Liana Liberato talks about new film “Stuck in Love”

Texas-born Liana Liberato is a month shy of her 18th birthday and already she has honed out a career that would make other actresses envious. Before age 10 she had been discovered doing local theatre in Galveston and was encouraged to head to Hollywood. Roles on such popular television shows as “House,” “Cold Case” and “CSI: Miami” followed and soon the movies came calling. In 2010 she appeared in the feature film “Trust,” playing a young girl victimized by an on-line predator. Her performance in the film was deemed “remarkable” by the late Roger Ebert and she later went on to win the Silver Hugo Award as Best Actress at that year’s Chicago International Film Festival. Other film roles include “The Last Sin Eater,” “Safe Harbor” and “Trespass,” in which she co-starred with Oscar winners Nicolas Cage and Nicole Kidman. This week she’s back on the big screen in the new film, “Stuck in Love.” While visiting Kansas City Ms. Liberato sat down with Media Mikes to talk about the new film.

Mike Smith: Give our readers an introduction to Kate, your character in “Stuck in Love.”
Liana Liberato: Kate is a girl who becomes involved with a boy named Rusty, played by Nat Wolfe. Rusty is a hopeless romantic who has had a crush on Kate for a long time. Kate is battling a long time drug and alcohol addiction and, with Rusty’s help, she replaces that addiction with love.

MS: What attracted you to the project?
LL: I think the challenge. There aren’t a lot of roles out there like this. I liked the ideas shared in the film. And I’ve never played a role like this before.

MS: Speaking of roles, most of your film work has been pretty intense so this was certainly a chance to do something different. What was it like as an actress to work in new territory?
LL: Kate does have some darker layers to her so it wasn’t that different from what I’d done before. One of the main differences, I think, is that she’s more mature. She’s more worldly. Also, in a lot of the other projects I have done I was never really exposed to the younger generation…actors my own age. So working with Lily (Colins) and Nat and Patrick (Schwarzenegger) was really a great experience.

MS: You also got to work with a couple of Oscar nominated actors in Greg Kinnear and Jennifer Connelly (NOTE: Kinnear was nominated for the Best Supporting Actor award for his role in “As Good As it Gets” while Connelly was nominated for, and won, the Best Supporting Actress Oscar for “A Beautiful Mind”). Were you able to study them or learn from them?
LL: They were awesome. And they were both so very down to earth. Usually between takes Jennifer would just sit down next to me on the couch and we’d talk about our day. So would Greg. They were both just really down to earth people.

MS: What do you have coming up?
LL: I just finished a film about a week ago called “Dear Eleanor,” and it is completely different than anything I’ve ever done. It’s a comedy and my character is actually funny and lighthearted. It’s basically a young person’s “Thelma and Louise.”

MS: Are you Thelma or Louise?
LL: (laughs) You’ll have to wait and find out.

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Filed Under: Film Interviews, Interviews Tagged With: film, liana, liberato, love, stuck, talks, ...

Natalie Nylon talks about new album “Star Crossed Lovers”

Natalie Nylon is a singer/songwriter hailing from Philadelphia, PA.  Natalie has had music featured on both “American Horror Story” and “The Real L World” and recently released her second full length album titled “Star Crossed Lovers”. Media Mikes recently spoke with Natalie about the music from those shows and also what it was like working on the new album.

Adam Lawton: What can you tell us about your new album “Star Crossed Lovers”?
Natalie Nylon: The album is kind of a reflection of my life over the past few years. A lot of things went on like I had gotten engaged and then later broke of the engagement which left a lot of things for me to   deal. There ended up being are a lot of personal things on this album compared to my previous one.

AL: Did you take any different approaches to how you worked on this album compared to previous releases?
NN: When I wrote my first album I was going out to clubs a lot and that made me want to write mostly dance songs. When I sat down and wrote the second album it was just me on my own. I would sit down with a guitar or in front of a piano with my ideas. When I had a handful of songs laid out I would take them to my producer and we would develop them together. It was a lot more writing on my part this time around.

AL: Where do you tend to start when writing a song?
NN: I think it’s different for every song I write. Sometimes I just start with a thought a phrase and build off of that. What seems to happen most of the time is that I wake up in the middle of the night with an idea or melody. Those seem to be the ones I like the best. Everything tends to be a little different as to whether the melody or lyrics come first.

AL: Are you planning on shooting a video for any of the songs of the new album?
NN: That is what I have planned next. I actually shot two videos already however I was just not happy with them. It’s hard when you have a creative idea and you’re working with people maybe for the first and time and things don’t turn out how you would like. You kind of have to have the right ingredients and the right people to make things work. If one thing’s off it can impact your vision.

AL: Can you give us any hints as to what the new video might look like?
NN: I am trying to decide between two songs right now. People have been pushing for me to do “XXX” which was featured on “American Horror Story” and “The Real L Word”. So it’s between that song which is off my first album and “Dry River” which is off my new album. I don’t want to give away anything just yet as we are working on it as we speak.

AL: What was your response when the networks asked to use your song? And were you a fan of the shows prior to having music on them?
NN: I was shocked! I got a call from my producer telling me they wanted to use the song and I was just on the floor. It has always been a dream of mine to have one of my songs appear in a film or television show. It’s just one of those things that I didn’t expect to happen. I really just couldn’t believe it. I knew of both of the shows however I don’t tend to watch much television. I have checked them out now that my music has been in them but I haven’t seen all the episodes or anything.

AL: Do you have any plans to tour in support of the new album?
NN: I have been playing local shows in and around NY, PA and NJ but when it comes to touring I have been looking for someone to jump on board with or to get on a festival. We have been discussing doing a tour but being an independent artist is really hard. You have to be prepared to pay for everything yourself. (Laughs)

 

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Steven Bauer talks about “Scarface” and new show “Ray Donovan”

Long before Steven Bauer was a star I was a fan. I caught him on an early 80s HBO program profiling young actors and something about him just stood out. Then and there I made a conscious effort to follow any career he might have. It turns out he’s had a great one.
Born in Cuba, Bauer and his family fled the island in 1960 as Fidel Castro was coming into power. His father was a pilot and later flew missions for the C.I.A., including during the Bay of Pigs crisis. A talented musician, Bauer hoped to pursue a career as a singer. However, he discovered acting in junior college and hasn’t looked back. Best known for his star-making turn in “Scarface,” he has appeared in such films as “Running Scared,” “Primal Fear” and the Oscar-winning “Traffic.” On television he’s had roles in popular shows like “The Rockford Files,” “NYPD Blue,” “Burn Notice” and starred in the fourth season of “Wiseguy.” This coming Sunday you can catch Mr. Bauer in his new project, co-starring alongside Live Schreiber in the new Showtime presentation “Ray Donovan.”

While promoting his new show Mr. Bauer took the time to sit down with Media Mikes to talk about working with his idol, network television and why, three decades later, “Scarface” is still going strong!

