Bill Smitrovich talks about “The November Man” & “Ted 2”

Bill Smitrovich is best known for his role as Drew Thacher opposite Patti Lapone, Kellie Martin and Chris Burke in the acclaimed television series “Life Goes On.” He also has one of the most recognizable faces on television or the big screen. Roles in “Miami Vice” and “Crime Story” led to work in such films as “Independence Day,” “Air Force One” and “13 Days.” Recently he’s appeared on “The Event,” “CSI: New York” and has just begun a recurring role on “The Last Ship.” He also co-starred in “Ted” and will begin shooting the sequel shortly.

His most recent film is “The November Man,” opposite Pierce Brosnan. We spoke on the phone in conjunction with the film and I found him to be a kind, soft-spoken subject. When we said our goodbyes he asked me to be sure I included his fellow co-stars when I mentioned “Life Goes On.” A true gentleman.

Mike Smith: Can you give us an introduction to your character in “The November Man?”
Bill Smitrovich: He’s a high-level CIA agent who once worked with Peter Devereaux (Brosnan). Devereaux is now in seclusion…in retirement, and I go in and pull him out to help us with an operation that his ex-wife is involved with. And the fun ensues (laughs). He needs to get a name from his ex-wife to complete his investigation but he runs into a lot of things in-between that cause problems.

MS: The film has a great cast and a first class director (Roger Donaldson). Was that what drew you to the project or was there something else?
BS: Absolutely! A lot of things drew me to the project. The role. The script. And particularly Roger, who I had done “13 Days” with. I was delighted to be able to work with him again. He’s such a great director. And the script, which kept getting better, especially afterRoger took a pass through it. And, of course, working with the great Pierce Brosnan. I loved it! We found out that we had so much in common and we’ve remained good friends. We even have our birthday in common (May 16th). Which was also the day I started filming, which is kind of strange. It’s almost divine because this particular filming experience was one of the best I’ve ever been involved with.

MS: Working with Brosnan, did you ever feel like you were double-oh eight (008)? I mean, you were trading shots with James Bond.
BS: I was shaken, but not stirred (laughs). You know, wherever you go with Pierce…all over the world…it’s the same reaction. People just love him. He’s a terrific guy to hang out with, and he’s a terrific actor. Besides Bond he’s done some terrific work on screen. And he’s also a wonderful painter, which I’ll bet you didn’t know.

MS: I was not aware of that! It’s been 20 years since “Life Goes On” left the air. Do you still hear from fans of the show?
BS: Oh yes, from time to time. Thanks to Facebook and social media, you really can’t get away from that. Not that I want to. I run into fans all of the time. Recently I was at Frank Lloyd Wright’s “Falling Water” in Pennsylvania. When we got done with the tour this really nice man came up to me. He was probably in his 50s and he was with his wife. He said, “I didn’t want to bother you during the tour but I just wanted to say that we’ve been fans of yours since “Life Goes On.” It really meant a lot to our family and I hope I’m not bothering you.” I always tell “Life Goes On” fans that they are among the very best fans. They are usually very humble. Very polite. Super compassionate and sincere people. I tell them that they are very nice people. And that they have very good taste! (laughs). “Life Goes On” was a very, very satisfying experience for me in many ways. I would get fan mail from siblings of children with Downs Syndrome. It was very special. The show was groundbreaking and I’m so proud to be a part of that. It’s something I’ll always cherish in my career.

MS: Since it’s been 20 years, do you know of any plans for a reunion film or special?
BS: I don’t think so. I don’t think that’s going to happen, unfortunately. It would have been nice. But with everything, there are often too many obstacles to put it all together. I would have loved to have done it. At one point I thought it would be fun to have a little movie with just Chris and I playing private detectives? We’re both out of work so we come upon the idea of becoming investigators undercover. It would have been funny. Because we would just hire people with handicaps. People that are blind have increased hearing. People in wheelchairs. They would blend in and no one would suspect them of being detectives.

“The November Man,” What else do you have coming up?
BS: I start filming “Ted 2” in September. I’m really excited about that. And “The Last Ship” on TNT. My character just appeared last Sunday and I hope to be on it next season when it gets picked up. The finale’ is coming up. It’s a great one. I’m liking it and people are liking it. I’m glad it’s finding an audience. We have things to do. We’re going to save the world.

Kevin Riepl talks about scoring the film “Cabin Fever: Patient Zero”

Kevin Riepl is the composer of horror films like “Silent Night”, “Contracted” and a segment from “The ABC’s of Death”. His latest film is the horror/thriller “Cabin Fever: Patient Zero” directed by Kaare Andrews (Altitude and The ABCs of Death) and staring Sean Astin (The Lord of the Rings Trilogy), Currie Graham (Pompeii, “NYPD Blue”), Ryan Donowho (Soldiers of Fortune), Mitch Ryan (“One Tree Hill”) and Jillian Murray (Bad Ass). Media Mikes had a chance to chat with Kevin about the score and working in the horror genre.

Mike Gencarelli: How did you get involved to score the film “Cabin Fever: Patient Zero”?
Kevin Riepl: I met the director, Kaare Andrews, when we worked together on his contribution to THE ABCs OF DEATH, “V for Vagitus”. When I heard he was selected to helm CABIN FEVER: PATIENT ZERO I was eager to have a chance to work with him again. Likewise for Kaare, so we submitted my reel to the producers and once they were on board, we were all set to go.

MG: Did you look back at the previous two films for any ideas?
KR: I refreshed myself a little bit with the first film’s score. As much as we wanted to create something new, we also wanted to carry over some of the ‘rawness’ of Nathan Barr’s score and incorporate a lot of scratching and dissonance in the string instruments.

MG: What was your biggest challenge you faced with this film and was this score unique in any way from your previous scores?
KR: I think the main challenge on the film (even though it wasn’t really a big challenge) was coming up with and deciding on the palette for the score and what style would best support the story and its setting. I do believe this score is unique from any of my previous scores and that is because this film is different from previous films I’ve scored. Yes I’ve scored a decent amount of horror and thriller, but each of those has been artistically different from each other as well. A film’s story dictates the sound and style of the score. If you look back through my previous films many of the scores are quite different and unique to the film. That’s the ultimate goal – to give each film its own sound. Of course it is a collaborative effort with the director since it’s their vision, but I try to bring ideas to the table that will help their vision stand out and be that much more unique.

MG: You have worked in the horror genre before with projects like “The ABCs of Death” and “Silent Night”; what do you love about the genre itself?
KR: It’s usually dark, gritty and fantastical. Ever since I started music at a young age I’ve always wanted to explore the darker side of music, melody and sounds. As much as I love writing all styles of music, it seems that the horror genre lets me experiment a little more when writing scores. Being a creative person, how can I pass that up?

MG: “Contracted” was a sick film BTW; tell us about your process for this film?
KR: CONTRACTED, indeed, was sick and A LOT of fun to work on. Eric England is a young director and has so much to offer the film world. It was great to work with him on this film. At the very start, Eric knew he didn’t want traditional ‘horror’ music. So we approached the score with a synthetic, almost ethereal sound to help support the main character’s innocence and naiveté, until of course things start to go south. At that point I start to include more grit and experimental sounds and rhythms to help throw the viewer off balance so they can feel as much angst as the main character does as she goes through her changes.

MG: How is it going from scoring video games to TV or film? Which is more challenging?
KR: I don’t find it to be challenging. It’s all music. Yes, there are specifics and deadlines you need to be concerned about during the process of creating for each medium, but in the end it’s still about coming up with ideas and you’re still supporting story and visuals. The most important thing and it is sometimes a challenge, is scheduling…especially when you have a video game, a TV show AND a film on your plate.

