Film Review “Eddie The Eagle”

Starring: Taron Egerton, Hugh Jackman and Christopher Walken
Directed by: Dexter Fletcher
Rated: PG 13
Running time: 1 hr 45 mins
20th Century Fox
Our Score: 3.5 out of 5

If anyone ever took the slogan “Follow Your Dreams” to heart, it was England’s Eddie Edwards. Even though he grew up with braces on his legs, the young man knew, even as a boy, that he was destined for the Olympics. Too bad nobody let destiny in on the secret.

An enjoyable film, more in the tradition of “Cool Runnings” than “Remember the Titans,” “Eddie the Eagle” follows young Eddie (Egerton) as he tries, repeatedly, to find a sport he can represent his home country of England in the Olympics. His mother (Jo Hartley) does her best to encourage him, even giving him a biscuit tin to “hold all of your medals.” Unfortunately the only thing Eddie is able to collect is a growing number of broken eye glasses. Finally, he discovers ski-walking and is soon excelling in it. However, his odd personality and life class are used to keep him off of England’s Olympic Team. Heartbroken, he stumbles upon a sport where England hasn’t competed in almost 50 years – ski-jumping. If he can handle the landings he just may have his wish granted.

Hollywood loves promoting the stories of the underdog. Ironically, the Jamaican Bobsled Team that was the basis of the film “Cool Runnings” also competed, alongside Edwards, in the 1988 Olympics. Even though the outcome of these films is already known, a good movie will hold your attention. This one does almost in spite of itself. Egerton is fine as Edwards, and he bears a strong resemblance to the awkward young athlete. Supporting Egerton is Hugh Jackman, who plays a former ski-jumper named Bronson Peary now working at the international training facility in Germany. Jackman has always had a way of lighting up a screen when he shows up and he doesn’t disappoint here. What takes you out of the story is how, with the exception of the Finnish team, nobody else apparently needs to train for the games. Eddie pretty much just walks into the facility and begins throwing himself off of 40 meter jumps – nobody stops him. Because nobody is there. Just Eddie, Bronson, the chick who owns the bar and the Finnish team.

That being said, the production values are pretty good, especially the point-of-view shots coming down the ski jumps. “Eddie the Eagle” doesn’t soar as high as it could have, but at least it doesn’t crash.

Eddie Bakshi talks about producing “Last Days of Coney Island” and this year’s Kansas City Film Fest

If you’re a fan of classic animation you surely are a fan of Ralph Bakshi. In his five decade career he has created such seminal animated features as “Fritz the Cat,” “Heavy Traffic,” “Wizards,” “The Lord of the Rings,” “Cool World” and many more. This week at the Kansas City Film Fest a retrospect of his work will be shown, featuring screenings of “Heavy Traffic,” “Coonskin” and “Wizards,” culminating in a Q&A Skype session with the director after Saturday’s screening of “Coonskin.”

Introducing the films this week will be another filmmaking member of the Bakshi family, Ralph’s son, Eddie. Eddie caught the filmmaking bug at a young age and is finishing up his animated producer’s debut, “Last Days of Coney Island.” While waiting for the Fest to begin, Eddie Bakshi spoke with Media Mikes.:

Mike Smith: Can you give the readers a little inside introduction to the upcoming retrospect of your father’s films at the Kansas City Film Fest?
Eddie Bakshi: The festival is presenting screenings of three of his films: “Heavy Traffic,” “Coonskin” and “Wizards.” There will also be samples of the original art – the original animation cells used to make the film. They will be on display and some will also be available to purchase. In addition, he will be Skyping in to the festival after the Saturday evening screening of “Coonskin” for an audience Q & A. The audience will have a chance to ask him a question about any of his films, be it “Coonskin” or his latest film, “Last Days of Coney Island.” He’s currently editing that film right now and will actually be Skyping in on the same computer he’s editing on.

MS: Can you talk a little about “Last Days of Coney Island?”
EB: “Last Days of Coney Island” is a project that we’re both working on. He’s directing and I’m producing. We’re currently in the middle of editing it. It’s an eighteen-minute featurette. When we announced it on Kickstarter we had said it would be a five to seven-minute short but now it’s a bit longer. Actually, we may continue the project and turn it into a full length feature film. If we can get the funding we would like to tell the entire “Coney Island” story, which takes place in the 1960s and involves cops and a whole lot of seedy characters…the inhabitants of Coney Island. It will be a classic Bakshi film in the vein of “Heavy Traffic.” It has a lot of strange characters and they’re all interlinked. He’s very happy with what he has done now but he would love to turn it into a feature. He’s very happy with the story and how it’s going. He’s been very involved the past several months lengthening the story to eighteen-minutes. The art style is very interesting.

