Queens Of The Stone Age Take You On A Haunted House Ride With Their Video For “Head Like A Haunted House”

QUEENS OF THE STONE AGE TAKE YOU ON A HAUNTED HOUSE RIDE
NIGHTMARISH NEW VIDEO “HEAD LIKE A HAUNTED HOUSE” CREATED, DIRECTED AND ART DIRECTION BY LIAM LYNCH

VILLAINS NORTH AMERICAN TOUR RESUMES WITH SOLD OUT MARCH 21 & 22 SAN DIEGO SHOWS

Step right up and take a trip through the eerie and macabre with Queens of the Stone Age as your tour guide —in their latest video, that is. The band has unveiled the latest creation for their “mile-a-minute Cramps-style rave-up” (UPROXX) “Head Like A Haunted House,” off their Grammy-nominated seventh album Villains (Matador).

Created, directed and art direction by frequent collaborator Liam Lynch, the video is a ghastly animated carnival ride through your worst fever-induced nightmares. Accompanied by disembodied hands, UFOs, smoldering hellscapes and grooving skeletons, Joshua Homme leads the way as he and his pack of mischief-makers sail through the nighttime sky on what else but flying coffins. Step right this way, if you dare:

https://www.youtube.com/watch?v=e9byydi6cns

After a triumphant South American jaunt with brothers in arms Foo Fighters, Queens of the Stone Age will make their return to the US later this month with stops including Austin (Austin360 Amphitheater) and Irving (The Pavillion at the Irving Music Factory) as well as Miami’s Bayfront Park Amphitheater, but not before kicking it all off with two sold out nights at San Diego’s Observatory North Park. Tickets are flying like bats out of hell, grab them now while you still can: http://www.qotsa.com

In addition to the slew of upcoming North American and European dates, Queens of the Stone Age will be headlining this summer at London’s Finsbury Park on June 30th—and they’re bringing friends. The band has curated a special lineup with guests including Iggy Pop, Run The Jewels, The Hives, Brody Dalle, and more.

See below for a full list of dates and visit http://www.qotsa.com for more info.

QUEENS OF THE STONE AGE
VILLAINS TOUR 2018
03/21/18 – San Diego, CA – The Observatory North Park SOLD OUT
03/22/18 – San Diego, CA – The Observatory North Park SOLD OUT
03/23/18 – Tempe, AZ – Innings Festival
03/25/18 – Houston, TX – In Bloom Music Festival
03/28/18 – Honolulu, HI – The Republik SOLD OUT
03/29/18 – Honolulu, HI – The Republik
04/20-21/18 – Monterrey, MX – Pal Norte Festival
04/24/18 – Austin, TX – Austin360 Amphitheater *
04/25/18 – Irving, TX – The Pavilion at the Irving Music Factory *
04/26/18 – Shreveport, LA – Municipal Auditorium *
04/27/18 – New Orleans, LA – Saenger Theatre * SOLD OUT
04/29/18 – Jacksonville, FL – Welcome to Rockville
05/01/18 – Miami, FL – Bayfront Park Amphitheater *
05/02/18 – Saint Petersburg, FL – Mahaffey Theater * SOLD OUT
05/04/18 – Memphis, TN – Beale Street Music Festival
05/05/18 – Atlanta, GA – Shaky Knees Music Festival
05/06/18 – Concord, NC – Carolina Rebellion
05/17/18 – Calgary, AB – Scotiabank Saddledome +
05/18/18 – Edmonton, AB – Rogers Place +
05/20/18 – Winnipeg, MB – Bell MTS Place +
05/22/18 – Madison, WI – Breese Stevens Field +
05/24/18 – London, ON – Budweiser Gardens +
05/25/18 – Rochester, NY – Rochester Dome Arena +
05/26/18 — Boston, MA – Boston Calling
06/08/18 – Aarhus, Denmark – Northside Festival
06/09/18 – Gothenburg, SE – Liseberg
06/10/18 – Stockholm, SE – Gröna Lund
06/12/18 – Bergen, Norway – Bergenfest
06/15/18 – Luxembourg – Rockhal
06/16/18 – Wiesbaden, Germany – Open Air Im Kulturpark
06/19/18 – Warsaw, Poland – Torwar Arena
06/20/18 – Prague, Czech Republic – Forum Karlin
06/21/18 – Budapest, Hungary – Budapest Park Open Air
06/23/18 – Lucca, Italy – Lucca Summer Festival 2018
06/24/18 – Monza, Italy – I-Days Festival
06/25/18 – Zagreb, Croatia – Inmusic Festival
06/28/18 – Dresden, Germany – Elbufer
06/29/18 – Beuningen, NL – Down the Rabbit Hole
06/30/18 – London, UK – Finsbury Park
07/05/18 – Werchter, Belgium – Rock Werchter
07/06/18 – Arras, France – Main Square Festival
07/07/18 – Belfort, France – Eurockeennes Festival
07/13/18 – Lisbon, Portugal – Nos Alive
07/14/18 – Madrid, Spain – Mad Cool
08/18/18 — Tokyo, Japan – Summer Sonic

+ Royal Blood supports
* w/ Wolf Alice

 

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B. Harrison Smith talks about working with horror legends in his new film “Death House”

Photo by KGE

Harrison Smith is the writer and director of the new horror film “Death House”, which is being called the Expendables of the horror genre! This film is jam packed with dozens of icons including Kane Hodder, Dee Wallace, Tony Todd, Bill Moseley and many more! B. Harrison took out some time to chat with Media Mikes about the film and what we can expect for the future!

