SECOND LOS ANGELES AND THIRD MEXICO CITY DATES ADDED DUE TO POPULAR DEMAND
TICKETS ON SALE FRIDAY, MAY 28 AT 10AM LOCAL TIME AT RAMMSTEIN.COM
“If we define fun as the unknowing acceleration of time, then Rammstein’s particular brand of self-obliteration, in which time collapses entirely, is a guaranteed good time” —THE NEW YORKER
“The commitment to excessive pyromania was epic stagecraft on a Wagnerian scale, several notches up from most arena rock. More important was that the six-piece band… wasn’t dependent on those fireworks but could have easily punished and soothed the senses to nearly the same effect with music alone.” —THE LOS ANGELES TIMES
“One of heavy music’s biggest and most dynamic live acts” —CONSEQUENCE OF SOUND
The North American debut of the most extreme spectacle in live music will finally take place in fall 2022, when RAMMSTEIN brings its full-scale stadium production to this continent for the first time ever. Rock n roll’s most ambitious pyro-theatrical experience will be on display for a series of 12 open-air dates beginning August 21, 2022 at Parc Jean-Drapeau in Montreal and setting seven U.S. stadiums ablaze before concluding at Foro Sol in Mexico City on October 4, 2022. The tour is produced by AEG Presents.
Due to overwhelming popular demand, the tour has added a second date at the L.A. Coliseum on Saturday, September 24, 2022 and a third show at Foro Sol in Mexico City on Tuesday, October 4, 2022.
***Tickets for the new shows will go on sale to the public 10am local time Friday, May 28. Tickets for the original shows will be honored at the rescheduled dates. To purchase tickets or for further information, go to rammstein.com.
The full itinerary for the tour, RAMMSTEIN’s most extensive series of N.A. shows in 10 years, is as follows:
Sunday, August 21, 2022 – Montreal, QC – Parc Jean-Drapeau Saturday, August 27, 2022 – Minneapolis, MN – U.S. Bank Stadium Wednesday, August 31, 2022 – Philadelphia, PA – Lincoln Financial Field Saturday, September 3, 2022 – Chicago, IL – Soldier Field Tuesday, September 6, 2022 – East Rutherford, NJ – MetLife Stadium Friday, September 9, 2022 – Foxborough, MA – Gillette Stadium Saturday, September 17, 2022 – San Antonio, TX – Alamodome Friday, September 23, 2022 – Los Angeles, CA – Los Angeles Memorial Coliseum Saturday, September 24, 2022 – Los Angeles, CA – Los Angeles Memorial Coliseum*** Saturday, October 1, 2022 – Mexico City, MX – Foro Sol Sunday, October 2, 2022 – Mexico City, MX – Foro Sol Tuesday, October 4, 2022 – Mexico City, MX – Foro Sol***
RAMMSTEIN’s six-man lineup CHRISTOPH SCHNEIDER, FLAKE LORENZ, OLIVER RIEDEL, PAUL LANDERS, RICHARD Z. KRUSPE, and TILL LINDEMANN, has remained unchanged since the band’s 1994 formation and 1995 release of its debut album, HERZELEID. RAMMSTEIN’s second album, SEHNSUCHT, released in 1997, propelled the band to international fame and featured the GRAMMY-nominated single “DU HAST.” MUTTER, the third RAMMSTEIN album, was released in 2001 and was supported by what would be the band’s final U.S. tour for nearly a decade. REISE, REISE, the band’s fourth studio album, was released in 2004, preceded by the GRAMMY-nominated single “MEIN TEIL” and followed by fifth album ROSENROT in 2005. LIEBE IST FÜR ALLE DA, the sixth RAMMSTEIN studio album, was released in 2009 and reached #13 on the Billboard 200, making it RAMMSTEIN’s highest-charting album in the U.S. up to that point. LIFAD would be the first RAMMSTEIN album since 2001’s MUTTER to be supported by North American touring: On December 11, 2010, RAMMSTEIN played its first U.S. date in 10 years, a one-off headline at Madison Square Garden in New York City. The MSG show sold out in less than 20 minutes and was followed by extensive North American Tours in 2011 and 2012, which would sell out venues including the Forum in Los Angeles, Chicago’s Allstate Arena, the Bell Centre in Montreal and more. RAMMSTEIN made its debut on U.S. network television during the 2011 tour, performing “DU HAST” and “FEUER FREI!” on JIMMY KIMMEL LIVE!
RAMMSTEIN broke into the U.S. Top 10 for the first time with the May 17, 2019 release of its seventh and most recent album, which entered at #9 on the Billboard 200. Produced by Olsen Involtini with RAMMSTEIN, the untitled record is comprised of 11 new RAMMSTEIN tracks including singles “AUSLANDER,” “RADIO” and “DEUTSCHLAND.” The release of the album was followed by the sold-out Europe Stadium Tour 2019, which ran May 17 through August 23, 2019.
“One of the most intensely joyful experiences we’ve ever had as a band.” – Rhett Miller
Watch the Video for First Single “Turn Off The TV” HERE
“Terse, wry, and supremely catchy roots-rock.” – THE ATLANTIC
“A well-loved pioneering force in the alt-country movement… [they’ve] still got the same raucous, sweaty energy that’s made [them] so beloved all this time.” – NPR
“Blistered, blasted, and brilliant.” – NEW YORKER
Old 97’s, the iconic alt-country outfit fronted by Rhett Miller, is returning with their twelfth album, the aptly titled Twelfth, to be released on August 21 on ATO Records. Twenty-seven years in, Old 97’s still features its original lineup – Miller, guitarist Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples – and Twelfth is a testament to the band’s staying power. The album’s cover image of former Dallas Cowboys quarterback Roger Staubach is both an homage to Miller’s childhood hero and a recognition that, in making their livings as musicians, the 97’s themselves have achieved their lifelong dreams.
In an interview with Rolling Stone, Miller talks about how his five-year sobriety influenced the new album, saying, “Going back in, I thought, ‘What if I don’t bring anything to the table? What if I’m like Samson and the whiskey was my long hair and I cut it off and can’t write songs anymore?’… But [Twelfth] was the first record where, top to bottom, I felt I was back in the driver’s seat, found my voice, and came out the other side. It feels good.”