Mike Smith: I have to tell you that I was a fan of yours before you even made it big. I caught you on an HBO special that was profiling up and coming actors in the early 80s when you were going by the name Rocky Bauer. It was all about you trying to make it as an actor. I remember going to see “Scarface” and when you first came on screen I leaned over to my wife and said, “Look, it’s Rocky Bauer!”
Steven Bauer: Oh my God, I’d forgotten about that show. It was called “So You Want to Be a Star.” (NOTE: I’m so glad Mr. Bauer remembered this show. I can find no mention of it ANYWHERE on the Internet. The show followed Mr. Bauer, Melanie Griffith and a third person – – I’m assuming they didn’t make it or I’d have remembered them – if I’m wrong and it was someone like Bruce Willis my apologies- – as they went through the rounds of auditions while trying to make a living as an actor. As someone that had those same dreams 30 years ago the show really resonated with me) That’s so funny. I remember the producers approached me…I don’t even know why they approached ME…I had already done a TV movie (“She’s In the Army Now” – a film from 1981 that starred up and coming stars Melanie Griffith, Jamie Lee Curtis and Kathleen Quinlan). That’s where I met Melanie (NOTE: Mr. Bauer and Melanie Griffith were married in 1982 and divorced in 1987 – they have a son, Alexander). I had also done the television series “From Here to Eternity” with William Devane (NOTE: the 1980 series, based on the Oscar-winning film, also gave early roles to such future stars as Kim Basinger, Michael Jeter and Don Johnson). Anyway they asked me if I wanted to be one of the people that they profiled. I said, “sure…I guess.” And I remember…it’s probably hoaky now…that I thought it was kind of cool then. They’d take shots of me studying a script. Doing my lines out loud. Which was weird because I never did stuff like that. Especially in profile. They’d say, “we need you to pose while you’re reading.” Melanie used to get a kick out of it. She’s in it too.

MS: I know. I can’t remember who the third person was but you and Melanie sure fit the bill.
SB: (laughs quite heartily) Wow. That’s funny.

MS: Give us a little info on your new show, “Ray Donovan.”
SB: I think it’s a great show. And I think it’s going to be one of the big ones…I have a pretty good eye for this stuff (laughs). Ray Donovan is a tough guy from Boston – Irish-Catholic – who moves his family to L.A. and goes to work for an agency that “fixes” the problems of celebrities and powerful people. His job is to take care of the situation before something like TMZ can expose it. His method is simple – whatever it takes. He can be brutal and very “take charge” but he can also be very compassionate. And that’s the interesting thing about the character that I think will distinguish him. He’s really complex. To his family he’s also an enigma because he’s not home a lot. His wife wants more out of life. They live in the suburbs and she wants to move to where the action is. So Ray Donovan is a guy with a lot of pressures. But he handles them well. I play Avi, one of his assistants. Avi is the action guy, especially when a situation requires a little “force.” It’s a very complex show…it’s about family and lifestyles…greed and corruption…weakness…betrayal…it’s really interesting. It’s very realistic. Very hard hitting. The writing is brilliant. And we don’t have to hold back because we’re on Showtime. The other actors and I have shared with the writers that we’re in a very fortunate situation to be part of the Showtime family. There isn’t any pressure to be politically correct. We don’t have to stay away from certain themes…we don’t have the restrictions of network television. We also don’t have the pressure of having to shoot for ratings. We don’t have to alter the content in order to garnish ratings. The show is going on the air and it’s going to play. And I know the audience will find it.

MS: Were those reasons part of what attracted you to the project?
SB: Yes! First of all, the writer, Ann Biderman, is an old friend. I was very fortunate to appear in one of her early films…one that was truly one of her shining moments…”Primal Fear” (NOTE: Ms. Biderman has also penned the screenplays for films like “Copycat” and “Public Enemies.” She also won an Emmy for writing an episode of “NYPD Blue”). I was fortunate to be in the film and I got to meet Ann. It turns out she’s also from Miami, as I am. She remembered me and asked me to audition for Avi. He’s not Hispanic, he’s Israeli. I’ve done three films in Israel so she knew I could do the accent. All of that appealed to me. I’ve had opportunities in the past to be on network television and they’ve been very frustrating and very, very sad. I told myself I’d never do that to myself again…take a job that had “conditions.” You put all of your heart and soul into something and then it just ends. It’s a horrible feeling. That happened to me on “Wiseguy.” I did nine shows but after they aired two the boss of the network decided the show wasn’t going to find an audience. HE decided. (NOTE: After three seasons as Vinnie Terranova, an undercover agent infiltrating organized crime, actor Ken Wahl opted to quit “Wiseguy.” When season four started Mr. Bauer starred as a former US Attorney who had been in contact with Terranova). There was no changing his mind. One day they just told us to stop working and go home. That’s just the worse thing in the world to hear. Showtime has some great people.

MS: You made your feature film debut as Manny Riberra in “Scarface.” So for your first movie your being directed by one of the best directors around (Brian De Palma) and acting with, arguably, one of the greatest actors EVER (Al Pacino). What was your first day on the set like?
SB: (laughs) It was an very auspicious debut! On the first day I remember being very, very focused. My training was solid and I was prepared, mentally. I had been in Hollywood…had gone back to New York. I was working for a living. I was three or four years into my acting career and I had no delusions of stardom. But I knew I had to get into a really good, creative situation. I wanted to make my film debut in something really strong…creatively strong. And I was fortunate because I was in the right place at the right time. They were looking for me. They were looking for ME. And I was ready to deliver. And the concept…to be put next to one of my idols…Pacino and Robert DeNiro were my idols…I’d say to myself, “Jesus, I want to be THEM. That’s who I want to be…that’s how good I want to be.” Now all of a sudden I’m working with Al Pacino. He was my partner. And he used me. As I was learning from him he was learning from me. I was able to offer him an insight into that culture. The Cuban culture. And so we would bounce off of each other perfectly. I didn’t have time…I couldn’t afford to be nervous.

MS: “Scarface” will celebrate its 30th Anniversary in December. Why do you think the film is still an important part of popular culture today?
SB: I think it’s because it’s very consistent in its tone. It has a very specific tone that’s humorous as well as heavy. It’s brutal but there is a weird sense of humor that we were able to find that has appealed to each generation. The only people it didn’t appeal to were the critics at the time it came out. But their thoughts were influenced by political correctness. At the time it was released there was a backlash against violence in films. So when “Scarface” was released there was a tremendous backlash from the journalistic corps. The people who saw the movie…the PEOPLE who saw the movie, even our peers…had a tremendously positive response. Put that up against the almost 90% negative response from the film critics. And those reviews killed us. It was such a blow. There was no Internet then. You couldn’t have that instant response from the audience…people blogging that this was an amazing movie. What we had were the newspapers saying “this is a piece of ****! These people should go back to film school and acting school.” It was terrible. It was so vicious and so personal. It’s amazing that it survived those years and now has basically been re-claimed by the Hip-Hop generation. It was brought back to the forefront of pop culture and then people started seeing it without the trappings and limitations…by the thought of the day. They saw that what it was was a really good movie and a really great depiction of the rise and fall of a very bad man. It’s really a very moral picture.

