Book Review “Smaug: Unleashing the Dragon”

Author: Weta Workshop
Series: The Hobbit: The Desolation of Smaug
Hardcover: 104 pages
Publisher: Harper Design
Release Date: April 1, 2014

Our Score: 5 out of 5 stars

When it comes to Peter Jackson’s “The Lord of the Rings” or his new trilogy “The Hobbit”, I simply cannot get enough. I absolutely love these films and I love any type of behind-the-scenes look into the world that he has created. In “The Hobbit: An Unexpected Journey”, we got to catch a glimpse of the dragon Smaug. Fans were left wanted more. In “The Hobbit: The Desolation of Smaug”, we got to go face-to-face with this amazing character in the film and he no question stole the show. Benedit Cumberbatch’s motion capture performance of Smaug was outstanding and left me speechless. This latest book from Harper Design is dedicated only to marvel that is Smaug. We get to go behind-the-scenes and see how this wonderful character was brought to the big screen. If you are a fan of “The Hobbit” films, this is a must own.

Bringing Smaug to live was done by the amazingly talent artists at Weta Workshop. It includes some of the most advanced special effects and computer animation in a film today. I was so excited that Smaug received his own book, but at first clance I was disappointed since it is a rather small book in size but from the minute you open it, it is end to end packed with amazing content. There are brand new exclusive images, concept designs, artwork, photographs and painting for this amazing character. As a fan of the film, I literally could not put this down. You really get to dive into the world of Smaug and see how this amazing beast was created and brought to life.

The first section of the book focuses on how the dragon was imagined and designed. The second section dives deeper into how Weta Design created the character in a more “making of” fashion. There is everything from chapters on models, textures, shading, ADR, animation, lighting, sound design and visual effects. There is a nice focus on the film’s final moments as well with stills, so if you haven’t seen the film and don’t like spoilers I would avoid that section. Actually to me seeing Smaug himself is a big spoiler so I would recommend watching the film first. Also the man behind the beast, Benedit Cumberbatch gives a great foreward to the book as well talking about his performance for the dragon, a great way to kick off the book.

Harper Design has been a big supporter of the new “Hobbit” trilogy. They have released three books to date giving fans an outstanding behind-the-scenes look into these films. The first two books are for “The Hobbit: An Unxpected Journey” called “Chronicles – Art & Design” and “Chronicles – Creatures & Characters”. The third is “The Hobbit: The Desolation of Smaug Chronicles – Art & Design”. The next book from the second film will be “Chronicles – Cloaks & Daggers” coming July 8th. Then we can also expect two more books from the final film as well, “The Hobbit: There and Back Again”, so the fun is far from over! Stay tuned and keep them coming Harper Design, these books are amazing!

Book Review “The Art of the Disney Golden Books”

Author: Charles Solomon
Series: Disney Editions Deluxe
Hardcover: 160 pages
Publisher: Disney Editions
Release Date: April 8, 2014

Our Score: 5 out of 5 stars

What kid didn’t grow up reading Disney Golden Books? These little books have such memories for me, I can always remember great times picking them up at the supermarket and reading them on the way home…and then over and over. “The Art of the Disney Golden Books” does not only deliver pristine and gorgeous art from these books they also provide a lot of history on these books. In fact, they started all the way back in 1933. Ranging from past classics “101 Dalmatians” to “Peter Pan” to “Once Upon A Wintertime” to “Alice in Wonderland” (which I still have my original) to today’s classics like “Toy Story”, “Finding Nemo”, “Tangled” and even as recent as “Frozen”. This is a must own for anyone big or small to enjoy either for themselves or with their family.

Official Premise: The Art of the Disney Golden Books celebrates a legacy that has now thrived for more than eighty years and continues to influence new generations of artists and filmmakers. Through interviews with contemporary animators who recall tracing the characters in their childhood Disney Golden Books, paintings by artists who influenced and inspired the Disney Golden Book illustrations, and a generous complement of Golden Book artwork-much of which was thought to have been lost until very recently-the rich tradition of the series is explored in this vibrant volume.

Disney Press really delivered an amazing book here. I literally couldn’t put it down as I had to see what was coming next and wanted to read every fact given by author Charles Solomon. Some of his other books include “Tale As Old As Time: The Art and Making of Beauty and the Beast”, “Disney Lost and Found” and
“The Disney That Never Was”. So he has quite the history with the company. Some of the images in the book are such high quality and I love the fact that they are actual preview images, meaning they do not have any text included on them. It is really cool to see them presented in that way. Actually since I have read some of these numerous times, I found myself even able to fill in some blanks from memory.

The breakdown of the book is also very interesting. We start with the history of Golden Books, which is unbelievable interesting. Then we switch gears to beautiful art work and, most importantly, to the talented artists that have worked on these books. There is also great sections on the memories and influences for these titles. I think this one really hit home for me since I have such a connection with these books. There is focus on the new creations and past discoveries of characters found in the Golden Books as well from Rapunzel to “Peter and the Wolf”. The book closes out discussing the legacy of Golden Books and the future as well. Can’t wait to read this again and share these books with my own daughter.

Monte A. Melnick talks about his book “On the Road with The Ramones” and 40th Anniversary of the band

Monte A. Melnick worked with the legendary band The Ramones since the group’s inception in 1974 and served as the group’s tour manager up until the bands last show in 1996. Monte’s book “On the Road with The Ramones” which was co-wrote with Kevin Meyer and released in 2007 garnered rave reviews and has gone on to be released in several other languages. Media Mikes had the chance to speak with Monte recently about his time with the band, the success of his book and the upcoming 40th anniversary of the Ramones formation.

Adam Lawton: How did you initially start working with the Ramones?
Monte A. Melnick: I grew up with Tommy Ramone and we went to school together. We had also played in bands with one another along with setting up studios with each other. I was there at the very beginning when Tommy first got involved with the Ramones and that’s really how I became involved with them as well.

