Film Review “Captain America: the Winter Soldier”

Starring: Chris Evans, Scarlett Johansson and Samuel L. Jackson
Directed by: Anthony Russo and Joe Russo
Rated: PG 13
Running time: 2 hours 16 mins
Walt Disney Pictures

Our Score: 5 out of 5 stars

CAP IS BACK!!

Fresh from his adventures in New York with his Avengers buddies, Steve Rogers (Evans) is still trying to adjust to his life in the 21st Century. Each day he refers to a notebook he keeps, where he writes down new information to research. A couple entries: NIRVANA (Band?) and ROCKY (Rocky 2). While jogging along the tidal pool in Washington D.C. he meets fellow soldier Sam Wilson (Anthony Mackie), who gives him another name to put in his notebook, telling him that listening to his “Trouble Man” album will give him all the answers he needs. The artist: the great Marvin Gaye.

It’s almost an understatement to say that, since his revealing to the world, the nation has fallen in love with Captain America. In fact, there is an exhibit detailing his life (so far) in the Smithsonian. Sometimes, when he’s feeling low, Steve visits the exhibit incognito, taking in the sights. And, each time, he finds himself thinking about his friend Bucky Barnes, who gave his life so many years ago. Right?

As exciting as the first film, with wall to wall action from start to finish, “Captain America: The Winter Soldier” is another perfect piece in what is becoming the most profitable super-hero puzzle of all time. Long time television directors Anthony and Joe Russo (yes, they’re brothers) have crafted an exciting tale that perfectly encompasses not only the adventure that is happing on screen but helping to foreshadow what will probably be the highest grossing film of 2015: “The Avengers: Age of Ultron.” I’m hedging my bets and saying probably because that is the same year that “Star Wars: Episode VII” is due. I wonder if I can buy a movie theatre between now and then.

This adventure finds Cap and friends taking on a new Russian villain known as the Winter Soldier (Sebastian Stan). Cap is a little taken aback because his new adversary bears a strong resemblance to someone from his past. Led by Nick Fury (Jackson) and assisted by Natasha Romanoff (Johansson) and his new friend Sam, Cap soon finds himself battling a member of his own government, the slick and weasely Alexander Pierce (a well cast Robert Redford) as well as the evil group known as HYDRA.

The filmmakers do an incredible job of keeping the action front and center and I dare say there isn’t a boring minute in the films two hour plus run time. The visual effects are outstanding and comic book fans will enjoy the various hints dropped for future films, including a very quick Doc Strange reference! A great addition to the Marvel heroes family, “Captain America: the Winter Soldier” is another testament to the powers that be at Marvel Studios that anything worth doing is worth doing well!

Theater Review “War Horse” Kansas City, Missouri

“War Horse”
April 1, 2014
Music Hall
Kansas City, Missouri

Our Score: 5 out of 5 stars

It was an incredible evening in Kansas City this week when the Tony Award winning play “War Horse” rode triumphantly into the Music Hall for a one week engagement.

Based on the popular children’s book of the same name by Michael Morpurgo (adapted for the stage by Nick Stafford, the play was also the basis for the very successful Steven Spielberg-helmed film from 2011.

The play begins in August 1912 in England. A horse auction is about to commence. In a bidding war between the Narracott brothers – well-to-do Arthur (Andrew Long) and down-on-his-luck Ted (Gene Gillette). As the two go at it, they drive the price to more than three times the usual. Ted wins but he must spend the mortgage money on the creature. What’s worse, while Ted was looking for a plow horse, he has come home with a hunter. He entrusts the care of the horse to his son, Albert (Michael Wyatt Cox). Albert names the horse “Joey,” and with love and kindness, the two bond. Soon, young Joey is a majestic steed…rearing up in joy when Albert is near. It is a bond that will continue to hold, even when separated by war.

Winner of 5 Tony Awards (and a special Tony for it’s remarkable puppetry), including Best Play, “War Horse” is a show that you will remember forever. Not only for its great cast and outstanding set design, but for the amazing work of the South African Handspring Puppet Company. What they have created is nothing short of miraculous. Life size horses gallop and play on the stage, guided not only by the puppeteers inside the creation but the one guiding the head as well, capturing the very essence of movement and grace. With the “handlers” dressed as others in the cast, they blend in so nicely that one can easily begin to believe the horses are real.

As the story progresses over six year, Joey learns to do things he wasn’t intended to and uses those skills to not only help himself but to save the lives of those around him. He is truly the star of this production and I can’t tip my hat enough to the artists that bring him, and the other horses, to life. The human actors also do a great job. As Albert, Cox displays just the right amount of wide-eyed innocence that is slowly lost as he goes off to battle in an effort to search for his friend. Both Long and Gillette portray the conflict between the two Narracott brothers sharply. Yes, there is some anger and animosity there, but underneath there is love. Others who deserve special notice include Maria Elena Ramirez as Albert’s mother, Andrew May as a German officer who soon understands the horror of war and Caden Douglas as the hard charging Captain Stewart. And I would be remiss if I didn’t mention the cast that brings Joey to life: Jon Hoche, Brian Robert Burns and Jessica Krueger. Bravo!

“War Horse” continues in Kansas City through April 6.
UPCOMING DATES
April 8        Orpheum Theater               Omaha, Nebraska
April 22     Capitol Theater                    Salt Lake City, Utah
April 29     Popejoy Hall                         Albequerque, New Mexico
May 6          Bass Concert Hall               Austin, Texas

Win Passes to the Upcoming Kansas City Screening of “A Haunted House 2” [ENDED]

Media Mikes has teamed with Open Roads Films to award (10) lucky readers and a guest the chance to see the upcoming comedy, “A Haunted House 2,” in Kansas City before it opens to the public.