Mike Gencarelli: Tell us about how you first got involved with “Death House”?
B. Harrison Smith: All of that can be found here. It’s my personal blog called Cynema. It has four articles called “The Road To Death House” series which answers everything you need to know.

MG: How much did Gunner Hansen complete before his passing?
BHS: Gunnar did the original script. That’s covered in the “Road to Death House” series on my blog. The script that’s shot is 90% mine. I kept his concept of the Five Evils and the issue of good and evil’s dependency on each other. However Gunnar’s original script was about a team of filmmakers going into an abandoned asylum where they were killed off. So it’s pretty different. He gave the script his blessing before he died. He was happy with what I did. He was such a good person.

MG: What was it like to work with so many horror legends?
BHS: Educational. They know so much. They’ve seen so much and how the industry has evolved and changed for the better and worse. I loved the fact that I grew up watching them in theaters and late night cable and video and now I work with them. That’s the best thing.

MG: Were there any talent that you reach out to that turned you down or that you weren’t able to get for this film?
BHS: Sure and it was due to scheduling. When the money finally moved it didn’t jive with everyone’s schedule. Robert Englund was in the middle of three projects and flying to Scotland. Bruce Campbell was smack dab in the middle of the Evil Dead tv show but they were really nice about it and supportive. What can you do? The project had been on and off again for years. They had to work. Hopefully the next one we will get them!

MG: What was one of the coolest moments you had on set during production?
BHS: There were a few but one that comes to mind was watching the interaction between Kane, Bill, Michael. They’ve known each other so long. They’re icons and they fuck with each other like high school kids. They did this three stooges “hello, hello, hello” bit and it was classic.

I also got to eat lunch with Sid Haig who just told me so much about the industry over the last 50 years. He’s a wealth of information and stories and I was so privileged to have him share them with me.

MG: On the flip side, what was the hardest part of the production?
BHS: Having a low budget and 24 day shoot schedule. I think most indie filmmakers will cite money and time as the biggest issues. There were no divas. No “creative differences.” The people part and crew part was easy. Time and money…they’re the hurdles.

MG: According to IMDB I see there is a prequel in the cards, “Dawn of 5 Evils”, is this next for you? Give us a tease on what we can expect?
BHS: Producer Rick Finkelstein wants it and I’ll oblige. It’s a prequel and that title will change. That’s just a working title for now but It will examine the backgrounds of the Five Evils and their origins.

MG: What is your wishlist cast for the next film in the franchise?
BHS: Ah hell, if I do that and leave anyone off then I piss off potential cast. I hope everyone for the sequel returns and I look forward to new faces as well.

MG: Fun question, if you could remake/reboot one horror film, what would it be?
BHS: I’m not against remakes when they’re warranted. There have been some great ones: “Invasion of the Body Snatchers” ‘78, “The Blob”, “Night of the Living Dead”. So if I had my choice, I’d love to get a crack at remaking “Let’s Scare Jessica To Death.” I love the original but I think there were things limited by budget and time. The original sits on my DVD shelf and it scared me since a kid.

MG: Favorite childhood horror film that inspired you to your current role today and why?
BHS: I always say the original “Jaws” is the movie that made me want to make movies. But I’m not sure I classify Jaws as a horror film. But that’s the one. I was 8 when I saw it in 1975 in theaters and I told my mom afterward that I want to make movies when I grew up. I wish she’d lived to see that happen.

Film Review “Death House”

Directed by: B. Harrison Smith
Starring: Cody Longo, Cortney Palm, Dee Wallace, Kane Hodder
Production company: Entertainment Factory
Distributed by: Hannover House
Running time: 95 minutes

Our Score: 4 out of 5 stars

Before we start, a quick question: are you a horror fan? If so, let me just drop a few names here for you to look over: Kane Hodder, Barbara Crampton, Bill Moseley, Dee Wallace, Camille Keaton, Michael Berryman, Tony Todd, Sid Haig, Adrienne Barbeau, Felissa Rose, Cortney Palm, Sean Whalen, Vernon Wells, Lloyd Kaufman, R. A. Mihailoff, Brinke Stevens, Debbie Rochon, Tony Moran and Gunnar Hansen.

Now if you are a true horror fan you should be losing my mind now! Am I right?These are absolutely legends in the business…and they ALL appear in the film “Death House” from writer/director, H. Harrison Smith. I have been following this film for years now as it was being called The Expendables of Horror! Well after finally getting a chance to see this film, I am happy to say that this film does not disappoint. “Death House” IS the Expendables of Horror! 90 minutes of non-stop genre fun! I found myself glued to ever scene!

Here is the official premise: “During an exclusive tour, a power breakdown inside a secret prison known as the Death House sends two agents fighting through a labyrinth of horrors while being pursued by a ruthless army of roaming inmates. As they fight to escape, the agents push toward the lowest depths of the facility where they learn a supernatural group of evil beings are their only chance for survival”.

“Death House” is based on an original idea from Gunner Hansen (“The Texas Chainsaw Massacre”). Being a hardcore horror fan, this film is a blast. Every scene you will see a new friendly face. The only thing holding this film back is lack of funds, otherwise this is sure to be instead cult classic. “Death House” doesn’t disappoint on the gore and packs some impressive practical effects. It also has humor matched with some solid suspense and a great score. You can tell that writer/director B. Harrison Smith is a horror fan just like us! He injects a fresh new life into the horror genre, while setting up a new franchise in the process. Prequel is in the works already! Read our interview here with writer/director B. Harrison Smith here!