MG: What else do you have in the cards coming up next?
KR: I just recently completed the action thriller THE NIGHT CREW directed by Christian Sesma. Hopefully I will have more news concerning the release of the film and an official soundtrack. Other than that, I am currently working on Ubisoft’s and Signal Studios’ TOY SOLDIERS: WAR CHEST video game as well as a small independent feature.

Suicide Silence’s Mark Heylmun talks about album “You Can’t Stop Me” and Rockstar Energy Drink Mayhem Festival

 

Mark Heylmun is the lead guitarist for the heavy metal band Suicide Silence. The band recently released their 4th studio album titled “You Can’t Stop Me” via Nuclear Blast Records and is featured on this year’s Rockstar Energy Drink Mayhem Festival. Media Mikes had the chance recently to speak with Mark about the new album, the bands new singer and how they overcame the loss of the bands original vocalist Mitch Lurker.

Adam Lawton: With the new album being out just over a month now what has the overall reception been like from the fans?
Mark Heylmun: It’s been really amazing. To be honest I am waiting for this whole thing to become difficult. This time last year I was looking into the future thinking that things were going to be very hard. I knew we were going to have to be comfortable with whatever happened and just ride it out. The record is out and people a really loving it. Were out on Mayhem right now and it feels like were just killing it every day.

AL: What was it like for the band working on both new material and with a new singer all at the same time?
MH: We had to build a working relationship with Eddie. We were of course friends beforehand but Eddie’s the type of guy who when you catch up to him you have to hear all of what he has going on. Building that new relationship was a lot of fun because he is our friend and now he is in our band. Surprisingly it was a very easy transition as he works in the same way Mitch worked. We would give him a song and he would either feel it or not. With Eddie being new to the band things were very fresh for him and us as well which made the experience very exciting. In a week we wrote 3 songs together. After those first three songs were written we knew things were going to be ok. This was the first time as a band that we all collaborated together on material. It was very much a group effort this time around.

AL: The album features two songs written by Mitch before he passed away. Can you tell us about those?
MH: One of those tracks is actually a really old song that appeared on our first EP in 2005. We wanted to redo it because we have had a lot of requests to hear those songs. We chose “Ending is Beginning” because it just made sense with what we are doing. A lot of friends wanted us to do one of these old songs as well to see if Eddie could really pull this off. He just slayed it! “You Can’t Stop Me” is the other track Mitch was working on and it’s one of the two last songs we worked on with him. “Blue Haze” was the other track which appeared on a B side. The music for both of those songs was done in the same writing session in 2012. Mitch had only written lyrics for one and we had to looks at those and figure out which song they were actually meant for. It ended up being very easy to figure out because of the structure in which the lyrics were written. The song had no title but the lyrics were “You can’t fucking stop me!” so we really took a lot from those words as it just all fit so well with what we were doing and what we were going to have to do in the future. That song really built us up. Even though Mitch wasn’t physically there he still had a lot to do with the latest record.

AL: What was it like on an emotional level revisiting these songs?
MH: The whole time we had it in our minds that we wanted this album to really mean a lot. We wanted this album to be all that it could be. We postponed jamming and getting together with Eddie until we could all be there at the same time. We got those lyrics sent to us and we all read them together. From there we just started jamming and playing music together. I remember that first session and we didn’t even really play Suicide Silence songs at first. We were playing songs by Pantera, Metallica, Sublime and Offspring. Eventually we started doing our songs but it was just an emotional time that felt new and very real.

AL: So far you have released 2 songs off the album as singles. Are there plans to release any others?
MH: We have had the discussion. We couldn’t really decide which songs we wanted to roll out first because we liked all of the songs. There is potential to release a video for every song off the album. We have a pretty good video team that is in our world and we facilitate all those things. We have a bunch of ideas right now on what to do.

AL: Have you found people are more focused on this being the band’s first album with a singer as opposed to it being your senior release?
MH: A lot of people ask if we feel like this is our first record. I don’t think it feels like that because we are building off of what we have learned from each other. “The Cleansing” was our first full length and that album was really done because of the response from our EP. We had a lot of offers come our way and we had to decide which would be best for us and then write a record. We wrote the record because we had gotten signed and that record was our reaction to those events. We learned that we had to put ourselves in a position to where we were motivated to write. We learned a lot over the course of three records and this new album is the culmination. I think after this we have really learned to write a piece of music and I am looking forward to continuing with what we are doing.

AL: With Mayhem Fest wrapping up in August does the band have any plans for the remainder of 2014?
MH: We will be a part of this year’s Knot Fest which is being held in San Bernardino, CA in the later part of October. That’s going to be just an insane time. We also will be heading over to Europe in November for a tour run over there as well.

Brian Kevin talks about his book “The Footloose American: Following the Hunter S. Thompson Trail Across South America”

Brian Kevin is a writer who contributes to magazines, websites travel guidebooks. He is also the associate editor at Down East magazine and the author of “The Footloose American: Following the Hunter S. Thompson Trail Across South America”. Media Mikes had the chance to chat with Brian about his journey through South America and how Hunter S. Thompson inspired it.

Mike Gencarelli: When did you first find the work of Hunter S. Thompson?
Brian Kevin: I came to Thompson via Terry Gilliam’s adaptation of Fear and Loathing in Las Vegas back in 1998, which I think is true of a lot of people my age (I’m 34). In the book, I describe the film as kind of a dorm room standard during the late ’90s, when I was a college student, and I’ve since praised it in other forums (http://goo.gl/kL3jl2) as really one of the more faithful literary adaptations in recent cinema. So that kind of piqued my interest in Thompson’s work — who the fuck is this guy? what could this possibly look like on the page? — and I spent the next couple years catching up on the Thompson canon.

MG: Tell us what made you decided to take this yearlong journey across South America?
BK: I’d read enough to know that Thompson had spent this year abroad in the early 1960s, reporting on Cold War issues from South America, and it occurred to me this must have been a pretty pivotal time in the life of a writer I admired. But for all the unauthorized biographies and oral histories and documentaries and other materials out there about Thompson’s life and work (particularly after his death in 2005), his year as a foreign correspondent hardly warranted a mention. I was curious enough to dig through a couple of microfiche archives and unearth the articles he wrote from South America, most of which hadn’t seen the light of day for fifty years. The more I looked into it, the more I admired Thompson’s gall for just up and hitting the road, trying to will himself a writing career. I had kind of gone a safer route — some entry-level magazine jobs, then grad school — and I was feeling like it hadn’t gotten me anywhere. Around the same time I was digging up Thompson’s forgotten South American reportage, I suddenly found myself divorced, functionally unemployed, and sitting on a mountain of student loan debt. So I did the only rational thing and traded in a bunch of frequent fliers miles for a ticket to Colombia to follow the Thompson Trail.

MG: What was it like to revisit the places where HST lived and worked?
BK: A lot of people see the title of the book and kind of assume I was carousing my way across the continent in some kind of wanna-be-gonzo fog, but I actually couldn’t be less interested in that. To me, it was all fieldwork — I wanted to revisit the topics that Thompson wrote about for the National Observer fifty years ago and, in the process, get some insight into what he learned in South America that shaped him as a writer and a human being. For all his later gonzo persona, Thompson at 24 was whip smart and super disciplined about understanding the forces shaping Latin America during the Cold War. So traveling in his footsteps meant giving myself a crash course in Latin American history, culture, politics, and ecology. And yeah, that fieldwork sometimes involved drinking heavily with miners, capsizing a boat in Colombia, and patronizing a Paraguayan brothel (sort of), but it really was all in the name of education.