MS: You’ve done a lot of voice work for video games (“Scarface: The World is Yours,” “Behind Enemy Lines: Columbia”). Does that require a different “kind” of acting then film or television?
SB: Video games require a lot of energy and a lot of concentration. It’s not normal acting at all. Plus some of them are motion capture. You have to wear a suit of lights. It’s like nothing else. It’s more like pantomime. Plus it’s a big demand on your voice. I did one where I just worked for 20 minutes. But in those 20 minutes I had to do so much…calling out, shouting…it was redundant. “Get over here! Get over here now!” Having to scream it over and over. And nobody knows it’s me! What’s ironic is that I don’t play video games. But I’ll be out somewhere and someone will recognize my voice and say, “Hey man, you’re in that game!” Yep, that’s me.

MS: Besides “Ray Donovan,” what else do you have coming up?
SB: Well a couple of films that I’ve done recently are beginning to see the light of day. I had a film play at Cannes (“Five Thirteen”) that stars me, Tom Sizemore and Danny Trejo. It’s a great heist movie and I have a cool role in that. I’m also in a film that should get some attention at the Toronto Film Festival called “The Lookalike,” made by an Australian director named Richard Gray. It’s got a great cast – Gina Gershon, John Corbett, Justin Long – it’s really a dark, dark movie. I’ve also got a film coming out August 23rd which deals with MMA fighting called “Chavez Cage of Glory.” And Danny Trejo’s in that one too.

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Elijah Wood talks about Season 3 of FX’s “Wilfred”

Since his film debut in “Back to the Future Part 2,” Elijah Wood has grown up before our eyes. From the young boy dealing with life in films like “North” and “The War” to the adult hobbit Frodo in Peter Jackson’s Academy Award winning “The Lord of the Rings” trilogy, he has never failed to impress an audience. This week he continues the third season of the highly popular television show “Wilfred,” which airs Thursday nights on FX. While promoting the show, Wood took some time to answer some questions.

Media Mikes: Do you sometimes have a hard time just holding it together and keeping a straight face when you film?
Elijah Wood: Oh yeah. I would say even more this season oddly enough than other seasons. For some reason I sort of busted up more this season because of what Jason [Gann] was doing than ever before. I’m so used to seeing him in the dog suit and to a certain degree the context of a lot of the situations I’m very used to but it still definitely serves to make me laugh. It’s a wonderful environment to work in. It’s something that all of us as a crew are kind of constantly laughing so it’s a pretty wonderful thing to go in to work to that every day.

MM: Do you think Wilfred should have a fixed ending point or can it just continue on indefinitely? EW: That’s a very good question. I think that the structure of the show that’s been created is such that it’s about a guy who is essentially in recovery and trying to figure out what his path in life is. This manifestation of ‘Wilfred’ has provided essentially a push for him to kind of figure that out. I think that can only really last for so long to believe that we are dealing with a man who is kind of struggling for answers to these questions and in this sort of existential question period of his life and in recovery. I don’t know that we can believe that for ten seasons. I think to a certain degree there has to be a resolve or a move in a certain direction, so I don’t know. I think…to the fairness of the construction of the show… I think it can only survive for so long. I would hate to make the show kind of carry on for too long and it not necessarily support what we’ve created, if that makes sense.

MM: Definitely. When you play Ryan, do you have in your mind an answer to why he sees Wilfred in order to help you play him?
EW: I do yeah. I have an idea. I’ve kind of made up my mind as to what I think Wilfred is. I don’t know that that’s reflective of what the character has decided though, and to a certain degree I think Ryan—when Ryan meets Wilfred in the first season it’s really within an episode in a way that he sort of accepts Wilfred’s existence. I think from there on out even though there are these questions and he does question what ‘Wilfred’ is—I think there’s a deeper level of acceptance and recognizing that ‘Wilfred’s’ purpose albeit uncertain as to where he’s manifesting from and what it means—his purpose is ultimately positive and that is helping him. I don’t know what Ryan has decided because I think Ryan is clearly questioning, but I have an idea. I think that perspective probably does help me in playing the character, but I think overall there’s just a sense of general acceptance for Ryan.

MM: When you approach a character, as far as developing it, do you take a different approach as opposed to when you’re working on a film and episodic television?
EW: Not really. I mean the only real difference between television and film—I mean there are a few I suppose, but predominantly it’s the pace to which you work. But the development of the character or the process for playing the character isn’t necessarily different. The other main difference between film and television is that you have the opportunity to flush out a character over a longer period of time whereas a film you’re confined to two hours, three hours, whatever it may be. But really it’s very much the same approach that you would take when you play a character in any medium I think.

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Paul Sorvino talks about new his film “Precious Mettle”

Paul Sorvino is probably best known for his authoritative heavy roles, most notably mob boss Paul Cicero in “Goodfellas.” But when he started out on his show business career he had dreams of being a famous opera singer. Classically trained he discovered the acting bug while attending the American Musical and Dramatic Academy in New York City. In 1972 he landed a starring role in the Pulitzer Prize and Tony Award winning drama “That Championship Season.” His work here got him noticed by Hollywood and he soon found himself getting small roles in such films as “The Panic in Needle Park,” “A Touch of Class” and “The Day of the Dolphin.” In 1975 he found himself starring in his own television series, “We’ll Get By,” which was created by Alan Alda.

The first time I saw Mr. Sorvino on screen was in the film, “Oh, God!” As the Reverend Willie Williams (if you watched religious television programming in the 1970s it’s clear that he was based on Ernest Angley), he is the man behind a lawsuit claiming defamation after John Denver’s character tells him that God wants him to stop ripping people off. The next year he starred in director John Avildsen’s follow-up to “Rocky” entitled “Slow Dancing in the Big City.” As a New York City reporter who falls in love with his neighbor, a ballet dancer, he gives one of his greatest on screen performances. He has continued giving great performances in films such as “Reds,” “Dick Tracy,” “Goodfellas,” “Nixon” and Baz Luhrman’s adaptation of “Romeo and Juliet.” He co-starred in the film version of “That Championship Season,” as well as a later television adaptation that he also directed. Besides “Goodfellas” he is probably best known for his two seasons as Sgt. Phil Cerreta on “Law and Order.” And lest you think he gave up on the singing career, you can hear his amazing voice in such films as “The Cooler,” “Repo! The Generic Opera” and “The Devil’s Carnival.”

While in Chicago filming his latest project, the drama “Precious Mettle,” Mr. Sorvino took time out to speak with Media Mikes about his career, justice at the Oscars and the fine art of slicing garlic.

Mike Smith: Let’s get the important question out of the way first, which comes from my wife. Was that really you slicing the garlic so fine in “Goodfellas?”
Paul Sorvino: That’s an interesting question. A lot of people have asked me that. But I’m curious why she thinks it wouldn’t have been me! (laughs)
MS: I think it’s because she’s a great Italian cook and she remarks every time we watch the film that it takes a certain skill to do that.
PS: Tell her that I’m also a sculptor and a pianist. I also play the guitar. My hands are pretty well educated. Indeed that was me.

MS: Can you give us some insight into the character you’re playing in the film you’re currently shooting, “Precious Mettle?”
PS: It’s a wonderful script. The character is very rich. He’s a strong man…a police commander. But he also has a big heart. Without giving too much away I can tell you that it becomes a father/daughter story…a very, very emotional story. I like it because there’s a lot of emotion in it and a lot of tough guy too. And I like playing parts like that.