The band shares Twelfth’s first single “Turn Off The TV” today alongside a video directed by Liam Lynch that features Puddles the Clown as well as footage of the band throughout their career. Watch the video below and pre-order TwelfthHERE.
Old 97’s – TwelfthAugust 21, 2020 – ATO Records
1. The Dropouts
2. This House Got Ghosts
3. Turn Off The TV
4. I Like You Better
5. Happy Hour
6. Belmont Hotel
7. Confessional Boxing
8. Diamonds on Neptune
9. Our Year
10. Bottle Rocket Baby
11. Absence (What We’ve Got)
12. Why Don’t We Ever Say We’re Sorry
MORE ON TWELFTH:
“Somehow what we’ve got never breaks down,” Rhett Miller sings on Old 97’s exhilarating new album, Twelfth. At first, the line comes off as a boast, as a declaration of invincibility from a band that’s managed to survive three decades of rock and roll debauchery, but as the phrase repeats over and over again, it slowly transforms into something more incredulous, something more vulnerable, something deeply human.
“We experienced some close calls over the last few years,” says Miller, “and I think that led us to this dawning realization of the fragility of it all. At the same time, it also led us to this increased gratitude for the music and the brotherhood we’ve been so lucky to share. I think all of that combined to make recording this album one of the most intensely joyful experiences we’ve ever had as a band.”
That joy is utterly palpable on Twelfth. Loose and raw, the record is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmates—bassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeples—teamed up once again with GRAMMY-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97’s record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience. Perhaps the band is growing up; maybe they’re just getting started. Either way, Old 97’s have never been happier to be alive.
“You have to take pride in the unlikeliness of it all,” says Miller. “It’s mind boggling to think that we’ve been able to last this long, that we’ve been able to support ourselves and our families on our own terms for almost thirty years. Twelve is a lot of records.”
Formed in Dallas, Texas, Old 97’s first emerged in the early ’90s with an adrenaline pumping blend of rock and roll swagger, punk snarl, and old-school twang that quickly brought them into the national spotlight. Conventional wisdom places the band at the forefront of a musical movement that would come to be known as “alternative country,” but, as the New York Times so succinctly put it, their sound always “leaned more toward the Clash than the Carter Family.” Fueled by breakneck tempos, distorted guitars, and wry storytelling, the foursome built a reputation for high-energy albums and even higher energy shows, earning themselves performances everywhere from Conan and Letterman to Bonnaroo and Lollapaloozaalongside countless rave reviews. NPR lauded the group as a “pioneering force,” while Rolling Stone hailed their music’s “whiskey-wrecked nihilism and slow-burn heartbreak,” and The New Yorker praised their songwriting as “blistered, blasted, and brilliant.” On top of his prodigious output with Old 97’s, Miller simultaneously established himself as a prolific solo artist, as well, releasing eight studio albums under his own name that garnered similarly wide-ranging acclaim and landed in a slew of prominent film and television soundtracks. A gifted writer beyond his music, Miller also contributed essays and short stories to The Atlantic, Salon, McSweeney’s, and Sports Illustrated among others, and in 2019, he released his debut book, a collection of poetry for children, via Little, Brown and Company.
While part of Old 97’s charm has always been the air of playful invulnerability they exude onstage every night, reality began catching up with the band in 2017. The night before a television appearance in support of the group’s most recent album, Graveyard Whistling, Peeples collapsed in a hotel parking lot, falling backwards and cracking his skull on a concrete abutment. He spent weeks in the ICU and was forced to miss the first leg of tour. Bethea, meanwhile, began to notice a loss of feeling in the fingers of his right hand. As his condition continued to deteriorate on the road, the numbness spread to his leg, and he was eventually forced to undergo spinal surgery in order to regain full motor control. Miller, for his part, found himself at more of an existential crossroads, questioning attitudes and behaviors he’d long taken for granted. Yes, he was a rock and roll star (whatever that means nowadays), but he was also a father and a husband, and he decided it was long since time to get sober.
“Back when we were in our 20’s, we put ourselves through these terrible trials because we thought we could survive anything,” says Miller. “But over the last few years, it started becoming clear that we’re human.”
Rather than slow things down, the band decided to embrace their mortality as all the more reason to seize the day. Life is short—a lesson that was hammered home on the group’s first day of recording in Nashville, when a series of deadly tornadoes ripped through town—and Twelfth is the sound of Old 97’s recommitting themselves to making the most of every moment they’ve got left. Addictive opener “The Dropouts” sets the stage, taking stock of the band’s journey from its very first days, when they cut their teeth playing the bars of Deep Ellum in exchange for pitchers of beer and pizza. Like much of the record to come, it’s a nostalgic look back on simpler times, but it smartly avoids looking at the past through rose-colored glasses, instead recognizing that change is neither inherently good nor bad, only inevitable.
“There’s a line about sleeping on hardwood floors in that song,” says Miller, “and that’s what we did in the early days. But that image of hardwood floors keeps coming back and building on itself in different songs throughout the album, and over time it begins to mean different things as we grow up and start families and own homes.”
Miller has a knack for capturing those sorts of little details that tell a larger story, for crafting richly cinematic scenes that transform seemingly mundane moments into metaphors for life itself. The driving lead single “Turn Off The TV,” for instance, spins a free cable hookup into a celebration of the visceral pleasures of living in the present, while the larger-than-life “Diamonds On Neptune” turns an astronomical phenomenon into a meditation on what really matters, and the waltzing “Belmont Hotel” finds emotional symbolism in the restoration of a Dallas landmark.
“‘Belmont Hotel’ is a microcosm of the album, and of our band,” says Miller. “When we first started out, the Belmont was in absolute ruins, and we even did a photoshoot in the empty parking lot. Now, though, it’s more beautiful than it was in its glory days, and that got me thinking about the way we approach our relationships. Whether it’s a friendship or a marriage or a band, it’s inevitable that you’re going to go through ups and downs, but if you’re willing to put in the work and stick out the hard times, you can wind up with something that’s better than it ever was before.”