MG: What did you find was the most interesting find of your exploration of twenty-first-century South American culture, politics, and ecology?
BK: Well, the surprising thing was the extent to which the issues that Thompson reported on fifty years ago are still very much shaping the continent. Thompson wrote about Peru’s struggles to overcome a powerful political oligarchy, for example, and that’s still very much the story of Peruvian politics today. He wrote about Brazil as this sleeping giant shackled by inflation, and fifty years later, that’s still arguably the biggest economic story playing out in South America. He more or less predicted the rise of the FARC in Colombia and the ascendancy of cambas in eastern Bolivia and a bunch of other story lines that are still unraveling in 2014. In a nutshell, the interesting thing in country after country was how present the ghosts of the Cold War still are — and that made Thompson’s ghost feel very present as well.

MG: Do you feel that you yourself have changed after this exploration?
BK: You know, I reflect on this a little in the book, and the answer is tricky. A lot of the book ends up being about travel itself — about the reasons people give themselves for picking up stakes and about their expectations of what they’ll come home with. Often, this includes some kind of transformation. People want to come home changed in some profound way, and I’m not convinced this isn’t kind of a bullshit goalpost. My time on the Thompson Trail gave me an education, which is really what we should be after anyway.

MG: What do you think it takes to be a “gonzo journalist” in today’s world?
BK: I think this is a term that starts and ends with Thompson. I don’t think “gonzo journalism” is a form or a genre that a writer can just opt into. It’s one specific writer’s style — Thompson’s — and while it can certainly be imitated, the results are almost uniformly shitty. But I do think that the best nonfiction writers working today approach their subjects with the same fearlessness and unorthodoxy and humor and personal investment that were all critical components of “gonzo.”

MG: Do you have a follow up planned for “The Footloose American”?
BK: Yeah, there are a couple of projects in the hopper. One is a deep profile of this globetrotting, nineteenth-century Forrest Gump-type character who destroyed everything he touched, and the other is a sort of a combination road trip tale and education expose. I realize both of these sound a bit weird and cryptic, but you’ll just have to take my word that they’re fun and interesting, and I’ll be all for saying more when they’re a little farther along.

 

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Texas Hippie Coalition talks about album “Ride On” and Rockstar Energy Drink Mayhem Festival

The southern heavy metal band Texas Hippie Coalition are set to release their fourth studio album titled “Ride On” in mid October of this year and are currently out on tour as part of this summer’s Rockstar Energy Drink Mayhem Festival. Media Mikes was able to catch up with the leather vested 4 piece backstage in Scranton, PA recently to discuss the bands upcoming album and the bands progression since their debut release in 2008

Shawn Meas: What can you tell us about the bands upcoming album?
Texas Hippie Coalition: It’s going to be bad ass! We went back to more of our roots on this album and it’s going to be really hard hitting. We went and worked with Skid Mills at the Sound Kitchen and it turned out really well. We are anxious to hear what everyone thinks. We definitely went back to the format of the first record while spending more money. (Laughs)

SM: What type of process do you guys take when starting to record a new album?
THC: We start off by drinking a little moonshine and smoking a little weed. Then we cuss a little bit and things start to work. (Laugh) Cord Pool and I (Big Dad Ritch) are the only guys in the band who can really do math so song structure is pretty easy to come out. (Laughs) I think if we really used any true written format that it was the same every time we wouldn’t have as good of a creative flow as we did. Things are never the just as long we are all in good spirits and have positive energy around us we can write good tunes together. This time we flipped things and worked on the album early in the morning as opposed to late at night because you could never get all of us in the same room at the same time when it comes to working at night. (Laughs)

SM: How do you feel the band’s sound has evolved from your debut album “Peacemaker” to your upcoming release “Ride On”?
THC: I think we have evolved as players. With the new record we certainly tapped into our roots but we are all better players these days. With this band you get what you came for. We try and keep things real and carry out that theme from album to album.

SM: The band has gone through a number of lineup changes to get to where it is now. What do you guys feel each of the new members bring to the band?
THC: This is actually Timmy Braun’s second album with us. He left for awhile to do some side projects that he has and now he back. We are happy to have him back 100% now. Cord has actually been with us since the release of “Peacemaker” however he joined just after we finished recording that album. We have a pretty good team of guys and we are all having a lot of fun. Cord does seem to be everyone’s favorite though and he has said that if he was ever fired he would still show up anyways. (Laughs) Getting out here is like a bull ride with the music business being the bull. It can take a lot out of you and all four of us can take it while some of our previous members couldn’t stay on for the full 8 seconds. This crew is going to be there at the end to get our buckle!

SM: What are the bands plans for the rest of 2014?
THC: The first single off the new album just got released and is titled “Monster and Me”. The full album titled “Ride On” comes out October 7th and we have a lot of stuff going on leading up to that release date. We are going to be making stops at Gas Monkey Garage in Texas and also playing at this year’s Ride for Dime. Once this album comes out we are going to be going through some tires! There are still a lot of people who aren’t familiar with us so we want to get out there and try to get in to as many homes as possible.

Virginia Madsen talks about her new film “Jake Squared”

Virginia Madsen is known for her Academy Award nominated role in the film “Sideways”. Sci-Fi/Horror fans will know her from her roles in “Candyman”, “The Prophecy” and “Dune”. Her latest film is called “Jake Squared” and co-stars Elias Koteas and Mike Vogel.  The film will be released on August 15th in theaters in the U.S. and will also be available on VOD (iTunes, Hulu, Amazon, etc.) Media Mikes had a chance to chat with Virginia about the film and what she has planned next.

Mike Gencarelli: How did it come about for you to get a role in “Jake Squared”?
Virginia Madsen: The director Howard and I have known each other since the 80’s. Our kids went to school together and they are in college [laughs]. So it was irresistible since we were finally able to all work together and it was great.

MG: What did you enjoy most about working on the film?
VM: I loved the story of our longtime friendship. Elias is one of the greatest actors in the world. We’ve worked together before – this was a chance for us to move our real life on screen. More difficult than doing it where your screaming and crying. We were longtime friends who always had a little vibe but we’ve never kissed before [laughs]. Elias is like my brother but he’s also really sexy and a great guy. So we asked Howard if we could not rehearse and we wanted the camera we had to catch that kiss, which would actually be our first kiss in all these years. I have to tell you it was really good [laughs]. I was very silly and giggly, it was very silly right before we went. We were going in for the kiss and it was really hard not to laugh. It was really weird “you’re my friend – but you’re also very hot” so you know and it was like I was kind of like we kissed for a lot longer than we needed to.

MG: I really enjoyed this film and I agree Elias was amazing.
VM: So glad you got to experience it. I think it can appeal to a wide audience but it is a wonderful indie film that has something for everyone. I also love that it’s going to be available everywhere. There was a time that if u did a indie film and you didn’t get that big release, your movie would disappear. It might show up in an old Blockbuster. Now it’s a whole different world for independent movies. Our film can now be seen worldwide in online.

MG: I also liked how the film switch from narrative to documentary style.
VM: Yes, I really liked that because we’re just telling a story. That’s what we do we are story tellers, it was interesting to be able to speak directly to the audience and fill them in on whats going on. Really interesting device that he used, worked really well in the film.

MG: You have worked in many genres including drama, horror, sci-fi; which do you enjoy the most out of all those?
VM: Depends on the material, I like working on good films. But I do love the fantasy/horror/sci-fi genre because that’s like make believe – like when you dress up for Halloween. You feel like a little kid when your making a horror film and it’s really fun. It’s my passion, I’m so blessed to be able to have employment when most actors are out of work. Internet has been very big for me recently as well. Hats off to Kevin Spacey and Dana Brunetti on “House of Cards” since that changed everything and has opened the door for so much work. I am always very grateful for them.