Even though this film is filled with horror icons, the film is led by great new talent like Cody Longo and Cortney Palm, read our interview with her here. Cortney is a great actress and she deserves much more attention in Hollywood. We also had a chance to interview horror icon, Dee Wallace, and you can read it here. She is great in the film as  Dr. Eileen Fletcher.  Kane Hodder also kick some major ass as Sieg.. Hodder also has the new film, Victory Crowley, (aka “Hatchet 4”) this month! He is on fire in 2018!!

If you want to prove your role as a horror fan, you need to support this film and spread the word! “Death House” is breaking the odd and getting a limited theatrical release starting February 23rd in Regal Cinemas and Cinemark theaters across the country. Check their Facebook page to see if it is playing in a theatre by you…and if it is go see it!! You got to give it to the production company behind, “Death House”, Entertainment Factory for being behind this film. You can tell that this is a real labor of love, a lot of hard work went into this film and it deserves recognition. Films like this do not get theatrical release and yet they deserves it.  It’s not perfect but it is fun and made by a horror fan FOR horror fans!

 

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Horror legend Dee Wallace talks about the new film “Death House”

Photo by Joe Bryant

Dee Wallace is a name that needs little introduction. She is a legend in the business and is known best for her roles on films like “The Hills Have Eyes”, “The Howling”, “E.T. the Extra-Terrestrial” and “Cujo”. This year Dee is co-starring in the new film, “Death House” among over a dozen of other horror icons. She took out some time to chat with Media Mikes (again) to discuss the film and her role!

Mike Gencarelli: This project was born from the late Gunnar Hansen. How did you get involved and did you have any involvement with him before he passed?
Dee Wallace: I knew Gunnar. He was with my agent and also we saw each other on the circuit. I got involved because he and my agent developed the original concept together. Gunnar was a dear, sweet,  kind, talented man. He is missed.

MG: As a scream queen yourself, this film is jam packed with horror legends, but you have alot of screen time with Cortney Palm, who I feel is really breaking out in the business, tell us about working with her?
DW: I loved working with Cortney. She is very professional. I love her intensity.

MG: There has to be fun behind-the-scenes stories from working with this cast? Anything come to mind quick from the production?
DW: We alternated between freezing and feeling sorry for those who were more naked than we were!

MG: Tell us what drew you in about your character, Dr. Eileen Fletcher, and did you give her any cool unmentioned backstory to get into character?
DW: I loved her because I don’t get to play many characters like her…hard and unfeeling. Interestingly, that was a real challenge for me. I am used to playing with a full heart. I don’t know if you picked it up, but Barbara and I had a whole lesbian vibe going on.

MG: I like the idea that “Death House” is like “The Expendables” of the horror genre! Do you think that this will be expanded into more films?
Well, since I died, it’s doubtful I will return! But my daughter, Gabrielle Stone, is slated for the next one so yes!, I definitely want there to be more!

MG: From working in the genre over the years with “E.T.”, “The Howling” and “Cujo”,
how do you feel the genre has changed over the years?
DW: I think people get confused between horror and slasher. A good horror film develops characters, takes time to build, and usually has some kind of message about the human situation.

MG: Tell us what you are currently working on now and what’s upcoming?
DW: I have a great Christmas horror film on Netflix called “Red Christmas”, my series, “Just Add Magic”, is showing on Amazon Prime, and I am currently shooting a wonderful film called “Every Other Holiday”. I also am slated to film in March but cannot disclose any info yet!

Cortney Palm talks about working with horror icons in “Death House”

Cortney Palm has been making her mark in Hollywood and securing her role as a scream queen with roles in films like “Silent Night” (2012), “Zombeavers” and “The Dark Tapes”. She also co-starred in the film “Sushi Girl” alongside Mark Hamill in 2012. Recently she is starring in the film “Death House” alongside about a dozen of horror icons including Kane Hodder, Tony Todd and Dee Wallace. Cortney took out some time to chat with Media Mikes (again) to discuss the film and her love for the genre.

Mike Gencarelli: How did you get involved with the film “Death House”?
CP: I had received message from director Harrison Smith via Twitter saying that some things had developed and he was interested in sending me a script. The script was “Death House”, and after I read it I thought I HAD to be a part of it. My managers got involved and literally a few days later I flew out to Pennsylvania to film.

MG: You are no stranger to ensemble casts after working on films like “Sushi Girl”, but tell us what was it like working with so many horror icons?
CP: Each actor brought something unique to set. An embodiment of their work and who they are as people. It’s always a joy to work with actors who have had long careers because you can learn so much from them. Kane (Hodder) and I did some improv that added depth to our characters and Barbara (Crampton) was so great in that we would work the scene before we filmed, which helped a lot.

MG: What drew you to your character Agent Toria Boon?
CP: I love her character arc. She clearly has a distinct past and simultaneously a past that is unfamiliar to her. Was it a part of a scientific test? Or something she’s trying to bury? But throughout the film she begins to unravel and question reality and her mission. I’ve always been drawn to strong female characters and agent Toria Boon is a badass, so that helps.

MG: Give us a fun behind-the-scenes story from the production?
CP: There was this one room in the prison, it was the freezer room, that we had to film in. It felt like bad juju. the camera crew had burned incense and wore crystals, but for some reason that room really took a toll on a few of us actors. Was it supernatural play? Bad energy? Or something that wanted to drain us. Whatever it was, it was a very difficult room to film in.