AL: Were you still looking to be in a band at this time or were you looking to move more towards the management side of the business?
MM: By this time Tommy and I had already built Performance Studios and we were also managing it. While doing all of that we still had time for our own bands and my band Thirty Days Out put out two records on Reprise Records in 1971 and 1972. Tommy had his own stuff going on at the same time as well but he was mostly doing engineering. When it started Tommy was really only looking to produce the Ramones however after a couple showcases they couldn’t find a drummer and Tommy ended up becoming the drummer. Eventually the studio had to close down because of noise problems and the Ramones started to get jobs here and there and they asked me to go along with them. Sometimes when there’s a fork in the road you just have to take it and that’s how I transitioned.

AL: What was your first impression of the Ramones?
MM: When I first saw them I was playing in bands that did three part harmonies and had already done some album work myself. At the beginning the band was incredibly raw. I didn’t like them.  They had to develop and grow which took them awhile. That wasn’t my kind of music to start with but working with them and watching them develop I got used to it and they grew on me.

AL: What was it like dealing with Johnny and some of the
other stronger personalities in the group on a daily basis?
MM: John was a difficult personality however he kept everyone in line and was very good at that. John had a very good business sense. We weren’t really friends but we were co-workers. I was more friends with Joey and the other guys as John kept to himself around me. Its part of the tour manager’s job to be able to not only handle the personalities of the band but also those of the crew as well. The tour manager has double the people he has to account for. That was a big part of the reason I wrote the book was to show both sides of what I was dealing with on a daily basis.

AL: Did you notice a big shift in the band with the addition of members like Marky, CJ and Richie?
MM: Most of the changes that happened were very good. There have been eight different Ramones but basically the members dealt with the changes and tried integrating the new members as best as possible. Guys like CJ filled some remarkably big shoes helped elevate the band to the next level. Richie was another guy that was a great addition to the band as he wrote songs and sang. It was terrific. Sadly he left on a bad note which I have the whole story about that in my book.

AL: How did the idea for your book “On the Road with the Ramones” initially come about?
MM: People kept coming to me and telling me to write a book. I’m not a writer so I didn’t think there was any way I was going to do something like this. Joey had released a solo album on Sanctuary records and at the time they were doing publishing as well. They dragged me in to this thing and gave me a ghost writer by the name of Frank Meyer. Frank was a huge fan of the band and is a great writer so when he came in things just fell in to place and I ended up giving him a co-writing credit because he did such a great job. When we started I didn’t know how things were going to turn out. I submitted around 250 images for the book and they all made it in which is very rare for a biography. I have a room full of stuff and they let me put in all of this stuff. The book had a great art director so when you look at the pages everything just flows together. I am very happy how it turned out.

AL: Do you have plans to release another update anytime soon for your book?
MM: I have done one update already so fans who haven’t got the book yet will want to make sure they get the updated version as it has everything in there. Lately I have been focusing on releasing the book in different languages. We are currently working on our 7th language right now which is going to be in Italian. It’s great to be able to spread the book out around the whole world.

AL: With a lot of the recent commercialization of the band do you feel they would still be around today recording and touring had Dee Dee, Johnny and Joey not passed away?
MM: I think it’s great that stuff like the t-shirts and what not is available. The Ramones were never against commercialization which is why they tried so many different producers. They wanted to make money. The band just tried so hard to make it through out their career. After Joey’s death, the group’s induction into the Rock and Roll Hall of Fame in 2002 and then Johnny and Dee Dee’s deaths the Ramones have become bigger than ever. If the Ramones were this big when I was working with them I would have gotten a raise. (Laughs) They are iconic and it’s a shame that they all can’t see this.  I think if they were all around and in good health they still would be playing. They probably would have played passed 1996 just how far though I don’t know. Joey was not in the greatest of health at the time they decided to call it quits and Johnny figured if Joey wasn’t going to be in good health then he would quit also while he was ahead. They had tons of offers to keep the band going.

AL: Looking back on the bands 40 years of existence/history what is your fondest memory and have there been any talks of a 40th anniversary celebration?
MM: That’s another reason I wrote the book was to tell all of those fond and not so fond memories. There was a lot of stuff going on during 22 years on the road. I loved traveling and seeing the world. After awhile the band got big enough to where traveling became comfortable because in the beginning it was not always the easiest. I miss being out there and experiencing all of the different cultures. As for celebrations I haven’t heard of anything yet. Joey’s brother Mickey has his Birthday Bashes in New York and Linda, Johnny’s wife has her thing in Los Angeles at The Hollywood Forever Cemetery where Dee Dee is buried and they have the statue of John. I am not sure what else they could really do.

 

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Book Review “The Art of The Wind Rises”

Author: Hayao Miyazaki
Series: The Wind Rises
Hardcover: 224 pages
Publisher: VIZ Media
Release Date: April 8, 2014

Our Score: 5 out of 5 stars

I have been a fan of Studio Ghibli since the early 90’s and have seen and cherished every one of the films, especially those directed by Hayao Miyzaki. Sad news is that “The Wind Rises” is actually the last film he will be directing. Good news it that it is one of his best. Viz Media has been behind all of Studio Ghibli’s “Art of” books and they are considered gold on my bookshelves. I love reading them over and over and this one is already no different. I am very glad that they switched back to the hardcover format as well after slipping to softcover with “The Secret World of Arriety”. If you are a Studio Ghibli fan, I cannot recommend this anymore, it is a must own!

Official Premise: The latest in the perennially popular line of Studio Ghibli artbooks, which includes interviews, concept sketches, and finished animation cels from classics such as Spirited Away and My Neighbor Totoro. The Wind Rises is Miyazaki’s love letter to the power of flight and the imagination, an examination of the rise of Japan’s military might in the years leading up to the Second World War, and a call for worldwide peace and harmony in the face of destruction. This book captures the art of the film, from conception to production, and features in-depth interviews with the filmmakers.