MG: Going forward, anything to talk about?
VM: Well I have a film called “The Wilderness of Jane” and another film called “Walter”. They are both wonderful indie film that have both been sold. Where, when…I don’t know yet. These independent movies explore relationships more than mainstream movies do and are highly creative. Not that I wouldn’t want to be in the studio rom-com machine, I mean I love to make that kind of money, I love to be in a position where if u put me in a film you can get financing. All those guys have stacks and stacks of scripts and there’s just a handful of them. Amazing when someone like Howard writes like this film and can go out and get the money and due to that we get to all play in the sandbox. I am trying to finance things and it’s really hard because of where the films can go.

The Raskins’ Logan Raskin talks about debut album and touring with Motley Crue

The retro-rock act known as The Raskins, are currently out on the road as part of Motley Crue’s final tour which also features veteran rocker Alice Cooper. The band consisting of twin brothers Logan and Roger Raskin perform a unique blend of rock that harkens back to the early days of CBGB’s but with a modern twist. Media Mikes spoke with Logan Raskin recently about the group’s formation, their debut album and how they landed one of the biggest tours of the summer.

Adam Lawton: Can you give us some background on the band and what made you want t pursue music?
Logan Raskin: Both my brother and I were born in raised in Chelsea, NY and our parents were in the music industry for many years. My father did lots of shows on Broadway and was the lead in shows like “West Side Story”, “Oklahoma” and bunch of others. I grew up going to those shows and watching him perform. He also would take a band with him out on the road and perform various songs from shows he appeared in and my brother and I would go out on the road with him. My mother was a pretty well known jazz singer around New York and also put a couple albums out as well. They taught us how to play music at a very young age and I think my brother and I wrote our first songs between the ages of 8 and 10. It was sort of inevitable that we would end up in the music business. Granted our parents taught us music our mother never really wanted us going in to the music business because the lifestyle was sort of tough for them and she didn’t want us to go through the same thing. Growing up on the Lower East side however music was tough to get away from. On any given night we could go to a club and see The Ramones, Patty Smith or The New York Dolls. We got bit by the bug and it was pretty much game over. We are very happy to be able to be doing music now full time.

AL: Have you and your brother always played together in bands?
LR: People always assume that we have played together our whole lives but to be honest this is the first time that we have really been in a band together. We certainly have played together over the years but never in a band. The Raskins have been together for about 3 years and it was something that started out as just a writing project. Roger and I had been composing music for television and movies for years and that’s what we were in to. We started getting a lot of fan mail from around the world from people who heard some of our work and really enjoyed it. They were always asking about where they could get our music and when they could see us live. We took about a year and recorded this first record on our own. We initially went in and recorded 60 songs. From there we took the best 12 that we thought represented us well and we put them on this record.  Next we put the band together and worked the New York area pretty heavily before making our way out to Los Angeles. We pushed the internet market really heavily as well and that’s where things really started for us.

AL: Did you have a clear cut vision of how you wanted the band to sound when you were first starting out or did your sound evolve more naturally?
LR: It was a combination of both. When we went in to the writing stage we wanted to just write as much as we could. We had an overwhelming amount of music written when we went in to do tracking and things just went from there. Our influences certainly came out and Roger and I both had a lot inside us. We wrote these songs for us as over the previous seven years we were composing music for other people. We had the opportunity to do this for ourselves and we were like kids in a candy store. The reason we did the recording of the album ourselves was that we didn’t want to have to work within a specific time frame as we both knew each other had a lot to say. What you get on the album are the influences we got from our parents along with what we were exposed to musically growing up in New York.

AL: When you are writing material do you and your brother generally work separately or collaboratively?
LR: It’s a combination of the two. We have a main studio that we work out of but we also have our own little separate studios at home. We both write music and lyrics but for this album I think I wrote more of lyrics. A lot of stuff we do completely on our own but it’s great to work together and bounce ideas off one another. Roger has given so many great songs. We work really well together. Sure we battle it out sometimes as we do a lot of hours in the studio but we have a process we go through that works well for us. We don’t try to force anything. We just try to be ourselves.

AL: What was it like taking your two piece band and developing it into a full group for touring purposes?
LR: We went through several ideas in our heads. Have both been in and out of bands over the years it’s a tough process. People sort of see us as this overnight success because all of a sudden we are out on the road with this big tour. That’s certainly not the case. We have been doing this for quite some time. We love everything about music and have had our share of struggles along the way but to have this opportunity to start off as a duo with my brother and then build a great band around us we feel that the bond of the band is extremely tight. We are surrounded by some really great musicians and even though people may see us as a duo we are a band. My brother and I felt that being in this band together with other musicians would just strengthen our bond.

AL: Can you tell us about being out on the road with Alice Cooper and Motley Crue?
LR: It has been an incredible year for us so far. When we finished the album we wanted to tour as much as possible and to really get the music out there any way we could. We started out doing a winter tour on our own and after that run ended we were asked to be a part of the Scott Wieland tour. We went out with Scott for about a month and while that was happening we were in talks for summer touring options. A few ideas were mentioned and being an optimist I mentioned some of the bigger tours going on this summer like Slash and Miles Kennedy, Kiss and Def Leppard, and Motley Crue and Alice Cooper. About 5 shows in to the run with Scott we got a call asking just how serious we were about the Motley Crue tour. We were serious as a heart attack and our booking agent thought we had a shot so we went for it. After a couple weeks we still hadn’t heard anything. We had initially submitted only for 17 shows so we weren’t sure what was going on. We ended up re-submitting for the entire tour and shortly thereafter we got a calling saying there was interest in having us. We had to wait for the guys in Motley Crue to make the final decision and luck for us they loved us and we were asked to be on for all 66 U.S. shows. It’s great being out here playing all these great venues that we always dreamed about. We played the Hollywood Bowl recently and will be playing Madison Square Garden also this year. As two kids growing up in New York City that is just going to be a dream come true.

AL: What are the bands plans after this tour run ends?
LR: We want to try and take a little time at the end of November to do some recording as we are always writing. We want to get what we have down in to demo form. Right now it likes like we will be out with HIM for 10 shows in December and we are also looking at some dates with Joan Jett, Blondie and The Cult. That will take us into next year with the possibility of going out with the Red Hot Chili Peppers and maybe AC/DC. I told them to put that at the top of the priority list! (Laughs) My dad always told us to shoot for the stars and maybe you will reach a tree top. That our philosophy with everything that we do. This year has been great so far and we are excited about the future.

Less Than Jake’s Chris Demakes talks about their new album and the Vans Warped Tour

Chris Demakes is the lead vocalist/bassist for the Punk/Ska band Less Than Jake. In November of last year the band released its 8th studio album titled “See the Light”. The band is currently out on this summer’s Vans Warped Tour and  Media Mikes had the chance recently to talk with Chris about the new album, the bands 22 year career and about his recent appearance at the inaugural AP Music Awards ceremony.

Adam Lawton: The band’s latest release came out in November of 2013. With almost 20 years between the two releases what do you feel has contributed most to the bands staying power?
Chris Demakes: I think at some point we stopped believing that we could chase some kind of a trend. We were and still are a 3 piece punk band with a horn section. We worked really hard throughout the years and made a lot of friends along the way. It’s been a crazy ride over the 22 years since the band first started. Right now we are probably the oldest band out on this summer’s Warped tour. I think we are about 6 or 7 years older than the next oldest band. (Laughs)

AL: When you first started out was a career this long something you ever envisioned?
CD: No. I don’t think any band starts out thinking they are going to have a career. We were just a group of guys who got together in a garage to play some music. Next thing we know we were getting asked to play a party, then a bar and so on. Before we knew it we were 3 or 4 years in to this and getting some label attention. I wake out now with 22 years gone by and I am not sure how to totally answer this type of question. Everything sort of blended in to the next thing.