Starring Marlon Wayons (who also co-wrote the film), “A Haunted House 2” is the sequel to last year’s hilarious box-office hit and also features Jaime Pressly, Gabriel Iglesias, Ashley Rickards, Steele Stebbins, Essence Atkins, Affion Crocket, Dave Sheridan, Hayes MacArthur, Missi Pyle and Cedric The Entertainer.

The screening will be held at the AMC Independence Commons Theatre on Thursday, April 17, starting at 7:00 p.m.

To enter just click here ( http://l.gofobo.us/hNT9vLC6 ) and register your email address. (10) random winners will be chosen and notified by email on Monday, April 14. You can also go to www.gofobo.com/rsvp and enter this code: MMF4BT.

Screening Information:

“A Haunted House 2”
AMC Independence Commons Theatre
19200 East 39th St South
Independence, Missouri 64057
Thursday, April 17, 2014 – 7:00 pm

” A HAUNTED HOUSE 2″ OPENS NATIONWIDE ON FRIDAY, APRIL 18th

Film Review “Bad Words”

Starring: Jason Bateman and Rohan Chand
Directed by: Jason Bateman
Rated: R
Running time: 1 hour 29 mins
Focus Features

Our Score: 4 out of 5 stars

Guy Trilby (Bateman) is a man with a dream. That dream is to be named the best speller in America. And what better way to prove your skills than at the annual Golden Quill Spelling Bee? The only problem: Guy is 45 years old.

In a very strong directorial debut, Jason Bateman gives a change of pace performance as a spoiled man-child who will stop at nothing to achieve his goal. Finding a loophole in the rules, which states that no contestant can compete if they have graduated 8th grade, Bateman completely leaves behind the gentle “everyman” persona he’s made a career out of playing in everything from ”Arrested Development” to “Identity Thief.” Whether it’s convincing a fellow contestant that he’s just had sex with his mother or threatening to physically assault a girl contestant, Bateman adds a new “trick” to his overloaded bag of comic goodies.

Equally good is the supporting cast, headed up by eight year old Rohan Chand as a little boy who, despite his best intentions, ends up bonding with guy. That the boy and his father may be just as dastardly as Guy is one of the comic highlights of the film. Other strong supporting work is turned in by Kathryn Hahn as the reporter who sponsors Guy’s attempt, Allison Janey as the “Bee” overseer and the great Phillip Baker Hall as the long time educator who will stop at nothing to keep the spelling bee scandal free.

As a director, Bateman knows how to tell a story and, more importantly, how to pace the comedy so, when it’s at its best, it just flows smoothly across the screen. In a word, “Bad Words” is H-I-L-A-R-I-O-U-S!

First Time Fest Returns to New York City

FIRST TIME FEST a unique film festival celebrating first-time feature filmmakers, makes it’s triumphant return to the Big Apple next week, running from April 3-7.

 Aimed at discovering and providing exposure for the next generation of great filmmakers from around the world, FTF is a five-day event with a competition section showcasing new and exciting debut films as well as a series of screenings and discussions with now-prominent filmmakers presenting their first films and then mentoring the first-timers.  

In the words of Academy Award winning director Martin Scorsese, who presented Darren Aronofsky with the first John Huston Award for Outstanding Achievement in Cinema last year,  FTF  “is very, very important to encourage young filmmakers.”

FTF will present ten Competition Films, which will be judged by a panel of industry luminaries and the FTF audience. All of the films in competition at FTF are the very first feature of the writer, director, producer, editor, cinematographer or composer of each film.  All competition screenings will be followed by “Hot-Seat” discussions between the jury and filmmakers, and all audience members will vote on the films as well. Together, the jury and audience will ultimately select the Grand Prize winner, which is offered theatrical distribution and international sales representation from the renowned American film distributor, Cinema Libre Studio.  And with FTF’s new relationship with Scandinavian Locations – the consortium of Norwegian, Swedish, Finnish and Danish film commissioners – the winning filmmaker will also receive a trip to Norway and Sweden to spend a week at a writer’s cottage in Northern Sweden to work on their next project.  Scandinavian Locations will also be hosting our Filmmaker Kick-Off event on April 2 at NeueHouse.

FIRST TIME FEST also features a retrospective series called First Exposure which showcases the auspicious and ambitious debuts by artists who went on to become major filmmakers.  These screenings are highlighted by personal appearances by the filmmakers themselves.  This year’s  First Exposure series features the following filmmakers and films: our Opening Night director Jennie Livingston presenting Paris is Burning, Albert Maysles (Salesman), Julie Taymor (Titus), Michael Moore (Roger & Me), Kelly Reichardt (River of Grass), Cinematographer Frederick Elmes (Eraserhead), James Toback (Fingers), and Peter Bogdanovich (Targets).

 This year’s First Exposure program kicked-off on February 24th with an out-of-fest screening of Robert De Niro’s directorial debut, A Bronx Tale, followed by a conversation with Mr. De Niro and FTF Director of Programming David Schwartz. 

The Stand Alone series will feature incredible conversations with Peter Bogdanovich and Michael Moore on April 5 at 3.30pm at the Loews Village VII theatre.