MS: You will be offering some of his original art and cells to the public?
EB: Yes. It’s a great way for his fans to own a piece of his work.

MS: Is this retrospect a way to introduce his work to new fans as well as letting old fans know about his newest project?
EB: It’s a new way to promote Bakshi Productions. It’s really the first real chance people will have to ask him about the project directly. There has been a real spike in the increase of interest in his work since the advent of outlets like Twitter and Instagram. Many new fans are being exposed to his work. An outlets like Facebook these fans are finally getting to see the images from his films and it generated a lot of interest in the new film. We’ve been getting offers from all over the country to attend film festivals to not only talk about “Last Days of Coney Island” but to show his older films as well. It’s kind of like a bundle package. Once “Coney Island “ is ready we can take that to festivals, or show a trailer for it with some of the older films.

The Kansas City Film Fest runs through April 13. For more information go to www.kcfilmfest.org

Eddie Trunk talks about VH1 talk show “That Metal Show” and new book

Eddie Trunk is the host of the popular VH1 talk show “That Metal Show”. The show recently kicked off its 12th season and is already shaping up to be one of the best yet. Media Mikes had the chance to talk with Eddie recently about the history of the show, what it’s like working with co-hosts Don Jamieson and Jim Florentine and shed some light on his new book.

Adam Lawton: How did the show initially get started?
Eddie Trunk: I had been pestering VH1 for a very long time and it was something that I brought to them. What some people may not realize due to the channel not be as readily available as it is now is that I had been hosting on VH1 Classics since 2002. Before “That Metal Show” I was doing all different types of interviews and VJ work for them. During that time I was always pushing to do my own show which would feature the music I loved and have guests on that I could talk with like I do on my radio shows. It took a long time to get them to come around to the idea. Finally in 2008 they decided to give it a shot and shoot a pilot. The show went through a lot of evolution as there were a number of different people attached to it on all different levels. Things eventually happened in that they came to me asking to bring in some other host and not just have me by myself on. They wanted guys that weren’t serious in an effort to mix up the chemistry. I had the perfect guys in mind. Don and Jim were friends of mine and they were often on my radio show. We brought them in, had a great meeting, shot the pilot and here we are 100 episodes later.

AL: Other than the recent move from New York to Los Angeles what do you think has been the biggest change in the show since its inception?
ET: The biggest was something that I had been pushing for since day one. The show started out as only a half hour and after the fourth season we went to an hour. Coming from radio I loved the time you have where you can just sit and talk to someone. TV is completely different and it’s hard to make that change when your show is only a half hour. When it really comes down to it the show is 21 minutes because of commercials. It was agonizing for me for some time trying to fit everything in to that time frame. Once we switched to an hour things felt much better to me. The only thing now is that with it being an hour I want it to be two hours. (Laughs)

AL: Can you tell us about the idea of bringing in guitarists, bassists and drummers to perform during the show?
ET: The ultimate goal is to have a band play one day but we can’t do that because we just don’t have the budget. We simply cannot afford to bring on an entire band or pay the publishing which is very expensive and a lot of people don’t realize that. We try and work around that buy just bringing in single musicians to do some shredding and stuff. We have had drummers, bassists and predominately guitarist as they lend themselves to the gig a little more. This season we split things down the middle with four shows being with a guitarist and four shows being with a drummer. We have a lot of fun bringing those guys in and it’s a great opportunity to showcase sometimes the little lesser known guys. For example Richie Kotzen has always been a favorite of mine and in America he is barely known. To have him featured on our show has been great as lots of people have been emailing me for more info on him.

AL: In the shows 12 seasons has there ever been a guest that you thought would never end up on the show but actually did end up being on?
ET: Steve Harris from Iron Maiden was tuff. He doesn’t live in American and the Iron Maiden camp is extremely protective of their brand and how they do things. I have always had a great relationship with them but in order to get everyone on board the stars have to align themselves. The season that Steve was on ended up being a last minute score for us because Steve had just announced he was going to be doing a solo album and the band happened to be in Los Angeles. I went to their manager and just asked to have him on. Steve ended up coming down and having a blast. We hope to have him back one day. They guys who don’t live in America are a challenge logistically. Tony Iommi was another one that I was really excited to have one.