AL: By being the oldest band out on Warped tour this year how do you go about grabbing younger listener’s attention?
CD: There are certainly no delusions of granger on our part in that we aren’t going to make a 13 or 14 year old girl like our band when she isn’t interested. We just go out there and be ourselves no matter what. We have done enough festivals now to where we are comfortable getting up there in front of whoever. It’s hasn’t been too weird this time around. Warped tour is a way for us to get out there and play to people who may have never heard us before. Being involved with the promotional aspect of the tour has been great for us as well as it has really helped get our name out to the mainstream which is something that probably wouldn’t have happened at this stage in careers. We just aren’t that band anymore.

AL: When it comes times to work on a new record how do you go about keeping the music fresh and do you ever feel confined to writing with your specific genre?
CD: We write ultimately for ourselves and then for our core fan base. If you make the same record over and over people say you’re washed up and you haven’t changed. Then on the other hand if you add a keyboard or tambourine part on something you and asshole and a sellout. You really are damned if you do and damned if you don’t the longer you are a band. You can’t really listen to the internet trolls and naysayers. You have to do what comes from your heart. We are not that complicated of a band. We feel every time we put something new out that it has a freshness to it. We try each time to push ourselves a little bit in terms of writing and musicianship but you have to stick close to who you are while making sure that you keep everything fun.

AL: What do you feel has been the bands biggest obstacle thus far?
CD: That is something that I don’t think I have ever been asked before. I think the biggest thing for us has been all remaining friends. We have the same 3 guys that we started with. Our newest member is our saxophone player and he has been in the band 15 years. You learn over the years how to navigate those relationships. You learn which guy is not a morning person or which guy you don’t want to piss off at this time. (Laughs) That’s really just the everyday obstacle of being in a band and learning to communicate with each other. It’s like a relationship accept we don’t screw each other…Yet! (Laughs)

AL: You were just recently a part of the inaugural AP Music Awards. What was that experience like?
CD: I’m not completely sure how we got involved with that but I was asked to present an award and I graciously accepted. We got to go to Cleveland and drink free drinks and act like assholes. (Laughs) I think the idea of the awards is pretty cool and we were happy to be there however at this stage in the bands career I don’t think being a part of the event is going to change a lot of things for us. We had a great time however and again were very happy to be a part of the event.

AL:  What are the bands plans after Warped tour wraps up?
CD: We have some festival shows booked here in the states and a few in Canada as well. We also will be doing a two and a half week Canadian tour run before ending up in our hometown of Gainesville, Florida for a Halloween show. That will about do it for us this year.

Korn’s Ray Luzier and James “Munky” Shaffer talk about touring with the Rockstar Energy Drink Mayhem Festival

The heavy metal group Korn is out on the road this summer as part of the Rockstar Energy Drink Mayhem Festival. The group recently released a tour version of their 2013 album “The Paradigm Shift” exclusively through Best Buy which features several new tracks along with some exclusive live tracks as well. Media Mikes had the pleasure of talking with drummer Ray Luzier and guitarist James “Munky” Shaffer during the tours recent stop in Scranton, PA about the release and how they connect with the different crowds they perform for each night.

Adam Lawton: When you are out on a tour like the Mayhem Festival is there any one thing that is the same from day to day?
Ray Luzier: We hear the same bands every day. (Laughs) What’s really great is that we get to play to diverse crowds every show. There are people who have seen us 27 times and there are people who are just seeing us that day for the first time. I’m not sure about constants but I try to stay in a similar routine from day to day.

AL: With the band playing all over the world how do you go about connecting with each of the crowds you perform for?
James “Munky” Shaffer: Every audience is different and that’s really the beauty of it. Like Ray said before you get people who have seen you a lot and you get people who have never seen you before. We are playing the same songs night after night so we try and keep that thought in our heads so we go out and put on a great show every night. We want them to really enjoy the show and to come and see us again.
RL: We may be super tired from traveling or whatever before we hit the stage but once we are up there we are energized bythe crowd. We are fans of music ourselves and still go out and see a lot of bands and buy their merchandise and what not. This is Korn’s 20th year as a band and I have been touring myself just as long. It never gets old. We are still excited to play every time we go up there.

AL: Have you guys seen any bands on this tour that you have really become fans of?
JS: Trivium is a band that has really impressed me. Their songs and how they engage the audience has really impressed me. Those guys are super tight professionally which is really inspiring. I know they have been around a few years but to see that level of commitment is really awesome. I was a mess at that stage of the game. (Laughs) I still am a mess but I have gotten a little better over time.
RL: I go out and check out the side stages from time to time and there are a lot of bands on this tour that have really impressed me. I watch bands like Mushroomhead and Miss May I and you can see just how hungry they are. They all have their own thing going for them which is really great to see.

AL: Can you give us some info on the tour version of your most recent album “The Paradigm Shift”?
JS: We initially released that album last year and after it was out for a couple months there were some songs that never got finished that we wanted to still work on. Jonathan went back in and wrote lyrics for these songs that we didn’t get to finish because we just ran out of time. They came out pretty good and we also decided to add some live tracks on the new release as well. When we are out on the road we like to have something in stores for people to buy that is fresh.

AL: Ray, how do you go about balancing your time in Korn and working with your newest project KXM?
RL: We all have side projects that we work on when we aren’t working on Korn. We just have a tremendous amount of music inside of us. I think these side projects are important for each of us to do as they help us remain creative. KXM is something that George, Doug and I have been talking about doing for years. The idea goes all the way back to my son’s first birthday party when we all were talking about jamming together. Scheduling is always the hard part as Korn is very busy but we hope to get some shows set up before the end of the year. Right now we are just working on videos and such.

Briana Evigan talks about returning to the “Step Up” series with “Step Up: All In”

Briana Evigan got her big break in film with “Step Up 2: The Streets”. Since then she has appeared in films like “S. Darko”, “Sorority Row” and “The Devil’s Carnival”. She is returning to the “Step Up” series in the fifth film “Step Up: All In”. Media Mikes had a chance to chat with Briana about coming back and what we can expect from the film.

Mike Gencarelli: How did it come about for you to come back in “Step Up: All In”?
Briana Evigan: I got a call from Jennifer Gibgot and Adam Shankman and asked me if I wanted to come back for the fifth “Step Up”. They said they were bringing everyone back. The fans made it apparent who they wanted to see come back and I was one of them. They were still looking for a director at the time but we all had dinner, talked and I came on board. It was a pretty easy “Yes” for me being that “Step Up” started my career. I wanted to go back and get to be with everyone one more time.

MG: Did you ever think you would be coming back to this series?
BE: No, never. It is so funny. I never thought I would do it again.

MG: How has Andie West changed in this film?
BE: Andie is definitely sexier, my wardrobe alone. She is more in control. She knows what she wants and is much more focused. She is still this sweet and loving girl though that cares more about her friends and family that anything in the world. In this one, Shawn and I are butting heads but at the end of the day we really want the same thing throughout the movie. We teach each other a little bit about life and then we come together and there is love.

MG: How was it getting back same cast including Alyson Stoner, Adam Sevani, Mari Koda and Luis Rosado?
BE: Getting back with the gang was just great. I love Mari Koda. She and I have gotten so close in the last few years. We spent every day together pretty much on or off set, which was awesome. I seriously think she is one of my favorite people in the world and you can quote me on that [laughs]. I love her. We are all like a awesome. It was just awesome.

MG: What was it like bringing the setting to Las Vegas?
BE: Oh that was fun. I have grown up in LA, so Vegas is a place that I have gone often for partying but now I was there filming actually on the Strip, so it was pretty cool. How many times have I been there? Yet there I was filming in a truck driving down the strip with all my friends, so that was just amazing.