MG: I can see “Death House” being a great franchise, what horror icon would you like to see on board for future films if they happened?
CP: Honestly, Jamie Lee Curtis or Sigourney Weaver.

MG: How does it feel to be earning the status of scream queen in the horror genre?
CP: Am I? *Blushes* Horror films are so much fun to make. They take a lot of work, more than what people think. Buy they’re some of my favorite movies to work on, so I appreciate the fans who like to watch my work!

MG: Do you have any other projects upcoming that you would like to shout out to?
CP: “Hooker Assassin”
“Your Own Road”
“Sunflower”
“Dead Ant”

James Furlong and I also are co-producing an action/drama called “Savvy Strong”, where I play an ex-marine out for vengeance. We having a production team on board and are looking to secure more financing.

Dave Coulier talks reflects on his role in “Full House” and his stand-up comedy tour

Dave Coulier is know best for his role as Joey Gladstone on “Full House”. What you may not know is that before “Full House”, Dave started out as a stand-up comedian. Well, he is returning to those roots this year with a comedy tour and is hitting the road with dates all around the country. Media Mikes had a chance to chat with Dave about his tour, reflect a bit on “Full House” and even chat about his voice acting roles on “The Real Ghostbusters”. Check out his tour dates, here.

Mike Gencarelli: This year is a big year for you as you tour the comedy circuit from January through October; what can we expect that these shows?
Dave Coulier: I started doing stand up many years before “Full House” and I really wanted to get back to my roots. I love performing live. I have been lucky because people have really been packing these venues. I sold out shows in Cleveland and Cincinnati in the last month. I think a lot of people know me from “Full House” but not as a stand-up comedian. So it has taken a couple of years to remind people that this is what I started doing. But I have a really funny show. I talk about “Full House” a bit but you will also get to see what I do when you are not watching me on “Full House” re-runs. So it is fun!

MG: What would you say is one of the hardest parts of doing stand-ups?
DC:I think the most challenging part for me personally is the travel. The writing is a constant challenge for sure and the actual performing on stage is a real blast and I love it. I also really enjoy getting to meet my fans afterwards during the meet and greets. Like I said though, the hard part is being away from my wife and my family. You are living out of a suitcase in a hotel, so that is certainty tough. The performing, I have been doing that for 35 years, so that part is just a lot of fun.

MG: Since you are touring throughout the year, what do you do to make sure your material does get old for you personally each night?
DC:It is a constant process of weeding out material that doesn’t work and filling it with stronger, fresher and better stuff. That is the process night after night. This set that I am working with now is about an hour and fifteen minutes with material which will also be included in a stand-up special that we are going to be shooting soon. It is going to be called “Glorified Birthday Clown”.

MG: I know a few years ago you did a “Clean Guys of Comedy Tour”; is your current tour family friendly or adults only?
DC:I have always worked pretty clean. If you look at the landscape of comedy today, there is a wide specter of guys like myself, Jim Gaffigan, Brian Regan, Jerry Seinfeld and we are all clean. Then there is the other side of the spectrum where the comedians are using F-bombs and being very edgy and there is a lot of different flavors in between that. For me, I just never worked any different. My goal early in my career was to get on “The Tonight Show” with Johnny Carson, which was clean. So, I got to make my first appearance on “The Tonight Show” when I as 24 years old and since then, I never really changed my style. So if you come out to one of my shows, you will not be offended. We have all types of people ranging from teenagers to grandparents.

MG: When you played Joey Gladstone on “Full House”; did you ever imagine that this show would still be so popular and people would still be saying taglines like “Cut. It. Out!”, after all these years?
DC:I think we are all really proud of the work we did and that it has had such longevity. It has also become very multi-generational. We have never been off the air since 1987. We have been syndicated in over 100 countries around the world. I think it owes to the fact that it is good family entertainment. You get some good values when you watch an episode of “Full House” and they don’t produce shows like that anymore. We are all also still friends as well, in fact just prior to us speaking now, I was on the telephone with John Stamos. We are closer than ever and I really love the friendships that have developed from working on this show.

MG: Lastly before “Full House”, you have also done tons of great voice work including voicing Dr. Peter Venkman on “The Real Ghostbusters”; what was it like working on a show like that?
DC:It was an great show to work on. It was such an iconic movie and to be able to play a part that Bill Murray played was a real treat for me because I am a real fan of his. It still has a fan base as well. In fact, at one of my stand-up shows recently and a fan had brought actual animation cells from the show to have me sign. So that was really cool that people are still enjoying it also. So for me the coolest part was just to have been involved.

3D Blu-ray Review “Thunder and The House of Magic”

Starring: Cinda Adams, Edward Asner, George Babbit, Murray Blue, Kathleen Browers, Joey Camen
Directors: Ben Stassen, Jeremie Degruson
Distributed: Shout! Factory
MPAA Rating: Not Rated
Release Date: September 30, 2014
Running Time: 85 minutes

Film: 3 out of 5 stars
3D: 4 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 2 out of 5 stars

“Thunder and The House of Magic” is the latest family movie from the directors Ben Stassen and Jeremie Degruson, who are behind other international films like “A Turtle’s Tale: Sammy’s Adventure” and “Fly Me to the Moon”. This film has a fantastic original music by composer Ramin Djawadi (“Game of Thrones”) and also from pop-star Selena Gomez. The film is clever and the visuals are definitely easy on the eyes, though the story does deliver much magic. Kids would definitely dig it and parents should be able to stomach it.