A special panel, entitled Women in Entertainment and Media, is sponsored by the Royal Bank of Canada Wealth Management Group andwill include Brooke Shields, Daphne Rubin-Vega and Carol Alt.

For complete schedule and location of panels, please visit http://www.firsttimefest.com/panels/

 

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Titus Makin, Jr. talks about TV shows “Star-Crossed” and “Glee”

Photo: The CW

Probably best known as David, one of the rival “Warblers” on the popular television series “Glee,” Titus Makin, Jr. can now be seen on the popular new CW show “Star-Crossed.”  As Lukas, Makin gets the chance to help save the day with the occasional blast of humor.  While getting ready to take a break from filming and finish his new musical EP, Makin took the time to talk to me about his new show, “The Lion King” and a possible return to “Glee:”

Mike Smith:  Can you give the readers a brief introduction to your character, Lukas, in your new show “Star-Crossed?”
Titus Makin, Jr:  Sure.  Lukas Parnell is one of Emery’s  (Aimee Teegarden) best friends.  He’s the guy that shows her the ropes in her new high school.  He breaks down who people are, what they do and how it all works.  He’s also the “logical” guy…the tech savvy guy.  He’s the guy to go to if you need answers or need to know how to get into dangerous places.   (much brighter) And he’s also the comic relief!  He can cushion the blow of an otherwise dramatic situation.

MS:  What attracted you to the project?
TMJ:  The sci-fi aspect definitely attracted me to the project.  I’m a big sci-fi buff so as soon as I saw the word “spacecraft” I just said “sign me up!”  (laughs)  I also love the comedic aspect within the drama.  I love drama and sci-fi so to be able to play a comedic role within that?  What a dream come true.  I definitely was on board.

MS:  You really do a little bit of everything.  You act, you sing, you dance.  Do you have a preference among your talents?  Is there a dream project out there?
TMJ:  I really don’t have a preference.  I’m very content with both acting and music.  A dream project would probably be….you know, “Glee” pretty much touched everything that I love to do so in a way I’ve already done the musical dream project.  As far as the acting side goes, it’s probably to be able to do a film with Will Smith.  Of course, that’s probably everybody’s dream!  (laughs)

MS:  I know one of your fellow “Warblers,” Darren Criss has appeared on Broadway (Criss took a break from “Glee” to star in the musical “How to Succeed in Business Without Really Trying”).  And desires to tread the boards?
TMJ:  Oh yeah.  I would love to be able to appear on Broadway one day.  I love the stage.  I love theater acting and I love musical theater.  That would be an honor.  I’ve thought about that before, but when I did that dream seemed so farfetched that I didn’t consider it for a while.  But now I think it would be amazing to one day jump into a great role.  I need to get a little older so I can jump into a good role in “The Lion King.”

MS:  As “Glee” prepares for its final season next year, do you know if there are any plans to have “the Warblers” return?
TMJ:  I definitely think so.  I haven’t heard much since I’ve been filming “Star-Crossed,” but I do keep in contact with a lot of the other guys and there is always hearsay about us coming back for a “competition” episode or some kind of dramatic moment.  Of course they never get confirmed.  But that’s the great thing about Ryan (Murphy, the creator of “Glee”).  He’s always willing to bring back fan favorites so I think there is a huge chance “the Warblers” will be back.

MS:  What else do you have coming up?
TMJ:  Other than waiting for “Star-Crossed” to air I’m going to dive back into music for awhile while we’re on our break.  I’ll be recording an EP down the road here so for me music is still doing well.

Steven Awalt talks about his book “Steven Spielberg and Duel: The Making of a Film Career”

Here’s a trick question for you? Where did film director Steven Spielberg go when he wanted some information about…Steven Spielberg? The answer was an amazing web site known to fans all over the word as SpielbergFilms.com. Created and maintained by Steven Awalt, the site lasted for seven years, only closing down because of Awalt’s various projects. One of those projects, the well reviewed book “Steven Spielberg and DUEL: The Making of a Film Career,” will be released on March 26.

With a Master’s degree in Cinema Studies from DePaul University, Awalt is more than qualified to discuss the most successful filmmaker of his generation. While awaiting the release of his book, Awalt took the time to speak with me about everything Spielberg.

Mike Smith: What is it about Steven Spielberg that made you follow his career so carefully that you created a web site dedicated to his work?
Steven Awalt: He and George Lucas were really the first two “filmmakers” I knew when I was growing up. Of course, when I was younger I was a big fan of the Disney films but when “Close Encounters of the Third Kind” came out it really knocked me on my young butt. The scope of it was just amazing for a little boy. And then as I got older and looked at his films, I think it was his sense of humanity that really appealed to me. I don’t think he gets enough credit for his work with characters. Going back to “Close Encounters,” people focus on the spaceships and the aliens but, at the center of that film, you have a very emotional story about a family falling apart. Even in “Jaws,” you had the Brody family and, of course, the dynamic between the three men. “Duel” is really a great portrait of a man losing his mind. It’s all about paranoia.

MS: Do you remember the first Spielberg film you ever saw in a theatre?
SA: It was “Close Encounters.” I had just turned five, so he caught me at a very young age. Between that and “Star Wars” from earlier in the summer, it was the perfect age to be.

MS: I was sixteen. Trust me, it was a great summer to be sixteen as well!
SA: (laughs) I wish to God I had been older. You got to experience “Jaws.” I first saw it when it aired on television (November 1979). The funny thing was that it didn’t at first stick with me…not like “Close Encounters” or “Raiders of the Lost Ark” because it scared the hell out of me! Now it’s one of my favorite films but back when I was younger…I wish I had born in the same generation as yours because it must have been really great to be there.