MS: Is that what attracted you to the film?
PS: It was the overall quality of the script. As a writer and director myself, I don’t just look at a script from the point of view of the role I’m going to play. I look at the totality of the quality of the script. I know if the script is good then we’ll make a good movie. This script is very good so I know we’re making a very good movie. And, again, the role is excellent.

MS: You trained to be an opera singer and have performed in some of your films. Did you ever release and album or CD?
PS: I have and you can probably get it off eBay. It’s called “Paul Sorvino Sings” and I recorded it with the Seattle Symphony as a PBS special. I can also be heard on the cast albums of “Carmalina” and “The Baker’s Wife.” Those are the three recordings you can hear me on. I’ve sung with the New York City Opera. I’ve sung with the Seattle Opera. I’ve done a gala at the Metropolitan Opera. I’ll also be doing a concert tour in Canada in the fall. We start in Montreal in September.

MS: If you had a choice would you rather be singing or acting?
PS: (laughs) Both!

MS: My two favorite performances of yours are, ironically, the first two films I saw you in: Reverend Willie Williams in “Oh, God!” and Lou Friedlander in “Slow Dancing in the Big City.”
PS: You remember those? (laughs) Wow, you go way back.
MS: They’re also two very different roles. One is played for comedy and the other is quite dramatic. Do you have a preference of doing comedy or drama?
PS: Not really. If I’ve done a couple of comedies I’ll try to follow them up with a couple of dramas. I like to do both. I’ve just shot three very serious movies in a row. I’d love to do a comedy next. In fact my next film will be “The Devil’s Carnival 2.” That’s going to be zany! I probably wouldn’t call it a comedy but it’s a very different style.

MS: Besides that project what else do you have coming up?
PS: There’s a project of my own that I want to do called “Marietta’s Song,” which would star my daughter Mira and I would direct and write. It’s based on the story of my mother and I. I’ve always written. I was a copywriter in advertising and became a creative director. In 1985 I wrote the book “How to Become a Former Asthmatic” (NOTE: Mr. Sorvino has battled asthma his whole life and is the founder of the Sorvino Asthma Foundation in New York City). I’ve written many scripts but this one is a true labor of love.

MS: Speaking of Mira, one of the most genuine emotional moments EVER in Academy Award history came when Mira thanked you from the stage after winning the Oscar for her role in “Mighty Aphrodite.” Can you describe what you were feeling at that moment?
PS: Nothing was going through my mind, I can tell you, but my heart….I was just so happy! Happy that justice had been done. She’s a great actress who gave a great performance. Oscar justice is not always done… as we all know, life is not fair. But that night justice was served. My heart was overflowing with pride and happiness. I wasn’t thinking anything but I was feeling all of that. I couldn’t believe that she said that…it was a wonderful time where a billion people saw the wonderful relationship between a father and a daughter that’s very rare to see on television. I was just so proud of my daughter. I’m proud of all my children.

 

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Eddie Trunk talks about VH1 talk show “That Metal Show” and new book

Eddie Trunk is the host of the popular VH1 talk show “That Metal Show”. The show recently kicked off its 12th season and is already shaping up to be one of the best yet. Media Mikes had the chance to talk with Eddie recently about the history of the show, what it’s like working with co-hosts Don Jamieson and Jim Florentine and shed some light on his new book.

Adam Lawton: How did the show initially get started?
Eddie Trunk: I had been pestering VH1 for a very long time and it was something that I brought to them. What some people may not realize due to the channel not be as readily available as it is now is that I had been hosting on VH1 Classics since 2002. Before “That Metal Show” I was doing all different types of interviews and VJ work for them. During that time I was always pushing to do my own show which would feature the music I loved and have guests on that I could talk with like I do on my radio shows. It took a long time to get them to come around to the idea. Finally in 2008 they decided to give it a shot and shoot a pilot. The show went through a lot of evolution as there were a number of different people attached to it on all different levels. Things eventually happened in that they came to me asking to bring in some other host and not just have me by myself on. They wanted guys that weren’t serious in an effort to mix up the chemistry. I had the perfect guys in mind. Don and Jim were friends of mine and they were often on my radio show. We brought them in, had a great meeting, shot the pilot and here we are 100 episodes later.

AL: Other than the recent move from New York to Los Angeles what do you think has been the biggest change in the show since its inception?
ET: The biggest was something that I had been pushing for since day one. The show started out as only a half hour and after the fourth season we went to an hour. Coming from radio I loved the time you have where you can just sit and talk to someone. TV is completely different and it’s hard to make that change when your show is only a half hour. When it really comes down to it the show is 21 minutes because of commercials. It was agonizing for me for some time trying to fit everything in to that time frame. Once we switched to an hour things felt much better to me. The only thing now is that with it being an hour I want it to be two hours. (Laughs)

AL: Can you tell us about the idea of bringing in guitarists, bassists and drummers to perform during the show?
ET: The ultimate goal is to have a band play one day but we can’t do that because we just don’t have the budget. We simply cannot afford to bring on an entire band or pay the publishing which is very expensive and a lot of people don’t realize that. We try and work around that buy just bringing in single musicians to do some shredding and stuff. We have had drummers, bassists and predominately guitarist as they lend themselves to the gig a little more. This season we split things down the middle with four shows being with a guitarist and four shows being with a drummer. We have a lot of fun bringing those guys in and it’s a great opportunity to showcase sometimes the little lesser known guys. For example Richie Kotzen has always been a favorite of mine and in America he is barely known. To have him featured on our show has been great as lots of people have been emailing me for more info on him.

AL: In the shows 12 seasons has there ever been a guest that you thought would never end up on the show but actually did end up being on?
ET: Steve Harris from Iron Maiden was tuff. He doesn’t live in American and the Iron Maiden camp is extremely protective of their brand and how they do things. I have always had a great relationship with them but in order to get everyone on board the stars have to align themselves. The season that Steve was on ended up being a last minute score for us because Steve had just announced he was going to be doing a solo album and the band happened to be in Los Angeles. I went to their manager and just asked to have him on. Steve ended up coming down and having a blast. We hope to have him back one day. They guys who don’t live in America are a challenge logistically. Tony Iommi was another one that I was really excited to have one.

AL: What is it like working with Jim and Don behind the scenes?
ET: Things are the exact same as you see on the show. We all bust each other’s balls. Those guys as stand up comics are going to be a little better at it than most people but it comes with the territory. Their role is to throw things a little off balance. Behind the scenes we all put a lot in to the show. As a co-producer the show is kind of my baby so a lot falls on me to sort of be the referee and also to get the guests as I have a lot of history with most of them. Don and Jim work hard as well coming up with concepts and we are all very much involved as it’s a team effort.

