McAnally, who also produced the album. Paul McCartney’s “Wonderful Christmastime” is easily one of my favorite Christmas songs and Jimmy has taken it and made it better!

Jimmy Buffett, the usual suspects also appear on the album including Robert Greenidge, Jake Shimabukuro and the lovely Nadriah Shakoor dueting with Jimmy on the classic “Baby It’s Cold Outside”. This entire album is done in true Margaritaville fashion and I literally loved every single second of it! These are classics taken my Jimmy and giving such a perfect island “Jimmy Buffett” feel to them. If you are looking for something new this holiday season, then look no further, this album has it all! Merry Christmas!

Track listing:
1. Wonderful Christmastime
2. Jingle Bell Rock
3. All I Want for Christmas Is My Two Front Teeth
4. Drivin’ The Pig (Manejando El Cerdo)
5. The Twelve Days Of Christmas (Parrothead Version)
6. What I Didn’t Get For Christmas
7. Rockin’ Around The Christmas Tree
8. Rudolph The Red Nosed Reindeer
9. Santa Stole Thanksgiving
10. Mele Kalikimaka (Feat. Jake Shimabukuro)
11. Winter Wonderland (Feat. Robert Greenidge)
12. Baby It s Cold Outside (Feat. Nadirah Shakoor)
13. White Christmas

CD Review: Avenged Sevenfold “The Best of 2005-2013”

“The Best of 2005-2013”
Avenged Sevenfold
Warner Brothers
Tracks: 18

Our score: 2 out of 5 stars

Warner Brothers has recently released a new “Best Of” double album featuring Avenged Sevenfold. The album titled “The Best of 2005-2013” features select tracks from the bands four albums with the label (City of Evil, Avenged Sevenfold, Nightmare and Hail to the King) along with three cover tracks and two previously unavailable songs from the bands eight year run with the famed label which are spread across two discs.

Having seen dozens and dozens of ”Best Off” albums come and go with little to no fan fair I was sort of hoping for a little more from Warner Brothers in regards to Avenged Sevenfold. However knowing the relationship between WB and the band was coming to an end in a not so pretty way we have this rather lackluster piece. Pretty quickly I noticed something sounded a little off with the tracks as they all seemed a bit thin and not as powerful as each track sounded on its original release. At first I had thought maybe it was just my speakers however re-listening to the album on a different system yielded the same results. Disc one of the set features three tracks from “City of Evil”, five tracks from “Avenged Seven Fold”, three from “Nightmare” and two from “Hail to the King”. Basically they stripped away some of the more unique pieces on the bands catalog and went straight for all the radio friendly stuff listeners have heard a million times over by now. What fans of the band might enjoy most is disc two of this release as it features three cover tracks pulled from two tribute records the band was a part of along with the tracks “Carry On” which was featured in the video game “Call of Duty: Black Ops II” and “Not Ready to Die” featured in the “Call of the Dead” video game. These two tracks along with “Walk”, “Flash of the Blade” and “Paranoid” were certainly the shining stars as they are not tracks heard as often as those found on disc one.

I would have thought that with the invention of ITunes and other digital media services that greatest hits releases like this would be a thing of the past or at-least reserved for late night info-mercials. Yet there are still handfuls of them released year after year where they are doomed to take up shelf space. Avenged Sevenfold “The Best of 2005-2013” seems to be another one of those releases as it really offers little to longtime fans of the band. Yes you get a hardcopy of a few rarer tracks but, how many people out there are rocking a Discman these days or don’t have some sort of mobile hook up for the media player where they would really need a hard copy? My advice, skip this release as all these tracks can be found on various streaming and download sites. You will not be missing anything by not purchasing a hardcopy of this release as even the packaging is a simple as it can be offering nothing new or original to fans of this era of Avenged Sevenfold.

Track Listing:
Disc 1
1.) Bat Country
2.) Beast and the Harlot
3.) Seize the Day
4.) Critical Acclaim
5.) Almost Easy
6.) Afterlife
7.) Dear God
8.) A Little Piece of Heaven

Disc 2
1.) Nightmare
2.) Welcome to the Family
3.) So Far Away
4.) Hail to the King
5.) Shepherd of Fire
6.) Walk (Pantera Cover)
7.) Flash of the Blade (Iron Maiden Cover)
8.) Paranoid (Black Sabbath Cover)
9.) Carry On
10.) Not Ready to Die

KINGS OF CHAOS ANNOUNCE EAST COAST TOUR DATES

KINGS OF CHAOS ANNOUNCE EAST COAST TOUR DATES

Supergroup KINGS of CHAOS have a announced a string of east coast tour dates kicking off December 17th in Montclair, New Jersey. Following a mini-residency at the House of Blues in Las Vegas December 1 – 3rd, the east coast run will feature former Guns n’ Roses and Velvet Revolver drummer, Matt Sorum, Linkin Park vocalist, Chester Bennington, Robin Zander of Cheap Trick, Billy Gibbons of ZZ Top, Steve Stevens, guitarist for Billy Idol, and Robert DeLeo, bassist of Stone Temple Pilots.

Rock n’ Roll Hall of Fame drummer, Matt Sorum, the creative force behind Kings of Chaos says. ‘ KoC always delivers a badass lineup, and this tour will not disappoint. Where can you hear some of the most iconic songs in rock history packed into one show, performed by the actual artists who created them? Every night is a celebration of rock and roll.”

Tickets are available at www.kingsofchaosband.com

KINGS OF CHAOS w/ special guest Frankie Perez

Dec 1, 2 & 3 Las Vegas, NV @ House of Blues

Dec 17 Montclair, NJ @ Wellmont Theatre

Dec 18 Huntington, NY @ The Paramount

Dec 20 Boston, MA @ House of Blues

Dec 21 New York, NY @ Irving Plaza

Dec 22 Verona, NY @ Turning Stone Resort & Casino

Official website: www.kingsofchaosband.com

CD Review: Metallica “Hardwired…to Self-Destruct”

“Hardwired…to Self-Destruct”
Metallica
Blackened Recordings
Producer: Greg Fidelman, James Hetfield, Lars Ulrich
Tracks: 12

Our score: 5 out of 5 stars

Rock and Roll Hall of famers Metallica are back with a brand new full length album titled “Hardwired…to Self-Destruct”. The album (the bands 10th studio release) is being released via the bands own imprint Blackened Recordings and features 12 brand new tracks from the heavy metal legends which were produced by Greg Fidelman, James Hetfield and Lars Ulrich.