MG: How does this film compare to “Step Up 2: The Streets” in terms of challenging dances?
BE: The cool thing about the dances in this one but we tried to come up with organic ways to do things. Instead of doing things in post-production and going overboard, we figured out ways for us to use things that weren’t too big and distracting but makes the dancing bigger than ever. I am dancing with fire. We have dancers coming out of the ground when we are dancing on sand. Guys are zip-lining. We have these huge fan machines, which you can’t see obviously, but they are blowing us. So we have all of the elements. The finale is very epic. Everyone dances their faces off and the choreography is just phenomenal.

MG: How does this film live up to the title of “All In”?
BE: Oh, it is totally all in [laughs]. That’s it!

MG: What else do you have in the cards upcoming?
BE: I just did a movie and in a role that was quite a leap for me. It was actually a role that I have been looking for for years and it landed right in front of me. I am playing an artist/photographer that is confused about her sexuality and trying to find love. The character has Huntington’s disease, which is very rare. It was quite the challenge and I prepped for the role for about 3 1/2 weeks. It is called “ToY” and Patrick Chapman directed it. Plus I also have “The Devil’s Carnival 2”, which I am working on right now actually. We will be in heaven this time and it is going to be awesome. Ms. Merrywood will be back!

Mari Koda talks about her role in the “Step Up” series and the new film “Step Up: All In”

Mari Koda is known for her role as Jenny Kido in the “Step Up” film series. She has been in every “Step Up” film since “Step Up 2: The Streets”. She is returning this week in the the fifth film in the series “Step Up: All In”. Media Mikes had a chance to chat with Mari about the film and her challenges during filming.

Mike Gencarelli: How did you get started with your background in dancing?
Mari Koda: I started listening to music before dancing. I just thought to myself, “Wow, I would love to do something with the music that I love”. So I started dancing and I just started moving. I do not think that I was even any good [laughs]. I never went to school or anything. I just went out there and starting dancing and that’s how I got I into it. You just catch the energy and go with it. I love it. After I started dancing, I wanted to know what the songs were actually about and after that I decided to learn English and move to New York. I love New York because it is so diverse and there are so many different kinds of people. I knew this is where I belong. In Japan, there are too many Japanese people [laughs].

MG: “Step Up All In” takes us to Las Vegas, what was that like going from the streets to the Sin City?
MK: It was just amazing. Just Wow! We came this far! We are in Las Vegas. There is a lot of surprise in this new film. Even working on the film, we were all impressed with what happens. I am just lucky to be in the film.

MG: How has Jenny Kido changed at all over the course of these four films?
MK: I have played Jenny in four films now. She has never had a love interest in the films. Does this girl never fall in love? Can I at least hold somebody’s hand? [laughs] In the movie, I quit my job and come to Vegas to support my friends but she never has a boyfriend. I told the producers about this and they asked me if they do a “Step Up 6”, who would I choose for a boyfriend? I told them “JT” and they asked “Who” and I said “JT…Justin Timberlake”. So I figured it can’t hurt to ask [laughs].

MG: This film brings back Briana Evigan and Ryan Guzman to lead roles along with others like Alyson Stoner; what do you enjoy most about the continuity of the cast in these films?
MK: We have grown up so much together. It is just so much fun to work together. We are laughing all the time. Rehearsals are just a blast and getting to catch up with everyone. With a normal movie series, there is usually a different cast but not with these films. Like with me and Moose, he and I are always coming back. So it is really great.

MG: When co-starring in “Step Up 2: The Streets”, did you ever think you would have been in three follow-up sequels for this franchise?
MK: No, not at all. I was surprised that there was even a “Step Up 2”. I had no idea what I was going to do in the movie. I knew I would be in it as either “Dancer 1” or “Dancer 2”. But I had no idea about my character and I was really excited. Everything I did in “Step Up 2” was all improv and I was just excited that I ended up staying in the movie. Jenny Kido stood out. I didn’t even know what would happen after that. I even went to the audition for “Step Up 3” and Jon Chu, the director, was like “What are you doing here? You are already in the film”. So that was so awesome!

MG: What was the most challenging aspect of this film compared to the others?
MK: Well I actually got hit by a car in this film for real. I was in the hospital for a while. It was very challenging for me. The doctors told me that I needed to stay in the hospital for at least two or three weeks and that I couldn’t do anything. I told them if they told the producers I’d punch them! [laughs]. So I carried around an ice pack with me wherever I went. Everyone was so supportive of me and I got a lot of positive energy. In the finale scene, I have this little solo and I struggled through it but I was able to nail it, which was great.

 

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Imagination Movers’ Scott Durbin talks about touring and plans for new music

Scott Durbin is one of the founding members of the popular kids television show and band “Imagination Movers”. They have a successfully show that currently airs on Disney Junior. They are also constanstly touring bringing their music to fans all over the world. Media Mikes had a chance to chat with Scott about their music, their tour plans for this summer and also what the future brings.

Mike Gencarelli: When you guys started “Imagination Movers” back in 2003, did you ever think that you would be still going this strong today?
Scott Durbin: I would have never imagined this that show would be seen in 50+ countries, translated in 12 languages and we are recognized around the world. For that part of it, I would say “Definitely no”. On the other side, we were so tenacious when we started. We believed that we wanted to create something to encourage creativity in kids, modeling problem-solving and create music for kids that challenged them and did not pacify them. This gets them off the couch and gets them moving around and also their brain moving. Even for parents, like yourself, we wanted to make it something that you could listen to over and over without starting to hate it. We also wanted to make it developmental and age appropriate, so it really connects with the kids. So that part of me says “Yes, I knew we were going to be a success”. We are coming from a real place and doing it for the right reasons.

MG: I love that you guys have such strong educational messages in your show and music while still being entertaining and having fun…
SD: I think it is important to balance them both. If there is too much entertainment it can become campy. If it is too educational, it can be a turn off. But if there is a good balance, you can get the best of both worlds. You can teach and the kids will enjoy learning. I started off teaching in elementary education for 10 years. So in those years that I taught, I saw this level of creativity in the kids was just decreasing and I saw this need for creativity. I think part of the reason why we began. We say that there was no “real people” in kid’s entertainment (going back over 10 years now) and we wanted to change that. We wanted to bring strong male role models to kids. As a teacher, you had a lot of kids that didn’t have a strong male role model at home and I found that having that was invaluable.

MG: You guys are touring all this summer and through the fall, tell us about what you enjoy most about performing live?
SD: Obviously, we have been so blessed with just being able to travel and meet our fans across the globe. We just got back from the UK. We recently did a show in Dubai. An interesting thing about Dubai is that about 80% of the people there are ex-pats from direct countries. The group that brought us over there told us that most of the Western acts they bring over there, potential 95% of the audience are expats other countries like Australia, UK, Canada, or the States. So essentially they are all Western, but when we played in Dubai the audience was Indian, Philippian, Saudi Arabian and the group that brought us in said that they have never seen the amount of diversity that we brought to one of their shows. So for us, I think being able and being accessible to such a diverse group of people makes it worth it. That was so special. It just showed how four dudes from Louisiana can resonate with a six year old from India. When we tour, we get to meet families and hear stories about how the music has affected them and that is so humbling. We are very fortunate to be able to participate in this. There is a certain glimmer of magic in what we get to do.

MG: On July 27th, you guys are playing after the Tampa Bay Rays game at Tropicana Field for a special Christmas in July concert; tell us about that?
SD: I am very excited for this. We got to do it last year and we are lucky enough to get to do it again. The hard part about this is that the Rays are playing the Red Socks. I have a real soft spot for the Rays since I have been following them much more but my dad was a huge Red Socks fan. So I grew up rooting for the Red Socks, so I am little torn here [laughs]. For the Christmas in July, we will probably play about 70 minutes and throw in some fun Christmas songs. We have a really interactive set and the kids have a lot of fun. It is actually really a family concert that moms and dads will enjoy as well. We play live music, so there is so much great energy going around.