AL: Besides the remaining shows for this season what else do you have in the works?
ET: I just completed my second book which is the follow up to “Eddie Trunk’s Essential Hard Rock and Heavy Metal Vol. 1”. I just found out that Vol. 2 will be coming out on September 24th. The book is an exact sequel to my first book. The format and everything is the same except that there are 35 completely different bands in this one. I am really excited for that to be happening. I will also be continuing my two radio shows as this year I am celebrating my 30th year in radio. I am always out there looking for ways to make my projects bigger and take things to the next level.

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Antoni Stutz talks about directing his new film “Rushlights”

After a few television appearances and a supporting role opposite Don Johnson in John Frankenheimer’s “Dead Bang,” Antoni Stutz decided to take his talents back behind the camera. He made his feature film directorial debut with the comedy/thriller “You’re Killing Me,” starring Julie Bowen and Traci Lords. This week sees the release of his latest film, the noir-ish drama “Rushlights.” While promoting the film’s release Stutz took the time to sit down with Media Mikes.

Mike Smith: Can you give our readers a brief introduction to “Rushlights?”
Antoni Stutz: “Rushlights” is a story about two young kids from the wrong side of the tracks that travel to a small town in Texas to falsely claim a dead friend’s inheritance. Their claim seems to be going in the right direction at first but it soon turns out that pretty much everybody in this little town has a stake – slash – interest in the estate. It’s also a coming-of-age story, which I think helps separate it from the usual crime story. The choices that you make when you’re in your early 20’s are much more random and impulsive than those of someone who is in their 30’s. They would think things through more. When we got to page 20 while writing the script we had to think, “what would a 20 year old do in this situation?” We’re looking at it from a late-30’s point of view…we had to remember back to when we were 20. It’s a completely different dynamic. And that’s what interested me in the film.

MS: We’re informed at the beginning that the film is based on a true story. How did you come across the tale?
AS: My co-writer (Ashley Scott Meyers) approached me with a story she had seen in a newspaper that took place in Alabama. These two young people went to a small town in Alabama and tried to pull a similar stunt…impersonating someone else and claiming an inheritance. And I realized that ONLY a teenager would come up with an idea like that and think it would work. I also realized that maybe what they did didn’t make them idiots. Maybe what they did made them desperate. And desperate people do desperate things.

MS: You had some success early on as an actor. What made you take your talents behind the camera?
AS: I actually started out behind the camera. I made short films…VHS, digital, High-8, Super-8. I started when I was 14. I came to Los Angeles and I guess I had the right look at the time. I did some commercials, some television. But that wasn’t where my drive was. I was up in Canada for three months with John Frankenheimer and Don Johnson doing “Dead Bang.” It wasn’t a big role but they decided to keep me there even when I wasn’t shooting. So I basically had a three month crash course in filmmaking. To the despair of John Frankenheimer, I should add. I know I got on his nerves. I kept asking “why are you putting the camera there?” Finally he said, “listen, kid, we’re paying you to be in FRONT of the camera, not behind the camera.” I was so naïve that I didn’t really know who he was or what a legend he was (among his films, Frankenheimer directed “Black Sunday,” “Birdman of Alcatraz” and the original “Manchurian Candidate”). He told me that if I shut up and didn’t bother him I could stay on set and watch him. So I basically went to film school for two and a half months. I had also worked with Bob Giraldi and Michael Mann so I had some great exposure. The only problem was that it was a studio environment. Making independent films is a completely different environment.

MS: Have you ever thought about acting again?
To pick up an acting career in my early 40’s…not really. I really enjoy working WITH actors. I think I can bring what experience I have acting to the directing job. But at the same time I’m not excluding it.

MS: You pull double duty on “Rushlights,” as both co-writer and director. Do you prefer one job over the other?
AT: Directing by far. That is where my passion lies in the creative process. Not that I don’t enjoy writing. You have to understand that filmmaking is a little bit like a modern day operetta. You have all of these different art forms. Photography. Acting. Writing. Production design. You name it. And you put it all under one umbrella. There are some things you’re going to be good at and some things you’re not going to be good at. You make sure you take advantage of the things you shine at and you also make sure that you have people that do shine on the things you don’t. It’s a great learning experience to put your ego in the drawer.

MS: Now that “Rushlights” is being released what do you have coming up?
AT: I have two thrillers on my desk. They’re both finished scripts but one is a little more developed than the other. That’s the one I’m favoring. It’s really a hair-raising original story written with bravura and balls. It’s really outside of the box. With a little bit of luck we should be shooting it the middle on next year.

MS: That’s really all I had. Thank you for your time.
AT: And thank you for taking the time to watch the film. I don’t make films for myself. I don’t put it on a shelf and just show it to my friends. I make them for an audience. The most enjoyable time for me on a film is the moment between “action” and “cut.” Second thing is a good Q&A, either with the audience or a critic. I’ve talked with people that really enjoyed the film and I’ve talked with people that were angry with me…”this doesn’t make sense…that doesn’t make sense!” And I’ve realized that this is part of being an artist. If a film I make generates this kind of emotion than I’ve done my job. It’s a dialogue like this that inspires me to get up in the morning, get on the horn, raise money…all of the crazy, insane stuff you have to do to get a film off the ground. When you’re a film buff you’re stuck with an incurable disease. I don’t recommend it for everybody!

 

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Sarah Wright talks about her role in “21 and Over”

Kentucky born, actress Sarah Wright got her first taste of the spotlight traveling the country and Europe with the singing group The Kentucky Ambassadors of Music. After high school a career in modeling beckoned and she soon found herself in Chicago. Her work attracted the attention of Hollywood and soon she was appearing on television programs like “The Loop,” “Quintuplets” and “Seventh Heaven.” Film’s followed and she showcased her talents with roles in “The House Bunny,” “Celeste and Jesse Forever” and this past springs comedy “21 and Over.” She’s also had a recurring role on the popular comedy series “Parks and Recreation.”

While preparing for the release of “21 and Over” to home video DVD and Blu-ray, Ms. Wright sat down with Media Mikes to talk about the film, her own 21st birthday and her future on “Parks and Recreation.”

Mike Smith: For those readers that haven’t yet seen the film, give us an introduction to “21 and Over” and your character, Nicole.
Sarah Wright: “21 and Over” is the story of three friends. Two of them show up to take the third out to celebrate his 21st birthday. The third friend is scheduled for an important job interview the next morning so they agree to get him back home in plenty of time to rest. Of course they don’t and craziness ensues! My character is the love interest of the character played by Skylar Astin.

MS: Was making the film as much fun as the finished product?
SW: It was awesome! The guys had a blast because they were basically partying the entire time. I had fun being the only girl. It was like hanging out with three brothers. We hung out all night long every night we were shooting. It was great. It was fun and easy because the directors were fantastic and they had written a great script. It was a great script but they still allowed us to do some improv. It’s always great to be able to play around and do that.

MS: Can you recall the craziest thing you did when you turned 21?
SW: (laughs loudly) Actually my 21st birthday was not that crazy. I started younger. I was modeling and living in Japan when I was 16. I was living in Greece at 19. I had some really crazy party nights after concerts and at after-party places. I remember winding up somewhere in Japan and having to make my way back to my apartment at four o’clock in the morning. I think on my 21st birthday I kind of mellowed out.