With the “Death Magnetic” era of Metallica long since past fans of the band (myself included) have been clamoring for some new material from the one of the biggest bands to come out of the early eighties thrash music scene. We all have heard the phrase “Be careful of what you wish for” and that couldn’t be more than true with “Hardwired…to Self-Destruct”. The albums 12 tracks capture the band firing on all cylinders and sounding stronger than ever. Tracks like “Moth Into Flame”, “Halo On Fire” and “ManUNkind” all feature the groups blend of ballad like lyricism mixed with the crushing guitars and drums we have all come to love while tracks like “Atlas, Rise!”, “Confusion” and the Lemmy tribute track “Murder One” go straight for the jugular as each track blazes through your speakers with reckless abandonment and aggression. Hetfield and company appear to be at the top of their games both lyrically and instrumentally making this one of the bands most powerful releases in the past twenty years.

Coming off an eight year lapse between records Metallica surely could have gone a number of different ways with their latest offering however, “Hardwired…to Self-Destruct” is a solid mixture of the bands signature classic sound with just enough newness to make you take notice while not completely alienating the listener. “Hardwired…to Self-Destruct” is a near perfect blending of all things Metallica as it flawlessly mixes both old and new while providing listeners with what could possibly be one of thee best releases of 2016.

Track Listing:
Disc 1
1.) Hardwired
2.) Atlas, Rise!
3.) Now That We’re Dead
4.) Moth Into Flame
5.) Dream No More
6.) Halo on Fire

Disc2
1.) Confusion
2.) ManUNkind
3.) Here Comes Revenge
4.) Am I Savage?
5.) Murder One
6.) Spit Out the Bone

 

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Animals as Leaders guitarist Tosin Abasi talks about the groups latest album “The Madness of Many”.

Tosin Abasi is the founder and co-guitarist of the progressive metal band Animals as Leaders. Earlier this month the group released their fourth full length album titled “The Madness of Many”. The album follows in the footsteps of the bands previous releases which pull from a variety of musical influences which are repurposed into the bands own unique style of Djent. Media Mikes had the chance to speak with Tosin recently about the albums creation, the group’s current tour and what the band has planned for 2017.

Adam Lawton: Can you give us some info on where the band was at going into the recording of “The Madness of Many”?

Tosin Abasi: We had done a lot of touring off of “The Joy of Motion” record and we decided it was time to start working on new material. We stopped booking shows and were off the road for about a year. That time off allowed us more time to work on new material while also allowing for change. I think that if you stack your releases to close together things can end up sounding like a continuation of the previous record. We wanted to have a fresher approach so we took a good amount of time off. During that time we were able to just be human beings and practice independent of the band with our own ideas. We then came back together as a group and everything was very collaborative. This was probably the most collaborative we have been as a band thus far.

AL: Can you tell us a little bit more about your collaboration as members and how it has progressed over the bands four albums?

TA: The first album was basically Misha Mansoor and I. I had a bunch of ideas and demos but, I wasn’t really happy with them until Misha stepped in. I had actually thought about canning the whole thing. Working with Misha really set the inner core of the Animals as Leaders sound. When it came time to do the second album we approached things a little differently as we brought in drummer Navene Koperweis who much more of a death metal and electronic background. You can definitely hear that type of production on “Weightless”. For “The Joy of Motion” we did a lot of work with Misha again as well as Diego Farias from Volumes and we had Nolly from Periphery producing and engineering so you can hear again the inclusion of Misha’s sensibilities and his influences. With the newest record there was very little to no outside contributors helping. It was basically Matt, Javier and I. We thought we were going to maybe work with a producer after do pre-production on our own however once we had multiple songs demoed we liked what we heard and couldn’t see what a producer would change or bring to the mix so it started to dawn on us that we could probably complete this on our own. It almost started to feel like we should let this album be just the result of the three of us working together and for better or worse that was the end result.

AL: Was it difficult in any way from a production/producers stand point being that you were all so close to the material?

TA: You have to at some point trust your creative decisions and know what you want the end result to be. I think it’s helpful to have outside ears which is why we have always incorporated outside people but there was something that felt very personal about this material and I think as the bands musical identity has existed thus far it hasn’t been as pure because of those outside influences. We really wanted the only people making musical decisions were the people playing on the album. I think that’s what really shaped how the album ended up.

AL: As a band and individually are you and the other guys always writing or do you have to separate your work between writing time and performing time?

TA: I think we all are always writing. It is more of a matter of would it make sense to do a new album or not. The label doesn’t really dictate to us when we have to make a record but there are certain cycles which make sense. Each of us I think is always in a state of creativity and writing so it’s more of just deciding when is a good time to compile all of that stuff and start on an album.

AL: Does the band set specific goals for each record being from a production or stylistic standpoint or does everything happen more organically for you guys?

TA: Things are totally organic. We really feel like we don’t have any rules. If we want to do a seven minute song that’s strictly nylon string guitar or a really heavy song with nine string guitars or even a classical piece we can do that. We don’t limit our musical expressions. I think Animals as Leaders is deliberately a space of where we can include a lot of our musical influences.

AL: Being one of today’s players who is at the fore front of extended range guitars/instruments, how much more has that opened up things for you from a creative stand point?

TA: It opens up a lot more options. Harmonically you can voice chords in different positions and you also have a much wider range. Technique wise you aren’t limited to strictly guitar techniques. You can incorporate bass techniques as you have access to lower registers. I think that tambour sounds really cool on a guitar. I think of it as we play stringed instruments. I love the guitar and its tradition however I am not a traditionalist. I don’t feel any nostalgia for it or have any need to say “If I add strings to this instrument it’s no longer a guitar.” We definitely embrace all that stuff as it does give us more creative options.

