Leslie West
“Still Climbing”
Provogue
Producer: Leslie West/Mike Goldberg
Tracks: 11

Our Score: 4 out of 5 stars

Legendary Mountain front man Leslie West is back with a new solo album titled “Still Climbing”. The 15th release from the 68 year old West is probably his most progressive yet as the album covers everything from hard rock and soul to straight up rhythm and blues.  The album which was co-produced by West and Mike “Metal” Goldberg is being released via Provogue Records and features 10 brand new tracks along with a cover of “When a Man Loves a Woman” which was originally recorded by Percy Sledge in 1966.

Right out of the gate Leslie and his guitar grab you with the track “Dyin’ Since the Day I Was Born”.  The song is a down and dirty hard rocking tune that is the perfect stage for West’s grainy vocals and signature guitar style. As the album progresses Leslie takes you on a musical journey hitting a wide genre of sounds which make this album appealing on a number of different levels. The song “Tales of Woe” is a semi acoustic number that seems to tap in to the darker side of West’s life experiences. The haunting slide guitar featured on and off through the song does a great job playing of the song’s lyrics adding an almost weeping type effect. The song “Don’t Ever Let Me Go” features a catchy guitar line that that gets stuck in your head in the same way a pop song might. One other track worth mentioning is “Feeling Good” which features some impressive dueling vocal lines courtesy of Mr. West and Twisted Sister front man Dee Snider. Even though the pairing may sound a little out there it works.

Fans of Leslies work will certainly want to pick up “Still Climbing” as part of their collection however the album is more than just for West’s devoted fans as it features great arrangements and performances by West and company that any music lover will be sure to enjoy

Track Listing:
1.)     Dyin’ Since The Day I Was Born
2.)     Busted, Disgusted or Dead
3.)     Fade Into You
4.)     Not Over You At All
5.)     Tales of Woe
6.)     Feeling Good
7.)     Hatfield or McCoy
8.)     When a Man Loves a Woman
9.)     Long Red
10.)   Don’t Ever Let Me Go
11.)    Rev Jones Time

David Schwartz is known best for scoring the TV series “Arrested Development”. He was nominated in the 2013 Emmy for the Outstanding Music Composition for A Series for Original Dramatic Score for the show’s revival on Netflix. Media Mikes had a chance to chat with David about his work on the show.

Mike Gencarelli: Were you shocked when you found out that you were nominated for an 2013 Emmy for the Outstanding Music Composition for A Series (Original Dramatic Score) category?
David Schwartz: More surprised than shocked. It was particular great to be nominated for Arrested Development. Comedies are rarely nominated in the Original Dramatic Score category. I think the category represents a lot of great music this year, so I’m proud to be a part of it.

MG: Working on “Arrested Development”, how does it compare to be working on the first run of the show and now the Netflix series?
DS: It’s been a little different in some ways we were doing all 15 shows at once. In the first three seasons, we’d usually have about a week to turn around a show, finish it, and then immediately start on the next one. During season 4, we were often dealing with multiple shows at the same time. The episodes being longer also allowed me to further develop some musical ideas which wasn’t possible in the shorter format.

MG: What was the most challenge aspect of working on season four?
DS: After six years it was a challenge to get back into that musical head space. Once I had rough cuts and was writing it for real, it all came back to me.

MG: Going from a TV series like “Arrested Development” to a documentary like “Gonzo: The Life and Times of Hunter S. Thompson”, how does it compare?
DS: The Gonzo documentary was a really fun project. Alex Gibney, the director, really encouraged me to write bold and wild music in the spirit of of Hunter Thompson himself. Often documentary music is subtle and plays in the background. Alex inspired me to write bolder and more challenging music for this film.

MG: Tell us about your work with Lucy Schwartz on her upcoming full length record?
DS: I’m very proud of the work Lucy and I did together on her new Timekeeper record. I think these are her best songs yet and we had a great time producing this record together.

MG: Of all the great scores of 2013 so far, what has been some of your favorites?
DS: I’m still catching up on this year’s scores. I was a big fan of Michael Dynna’s “Life of Pi” score and Thomas Newmann’s score for “Skyfall”

MG: What else do you have in the cards for this year and on wards?
DS: I’m working on the soundtrack album for Arrested Development. It’s going to have some extended versions of the more popular songs from Arrested. There are some scoring projects in the works, but I won’t talk about it and risk jinxing it until it’s final.