Official Premise: Thunder, an abandoned young cat seeking shelter from a storm, stumbles into the strangest house imaginable, owned by an old magician and inhabited by a dazzling array of automatons and gizmos. Thunder must learn how to get along with the other animals living there. When the magician gets into a car accident, however, the pets must join forces against an evil nephew who tries to sell his house.

Shout! Factory delivered this film with a two-disc Blu-ray™ 3D Combo Pack (including a Blu-ray 3D and 2D, DVD and digital copy). The digital copy though is outdated since it is not through Ultraviolet. The 3D in the film is great and executed very well with otherwise impressive depth. The DTS-HD Master Audio track also works well with the film’s music.

This release is currently only available exclusively at Walmart stores everywhere. There are some special features included but nothing special. “Origins” is a look into the how the film was born. “Character Animation” looks into the style used to create these fluffy stars. “The Making of the Soundtrack” dives into the tunes for the film. Lastly there is a teaser and trailer included.

 

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Blu-ray Review “The Legend of Hell House (1973)”

Starring: Pamela Franklin, Roddy McDowall, Gayle Hunnicutt, Clive Revill, Roland Culver, Peter Bowles
Director: John Hough
Rated: PG (Parental Guidance Suggested)
Studio: Shout! Factory
Release Date: August 26, 2014
Run Time: 95 minutes

Film: 2.5 out of 5 stars
Blu-ray: 3 out of 5 stars
Extras: 2.5 out of 5 stars

I remember as a kid seeing the VHS box for this film and never renting it. In fact, I still had never seen the film prior to this Blu-ray release. “The Legend of Hell House” has a sort of Hammer feel to it but takes too long to get going and the pay off is not worth the wait. There is a point when not seeing anything gets old. I expected some of that and then some reveal but it never came. Roddy McDowall is always great to watch though. Hardcore horror fans might dig having this on Blu-ray.

Official Premise: A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. Previous visitors have either been killed or gone mad, and it is up to the team to survive a full week in isolation, and solve the mystery of the Hell House.

I feel like Shout! Factory could have done a bit more with this release to be honest. It is not being released as a combo pack just a Blu-ray. The transfer is good but nothing spectacualr for the age of the film it looks ok but feels a little bit muted to me. The DTS-Master Audio Mono track does work with the successful score and the dialogue. The special features are bit lacking as well. There is a new interview with Director John Hough as well as a new audio commentary With actress Pamela Franklin. Both are good but we usually get more from Shout! Lastly there is an original theatrical trailer included.

Blu-ray Review “House of Cards: The Complete Second Season”

Starring: Kevin Spacey, Robin Wright, Reuel Pendleton, Sakina Jaffrey, Michael Kelly, Kristen Connolly
Directors: David Fincher, James Foley, Allen Coulter, Carl Franklin, Charles McDougall, Joel Schumacher
Number of discs: 4
Rated: NR (Not Rated)
Studio: Sony Pictures Home Ent
Release Date: June 17, 2014
Run Time: 663 minutes

Series: 5 out of 5 stars
Extras: 3.5 out of 5 stars

When I watched the first season of “House of Cards“, I thought what could be better than this season? Well that answer is easy because it is the second season. It is rare that a show not only stayed in line with the previous season but also surpasses it. The acting in this series just keeps blowing me away as well. Kevin Spacey really gets comfortable in the shoes of Frank Underwood and Robin Wright just stunning, not to mention the rest of this stellar cast. I dare you to watch one episode of this series and see if you don’t end up binging on it for the rest of the night. If you dig shows about the seedy world of politics, look no further because it doesn’t get any better than this…(I hope I can negate that statement when season three hits).

Official Premise: Masterful, beguiling and charismatic, Francis Underwood (Kevin Spacey) and his equally ambitious wife Claire (Robin Wright) continue their ruthless rise to power in Season 2 of ‘. Behind the curtain of power, sex, ambition, love, greed and corruption in modern Washington D.C. the Underwoods must battle threats past and present to avoid losing everything. As new alliances form and old ones succumb to deception and betrayal, they will stop at nothing to ensure their ascendancy.

Sony released The Complete Second Season of “House of Cards” on Blu-ray accompanied by a Ultraviolet Digital Copy. The 1080p  presentation of the episodes is near flawless. The DTS-HD Master Audio 5.1 surround track worked perfectly so I can lean on every word spoken. The special features are another win for this release. “Two Houses” looks into at the original show and how this series came together. “Table Read” is a behind-the-scenes look cut with with the scenes from the show. “Direct Address” features how Francis Underwood speaks directly to viewers in both the original BBC series and this new adaptation. “Politics for Politics Sake” takes at looks into the politics themes in the show.  Lastly, “Line of Succession” looks into what goes into making an episode.

 

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Win Passes to the Upcoming Kansas City Screening of “A Haunted House 2” [ENDED]

Media Mikes has teamed with Open Roads Films to award (10) lucky readers and a guest the chance to see the upcoming comedy, “A Haunted House 2,” in Kansas City before it opens to the public.

Starring Marlon Wayons (who also co-wrote the film), “A Haunted House 2” is the sequel to last year’s hilarious box-office hit and also features Jaime Pressly, Gabriel Iglesias, Ashley Rickards, Steele Stebbins, Essence Atkins, Affion Crocket, Dave Sheridan, Hayes MacArthur, Missi Pyle and Cedric The Entertainer.