AL: Can you tell us about the bands current tour and what you have planned going forward into 2017?

TA: We are on tour through mid December with Intervals and PLINI who are both instrumental bands. Those guys are all super nice and great players. The shows thus far have all been packed out which has been great! After this run wraps up we will be home for the holidays and then we have some international dates booked which will take us to Australia, New Zealand, Japan, China and I think Taiwan and Thailand. That will all be starting in February. We are also working on putting things together for the spring/summer concert season as well.

Concert Review: Reel Big Fish “Turn Off the Radio 20th Anniversary Tour”

“Turn Off the Radio 20th Anniversary Tour”
Reel Big Fish, Masked Intruder, Stacked Like Pancakes
Monday, November 14th 2016
The Haunt, Ithaca, NY

Our Score: 4.5 out of 5 stars

Punk-Ska veterans Reel Big Fish brought the first leg of their “Turn Off the Radio 20th Anniversary Tour” to Ithaca, NY on November 14th where they performed to a near capacity crowd. The tour which celebrates the 20th anniversary of the bands monumental 1996 release “Turn the Radio Off” also featured Madison, Wisconsin pop-punk band Masked Intruder and Stacked Like Pancakes a 7 piece Ska-Rock band from Baltimore Maryland. All three bands were at the top of their game this evening which was packed with plenty of energy and fun for the college town crowd.

You never know what you are going to get with Monday night show performances. Questions like will the band be into it? Or, what will the crowd be like? Began to flood my mind as I made my way to the small lake side venue for a night of reliving my teenage years. Both of these were answered almost immediately as I could tell by the looks of the parking lot that I was going to be in for something special. Things kicked off promptly at 7pm with Stacked Like Pancakes taking the stage first. The group wasted no time at all launching in to their energetic performance which was a mixture of Ska infused rock which ignited the dance floor almost instantly. The groups 30/40 minute set was highlighted by a spot on big band infused rendition of the classic Blink 182 song “Dammit” which was unlike any other version of that song I have heard. Taking the stage next would be the masked hoodlums known as Masked Intruder. The group who’s sound is reminiscent of early Ramones with a twist seemed to be having some issues with the venues PA system at first as the vocals were getting lost in the overall mix however after a song or two everything came together and the band settled in as they poked fun at the crowd and themselves while delivering their unique high energy brand of punk rock. Having first been made of aware of this band this summer during the Warped tour is was great to be able to catch them again in a smaller setting where they seemed to be at home. Reel Big Fish would follow to close out the night by performing the entire “Turn Off the Radio” album from front to back. They even included the albums hidden track “I’m Cool” complete with a brief break before starting back in to close out the night. Though the group with the exception of front-man Aaron Barrett are different from the band that played on the album the latest incarnation of the Reel Big Fish sounded just as good if not better than the album they were celebrating making for a great overall concert experience.

When a band that has been around as long as Reel Big Fish has it’s great no matter what to be able to still them live. When it really becomes special is when all the bands on the bill bring their A game which was definitely the case in Ithaca, NY on November 14th. I highly recommend catching this tour when it resumes in February. Though it will feature a different lineup I feel pretty confident in saying that it will surely be just as good of a concert experience making a show you won’t want to miss.

Reel Big Fish Setlist:
1.) I Want Your Girlfriend to Be My Girlfriend Too
2.) The Kids Don’t Like It
3.) Another F.U. Song
4.) Your Guts (I Hate’Em)
5.) Sell Out
6.) Trendy
7.) Join the Club
8.) She Has a Girlfriend Now
9.) Snoop Dogg, Baby
10.) 241
13.) Skatanic
14.) All I Want Is More
15.) Nothin’
16.) Say “Ten”
17.) I’ll Never Be
18.) Alternative, Baby
19.) The Impression That I Get (Mighty Mighty Bosstones Cover)
20.) Beer
Encore:
21.) I’m Cool
22.) Everyone Else Is an Asshole
23.) Where Have You Been
24.) Take On Me (A-Ha Cover)

Save Ferris front-woman Monique Powell talks about the bands reformation and upcoming EP “New Sound”

Monique Powell is the lead singer of the Orange County ska-punk band Save Ferris. After a 15 year break the band is set to release a new EP in February titled “New Sound” and embark on a US tour also starting in February. Media Mikes had the chance to speak with Monique recently about the bands return, their pledge music campaign and about working with producer John Avila.

Adam Lawton: Can you give us some background info on the reformation of the group in 2013 and leading up to where the group is now in 2016?

Monique Powell: In 2012, I was diagnosed with a degenerative spine condition that had caused irreparable spinal cord damage in my neck. I was told by doctors that, without emergency surgery I could eventually lose my ability to walk. The catch was that, the surgery I needed was typically performed from the front of the neck, an issue that would have prevented me from ever singing again. I had one doctor say to me “Do you want to sing or do you want to walk?”. At that point, I became determined to find a doctor that could perform the surgery I needed through the back of my neck, a procedure considered far more dangerous, painful, and with far more required rehabilitation. The minute before I went under anesthesia for the difficult surgery, I decided I was going to bring Save Ferris back if I woke up from the procedure with my ability to walk and my voice intact. This is what led to the reincarnation of Save Ferris in 2013. I had to relearn how to hold my head up, how to do simple tasks with my arms, and through it all, I had Save Ferris and the fans to aim for. The response to the shows in 2013 was so positive, I decided to bring us back for good!

AL: What was it like heading back into the studio after being away from that process for so long?

MP: At first, scary. I didn’t eat for days prior due to nerves but then something happened and the magic of John Avila filled the studio, and, I settled in beautifully. It was as if a day hadn’t gone by.

AL: How did the relationship with producer John Avila come together?

MP: John produced the first Reel Big Fish album which was the first album I ever sang on when I was about 19 years old. We had a great time recording “She Has a Girlfriend Now” for Reel Big Fish and I never forget John’s kindness and calm demeanor. When I was shopping for producers for my new stuff, John’s name came up, and I thought, “how crazy would it be if this all came around full circle”. So I scheduled a meeting and here we are.

