Marilyn Ghigliotti reflect on her role in “Clerks” and on news of “Clerks III”

Marilyn Ghigliotti is best known for her role of Veronica in “Clerks”. With the director, Kevin Smith, announcing that “Clerks III” will be his final film, Media Mikes had a chance to chat with Marilyn about the news and reflects on her role in the original “Clerks”.

Mike Gencarelli: How can you reflect on Kevin Smith’s latest news to make “Clerks III” his last film?
Marilyn Ghigliotti: Well, it would be great. I think a lot of people really want to know what is happening with the characters anyway. I do not know if Veronica would be brought back or not – it would be really nice if she was. I am constantly asked that question about a third film. I was just lucky enough to work on the first film and play that character that everyone loves. In the same respect, I like the fact that fans are curious but I only know the same as them right now [laughs].

Mike: Why do you think these characters resonate going on 20 years now?
Marilyn: I think because they are believable. Everybody can relate to these characters. I am thinking because Kevin Smith had a lot of things against him but he beat the odds and was able to make this film possible without a studio. Since then it has just grown over the years. I have even had a nine year old girl come up to me and said that she loves the film [laughs].

Mike: Reflecting back on “Clerks”, at what point did you realize that this little film wasn’t going away?
Marilyn: It was when we were all at Sundance, which is when Miramax bought. Brian (O’Halloran) and I knew that the meeting was going on and we waited on pins and needles to see what was going to happen. When we got word it was bought by Miramax, where were really excited. Even then though, we didn’t know what to expect but we knew it was going to be a little more than we anticipated.

Mike: Do you have a highlight of working on that film?
Marilyn: All of it really. Next year is 20 years since it was filmed, so it is quite a long time. It was just a great experience. I remember we went in very late to shoot and at the time I was working at a salon as well. So I would be lucky to get an hour or two sleep after shooting before going off work. During shooting we got to meet the town drunk that would come in and buy cigarettes very late. We had hot bagels that we weren’t really suppose to have. So things like that.

Mike: Did you have any challenges with the sharp and quick dialogue for Veronica?
Marilyn: Oh yeah! I kind of trip-over my tongue naturally. You can even see, during the scene when Dante is painting Veronica’s nails. Kevin had enough film that he probably could have done a few more takes but I just kept tripping over my tongue. Even though, I come from theatre, which includes a lot of lines to memorize for a stage performance. For me learning lines is always a stressful thing. I want to be able to say them correctly as they are written.

Mike: Did you ever get approach for a role in “Clerks II”?
Marilyn: No, it never did. I did get to go to the premiere out in Red Bank though. I can see why she wasn’t in the film. But I could also could have seen a little cameo with her in it as well. There are many possibilities that I can see for Veronica in “Clerks III”. I know that Kevin writes his stories on how he is feeling at that moment, so it could have nothing for my character as well. But I am still hoping.

Mike: Besides acting, telling us about your work as a make-up artist?
Marilyn: Before I started acting, I was a practicing hair stylist in a salon. At a certain point, I was looking for something new. I was always interested in the entertainment field growing up, in some respect. I always wanted to take dance lessons as a kid and used to always watch musicals. I just ended up falling into it and I am happy I did. My parents brought me up telling me to get an office job or become a secretary to have financial security. Nothing against my parents but I am glad that I fell into this.

Mike: Tell us about what you have planned for next year?
Marilyn: There is one project called “Geek USA” that came about from the sound guy, Phil Bladh, who I worked with on “Alien Armageddon”. It was based on his prom when he was in High School. I was originally supposed to play his mom but there was a scheduling conflict. So I just play a store clerk and hopefully the scene isn’t cut [laughs]. It was fun though! I also just did a day on Neil Johnson’s latest film “Starship: Rising”. He was the director of “Alien Armageddon”. It was only one day but I love getting to work with him and he puts me in these roles that you wouldn’t normally expect to see me in. So, that was fun to do and I like getting to show range.

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Mark Consuelos talks about role in “American Horror Story: Asylum”

Mark Consuelos guest starred this season on the hit FX series “American Horror Story: Asylum”, where he plays the role of ‘Spivey,’ an inmate at Briarcliff who we first seen during a rough encounter with another character. Mark’s character recently reappeared during the episode titled “The Origins of Monstrosity”. Media Mikes had the chance to talk recently with Mark about his appearance on the show.

Adam Lawton:  Can you tell us how you got involved in this part?
Mark Consuelos: Yes. I am friends with Ryan Murphy and he wanted to talk about this particular project. We had dinner one night and he explained the role and how ‘Spivey’ was going to look. We really got into the physical characteristics of ‘Spivey’ and he did warn me that he’s going to be a super dark kind of character, extremely demented, and for me I said, you understand that’s exactly why I would want to play ‘Spivey.’

AL: Were you allowed to give your own input in developing the character yourself, or did they have a certain agenda for you to work the character?
MC: I think that with most good scripts and good shows they expect the actor to bring some of their ideas and some of the things, the back story of the character, or just certain aspects, they expect the actor to do some of that stuff, and I think it’s always a good collaboration between the actor, the writer and the director to try stuff out during the process. I think what was really great is that people were open to certain things and they would let you know if that was something they wanted you to do more, cut that in half, do more of that, we need you to do this, but I feel like on any really good show everybody comes with their own stuff and you want to try as much as you can. I would say that the character was really clear in some of the things that he’d been doing and some of these actions, so it makes it easier for the actor. With this character there wasn’t really a lot of gray area here. They wrote him very specifically, which I really appreciated.  But just because they are very specific about those things, it doesn’t mean that it limits you. Actually, it makes those possibilities and some of your choices even greater.

AL: Would you say that you’re more of a fan of that type of direction, or do you like to sometimes havea little bit more defining in a role?
MC: No, I love the collaboration. I think every actor would probably say that it’s always a collaboration and if you ask directors they expect the actors to bring something. They don’t want to be thinking for everybody.  I think I enjoy this kind of – again, I think it was a hybrid of both.  There was a lot of collaboration but it was also very, very specific with an extremely specific views, especially from Ryan, on certain things that I thought were really good.  You have to have a specific view and you have to be pretty precise about that.  I think as an actor it’s always great to have a little bit of both

AL: What was the make-up process like for this role?
MC: It took anywhere from two and a half to three and a half hours, depending on what’s going on.  Whenever they say it’s going to take that long I’m like, yes, right, there’s no way, what’s so
hard about that.  But these guys are definitely artists.  They’re amazing at what they do. Just
getting it on and then once they get the stuff on the prosthetics, the way they go about touching
them up and painting them and adjusting them, like I said they’re really artists.

AL: With the show being so dark how do you protect yourself from taking that character and the tension of the storytelling home with you every night?
MC: As dark as you think the stuff that you’re doing as an actor on that show is, once you watch it you’re like, oh, man, it could have been a lot darker, having seen some of the other things that people were doing.  And so I don’t know, I saw it as such a great opportunity that I literally had so much fun doing it and there was excitement about doing it, and I didn’t have that much trouble separating myself from what was going on, on set.

AL: It was just announced that the show is being picked up for a third season. Would you be interested in being on the show again for next season?
MC: Absolutely! It’s been so fun just to be part of it, the whole buzz around the show is exciting, and then when it actually starts airing people absolutely love it. I got extreme street credibility from my high school aged son, he’s like, “Dad, the fact that you’re in “American Horror Story” is absolutely cool.” I was like, “I’m not sure if it’s appropriate for you.” And he was like, “Dad, come on, I’m a New York City kid in high school”.

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Sara Lindsey talks about working with Tom Cruise in “Jack Reacher”

Sara Lindsey is an up and coming Hollywood starlet who will be appearing in the new Tom Cruise action film “Jack Reacher” which is scheduled for release on December 21st. Media Mikes had the chance to talk recently with Lindsey about the film and what it was that got her in to acting.

Adam Lawton: How did you first get involved with acting?
Sara Lindsey: I have always been a performer. The first time I tried it was in a 1st grade play my teacher arranged. That was the bug that bit me. I have been performing since I was very young and I have always been very artistic and musical. As I got older I began to get more serious about things and when I started looking at colleges I decided acting was what I was most passionate about. I felt very connected to acting and that’s what I pursued in college.