AL: What is it like working with Jim and Don behind the scenes?
ET: Things are the exact same as you see on the show. We all bust each other’s balls. Those guys as stand up comics are going to be a little better at it than most people but it comes with the territory. Their role is to throw things a little off balance. Behind the scenes we all put a lot in to the show. As a co-producer the show is kind of my baby so a lot falls on me to sort of be the referee and also to get the guests as I have a lot of history with most of them. Don and Jim work hard as well coming up with concepts and we are all very much involved as it’s a team effort.

AL: Besides the remaining shows for this season what else do you have in the works?
ET: I just completed my second book which is the follow up to “Eddie Trunk’s Essential Hard Rock and Heavy Metal Vol. 1”. I just found out that Vol. 2 will be coming out on September 24th. The book is an exact sequel to my first book. The format and everything is the same except that there are 35 completely different bands in this one. I am really excited for that to be happening. I will also be continuing my two radio shows as this year I am celebrating my 30th year in radio. I am always out there looking for ways to make my projects bigger and take things to the next level.

Eddie Jackson talks about the future of Queensrÿche and their new album

Eddie Jackson is the bassist and a founding member of the progressive metal group Queensrÿche. In the past year, the group parted ways with original singer Geoff Tate and brought in former Crimson Glory front man Todd La Torre to fill the vacant spot. The band sounds better than ever and Media Mikes had the chance to talk with Eddie recently about the split and the group’s upcoming album.

Adam Lawton: Can you clear up any misconceptions from the past year about the two different versions of Queensrÿche going around?
Eddie Jackson: There are currently two bands out there. Geoff has his version of the band and Michael Wilton, Scott Rockenfield and I have our own version of the band. We are just focusing on us and moving forward. We want to keep doing what we are doing and that is playing music and performing live. The transition away from Geoff as the lead singer was something that Michael, Scotty and I felt needed to happen.

AL: How has the band been received since the change was made?
EJ: Fans have been enjoying it and have really embraced Todd. We have enjoyed welcoming him in to our family. Fans have been very receptive and have enjoyed hearing some of the older material that we are now able to perform. With Todd’s vocal style he is able to sing and perform stuff from albums like “Rage For Order” and “Operation Mind Crime”. Things are going really great. We think it’s been great having fans connect with Todd.

AL: What has it been like revisiting that older material in a live setting?
EJ: It’s interesting. One of Todd’s favorite albums is “The Warning”. Going back and playing some of that stuff has been really fun. It may have taken us a few practices to relearn some ofthat older material but it’s refreshing. We have been having a lot of fun with everything.

AL:Can you give us an update on the new album?AL: What led to the band signing recently with Century Media Records?
EJ: It was kind of a mutual thing between the band and Century Media. We collectively sat down and we both wanted to create a new relationship. So far they have been a class act and we are very happy to be working with them.

EJ: The new album will be released on June 11th. We are all looking forward to having the fans check it out. Things are pretty much completed but we are still tweaking some things here and there. It has been nice working with James “Jimbo” Barton again. We have a great relationship with him from the past and we wanted to put out an album that captured the style of our previous albums. James was a blast and our first day back together was like no time had passed.

AL: What type of creative process did you take towards the new album?
EJ: We all sort of came in with our own pieces. There may have been a song or two that was already written but for the most part it was a collective effort. Todd is a great musician that not only sings but he plays drums and guitar. We all just threw out ideas and began working on the ones that we thought were the best and fit our style the most. When you can sit down and talk through what you are going to be working on it makes things a lot easier. We haven’t been able to do something like that in quite awhile.

AL: Can you tell us about the first single off the album?
EJ: The song is titled “Redemption” and it was released a few weeks ago. Stylistically this felt like the first song that we should release. This song was the one that we all thought would most identify with what the band is doing now.

AL: What types of tour plans are in the works to support the new album?
EJ: We have some US dates in the works right now. We also will be performing over in Europe and are working to get to a few other countries. We are going to be very busy this year and we are looking forward to it.

Eddie Mekka talks about “Laverne and Shirley” and his appearance at the 31st Omaha Film Event

Massachusetts born Eddie Mekka didn’t follow a dream to show business. He followed his heart. Smitten with a young lady in high school he followed her to Boston. Within five years he had appeared on Broadway, scored a Tony Award nomination and headed to Hollywood.