AL: Can you tell us about the pledge music campaign that is happening around the new EP?

MP: Well, being a band that was virtually inactive for so long, I had no idea how I would finance a new album. Thanks to Pledge and our fans, this new album has been made possible. It has been really fun, we had a studio party with our fans that donated to be on the record it was an epic night for all of us.

AL: Can you tell us about the upcoming tour and what other plans you and the band have for 2017?

MP: The band and I are all so excited to be finally touring together. It really is a dream come true for us, and I cannot believe it is actually happening. I’ve worked so hard for 3 years to make this possible. As for 2017, after we release the EP early in the year, and the 6 week Fall tour of North America, we will continue working on a full length album. If all goes as planned, we will release the full length prior to our 2017 summer tour so fingers crossed!

For more info on Save Ferris and a complete list of tour dates visit http://www.saveferrisofficial.com/

Bassist Pete Griffin talks Giraffe Tongue Orchestra and their “The Walking Dead” connection.

Pete Griffin is a Grammy Award-winning bassist who has worked with everyone from Dweezil Zappa and Steve Vai to Edgar Winter and Dethklok. Griffin’s latest musical endeavor is that of Giraffe Tongue Orchestra a group whose members also include Brent Hinds of Mastodon, Ben Weinman of Dillinger Escape Plan and William DuVall of Alice In Chains. The group released their debut album titled “Broken Lines” in September and is hitting the road this month in support of the release. Media Mikes had the chance to talk with Pete recently about the bands formation, the creation of the album and what fans can expect from the upcoming tour.

Adam Lawton: How did the group initially come together and what is the story behind its unique name?

Pete Griffin: Ben and Brent had been touring together off and on for a decade with their respective bands Dillinger Escape Plan and Mastodon. Even though their sounds are a bit different there groups are both heavy and are very forward thinking. They have been friends and co-workers for some time. Those guys started kicking ideas back and forth and they ended up being better than the average ideas one might pass along. This all started back about eight years ago. The idea for the group has been around for some times and there have been various rhythm sections and recording sessions that didn’t yield any solid results. Last year I got a text from Brent after meeting him while I was out with Dweezil Zappa. I got asked to come and jam with those guys and we started working on a song that would end up being titled “Crucifixion”. They had already started working on things before I got there so I just walked in and just started going. It was at that moment that I think we all agreed there was something there. A month later we tracked the rest of the record with no vocalist. During that time Ben and I were having some pretty hilarious text messages back and forth about who we should get to sing. We were throwing out names like Sting and Paul McCartney which were just pipedream ideas. Around this same time Brent ran in to William in Atlanta and asked him if he would be interested in doing the record. The name of the group was already in place by the time I came along. I think it was one of those flash in the pan ideas where they saw a nature documentary about giraffes and you got to have a band name so there you go. On the flip side you have the abbreviation GTO which when you read it often gives people thoughts of the muscle car which is a hard driving automobile. I think that is a pretty accurate description of our sound as well so in a silly backhanded way it became a good moniker for us.

AL: Are the songs that make up “Broken Lines” ones that were already put together before you joined the group or is this an entirely new group of tracks?

PG: About seventy five percent of the songs were blocked out before I came in. The parts were all there but the bass lines may have needed some tweaking. We also may have done some arrangement changes but Ben had demos for three quarters of the album. When we got together we wrote three more songs as a band and things went from there. The last song we did was put together from three different jams we had recorded. We came up with a way to put them all together and make them work as one song. The interesting thing about that was going back and learning that song in its new form. Now that we have done it a few times its one of the more fun songs to play as it jumps around quite a bit.

AL: The group made some ties recently to “The Walking Dead” television series can you tells us how that all happened?

PG: Bear McCreary who is the composer on the show is a good friend of mine. I have worked with Bear for many years now on a number of his other projects. Have yet to work on “The Walking Dead” but I have done stuff for “Black Sails” and a bunch of other movie score stuff. I had let some of my music friends know about the new album when it came out so they could check it out and a couple weeks letter Bear made a post telling people to go check it out as well. It was cool to get the praise from him.

AL: What can fans anticipate from the upcoming live shows?

PG: So far I know we are going to be performing the full record. With the record being only forty five minutes I am sure we are going to be looking to add some other material or do some extended jamming but we will have to see. At this point we are still experimenting with who we are live. We did two festival shows in England but other than that this is all still very new. It’s definitely going to be a great show though every night we get up there. I am really excited to get things going. A couple days before the tour starts we are all heading out to Ben’s in New Jersey to put everything together so it’s going to be a lot of fun.

AL: This tour runs through mid-December. Have there been any talks of what you and the band have planned for the remainder of the year and into 2017?

PG: Currently after December there isn’t anything else booked for Giraffe Tongue. That doesn’t mean that there won’t be anything else as I would love to keep doing this but nothing is scheduled for right now. Personally for me after this tour wraps up I have a pretty quite rest of the year. Going in to next year I will be working with Paul Gilbert in January and February as we will be going down to Brazil which I am definitely excited for. Ben will be out with Dillinger in Europe promoting their last album and Brent has a new album with Mastodon coming out. It’s going to be a busy 2017 for all of us. That’s something fans should consider when thinking about coming to see Giraffe Tongue Orchestra is this could one of the few times you will get to this project live. That fact also will make the shows even more special.

 

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Rob Kleiner and Kevin Gibson discuss Tub Ring’s Kickstarter and upcoming EP

Since the early 90’s, Tub Ring has been a true passion project. It’s survived multiple incantations, a revolving door of band members, and different record labels. Despite their longevity, they stayed under the radar as they toured constantly across the country year in and year out. With each music release, tour, and band member, the band found a way to create something new and spin their own unique take on their favorite genre. After going on hiatus for half a decade, the two long lasting members, Rob Kleiner and Kevin Gibson, have come back with a kickstarter for fans who’ve stuck around since the band’s early high school days and those who discovered them along the way as they toured the country with the likes of Foxy Shazam, The Birthday Massacre, Dog Fashion Disco, Mindless Self Indulgence, and others. Media Mikes got a chance to talk with them as they get ready to head back into the studio.