AL: How did you get attached to the film “Jack Reacher”?
SL: I had gone to an audition for the film and after that I learned about the book franchise and all the other things associated with “Jack Reacher”. I think the film is going to be really cool as it is a fun film. The story is very easy to follow which is not always the case with some films with similar themes. Tom Cruise is just awesome as the Jack Reacher character. I am definitely looking forward to the film coming out.

AL: What was it like working on such a large production?
SL: It was crazy! I am super new to the business and have only done two or three movies up to this point. The audition process for this was pretty long and I had a few call backs. One call back was done over Skype between the directors, me and the person who was going to be playing my boyfriend. Christopher McQuarrie is such a brilliant writer and director. It was a pleasure to get to work with him. I had a great time during the process.

AL: Were you allowed to experiment with your character at all?
SL: We really did get some freedom within the structure of the film. My big scene is at the very end of the movie. Chris gave us the frame work and allowed us to do whatever we wanted within the boundaries of the scene. We talked over a few different ideas and went from there.  We sort of did things in the moment. To be allowed to do that on this caliber of a movie was very unique.

AL: Can you tell us about the film “Promise Land”?
SL: That was a dream project for me. I got to meet and work with an amazing group of people. I learned so much. The film is about identity and what makes us who we are. The story is set against a back ground that has to do with hydro fracking. There is that issue going on while some great characters with compelling stories are interwoven throughout the film. I think it’s going to be really great.

AL: What are the release plans for the film?
SL: I think they are doing a limited release in several cities starting on or around December 28th. The wide release is scheduled for January 4th.

AL: Can you tell us about some of your other projects you have coming out?
SL:  I am working on a screen play project right now that is not yet titled. We have been working on it for about a year now. It has been a lot of fun to work on something from the ground up. The things you can cultivate with peers and colleges are really great. We are hoping to start shooting that in the very near future.

 

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Cary-Hiroyuki Tagawa talks about ABC’s “Revenge” & “Mortal Kombat Legacy 2”

Cary-Hiroyuki Tagawa is an actor and martial artist that is known best for his role of Shang Tsung in 1995’s “Mortal Kombat”. This Fall, he joined the cast of ABC’s Revenge in the role of Satoshi Takeda replacing Hiroyuki Sanda, from the previous season. He is also reprising his role next year of Shang Tsung in the return of the wildy successful web series “Mortal Kombat Legacy 2”. Media Mikes had a chance to chat with Cary-Hiroyuki about those two projects and also his role as a healer.

Mike Gencarelli: Tell us about how you ended up replacing Hiroyuki Sanada this season as Satoshi Takeda in ABC’s “Revenge”?
Cary-Hiroyuki Tagawa: I got a call one day from my agent talking about the show. He was pretty excited. I personally had no idea about the show. I honestly do not watch television much. I have not actually been in one place in order to settle in for almost three years. When I got that call I was in Hawaii. So I sat down and watched the show. I thought it was a little bit complicated though if you haven’t watched from the beginning but I thought it was cool and plus it has Madeline Stowe. I was told that they were looking for a replacement for Hiroyuki Sanada. He and I actually recently worked on a film called “47 Ronin” and had a great experience. He is a fantastic Japanese action star. So I went back and watched a few of his episodes. I knew very clearly what the role entailed. It wasn’t anything deeply new and exciting but it was a standard role for an actor. Takeda is basically a good guy [laughs] and I have done many of those. But I am a good guy, so I figured I could do it.

MG: What was your biggest challenge for you stepping into the role this season?
CHT: The challenge for me was to make him interesting. The dialogue doesn’t usually change much. But personally, I like to throw in ideas and change it up a bit. I have always had some input into every character that I have played. Nobody would stop me from playing out an idea that was interesting. But you have to come up with something pretty interesting. Dialogue is the easiest thing to change and doesn’t cost them any money. I always think about the audiences. They always keep on watching the same kind of junk. The bad guy is mean and nasty and by the end, we know he is going to lose. It is a pretty given sort of structure. But for me, I tried and find a way that I can make it more interesting for the audience and bring something different. You can scare the hell of our people, which I think I have done with different characters. That would get people’s attention. For this role, Sanada played it very straight and to the point. Since he was a lot smaller than I am and doesn’t look so mean, I had to try and gauge how mean I could look playing a good guy. One of the things that I was excited about is that people only saw him playing that character for one season and how I can make a difference. One thing that I wanted to do was bring a different persona, so that when Emily was being her arrogant self that she wouldn’t get away with it with me [laughs]. I wanted you to see that at least in my eyes that I was a lot more intimidating. They encouraged me to bring something new to it.

MG: What approach did you take to improve this character? What can we expect?
CHT: I do not think that it would have been too difficult for them to at least explain that we weren’t the same person. I thought that it was sort of a rough transition for most of the fans. I could have been his mentor or uncle, something like that. I think there is still a lot more to discover for Takeda. It is just the matter of how long that I can hold my breath. I think there is an element the way that Sanada played him that did not account for a lot of mystery, in the very particularly nit-picky way that actors are taught to do. To be very specific, he played it very straight forward and with not a whole lot more intrigued for the character. I think that having played the bad guy so long helped me with this. I feel that bad guys are fighting something all the time. I think I am bringing a little more of that to the character and it leaves you wanting to know more about him. That is why in the way that I play him, I mix it up. At points, I speak with them more like an Uncle or Father and other times it will be different. I have tried to layer that in, given I have only been given three times this season so far to do it. I was intentionally from the beginning making that choice. The show is one break now but after the beginning of the year, I am not sure where the role is going to go. But I know it has only just begun.

MG: How did it come again with you reprising the role of Shang Tsung in the web series “Mortal Kombat Legacy 2”?
CHT:After the first movie, all of the character had made deals for the sequel. Only two characters, Liu Kang and Kitana ended up in the movie. So it was a great disappointment, considering the success of the first one. This was just a confirmation to me for to reveal the truth of some particular people that were part of that team. It played itself out in much bigger problems. When I saw that person for one of the last times, I said “May you get what you deserve”. When that was all over with all I could do was resign to the fact that playing Shang Tsung in the first movie would have been enough. Then when I heard about the first series of “Mortal Kombat Legacy” but I was’t involved with the first season. Kevin (Tancharoen) and I connected over Twitter and offered me the role of Shang Tsung in the second sesaon. Twitter is changing politics. This guy is an amazing director and just such a humble guy. He is about to direct his direct movie for $50 million for the third “Mortal Kombat”.

MG: Any chance you will get to you play Shang Tsung again in that upcoming feature film?
CHT: The difference between the time that I did that the first movie and where my career is in now is that I have some certain standards now. But it will all be up to the studio and the producers. I let them know from the beginning, I said I wanted to do it but I had a history of not being respected. I said told them I would leave it to them to be real and see how it goes. Let’s just say I am not doing the web series for the money. But just to be a part of the web series is great. I am excited about working with Kevin and I would like to work with him even away from “Mortal Kombat”. He seems to really understand actors, which is highly rare. He has a place in Hollywood. I actually met his father back on the film “Rising Sun”. In fact, I had actually met Kevin as well, when he was 5 or 6 and he told me that he has a picture of me from back then. But for right now, I am very excited about the web series and the possibility of being in the feature.

MG: Tell us about your role of a healer, in addition to acting?
CHT: One thing that I have been enjoying talking about is that I am healer. You have probably never heard of an actor saying that…but I am a healer. I was a healer before I came to Hollywood. Hollywood is my day job and my greater purpose is to bring this particular system of healing to the world. It is something that I have been working on for over 30 years. I credit it to my father, who I didn’t know very well growing up. But I feel like when he passed, he passed on in spirit this healer gift. I consider it a gift and I am further developing it. So I want to dedicate this system to him. It comes from an understanding of breath. When you say breath, it is interesting to see people’s reaction since they start breathing deeper. It is funny and when I say posture, they sit up straight [laughs]. I have always been very observant of people’s behavior. Those are two things that should be second nature to us but our society has neglected it for so long. To bring this forward now, I know it is going to resonate with everyone that hears it. Then how far and deep they get into it after that obviously has yet to been seen. This is not based on any system that I have studied. The theories come from the principles martial arts, in terms of posture like the horse stance. There are others systems like Qigong that focuses on breathing. This particular form has nothing to do with fighting. I am calling it Martial Healing.