MS: Of all the films that Steven Spielberg is known for, why did you choose to highlight “Duel?”
SA: Originally I had wanted to write about “Close Encounters” because it’s such an important film to me. I had been deeply researching it for years while I ran the old SpielbergFilms web site. At the time someone else had just come out with a very strong book about the film, independently written, and I was so upset because someone else had gone after it. I still plan to get to that “Close Encounters” book but when I thought about it, I realized that Steven’s work before “Jaws,” namely “Duel” and “Sugarland Express,” hadn’t really gotten their due. I thought it was fertile ground and I hope I’ve been able to start what I hope will be a series of books about his work. “Duel” and “Sugarland” are great films but they really kind of got buried by the success of “Jaws,” “Raiders,” E.T.” ….everything.

MS: Do you have a favorite Spielberg film?
SA: I definitely have a favorite. And, like most people, my favorite film is different then what I consider his best film. His best film is actually too hard a question, but my favorite film of his, from a personal perspective, is “E.T.” That film came along in my life…when I needed it most. It probably sounds funny to say that about a movie but I’m sure, at the same time, many fans can relate to that. I had a pretty rough childhood. My father was an alcoholic…he just wasn’t there for me. He died when I was a kid. So the film really spoke to me. A lonely young boy who misses his father…again, it’s the heart of the film that makes it so beautiful. Even to this day it’s a very important film in my life. And it comes from a very personal space in Steven because of the divorce of his parents. The scene in the garage where Elliot and Michael are looking for things for E.T. to build his communicator with…finding their dad’s old shirt and smelling the cologne on it…that’s the one thing I love about his work so much, that it’s so relatable.

MS: I’m paraphrasing this comment from the late director Sydney Pollack, who in 1984 told TIME magazine that he felt Spielberg would never win an Oscar until his films “grow up.” I actually met Pollack at a retro screening of “They Shoot Horses, Don’t They?” and asked him about his comments. He maintained to me that Spielberg needed to focus more on adult material. Do you think that he intentionally changed the kind of films he was doing because of that thinking? (NOTE: Spielberg’s next film after “E.T.” was the critically acclaimed, very grown up “The Color Purple.” The film received a total of eleven Academy Award nominations though, surprisingly, not one for Spielberg’s direction. This film, and 1977’s “The Turning Point,” share the record for most Academy Award nominations without a single win. Ironically, the winner of the Best Director Oscar that year was Sydney Pollack).
SA: Only Steven himself could answer that question accurately. But I think that, having started out making films in his early 20’s, Steven grew up with his films. I would imagine he was looking for different kinds of entertainment…not entertainment, per se’, but different kinds of stories about human beings. “The Color Purple” is an interesting film. I’m not a huge fan of it, but it’s definitely a turning point. To me the film that signals a new Spielberg on the screen isn’t “The Color Purple,” it’s “Empire of the Sun.” A certain weight comes with the film that I don’t think “The Color Purple” has. To me “Empire of the Sun” is a signpost for people who were so surprised by “Schindler’s List” and the films that followed. I really think you can start to see that in “Empire of the Sun,” which he made when he was in his late 30’s. So I imagine it was just a normal maturing. I guess the only person who can really answer that question is Steven.

MS: You’ve hinted that you’re working on a book going behind the scenes of “Sugarland Express.” Is it going to be in the same vein as this one?
SA: Absolutely. I like to think of it as a continuation of the “Duel” book. To me I’m writing one big book, but this one will have a different approach. It’s obviously a different story but it will show the expansion of Steven’s talent and his growth as a filmmaker.

MS: Are you hoping to maybe one day be able to document all of his films?
SA: I’m hoping to at least get through Steven’s films from the 1970s at least, because that’s my favorite period. I’d like to write about a lot of filmmakers from that era. I’m a big fan of George Romero. I’d love to write about Martin Scorsese. Brian DePalma would be fun to write on as well. But yes, I hope to at least cover the 1970s and his four masterpieces from that era.

 

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Film Review “Muppets Most Wanted”

Starring: the Muppets, Ty Burrell, Ricky Gervais and Tina Fey
Directed by: James Bobin
Rated: PG
Running time: 1 hour 52 mins
Walt Disney Pictures

Our Score: 3 out of 5 stars

Three years ago Jason Segel helped resurrect the Muppets. With a genuine love for the characters, Segel made a franchise that had seemingly lost its steam over a decade before seem new and exciting again. While still entertaining, the newest film, “Muppets Most Wanted” could use a little of Segels wit and enthusiasm.

The film picks up at the end of 2011’s “The Muppets,” with the gang wondering what to do now that they’ve “gotten the band back together.” Before they can reason things out, they are approached by a promoter (Gervais) and persuaded to embark on a world tour. Wanting to keep things low key, the group leader, Kermit the Frog, encourages taking things slow. Instead they are booked into the grandest theatres in Europe, unaware that their performances are being used to mask a series of crimes. When Kermit is mistaken for Constantine, the world’s most dangerous frog, who has just escaped from a Russian gulag, he is imprisoned while Constantine takes over the troupe. Occasional hijinx ensue.