While Miller collaborated with writers like Butch Walker and Nicole Atkins on Graveyard Whistling, he penned everything on Twelfth himself (outside of the Spaghetti Western-esque “Happy Hour” and hypnotic album closer “Why Don’t We Ever Say We’re Sorry,” which were both written and sung by Hammond). It’s a return to form he credits in part to his increasing comfort with sobriety, a comfort that finds him effortlessly running the gamut from playful romance (the dreamy “I Like You Better”) and brash bravado (the blistering “Confessional Boxing”) to supernatural fantasy (the Kinks-ian “This House Got Ghosts”) and old-school twang (the rollicking “Bottle Rocket Baby”). It’s perhaps the jaunty “Absence (What We’ve Got)” that captures this particular moment in Old 97’s history best, though, as Miller marvels at the way things change while staying the same. “The wine turns into whiskey / And the whiskey turns to tears / It’s been this way for years,” he sings, later summing the whole magic act up with a deceptively simple confession: “This is what I do.”
Old 97’s may be human, but somehow what they’ve got never breaks down.
New York’s blackened, death metal juggernaut ALEKHINE’S GUN returns to the forefront of the underground metal scene with the release of an annihilating new single titled, “21,” which debuted yesterday at ConsequenceOfSound.net and is streaming now on YouTube. The song is the band’s first new material in six years, since the release of their 2014 heralded breakout EP, …And Kings Will Fall, and will be featured on a forthcoming EP, Year of the Lazerus, that’s due out at a future date. Details of the release are forthcoming.
Commenting on their long-awaited new single, guttural vocal powerhouse Jessica Pimentel states, “Inspired by the traditional Tibetan Buddhist prayer ‘Praises to the Twenty-One Taras,’ ‘21’ is a musical offering and an act of paying homage to the primordial power within by delving deeply into calling upon the forces of fierce compassion and the wrathful aspect of love and wisdom needed in times of fear and uncertainty in order to seek refuge and gain enlightenment. Reaching beyond time and space, the bond between us and the true nature of reality is unbreakable, unstoppable and eternal.”
ALEKHINE’S GUN blends elements of thrash, black metal and death metal with subtle undertones and nods to New York hardcore of the 90’s and all things extreme. In this unique combination they have unlocked a captivating sound and style and created a feel that is notable and recognizably their own.
In 2012, ALEKHINE’S GUN released a four-track EP entitled Meditations In Wrath with Jeff Martinez (Desolate) on guitar, Dan Martinez (King Hell) on bass and Jessica Pimentel “The Crusher” (Everybody Gets Hurt/Desolate) on Vocals and guitar. This NYC veteran lineup delivered a greatly received, high-energy sonic assault with their debut release. Their music is laced with a barrage of head-banging riffs and groove, colored with dark harmony and accented by relentless, technical drumming. Adding to all of this are fierce, in your face vocals and lyrics steeped in the profound wisdom of ancient Buddhist texts, vibrant imagery, and raw emotional honesty. ALEKHINE’S GUN brings you a primal, transcendent, electric energy. This fury is not only felt in recordings but wherever they go as they have been marked as being stand out, vigorous, dynamic performers who hold their own in any live venue alongside world renowned bands. In 2014 with the sophomore release entitled …And Kings Will Fall still proved ALEKHINE’S GUN is a force to be reckoned with. They bring to you heart and passion; Insight and meditation; Wrath and spirit.
“We are Alekhine’s Gun from Brooklyn, New York. This is who we are. This is what we do.”
Los Angeles, CA — Romantic Rock’s highly anticipated Punk Rock & Paintbrushes Holiday Art Show makes its return to Los Angeles later this month, with a grand opening night and red carpet artist reception onSaturday, December 21at Self Help Graphics & Art. This annual art exhibition celebrates the fine art and photography of creatives who share a passion for both music and art, and this year has partnered with Vans Footwear to give back to the community through “The Art Of Shoes.”
“The Art Of Shoes” will feature one-of-a-kind designs painted onto Vans shoes by Punk Rock & Paintbrushes Holiday Art Show participating artists and other iconic punk rock musicians. Each pair of Vans shoes will be auctioned off, starting at $200 per pair, with all proceeds benefiting The Sidewalk Project, a Los Angeles non-profit whose initiative is to enrich the lives of the Los Angeles houseless community. “Each band and artist that is a part of this project is giving their time to support both The Sidewalk Projectand Punk Rock & Paintbrushes, and we are SO honored to have every single artist joining us,” says Emily T. Nielsen, founder of both Romantic Rock and Punk Rock & Paintbrushes. “Every artist on this project is connected to us and that is what this is about…the punk rock ART community.”
Punk Rock & Paintbrushes Holiday Art Show opening night, the shoes will be on display with updated prices reflecting the online bids. The auction will be open for onsite live bidding until 11pm on December 21st, and again the next day from 11am to 4pm. On December 22 at 4pm the auction will close, and shoes will be awarded to the highest bidders.
Punk Rock & Paintbrushes Holiday Art Show will feature multiple original works, prints and more from select artists in the music community including Tim Armstrong, Matt Henlsey, Carla Harvey, Jim Lindberg,AlisonMosshart, Soma Snakeoil, Natalia Fabia, Johnny Ness, Sara Wright, and many others, along with music from special guest DJs including Noodles of The Offspring, Jonny “Two Bags” Wickersham of Social Distortion, Stacey Dee of Bad Cop / Bad Cop, and Joe Sib of SideOneDummy Records. The night will also boast a full cocktail bar, a coffee booth featuring Oakland Coffee, red carpet, photo booth, live body painting, and more.
To RSVP to this all ages event, please visit: https://prpb2019.eventbrite.comThe Punk Rock & Paintbrushes art exhibition will also be open on Sunday, December 22 from 11am to 5pm, and will feature musical performances from Warren Fitzgerald (of The Vandals) and friends of “The Sidewalk Project,” DJ RyToast of Tyrone’s Jacket, Bent Duo and State To State.
Sponsors for Punk Rock & Paintbrushes Holiday Art Show include: Oakland Coffee (founded by Green Day), AO Hemp (owned/founded by Nathen Maxwell of Flogging Molly), Punk Rock Bowling, The Sidewalk Project, KROQ, Vans Footwear, and Jägermeister.