I have seen this film about five times now, so I practically know it inside and out. I am just amazed by every single scene in the film. The colors, the animation, the design is just absolutely mind-blowing to me. Well, it is even more mind-blowing once you get inside this book. I literally combed it page by page inch by inch soaking up every single bit of information and detail that I could. It is packed with great concept drawings, interviews and animation cels from the film. It is so beautiful and has the power to generate a tear due to this being such a powerful film and also Miyzaki’s last.

 

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Steven Awalt talks about his book “Steven Spielberg and Duel: The Making of a Film Career”

Here’s a trick question for you? Where did film director Steven Spielberg go when he wanted some information about…Steven Spielberg? The answer was an amazing web site known to fans all over the word as SpielbergFilms.com. Created and maintained by Steven Awalt, the site lasted for seven years, only closing down because of Awalt’s various projects. One of those projects, the well reviewed book “Steven Spielberg and DUEL: The Making of a Film Career,” will be released on March 26.

With a Master’s degree in Cinema Studies from DePaul University, Awalt is more than qualified to discuss the most successful filmmaker of his generation. While awaiting the release of his book, Awalt took the time to speak with me about everything Spielberg.

Mike Smith: What is it about Steven Spielberg that made you follow his career so carefully that you created a web site dedicated to his work?
Steven Awalt: He and George Lucas were really the first two “filmmakers” I knew when I was growing up. Of course, when I was younger I was a big fan of the Disney films but when “Close Encounters of the Third Kind” came out it really knocked me on my young butt. The scope of it was just amazing for a little boy. And then as I got older and looked at his films, I think it was his sense of humanity that really appealed to me. I don’t think he gets enough credit for his work with characters. Going back to “Close Encounters,” people focus on the spaceships and the aliens but, at the center of that film, you have a very emotional story about a family falling apart. Even in “Jaws,” you had the Brody family and, of course, the dynamic between the three men. “Duel” is really a great portrait of a man losing his mind. It’s all about paranoia.

MS: Do you remember the first Spielberg film you ever saw in a theatre?
SA: It was “Close Encounters.” I had just turned five, so he caught me at a very young age. Between that and “Star Wars” from earlier in the summer, it was the perfect age to be.

MS: I was sixteen. Trust me, it was a great summer to be sixteen as well!
SA: (laughs) I wish to God I had been older. You got to experience “Jaws.” I first saw it when it aired on television (November 1979). The funny thing was that it didn’t at first stick with me…not like “Close Encounters” or “Raiders of the Lost Ark” because it scared the hell out of me! Now it’s one of my favorite films but back when I was younger…I wish I had born in the same generation as yours because it must have been really great to be there.

MS: Of all the films that Steven Spielberg is known for, why did you choose to highlight “Duel?”
SA: Originally I had wanted to write about “Close Encounters” because it’s such an important film to me. I had been deeply researching it for years while I ran the old SpielbergFilms web site. At the time someone else had just come out with a very strong book about the film, independently written, and I was so upset because someone else had gone after it. I still plan to get to that “Close Encounters” book but when I thought about it, I realized that Steven’s work before “Jaws,” namely “Duel” and “Sugarland Express,” hadn’t really gotten their due. I thought it was fertile ground and I hope I’ve been able to start what I hope will be a series of books about his work. “Duel” and “Sugarland” are great films but they really kind of got buried by the success of “Jaws,” “Raiders,” E.T.” ….everything.

MS: Do you have a favorite Spielberg film?
SA: I definitely have a favorite. And, like most people, my favorite film is different then what I consider his best film. His best film is actually too hard a question, but my favorite film of his, from a personal perspective, is “E.T.” That film came along in my life…when I needed it most. It probably sounds funny to say that about a movie but I’m sure, at the same time, many fans can relate to that. I had a pretty rough childhood. My father was an alcoholic…he just wasn’t there for me. He died when I was a kid. So the film really spoke to me. A lonely young boy who misses his father…again, it’s the heart of the film that makes it so beautiful. Even to this day it’s a very important film in my life. And it comes from a very personal space in Steven because of the divorce of his parents. The scene in the garage where Elliot and Michael are looking for things for E.T. to build his communicator with…finding their dad’s old shirt and smelling the cologne on it…that’s the one thing I love about his work so much, that it’s so relatable.

MS: I’m paraphrasing this comment from the late director Sydney Pollack, who in 1984 told TIME magazine that he felt Spielberg would never win an Oscar until his films “grow up.” I actually met Pollack at a retro screening of “They Shoot Horses, Don’t They?” and asked him about his comments. He maintained to me that Spielberg needed to focus more on adult material. Do you think that he intentionally changed the kind of films he was doing because of that thinking? (NOTE: Spielberg’s next film after “E.T.” was the critically acclaimed, very grown up “The Color Purple.” The film received a total of eleven Academy Award nominations though, surprisingly, not one for Spielberg’s direction. This film, and 1977’s “The Turning Point,” share the record for most Academy Award nominations without a single win. Ironically, the winner of the Best Director Oscar that year was Sydney Pollack).
SA: Only Steven himself could answer that question accurately. But I think that, having started out making films in his early 20’s, Steven grew up with his films. I would imagine he was looking for different kinds of entertainment…not entertainment, per se’, but different kinds of stories about human beings. “The Color Purple” is an interesting film. I’m not a huge fan of it, but it’s definitely a turning point. To me the film that signals a new Spielberg on the screen isn’t “The Color Purple,” it’s “Empire of the Sun.” A certain weight comes with the film that I don’t think “The Color Purple” has. To me “Empire of the Sun” is a signpost for people who were so surprised by “Schindler’s List” and the films that followed. I really think you can start to see that in “Empire of the Sun,” which he made when he was in his late 30’s. So I imagine it was just a normal maturing. I guess the only person who can really answer that question is Steven.