Lacking a lot of the eternal fun that made the Muppets stars four decades ago, “Muppets Most Wanted” is a by the book sequel which occasionally rises to funny thanks to its humorous human co-stars. As someone that grew up with the band of puppets, from “Sesame Street” to their own show to their early films, what is missing to me is the fun and enthusiasm that I always heard in the vocal performers. Sadly, Jim Henson, Jerry Nelson and Richard Hunt are no longer with us. And while the various performers voicing their characters do their best to sound like fans remember, to my ears they don’t have the same passion as the creators of the characters did.

The songs (and there are many – and not enough good ones) seem to be filler…as if the filmmakers thought that bright puppets and musical numbers would distract the audience from the fact that this is strictly a one-plot film. The saving grace here aren’t the title characters but the human guest stars. If you’ve ever wanted to see Ray Liotta perform the opening number to “A Chorus Line,” backed up by such well-known musical talents as Danny Trejo and Jermaine Clement, then you’re in luck. Tina Fey has fun as one of the Gulag guards who enlists Kermit in planning the annual talent show. Gervais and Burrell have fun as the masterminds behind the various heists the Muppets unwittingly help complete. If only the voices behind the Muppets had as much fun, this could have been a really fun film. Paging Jason Segel.

Film Review “The Grand Budapest Hotel”

Starring: Ralph Fiennes, Tony Revolori and F. Murray Abraham
Directed by: Wes Anderson
Rated: R
Running time: 1 hour 40 mins
Fox Searchlight

Our Score: 5 out of 5 stars

Though it may not look like much today, a half century ago there was no place finer than the Grand Budapest Hotel. We meet a young writer (Jude Law), who is researching the hotel for an upcoming book. As luck would have it, he is informed that the hotel’s owner, Mr. Moustafa (Abraham) is on the premises. A quiet man, Mr. Moustafa visits often and when he does, insists that he lodge in a small room in the employee quarters. Mr. Moustapha invites our young writer to join him for dinner and, over wine, tells him the story of the majestic hotel.

As the second World war rages across Europe, we are introduced to Mr. Gustave (Fiennes), the concierge of the Grand Budapest Hotel. Gustave is in charge of everything – from the flowers put out on the tables to what is served for dinner. When he’s not looking out for the needs of the guests, Gustave is looking out for the needs of the FEMALE guests, preferably the elderly ones. He gives them pleasure and, when they pass on to a better place, they give him a piece of their estate. As we meet Gustave he has just hired a young man (Revolori) to be the hotel’s newest Lobby Boy. Things go well until Gustave learns that one of his favorite guests (an unrecognizable Tilda Swinton, standing in for Angela Lansbury (!)) has passed on. He attends the reading of the will and learns that he has been left a very valuable painting. However, the late woman’s children, led by a wild eyed Adrien Brody, protest. Realizing his chances of getting the painting legally are probably slim and none, Gustave, with the assistance of his trusted Lobby Boy, steal the painting. And the adventures begin.

Wes Anderson has always found a way to create different worlds so perfectly that we, the audience, feel right at home in them. “The Grand Budapest Hotel” is no exception. Filled with fully fleshed out characters, amazing dialogue and a look that is right out of the 1940s, the film travels smoothly on the shoulders of Ralph Fiennes. Moviegoers who know him only as the sadistic Nazi officer of “Schindler’s List” or Lord Voldemort may be shocked when they see what a fine and natural comedian he is. He is joined by an all star cast that includes Edward Norton, Willem Dafoe, Jeff Goldblum, Harvey Keitel and long time collaborators Jason Schwartzman and Bill Murray. The script, by Anderson and Hugo Guiness and inspired by the works of author Stefan Zweig, is full of the humorous twists and turns that Anderson is well known for. The production design is outstanding, with attention to detail making the film a virtual picture postcard of the Continent.

Film Review “Enemy”

Starring: Jake Gyllenhaal and Melanie Laurent
Directed by: Denis Villenueve
Rated: R
Running time: 1 hour 30 mins
A24

Our Score: 2.5 out of 5 stars

“Chaos is order left undeciphered.”

These words are taken from a novel titled “The Double,” by Nobel Prize winning author Jose Saramago and they are the first images we see on screen in director Denis Villenueve’s film based on that novel, “Enemy.” And chaos, undeciphered or not, is definitely in the DNA of this film.

College teacher Adam Bell (Gyllenhaal) is living a very boring life. Get up, go to work, lecture a room full of bored faces, go home. The only change in the routine are the times his gal pal (Laurent) stops by for sex. One day a co-worker suggests he has a “movie night” and suggests a title or two. Renting one of them, Adam goes home and puts it in his computer. He suddenly sits upright, noticing that the young actor playing the hotel bellhop looks incredibly like…him. Doing some research on-line, he learns that the actor in question is one Anthony Clair. He tracks down his representative and shows up at the office, hoping to meet him. Of course, the doorman thinks Adam IS Anthony, which begins a story about mixed identities and…spiders?

I had the great fortune to interview director Villenueve last year when his film, “Prisoners,” was released. During our conversation he referenced “Enemy” which was his original opportunity to work with Jake Gyllenhaal. He called the film “an art house experiment” and he wasn’t kidding. The film is full of odd and unusual visuals and often plays like a film directed by Villenueve’s fellow Canadian filmmaker David Cronenberg. Actually “odd and unusual” are among the many words that could be used to describe this film. I’ll admit here that when it ended, with one of biggest “what the hell was that” scenes ever featured in a major film release, that I actually sought out a fellow critic…one who had actually gone to college to study the art…and asked him what it was that I just saw. I was happy to see that I wasn’t the only critic looking at him with wide eyes and blank faces.