MG: Tell us about what can we expect from this system?
CHT: There is a lot that we can do to keep us out of harm’s way and prevent the breakdown of the body. This system begins with teaching about breathing and how it can greatly aid in that process. This would focus on breathing and the principle of moments and how those two can affect the body. I have worked with athletes and martial artists also and have gotten great results. I am coming from a place of developing something rather than just taking knowledge of an ancient system and repeating it. It is a new understanding with a new system. I bet you didn’t expect that from the actor that played Shang Tsung [laughs]. You can find out more at ShangsArmy.com

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Corri English talks about her role in FEARnet’s “Holliston” and Season 2 plans

Corri English is the star of FEARnet’s “Holliston”, created by Adam Green and Joe Lynch. The show completed it first season this summer and will be returning for it’s second in 2013. Media Mikes had a chance to chat with Corri about her role on the show and the plans for season 2.

Mike Gencarelli: How did you end up on the show “Holliston”?
Corri English: I had worked with Adam a couple of times. I did a series of holiday claymation webisodes he did for American Eagle. The series was called “Winter Tails” and he had me do some voice work on those. Shortly thereafter Adam was doing one of his infamous Halloween shorts and needed someone to fill in for Daniel Harris because there was a scheduling conflict. We had a great time doing that and became friends. “Holliston” has had a couple of incarnations so when he first started putting that together he brought me on board to do the show. It was really exciting to work with Adam again and see the show come to life as I had been attached to it for about 2 years prior to shooting.

MG: What do you enjoy most about your character and how does she relate to yourself?
CE: I know Adam pulled certain parts of our personalities in to the story. He made my character an aspiring country singer. I am actually a country singer. For the audience I know things are a little bit blurry because we all have our own names. At times they may not know where the characters end and where we as real people begin. I feel like anything on the show can happen and that is something that I really love. Initially Adam told me about the role and how I would be the girl that was always breaking his heart and that the audience would probably end up hating me. However, until that happens though they are going to torture me. (Laughs) I think in season 1 Adam found out I was up for anything and has really ran with that in season 2.

MG: What do you think it is that makes the show work?
CE: I think for fans of horror there are tons of those references going on within the show. Also though for people who may not necessarily be horror fans there is a whole lot of other stuff going on. Adam did such a good job of creating characters that I am sure everyone can relate to at least one of the characters on the show. I think there is so much heart and real life emotion going on that it makes the show interesting. There is a lot of reality in the show.

MG: What was a highlight for you of season 1?
CE: Laura and I had so much fun with the market basket episode. That was something that came out of rehearsal and Laura not being able to say those lines as English is not her first language. Sometimes little quirky things would come up and she couldn’t tell the difference. They would just let stuff like that go on forever. There were a bunch of really great guests on the first season as well. Tony Todd was great and also getting to meet John Landis was awesome.

MG: Can you give us any updates on season 2 of the show?
CE: We just finished filming. We shot most of the show on sets here in Los Angeles however for the last episode we actually shot in Holliston, Mass. We finished up with a found footage episode so we are running around the woods “Blair Witch” style. It was a fun way to wrap up the season. I am really excited for fans to see the new episodes because it dives much deeper in to the characters and their relationships. When we got done with the table read we were all laughing and crying. There will also be an animated episode this season as well as a holiday special which bridges the gap between the 2 seasons.

MG: Can you tell us a little about your band Broke Down Cadillac?
CE: We are a country/rock band that works out of Nashville. We have a ton fun doing it and we also have had quite a few opportunities to write songs for television and films. It’s really great when I get to put the singing together with the acting. I get to sing one of our songs on the show this year which I am very excited about.

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Jessica Lange chats about her role in “American Horror Story: Asylum”

Jessica Lange played the role of Constance in “American Horror Story” last year and ended up winning both a Emmy and a Golden Globe for her role in the show. In “American Horror Story: Asylum”, Lange is back and is playing the role of Sister Jude, with an even darker past. Media Mikes had a chance to chat with Jessica Lange about the role in the show and her feelings on this season.

Mike Gencarelli: I think in the first season the scares were certainly slightly more supernatural and this one it’s more real, serial killers, and far more bloody.  What effect do you think that has on the audience for “American Horror Story: Asylum”?
Jessica Lange: I think it’s darker.  I think the whole story is darker this time.  It deals, I think, on a much darker psychological level.  You’ve got human experiments.   I think in some way last season was a ghost story, and this season it really is the darker parts of the human psyche that Ryan is exploring.  I think the affect is that it’s hard to watch, I hear that from people a lot.  “I can’t watch it, it’s too horrifying,” or whatever.  I don’t know, I think you have to strike a balance.  I think this season became darker than anybody anticipated, just because of the subject areas that they laid out in the beginning, I mean, the thing with the ex-Nazi SS doctor and human experiments, and the serial killer based on this character Ed Gein.  Yes, the warehousing of human beings in these institutions, madness, I mean, yes, there’s a lot of subjects that they’re covering, the Catholic Church, that lend themselves to great horror stories.

MG: Can you reflect on the difference between your characters from the first season, Constance very much seemed to be the puppet master, but in the second season Jude is fast becoming our very complex hero as the season develops.  How different are Jude’s intentions to Constance’s, and what did you really want to bring to Jude that you may not have been able to do with Constance?
JL: I think “puppet master” is a very good description of Constance.  The thing that I found, kind of the spine of the character of Constance, was that this was a woman who had basically lost everything and had nothing left to lose and also was extremely, what can I say, unafraid, so she just manipulated her way and put herself in situations that probably other people would not have.  With Jude she has a lot to lose because she’s holding on to something that she feels has saved her life and redeemed her, and then when it all becomes clear that everything was false, from the idea that she did not run over and kill this child, which is what sent her on this whole path, trying to find some kind of life, some redemption, some spiritual life, that when she discovers everything is false from the beginning, there’s a descent into madness that is completely different and for me much more interesting to play. I thought Constance was a wonderful character, she was kind of a throwback to the ’40s, kind of tough dame, sweet talking but with a real edge, she did not suffer fools, nothing went past her, she had a way of moving through everything and getting what she wanted.  This woman is much more vulnerable and I think in some way tragic.  She’s destroyed her life.  She’s an addict.  She’s an alcoholic.  She’s had bad luck with men, a lot of bad men in her life.  And she’s come to the end of the road with the hopes that this church, that this man, the Monsignor, is going to save her, that she’ll become something else, that she’ll make her life worth living.  And of course that all comes down, crashing, and she’s left absolutely alone, completely and totally alone, and those are two things I love playing because you also find them in Williams’ characters, the thing of aloneness, the idea of being completely alone in the world and couple that with madness, and it’s a really potent combination to play.

MG: Do you want more challenges in your “American Horror Story” tenure? Is there ever times you feel it goes to far?
JL: Well, there are times when I’ve said, “I think this is too much,” but that’s not been too often because they tend to write for me less action and I don’t know, maybe more kind of psychological.  But that’s been better.  I wouldn’t really know how to do a lot of the really intense action scenes, so I have a few of those but not many.  I think there was a leap of faith on my part just thinking, well, if I’m going to do this I’m going to do this.  And I think as an actor you have to have trust, you have to believe that somebody is taking care of you or watching your back, because with a part like this especially and where we’re going with it, I can’t pull any punches, I can’t do it halfway, especially when you’re dealing with madness and this descent into madness, and I really felt like, okay, I’m going to embrace this 100% and hopefully somebody will look out for me and not let me completely humiliate myself. Yes, it’s combined. I’ve never worked this way before where it’s so fluid between the creators, the writers, and me.  Usually you get a script and it’s there and it’s start to finish, and this kind of evolves and morphs as we go along.  I do have more input, but then there are of course limitations within the structure of the whole story and the trajectory of where it’s going.  But it’s been interesting.  It’s been an interesting challenge.