Perhaps the greatest consequence of watching the crime drama “21 Bridges” is how much it makes you appreciate actual great movies. Some of the words that come to mind while reflecting upon 99 minutes of what were presumably good intentions to make a quality film are predictable, stereotypical and cliched. Despite having a bankable star in the form of Chadwick Bosman (“Black Panther”) in the lead role, Irish-born director Brian Kirk (“Game of Thrones,” “Boardwalk Empire”) fails to make much of an impression with his first foray into feature-length films.
We meet Andre Davis (Bosman) when he is a little kid attending the funeral of his father, a NYPD officer who is described with such sappy, glowing prose that it is easy to feel like you are being hit over the head with a radioactive mallet. Unsurprisingly, when we fast forward 19 years, we see that Andre has grown up to become a driven NYPD detective with a history of fatally shooting his suspects. Some credit is due to Kirk because at least he tries to provide a glimmer of insight into Det. Andre’s motivations, but it is so fast-paced that neither he nor Bosman are able to turn the lead character into someone that is more than just a cliché cop.
Kirk does grab our attention for a bit when two military veterans – Ray Jackson (Taylor Kitsch, “John Carter”) and Michael Trujillo (Stephan James, “Race”) – pull a late-night heist that goes completely sideways. It goes so wrong that eight NYPD officers are gunned down. Of course, who is the first person called in to lead the investigation? You guessed it, the most famous detective in all of New York City. Everyone believes he will track down the two thugs and shoot them dead without any questions being asked. However, Det. Andre has some questions of his own as he begins all-night investigation the requires all twenty-one bridges leading into Manhattan to be shut down, thereby preventing the two gunmen’s escape.
Shockingly, Det. Andre doesn’t like having partners, but he is saddled with narcotics Det. Frankie Burns (a bland Sienna Miller) who often acts as a cheerleader as she roots for their prey to be shot down like dogs. The vice squeezes tighter on the cop killers as they try to figure out both a way out and how they ended up in the situation they are in. (We are left to wonder how they never seem to run out of bullets.) It all leads to a giant conspiracy that is so blatantly obvious that it would cause Sherlock Holmes to turn over in his grave, if such a thing is possible for a fictional character.
Kirk is consistent as he maintains his swift storytelling from beginning to end, which does occasionally give an artificial sense of suspense. His lone bright spot is Bosman, whose presence is about the only thing that makes “21 Bridges” watchable. Bosman does the best he can with material that should have had a team of writers to rework to prevent it from being something less than satisfactory. Oh, and Oscar-winning actor J.K. Simmons is in it but his character in the Farmers Insurance commercials is far more multi-dimensional and interesting.
Media Mikes has teamed up with their friends at STX Entertainment to give (50) readers and a guest the opportunity to be among the first to see the new film “21 Bridges,” starring Chadwick Boseman.
The film will be shown on Wednesday, November 20, at the AMC Town Center Theatre in Leawood, Kansas. The screening will begin at 7:00 pm.
If you want to attend, all you have to do is click HERE. The first (50) readers to do so will receive a pass for (2) to attend the screening. This is a first come/first serve giveaway. Once the allotted passes have been claimed the giveaway has ended. Enjoy the shot!
Orlando, Fla. – May 15, 2019 – Disney On Ice presents Road Trip Adventures will whisk families away on an immersive getaway chock-full of magical participatory moments. Featuring new and classic tales, this a multi-generational experience visits Orlando from September 6-8, 2019 for six performances at Amway Center. Tickets go on sale May 21.
Hit the road with Mickey Mouse and his pals for a high-octane ride in Disney On Ice presents Road Trip Adventures. Exciting twists and turns await as Mickey, Minnie, Goofy and guests of all ages embark on an interactive and memory-rich adventure to iconic Disney destinations. See the world from the rooftops of London with Mary Poppins and Jack and his band of dancing lamplighters. Travel to the sun-soaked Motunui and help Moana restore the heart of Te Fiti. Set off on a safari and snap unforgettable photos of wild cheetahs and monkeys when guests traverse through the Pride Lands with Simba, Timon and Pumbaa. Discover a whole new world and be swept up in Aladdin’s princely parade filled with spectacular stunts, magical moments with Genie, and a brand-new song from Jasmine that will render the audience “Speechless.” Mosey on over to a larger-than-life comedic carnival and team up with Woody and Bo Peep as they search for their new friend Forky. Fans will hit a high note with Mickey and pals during the Disney edition of Road Trip Karaoke as they introduce Rapunzel, Belle, Ariel, Mulan and Tiana. Families should be prepared for a getaway jam-packed with unexpected hijinks and surprise, up-close character interaction as Disney On Ice presents Road Trip Adventures makes a pitstop right in Orlando!
For ticket information, visit DisneyOnIce.com. Orlando Show Times: Friday, September 6, 7:30 p.m.; Saturday, September 7, 11 a.m., 3 p.m. and 7 p.m.; Sunday, September 8, 1 p.m. and 5 p.m. Venue: Amway Center, 400 W. Church Street #200, Orlando, FL 32801 For group rates and information, reach out to 866-248-8740. Stay current on the latest developments through social media:Facebook: www.facebook.com/DisneyOnIce Twitter: @DisneyOnIce #DisneyOnIce #RoadTripAdventures YouTube: www.youtube.com/DisneyOnIce Instagram: @DisneyOnIce
About Feld EntertainmentFeld Entertainment® is the worldwide leader in producing and presenting live family entertainment experiences that bring people together and uplift the human spirit. Properties include Monster Jam®, Monster Energy Supercross, Disney On Ice, Disney Live!, Marvel Universe LIVE!, Sesame Street Live!, DreamWorks Trolls The Experience and Jurassic World Live Tour (coming Fall 2019). Across the brand portfolio, Feld Entertainment has entertained millions of families in more than 75 countries and on six continents. Visit feldentertainment.com for more information.
This Halloween, Treat Yourself to the Spooky, Action-Packed
Animated Feature-Length Film
Marvel’s HULK: WHERE MONSTERS DWELL
Hulk, Dr. Strange and the Howling Commandoes join forces to defeat Nightmare in this action-packed, feature-length film premiering Oct. 21 on Digital HD!