If I have to sum up the film I’d say it was a mixed bag of intense acting (Gyllenhaal does a fine job in both roles) and creepy visual suggestions. I didn’t love it and I didn’t hate it. I also didn’t get it. It doesn’t help that Villenueve has managed to make Toronto look like Beijing, China with the fog hanging heavy in gray skies and resembling smog. That manages to set the atmosphere for awhile. Unfortunately, someone involved with the film has obviously seen “The Shining” one too many times because that atmosphere is often broken with loud “booms” of the musical soundtrack.

Kansas City’s Planet Comicon Another Huge Success

Despite downtown Kansas City being overrun by Big 12 College Basketball fans, more than 40,000 people, many in costume, filled Bartle Hall to participate in this year’s best in the Midwest gathering, Planet Comicon.

Lured by an unprecedented reunion of cast members from “Star Trek: The Next Generation” and first time Planet Comicon appearances by genre’ royalty William Shatner and Lee Majors, fans were treated to an event unrivaled in the Midwest.

Every genre’ of fandom was represented, from celebrity guests to well-known comic artists Film and television fans had the opportunity to meet and greet many of their favorite stars. Besides the incredibly popular Shatner and Majors, such stars as Margot Kidder and John Ratzenberger were on hand. “ST:TNG” fans were in heaven as they had the opportunity to chat with many of the original cast members, including Brent Spiner, Jonathan Frakes, Marina Sirtis, Michael Dorn, Levar Burton and Wil Wheaton. Even more of a treat – an unannounced John DeLancy was also in attendance.

Comic fans had the opportunity to meet legendary artist Neal Adams as well as new-to-the-game Darryl McDaniel, best known for his time with the musical group Run DMC.
With nice weather for the weekend (a sincere rarity this year) many fans were encouraged to attend in costume. Characters from “Star Wars” and comic-book heroes seemed to be the most popular costumed characters, though pretty much every genre’ was well represented.

Photo credit: Dan Lybarger





Win a Copy of New Futuristic Film “Cybergeddon” [ENDED]


To celebrate the March 18th DVD release of the film “CYBERGEDDON,” Media Mikes has teamed up with ARC Entertainment to give three lucky Media Mike’s readers a chance to win a copy of the film.

Directed by Diego Velasco, “Cybergeddon” follows the story of agent Chloe Jocelyn as she investigates a slew of seemingly unrelated cyber attacks with fellow agent Frank Parker and incarcerated master hacker Chase ‘Rabbit’ Rosen. Chloe and her team must crack the worldwide cybercrime ring, led by Gustov Dobreff, before it is too late. In a world where everyone is connected, everyone is at risk.

For the chance to win a DVD copy of the film, just register below and let us know your favorite “End of the World” film. From “Armageddon” to last years “The World’s End,” the choices are many. The contest will run through Friday, March 28th. Three random names will be chosen from all of the entries and the winners notified by email.

“Cybergeddon” stars Missy Peregrym, Olivier Martinez and Manny Montana.

 

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Murray Langston talks about his new book “Journey Thru the Unknown”

Here’s my Murray Langston story. When I started out in the theatre business one of my responsibilities was to put the new films together and watch them to make sure they were ok. One Friday morning I came in to assemble and screen a film called “Night Patrol,” that Mr. Langston not only co-wrote but starred in, both as Officer White and the Unknown Comic. As the film started I began to panic, as the opening credits were in French and subtitled. After a few moments I ran to the office and called the film company, screaming at them that they had sent me a French print. Thus began a scramble at New Line which ended when one of the film people in the office, who had seen the film, notified his bosses that the filmmakers intentionally put the opening credits in French and assured them, and me, that the film was in English. And it was. Ha-ha on me! And the many people that would come out of the theatre wanting their money back because they didn’t know “Night Patrol” was a foreign film.

Born in Canada, Murray Langston always had a knack for being funny. After entertaining his fellow sailors while working as a disc jockey in the Navy, Langston ended up in California, where he made his professional debut on “Rowan and Martin’s Laugh In” doing his impression of a fork. He eventually earned a gig as part of the supporting cast of “The Sonny and Cher” show. But he shot to fame when he put a paper bag over his head and appeared as the Unknown Comic on “The Gong Show.”

In the almost four decades since he slipped that bag over his head he has not only continued to entertain but has helped nurture some of the greatest comedians of his, and our, era. To promote his new book, “Journey Thru the Unknown,” Mr. Langston sat down with me to talk about his career, his influences, and his two beautiful daughters, of whom he is immensely proud. After I regaled him with the above “Night Patrol” story, which he enjoyed, the questioning began in earnest. I should add hear that Murray Langston is always “on” and never misses an opportunity to make you laugh.

Murray Langston: Where are you calling me from?
Mike Smith: Kansas City.
ML: Oh…I’ve heard of it.
MS: I’ve got four or five questions whenever you’re ready.
ML: I tell you what….you’ve got six. And you can’t ask me what the capital of Ohio is.
MS: That was actually my follow up to the first question.
ML: (laughs). Good one. Don’t ask me the distance from the sun to the moon either. Don’t know it.

MS: For those who haven’t read the book yet, tell us a little about what led you into show business.
ML: Two words. Jerry Lewis. He’s what led me into it. Sitting in the theatre as a kid and watching those movies. I knew that’s what I wanted to do. I think he also inspired Steve Martin. He inspired a lot of people. And I’m so grateful because I’ve had a wonderful life…and am still having a wonderful life.