MG: Your latest album “Back in Blue” was released last summer which includes second set of songs from season 3; do you have plans for new music?
SD: Yeah, that is a great question. The music industry is changing and how bands get music out to their fans are changing. “Back in Blue” was our first digital release only, so there was no hard copy available. That is something that was so new to us to think that we can’t give you a CD and you have to download it. There are so many great songs from that CD including “Robot Chase Song” and “Have You Ever Seen a Unicorn”. In fact, right now we are actually starting on our ninth album. We did an album called “Rock-o-matic” a few years back, which was a CD/DVD. We created about 35 minutes of additional content with videos, sketches etc and we are looking to do a follow up to that. This time we are going to get our fans to participate. They are also going to get to experience more of the making of the CD and DVD. If you “Like” our Facebook, you can find out more about this.

MG: There hasn’t been new episodes for over a year now; is there a fourth season in the horizon for the “Imagination Movers”?
SD: Right now, episodes are currently are airing on Disney Junior. I don’t know if a fourth season will ever be made. But we are currently working with a production company in Canada right now to create new “Movers” content… So I will leave that at that because I do not know how much I can say right now. Around the corner, don’t be surprised if you are seeing some new content. So we are very excited about that.

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Ashleigh Ball talks about film “A Brony Tale” and her role in “My Little Pony: Friendship Is Magic”

Ashleigh Ball is known best for voicing both Applejack and Rainbow Dash in the TV series “My Little Pony: Friendship Is Magic”. She is also narrating and starring in the similar themed documentary “A Brony Tale”, which focuses on the male fan-base surrounding the TV series “My Little Pony: Friendship Is Magic”. Media Mikes had a chance to chat with Ashleigh about the documentary and the new season of “My Little Pony: Friendship Is Magic”

Mike Gencarelli: Being the voice of both voice Applejack and Rainbow Dash; give us your reaction on this enormous fandom surrounding “My Little Pony: Friendship Is Magic”?
Ashleigh Ball: It is something that I would have never anticipated. There is no way to prepare yourself for something like this. It is very cool to get recognition for doing voice work. It is also very cool that it is a totally unexpected group of people. So it is all weird and wonderful and I love it.

MG: How did you meet up with Brent Hodge to narrate and star in “A Brony Tale”?
AB: Brent and I have known each other for a while now going back to 2008/2009. We met through music. He used to work at CBC Radio 3 and did some interviews with my band Hey Ocean! and we got to know each other that way. We became close and he was always willing to help out with the band. So we were out to dinner one day and we had this discussion about Bronies. I told him he should come to BronyCon with me and start filming this because it would make a really cool documentary. So he agreed and followed me around and got a taste of the Brony life.

MG: Was BronyCon your first interactions with Bronies?
AB: My first interaction was actually caught on film. You can find it on YouTube. Brent also put the clip of me in the film as well. It was at a concert that I played in Vancouver. I was playing a show with my band and afterwards a group of guys came to the merchandise booth and asked me to sign their ponies. They were Bronies and they came all the way from Seattle. So that was the first time I met a Brony in person…and definitely not the last time!

MG: Do you think that this film will have an impact for these fans?
AB: Yeah. I think it is a great introduction into the world of Bronies. It explains who they are and what they stand for. It is way more of a community than the actual series. It is a good for someone who is not familiar with Bronies and think it is weird or perverted. It definitely clears up the whole Brony mystique.

MG: How did the film get support from Morgan Spurlock?
AB: Yeah, it was pretty crazy. Brent worked for a company in San Francisco and was at a Super Bowl party and Morgan was there. They told them about he was doing a documentary about Bronies. Morgan loved the idea, watched the film and called the next day and wanted to be involved. He is really excited about the film and the subject matter. I got to meet him in NY and he is a very cool guy.

MG: Season four of “My Little Pony: Friendship Is Magic” just ended but I am sure that fans are looking forward to season five already; any news from that?
AB: Yeah, we are in the process right now of recording season five. It is great. I can’t tell much about the episodes, but it is going to be very great. Lots of cool music and plot twist. Yeah, it is going to be great. It has such great writing and it is a wonderful show to be a part of.

Ashley Eckstein talks about new Marvel and Transformers lines for Her Universe

Ashley Eckstein is known best for her role of Ashoka Tano in the TV series “Star Wars: The Clone Wars”. She also started the company Her Universe, which has a mission to create stylish, fashion-forward merchandise for female sci-fi fans. Her Universe has joined forces with some of the biggest names in the sci-fi/fantasy world to create merchandise exclusively for female fans – both apparel and accessories for such well-known names as Star Wars, Doctor Who, Star Trek and The Walking Dead. Ashley Eckstein has now become one of the leading voices for female fans while Her Universe is making fangirls “geek chic” from head to toe! Media Mikes had a chance to chat with Ashley to discuss her new lines for this Summer and also what she has planned for this year’s San Diego Comic Con.

Mike Gencarelli: Let’s talk about your exciting team up with Marvel for your Ultimate Fangirl Fashion Apparel Line, what can we expect?
Ashley Eckstein: Our Marvel line is something that I am really excited about. It was something that I have been on working on for well over a year now. Fans have been asking me for Marvel at least a couple times a week, every week for a long time. So Marvel was the top of my list of licences to get next. It took some searching to get the right contact but once I got it, I reached out and we just had some great conversations. Marvel is so supportive of their female fans. They have been trying to find a way to do more and to shine the spotlight on their female fans. We were able to get a deal with them in the Fall of 2013 and we were off and designing in December of 2013. It takes a while to develop and line and get product made. We have been working on it though for quite some time. It was a very tough secret to keep.

MG: How did you go about picking which characters would be featured in this line?
AE: That is the tough part [laughs]. Marvel has such a huge universe. There are so many characters and where do you start? To give the short story, there are only so many characters in our license, so that narrowed it down a bit for us. With the new films this year like “Captain America: The Winter Soldier”, that was a big inspiration for us. You also need to design in mind for “The Avengers”, so we do have some Black Widow. We started with a few classics and are already designing for many more characters and listening to the fan feedback everyday to offer fans what they want.

MG: I know plenty of fangirls who love the character Loki…
AE: Yes, we already have a Loki dress that we will be coming out with soon [laughs].

MG: Sticking with Marvel; you are also voicing Dagger on the animated series, “Ultimate Spider-Man” in the upcoming season…
AE: Yeah, they haven’t aired yet. I believe these are airing sometime this Fall. But I am excited to voice that classic character, which we haven’t seen in a while.

MG: Marvel is not the only new line you have; you also just launched a “Transformers” Fangirl Fashion Line; tell us about that?
AE: We have been working on Transformers about the same length of time we have been working on Marvel. We got the license back in the Fall and have been designing for that since then. Since it is such a classic franchise, there is so much you can do with it. Of course we started with Optimus Prime and Bumblebee. We went a little retro with it especially with Dinobots being in the new film. So we have them and. of course. we are designing for some Decepticons as well as some of the female Transformers as well. There is just so much and I am very excited to get to play in this universe.

MG: If those two aren’t cool enough, I see you also launched a new Doctor Who line; tell us about that?
AE: Yeah, Doctor Who is something that is constanstly going on for us. I am such a massive Doctor Who fan myself, especially with the new Doctor coming up this August. In the meantime, I feel like all the fangirls in America still have Doctor Who fever including myself [laughs]. So you can look forward to a lot of new Doctor Who designs coming up. Also I am excited that our Doctor Who line is now available in Walt Disney World’s Epcot in the UK Pavilion. So that is really cool as well.