The screening will be held at the AMC Independence Commons Theatre on Thursday, April 17, starting at 7:00 p.m.

To enter just click here ( http://l.gofobo.us/hNT9vLC6 ) and register your email address. (10) random winners will be chosen and notified by email on Monday, April 14. You can also go to www.gofobo.com/rsvp and enter this code: MMF4BT.

Screening Information:

“A Haunted House 2”
AMC Independence Commons Theatre
19200 East 39th St South
Independence, Missouri 64057
Thursday, April 17, 2014 – 7:00 pm

” A HAUNTED HOUSE 2″ OPENS NATIONWIDE ON FRIDAY, APRIL 18th

Win the Latest Movie from the Director of “Jeepers Creepers”, “Dark House” on Blu-ray [ENDED]

To celebrate the release on Blu-ray, Media Mikes is excited to giveaway one (1) copy of “Dark House” on Blu-ray. If you would like to enter for your chance to win one of this prize, please leave us a comment below or send us an email with your favorite horror film. This giveaway will remain open until March 28th at Noon, Eastern Time. This is open to our readers in US and Canada only. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email

Famed horror director Victor Salva (“Jeepers Creepers”  returns in the blood-curdling new film starring Tobin Bell (“Saw” franchise), “Dark House”. From the mind of Charles Agron, the eerie thriller follows Nick Di Santo (Luke Kleintank, “Pretty Little Liars”) who has the chilling ability to foresee how one will inevitably perish by simply touching them. Tormented by this power, Nick learns from his institutionalized mother (Golden Globe nominee Lesley-Anne Down, “North and South”) that his father, whom he previously thought was deceased, is actually alive. Hoping that he can reveal the origin of his dark gift, Nick sets off to find his father with his best friend (Anthony Ray Perez, “Don’t Pass Me By”) and girlfriend (Alex McKenna, “90210”).
Along their journey, they are terrified when they realize that every road they take leads them to the same decrepit mansion, one that only previously existed in Nick’s childhood imagination. Finally succumbing to the will of the house, Nick soon finds himself in a horrifying battle with a mysterious, haunting figure (Bell).

Scott Frazelle talks about co-producing and co-writing “House of Bad”

Scott Frazelle co-produced and co-wrote December’s House of Bad. Media Mikes had a chance to catch up with the multi-tasker to get the low-down on one of the most buzzed about horror films on the net.  Be sure to check out “House of Bad” when it hits DVD on December 3.

Mike Gencarelli: What exactly does a co-producer do?
Scott Frazelle: In my experience, that title is given to an individual that not only has a specific job, but also brings something to the table in the form of resources or creativity, or both. In the case of House of Bad, our Director, Jim Towns, Producer Dorota Skrzypek, and myself all shared an equal part of producing this feature. Jim brought the script, and a location already in mind. I secured resources and began planning logistics. Dorota found capitol. We equally hammered out the creative details to make it work on screen, and we did the same through the process of post-production. There are plenty of examples where one individual took the lead, but it is absolutely accurate to say we shared this task equally.

MG: How hands-on were you? Was it a case of being on set, doing whatever needed to be done there and then, or was it more a case of making sure the ducks were all in a row before Jim started shooting the movie?
SF: It worked out that Jim asked me to get involved right at a moment where I was between projects for a short time. I was able to do a few weeks of solid prep, then we were off and running. Things were organized pretty well. I stayed on set and was Line Producer through the shoot, as well as another pair of hands wherever needed. I’ve worked in many capacities on Indie features, so its hard for me not to be involved while on set. Plus, I love the culture of being on set. Its amazing to watch complete strangers come together and step into this circus that is filmmaking.

MG: What’s the biggest difficultly doing an indy film?
SF: Overcoming the urge to let enthusiasm overpower good judgement. A lot of Indie projects are a labor of love or a great idea that hasn’t reached the right channels to properly realize them. As a result, the movie suffers, and the people involved suffer. There’s a saying that goes around town, “If you don’t have enough money… you don’t have the right script.” Often times that’s thrown at small projects that are trying make ends meet as a criticism, but really, it should be a mantra that helps guide your judgement. Its not easy, sometimes, to get your start or see your project come to life, but you have to pick your projects in a way that best honors the quality of the project. If you’ve done a budget several times, and you know you really need $250K, it’s going to get rough when you raise only half of that, and decided to do it anyway. Asking people to work 16 hour days for an entire week “for the sake of the movie” is garbage, damaging, and insulting. You can’t do that if you want to work with people again, and you certainly can’t do that if you want what’s on screen to be right. I’m a firm believer in quality, and it begins with EVERYTHING. The script you write or choose, the people you hire, how you treat them, it all has to be guided by doing it right. The best decision you can make could be to NOT proceed with a project…until you’re prepared.

MG: You’re actually a bit of a horror veteran. I see you were in “Creepshow III”! Where and when did the love affair with fright-films begin?
SF: Like all good American kids of the time, through television! I fell in love with classic, and b-movie horror films, at an early age. I remember being fascinated watching The Creature from the Black Lagoon around age 6, followed quickly by Tarantula, Them, The Blob, and re-run after re-run of The Twilight Zone. My father has an affinity for those works, so I was able to catch them on TV with him. Those kinds of horror films really had a fantastic quality to them, they were able to make an impression on me much better than say, Casablanca, would have at that age. I think I saw Whatever Happened to Baby Jane and Psycho when I was about 10, and I no longer needed a monster suit to hold my attention, those were the films that made me realize people are the monsters in our world. My involvement with Creepshow3 was in many ways a dream come true, I got a chance to be a part of the legacy of one of my most favorite movies.