MS: That’s all that matters.
ML: Exactly. I’m enjoying every minute of every day.

MS: You are originally from Canada, which has also given us great comic minds like Dan Aykroyd, Mike Meyers, Jim Carey. What is it about Canada that makes people so funny?
ML: I don’t know. Maybe it’s the cold weather. We just wanted to get out of there and comedy was a good way to do it. You know, when you do shows in Canada the people aren’t really applauding, they’re just trying to keep warm.

MS: I can’t think of anyone that has an appreciation of comedy that doesn’t know of the Unknown Comic. When you would do your live shows you would open as the Unknown Comic and then, after a break, would return to the stage as Murray to finish the act. Were there any bits you felt more comfortable doing as the Unknown Comic rather than as Murray or vice versa?
ML: Not really. The Unknown Comic was more a visual act. I’d do impressions with the bag or magic tricks. Really, except for a few one-liners all of the jokes as the Unknown Comic were related strictly to the bag. Once I took the bag off it was a completely different show because I would talk about things that were happening in my own life.

MS: The book has a great collection of photographs. I think a lot of the people that read it are going to be shocked because they’re going to recognize you instantly by your moustache and realize you entertained them on many, many sketch comedy shows. Do you have a favorite guest star that you worked with on these shows?
ML: Obviously a huge moment for me was when I got to work with Jerry Lewis on “The Sonny and Cher Show.” That show was four and a half great years. I mean I got to meet everybody. From Ronald Regan to O.J. Simpson. All of the great musical acts that came along back then. “The Sonny and Cher Show” is definitely a highlight of my life.

MS: You mention often in your book the influence Jerry Lewis had, not only on you but on so many other comedians. Is there another comic actor around these days that you think could be referred to as having achieved “Jerry Lewis” status?
MS: You know who almost did that…Jim Carey, who I worked with a couple of times in Canada. I would say that he came pretty close to it for a few years. I’m one of those guys that, whenever somebody can get up on a stage and make people laugh for 45 minutes or an hour, I’m going to appreciate them because I know what it takes to do that. I really like Louis C.K. In fact, someone told me that he’s said he only became a comedian because of the Unknown Comic…because of watching me in his early years. I love his work. I love a lot of people’s work. Like I said, anybody that can do it I’m a fan of.

MS: I’ll understand if you can’t answer this one. Did you ever go on a secret mission with Chuck Barris when he was with the C.I.A.?
ML: (laughs loudly) Yes. No, Chuck told me that when he was writing the book he thought it came off as boring so he paralleled his true life story with a fictional one just to make the book more entertaining. And it certainly worked. It made for a good movie. But none of that stuff was true. And I hope people know that now.

MS: Finally, as you approach age 70 you’re still going strong. What do you have coming up?
ML: I just finished a play. And I’m getting ready to perform at the Wolf Trap Theatre. Is that in Vermont?

MS: Virginia. It’s very nice.
ML: I have a couple more joke books coming out, plus I currently doing the audio verison of “Journey Thru the Unknown.” I’ve got a joke book about Donald Trump and another one about the Kardashians, so I’m always busy. Plus I’m always looking out for my two daughters. (NOTE: Mr. Langston has two daughters: Myah, a singer/songwriter and Mary. Mary has Down Syndrome and is truly the light in her father’s life) My oldest daughter (Myah) just signed with Capitol Records and has a record coming out soon. They’re going to be HUGE! Her band is called My Crazy Girlfriend. And it’s really interesting. I wrote in my book how my influence was Jerry Lewis and the next thing I knew I was working with him. From the time Myah was 8 or 9 years old she was a huge fan of Brittney Spears. She idolized her. And now she’s been a back-up singer on her last three albums. That’s an interesting parallel, I thought.
MS: How is Mary?
ML: Mary is doing great. She’s the joy of my life. I’m picking her up from school and she’s spending the weekend with me.

MS: She’s an angel.
She is my angel. She makes my life worth living a hundred times more.

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Dawn Well reflects on “Gilligan’s Island” and new film “Silent But Deadly”

Dawn Wells is best known for her role as Mary Ann Summers, the young girl from Winfield, Kansas that takes an ill fated three hour cruise and ends up stranded on “Gilligan’s Island.”

Born in Reno, Nevada, Ms. Wells represented the state in the 1960 Miss America Pageant. She studied theater at the University of Missouri. After graduation she headed to Hollywood. In 1964 she won the role she is most identified with, Mary Ann on “Gilligan’s Island.” Following the show’s cancellation in 1967, she continued to work in television, appearing on such popular shows as “The Invaders,” “The Wild, Wild West” and “Bonanza.” She also appeared in a pair of films directed by Charles B. Pierce: “Windtalker” and ”The Town That Dreaded Sundown.”

She has continued to work steadily and can now be seen in the new Jason Lockhart comedy, “Silent But Deadly.” To promote her appearance, Ms. Wells sat down recently with Media Mikes to talk about her new film, her love of theatre and what Mary Ann has planned for the 50th Anniversary of “Gilligan’s Island.”

Mike Smith: Hello from Kansas City, just 3 hours north of Winfield, Kansas!
Dawn Wells: And an hour and a half west of where I went to college in Columbia, Missouri.
MS: M-I-Z Z-O-U
DW: (laughing) that’s it!

MS: Can I ask what attracted you to the film?
DW: Well, I’ve never played a grandmother. I’ve never played an elder role on film at all so I thought it would be fun. And I love the idea of supporting new talent. I thought it was cleverly written, the cast was great and I really enjoyed liked the idea of working with Jason. I’m at that stage in my life where I’m not trying to build a career. I get to do what I enjoy. I enjoyed it when I read it so I took the shot. I loved it.