MG: Since you have a background in photography, have you ever collaborated with the DP or ask questions or have an opinion about the visual layout of the show?
JL: Well, I’m very curious about the way it looks, yes.  I always watch cinematographers on the set because in some way I think having spent 30 years making movies, maybe it’s 35 now, I think I’ve been informed in my photography by filmmakers, by the cinematographer, so that I’m drawn always, when I take a photograph what prompts me to lift my camera and click the shutter usually has a great deal to do with setting, with lighting, with the choreography, the grouping. So I think that, in fact I’m just looking now at the wall, I’ve got all these little 8x10s of Day of the Dead, I was there in Oaxaca just a month ago, and yes, it has a very cinematic feel to it.  And I think because I’ve been doing movies as long as I have, that one lends itself to the other.  I understand, and I’m very curious, about how you light specifically for dramatic emphasis.  And I think Michael Goy in this series that we’re doing is a master at that.  He really does an amazing job lighting this show.  Yes, it’s amazing to watch him do it and to create the emotions.  And through the ambience, through the lighting, right away you have an instantaneous emotional reaction before the scene even plays out.

MG: Which actor have you enjoyed working with most this season?
JL: One of my favorite actors that I worked with in these episodes last year and this year is Frances Conroy.  There’s just something in her, I don’t know there’s something, when we’re on screen together something happens.  I think one of my favorite scenes that I’ve played this year is the scene from, I guess it was Episode 7 in the diner when she’s come for me as the Angel of Death, and I don’t know, there’s almost a connection that you can’t really describe.  But certain actors I think just find something when they’re working together, and that’s how I felt in these scenes with Frannie.  But every actor that I’ve worked with on this, I mean, James, Sarah, and Lily and Ian, it’s just a pleasure to work with them.  And even actors who come in for just a day’s work have been amazing and have really brought something and make your work better.

MG: Tell us about your plans to return for a third season?
JL: Well, we haven’t really talked about it too much, and all that stuff is still under discussion.  I think I will try it again, depending on what the story is and who the character is and all of that, so we’ll see what happens. I’m just exhausted from this whole experience.  And this season, it seems like it’s gone on forever and I really don’t have a thought about next season yet.  There’s a lot of stuff that will come up, but as of now I hate to say I haven’t given it any thought whatsoever.

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Robert Carlyle talks about his role in film “California Solo”

Robert Carlyle is a wonderful character actor known for his role in projects like “Trainspotting”, “The Full Monty”, ABC’s “Once Upon a Time”. In his new film “California Solo”, he plays a washed-out ex-Britpop rocker-turned-farm worker. This role is honestly one of his most revealing and honest to date. Robert took out some time to chat with Media Mikes about the role and what we can expect.

Mike Gencarelli: Where did you pull your inspiration for Lachlan MacAldonich in “California Solo”?
Robert Carlyle: I was fortunate, in the respect, to have known a lot of people who are involved in that world like the Gallagher brothers of Oasis and Ian Brown from The Stone Roses. It was interesting for me to then try and realize what their live would have been like had they fucked up and ended up on a farm in Los Angeles. The role was written very honestly and also believable. He doesn’t like to talk about his past rocker life and just works on this farm. So it was interesting for me to re-examine that aspect of the character. The only similarities between Lachlan and me are that we both have failed at points in our career. But it was very interesting for me to dive into a character like him.

MG: Did you know writer/director Marshall Lewy before he wrote the role with you in mind?
RC: No I didn’t at all. I read the script and I remember thinking about halfway about the role that it is wasn’t going to be me, it better be somebody really fucking like me [laughs]. I spoke with my manager after reading it and found out he wrote it with me in mind. Well maybe not so much with me in mind but with the characters that I have played in the past. Lachlan certainly shares a lot of emotions with characters that I played back in the UK and still do to this very day. I am kind of known for that, in a sense, that I am able to give characters voices that maybe do not have one.

MG: The film has quite the emotional journey for Lachlan, was it a challenging character to portray?
RC: It certainly was! I think there are 96 or 97 scenes in the film and I am in 96 of them [laughs]. So that was a bit of an ask. I was a little bit concerned about that and spoke with Marshall about it. He stuck by his word and thought that it would work well. He believed we needed to see all aspects of this character. You see the certain side of the charm that Lachlan has got. Then you see the hopeless side of him, due to the way his drinks. But overall you get to see all aspects of this man, which I think makes it very interesting.

MG: Your are known for your chameleon-like ability to portray a wide range of characters; do these roles always find you or do you seek them out?
RC: I have been very lucky with that aspect and I am fortunate. I have never been the type of guy who would go around and knock on doors. I just look for roles that have honesty and really challenge me to do something different.

MG: You also sing the title song for the film, written by Adam Franklin, tell us about that?
RC: That was actually the scariest part of this role [laughs]. In the end though, it was kind of liberating. It was shot towards the end of production in the last few days. I didn’t use a voice coach to find my singing voice. I didn’t even know what my own signing voice was. But what you hear in the film is exactly what we shot. Plus Lachlan was never meant to be a singer. He is the guitar player, so he didn’t need to really have a perfect voice. However, I was quite pleased with it.

MG: How was it going from a role like “California Solo” to Rumpelstiltskin/Mr. Gold in “Once Upon a Time”?
RC: It is quite a leap. It is fantastic to be on a show like that. In the early 90’s, I wanted to take on roles that were very different from what I did last. I wanted to build up a background with good versatility. As the years have gone on, I hopefully have shown that I am able to play parts like Rumpelstiltskin and he is a culmination of that. He is the most out-there and certainly the most theatrical role that I have ever been given. So I am just looking forward to continuing that and hopefully playing it well.

 

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Twink Caplan revisits her role in “Clueless” and working on “Tim and Eric’s Billion Dollar Movie”

Twink Caplan is best known for her role of Miss Geist in “Clueless”.  She also had a fun role in this year’s raunchy comedy “Tim and Eric’s Billion Dollar Movie”.  Media Mikes had a chance to chat with Twink about her role in the film and reflect on playing Miss Geist.

Mike Gencarelli: Tell us about working with Tim & Eric in “Tim and Eric’s Billion Dollar Movie”?
Twink Caplan: Working with Tim Heidecker and Eric Wareheim in “Tim and Eric’s Billion Dollar Movie” was insane fun. We had met a few years earlier when I worked on “Tim and Eric’s Awesome Show.” It was a huge compliment to find out the duo had me in mind while writing the role of Katie. The cast was impressive with Will Ferrell, Zack Galifianakis, John C. Reilly, Jeff Goldblum, Robert Loggia, Will Forte… I was excited to play the lead female in this glorious company of men.

MG: The duo are know for their bizarre comedy, where you aware of this before coming on board?
TC: Reading the script I couldn’t wait to start. I was in my 60’s playing the older woman girlfriend of Eric, who is in his 30’s.

MG: What was the funniest thing that happened on the production?
TC: The funniest thing that happened on the production? The sex scene …when Tim slapped a realistic suction-cup dildo to his forehead and still had the remnants of the indentation and a red rash the next day. He’s very fair skinned. That scene was so wild with escalating in-the-moment improvisation.  When you are so absorbed in the character you realize later you might have done something or you might have gone too far or you might have…oh no…its a Tim and Eric movie!!

MG: What did you enjoy most about playing Miss Geist in “Clueless” movie?
TC: I loved the 40’s fitted clothes and stunning wedding dress Mona May designed for me. The character was humble and sweet and playing opposite Wallace Shawn was the topping on the cake. Hiring Paul Rudd and watching his career blast off. Alicia was adorable and Donald was a ball of energy and Breckin and Brittany were so funny….and gorgeous Stacey…I loved working with the entire cast and we were very close. I’m working with Stacey Dash now playing her old school agent in “Stacey Dash is Normal,” for television. The best opportunity was working with Scott Rudin who is a genius and Sherry Lansing who is not only beautiful but an amazing woman.