SYNOPSIS: This All Hallows’ Eve, Nightmare is bent on conquering our waking world by crossing through the Dream Dimension, and converting each dreamer into a monster. Can Dr. Strange, Hulk and the Howling Commandoes hold the line and put an end to his nefarious scheme?
“Marvel’s Hulk: Where Monsters Dwell,” the first animated, feature-length film centered on Hulk, premieres on Digital HD on Oct. 21. In this spooky, action-packed feature, the Green Goliath and Sorcerer Supreme team up with the Howling Commandoes, a supernatural strikeforce, to thwart the villainous plan of Nightmare, the evil, supernatural lord of the Dream Dimension.
VOICE CAST: Fred Tatasciore as Hulk; Liam O’Brien as Dr. Strange; Jesse Burch as Bruce Banner; Edward Bosco as Warwolf and Minotaur; Chiara Zanni as Nina Price, Vampire by Night; Mike Vaughn as Zombie Jasper Sitwell; Matthew Waterson as Nightmare; and Michael Robles as Benito
WRITERS: Marty Isenberg (“Marvel’s Guardians of the Galaxy,” “Marvel’s Ultimate Spider-Man,” “Ben 10”), Dave McDermott (“Marvel’s Guardians of the Galaxy,” “X-Men: The Animated Series”)
EXECUTIVE PRODUCERS: Alan Fine, Dan Buckley, Joe Quesada, Jeph Loeb, and Cort Lane
RELEASE DATE: Oct. 21, 2016
RELEASE FORMATS: Digital HD/SD & On-Demand
FEATURE RUN TIME: 70-75 min.
ASPECT RATIO: 1.78:1
AUDIO: Dolby Digital 5.1
LANGUAGES/SUBTITLES: English
SOCIAL MEDIA: Facebook: Facebook.com/Marvel
Website: Marvel.com
Twitter: Twitter.com/Marvel
Instagram: Instagram.com/Marvel
ABOUT MARVEL ENTERTAINMENT AND MARVEL TELEVISION:
Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media over seventy-five years. Marvel utilizes its character franchises in entertainment, licensing and publishing.
For over 90 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; Lucasfilm; and Touchstone Pictures. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.
ORLANDO, Fla. (February 2, 2015) The Seventh Annual Downtown Food & Wine Fest is set for Saturday, February 21 and Sunday, February 22, 2015 for more than 30,000 foodies and wine lovers to experience unique local cuisine paired with wines from around the globe.
Located in the heart of downtown Orlando at Lake Eola on Robinson Street, the two-day Fest features mouth-watering dishes from 30 of Orlando¡¦s premier restaurants, 50 domestic and international wines and live, national entertainment by Lifehouse and LOVERBOY.
All appearances and entertainment are subject to change without notice. The complete performance schedule will be updated on www.DowntownFoodandWineFest.com.
Lifehouse
On the heels of the announcement of their much-anticipated new studio album, Out of the Wasteland, available this spring, the multi-platinum alt-rock band Lifehouse takes the Fest stage on Saturday evening, February 21. Out of the Wasteland is the work of a group that has some history. It was 2001 when Los Angeles-based Lifehouse broke through in a big way when Hanging by a Moment, from their debut album No Name Face, spent 20 weeks in the Top Ten and won a Billboard Music Award for Hot 100 Single of the Year. Since then, the band has released five more albums, sold over 15 million records worldwide and spun off such hit singles as You and Me, First Time and Whatever it Takes Lifehouse is one of the most played artists in the history of Hot AC with 1.5 million spins and over 1.4 Billion Pandora Plays to date.
LOVERBOY
For more than 30 years, LOVERBOY has been Working for the Weekend and on weekends, delighting audiences around the world since forming in Calgary, Alberta. The legendary band takes the Fest stage on Sunday evening, February 22.
With their trademark red leather pants, bandannas, big rock sound and high-energy live shows, LOVERBOY has sold more than 10 million albums, earning four multi-platinum plaques, including the four-million-selling Get Luck and a trio of double-platinum releases in their self-titled 1980 debut, 1983’s Keep It Up and 1985’s Lovin Every Minute of It. Still, Working for the Weekend, LOVERBOY’s catalog includes some of arena-rock’s most enduring anthems. LOVERBOY’s reputation as a live act has always been its calling card as the group continues to entertain fans of all ages.
Downtown Food & Wine Fest Tickets
Date / Time: Saturday, February 21, 2015 (noon to 9 p.m.)
Sunday, February 22, 2015 (noon to 7 p.m.)
Location: Located in the heart of downtown Orlando at Lake Eola along Robinson Street
Admission: Admission is $15 per person, per day with advance online purchase. Admission at the door is $20 per person, per day. Admission for children under age 12 is free.
Food and beverage tickets are available at the Fest for $2 each; food and beverage offerings range from one to four tickets.
For all-weekend Fest fans, a two-day ticket is available for $25 per person only with advance online purchase.
A limited number of Wine Tasters Club passes will be available for purchase for $15 per person in addition to general admission only with advance online purchase. Club members will enjoy up to five 2 oz. pours of their choice throughout the Fest and a souvenir lanyard.
Back by popular demand, The Ultimate Fest Experience ticket returns. The Ultimate Fest Experience ticket is $100 per person, per day and includes VIP parking, general admission, Wine Tasters Club, $20 in food and beverage tickets, access to the private stage side pavilion with premium wine selections, access to private restrooms and a commemorative gift. A limited number of VIP tickets are available with advance online purchase.
The Fest is presented and produced by CBS RADIO Orlando, led by Orlando favorites MIX 105.1, 1059 SUNNY FM, and 101.9 AMP Radio in partnership with the Central Florida Chapter of the FRLA. A portion of the proceeds benefit the FRLA Educational Foundation.
The Downtown Food & Wine Fest is one of our Downtown’s signature cultural events, showcasing the best of Orlando¡¦s culinary scene. Events like this continue to expand Downtown’s offerings and bring more and more people to our urban core to celebrate the beauty, diversity, and vibrancy of our community, said Orlando Mayor Buddy Dyer.