Genevieve Goings is known best for her role in the children’s music group Choo Choo Soul. They can be seen daily on Disney Junior with their catchy and fun yet educational kids songs. Choo Choo Soul released a CD of classic “Disney Favorites” earlier this year as well. She also started working with Fisher-Price and creating new music for their Little People brand. Genevieve took out some time to chat with Media Mikes again about her new gig at Fisher Price and her love for creating music.

FL Resident? Click here to enter to win tickets to an upcoming show for Choo Choo Soul in Miami, FL!

Mike Gencarelli: Tell us some background on how you got involved with Fisher-Price to write and produce brand new music for their Little People brand?
Genevieve Goings:  I was actually brought in by the incredibly smart and talented guy, Kevin Mowrer, who was consulting with Fisher Price on the re-branding of the iconic Fisher Price “Little People”. The Little People Brand has been around for 50 years, and is very well known, so they wanted to build on that by creating new characters with distinct personality traits. They put in a ton of work and are excited to introduce – Eddie, Tessa, Mia, Sofia and Koby! These wonderful characters are celebrated in their own ways, and all of us are sure to find a bit of ourselves in one, if not all of them! Fisher-Price really wanted music to be a big part of the re-branding, and that is where I came in. My first order of business was a to write a theme song for the overall brand. So we started from there and it sort of expanded into more work as we kept brainstorming and having a blast..

MG: Tell us a little bit about the characters?
GG: We decided to give each character their own song that explained their personality. Eddie want to run and jump and zoom everywhere. Tessa is the twirling ballerina, the girlie girl. Sofie loves art. Koby is super silly. Mia is shy and quite and likes to collect things. All these characters are really cool and have their own distinct personalities. I think that kids playing with them will find one that they relate to as well. They are on YouTube right now for everyone to enjoy and you can also visit Fisher Price’s website to learn more.

MG: What do you have planned next with Fisher Price?
GG: I am so excited to announce that The Fisher-Price “Little People” have their very own animated web-series on YouTube! I scored the episode as well as writing the original songs within the show. I am also the voice of the teacher, Miss Hugg! Miss Hugg is sweet and very fun. She is a super cool teacher and is in charge, but is so nice and has a little bit of magic to her. While the children go out on their discovery adventures, she is there to keep an eye on them. She is musical and definitely sings while creating some magic around their discoveries. I am working on other interactive media for them as well, more coming soon!

MG: You wrote, recorded and produced these new songs, what was your most challenging aspect?
GG:  We say if it is not broken, don’t fix it right? So with Little People they are already so iconic and Fisher Price is the epitome of children’s toys. So I just wanted to make sure that it was really something great. So I tried to think outside of the box but also remain true to the brand and the company’s values. There was a little pressure in finding that perfect blend. They have been so awesome to work with since they do want to push the envelope a little bit outside of what is “traditional” music. But as you know, that is kind of what I do, which is create contemporary kids music that is kid cool and parent approved [laughs].

MG: Do you tap into your inner child to create these songs?
GG: Oh yeah! Absolutely. My song writing process is hysterical. I have my two dogs with me that total about 30 pounds together. So I will start like I am just singing to them. Then I am dancing around and I have to think about if this would be fun to perform. I think if it is fun to listen to and also sing along to. When I write a song, I try and think about a child singing it. That is my goal to have that resonate with them and have them wanting to sing them after hearing it.

MG: I know you are touring with some shows this Fall, do you get to play your new Disney Favorite as well as your classic tracks from Choo Choo Soul?
GG: Yes, we do a mix of both. We do our Choo Choo tracks and also the Disney classics, since we don’t want to move too far from our train theme. We just did this great gig in Boston and we had backup dancers and we had these amazing big dance numbers to “Be Our Guest” and Under the Sea” and it was really fun! So keep an eye out on our “Events” tab on Facebook as we may be coming to a town by you.

MG: Tell us something cool about yourself that your fans may not know?
GG: Cool question! I actually write for Disney English, which is a school in China that teaches English as a second language. I have been writing for them for over four years and have done over 100 songs for them. This is like a whole other realm that I have been working on. It is so much easier to learn to speak another language if you can sing it. So that is something that has been a really amazing growing opportunity for me. It is such an interesting way to right songs. I am given a vocabulary and the words that I need to incorporate into the songs. I am also told that I am only able to use those words since its the only ones they know in English…and to make it song like a song from “Aladdin” [laughs]. So I get amazing assignments like that. I also wrote an entire phonics program for them to learn through sounds. I know they started airing these on Disney Junior France. So I am happy for others to get a chance to see these finally.