MG: …and TV series?
TC: Paramount Studio is luscious and Amy Heckerling and I had Jerry Lewis and Dean Martin’s bungalow. It was brilliant. We continued to do the Clueless series and I was one of the Executive Producer’s as well as playing the role of Miss Geist. It was fun casting the Guest Stars and meeting new actors and its always fun to be able to be in a position to grant wishes.

MG: How did you meet Amy Heckerling and work with her on various projects?
TC: I met Amy Heckerling at Warner Brothers. She had just finished filming European Vacation. We hit it off immediately. We were yin and yang and it was a perfect match! Our working relationship continued for twenty-two years. Amy is a wonderful friend and very clever. I loved her writing and knew she was special. They say a happy set starts at the head of the fish and our sets were always calm and happy which speaks for Amy.

MG: Tell what you have planned upcoming?
TC: In January, I’m looking forward to start filming writer/director Craig Goodwill’s “Boy Toy,” a satirical fairytale adaptation of his award winning short, “Patch Town.”

 

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Malcolm McDowell talks about his role in “Silent Night”

Malcolm McDowell started his acting career in the early 60’s and has appeared in over 100 productions. Malcolm is probably best known for his role as Alex in Stanley Kubrick’s cult classic “A Clockwork Orange”. More recently he appeared in the remake of the 80’s holiday horror classic “Silent Night”. Media Mikes had the chance to talk with Malcolm recently about his role in the film and some of his other recent work.

Adam Lawton: How did you become attached to the remake of “Silent Night”?
Malcolm McDowell: They came to me with that role. I was actually in the same city they were shooting the film in at the same time as I was there working on another project. I was already there so I figured why not. I had never seen the original but I looked at the script and thought it would be fun to play a sheriff. I had never actually played a sheriff before. I think the director did a fantastic job with the film. Everything he brought to the production was really great. I think he is going to have a great future. It’s always good to see a young director blossoming and getting hold of things. Even though the film could be considered a B Horror movie there is still some fantastic work that can be done. It’s a great showcase for him and I am really proud.

AL: Can you give us a little more background on your character?
MM: He is a noble man but not really the brightest guy on the planet. The town he works in is a quiet one where the biggest problem he might have to deal with is public drunkenness. Now he is hit with a rash of serial killings which wipes out a majority of the town. He thinks he can handle it and that’s what I thought was so amusing about the role. Our job in this film is to scare people and also make them laugh. It’s entertainment. It’s not to be taken seriously as there are not people dressed as Santa going around flame throwing people. It’s just a fun ride. It’s like a video game.

AL: Did the director keep you confined to script or were you allowed to experiment some?
MM: I was allowed to move around a bit. That’s something I always like to do. It’s much more fun to add in a few bits here and there. I can’t really remember what I added but I know there were a few parts that made it in.

AL: Can you tell us what it was like working on “Home Alone: The Holiday Heist”?
MM: That was really fun. I have 3 young boys and I knew they would love that. When they told me what it was I was a bit unsure however I had worked with the director before and I liked working with him. Now that I have children of my own I look at these types of roles a little more differently these days. Anything I can do that is fun for them I like to do. It was great working with the cast as they are some wonderful actors.

AL: Before you had your children were you a fan of the holiday film genre?
MM: They aren’t film’s I would go and see personally. I like films that are for a mature audience and ones that make you think. Those seem to be getting fewer and fewer so I don’t go to the cinema much anymore. There are some good movies out there right now. “The Master” is an amazing film! Those are the types of things I like.

AL: What do you like most about working on series like “Franklin and Bash”?
MM: It’s like working in theater. You know everybody and you are a family. You get to know everyone very well. It’s a nurturing environment. It is a fantastic privilege to be able to do this. I have a very nice role and I love the character. I hope they continue writing me great stuff.

AL: Do you prefer working on a series at this stage of character as opposed to feature films?
MM: It fits perfectly in to my schedule. With these kids of mine I don’t want to be going away. I want to be around to see them grow up. It works very well for me these days. We shoot in Los Angeles so I can drive there which is perfect. I am not in every minute of things or carry the show as I don’t think is something I would want to do.

AL: Can you tell us about some of your upcoming projects?
MM: I have a couple of films that I am waiting to start on. I think there are 3 or 4 of them. I should be starting those in December and January. I also will be starting work on the new season of “Franklin and Bash”. We will be shooting that until about May. I am really excited to start back on that.

 

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Mark Hamill reflects on his role of Crow in “Sushi Girl”

Mark Hamill may be known best for playing Luke Skywalker in the original “Star Wars” trilogy. He is also the voice of The Joker for the last 20 years, starting with “Batman: The Animated Series”. Mark is taking on his most challenging and unique role yet, as Crow, in his new film “Sushi Girl”. I highly recommend this film, as it is one of my favorite films of the year.  It is being released on VOD on November 27, 2012, in advance of it’s theatrical release on January 4, 2013. Media Mikes had the real pleasure of chatting with Mark about this amazing performance and how he put himself into that role. We also got to chat a little bit about his voice work and what he has planned next.

Mike Gencarelli: Take us through the how you ended up working on “Sushi Girl”?
Mark Hamill: They sent me the script; I read it and liked it a lot. But initially I couldn’t see myself doing it. I couldn’t imagine it. I was trying to get other things off the ground and sort of forgot about it. Then it came down to “Yes or no…Are you in or out?” I was thinking maybe it was a little too extreme. It seems crazy now that I did this but I turned it down. That was the easy way to deal with the troubling aspects of the screenplay. After a week or so I reconsidered, I am lucky they didn’t go to anyone else in that time. What happened was, I turned it down but didn’t feel good about it. So I asked my kids for help. Nathan was busy but I had my son Griffin and my daughter Chelsea read it, just to get their reactions. I need the reactions from twenty-somethings since I don’t have access to those demographics. Griffin didn’t think it was that violent like torture porn or gratuitously violent. The violence is part of the movie like in “Reservoir Dogs”. We are showing the underbelly of the ugly unsavory low-life kind of crime. So I agreed with him. But the one that really got to me was my daughters comment. She said “I heard you over the years saying that you had to go to Broadway to get character parts or the only really good character parts you got in film/TV are in animation like the Joker…if you turn this down then don’t complain anymore, you should be flattered they wanted you for the part to begin with”. It took a certain amount of imagination for them to even think of me for Crow at all. Ironically, when I asked them why they wanted me they said “Well if you can play a psycho like the Joker in animation, why not do it in live-action.” I decided to read it again but this time in character as Crow and not as Mark Hamill and that made a world of difference. So I told them I had to do it and luckily I got in under the wire. I really believe in this movie and I really want it to get the recognition it deserves.

MG: Where did you get your inspiration for the twisted yet perverted Crow?
MH: Obviously, most everything is in the screenplay but in terms of who I was using and how I got into the part and got inside the characters head, I used a few people that I used to work with in New York. I don’t want to use their names since they are not psychopath killers [laughs], but more in terms of their dark sardonic humor. There was a guy that was my understudy in a musical I did on Broadway and it was that sort of cynical snarky humor that Crow has, I took from him…and also various other people in my life. I loved the fact that we came up with a visually arresting look for the guy. I thought he should just show up and people should think that “There is something wrong with this guy”. The hair was one of those things that evolved overtime. At first I thought if I should be bald with a little Van Dyke beard and an earring or I thought maybe ponytail, since that is always creepy to me on a guy. Eventually, we went from bald to 180 degrees from that, since Tony (Todd) was bald. That hairdue might work for someone that is in a grunge band in Seattle or a surfer in his 20’s but it is just age inappropriate on a man like this. Then he has the three piece suit, which looks sort-of normal in the middle and then those tennis suits, which are more appropriate for a little boy. Visually there is just something that is so disturbingly wrong.