Dave Robbins, senior vice president and market manager, CBS RADIO Orlando commented, Through the power of radio and the strength of our FRLA restaurants, foodies and fans come together to celebrate an event that truly brings our community together to indulge in the sights, sounds, and tastes of Orlando. Now in its seventh year, the Fest is the perfect combination of divine food, unique wines, and entertainment, said Leigh Doyle, president-elect, Central Florida Chapter of the FRLA.
Orlando has emerged onto the national culinary stage with award-winning restaurants and memorable events to showcase the spirit of the City Beautiful.
Stay Connected
For more information on the Downtown Food & Wine Fest:
Visit www.DowntownFoodAndWineFest.com Like Downtown Food & Wine Fest on Facebook
Follow @DTFoodWineFest on Twitter Use #DTFoodWineFest
Call the events hotline at 407-919-1048 or eMail [email protected]
Catch the all-new animated adventure, DreamWorks DRAGONS: DAWN OF THE DRAGON RACERS, exclusively with the Blu-ray™ Combo, DVD Double Pack and Digital HD
LOS ANGELES, CA (August 29, 2014) – Soaring past the $500 million mark at the global box office, DreamWorks Animation’s HOW TO TRAIN YOUR DRAGON 2 is not only one of the best reviewed films of the year, but also 2014’s highest grossing animated film to-date and one of the top ten grossing films of the year in any genre.The thrilling second chapter of the epic HOW TO TRAIN YOUR DRAGON trilogy returns to the fantastical world of the heroic Viking Hiccup and his faithful dragon Toothless. The inseparable duo must protect the peace and save the future of men and dragons from the power-hungry Drago when Twentieth Century Fox Home Entertainment releases DreamWorks Animation’s critically acclaimed HOW TO TRAIN YOUR DRAGON 2 on Digital HD October 21 and on Blu-ray™ and DVD November 11.
HOW TO TRAIN YOUR DRAGON 2, the next chapter to the Academy Award® nominated film released in 2010, is “sensational…an instant animated classic,” proclaims Access Hollywood. A hit with audiences and critics alike, the film received an outstanding audience reaction with a coveted “A” CinemaScore® and certified 92% fresh on RottenTomatoes.com. Variety’s Peter Debruge declares the film is “Braver than ‘Brave,’ more fun than ‘Frozen’…Dragon delivers.” It’s a must-own title for the whole family!
Fans will get even more excitement, adventure and, of course, more dragons when DreamWorks Animation releases DRAGONS: DAWN OF THE DRAGON RACERS, an all-new animated adventure featuring the original voice cast. A hunt for lost sheep soon turns into a high-flying sprint in the all-new epic adventure as Hiccup and friends battle to become the first Dragon Racing Champion of Berk! DRAGONS: DAWN OF THE DRAGON RACERS will be available exclusively on the Blu-ray™ combo pack, DVD double pack and Digital HD.
The all-star film talent features Jay Baruchel (This Is The End), two-time Academy Award® winner Cate Blanchett (Blue Jasmine), Gerard Butler (Olympus Has Fallen), Craig Ferguson (“The Late Late Show with Craig Ferguson”), America Ferrera (“Ugly Betty”), Academy Award® nominee Jonah Hill (The Wolf of Wall Street), Christopher Mintz-Plasse (Neighbors), T.J. Miller (“Silicon Valley”) and Kristen Wiig (Bridesmaids). The film also adds the voice talent of Academy Award® nominee Djimon Hounsou (Blood Diamond) and Kit Harington (“Game of Thrones”).
The Blu-ray™, DVD and Digital HD feature hours of bonus materials that explore the world of dragons and more. Furthermore, the Blu-ray™ and Digital HD contain four exclusive featurettes, deleted scenes and a 60-minute behind-the-scenes documentary about the making of the film, shot and created by the film’s writer and director Dean DeBlois.
DreamWorks Animation How To Train Your Dragon 2 Blu-ray™ & Digital HD include: Feature film in high definition Special Features:
Fishleg’s Dragon Stats – How much do you know about your favorite dragons? Explore the Dragon 2 Guide and learn more about your favorite fire-breathing friends!
Drago’s War Machines – Gobber the Belch narrates this inside look at the fierce creatures and “high-tech” weapons used by Drago to expand his growing dragon army.
Berk’s Dragon World – Explore the massive stable created to house the dragons of Berk, along with other changes made on the island to promote harmonious living.
Hiccup’s Inventions in Flight – Learn the secrets of how Hiccup and Toothless work together to form the ultimate high-flying team in this fascinating interactive tour.
Deleted Scenes — The awesome adventure continues with telling deleted and extended scenes, including action-packed footage you couldn’t see in theaters!
Commentary by Simon Otto, Bonnie Arnold, Dean DeBlois, and Pierre-Olivier Vincent
Where No One Goes: The Making of How To Train Your Dragon 2 – Writer-Director Dean DeBlois and his team take you behind the scenes of creating the film’s eye-popping visual effects and epic story
Dragon Races – Catch the thrilling aerial action and exciting play-by-play commentary as you cheer on your favorite riders in a spectacular dragon race!
Image Gallery
Theatrical Trailer
World of DreamWorks Animation – Move to the music videos from your favorite DreamWorks Animation feature films
DreamWorks Animation How To Train Your Dragon 2 DVD includes: Feature film in standard definition Special Features:
Fishleg’s Dragon Stats – How much do you know about your favorite dragons? Explore the Dragon 2 Guide and learn more about your favorite fire-breathing friends!
Image Gallery
Theatrical Trailer
World of DreamWorks Animation – Music videos from your favorite DreamWorks Animation feature films
Disney Interactive And Harmonix Announce October 21 Release And Unveil New Content For The Award-winning Music And Motion Video Game “Disney Fantasia: Music Evolved” At The 2014 Electronic Entertainment Expo (E3) Experience All-New City Realm and the Game’s Narrative Plus Playable Songs from Drake, The Who, and others in Disney Interactive & Microsoft Booths at E3
BURBANK, Calif., June 6, 2014 /PRNewswire/ — Disney Interactive and Harmonix today announce the official release date for the award-winning music and motion video game, “Disney Fantasia: Music Evolved,” along with new content to be revealed at this year’s E3. The breakthrough musical motion video game inspired by Disney’s classic animated film “Fantasia,” will be available worldwide for Xbox One, the all-in-one games and entertainment system from Microsoft and Kinect for Xbox 360 on October 21, 2014.