MS: You’ve hinted that you’re working on a book going behind the scenes of “Sugarland Express.” Is it going to be in the same vein as this one?
SA: Absolutely. I like to think of it as a continuation of the “Duel” book. To me I’m writing one big book, but this one will have a different approach. It’s obviously a different story but it will show the expansion of Steven’s talent and his growth as a filmmaker.

MS: Are you hoping to maybe one day be able to document all of his films?
SA: I’m hoping to at least get through Steven’s films from the 1970s at least, because that’s my favorite period. I’d like to write about a lot of filmmakers from that era. I’m a big fan of George Romero. I’d love to write about Martin Scorsese. Brian DePalma would be fun to write on as well. But yes, I hope to at least cover the 1970s and his four masterpieces from that era.

 

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Book Review “Crime Seen” by Michaelbrent Collings

Author: Michaelbrent Collings
Paperback: 232 pages
Publisher: CreateSpace Independent Publishing Platform
Release Date: January 17, 2014

Our Score: 4 out of 5 stars

It was past midnight, outside it was thundering and lightning and I was curdled up in bed with the lights off. This is the best way to read and experience the work of Michaelbrent Collings. His work is so visual and easy to imagine. When I read, I immediately zone in and visualize the characters and events like a movie. With Michaelbrent’s work he makes it so interesting and each page is like a cliffhanger leading to the next. “Crime Seen” the latest book from the award-winning author of “Strangers” and “The Colony” Omnibus and no question should be added to your must read list of 2014.

I started reading “Crime Seen” about two months ago and I stopped about half-way through due to the crazy events of life. The reason why I know I loved this book is because I honestly couldn’t stop thinking about it during that time when I wasn’t reading. And the minute that I picked back up and started reading again, I was right back into the world that he created for this story. For me, if you are able to keep my interest for that long you know that you have got something special.

Official Premise: Detective Evan White is on the trail of a killer. A madman who slaughters at a whim. A murderer bent on destroying everything and everyone Evan loves. An assassin who can’t be killed… because he’s already dead. Evan is about to begin the longest day of his life. A day that will determine what is true, what is false. What crimes are reality… and what crimes are merely seen.

“Crime Seen” is a great thriller with a nice supernatural edge mixed in. I just love the tagline for this book “How do you kill a man who’s already dead?” The story is such a mind fuck with twists and turns that really keep you guessing until the very last page. When you think you have it figured out, Michaelbrent causes you to scream out loud “What the fuck, just happened?”. I have no idea how this guy comes up with the crazy shit he does but I just can’t get enough of it personally.

Growing up as a kid, I was a very avid reader but I haven’t read a book in probably 10-15 years and it was due to Michaelbrent that got me hooked again. Last year, he approached me with his novel “Darkbound”, which is another outstanding choice to check out, and it really opened by eyes to reading and really changed my life. May sound lame but it is the truth. Sometimes, I actually think that he is a robot since this guy comes out with book after book after book and I have a hard time keeping up with him… But keep them coming man! Can’t wait to see what you got planned for me next.

 

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Blu-ray Review “The Book Thief”

Actors: Sophie Nélisse, Kelly Macdonald, Michael Shannon, Geoffrey Rush, Emily Watson
Directed by Brian Percival
Rated: PG-13 (Parental Guidance Suggested)
Studio: 20th Century Fox
Release Date: March 11, 2014
Run Time: 131 minutes

Film: 3.5 out of 5 stars
Extras: 2.5 out of 5 stars

“The Book Thief” is a film that got lost in the sea of films that came out last Fall. It is best on the best-selling book by Markus Zusak. It takes place in Germany during WWII, which is a tough sell sometimes. But this film is really well-done and deserves some attention. The acting is amazing. Sophie Nélisse steals your heart, while Kelly Macdonald, Michael Shannon, Geoffrey Rush, Emily Watson all give wonderful performances as well. The locations where the film are shot are stunning and it is topped off with another wonderful score from master composer John Williams. I would definitely recommend giving this unnoticed film a chance!

Official Premise: Based on the beloved best-selling book comes a story of a girl who transforms the lives of those around her during World War II, Germany. When her mother can no longer care for her, Liesel (Sophie Nélisse) is adopted by a German couple (OSCAR® Winner Geoffrey Rush and OSCAR® Nominee Emily Watson). Although she arrives illiterate, Liesel is encouraged to learn to read by her adoptive father. When the couple then takes in Max (Ben Schnetzer), a Jew hiding from Hitler’s army, Liesel befriends him. Ultimately, words and imagination provide the friends with an escape from the events unfolding around them in this extraordinary, acclaimed film directed by Brian Percival (Downton Abbey).

The Blu-ray from Fox comes as a combo pack including a Digital HD Ultraviolet copy as well. The 1080p transfer is solid and really works well with the backdrop of Germany. The DTS-HD Master Audio 5.1 track is beautiful and hauting at the same time and really showcases Williams’ score very well.  In terms of special features, things are a little light there is one featurette looking into the behind-the-scenes “Hidden Truth: Bringing The Book Thief To Life”. Besides that there are only some Deleted Scenes and a Theatrical Trailer included. I would have loved to had a commentary track at least from the director…or even better the author.