MG: For people that know you as Luke Skywalker and the voice of the Joker; what is this film going to do to your image for them?
MH: That is something that I have wanted to do for as long as I can remember. When I was a little boy and all the classic Universal Monster films came on. I admired all those actors like (Boris) Karloff and Lou Chaney Jr. & Sr. I loved the idea of hiding behind a completely different visual persona. It gives you great strength. You look in the mirror and it is not you. So you have to let go of your ego. In the film, I look awful. I look like five miles of bad road. Again, to look in the mirror and see a different character liberates you to make different choices that you wouldn’t originally make if you were Mark Hamill trying to look as good as you can. I love that about it. One of the greatest compliments I got about the role was when the producers showed it to some prospective buyers and when the movie was over, they asked “Where was Mark Hamill?” [laughs]. I mean that is the greatest compliment that I can get.

MG: Tell us about working with this phenomenal cast?
MH: You never can be sure what is going to happen. Not only did every cast member get along perfectly, there were no feuds or fights or egos involved. Everyone worked as a team and that included the crew. We were treating this like the little movie that could. It is idiosyncratic. It’s atypical. It’s quirky. But it is something special. It was just a joy to go to set every morning and you honestly cannot say that about every movie or TV show you work on. This is a cast that has gotten together for BBQ’s, birthday parties etc since filming. You get this real family feeling about it and that is not common at all in this business.

MG: The torture scenes in the film are quite a challenge to watch; were you ever concerned about it going to far?
MH: Yeah of course, from when I first read it. Let me tell you I have been married to a dental hygienist for more than 30 years and when I saw the extreme dental violence in this film, I thought there was no way I could do it. My wife is the woman that says “May The Floss Be With You” [laughs]. I couldn’t also see how I can film it without upsetting myself. I am quite squeamish about certain things and things dealing with teeth is one of them. During filming it, I am in character and Crow is really getting off on it. So I had to stay in character but Noah (Hathaway) was so realistic with these blood-curdling screams. That and the chopstick scene were definitely the hardest to shoot for me.

MG: After your likeness was used in the Mark Millar series, tell us about your recent casting in film adaption of “The Secret Service”?
MH: Mark contacted me via email and wanted to know if he could use my likeness in a comic book and beyond that to kill me in it. Well I thought that it was a very interesting idea. I am a huge fan of his and Dave Gibbons from “Watchmen”. I have a great friendship with him now. He asked me if I wanted to be in the movie and I said “Sure”. I don’t know what the details are yet. But it sounds like a lot of fun. The last time I played myself was in “The Simpsons”, back in 1998. It is very unnerving to play yourself because you have to analyze “Well who am I?”. I really don’t think about myself except in the roles I play. When I was getting ready to do “The Simpsons”, I was walking around the house asking “Do I sound like this” or “Do I sound like this” (both in different voices). I became very self-conscious but once I saw the advance concepts for the comic book from Mark, I thought it was such a brilliant concept combining the fantasy world of James Bond and contrast that with the drab lower-class English background that this guy comes from. It is such a wonderful paradox combination of elements in and of itself. It is not a major role but I never look at things like they need to be about me. I think about if it is good and if it is good I want to be a part of it. As far as I know, it is all a-go, we haven’t signed contracts or talked about a deal but I am sure it is going to happen.

MG: After stealing the show in “Sushi Girl” and no retired from Joker, do you plan to tackle more live-action roles?
MH: I am in collaboration with Amber Entertainment to finally get “The Black Pearl” made as a feature film that I would direct but not perform in. That is my main goal at the moment. If someone sees Crow and thinks of me in a different way and offers me another idiosyncratic character role, I would be thrilled to do it. I don’t have any direct plans but I also didn’t plan on “Sushi Girl” coming my way either. So you never know.

MG: I am also a big fan of your work on “Metalocalypse”.
MH: That is a very unusual show. We are heading into our fifth season of that show and that is one of the four that I am working on right now. Then there is Disney XD’s “Motorcity”. “Regular Show” just won an Emmy, congratulations to the people behind that show! I am also on the “How to Train Your Dragon” TV series “Dragons: Riders of Berk”, which is doing very well. I play Alvin, a big stupid Viking on that show. But I love it. He doesn’t think about himself as stupid or a villain. He is a real fun character to play. He wasn’t in the movie but was created for the TV series. I get to channel the crew from “Star Wars” since they were from the East End of London. They were all great fun to be around and I love the music of their accents. To be able to channel those guys is great fun. It is like getting into an amusement park car and riding along in someone else’s persona. That is why I don’t like playing myself…I am boring [laughs] but all the characters I get to play are more interesting.

MG: When we met at Star Wars Celebration VI, a young child came up to you in passing and asked you to do the voice of the Joker and you did. I will never forget the look on his face. What do you enjoy most about meeting all your fans?
MH: Going and meeting so many people that care some much about something that you been involved with it is really overwhelming. I don’t take it for granted at all. It is not something that I come face-to-face with everyday. In that context it is so easy for me to make that little kids day by just saying “I want money first” (in Joker’s voice). It is just so much fun. It is like a magician being able to just do a slide of hand magic trick that the kid will remember many moons to come. That is one of the perks of this business and one of the reasons why I got into it. I enjoy it. I love making people laugh and I love making people happy. I wasn’t motivated by fame or money. I wanted to do something that I enjoyed doing and I am so grateful. The fact that I have been able to do some many of those things I love, whether it the seven shows I have done in NY or the Regional Theater or the numerous cartoons. I grew up loving cartoons. So I am just so grateful to get a chance to keep doing the things I love.

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Noah Hathaway talks about returning to film with his role in “Sushi Girl”

Noah Hathaway is know best for his film roles in “The Neverending Story” and “Troll” and TV roles in “Battlestar Galatica”. He is returning to film after a long break with his new amazing film “Sushi Girl” playing the role of Fish. Media Mikes had a chance to chat with Noah about his role in this film and what we can expect from the role and what he has planned next.

Mike Gencarelli: After such a long break from TV/film, why did you come back for “Sushi Girl”?
Noah Hathaway: I was living in Amsterdam with my now ex-wife.  I was tattooing, chilling and happy there. I am not crazy about the cold weather but the rest of Amsterdam is pretty awesome. We are talking about possibly going back to LA for pilot season that year but nothing serious.  A couple weeks later I got an email at 3am on Facebook from this producer.  He was asking if I would be interested in doing a movie with Tony Todd, Sonny Chiba and Mark Hamill.  Growing up with the films from Tony and Mark is amazing but when you are a lifelong martial artist and somebody asks you if you want to do a film with the closest living thing to Bruce Lee, I don’t know about you but I say “Yes!” [laughs].  We Skyped a quick couple page audition and I am sure the director wanted to make sure I could still read well.  Literally I was on a plane 6-7 hours later to start shooting.

MG: What did you enjoy most about playing the role of Fish?
NH: I liked that the Fish was kind of the innocent out of everybody.  The rest of them had this hard criminal past or experience, some more than others.  He wasn’t a good guy but still the most innocent out of the group. They gave some room to play around a bit and have some fun with the character.  It is a gangster movie and I love those.  The script was tight and exciting.  It also gives people a chance to get invested in more than just one character.

MG: You role is quite physical; tell us about the make-up effects used?
NH: We probably had about five hours of prosthetics used for a few days after the scene with Andy Mackenzie. Not going to give it away…after the stinky sock scene [laughs]. But they were really great instead of having me come to set; they would come to my hotel room at like 3am, wake me up and start the makeup. Prosthetics are not really my favorite thing but I was able to just nap in the chair.

MG: When we interviewed Mark Hamill, he commented on your “blood-curdling screams”; how did you channel that?
NH: When we were shooting it, the line producer, the camera girl and one of the assistant actually had to leave the set since it was so difficult to watch.  The screams that were coming out of my mouth were so horrid. They just left the set and couldn’t take it. Mark kept getting mad at me saying that I was going to ruin my voice. I said “Yeah, but I will win the Scream award for Best Scream but what do I give a shit”. [laughs] When you say “blood-curdling screams”, everyone was kind of freaked out when I let these out.  They just sounded so real and horrific. I did fuck my throat up for a good couple of months as well, I sounded like a pubescent boy. But it worked great with the ladies [laughs].