MS: Are you going to be back on “Parks and Rec” next season?
SW: They’ve talked to me about it so there’s a possibility. It’s funny, when I started I figured that after my story with Rob Lowe was done I’d never be back on the show but they keep finding ways to bring me back. It’s a lot of fun. I love doing that show.

MS: What are you working on next?
SW: I just finished a film with Elizabeth Banks, James Marsden and Gillian Jacobs called “Walk of Shame.” It’s scheduled to come out next March.

 

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Kane Hodder talks about playing Victor Crowley in “Hatchet III”

King of the Kill, Kane Hodder is back as the homicidal yet lovable Victor Crowley in the third installment of Adam Green’s hit horror trilogy “Hatchet”. Media Mikes had the chance recently to talk with Kane about his work on the series, how he evolves his characters when playing them more than once and his thoughts on the writing of Adam Green.

Adam Lawton: Having played both Jason Voorhees and Victor Crowley multiple times what type of approach do you take to help evolve the character?
Kane Hodder: With Jason I always wanted to keep the character looking consistent. The four movies I played that role in all had drastically different settings. I was in the woods, in the city, and even in space. No matter where that character was I wanted it to look familiar to the people. I wanted the way I moved and responded to be the same no matter where or what he was doing. With the Victor character I purposely started him in the first film as being very twitchy and nervous looking. Throughout the three films I purposely toned it down. In my mind Victor was getting a little more used to the killing. I’m not sure if the audiences picked up on this but for me I wanted make it look as he was getting used to what he was doing.

AL: When you’re playing these characters that don’t speak and you’re covered under heavy makeup or a mask how do you convey an emotional performance when your true features can’t be seen?
KH: That’s the whole secret to performing in this type of makeup. The prosthetics are obviously extensive so what you would normally do with your facial expressions don’t generally work. You have to change how you perform as if you don’t there is the chance that you will too much like a mannequin. I think the secret to my success has been that with the characters I have played I was able to make them look more lifelike with the ways that I use the makeup and more importantly with the way I move. I think it’s pretty hard to look intimidating when your facial expressions are covered by a mask and you can’t use your voice. You have try and be scary with movement which can be tricky. I guess somehow I have been able to make it work to where I look natural. It’s certainly a whole different way of acting.

AL: Victor’s makeup in this film appears to be a bit more intense than in the previous films. What was that process like for you?
KH: I loved the fact that Adam and BJ gave me a lot of close ups. Particularly towards the end in my scenes with Danielle. I was able to show more than just Victor’s murderous rage. We were able to bring across a deeper thought process for Victor this time. This was a big departure from how we have seen Victor in the past. I was really happy that we had those moments and that BJ and Adam allowed those moments to happen.

AL: Being no stranger to “kill scenes” were you able to give your own input on those for this film?
KH: Yes. When Adam writes things he is always open to my suggestions but the thing with him is that I have never performed written material from someone that is so creative with the violence and graphic. I often do have to add anything which very rarely happens. I have played a lot of different characters like this and I have to take the basic kill as written and add quite a bit to it in order to make it something that I would want to see. I always had to do the with the Jason thing but with Adam he writes in such a way that I perform it exactly how it’s written and that’s perfect for me. If I do end up adding something it’s generally nothing major. Adam is really fucked up in the head. (Laughs)

AL: When you were first approached to play the role of Victor and his father did you know that it would turn in to playing him in 3 films?
KH: Yes I did. From the beginning Adam told me that he wanted to tell the story of Victor over the course of three films. It wasn’t one of those situations where he made the first film; it became successful so let’s make another. He purposely held back story material in the first and second films so that he could tell the story over three films. I guess it could be seen as a little cocky on his part to assume he would do more than one film and it was definitely a risk but he always had that plan of doing three. That’s why each film picks up directly where the previous one ends. It’s all one long story. With “Hatchet III” a lot of things come together.

AL: Do you have any other projects you’re currently working that you can tell us about?
KH: I have a film called “Sickle” coming out with Tiffany Shepis. I play an unfriendly police officer in that one. I am heading back to Louisiana to shoot a film that was written and being directed by John Schneider who most people remember from “The Dukes of Hazzard”. I play a version of myself alongside people like Bill Moseley, Donald Shanks and Roddy Piper. That’s going to be a lot of fun. Bill Moseley and I also have a film coming out called “Old 37” where we play brother. I am very fortunate to have so much going on and I owe a lot of that to the fans. I’m not trying to kiss ass or anything but it is absolutely true. I thank them very much.

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Sabrina Carpenter talks about her role in “Girl Meets World”

Sabrina Carpenter is a 13 years old actress and a very talented musician. She is a Hollywood Records artist and her song “Smile” was released on “Disney Fairies” CD. She was also recently cast in the series pilot for “Girl Meets World”, the sequel to “Boy Meets World”. In Disney Junior’s “Sofia The First”, she voices and also sings for the role of Princess Vivian. Media Mikes had a chance to chat with Sabrina about her role in “Girl Meets World” and about the pilot.

Mike Gencarelli: Tell us about your character, Maya Fox, in upcoming series “Girl Meets World”?
Sabrina Carpenter: Maya is Riley Matthews’ best friend. She is a little darker than Riley. She cares so much for her. I think that is what keep her sane is having Riley by her side. They are two opposites but love each other so much and have such an appreciation for each other.

MG: How was it shooting the pilot episode?
SC: It was so much fun. We were also very lucky to have some of the original cast from “Boy Meets World” visit us on set. That was so amazing. We are working with some really amazingly talented writers and producers, along with a great cast. We are so lucky that Ben (Savage) and Danielle (Fishel) are back on this show as well. I think that everybody is going to love it!

Click here to read our interview with Sabrina for her role in Disney Junior’s “Sofia The First”

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Hawthorne Heights’s JT Woodruff talks about new album “Zero”

JT Woodruff is the lead vocalist/rhythm guitarist for the band Hawthorne Heights. The group is set to release their 5th studio album titled “Zero”. The band will also be headlining this year’s Van’s Warped tour which kicks off on June 15th in Seattle, WA. Media Mikes had the chance to talk with JT about the upcoming release and what he is most looking forward to about this summer’s tour.

Adam Lawton: What are you most looking forward to about headlining this year’s Warped Tour?
JT Woodruff: We are totally stoked about this summer’s tour. We love writing and performing music but we are a band that loves listening to live music as well. Warped Tour has music going on all day long so when we aren’t playing we are going to get to see a lot of great acts and get to meet a bunch of cool people. It’s going to be a long hot summer but it’s going to be one of the best summers we have ever had. We appreciate Kevin Lyman and everyone at Warped Tour for inviting us out. We are really looking forward to it and ready to hit the ground running.

AL: With the set times for Warped Tour tending to be a bit shorter will you be playing any material off the new album?
JT: Yes. We have a couple different set lists than span our albums. Those do include material from th

e new album. With only getting a half hour we want to let people know we have a new album coming out but we also want to play songs we think people want to hear. We may even throw in a curve ball here or there.