Best known as Carmine Ragusa (The Big Ragu) on television’s “Laverne and Shirley,” Mekka continues to sing and dance. He just completed a production of “The Rocky Horror Show,” where he played both the narrator and Eddie and will next be seen as Pseudolus in “A Funny Thing Happened on the Way to the Forum.” This Friday, November 2, he will be appearing with his “Laverne and Shirley” co-star Cindy Williams at a special screening of “American Graffiti” in Omaha, Nebraska. The screening, the 31st Omaha Film Event produced by Bruce Crawford, will benefit the Nebraska Kidney Association. For more information, click here http://www.omahafilmevent.com/upcoming.htm

While enjoying a rare travel break at his Las Vegas home Mr. Mekka took the time to talk with Media Mikes about his career.

Mike Smith: What inspired you to pursue musical theater?
Eddie Mekka: When I was a senior in high school I kind of fell in love with a girl. She went on to study at the Boston Conservatory of Music so I followed her there and got a scholarship. I was taking voice at the Conservatory. Dinner theatres were big in Massachusetts and I attended a performance of “Hello, Dolly.” Afterwards I asked around as to how you got into something like this. The theaters were Equity houses and they told me you had to be a member of Actor’s Equity. I asked how you got into Equity and they said I had to be in a show. How does anybody get in? (laughs) They told me I could work as an apprentice and earn points. Or if someone just decided they wanted to hire you then you join the union and pay your money (dues). So I went back to the theater a few days later and gave them my photo and resume’. One of the other dinner theaters was doing the show “Promises Promises” and somebody got sick. Rather than go all the way back to New York City to audition a new actor they auditioned me there and I got the job. I quit school and that night I went into the show. I did the show for eight months. Most of the actors in the show were from New York City and when the show ended they told me to go to New York. And that’s what I did. I drove a cab and studied hard and started getting into Broadway shows. I got a Tony nomination as Best Actor, headed to Hollywood and in three days I got “Laverne and Shirley!” That’s the long and the short of it!

MS: Wow! That’s the story you never hear. It’s always “I washed dishes for 10 years.”
EM: Well in New York I did drive a cab as well as help clean up at a dance studio. After two years I started teaching dancing. In fact, there were people who had graduated with degrees in Dance from the Boston Conservatory who became my students.

MS: Since you highlighted you dancing, I’ve noticed that in a lot of your on screen appearances….be it “Laverne and Shirley” or “A League of Their Own”…you always manage to work a few dance steps in. Of all of your talents is that your favorite?
EM: I’ve always been a song and dance man…Gene Kelly…Tony Bennett…I’m from the old fashioned school where you had to learn how to sing and dance and act and be funny. You couldn’t just walk onto a television program overnight and then learn how to act. I’m from the old school where you had to learn it all first. Then you go out into the world and pay your dues. You did it the right way…that’s the way it’s supposed to be. Because once they find out you can do something special…that you can sing and dance…they try to incorporate that into your role. Besides, I love dancing. As long as I can walk I can dance and as long as I can talk I can sing.

MS: You earned a Tony Award nomination as Best Actor in a Musical for your performance in “The Lieutenant.” You’ve also appeared in shows like “Grease” and “Fiddler on the Roof.” Do you prefer musical theater to film or television?

EM: I prefer the theater artistically. I prefer the others as far as it being a business, making money and getting recognition. There’s no fooling people in the theater. You get on stage and you’ve gotta be good. There’s no faking it. People don’t care how cute you are – they want to be entertained. You don’t get two chances to get it right. You learn the whole script from beginning to end and that’s how you do it. There’s no “CUT.” There’s no switching with a double to make you look good. The theater is honest and there’s no fooling it. And when you take your curtain call at the end you feel absorbed. You’ve done something. And you have to do it again the next day. But not the same way because each audience is different. You actually have to be on your toes. You have to listen and see what they’re laughing at from the very beginning…what the audience is responding to. A lot of the fun of live theater is judging the audience. You just don’t go up there, say your lines then go home and take the money. It’s an art. It’s an art of communication. And in that respect I like it. In television and film you get paid ten times more and do ten times less work. Go figure.