MG: How was it collaborating with such a fantastic cast?
NH: It is a weird movie to be involved in where you actually really like the people and want to spend time with the people you just worked with. That is a rarity. You hear so many horror stories with huge celebrities that won’t talk to each other.  We are still hanging out on weekends for BBQ’s. I am having the fight at my house this weekend with Tony, Jimmy (Duval), Andy, probably Mark and a bunch of the other guys including the director Kern (Saxton).  We are planning to just hang out have some drinks and watch the fight…and this is a year and a half later!

MG: I have a really this film is destined to become a instant cult classic; after being involved with “Troll” and “The Neverending Story”; How can you reflect?
NH: I think I have just been lucky that having done some movies that have stood the test of time. I think that this is a cool enough movie that it will do the same thing. It might not make a gazillion dollars but it will be one of those movies that people talk about and watch over and over.  Ten years down the line I can see people saying “Man, remember that fucking scene from “Sushi”?” I think it will be one of those films. I think it all goes back to the quality of the directing and writing and a little bit of everything.

MG: What else do you have planned next?
NH: I did a short film for Tom Holland, who directed the original “Fright Night”.  He is coming out with his “Twisted Tales”, which is like “Twilight Zone”.  So I did the first one, which he thinks is his personal favorite. They are putting it through the festival circuit now and it is called “Boom”.  I play a retired Iraq bomb disposal grunt, who is losing his mind and accuses his wife and best friend of having an affair. I have movie also that I did with Jimmy Duval, that he provided called “Blue Dream” now; it’s had like five titles. So I have got a few things coming out but I am just really excited for “Sushi Girl”.  I have a feeling that people are really going to dig it.

 

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Mark Margolis talks about his role in “American Horror Story: Asylum”

Mark Margolis talks about his role in “American Horror Story: Asylum” playing the role of Sam Goodman. He appeared as a Nazi hunter introduce in the episode “I Am Anne Frank, Part 2”.  Mark is also known for his role of Tito in “Breaking Bad”.  Media Mikes had a chance to chat with Mark about his role on the show.

Adam Lawton: How did working on this set of “American Horror Story” compare to maybe the work you did on “Breaking Bad” or one of the other series that you’ve been involved with?
Mark Margolis: Well, they took the bell away from me.
AL: Ding, ding.
MM: I had to actually speak, so that was tough. They soon discovered that the guy is better with a bell, but it was too late because they had already employed me. I mean, Breaking Bad is a whole other thing. It’s in a whole other locale, in New Mexico, which is a whole other feeling and this was a strange 1964 kind of shabby motel room. It was just a whole other–it was something about working in American Horror Story; everything was very brown and gray, which is the complete opposite of New Mexico, even though my character in New Mexico was sometimes in a grim nursing home; whatever. It was completely different. It was a whole other kind of man with a whole other demeanor, a whole other world, and had come from a whole other world etc., etc.

AL: Do you find the character of Tio being–obviously it had to be a little bit more of a challenge without speaking much compared to the Sam Goodman character?
MM: Not really because all of it is–in both cases, it’s just like in life, we’re responding to what’s coming at us. Even though Tio can’t speak, his mind works well, and he’s responding to what’s coming at him. In this case, my character was able to speak and respond. There is an equivalence in that area of acting, I guess I would say.

AL: What was it about maybe portraying a Nazi hunter, what lured you to the role of “Sam Goodman”?
MM: Nazi hunters are kind of fascinating characters. I was actually–about a year and a half ago, I was up for a film with Sean Penn, the part of a Nazi hunter, and it was a marvelous character. I think the film is coming out in a couple of months called This Must Be the Place. The part eventually went to Judd Hirsch, but I was really hot to do it. Those are fascinating characters. I’ve read over the years–I’ve read a great deal about Simon Wiesenthal, who is probably the world’s most famous Nazi hunter. I think he’s the one that located Eichman in Argentina, or he’s located others. They’re fascinating people with a certain kind of a mission of devoting their lives to catching these people who are aging and dying–I think that world is almost disappearing at this point. If there’s anybody left, they’re in their 90s. When I heard that it was a Nazi hunter, I was quite excited about that.

AL: What is the reason why people really enjoy “American Horror Story”? Maybe it’s the format, or maybe it’s just something inside of us that we just love to be subjected to this kind of visual trauma?
MM: Well, it’s got wonderful actors on it, the principles. The regulars on the show are quite incredible. I mean Jessica Lange is amazing. Cromwell is amazing. There’s a whole group of them that are quite terrific; the regulars. I’ve never seen a show like that. I worked in all of Darren Aronofsky’s films. On some level I find a lot of the way that they cut from one thing to another to an eyeball. They’re always going to eyeballs. It’s very reminiscent of what Aronofsky did in his first film Pi where there were these very quick cuts. You know; you’d see a needle, an arm, and then an eyeball expand. They seem to have–I mean I don’t know, they seemed to have gotten some inspiration from the way that Aronofsky’s films cut from one thing to another. That also used in other films of his, but I don’t know, I’m sure there are other people that have possibly done what Aronofsky did, and that kind of movement is pretty exciting I think in a way as opposed to things that go on for five minutes and nothing much changes. It’s kind of exciting. It’s a jump from one thing to another thing to another thing; it’s like pop, pop, pop.

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Filed Under: Interviews, TV Interviews Tagged With: american, asylum, horror, margolis, mark, role, ...

Becca Tobin reflects on her role in “Glee”

Becca Tobin joined the cast of Fox’s “Glee” this season playing the role of Kitty. Media Mikes had a chance to ask her a few questions about her role and also her work with Bullyville.com.

Mike Gencarelli: How has joining the cast of Glee changed your life?
Becca Tobin: I was living in New York for the last eight years, and moved to Los Angeles for the show, so that has been the biggest change. Joining a television show has also been a big transition from live theatre, and I love it! I have also made a lot of new friends among the cast and crew, and feel very fortunate that they all welcomed me with open arms.

MG: What do you think makes Glee such a successful show?
BT: The way that Glee celebrates the underdog is one of the big reasons it has been so successful. It also touches on so many relevant issues that kids face in every high school all over the world. And we can’t ignore how brilliantly Glee incorporates singing and dancing into a television show!

MG: Are we ever going to see a softer side of your character Kitty?
BT: Eventually we will see a softer side of Kitty. After all, she is human. When it comes down to it, Kitty is like most high school mean girls… extremely insecure.

MG: You recently became the female spokesperson for BullyVille.com, an anti-bullying website, why did you choose to do this?
BT: I chose to work with BullyVille.com, because anti-bullying is a cause that I strongly support. I know first hand what it’s like to be bullied in high school, and how it can really take a toll on your self-esteem.
BullyVille.com is an amazing website for kids to visit and talk about their personal experiences with bullying. By visiting the site, people can feel like they aren’t alone, and that it will get better.

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Filed Under: Interviews, TV Interviews Tagged With: becca, glee, reflects, role, tobin

Andre Braugher talks about his role in ABC’s “Last Resort”

I first noticed Andre Braugher when he played the role of Thomas, one of the soldiers assembled to form the first black regiment during the Civil War, in “Glory.” The dignity in his performance played perfectly off of the angry resentment of Denzel Washington’s contributing, I have no doubt, to Washington winning the Oscar for his performance.

Probably best known for his Emmy Award winning work on NBC’s “Homicide,” the Chicago born Braugher has also done fine work in such films as “Duets,” “Striking Distance” and “Salt” and has had recurring roles in such popular television shows as “House,” “Law and Order: SVU” and “Men of a Certain Age.” This season Braugher stars as Captain Marcus Chaplin in “Last Resort”, skipper of a U.S. Submarine whose crew is now being targeted by the government for not obeying what Chaplin deemed an illegal order to fire their weapons. While promoting the second half of the season Braugher spoke with Media Mikes about what brought him to the role and what to expect later this season.

Mike Smith: Thank you for taking the time to talk this afternoon. It’s taken me 23 years but finally I get to tell you how brilliantly moving your performance was in “Glory.”
Andre Braugher: Really? Wow, thank you.