Jeremy Werner: After Tub Ring’s 2010 release, “Secret Handshake,” everything seemed to go silent and the touring stopped. A lot of fans seemed kind of in the dark for years, kind of just assuming that the band had called it quits. But here you are with a Kickstarter, a successful one at that, and some are wondering what’s happened over the past six years?

Rob Kleiner: After non-stop touring and making albums for a solid 10 years we were due for a break. Kevin and I had been the two constant members during that period of time. All the upkeep, finances, songwriting, planning, etc., fell on us and us alone. We were a bit tired and also broke. On top of all this I had started finding the biggest success I’d ever had in my music career writing and producing for bigger artists, which led me to move to Los Angeles to focus on that. Since arriving in LA all my creative attention has been aimed that direction.

Kevin Gibson: I got married, and enjoyed living a nice normal life. My love of music remained, but I became more of a music fan than a music creator. My wife and I follow Skrillex all over the country cause we’re nerdy superfans like that.

JW: What was it that got the ball rolling in terms of deciding to come back together, make a best of LP, make some new music, and start a crowdfunding page?

KG: Nothing in particular. I think we both had a little necessary time off, but then started seeing each other more often. Kinda seemed like the right time to do it. It was pretty organic. We had always said Tub Ring wasn’t dead, just on hiatus, so we wouldn’t want to be dirty liars now, would we?

RK: Our guitarist Patrick put the idea out there for making a best of vinyl. Kevin and I liked the idea, and decided it’d be fun to make a few new songs to accompany that.

JW: You reached your Kickstarter goal literally days after launching. What is it like seeing yourselves reach that goal so quickly?

RK: It’s beautiful. I remember a long time ago someone asking me, “What would make you happy in life?” My answer was, “to create someone’s ‘favorite’ music.” Maybe I achieved that. Maybe not. But it sure seems like this is a good indicator that I’ve made music that’s meant something to some people.

KG: It was pretty wonderful, actually. Tub Ring was always a labor of love for us, but I wondered if anyone would still care. Seems like they do, so I’m gonna try to live up to the love.

JW: The stretch goal is $30,000 to do a live show in Chicago. If you reach that…what would a possible second stretch goal be?

KG: Shit, I don’t know. Working on new stuff has been immediately enjoyable. To be honest, we’re playing it by ear. I suppose if not just the kickstarter, but everything else worked out we could always keep recording more music.

RK: We’ve definitely discussed that possibility. If there’s demand then yes. Perhaps we spin the new EP into a new album, or we do a small tour. We’ll have to cross that bridge when we come to it. Whatever people want could become possible.

JW: Because it’s been so long in between new releases of music, is there anything that’s been released by artists you like or any new music over the past six years that you’ve gravitated towards and look to incorporate in your new music?

RK: Absolutely. I write directly from my inspirations. My songs always end up sounding like what I’m listening to. My taste is always evolving. Hopefully my newer influences will work with the new TR material.

KG: Well, I love music and my music preferences are constantly changing. It’s pretty much the same as when Tub Ring was heavily active. Obviously I’m influenced by different music at different times, and it’s fun to incorporate new sounds and styles, but I don’t think we ever sit down and say, “I want this album to sound like this.” We just kinda write what we write and what comes out is Tub Ring.

JW: Is the Kickstarter for the fans or are you looking at trying to make some splashes with the new music?

RK: For the fans and for ourselves. If it brings in any new interest that’s great, but that’s certainly not the goal here.

KG: This Kickstarter is definitely for the fans, as well as us. I sure have fun making music. That being said, it’s not like I’d be upset if we made some more fans.

JW: With both of you on different ends of the country almost, what kind of strain does that put on the music making process?

KG: I don’t think it’s going to any strain at all really. We can bounce stuff back and forth immediately through the wonder of technology. I remember when Tub Ring started out I would write lyrics using a terrible room recording made from a boombox and a cassette. Basically it’s just adapting to the current situation.

RK: It does makes getting together a bit more expensive. That’s what the kickstarter is for to help with. Altogether though, it’s really not too bad of a strain.

JW: I’m sure that you have fans that you talk to all the time about your music, but is there anything you’ve worked on in the past or anything you’re working on now that you’re really proud of and you want people to go check out now?

KG: My Apartment looks nice.

RK: I can’t pimp out one of my artists without pimping out all of them – so instead of writing a novel, fans should just go to my website.

You can check out Tub Ring’s Kickstarter here.
You can get up to date information from Tub Ring on their Facebook.

John Doe discusses his new album “The Westerner” and his book “Under the Big Black Sun”

John Doe is a singer, songwriter, poet and actor. He is probably best known for his work with the seminal Los Angeles punk band X which formed in the mid 1970’s. 2016 has been a busy for year for Doe as earlier this year he released his first solo album in five years titled “The Westerner” along with a book chronicling the L.A. punk scene titled “Under the Big Black Sun”. Media Mikes had the chance to talk with John recently before his performance in Ithaca, NY about the idea behind his new album and what it was like revisiting the stories contained in his book.

Adam Lawton: Can you give us some background on the new album “The Westerner”?

John Doe: My friend Michael Blake who wrote “Dances with Wolves” and several other books was like a brother to me. He was diagnosed with Alzheimer’s and over time couldn’t remember anything. It bugged the hell out of him but we remained close through everything and I would always go up and visit him. We influenced each other a lot in art and writing. Howe Gelb and I were reconnecting around the same as I was writing songs about Michael and using him as a character. I like what Howe has done with different peoples sound as well as his own in Giant Sand. He has really refocused the sound coming out of the Tucson area. I wanted the songs to have space and reverb so working down there seemed like the natural way to go. I had the title “The Westerner” sort in my mind as someone sent me a Doors record. The Doors were also Michaels favorite band so I began looking up stuff on them and my connection with that band goes way back. I was searching the internet and found an image done for one of their record store day releases. Shepard Fairey is the artist who did the piece and he and I have been friends for some time so I asked if he would redo the piece for me and he said yes. The original photo was shot at the Rose Bud Reservation by Aaron Huey who has an organization called “Protect the Sacred”. This was one of Michael’s main charities so it was great to be able to tie all this stuff in with the album. The album is a tribute album but it’s not sad.