Murray Langston talks about his new book “Journey Thru the Unknown”

Here’s my Murray Langston story. When I started out in the theatre business one of my responsibilities was to put the new films together and watch them to make sure they were ok. One Friday morning I came in to assemble and screen a film called “Night Patrol,” that Mr. Langston not only co-wrote but starred in, both as Officer White and the Unknown Comic. As the film started I began to panic, as the opening credits were in French and subtitled. After a few moments I ran to the office and called the film company, screaming at them that they had sent me a French print. Thus began a scramble at New Line which ended when one of the film people in the office, who had seen the film, notified his bosses that the filmmakers intentionally put the opening credits in French and assured them, and me, that the film was in English. And it was. Ha-ha on me! And the many people that would come out of the theatre wanting their money back because they didn’t know “Night Patrol” was a foreign film.

Born in Canada, Murray Langston always had a knack for being funny. After entertaining his fellow sailors while working as a disc jockey in the Navy, Langston ended up in California, where he made his professional debut on “Rowan and Martin’s Laugh In” doing his impression of a fork. He eventually earned a gig as part of the supporting cast of “The Sonny and Cher” show. But he shot to fame when he put a paper bag over his head and appeared as the Unknown Comic on “The Gong Show.”

In the almost four decades since he slipped that bag over his head he has not only continued to entertain but has helped nurture some of the greatest comedians of his, and our, era. To promote his new book, “Journey Thru the Unknown,” Mr. Langston sat down with me to talk about his career, his influences, and his two beautiful daughters, of whom he is immensely proud. After I regaled him with the above “Night Patrol” story, which he enjoyed, the questioning began in earnest. I should add hear that Murray Langston is always “on” and never misses an opportunity to make you laugh.

Murray Langston: Where are you calling me from?
Mike Smith: Kansas City.
ML: Oh…I’ve heard of it.
MS: I’ve got four or five questions whenever you’re ready.
ML: I tell you what….you’ve got six. And you can’t ask me what the capital of Ohio is.
MS: That was actually my follow up to the first question.
ML: (laughs). Good one. Don’t ask me the distance from the sun to the moon either. Don’t know it.

MS: For those who haven’t read the book yet, tell us a little about what led you into show business.
ML: Two words. Jerry Lewis. He’s what led me into it. Sitting in the theatre as a kid and watching those movies. I knew that’s what I wanted to do. I think he also inspired Steve Martin. He inspired a lot of people. And I’m so grateful because I’ve had a wonderful life…and am still having a wonderful life.

MS: That’s all that matters.
ML: Exactly. I’m enjoying every minute of every day.

MS: You are originally from Canada, which has also given us great comic minds like Dan Aykroyd, Mike Meyers, Jim Carey. What is it about Canada that makes people so funny?
ML: I don’t know. Maybe it’s the cold weather. We just wanted to get out of there and comedy was a good way to do it. You know, when you do shows in Canada the people aren’t really applauding, they’re just trying to keep warm.

MS: I can’t think of anyone that has an appreciation of comedy that doesn’t know of the Unknown Comic. When you would do your live shows you would open as the Unknown Comic and then, after a break, would return to the stage as Murray to finish the act. Were there any bits you felt more comfortable doing as the Unknown Comic rather than as Murray or vice versa?
ML: Not really. The Unknown Comic was more a visual act. I’d do impressions with the bag or magic tricks. Really, except for a few one-liners all of the jokes as the Unknown Comic were related strictly to the bag. Once I took the bag off it was a completely different show because I would talk about things that were happening in my own life.

MS: The book has a great collection of photographs. I think a lot of the people that read it are going to be shocked because they’re going to recognize you instantly by your moustache and realize you entertained them on many, many sketch comedy shows. Do you have a favorite guest star that you worked with on these shows?
ML: Obviously a huge moment for me was when I got to work with Jerry Lewis on “The Sonny and Cher Show.” That show was four and a half great years. I mean I got to meet everybody. From Ronald Regan to O.J. Simpson. All of the great musical acts that came along back then. “The Sonny and Cher Show” is definitely a highlight of my life.

MS: You mention often in your book the influence Jerry Lewis had, not only on you but on so many other comedians. Is there another comic actor around these days that you think could be referred to as having achieved “Jerry Lewis” status?
MS: You know who almost did that…Jim Carey, who I worked with a couple of times in Canada. I would say that he came pretty close to it for a few years. I’m one of those guys that, whenever somebody can get up on a stage and make people laugh for 45 minutes or an hour, I’m going to appreciate them because I know what it takes to do that. I really like Louis C.K. In fact, someone told me that he’s said he only became a comedian because of the Unknown Comic…because of watching me in his early years. I love his work. I love a lot of people’s work. Like I said, anybody that can do it I’m a fan of.

MS: I’ll understand if you can’t answer this one. Did you ever go on a secret mission with Chuck Barris when he was with the C.I.A.?
ML: (laughs loudly) Yes. No, Chuck told me that when he was writing the book he thought it came off as boring so he paralleled his true life story with a fictional one just to make the book more entertaining. And it certainly worked. It made for a good movie. But none of that stuff was true. And I hope people know that now.

MS: Finally, as you approach age 70 you’re still going strong. What do you have coming up?
ML: I just finished a play. And I’m getting ready to perform at the Wolf Trap Theatre. Is that in Vermont?

MS: Virginia. It’s very nice.
ML: I have a couple more joke books coming out, plus I currently doing the audio verison of “Journey Thru the Unknown.” I’ve got a joke book about Donald Trump and another one about the Kardashians, so I’m always busy. Plus I’m always looking out for my two daughters. (NOTE: Mr. Langston has two daughters: Myah, a singer/songwriter and Mary. Mary has Down Syndrome and is truly the light in her father’s life) My oldest daughter (Myah) just signed with Capitol Records and has a record coming out soon. They’re going to be HUGE! Her band is called My Crazy Girlfriend. And it’s really interesting. I wrote in my book how my influence was Jerry Lewis and the next thing I knew I was working with him. From the time Myah was 8 or 9 years old she was a huge fan of Brittney Spears. She idolized her. And now she’s been a back-up singer on her last three albums. That’s an interesting parallel, I thought.
MS: How is Mary?
ML: Mary is doing great. She’s the joy of my life. I’m picking her up from school and she’s spending the weekend with me.