MG: Did the script go through many drafts?
SF: I don’t know how many rewrites Jim went through before he decided to show it to me, but when we both agreed to move forward on it together, there wasn’t the need for a lot of work. I wanted to make some changes, but mostly in the nuances. I thought Jim had some great little moments still lurking in his script, and that the movie would be better served by dragging those things into the light. Jim and I worked together to do that, and it didn’t take much time before we both felt it was done.

MG: When you sold the film to the distributor, were you forced to make any changes – either in the title, how the film was marketed, or otherwise. Was it like handing over a baby to a stranger and just hoping it’d be Okay?
SF: It was! We had been handling everything about the movie from day one-including PR, and generating reviews, and all the stuff it takes to get a distributor interested; so when we made a deal with Osiris Entertainment, there was the relief of not having to do all that any more. At the same time, it was the beginning of a whole new kind of stress because, you know, there goes our baby. But one of the biggest factors in accepting the offer from Osiris was that they genuinely liked the film, and didn’t feel there was a need to change anything about it. Jim, Dorota and myself, all agreed that we’d get the best support from a company that appreciated and enjoyed what we had created, so when they did decided to change the DVD cover, we felt their reasoning was sound and continued to put us in the best position possible.

MG: Was it always called House of Bad? or did you have some alternative titles at one stage?
SF: It’s always been House of Bad. I liked the title when I first read it, I thought there was something just a little spooky about it. It never made me think of a slasher film, or torture porn, or anything like that. There was something unsettling about it, in just the right way. Our cast and crew were one of the best little production families ever, we got along, and there was a lot of fun riffing on the title throughout the production, but nobody ever came up with anything that fit better. Once we began, and started talking about it with friends, everyone seemed to react the same way. The planned sequels, however…

MG: You’re also a book editor. Can you tell us a little bit about that?
SF: My formal education is in writing, and one of my gifts, I believe, is the ability to help a fellow writer improve or refine their ideas. This is different from Punch-Up, where you’re hired to take a script and actually rewrite portions of it to meet certain needs; I feel like when I read another writer’s work, I can see their story through it’s flaws, the most common of which is keeping a particular voice, and pacing. I don’t like to put my words into other people’s work, but I can help another writer see where they’ve gotten off course, or change things to keep to the spirit of their story. Its a little like being a coach; sometimes, because you’re the not the one swinging the bat, or club, or whatever, you can see where a tiny adjustment harnesses the all the power. The first time I’ve officially been named Editor was in 2008, when Dorota began her women’s fiction series Sex, Life, and Hannah. She had this idea for a dating series set in Los Angeles. It was high-energy, and magnetic, and the characters were all very real, but it was still evolving. I’ve been attached to that project for three books now, with a fourth on the way, and it’s been great. I’m also serving as editor on her erotic thriller, The Need, which is going to blow people’s minds (and which I really hope gets realized as a feature)! Its great to work in that creative capacity, being there to help things click.

 

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Jim Towns talks about directing the film “House of Bad”

If you walk away from December’s rather tense House of Bad a little shaken and stirred, the man to send your letters of complaint to is Jim Towns. Media Mikes had a chance to talk to the talented up-and-coming filmmaker about one of the most daunting films you’ll see this year. Be sure to check out “House of Bad” when it hits DVD on December 3.

Mike Gencarelli: How far back does the story of House of Bad’s conception go?
Jim Towns: All the way back in college I’d had a vague idea for a story about three sisters on the run with a stolen suitcase of drugs. I thought I’d someday do it as a graphic novel or a prose story, and at one point I wanted to do it as a black box theatre play, but I’m glad I held onto it for a while until it could be realized on film.

MG: Were you a horror/thriller fan growing up? Is that what stemmed the interest in doing a genre film? Or is it because horror seems to be an easier sell these days?
JT: No, I’m an old-school, dyed-in-the-wool horror fan. Scooby-Doo, The Munsters, and Abbott & Costello meet Frankenstein pretty much sealed my fate at an early age. I think it’s pretty apparent when “mainstream” filmmakers try to exploit the horror genre in order to get a film made and sold and bolster their reputation. I’ve been sent a few of those scripts and I think those films – and we’ve all seen them- come across as very hollow and half-hearted. Horror fans are smart, and they know when someone’s trying to exploit the genre. Also, I’m not sure horror is actually that easy of a sell these days either, because there’s a helluva lot of people making a helluva lot of horror films right now. It’s pretty hard to rise above the white noise of all that and land a good distribution deal, it takes something unique.

MG: You co-wrote the script. We picture two guys on computers, side-by-side, madly writing something by moonlight. Is that how it worked?
JT: Not really. I had a rough draft done before Scott [Frazelle]came on. We never actually sat together in a room with duelling laptops or anything, it was mostly emailing each other scenes and revisions and working in tandem to hone in on the best structure and the most compelling character moments to give the film the most impact for the viewer. Scott’s a great writer with a natural instinct for what makes a story work, and that was a huge benefit for the movie.