MS: A few of your co-stars in the film are, like yourself, well known television personalities. Were you able to spend some time on the set talking about your various experiences on the small screen?
DW: Surprisingly, when you’re shooting on set there really isn’t a lot of free time to chat. We did get to know each other during rehearsals, of course. And after we finished filming. I’ve stayed close to many of them. Of course, Lee Meriwether and I both share the Miss America pageant together. And many of them I had worked with in the past on television.

MS: You’ve done everything – film, television, theatre – do you have a preference?
DW: I do enjoy acting in movies but I’ve always loved theatre best. I love the rehearsal time. I love having a live audience and being able to read an audience. I’ve had the chance to play so many interesting roles on stage.

MS: As a follow up, as an actor is it preferable to do a character on stage, where with each performance you can continue to discover your character or film, where you’re often pressed for time so you have to go by your instincts?
DW: Good point. On film you are rushed for time and many times you’ll finish a scene, move on and then think to yourself that there was something else you could have given during that scene. One main difference is reaction. If you’re doing a film, let’s say during the scene someone tips a cup over. Not a problem, you just do it again. On stage, you have to improvise. Let’s say I have a scene where I’m supposed to walk across the stage, grab a vase and toss it out a window. So I make my entrance, cross the stage and discover the vase is not there. You’re in the middle of the performance (laughs)…what can you do? Do I find something else to pick up? Do I walk off stage, grab the vase and then come back in? All those things go through your mind. It’s like a football game. You’ve got the play and you’ve got the play clock in your head. Theatre definitely keeps you on your toes because nothing is perfect. There’s really no such thing as a perfect performance. I remember George C. Scott once said, “you’re doing 8 performances a week. If you get 3 of them in a row good, that’s a miracle.”

MS: 2014 marks the 50th Anniversary of “Gilligan’s Island.” Are there any celebrations or gatherings currently planned that you might be taking part in?
DW: 50 years. Sadly I just returned from Russell Johnson’s funeral (NOTE: Johnson played “The Professor” on the popular show). I still catch the show on occasion. Simple and funny and in black and white. Alan Hale and Jim Backus. It was such a joy. It came out during some tough times in the 1960s, when the country was having some very tough times. And I think we helped people laugh.

MS: “Gilligan’s Island” and the Beatles. You both kept America going.
DW: (laughs)
DW: I’m not aware of any celebrations yet but I do have a book coming out in September. I’m just finishing up the last chapter. It’s kind of a “What Would Mary Ann Do?” Remember, when we were dropped off on the island there was no birth control (laughs). Mary Ann got the most fan mail. Everyone loved her. And I feel that she was the rudder. The book is funny…it has a lot of my advice. I’m not sure about the title yet. I don’t know if it will be “Mary Ann: Good Girl” or “What Would Mary Ann Do?” but I do know it will be fun.

MS: What else do you have coming up?
DW: Well, I’m finishing my book. I’m also going to be doing the play “Steel Magnolias” in North Carolina this March. I’m working on a documentary. This is going to be a very busy year for me.

Film Review “Mr. Peabody & Sherman”

Starring the voices of: Ty Burrell and Max Charles
Directed by: Rob Minkoff
Rated: PG
Running time: 1 hour 32 mins
20th Century Fox

Our Score: 4 out of 5 stars

As a youngster in the 1960s (yikes) I have fond memories of several cartoon programs. For those of you reading this that may not remember, in the early 1960s several popular animated shows, among them “The Flintstones,” ran in prime time. Another one of those shows featured an unlikely pair of pals – Rocket J. Squirrel and Bullwinkle J. Moose (the “J” in their names stood for their creator, Jay Ward). Titled “The Rocky and Bullwinkle Show,” the program introduced many a popular character to kids of all ages. Among them were an incredibly smart dog and his adopted son; Mr. Peabody and Sherman.

We meet Mr. Peabody (Burrell) and Sherman (Charles) as the young boy is about to start the school year. The summer has been spent visiting amazing times in history, via what Mr. Peabody calls the WABAC machine. In fact, the two just returned from a trip to Paris, where they almost lost their heads taking in the French Revolution. It is while in history class that Sherman contradicts his teacher, maintaining that George Washington did NOT chop down a cherry tree. Later, while at lunch, Sherman is made fun of by a fellow student, who mocks the boy because his father is a dog. A trip to the principal’s office leads to a meeting with the other student’s parents. And then the fun begins!

Completely faithful to its source material, “Mr. Peabody & Sherman” is a delightful story that will entertain both the youngsters and their parents. With a script by Emmy and Pulitzer Prize nominated writer Craig Wright (and really, who else BUT a Pulitzer Prize nominated writer could do justice to Mr. Peabody), the film is a fun trip through history, where our two heroes, accompanied by Sherman’s classmate, learn the most important lesson of all. Burrell does a fine job as Peabody, giving him a new, yet familiar, voice. The same can be said of young Charles. Supporting work by such familiar names as Stephen Colbert, Dennis Haysbert and Leslie Mann is also spot on.

Director Minkoff gave us “The Lion King,” so it’s no secret that he has crafted an outstanding animated adventure. The 3D effects are ok but not spectacular, so no harm in seeing it at a regular screening. Make sure you get there early and catch the humorous short film, “Almost Home,” before hand.

 

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