MS: After everything that has happened so far, how tough is it do you think for Chaplin to enter into negotiations with the government?
AB: Well at this point I think it’s what Chaplin wants. I mean, I have – he has a crew of sailors, very few of which truly understand what happened on the con and what the ramifications of being considered treasonous or renegades or mutineers of some kind. And so he wants to give his crew as well as his officers an opportunity to surrender the ship and not be held accountable for what Marcus and Sam did, you know, back in the pilot in terms of firing a missile on the United States. So it’s quite important because at this point it seems as though this is a crew that’s held together by the belief we ought to stick together long enough so that we can make it back home and these negotiations really are a way to get back home. Because in essence we’re not equipped to be traitors. We’re patriots and it’s of the utmost importance that we defend ourselves.

MS: Was there one factor that drew you to the series, the writing or the story line, that made you want to do the show?
AB: No it really wasn’t one factor. I mean, this is a show with a very ambitious premise and it could easily evolve into something kind of silly, you know. But Shawn Ryan has a craft for making very interesting, provocative television and, you know, his abilities are apparent. So that’s one consideration and the script was another consideration. Melvin Campbell, and I’ve worked with him before and admire him a lot, was another consideration. So it was a confluence thing. No one would have made it possible but all three of them together made it a very attractive prospect to be a part of the show.

MS: How much more tense will the situation get between Chaplin and Prosser as the season goes on? (NOTE: Robert Patrick co-stars on “Last Resort” as Master Chief Joseph Prosser)
AB: Well this is – well, you know, Robert is a very intense guy so this is what happens I think when patriots clash. We’re both very passionate about what it is that we’re doing and we’re both supremely concerned about the health and welfare of our crew. I would have to say that Chaplin needs Prosser very much not only because he exercises discipline over the crew but it’s because he is a touchstone for the crew. If the chief of the boat thinks that it’s right then the guys have a tendency to fall in line. And so Prosser is very important to Chaplin and is very important that – for Chaplin – that Prosser understands that our whole goal here is to get back home and to get back home in safety. And after last week’s episode in which the Secretary of Defense basically said to blow the boat under water and to kill all of these sailors, I think we understand that going home in this state would be perilous and we’re looking for the opportunity to go home safely and stand trial. And this week’s episode, “Skeleton Crew,” is really about our opportunity to negotiate, an opportunity to go home and stand trial, more so for the officers than it is for the enlisted men because ultimately officers are the ones who are responsible for the conduct of the ship. Prosser and Imay disagree but I think we do understand that the whole point is to get back home.

MS: What is it about Chaplin that you relate to and like the most?
AB: What is it about Chaplin that I relate to and like the most? Well I like the fact that he’s thinking ahead, you know. It’s the strategic part of Chaplin that’s fascinating to me. The fact that the next step may seem the next right one but when you think several steps out further it turns out to be a misstep, you know. So the negotiations are important….an important piece of theater, and every weapon at our disposal is brought to bear to make these negotiations fruitful. The thing that’s fascinating is that when I go back to the pilot it’s something I read the very first time I read the script. So after they discover the bombers are coming to make a strike on their position and everyone is scrambling back to the boat. During that time when everyone is saying to themselves we’ve got to get the hell out of here, we’ve got to submerge the boat, we’ve got to run, it’s at that point that Chaplin was thinking, you know, in that ten minute scramble back to the boat where Chaplin was thinking we’ve got to fire, you know what I mean. We’ve got to play this enormous game of chicken, you know what I mean. And after they backed down from this enormous game of chicken we’ve got to go even further, you know what I mean. We’ve got to put the fear of God into them, you know what I mean, so they understand. Otherwise our position really isn’t tenable.

MS: Have you or the other cast members heard from military people about the characters you’re playing and more importantly the premise and how provocative it is?
AB: Well it’s provocative as well as being farfetched. And they comment on that as well. I think in all the comments that I’ve heard is that what they really like is the fact that we are getting inside the head of Navy men and women and exploring the issues that are important to them. The premise is ambitious to say the least and our job every week really is to fill in that ambitious premise with some very down to earth, honest, raw, detailed kind of acting and storytelling. And it’s one thing to have an ambitious premise, but it’s another thing to drift off into a kind of fantasy land behind that premise. And I think what we’re dedicated to is making sure that it’s honest and it’s raw, it’s down to earth, and it’s compelling. And so far that has worked and that’s our great goal. That and delivering the action every week. And basically giving the broadcast television audience a movie every week. And that’s a tall order but so far we’ve succeeded and we’re really looking forward to seeing how far we can go with this thing.

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Filed Under: Interviews Tagged With: abcs, andre, braugher, resort, role, talks, ...

IronE Singleton reflects on his role of T-Dog in AMC’s “The Walking Dead”

IronE Singleton is known best for his role of T-Dog in AMC’s “The Walking Dead”. His character has been a key aspect of the show for the last three seasons, until his recent demise in the fourth episode of the third season. Media Mikes had a chance to reflect with IronE about his role on the show and what we can expect next.

Mike Gencarelli: Tell us about how you prepared for shooting your death scene?
IronE Singleton: Mentally, I had a lot of time to prepare because I got word about a month in advance. So I was ready to do that. Plus, when I originally signed on it was only for two maybe three episodes and I ended up lasting three seasons. As far as the physicality was concerned, I had to wear a prosthetic. They put me this pasty stuff on me and let it dry on me for like an hour. Once it dried they cracked it off and that is what they used when the zombies were biting me and pulling out all the guts and veins etc. They were pulling from the prosthetic.

MG: I am a big horror fan and I cringed with your neck scene.
IS: Yeah, I hear that a lot. During one interview I had recently, one guy said he was eating his pizza and he had to stop eating since he almost hurled. People say they can’t eat when they watch this show. They love it but they can’t eat.

MG: What has been your highlight working on “The Walking Dead”?
IS: I have a two and a quarter season highlight reel. Every day was total bliss. Every day was something that I will relish for the rest of my life. I had great times throughout. I honestly did not have one bad day on set. It is hard for me to pin point because every day was like that. I would look forward to going in to work, getting the handshakes, the hugs and kisses. That is what I did everyday for two and a quarter seasons.

MG: Are you surprised with the fans reaction to your character T-Dog?
IS: It is a bit overwhelming. In a good way – in a great way! The amount of support and love that T-Dog is getting showered with is unbelievable. Let’s just say it has been a very emotional week for me since the episode has aired, to say the least. When I did “The Talking Dead” after my final episode, I had to choke back the tears. I am just taken back by all the love from fans, not just in the US but all over the world.

MG: What is it about “The Walking Dead” and it killing off key characters each season?
IS: It is so similar to real life though. When people die you don’t expect them to die unless they have a terminal illness. You just don’t see it coming. That is what happens on “The Walking Dead”. That is the stuff that grabs you the most.

MG: I was hoping for a T-Dog vs. Merle showdown this season.
IS: I think you and millions of others were waiting on that. Ever since the rooftop scene, where T-Dog dropped that key, people were talking about us meeting up again. It would have been great TV.

MG: What season was the most challenging for you?
IS: Season one…we are going to go with the rooftop scene. Oh my goodness, it was like 107 degrees but with humidity it was like 115-120 degrees. I almost fainted a few times and that is something that I don’t do. Having played football for 15 years, I have never come close. So there I was on this rooftop about to pass out, I was thinking “Man that is a big wuss move” [laughs]. Season 2 also was rough with the highway scene, where I cut myself and we had to do that twice. That was also a big one for me, as well as the well-walker scene.

MG: What do you got line-up next in the cards?
IS: I’ve got a project with Neve Campbell called “Sworn to Silence”. I play a small town cop, who was once a former army ranger. He moves to a small Amish community and him and Neve’s characters are out searching for a serial killer. This is based on a best-selling novel by Linda Castillo. I also have another movie “A Box for Rob” that is currently making its way around the festival circuit. I am also working on an autobiography, which I am currently searching for a title. It is related to my life coming from the projects and making it all the way to Hollywood. I am co-writing that Juliette Terzieff, she is the founder of The Zombie Survival Crew. We are halfway done with it and it is currently slated to be published in February 2013. Lastly, I have my song “We Are the Walking Dead”, which is available to purchase on my website: www.ironesingleton.com.

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Filed Under: Interviews, TV Interviews Tagged With: amcs, dead, irone, reflects, role, singleton, ...
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