MS: She’s an angel.
She is my angel. She makes my life worth living a hundred times more.

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Blu-ray Review “The Jungle Book 2”

Actors: Haley Joel Osment, John Goodman, John Rhys-Davies, Jim Cummings, Connor Funk
Directors: Steve Trenbirth
Rated: G (General Audience)
Studio: Walt Disney Home Entertainment
Release Date: March 18, 2014
Run Time: 72 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

“The Jungle Book 2” was original made for direct-to-video but followed the path of “Return to Never Land” and “The Rescuers Down Under” and headed to theaters. The film is fun, exciting and packs some great music. It is not the best Disney sequel but it follows up well to the classic 1967 film. It combines old friends that we love and some new friends as well. It also packs a great voice cast including John Goodman as Baloo, Haley Joel Osment as Mowgli, Mae Whitman as Shanti. My 21 year old daughter has watched this five times already. A must own for any Disney fan!

Official Premise: Now that Mowgli¹s living in the “man-village”, he cherishes his new best friend and little brother, but he still has that jungle rhythm in his heart. He misses hanging out with happy-go-lucky Baloo the bear and Bagheera the panther. Yearning for freedom, Mowgli runs off into the jungle ­ and encounters his enemy Shere Khan! This time, he¹ll need both his new human family and his old jungle friends to help save the day.

Disney did such a wonderful job with this Blu-ray release delivering a new digital master as this film hits Blu-ray for the first time. The 1080p high definition transfer looks amazing, especially for a Disney direct-to-video cartoon. The colors are vibrant and really pop-out. The DTS-HD Master Audio 5.1 track also works very well with the film’s songs, which are so fun including a few bare necessity as well.

In terms of special features, there is some decent content but nothing outstanding or new to report. There are two deleted songs, each with on-camera intros from EVP, Sharon Morrill and SVP/Music, Matt Walker. “I Got You Beat” and “Braver” songs are played out to storyboards. “Music and More” is a sing-along with the movie & music videos for “Jungle Rhythm” and “W-I-L-D”. Lastly there is “Backstage Disney”, which gives some behind-the-scenes look into the film and it’s legacy.

Book Review “Steven Spielberg and Duel: The Making of a Career” by Steven Awalt

Author: Steven Awalt
Hardcover/354 Pages
Publisher: Rowman and Littlefield Publishers
Publishing date: March 26, 2014

Our Score: 5 out of 5 stars

On November 22, 1963, while playing golf with a friend, author Richard Matheson learned of the assassination of President John F. Kennedy. Upset by the news, the duo quit playing and headed home. As they began driving through a narrow pass they heard the sound of a large truck coming up behind them at great speed. The truck continued to bear down on them as they accelerated. No matter how fast they went, the truck seemed to be coming faster. After several terrifying minutes the road finally widened and they pulled over as the truck hurtled down the road past them. Sounds like the makings of a great story, doesn’t it?

“Steven Spielberg and ‘Duel’: The Making of a Career” IS that great story. It’s an in-depth look into the workings of a young 24 year old director who went on to become, arguably, the most successful filmmaker of all time. The book details Spielberg’s early days, from his Super 8 home movies (at age 17 he created a two hour and twenty minute science fiction film entitled “Firelight” that he “premiered” at a local theatre) through his college days at CSU Long Beach and his initial work as a contract director for Universal, where he began hi s professional career directing such television programs as “Night Gallery” and “Columbo.” Impressed with his work the studio gives Spielberg a chance to direct a film to be featured as a “Movie of the Weekend,” based on a short story by Richard Matheson that recently appeared in “Playboy” magazine. The name of the story: “Duel.”

Author Steven Awalt is no stranger to the career of Steven Spielberg, having created and run the extremely popular web site SpielbergFilms.com . It is through this web site that Awalt shared his admiration for all things Spielberg. Here he takes that admiration and shares it with the reader. In an incredibly precise step by step process he guides the reader through the process of making a major motion picture (buoyed by its success and critical acclaim, Universal later released “Duel” in theatres both in the states and internationally). Thanks to recent, in depth interviews with many people involved in the production, including Matheson, Universal executive Sid Sheinberg, composer Billy Goldenberg and, most importantly, Spielberg himself, the book puts you on the set and involves you in almost every aspect of the production. It is because of this attention to detail that Awalt has created one of the best “making of” books in recent years.

Book Review “Journey Thru The Unknown” by Murray Langston

Author: Murray Langston
Paperback/467 Pages
Publisher: BearManor Media
Publishing date: November 19, 2013

Our Score: 5 out of 5 stars

If you were alive in the 1970s you invariably were a fan of the Unknown Comic. Best known for his appearances on Chuck Baris’ “The Gong Show” television program, the Unknown Comic took a simple prop, a paper grocery sack, placed it on his head and never looked back. “Journey Thru the Unknown” tells the story of the man under the paper sack, a very funny man named Murray Langston who, in his almost 70 years, witnessed and, more importantly, helped shape the modern world of stand-up comedy.

Langston tells his story in a unique way, highlighting every year since his birth. That being said, the first chapter, entitled June 27, 1944, is the shortest, with his main recollection being that it was very hard for him to find work. This is the style Langston employs throughout the book. Whether recounting a meeting with his idol Jerry Lewis, or expressing a father’s love for his two daughters, Langston manages to add a little humor just when it’s needed.