At E3, the team will follow last year’s standout performance where it received awards from Game Critics for ‘Best Social/Casual Game,’ GameSpot for ‘Best of E3,’ Polygon for ‘Editor’s Choice,’ and Game Informer for ‘Best Music/Rhythm Game.’ This year’s show will set the stage for new multiplayer gameplay and reveal the latest musical additions, along with a vibrant city realm, “The Neighborhood.”
In “The Neighborhood,” players will work their way through a restrained 2D urban cityscape, using music and magic to unleash a vibrant and magical 3D environment by interacting with billboards, rooftops, trains and other surprises hidden within the city landscape. Through this mind-bending experience, players will watch and listen as their movements create bold colors and whimsical music that make “The Neighborhood” a fantastical adventure.
The latest announced tracks from a range of award-winning artists that will appear in-game include:
Depeche Mode – “Enjoy the Silence”
Drake – “Take Care” (ft. Rihanna)
Tchaikovsky – “The Nutcracker Medley”
Police – “Message in a Bottle”
MIA – “Galang”
The Who – “The Real Me”
Additionally, players will be introduced to Yen Sid’s previous apprentice, Scout, via the game’s narrative, who will guide the player as they perform, transform and create music to restore order to the world.
Featuring over 30 tracks – including contemporary hits, classic rock, classical music, and more – “Disney Fantasia: Music Evolved” transports players to a breathtaking world where music and magic combine to transform extraordinary interactive landscapes in entirely new and creative ways.
Previously announced tracks for the title include:
AVICII – “Levels”
David Bowie – “Ziggy Stardust”
Antonin Dvorak – “Symphony No. 9 from the New World”
Fun. – “Some Nights”
Peter Gabriel – “In Your Eyes”
Gorillaz – “Feel Good Inc.”
Cee Lo Green – “Forget You”
Elton John – “Rocket Man”
Kimbra – “Settle Down”
Lorde – “Royals”
Bruno Mars – “Locked Out of Heaven”
Nicki Minaj – “Super Bass”
Wolfgang Amadeus Mozart – “Eine Kleine Nachtmusik”
Modest Mussorgsky – “Night on Bald Mountain”
Queen – “Bohemian Rhapsody”
White Stripes – “Seven Nation Army”
Antonio Vivaldi – “The Four Seasons: Winter, 1st Movement”
“Disney Fantasia: Music Evolved” will be available worldwide on October 21, 2014 with an ESRB rating of E10+ with lyrics descriptor. For additional information about “Disney Fantasia: Music Evolved,” join the Facebook community at https://www.facebook.com/fantasiagame, follow us on Twitter and Instagram @FantasiaGame and view all videos on our YouTube channel at http://youtube.com/FantasiaGame.
To play “Disney Fantasia: Music Evolved” at E3, visit Disney Interactive located in South Hall, booth #2047 and Microsoft located in West Hall, booth #4100.
About Harmonix Music Systems, Inc.
Harmonix Music Systems, Inc., based in Cambridge, MA, and established in 1995, is the leading developer of groundbreaking music-oriented videogames. Harmonix was founded by Alex Rigopulos and Eran Egozy, who formed the company to invent new ways for non-musicians to experience the unique joy that comes from making music and have pioneered music and rhythm gaming in the US. For more information please visit www.harmonixmusic.com.
About Disney Interactive
Disney Interactive, one of the world’s largest creators of high-quality interactive entertainment across all platforms, is the part of The Walt Disney Company responsible for the global creation and delivery of interactive entertainment, multi-platform video games, and family-focused content across all current and emerging digital media platforms. Disney Interactive produces and distributes a broad portfolio of content from Disney Interactive Games and Disney Interactive Media. Products and content released and operated by Disney Interactive include blockbuster mobile, social and console games, online virtual worlds, #1 kid’s entertainment destination Disney.com and the #1 Family/Parenting portfolio on the Web.
Disney Interactive is the interactive entertainment part of The Walt Disney Company (NYSE: DIS).
Kentucky born, actress Sarah Wright got her first taste of the spotlight traveling the country and Europe with the singing group The Kentucky Ambassadors of Music. After high school a career in modeling beckoned and she soon found herself in Chicago. Her work attracted the attention of Hollywood and soon she was appearing on television programs like “The Loop,” “Quintuplets” and “Seventh Heaven.” Film’s followed and she showcased her talents with roles in “The House Bunny,” “Celeste and Jesse Forever” and this past springs comedy “21 and Over.” She’s also had a recurring role on the popular comedy series “Parks and Recreation.”
While preparing for the release of “21 and Over” to home video DVD and Blu-ray, Ms. Wright sat down with Media Mikes to talk about the film, her own 21st birthday and her future on “Parks and Recreation.”
Mike Smith: For those readers that haven’t yet seen the film, give us an introduction to “21 and Over” and your character, Nicole. Sarah Wright: “21 and Over” is the story of three friends. Two of them show up to take the third out to celebrate his 21st birthday. The third friend is scheduled for an important job interview the next morning so they agree to get him back home in plenty of time to rest. Of course they don’t and craziness ensues! My character is the love interest of the character played by Skylar Astin.
MS: Was making the film as much fun as the finished product? SW: It was awesome! The guys had a blast because they were basically partying the entire time. I had fun being the only girl. It was like hanging out with three brothers. We hung out all night long every night we were shooting. It was great. It was fun and easy because the directors were fantastic and they had written a great script. It was a great script but they still allowed us to do some improv. It’s always great to be able to play around and do that.
MS: Can you recall the craziest thing you did when you turned 21? SW: (laughs loudly) Actually my 21st birthday was not that crazy. I started younger. I was modeling and living in Japan when I was 16. I was living in Greece at 19. I had some really crazy party nights after concerts and at after-party places. I remember winding up somewhere in Japan and having to make my way back to my apartment at four o’clock in the morning. I think on my 21st birthday I kind of mellowed out.