AL: Was the idea to do a new solo album already in your thoughts prior to Michael becoming ill?

JD: Everything happened very organically. These days I sort of sit back and look at my watch and say “Holy shit it’s been 4 years since I made a new record” (Laughs). I always am writing bits and pieces of things but it just so happened that Michael was on my mind and I started to see how things were happening and I began tailoring things with what was going on. I loved the song Exene wrote called “Alone in Arizona”. It seemed to be kind of about Michael even though it really wasn’t. I am a big fan of Chan Marshall especially her albums “The Greatest” and “Sun”. I started doing the song “A Little Help” and realized it was similar to “The Greatest” and asked Chan if she would sing on it with me. With the song “Go Baby Go” I reached out to Debbie Harry as X had toured with Blondie and I had asked her before that if I ever had something I thought she would be good for would she do it. That song is a fun rock song and it worked out great. I am very fortunate that I am still around and that people want to come and play.

AL: Having been in the music industry for some time now aside from digitalization and the internet what has been the most notable change?

JD: MTV was really big when it first came out. All the other stuff out there I don’t really concern myself with. I have Instagram and my manager does Facebook so I have a small to moderate presence with social media but if people really want to see me then I think they should come out to show as I am generally hanging around. There is so much great music out there these days that it’s hard to rise above the static. Think of the old music business like an hour glass. You had the music at the top, at the pinching point was the business at the bottom was the public. Over time the shape of the industry changes to where now it’s square. There is just so much stuff flooding people ears these days.

AL: What can you tell us about your new book “Under the Big Black Sun”?

JD: Tom DeSavia who is the co-author and my sweet heart were both telling me that I should write a book. I thought it was going to be just too much work so I didn’t really pay attention to them. One day I had this brilliant idea about how the scene in L.A. was about community and collaboration. With that I knew that I wouldn’t have to write this book all by myself or suffer the pain if people didn’t like it I could just blame it on somebody else. (Laughs) I didn’t have to be the authority on things. I liked book such as “Please Kill Me” and “We Got the Neutron Bomb” however there is not a lot of fact checking that goes into oral histories. Los Angeles was sort of a romantic place in that era so I thought it was important to have it be its own character. I really feel that everything that is Los Angeles from the weather to the cars affected the way the music sounded. After Tom and I decided to do it we got a book deal and things became real. We got paid a pretty good advance and then we knew we really had to go through with it. We started getting people together and selecting topics based on what was important to that scene and what would make people care. The big one was it was that what happened was a cultural revolution. That was Exene’s big part of the book. Dave Alvin was part of the roots scene which got pulled into punk rock so he is the expert there so, that’s where he tells his story from. Robert Lopez was in a Latino band called The Zeroes. He was not out at this time but he was obviously gay so he was able to talk about that aspect of things. Jane Wiedlin talks about where people lived and how that played a role. By doing things this way we were able to give the book a much broader perspective.

AL: The book shines a light on the L.A. punk scene as it was/is often overshadowed by what was going on in New York and London around the same time. Can you tell us a little about that?

JD: I think at some point the media picked up on The Sex Pistols and few other bands that were young and/or un-experienced who said “Fuck You”. The media then said “Ok, Fuck you” which caused them to not cover things as much. When the L.A. scene finally came around about a year and a half later they possibly had enough images and maybe had made up their mind that we weren’t going to play ball. I think bands like Blondie, Talking Heads and The Ramones just wanted to be part of music and have a career. That’s what we wanted also. It wasn’t until the hardcore scene that people felt like they had been abandoned leading to bands doing things on their own. That’s when labels like SST started popping up. Everyone had sort of a chip on their shoulder and over time L.A. punk has started to carve out its own niche which has been good. Twenty or thirty years ago I would have probably been pretty bent out of shape about how the L.A. scene was looked upon but these days I couldn’t care less.

AL: Was there a present rivalry between the two coasts/scenes because of this?

JD: Sure. I think there was a healthy rivalry between New York and L.A. and L.A. and San Francisco but it wasn’t anything to wild. I do remember Exene getting into a fight with Handsome Dick from The Dictators once. (Laughs) What we loved about the whole thing was that almost all of those bands came out to Los Angeles to play at The Whiskey. We saw The Ramones, Blondie, The Damned, Television and a few others who played out our way regularly.

AL: What was it like for X when they would travel to the east coast?

JD: It was rough at first. Exene’s sister got us three shows in NYC in 1978 after we put out our first single. We basically drove from L.A. to New York with all of our gear, played three shows and then drove home. There is a little of that in the book but it was sort of a lukewarm reception. Debbie Harry and Chris Stein came to the shows at Studio 57 and later on we got to be pals with The Ramones. It took a little while because everyone thought L.A. was just swimming pools and Farrah Fawcett. You weren’t just given a Mercedes when you moved there. It was a pretty hard scramble. It was cheap to live there at the time though so there were a lot of young people with nothing to do but create stuff.

AL: What was it like revisiting a lot of the memories from that time period, especially the ones around the time of the death of Exene’s sister?

JD: That specific event wasn’t hard to dig into as I had experienced it so deeply in the beginning. It changed everything for Exene and by relation me too. It wasn’t too hard to look back. I don’t necessarily wish I had kept diaries or anything. It might have been good? You sort of start channeling towards a certain direction and things start to come back. I think it’s all about the details. I worked with everyone who wrote for the book and I always asked for more details. I think everyone was happy to tell their story and I was surprised by quite a few of them.

AL: With your current solo tour coming to end do you have planned for the coming year?