From his early days in the Navy, where he entertained his fellow sailors as a radio DJ to his debut on “Rowan and Martin’s Laugh In” to “The Sonny and Cher Show” and beyond, there doesn’t seem to be a time when Langston wasn’t making someone laugh. And along the way he met, or worked with, some of the greatest names in comedy, including Steve Martin, Pat Paulsen, Ruth Buzzi, Tim Conway, Jim Carey, Ted Knight and so many others. The book is also packed with photos – a virtual who’s who of comedy. As someone who enjoyed the various variety shows of the time, including “Sonny and Cher,” I was thrilled when I instantly recognized Langston’s mustached face as someone I had thoroughly enjoyed watching. Reliving his stories with him made me enjoy him all over again!

Book Review “Belly Laughs: The Naked Truth about Pregnancy and Childbirth: 10th Anniversary Edition” by Jenny McCarthy

“Belly Laughs: The Naked Truth about Pregnancy and Childbirth” 10th Anniversary
Author: Jenny McCarthy
Paperback: 166 pages
Publisher: Da Capo Press

Our Score: 3.5 out of 5 stars

“Belly Laughs: The Naked Truth about Pregnancy and Childbirth” 10th Anniversary edition written by actress and television personality Jenny McCarthy is the former Playboy playmates first venture as an author which originally was released in 2003. The soft cover 10th Anniversary edition of the book is being released via Da Capo Press and features 166 pages jam packed with side splitting stories along with a new introduction by the outspoken author.

Now just because there is a guy reviewing this book doesn’t mean I and other fathers new to the baby game cannot relate to some of the stories contained in the reissue of this book. The cool part about the book is that it doesn’t really matter if you have 1 kid or 10 or if you’re a guy or a girl. McCarthy’s book has a little something for everyone. With the exception of a new introduction this anniversary edition the book doesn’t offer a lot of new material it’s still fun to read or for those who got the book during its initial release re-read some of the graphic yet hysterical stories Jenny chose to share. No matter how embarrassing the topic McCarthy jumps in with both feet. With chapters titles ranging from “Blue Twinkies” to “Husband No-No’s” there is no subject related to pregnancy left unturned. Jenny even pokes fun at the looming presence of “Granny Panties”. Ladies you know what I’m talking about.

Having read a number of these pregnancy themed books around the time of the birth of my son I found most of them to be pretty boring and fairly lopsided. The total opposite can be said for “Belly Laughs: The Naked Truth about Pregnancy and Childbirth” as it’s a fun quick read that both you and your significant other can enjoy.

Book Review “The Art of Ponyo”

Series: PONYO ON THE CLIFF
Hardcover: 272 pages
Publisher: VIZ Media LLC
Reprint edition
Release Daste: November 26, 2013
Language: English

Our Score: 4.5 out of 5 stars

Studio Ghibli to me produces some of the best and most beautiful animated films. I know we have Pixar/Disney and they are wonderful but these films are on a different level of amazing. “Ponyo” was directed by the legendary Hayao Miyazaki back in 2008 and it was such a great film. There is something about a hand drawn film that really speaks to me still, maybe since it is rare amongst the sea of CGI animated film. There is something so different about an “Art of” book for either a live action film or CGI film versus a hand-drawn film. “The Art of Ponyo” is the latest release from Viz Media and if you are a fan of Ghibli, then you know how amazing these “Art of” books are. If you don’t then you need to pick this up ASAP since it is outstanding.

The reason why the art in this film is so amazing is because it is not only cel hand-drawning but also watercolor and pastel concept sketches and layout pages. The images are so beautiful and colorful, which is another aspect that I loved of the film is the use of color. The book also contains interviews with principals from the production talking about the animation choices and screenplay. I love that Viz Media has been putting these out again. I just wish that they would relate back to the hardcover option for these books like they were using years back with “Spirited Away”, “My Neighbor Totoro” etc. Otherwise, this is an amazing look into this film and it gives a real appreciation for hand-drawn animation.

After reading this book end to end and studying these amazing drawings and you are looking for more rest assured because Viz Media has more in the works. On April 8th, they are releasing “The Art of The Wind Rises” and on October 7th, they are releasing “The Art of Princess Mononoke”. If you haven’t seen “The Wind Rises”, it is easily one of Hayao Miyazaki’s best films and also sadly his last. So I would highly recommend checking that one out. It is beautiful and really going to be an amazing piece of art itself, I am sure. Keep them coming Viz, Studio Ghibli has quite the vast library of films.

Book Review “Jerry Bruckheimer: When Lightning Strikes – Four Decades of Filmmaking”

Author: Michael Singer
Foreword: Johnny Depp
Series: Disney Editions Deluxe (Film)
Hardcover: 304 pages
Publisher: Disney Editions
Release date: December 17, 2013

Our Score: 4 out of 5 stars

When you think about Jerry Bruckheimer, you think BIG and then BIGGER! If you do they this book shouldn’t be surprising since it is HUGE. Love him or hate him, Bruckheimer has quite the resume and a very long list of box office blockbusters under his name. Here are a few of them including “Top Gun”, “Days of Thunder”, “Beverly Hills Cop”, “Bad Boys”, “Crimson Tide”, “The Rock” …(deep breath)…”Con Air”, “Armageddon”, “Gone in Sixty Seconds”, “Pearl Harbor”, “Black Hawk Down”, “Pirates of the Caribbean” series and “National Treasure” series. Besides films, he also has his hand in TV with the following series including “CSI” franchise, “The Amazing Race”, “Cold Case”, and “Without a Trace”. So if you are a fan of Bruckheimer, then I cannot recommend this book enough since it is really the ultimate ode to an amazing filmmaker…just make sure you have enough room on your bookshelf.

“Jerry Bruckheimer: When Lightning Strikes – Four Decades of Filmmaking” really gives deep to his start in the early 70’s with “The Culpepper Cattle Co.” all the way to the most recent “The Lone Ranger” from last summer. There are some very great behind-the-scenes information provided for these projects. The author, Michael Singer, is a writer and production unit publicist that has been in the business for over 35 years. He has worked beside Bruckheimer on his films whether it was in the deserts, on a tropical islands and many other filming locations. So Singer really is the best person for the job and to have an great insight into Bruckheimer’s body of work. Also previous books he has released include “The Art of Pirates of the Caribbean: On Stranger Tides”.