MS: Are you going to be back on “Parks and Rec” next season? SW: They’ve talked to me about it so there’s a possibility. It’s funny, when I started I figured that after my story with Rob Lowe was done I’d never be back on the show but they keep finding ways to bring me back. It’s a lot of fun. I love doing that show.
MS: What are you working on next? SW: I just finished a film with Elizabeth Banks, James Marsden and Gillian Jacobs called “Walk of Shame.” It’s scheduled to come out next March.
21 Days is a new psychological horror flick in the wave of the Found Footage genre and it’s being produced by the team who created the disturbing Spanish film Atrocious in 2011; Fernando Barreda Luna and Jessica Villegas. This time they are partners with Writer/Director Kathleen Behun, to bring this terrifying and intense ride that promises to chill the nerves of all the genre fans. “The script is very creepy and full of suspense. I think we are crafting something very perverse” – Fernando Luna. The premise runs around a presumed haunted house which no one has been able to live in more than 21 days. The website will explore more the mythology that surrounds this story. The project has started Pre-‐Production and plans to be completed in the Fall.
Synopsis: Three filmmakers embark on a paranormal challenge by barricading themselves in a house so haunted, no family has been able to live in more than 21 days, in order to film the supernatural phenomena which presumably occur… but nothing can prepare them for the evil that lies in wait… There are some places so dark, so evil, where no human-‐ no living thing-‐ should dwell…
Title: 21 Days
Year of Production: 2013
Writer/Director: Kathleen Behun
Cast: TBD
Producers: Kathleen Behun, Jessica Villegas, Fernando Barreda Luna
Company: TORTILLA FLATS PRODUCTIONS, NOPAL ARMY PRODUCTIONS
Website: www.21daysthefilm.com
More information will be released as the production continues development
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To celebrate the release of Relativity Media’s comedy, 21 AND OVER, which was written and directed by The Hangover’s Jon Lucas and Scott Moore and stars up and comers Miles Teller, Skylar Astin and Justin Chon. Media Mikes is excited to to give an awesome prize pack for the film filled with great stuff (see below for details). All you have to do is let us know, in a few sentences, your all-time favorite comedy and why?The giveaway will be open until March 8th. One entry per person, per household. All other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email.
The prize pack would include the following items:
(1) sweatshirt (pictured below)
($30) giftcard to Fandango
(1) signed poster
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Release: March 1, 2013
Directors: Jon Lucas and Scott Moore
Writers: Jon Lucas and Scott Moore
Cast: @MilesTeller, @JustinChon, @SkylarAstin, Sarah Wright, Francois Chau, Jonathan Keltz, Daniel Booko, Dustin Ybarra
Producers: David Hoberman, Todd Lieberman, Ryan Kavanaugh, Hugo Shong
Executive Producers: Tucker Tooley, Ron Burkle, Jason Colbeck, Luo Yan, Andy Yan, David Manpearl, Jason Felts, Jon Lucas, Scott Moore
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Synopsis:
Straight-A college student Jeff Chang has always done what’s expected of him. But when his two best friends Casey and Miller surprise him with a visit for his 21st birthday, he decides to do the unexpected for a change, even though his critical medical school interview is early the next morning. What was supposed to be one beer becomes one night of chaos, over indulgence and utter debauchery in this outrageous comedy.
Starring: Miles Teller, Justin Chon and Jonathan Keltz
Directed by: Jon Lucas and Scott Moore
Rated: R
Running time: 1 hour 31 mins
Relativity Media
Our Score 1.5 out of 5 stars
The first thing I did when I walked out of “21 and Over” was go double check the movie poster in the lobby. No, I hadn’t misread it. In big letters it proclaimed that “21 and Over” was “FROM THE WRITERS OF ‘THE HANGOVER’” I thought for a few minutes…maybe it’s the writers of the 1973 Swedish film, “Hangover.” Or perhaps it was written by the fine people that created the 1950 Van Johnson/Elizabeth Taylor film “The BIG Hangover.” But no, next to “written by” are the names Jon Lucas and Scott Moore (they also direct). Those are the names of the men credited with writing the very funny 2009 “The Hangover.” Wow. Looks like they used up all of their funny four years ago.
The story, as it is, consists of three friends getting together after some time apart to celebrate the 21st birthday of one of them. Miller (Teller) is the obvious “fun” one, Randy (Keltz) more laid back. Both of them have come to visit pal number three, Jeff Chang (Chon). I should point out here that Jeff Chang is always referred to as Jeff Chang, even if it’s obvious that he’s the only “Jeff” or, for that matter, “Chang” in the room. While Miles and Randy want to party, Jeff Chang (damn it, now I’m doing it) begs off, citing a very important job interview he has in the morning. It seems that Jeff Chang’s father has set up the interview and has insisted his son not embarrass him. After much persuasion Jeff Chang agrees to go out for “just one beer.” Yeah, right.
I can’t remember the last time I laughed at the trailer of a film more then the entire film itself. You may have to go all the way back to “Schindler’s List” for that to have happened. Though, in my defense, I should point out that I was laughing at a story a friend of mine told before the “Schindler’s List” trailer ran, not the actual trailer itself. When I say “21 and Over” is uneven that’s pretty much the best I can offer it. What it basically is is a jumble of unfunny jokes and circumstances strung together with really no rhyme or reason, nor common sense. As their night progresses Miles and Randy learn that Jeff Chang, who’s in pre-med, gets tutoring in basic science, has been kicked out of his dorm for attempted murder and is currently carrying a handgun. Wow. You’d think that real friends would stop the partying and find out what’s been going on in Jeff Chang’s life, not playing beer pong or infiltrating an all-Latin sorority house.
The characters themselves are also too broadly drawn to care about. Teller, who was the best part about the remake of “Footloose” (he was Willard) seems to be trying to channel John Cusack, circa 1985 here. It doesn’t work. Keltz is equally at a loss as Randy. Only Chon get’s off lightly, mostly because he’s unconscious for parts of the film and doesn’t have to perform. I don’t blame the actors, I blame the script. Perhaps Lucas and Moore should have given Todd Phillips a chance to work some magic with it like he did on “The Hangover.” Oh well, guys, better luck next time.