AL: Did the band try any different approaches with the recording of the new album?
JT: Things were a little different this time around. We had never recorded in Nashville before so that was new and we had never worked with producer Brian Virtue before either. As far as the overall tone of the album we had never done anything that was concept based. This was a giant leap for us. We wanted to do this as a way to tread new ground. The songs still song like us but they may sound like they are coming from a different place. We wanted to make an album that was very cohesive and straight forward. The idea was to let the tempo dictate the story and to let the overall aggressiveness or lack of aggression carry the song.

AL: Did you find it easier or more difficult to write knowing you were following a concept?
JT: I looked at it both ways from time to time. You might end up working on a song that when your done doesn’t fit the but you really like the song. You start looking for ways to make things fit but if that doesn’t work you have to just hold it back for another time. Things tended to flow pretty easily. When you’re writing a song your sort of telling a miniature story anyway so this I think was a little easier as you had something to work off of. There was a basis or guide and I just tried to figure out how I could tell that story in 3 minutes of a song either lyrically, emotionally or sonically. It was definitely a learning experience.

AL: After Warped Tour wraps up has there been any discussions of a solo headlining tour?
JT: We are working on stuff for the fall right now however nothing has been set in stone. Sometimes things take awhile to plan and other times things happen overnight. I can tell you though that we will be out touring in some form or another after Warped Tour ends. We also want to try and do some international touring as well this year. Right now we are just focused on 8 weeks of playing in the sun and meeting the fans and talking about the new album.

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John 5 talks about “The Lords of Salem” and Rockstar Energy Mayhem Festival

John 5 has played guitar for many notable acts in variety of music genres. He is currently the guitarist for Rob Zombie who recently released his 5th solo studio album titled “Venomous Rat Regeneration Vendor”.  The band is set to headline the Rockstar Energy Mayhem Festival this summer and Media Mikes caught up with John during rehearsals to discuss the tour, the new album, scoring Rob’s latest film “The Lords of Salem” and if he has been able to recover any of his recently stolen guitars.

Adam Lawton: Can you tell us about the bands upcoming run on this year’s Mayhem Festival?
John 5: The summer time is my favorite time of the year to tour. I love playing in the states and getting to see all of my friends. Touring is hard at time but the way we do it is great! We can sleep till whenever we want, get up eat some breakfast, maybe go get a massage and play some guitar. I can go watch bands play and just hang out. Then we get to go out on stage and hear the people scream. It’s a blast and I can’t complain. It is something I don’t take for granted. Getting out there and meeting everyone is just really great. Mayhem is going to be a blast!

AL: Will you be unveiling a new stage show on this run?
J5: Everything is going to be brand new. We are really excited to have everything come together. This is something that I am excited to see as well. We also are going to be playing some tracks off the new album which is something I am definitely looking forward to. We love playing the hits also but
getting to play new material live is always fun. People will have to wait until the tours first show on June 29th to hear what we will be playing.

AL: What has it been like adapting the songs from the new album in to a live setting?
J5: I am a total perfectionist so what we do is we go to our drummer Ginger’s house and myself, Piggy .D and Ginger set up in the living room and we just play the new songs. It’s kind of like when Rocky goes to Russia and he’s training with logs and paint cans. (Laughs) We just are jamming in a living room. From there we take things to a big room. I think once we start getting together with Rob things are going to sound incredible. I am very excited.

AL: Have you and Rob been working on any special features for “The Lords of Salem” DVD release?
J5: Yes we have. Being a movie fan I love special features. Rob had started doing interviews with all of the actors talking about the behind scenes stuff and I got a call one day after he finished and he told me he had a film crew coming down to talk to me about my work on the score for the film. Griffin and I were filmed very last minute but we will be on there.

AL: What type of reactions have you gotten now that people have seen “Lords of Salem” and heard the soundtrack?
J5: I think when people hear things from me they are never surprised anymore as I do so many different styles of music. We have gotten so many great reviews on the score Griffin and I wrote. I am so thankful for that as I was very focused and did my best. Without Rob’s help it would have been difficult as he was able to steer me in the direction towards what he wanted. The score was a lot of fun and things came out really well.

AL: Being a guy who is always busy what else are you currently working on?
J5: I am always working on my instrumental stuff and am half way done with my next record. I am also always writing with other people as well. I wrote a song on the last Rod Stewart record which ended up being a number 1 record over in the UK and is also doing well here in the states. I don’t take anything for granted. I am really happy and lucky to have all these things happening. I appreciate all of the fans and their nice comments. I read them all and talk to every fan out there.

AL: Recently you had a bunch of gear stolen from your home. Have you been successful in retrieving any of those items?
J5: Actually I just got two guitars back. This guy had called my webmaster that lives in England who then sent me an email saying that she had talked with a guy that just bought two of my guitars. I guess he had recognized them from the internet and sure enough they were my guitars. The guy gave me the guitars back but the person he bought them from vanished. Maybe more will turn but I am very glad I got these two back. So much stuff was taken it was terrible.

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Roque Baños talks about scoring the new “Evil Dead”

You may have heard composer’s Roque Baños work in films like “The Machinist” and “Fragile” but he recently made his U.S. film debut with scoring “Evil Dead”. His score is not only amazing it is down right terrifying. Media Mikes had a chance to chat with Roque about his work on the film and what we can expect next.

Mike Gencarelli: Tell us how you got involved with scoring “Evil Dead”?
Roque Baños: I sent a message to Fede Alvarez by Facebook. We didn’t know each other and I introduced myself to him thinking that he might not have any idea about me and my work. We answered very excited saying that he knew my work very well and he loved it. From there we started a very hard obstacle race to get the score. He temped the lock picture with my music from other movies and everyone was agreed that I should be the composer.

MG: How does it feel to have created a score that literally scares its viewers?
It is very satisfactory, seeing how the music does with the movie and the audience react to that in the way you were looking for. Our proposal was to create the most terrifying score you’ll ever hear.

MG: Tell us about the use of sirens in the score?
RB: I always look for a unique sound in a score that makes it special, as it was with the theremin in “The Machinist”, or a wolf-ghost-like sound in “Intruders”. So in Evil Dead, I wanted a sound that really freaked out the people. At the beginning of the process I was really scared for the movie, and couldn’t sleep for two weeks! I was hearing sirens very late at night in the city, and I thought this could be a good option to make the pope really scared. I tried an acoustic siren and Fede loved it! Me too, actually, each time the siren sounds, everyone is frighten!

MG: With your work on “The Machinist” and “Fragile”; what do you enjoy most about creating scary music?
RB: For me the most satisfying aspect of if is that you can experiment a lot with the music. Scary movies allows that more than any others, and I love that.

MG: Did you get any inspiration from the past “Evil Dead” films?
RB: I knew the very well, but I didn’t use any of them for inspiration. I just try to start from zero-point when I have to compose a new score for a film, that’s the way I think it gets more freshness on it. Fede and I talked a lot about that, and our goal was to create a “classical” score for the movie, more similar to those from the 80’s but with a modern sound on it.

MG: What was your biggest challenge on this score?
RB: To not repeat any music, or get boring with it. To try to caught the audience and stick them to their seat without letting them even breath. And of course, to get an emotion coming out from everyone, beside of the scare.