MG: You are also still coming out with great new “Star Wars” lines including your all-new Custom R2-D2 My Hero Jewelry Line; tell us about that new exciting line?
AE: The jewelry is all handmade, great quality and made in the USA over in Downtown Los Angeles. I have the opportunity to collaborate with The Sparkle Factory and they did this collection for us. I love jewelry and I was getting fed up with some that fall apart after only a few wears. These are higher end collectible pieces that are going to last the test of time. I wanted some nicer jewelry for “Star Wars”, so we got this opportunity and these are great pieces and pieces that you can be proud to give as a gift. While they are more expensive, I still wanted to keep them affordable for the quality that you are getting. They are priced between $38-85 dollars. I am very proud of this jewelry and there is definitely more coming. We are playing with Darth Vader next, got to give some love to the Dark Side as well. We started with R2-D2 because he is my favorite…and my hero.

MG: Also tell us about your #FlauntYourWorld Instagram Fangirl Fashionista contest?
AE: I am just so inspired by all the fangirls that are posting their photos with Her Universe lines. We used that hash tag before but we wanted a way to be able to search these photos. So we were asking the fans to use #FlauntYourWorld hashtag for their photos and once a month we are picking an Instagram Fangirl Fashionista. She will appear on the our website for the entire month and also get a $50 gift card. It is exciting for me to see everyone’s photos. I never wanted to be the only Her Universe model, so I am excited to be able to showcase our fans.

MG: Lastly, I hear you have some exciting plans and are collaborating with Nerdist Industires at San Diego Comic-Con for the very first “Her Universe Fashion Show”?
AE: Yeah! We are doing the first ever “Geek Couture” fashion show at San Diego Comic-Con this year. We are teaming up with Nerdist and also Hot Topic. We have pre-selected 36 designers. They range from some professional and some amateur designers. They are going to be walking the runway on July 24th at the Manchester Grand Hyatt San Diego, which is just two hotels down from the convention center. These are “Geek Couture” pieces and they are seriously awesome. They are going to blown people away. We are going to pick two winners, a judges pick and an audience pick. They are going to have the opportunity to design a Her Universe collection with myself to be sold at Hot Topic. Nerdist will be posting the entire fashion show at somepoint in August as well for those who can’t make it. We are really excited about this! So if you are going to San Diego Comic Con, don’t miss this!

Skid Row’s Dave “The Snake” Sabo talks about new EP’s “United World Rebellion”

Dave “The Snake” Sabo is the guitarist for the hard rock/heavy metal band Skid Row who recently released the first of 3 EP’s titled “United World Rebellion Chapter 1”. With Chapter 2 set for an early August release and Chapter 3 slated for release in 2015 the band originally from Toms River, NJ shows no signs of slowing down anytime soon. Media Mikes recently had the pleasure of speaking with Snake about the bands current releases, his 28 yr writing/band partnership with bassist Rachel Boland and balancing the duties of being a guitarist and manager.

Adam Lawton: Can you give us some background on the second EP you have coming out and why you chose to release the album via 3 separate EP’s?
Snake Sabo: The music business is much more different now that it was through the better part of our career. We were raised on doing things a certain way in that you release a record of 12 or 14 songs and then you go out and tour for 2 years. For us that just doesn’t work anymore. We are living in an age of information overload. Things are being thrown at us at such a rapid basis that it’s hard to take it all in and navigate through the white noise. With the way music is being delivered these days we started to feel that maybe less is more. We figured we could hit people with a few songs, let them digest a bit and hopefully you have left them wanting more. Doing things this ways makes sense on a number of different levels. Economically we are able to keep costs down in the studio as we are only in there for about 2 weeks which is awesome. We can also keep the retail/download prices down as well. We aren’t asking the listeners to invest a lot of time or money in to something we are just hoping that we can provide them with something they can get off on and enjoy. We then do the whole process again 8 or 9 months down the line which gives us a steady stream of material being released. Things are very much in the moment because that’s how we are creating it. It is very fresh and pure and not convoluted in anyway. We didn’t go in and write 20 songs that we are just released over time we have written separately for each release so far. Things are working really well for us this way and it feels great. We are having a lot of fun. This new EP was probably the most fun I have ever had doing a Skid Row record. Rachel and I were pretty much on the same page the whole time and everyone in the band was galvanized. We dove head first in to this and no matter where something started it became all of ours in the end. It was really great to be a part of that.

AL: The new EP’s both seem to be quite a bit heavier than the bands previous releases. Was this something you did consciously or did that happen more naturally?
SS: Things happened very naturally. We want to write the best songs we can within where are collective headspaces are at during that time. Things tend to start out with a conversation and from there we just follow things in to songwriting.  This time around we asked ourselves why we make music. It always comes back to it being the most pure form of expression for us even from the time we were teenagers. Music was and still is the great escape for us. We found that feeling again and got back to it. We noticed things really didn’t change from when we used to stand in front of the mirror dreaming we were Gene Simmons or Ace Frehley. Our problems might be different these days but things are just as impactful and dramatic as they were when we were 16. Music is our avenue for expression so we pealed back some layers of the onion to get to the heart of things again and that helped us realize what was going on. From there the light just kicked on and away we went.

AL: How has yours and Rachel’s writing relationship evolved over the years?
 SS: I think we probably know each other better than anyone else in our lives. 28 years will do that. It’s one of those things where if we aren’t hanging out every day we are at least communication in some form or another. It’s very rare we go through a day without speaking. With all the life we have experienced together we just have a tremendous amount of respect for one another. We have each other’s backs regardless. When we are working and I come with an idea in my head and Rachel has a feeling in his heart we go with that feeling over the head every time. That’s not always the easiest thing to do but judgment wise it has always worked out in the end. It takes a lot of living life to get to that point with somebody. I am really proud we have been able to not only coexist but flourish in keeping Skid Row alive for 28 years now.

AL: What is it that appeals to you about putting out new music? And is it hard to introduce that new material being that you have such a well know back catalog?
SS: Sure it can be hard. You want to be self indulgent but at the same time people are paying money to see you play and you know they want to hear specific songs. I believe there is a way to make both sides happy. I am proud of everything we have ever done as a band. I have no problem playing “Youth Gone Wild” or a new song like “Kings of Demolition”. To me it is all cut from the same cloth so I can be upset if people want to hear one song more than another. I am thankful people want to listen and am very proud of that. We have been introducing some newer stuff and it has been going over well lately and it has been getting more than just a golf clap. The songs are infectious so you can’t help but bob your head to a song like “Kings”. When I go to shows I find it exciting to hear new music. I remember seeing Soundgarden open up for Neil Young one time and they played the song “Spoon Man”. This was just before “Super Unknown” came out. I loved that song! I think about how that experience had an impact on me and I hope that our material will have the same impact.

AL: The band has been out since April touring. How far will this current tour run take the band?
SS: We are booked through mid December. We plan to take some time off for the holidays and we are talking about getting together sometime in January to start writing the 3rd EP. With the second EP coming out in August we want to go out and tour on that as well so by January it will have been out 4 or 5 months by then so we will probably want to tour some more in support of that. Our goal is to tour 6 to 8 months for each EP release. A lot will depend on how the releases are received by the public as well as with where are heads are at when we decide to sit down and start writing. As long as we are still having fun each night we will continue to be out there.

AL: You also manage bands. How do you go about balancing your duties for each project?
SS: I don’t know. (Laughs) I love working with the guys from Down and Vintage Trouble. Doing that almost balances everything out. At one point I’m out on the road doing shows and all that and then I get to step out of that roll and in to the role of manager where I still get to be involved in music but on a different level. It can be trying at time but technology has a wonderful way of keeping everyone connected. If I didn’t have that I don’t know what I would do.

 

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