MS: You mentioned that when casting people find out an actor’s talents they try to work them into the character. Was Carmine’s singing and dancing an original part of the character or something you developed with the directors?
EM: It came about through Garry Marshall, who created “Laverne and Shirley” as well as “Happy Days,” which is where Garry first introduced “Laverne and Shirley.” When he cast the show he was looking for a wise-guy Italian. I had just come out from Broadway and an agent I met with was looking at me through her hand. I asked her what she was doing and she said she was trying to see what I looked like on television. I said why not just give me a screen test. She said “it doesn’t work that way, Sonny.” Actors are products. If we don’t know our products we can’t sell them. I told her that someone had told me she was a ballsy lady…that I thought we could have done business together. I shook her hand and left. She was having dinner with a friend of hers from Paramount that night and the friend told her she was helping cast a new show called “Laverne and Shirley” and they were looking for a third character named Carmine…sort of a wise guy Italian. She told her about this guy who had just left her office and her friend said, “bring him in!” I went in the next day and auditioned. That night I did a screen test along with a lot of other “Carmines.” They were also looking at a lot of other “Shirleys.” At first Cindy didn’t want to do it…she had just finished “American Graffiti.” Anyway, during a taping of “Happy Days” Garry Marshall addressed the audience and informed them they were going to see a scene with some new characters. We came on, did the scene and the audience loved it. Garry Marshall told us, “we’ve got a show!” As the show progressed Garry sat down with me and asked me “what else can you do?” I told him I could sing and dance. “Yeah…let’s see.” The following week in the show Laverne tells Carmine that she’s trying to get Shirley to jump out a bachelor cake for the Fonz. I tell her that I can’t get Shirley to do anything but “she’s a sucker for my Tony Bennett (in a perfect Bennett impersonation) YOU KNOW I GO FROM RAGS TO RICHES!” The audience applauded and that was it.

MS: Besides “Laverne and Shirley” you’ve worked several times on stage with Cindy Williams (“Grease,” “It Had to Be You”). Is it easier working with someone you’re so familiar with?
EM: Oh yes. When we did “Grease” we shared the same bus. She had the suite in the front and I had the one in the back. We really go to know each other. On “Laverne and Shirley” we really didn’t talk much, except on set. We didn’t really socialize. It wasn’t until we did “Grease” that we became great friends. We just spent 10 weeks in Canada doing a play called “Sylvia.” And we did a show for 6 weeks the previous year. Our timing now is perfect…it gels. We work really good together.

Interview with Eddie Lee Sausage & Mitch H.

Eddie Lee Sausage & Mitch H. are the guys behind the audio vérité recordings of Peter J. Haskett and Raymond Huffman, which turned into cult comedy tape series “Shut Up Little Man!”. The tapes were released commercially in 1992 and since has blown up in this phenomenon which latest spawned a documentary about the guys “Shut Up, Little Man! An Audio Misadventure”. Media Mikes had a chance to chat with Eddie Lee Sausage & Mitch H. about the film and also this cult phenomenon.

Mike Gencarelli: Where did your involvement begin in terms of the documentary?
Eddie Lee Sausage: I received an email from Matthew Bates, who was the director of the film. I started off by telling that we had been approached several times before about doing a documentary. What I had done with those who had asked in the past was to have them send me some of their previous work. The stuff I received prior to this was so wretched that I didn’t think the project would work. Matt sent me some of his previous films, which I thought were exceptionally well done. I thought Matt’s style was something that could really work and had a lot of potential.

MG: What was it like revisiting all the tapes and photos for the documentary?
Mitch H: The first place we shot was in Wisconsin. We had a lot of fun shooting there. I have a pretty extensive collection of photos all cataloged, so I gave those to the guys to use. They ended up scanning quite a few of the photos from that era.
ELS: The “Shut up Little Man!” phenomenon seems to come in waves. A lot will happen for two years then nothing seems to happen for three years. I had taken about a year and a half starting in 2008 putting together a detailed website www.shutuplittleman.com. I put up all of the stories, videos, artwork and photos I had gotten from Mitch on that site. Within about six weeks of the site going live Matt called about the documentary. It was a great time to do it because everything was still fresh in my mind from working on the website.

MG: What has been your response towards the recognition the film is receiving?
MH: I am still in awe. I never expected the film to do so well. It’s been a lot of fun and a wild ride. Everything is just very surreal.

MG: Have you guys attended any of the screenings?
ELS: We attended the screening at Sundance as well as the one in San Francisco and a number of others. We have got to meet a lot of great people and be a part of some fun Q and A’s. It’s really been a lot of fun.