JD: The fortieth anniversary of X is coming up next year. We have the initial schedule which consists of around one hundred shows! Usually we do between thirty and fifty shows a year so this is quite a bit more. I think it’s great! Forty years ago we put a big investment into the bank of punk rock. At the time everyone though it was bullshit but we all have been able to make pretty good careers out of that initial investment. We are one of the few remaining punk bands from that time with its original members. Everyone is healthy now which is really great. We also will be looking to put out some live material and if Exene will write some more lyrics will put out some new songs as well. (Laughs)

Concert Review: John Doe

John Doe, Anna Coogan

Friday, November 4th 2016
The Haunt, Ithaca, NY

Our Score: 4.5 out of 5 stars

John Doe founding member of the legendary Los Angeles punk band X made a stop in Ithaca, NY on November 4th as part of Cornell University’s “Punk Fest: Anarchy in the Archives” a week-long event which included various speaking panels and music performances which coincided with the opening of the Universities “Anarchy in the Archives” exhibit which showcases a vast array of rare punk artifacts. The performance was second of three performances the venue was schedule to host and fans who attended were treated to a great night of music which was highlighted by a guest appearance by X front-woman Exene Cervenka.

Little did I know when I walked through the intimate river side venue doors that on this night I was going to witness an amazing performance by not one but two! Legend’s in punk rock music. The venue was buzzing with excitement as people had heard that X front-woman Exene was in the building after being asked earlier in the day by John to perform with him. After a brief yet eclectic opening set from singer/songwriter Anna Coogan who despite battling some seasonal illness put forth a solid effort which the Ithacan crowd seemed to quite enjoy from the local artist who just returned from a tour with Alt/Country artist Johnny Dowd. After a very quick set change over the man himself John Doe was front and center where he announced his plans for the evening and confirming that Exene was in-fact in the house and that she would be performing with him this night. This announcement only further electrified the crowd as everyone in attendance now knew just how special this night was going to be. To start the set off Doe played selections from his solo career including a handful of new tracks from his recently released “The Westerner” album. Mid way through the performance Doe welcomed up his X cohort Exene to the dimly lit stage. The long time collaborators then proceeded to take the evening to the next level. Though the portion of the set with Cervenka was impromptu the two veterans armed only with one acoustic guitar and their voices delivered a mesmerizing performance that went off as though they had done it hundreds of times before. Much like their work in X the duos haunting voices complimented one another and despite the minimal instrumentation the music was equally if not more powerful in its raw form.

Doe took the stage like a pro and with the help of his long time band partner Exene Cervenka held the Ithaca crowd in the palm of their hands.

Be sure to check out our exclusive interview with John Doe in the interview section of the site.

CD Review: Wovenwar “Honor Is Dead”

“Honor Is Dead”
Wovenwar
Metal Blade Records
Tracks: 11

Our score: 3.5 out of 5 stars

Metal Blade recording artist Wovenwar are back with their sophomore release titled “Honor Is Dead”. The group which consists of former As I Lay Dying members Nick Hippa, Josh Gilbert, Phil Sgrosso and Jordan Mancino along with Oh Sleeper front man Shane Blay is taking things to the next level with their latest release consisting of 11 aggressive tracks which demand listener’s attention.

From the opening lines of “Confession” to the closing notes of “130” the latest offering from Wovenwar is a much more aggressive album than the groups 2014 self titled debut. Vocalist/guitarist Shane Blay seems to have settled in and planted his roots firmly with the former As I Lay Dying members which are nicely showcased on “Honor Is Dead”. The group once again does a great job blending melodic tinged vocals and crushing guitars but goes one step further amping up the heavy portion of the album with strategically placed guttural screams and lyric passages that will surely satisfy even the most fanatical heavy music listener. For those looking the album more melodic moments check out the title track “Honor Is Dead” as well as “Silhouette”. For those wanting the heaviest of the heavy take a listen to “Stones Throw” and “Cascade” as the will undoubtedly do the trick.

The band seems to only be getting better the more and more time they spend with each other and “Honor Is Dead” is a solid testament to that. Though I found the album lacking some of the catchiness found in the group’s previous release I still enjoyed listening to the new material. Clocking in at just over thirty minutes allowed for multiple listens and the diversity of each track cancelled out any redundancies making the latest from Wovenwar a solid pickup.

Track Listing:
1. Confession
2. Censorship
3. Honor is Dead
4. Lines in the Sand
5. World on Fire
6. Compass
7. Stones Throw
8. Cascade
9. Silhouette
10. Blood Letter
11. 130

 

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Need a Holiday gift idea for the Rockstar in your life? Check out Pluginz “Jack Rack”

PLUGINZ ‘Jack Rack’ Now Available via Guitar Center & Musician’s Friend –

The Hottest Music Accessory of 2016!

Take it from Reputable Industry Leaders such as Marshall Amplification and Metal Blade Records + Artists such as Dillinger Escape Plan, Of Mice & Men, Warrant, Atreyu and More…

www.thejackrack.com

Pluginz recently introduced their newest product – the latest musician’s must-have – the “Jack Rack”! Already making a name for itself, this unique, eye-catching wall-mounted keychain holder is the best way to “Hang Your Keys like a Rockstar”. Now, Pluginz is pleased to announce that in addition to their online store at www.thejackrack.com, you can now purchase your very own “Jack Rack” online via top musical gear retailers Guitar Center and Musician’s Friend.

Not only can you buy your own “Jack Rack” via Pluginz, you customize them for your business or brand, too. Artists and reputable companies in the music industry are already creating their own custom Pluginz “Jack Rack” designs after witnessing the personalized nature of the product – allowing them to further promote their brands with a fun and functional twist. To find out more on how to customize your very own “Jack Rack”, email Pluginz at: [email protected].

Pluginz was founded in early 2015 by Mike Stricklin. Stricklin soon partnered up with Rockworld Merchandise owners Dan Jacobs of the band Atreyu, and his brother Joe Jacobs. After a successful Kickstarter campaign that raised over $10,000, Pluginz started making a buzz within the music industry. Soon after, the “Jack Rack” went viral on the front page of Reddit, as well as breaking records for post likes, comments, and shares on pages such as Guitar World, Revolver Magazine, Shut up And Take My Money, Celestion Speakers, 100.3 the Sound FM, Alt 98.7, OC Weekly and many more.