MG: Are the people involved in the film – particularly behind-the-scenes – all friends? Or was this a case of ’rounding up’ the best for the job?
JT: Scott and I have each worked in just about every capacity on films and TV at some point over the years, so it really was a matter of tapping our combined talent pool. Luckily we knew just about everyone we needed for the crew, and the jobs we didn’t have anyone for, someone we knew would know someone who was perfect. When you basically have no time for pre-production, you have to find people you know aren’t going to let you down, because lost time is lost money and that’ll sink you, so you simply cannot afford to pick the wrong person. I look at the finished film now and I see the amazing look our DP Chad Courtney and art director Nikki Nemzer gave it. The great makeup by Jennifer Jackson. The seamless blend between Anthony Eikner’s SFX and Gregg Deitrich’s VFX work on many of the blood gags. Nina Lucia’s razor-sharp editing. The incredible score by Terry Huud, and on and on. So yes, they were all friends, and yes we got the best for the job. It’s nice when that works out.

MG: Who is the audience for the film, in your opinion?
JT: House of Bad has all the signature moments of a good horror film- building suspense, big scares, great gory effects, so I’m not too surprised that horror fans have responded so favorably to it. What has surprised me is how well it’s connected to non-horror viewers. I think the dramatic setup of the movie, the dynamic of the three sisters dealing with the ghosts of their past, connects with a much larger demographic beyond the horror fanbase– so to answer your question, I think the film is for anyone who enjoys a good story, but can handle a few scares, too.

MG: Complete the sentence. ‘You’ll love House of Bad, if you liked…’
JT: Indie films, ghost stories, and films that don’t suck.

MG: The movie seems to be getting a lot of publicity online. How important is the internet in terms of marketing a film like this?
JT: It’s absolutely critical when you can’t afford to buy ad space or billboards. Online critics, reviewers and bloggers are a vital component in getting the word out about your movie, and I’m really thankful for everyone who’s taken the time to watch and review HoB and for the interviews, especially since the reaction has been so overwhelmingly positive. I’ve never had any of my films get such good press across the board and it’s been a pretty awesome few months, I can tell you. To my peers out there with a film project in the works I’d say put aside a few bucks aside and try to hire a good PR company like ours (October Coast) to raise your film’s awareness. Social media is great but it can only reach so far.

MG: What’s your next movie?
JT: There’s a few things coming up for me right now, which is exciting. There’s a supernatural western called A Man with a Gun, which is about this gunfighter with a dark past who travels through Purgatory to rescue the souls of his murdered wife and son. I wrote and am producing it, and it will feature Dani Lennon (Bite Me) and Tony Todd. Getting a call on your cell from the Candyman is a pretty cool thing, I gotta say. I’m also set to shoot 13 Girls next year, which is sort of a cross between Rosemary’s Baby and Law & Order. Sadie Katz and I will be reuniting on that one, as well as another little film we’re developing called Invasive, which will be really scary and really really sexy, too. Maybe even more sexy than scary, I don’t know. But it’ll be a lot of fun to watch, without doubt.

See the Original “House on Haunted Hill” on the Big Screen in Tampa! [ENDED]

THIS GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL. PLEASE CHECK BACK EACH WEEK FOR NEW GIVEAWAYS!

One of the best things about retro-cinemas is having the chance to see classic films on the big screen where they belong. This month Media Mikes has teamed up with the Tampa Pitcher Show to send one lucky reader and a guest to the November 23rd Horror Matinee presentation of William Castle’s 1958 classic “House on Haunted Hill,” starring Vincent Price, Richard Long and Elisha Cook, Jr.

The presentation will be hosted by nationally known horror host Wolfman Mac Kelly. Kelly is probably best known as the host of the long running syndicated television program “Chiller Drive-In.” The screening begins promptly at 1:00 p.m. For more information go to www.tampapitchershow.net

All you have to do is leave us a comment letting us know what classic horror film you’d like to see again on the big screen. One random comment will be chosen and the winner will be notified by email. This contest ends at noon on Thursday, November 21st. Good luck!

DVD Review “White House Down”

Starring: Channing Tatum, Jamie Foxx
Director: Roland Emmerich
Rated: PG-13 (Parental Guidance Suggested)
Studio: Sony Pictures Entertainment
DVD Release Date: November 5, 2013
Run Time: 132 minutes

Film: 3 out of 5 stars
Extras: 2.5 out of 5 stars

I love action films as much as the next guy, but I wasn’t super thrilled to rush out and see “White House Down” (as was anyone else it seemed either). I felt the same way about the other White House-under attack film “Olympus Has Fallen” but I thought it was pretty awesome. “White House Down” was fun stupid action fun but nothing too memorable. I should expected that from director Roland Emmerich (“The Day After Tomorrow”, “2012”). All action and no plot. Worth checking out but keep those expectations down and also what woman doesn’t enjoy looking at Channing Tatum.

Official Premise: Capitol Policeman John Cale (Channing Tatum) has just been denied his dream job with the Secret Service of protecting President James Sawyer (Jamie Foxx). Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation’s government falling into chaos and time running out, it’s up to Cale to save the president, his daughter, and the country.

When I think of “White House Down”, a $150 million dollar big summer film, I think amazing visual effects and window shattering sound. Well, you really don’t get that with this DVD, so if you do decide to watch this film be sure to do so on Blu-ray. Plus, the special features on this DVD are only half of what is on the Blu-ray, which is another bummer. What we get are four featurettes, which are ok but I can’t help but feel like I am missing out. “A Dynamic Duo” is a chat with Channing Tatum and Jamie Foxx about teaming up. “Meet the Insiders” looks into the films supporting cast. “Men of Acting” focuses on the stunt training. Lastly “Roland Emmerich – Upping the Ante” features the director talking about his latest film.

 

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