MG: Going back in time how do you feel the things in the film would relate to pop culture if they were done today?
MH: It’s hard to say what the end result would have been if we were recording this material today. It might just be here and gone. In the mid 90’s, you had to have something tangible. You had to have a cassette tape in your hand that you could give to someone. It’s wasn’t like today where you have something in a PDF format and you just email it. I think things would have been immensely different.
ELS: Ray and Peter are extremely unique. It’s not just another neighbor or any other drunk. There is something hilarious about the two’s personal dynamic. These two are beyond any standard loud next door neighbor.

MG: Do you guys still listen to the tapes today?
ELS: I go through waves of listening to them. When we released to full tapes in 2008 I didn’t ever really want to listen to the things again! I had been personally doing a lot of the engineering at that point. Mitch and I live half way across the continent from each other and probably every other day or so we end up texting a line or two from “Shut Up Little Man!” It lives on that way.

MG: What do you think is next for “Shut Up Little Man!”
ELS: Were hoping to do commemorative statuettes of liquor for Peter and Ray (Laughs). I’m joking. Maybe bobble heads or a clothing line with dried vomit on it. There are a lot of marketing ideas [laughs].

 

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Concert Review: Eddie Griffin @ The Improv Orlando

9101 International Drive – Suite 2310 – Pointe Orlando
Orlando, FL 32819
Phone: 407-480-5233
Running Time: 90 minutes

Our Score: 3.5 out of 5 stars

When you come to an Eddie Griffin show, you can easily expect your ass off. That was exactly the case with this show as well and nothing was safe relationships, politics or religions. What I like most about Eddie Griffin, which you can read in our interview with him, is that he doesn’t prepare much for his show. When he gets out on stage he just goes with the flow and speaks whatever is on him mind. He also says what everyone is thinking and no one is saying.  Some topics are edgy and controversial but he proves he is a smart guy and backs up what he is saying but also throws the funny twist in there. He is very engaging with the audience and pokes a little fun but all in good intentions.

Throughout our show, Eddie was enjoying his French champagne very much, which probably caused him to run about 30 minutes over his allotted time. Either way the audience loved it and he made it clear that this is his last stand-up tour (hopefully not forever), so it was no holds barred. In my eyes, I did feel though that the last 30 minutes dragged a little due to it being more audience based and less content based, but overall the show was very entertaining and packed with non-stops laughs.  If I have another opportunity to catch a show I will be there in the drop of a hat.

Interview with Eddie Griffin

Eddie Griffin is known best for his role in the “Deuce Bigalow” films and “Undercover Brother”. Besides movies, Eddie is constantly touring his comedy Stand-up act. His most recent comedy special “You Can Tell ‘Em I Said It” premiered on Comedy Central on February 19, 2011. Media Mikes was able to get a quick chat with Eddie about his films and also his stand-up.

Mike Gencarelli: You are constantly on the road touring standup, what do you enjoy most about it?
Eddie Griffin: The thrill of the ride. Meaning, I don’t write any material, so when I step on stage it’s like I’m stepping on a thrill ride.

MG: How do you prepare for each show and what is your inspiration for new material?
EG: I don’t prepare for any shows. I just go out there and do it. My material comes from real life experiences that happen everyday.

MG: Tell us about your recent special “You Can Tell ‘Em I Said It” ? Any more planned?
EG: My last special “You Can Tell ‘Em I Said It” was just me talking about everything that was in the news and was on my mind from last year. Yes I am planning another one now, but i haven’t come up with a name for it yet – taking suggestions.

MG: Do you have a preference between stand-up or film/tv?
EG: I prefer the stage because I ultimately write it –freelancing it. TV/film is different because you have to take someone else’s words/character and bring it to life.

MG: Why haven’t we ever seen a sequel to “Undercover Brother”? Solid!
EG: Universal Studios decision – not mine. I’m always ready to get back in the wig!!!

MG: Tell us about your upcoming film “hillbilly highway”?
EG: That was just a cameo I did with my writing partner Damon “Coke” Daniels (who co-wrote “My Baby Daddy” with me). It’s about these hillbilly’s who try to steal weed from a medicinal plant and it doesn’t turn out so well for them.

MG: Tell us about your production comedy front of the bus and what else you have planned?
EG: I have a few scripts at the gate waiting to be let loose, and i will speak more about them when the time is right… but I will tell you they are comedies that i wrote.

Click here to read our concert review @ The Improv Orlando