Take it from those who have used the “Jack Rack” and branded their own:

Josh Bernstein
Alternative Press
“There are many inventions in the world that I wish I came up with, such as the iPhone, the electric car and most recently, the cronut. But, when I saw the “Jack Rack” by Pluginz, I was truly humbled. I can’t think of a more highly coveted item by both music players and music fans alike. I know how I will be stuffing my stockings this winter!”

David Peterson
Shut Up and Take My Money
“Pluginz has single-handedly revolutionized the wall mounted key holder industry.”

Rick Zeiler
Coldcock Whiskey
“Dan’s been a longtime friend and business colleague of mine. He presented me with a COLDCOCK Whiskey “Jack Rack” and I was floored at the detail and quality that went into it, so much so we welcomed him using our trademark. Pluginz, the company Dan created, makes an instant impact and is a conversation starter, love them!”

Read more about the Pluginz “Jack Rack” via http://www.jackrack.com, and stay tuned for more news coming soon!

CD Review: Saxon “Let Me Feel Your Power”

“Let Me Feel Your Power”
Saxon
UDR Music
1 DVD+2CD’s

Our score: CD 4 out of 5   

                   DVD: 3.5 out of 5

British heavy metal legends Saxon have just released their 10th live album titled “Let Me Feel Your Power”. The two CD and one DVD/Blu-ray is being released via UDR Music and features 16 tracks that were recorded in Munich and Brighton in November of 2015. The release also contains bonus footage from the bands September 2015 show in Chicago. “Let Me Feel Your Power” is available in a variety of formats including a deluxe vinyl version which also includes the Blu-Ray and 2 CD’s and is limited to 1500 copies.

The latest live offering from Saxon is a solid testament to the staying power of one of the originators of the NWOBHM movement. Vocalist Biff Byford and company sound great through all 30 tracks making this an enjoyable listen and one of the better live releases I have heard recently. The video portion (which coincides with the audio portion) of the package is equally good as it features a variety of crystal clear camera angles with top notch sound. Songs like “Motorcycle Man”, “Power and Glory” and “Queen of Hearts” rip through your speakers with surprising clarity which allows you to hear every instrument with ease, often a rarity with live recordings even with today’s modern technology.

With a track listing that is a mixture of both new and old Saxon “Let Me Feel Your Power” has something for just about every era of Saxon fan out there. Combine that with top notch audio and video and you have a really enjoyable release. Though there are a few songs which you get duplicate versions of and a lack of any real bonus or behind the scenes footage of the band (which would have been cool) these small short comings weren’t enough for me to not highly recommend this release as it’s a great heavy metal listen.

Audio Track Listing:
 Disc 1
1. Battering Ram
2. Motorcycle Man
3. Sacrifice
4. Destroyer
5. Power and the Glory
6. 20,000 FT
7. The Devil’s Footprint
8. Heavy Metal Thunder
9. Queen of Hearts
10. Princess of the Night
11. Wheels of Steel
12. Denim and Leather
13. Crusader
14. Eye of the Storm
15. Battalions of Steel
16. Requiem

Disc 2
1. Motorcycle Man
2. This Town Rocks
3. Sacrifice
4. Power and the Glory
5. Solid Ball of Rock
6. Dallas 1 pm
7. Heavy Metal Thunder
8. Rock the Nations
9. The Eagle Has Landed
10. Wheels of Steel
11. Backs to the Wall
12. Just Let Me Rock
13. Strong Arm of the Law
14. 747 (Strangers in the Night)
15. Princess of the Night
16. Denim and Leather

Lamb of God to release “The Duke” EP on November 18

LAMB OF GOD to Release The Duke EP,

Featuring Two Never-Before-Heard Songs and Three Live Tracks

The Duke EP out November 18 | Vinyl out November 25

Internationally-renowned heavy rock band LAMB OF GOD will release a brand new EP, entitled The Duke, on November 18, 2016 via Epic Records. The EP will be released as a vinyl version the following week, on November 25. The Duke EP is titled after the new track “The Duke”, written in honor of the band’s late friend and fan, Wayne Ford, who was named after “The Duke” John Wayne.

“A little while ago I became friends with a fan named Wayne Ford – he was terminal – leukemia. I talked with him often, even video chatted him into the studio. He was very calm about his impending death, and we discussed it very openly. I learned a lot from him. This song is for him,” dedicates vocalist Randy Blythe.

You can stream the new track “The Duke” and read an in-depth, exclusive interview about The Duke EP with Randy Blythe now via Rolling Stone: http://www.rollingstone.com/music/features/hear-lamb-of-god-honor-late-fan-on-new-song-the-duke-w445283

Exclusive pre-order bundles for The Duke EP, including CD and vinyl versions, are available via http://theduke.lnk.to/merch. Pre-orders on iTunes, Amazon, Google Play and other digital retailers, plus Spotify streaming of “The Duke” single will beginning  Friday, October 21.

The Duke EP Track List:

1) The Duke

2) Culling

3) Still Echoes – live from Rock am Ring

4) 512 – live from Bonnaroo

5) Engage the Fear Machine – live from Bonnaroo

In conjunction with The Duke EP release, LAMB OF GOD will be offering the following items with all proceeds going to the Leukemia & Lymphoma Society (WWW.LLS.ORG):

– Randy Blythe’s Ashes of the Wake gold record plaque

– Signed signature model guitars

– Signed copies of handwritten lyrics

– Signed copies of The Duke EP on CD

– Signed copies of The Duke EP on Vinyl

– Signed copies of Randy Blythe’s book

– Plus more

The charity campaign is being hosted via Propeller.la and will launch Friday. For more information, please visit www.lamb-of-god.com.

LAMB OF GOD is:

Randy Blythe (vocals)

Mark Morton (guitar)

Willie Adler (guitar)

John Campbell (bass)

Chris Adler (drums)

LAMB OF GOD Online:

www.lamb-of-god.com

www.facebook.com/lambofgod

https://twitter.com/lambofgod

http://instagram.com/lambofgod

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