Besides the writing, let’s get to the real good stuff, which would be the images. They are extremely high quality images from these films. In case you forgot that I said this book was HUGE, so expect that these images have big pages to fill. My only concern with this book was due to its size, the biding seems a little wobbly and weak. I think they should have make the structure a little more hardcover and this would have been perfect. Also included is a great foreword from Johnny Depp, who worked with Bruckheimer on numerous projects over the year. There is an exclusive interview with Bruckheimer’s wife, Linda. There is also (and this made me laugh) an introduction from Bruckheimer himself. I loved the fact that he gave his own intro. Jerry Bruckheimer is a legend and his work is very well-respected and will continue to be. Whenever you see a Jerry Bruckheimer film, you know it is going to be fun and quite a ride and that is what you get when you open this fantastic comprehensive guide to his still going strong career.

Disney Legend, Floyd Norman talks about his work on “The Jungle Book”

Animator, Floyd Norman was named a Disney Legend in 2007. His first feature for Disney’s “Sleeping Beauty”. He worked under Walt’s personal supervision on story sequences for “The Jungle Book”. In 1997, Norman moved to Pixar Animation Studios where he joined the story crew for “Toy Story 2” and “Monsters, Inc.”. He continues to work for The Walt Disney Co. as a freelance consultant on various projects. Media Mikes had a chance to chat with Floyd about “The Jungle Book” and working personally with Walt Disney.

Mike Gencarelli: Tell us what it is like to see a film like “The Jungle Book” restored and presented on high definition Blu-ray?
Floyd Norman: It is delightful to know that people still appreciate this film. It continues to amaze us that worked on it nearly 50 years ago that it is still loved by audiences. It seems to have a life of its own and I love that.

MG: Have you seen it yet and if so how do you feel it looks having worked on it?
FN: I do not really see that much of a difference. I know that the film looks clean and pristine. The guys who did the restoration have done a terrific job, so no complaints there.

MG: You worked under Walt Disney’s personal supervision on story sequences including the song “Trust in Me”, tell us about that process?
FN: It was very simple [laughs]. In a way it was simple, yet also very complex. When I began working on this particular sequence, I was handed some rough notes from Larry Clemmons, who was credited on the film for the story. I called him our writer because he has an actual typewriter and that made him a real writer [laughs]. So he wrote me notes about the sequence and for this one it was going to be Mowgli’s meeting with Kaa the Snake. So that is pretty much all I got. We were told that Kaa was going to try and hypnotize him and then funny stuff would happen. So that is what I had to go with “funny stuff was going to happen”. I had to come up with that “funny stuff”. So like I said in one sense it was a very simple job as well as being very complex because we had to figure out what was that funny stuff and how was it going to happen. They just kind of turned you loose and let you do your job.

MG: How long did a scene like that take to complete?
FN: It is difficult to remember. I would say a few weeks, maybe three weeks to completely storyboard that sequence. That was considered normal during that time. I had no real rush because Walt Disney was either in Europe or working on other matters and wasn’t able to review it right away. So I definitely had amble time to work on it.

MG: Did you find that working directly with Walt Disney did you have any creative freedom or did you follow a set path?
FN: Oh no, I found that I had a good deal of creative freedom. Surprisingly more than I ever realized. I initially came in expecting to be told exactly want to do and that was not the case at all. I came in and they said “Here is the sequence and just go do it” [laughs]. So given very little guidance or direction, I just went off and did what I had to do. The good news was that whatever I did, they seemed to like it [laughs]. The main thing, and the most critical, was that Walt liked it. So as long as Walt likes it you are safe [laughs].

MG: Can you compare your work on “The Jungle Book” to some of your other earlier films including “Sleeping Beauty”, “The Sword in the Stone” and “Robin Hood”?
FN: It was actually totally different because on those films, I was actually working on the animation. For “Robin Hood”, I was an animator and didn’t do any storyboard work at all. It was just animation. Having said that, I feel that the story in “Robin Hood” was pretty terrible [laughs]. I can afford to say that because I didn’t story work on “Robin Hood” [laughs]. But I did have a lot to fun animating it. I worked on animation also with “The Sword in the Stone”. The cool thing about that project was that I got to work personally with Milt Kahl, who was acknowledged as being one of the finest Disney animators of all-time. Milt is a giant in the world of animation, so that was a big deal for me. I was still a kid when I worked with Milt; I was only in my 20’s. Milt was a tough guy but it was such a great experience.

MG: Unlike some animators you embraced the digital age by working at Pixar and definitely software for animation; tell how you feel animation has changed?
FN: Oh, there is no doubt that animation has changed. Once again, following in Walt’s philosophy, “You have to embrace change, not run from it”. When I saw what Pixar was doing, I thought that I had to work for these guys. So when the opportunity came for me to go to Pixar in 1997, I was ready to pack up and go. Not everybody was, mind you, Pixar was at that time not a well-known studio. They only had made one film, which was “Toy Story”. I think that you have to move forward as Walt believed “Don’t fight technology. Embrace it and learn how to use it”. That is what Pixar did and they are continuing to do that. Certainly that would have been what Walt would have done as well.

MG: Do you still do any animation for Disney today?
FN: No animation. But I have worked on Disney storybooks from time to time. As I have time I work on Disney projects. Generally, I wait for them to call me. I don’t go looking but every now and then someone will call me. I had the opportunity to work on an electronic device that they were developing. I asked one of the Vice President’s how did they get my name and they said “John Lasseter recommended you”. I do not think that you can do any better than that getting a recommendation from John Lasseter [laughs].