MG: Do you have plans to work with Fede Alvarez again in the future?
RB: Of course!! We have became very close friends and we have talked already about our next protect together. I wish it happens! Fede is a great director, very talented and very comfortable to work with.

MG: How does this project compare from your past score work?
RB: I believe this score is a resume of all my work since my first movie. I’ve truly put all my knowledge on it, and so far, I consider it my best one. It contains emotion, action, fear, despair…

MG: What do you have lined up next?
RB: I’ve done a couple of movies from Spain since there, and still trying to decide my best option to be next in the US.

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Heather Locklear talks about joining Season 3 of “Franklin & Bash”

What do you do if you have a popular television show with popular stars as it approaches its new season? If you’re TNT you add everyone’s “go to” girl, Heather Locklear. From early 80s favorites like “T.J. Hooker” and “Dynasty” through the highly successful “Melrose Place” then on to “Spin City,” Locklear has always brought fans and, more importantly, ratings to her programs. Next week she joins the cast of “Franklin and Bash,” starring Mark Paul Gosselaar, Breckin Meyer and Malcolm McDowell as Rachel King, the law firm’s newest partner. The new season begins Wednesday, June 19 at 9:00 p.m. EST with an airing of back-to-back episodes. To celebrate her new gig Ms. Locklear sat down for some questions.

Media Mikes: When you first joined the cast, was it instant chemistry between you and Mark and Breckin or did it take a bit of time for you all to gel?
Heather Locklear: You know what, I think anyone would have instant chemistry with those two boys. So that was pretty much right away. We were joking and laughing right away.

MM: And what was it about the role that interested you in being a part of this show? It’s very much a comedy mixed with a drama.
HL: Right. First because of that, that’s different. And also because I’ve never played a lawyer before. And when shows are on a couple seasons already, it’s always nice to go in on that when they are well-oiled machines.

MM: What do you like about the character?
HL: I like that she’s strong and she’s well educated…she knows world leaders and knows her stuff…her business.

MM: Do you see Rachel and Malcolm McDowell’s Stanton having a power struggle over the firm down the line? And what is Malcolm McDowell like to work with?
HL: You know, I do see that down the line. But with Malcolm, I mean yes I do see that a little bit because he hands over the reins to her to, you know, to get everyone in shape. And I step on toes a bit. But it’s so fun working with Malcolm. He’s so twinkly and sparkly and such fun. Have you met him?
MM: No, but we’ve interviewed him for our site in the past.

MM: Because of your popularity – especially on television series – you must get many offers. What was it about this show that made you say ”yes, this is the show that I want to do?”
HL : Let me tell you something. I don’t get many offers. I get a few maybe. But because the show is like a “Boston Legal” – I loved “Boston Legal.” I loved “Ally McBeal” It’s similar to that. It’s a fun show. And it was different than what I’ve done in the past.

MM: If you had to name your three favorite roles what would they be?
HL: Like the shows?

MM: Yes.
HL: Oh, I loved “Melrose Place.” I loved “Spin City,”… both of them with Michael (J. Fox) and Charlie (Sheen). And I loved doing “Saturday Night Live.” That was fun.

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Filed Under: Interviews, TV Interviews Tagged With: 3, bash, franklin, heather, joining, locklear, ...

World Champion Magician, Lance Burton talks about his work on “Oz The Great and Powerful”

Lance Burton is one of the greatest stage Magicians of the past century. He has starred in numerous TV specials including “Lance Burton Magic Magician: The Legend Begins”, which aired in 1996 on NBC. His show “Lance Burton Master Magician” opened at the brand new Monte Carlo Hotel in the Lance Burton Theatre also in ’96. He has also performed over 15,000 shows throughout his 30-year career in Las Vegas. Today Lance Burton is happily retired and is currently working on a number of documentary and narrative film projects. Lance was also Magic Advisor on Disney’s “Oz The Great and Powerful” and taught magic to James Franco on the film. Media Mikes had a chance to chat with Lance about his role on the film.

Mike Gencarelli: Tell us how did you get involved with the production “Oz the Great and Powerful”?
Lance Burton: I got a call from Grant Curtis, one of the producers on “Oz”, a few years ago and he explained that they were doing. He told me about this character, which was a stage magician and they were looking for someone to help with the magic. So I asked for the script to see what they were talking about. I read it and I just fell in love with the project. I thought it was just fantastic. I flew out to Michigan where they had the operation setup and I met with Grant and Sam Raimi. Sam explain his concept of the film to me and introduced me to all the people involved with the film. From there we just went to work.

MG: How was it working with James Franco and teaching him some tricks?
LB: I met with James for a day or so and worked with him on a couple of slide of hand tricks, a couple of months out and I gave him some homework to do. Then we all moved out to Michigan. The good thing was that we had about two weeks before filming started to practice every day. So we had a regular rehearsal schedule to work on the magic that was going to be throughout the film. So since we had a couple of weeks before filming started, that became very valuable time. James didn’t have any prior education with magic but he is a fantastic actor and that is about 90% of the battle. Robert-Houdin, the father of modern magic, has said that his classic definition of a magician is “an actor playing the part of a magician”. Sam wanted the magic to be authentic and he wanted James to play the role as a magician. Sam wanted to me to work with him on the way that he carries himself, as well as the magic. The flare of a magician, both on-stage and off-stage. So I worked with him on little flourishes that he can incorporate into different scenes. When I was on-set, I was able to chime in and throw out ideas during shoot, which was great.

MG: For you being the one always having performed the magic; how was it being on the other side of it?
LB: It is a completely different type of satisfaction. When you go out and do a show, whether it is live or a TV show, you do a good job and you feel good. In this case, I wasn’t the one performing it. But again when I saw the finished product, I felt very proud. I felt lucky to be able to contribute to this sure-to-be instant classic, “Oz The Great and Powerful”. It is almost like a pride that a parent feels about a child.

MG: How long would you say you worked on the film?
LB: We had a fun time. It was two weeks in preparation and then I was on the set for about a month during filming. I was there for the scenes in Kansas and then a little bit of when they get to Oz.

MG: What was your most memorable experience from your work on the film?
LB: I will tell you one thing to look for in the film, which was one of my most proudest moments. I had been teaching James how to twirl a cane between his fingers like a baton. I was thinking that this would be something usable that we can work into the film. The first time that he goes into Emerald City, goes into the throne room and sits on the throne, he picks up this scepter. In the script, it says Evanora is sitting there and is enraged. I thought “Ah, what if he twirled that scepter between his fingers?” I thought it would be very disrespectful and could help help get her enraged. So I went to the prop department to see the scepter. I asked them if there was anyway to make it a little longer and they said “Sure”. I talked it over with James and Sam and everyone seemed to like the idea. I wasn’t on the set when they filmed that scene but when I saw the film in theaters. I was very excited to see that twirl in the film.

MG: After this experience, do you see yourself taking on this role again?
LB: It was a very satisfying experience and it was very interesting work. “Oz” was such a huge hit. My prediction is that there is going to be a whole franchise.  So who knows what the future holds.

 

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Filed Under: Film Interviews, Interviews Tagged With: burton, great, lance, magician, master, oz, ...
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