MG: Any more music projects in the works?
GG: I have thinking about doing my own project for a while. I have been doing this for other company, which has been absolutely amazing. I have covered tons of great topics ranging from vegetables to jumping to counting with Choo Choo Soul. We have the emotional expression songs about twirling, loving art and not being afraid to be shy with Little People. So there are a few other topics available [laughs]. I am going to be working on some songs and releasing them individually. I reached out a while ago on various social media sites and asked parents what were some of song topics that they wished we available and some great responses. That is the beauty of today’s media is that you can do stuff like this now without a big record label. So that will be coming up soon and I will definitely keep you posted Mike to share with your readers.

MG: I just wanted to close with saying “Thank You” because my daughter loves your music so much!
GG: Oh thank you, that’s so sweet. It’s amazing to just think how long it has gone. I do not think that Disney had in mind that it was going to last this long. Somehow though, with that combination of trains, the awesome animation and the music is really working out. We have such a blast performing and hope to continue for many more years to come.

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The Steel Wheels
Record Bar
September 17, 2013
Kansas City, Missouri

The Steel Wheels rolled into Kansas City last week on their way to the Winfield, Kansas Blue Grass Festival. Earlier in the year they completed a leg of their tour by biking to all of their shows, carrying their clothes and their instruments on their bicycles from show to show, often riding upwards of 80 miles and than playing!

The Steel Wheels are a 4-piece string band from Virginia. Their sound could be described as a little bluegrass, a little gospel and very soulful. Their new album, “No More Rain,” is slower with a little gospel feel which is a contrast to their live show, which featured a ton of breakdowns and was very up tempo.

With a stand up bass, fiddle, guitar, mandolin and the occasional banjo, they group has a very old time feel. Using no drums and only one microphone, many of the songs involve the group’s members gathering around the single microphone singing and breaking it down.

These guys were very impressive and extremely talented. Its bands like this that make this job so rewarding. The Steel Wheels aren’t famous; they’re not on the radio and they’re certainly not millionaires. But their music will lift your souls and make you tap your foot and try to sing along with a song you have never heard before.

The current leg of the Steel Wheels’ tour runs through December 2013. If you can catch them live you’ll be glad that you did. If you can’t, check them out on line and spread the word!

We’ve all done it. I certainly know I have. I’ve done it in the shower. I’ve done it in the car. And more than once I’ve done it in front of 20,000 people at a concert. And so have you. The IT I’m referring to is playing air guitar. Guilty as charged, aren’t you. Well hang your heads, dear readers, because one person in the world does it better than anyone: World Air Guitar Champion Eric Melin.

I’ve been lucky enough to have been able to call Eric a friend and a colleague for over a decade. Like me, he’s a film critic for several outlets, including his own very popular site: www.scene-stealers.com.

I have to admit that it’s much easier for me to interview an Oscar winning filmmaker then it is a friend. Question four, below, came out of my mouth so mangled that we both laughed when I told him “that was a horrible question…I’m sorry. It will look better in print.”

Just back from Finland, “Mean” Melin took some time to speak with me about his title and the future of the competition.

Mike Smith: How long have you been playing air guitar competitively?
Eric Melin: Competitively? Five years. Ironically my work as a film critic led me to it. I saw the film “Air Guitar Nation,” which was a documentary that came out in 2006. I didn’t see it until 2009 when I caught it on Netflix. When I saw the movie I thought, “Oh, shit! I’ve been doing this pretty much all my life anyway. I should try to do it on stage in front of people.”

MS: I was going to say…everyone has at one time or another played air guitar but it’s really a lot more than just miming the pick moves, etc. What all goes into a performance?
EM: There are three things that are judged in air guitar, both in the US and the World Championships. There’s technical ability, which is what you just talked about. It’s not the most important thing but, believe it or not, you want to make it look like you’re actually somewhat playing a real guitar. The second thing is stage presence, which is what I call the “Wow” factor. You really have to come out in character…you have to get the people excited that you’re there. And the third thing they judge you on is air-ness.

MS: When and where did this…I hate to use the word craze…gain notoriety? Where did competitive air guitar start?
EM: The World Championships started in 1996. The event that I just won was the 18th Annual Air Guitar World Championships. It’s been going on for a very long time. As documented in the movie “Air Guitar Nation,” it really got started in America in 2003. What happened was two guys from America – Kriston Rucker and Cedrick Devitt, who are now the co-commissioners of US Air Guitar – found out that there was such a thing as a World Championship in Finland and they went there. They realized there was no U.S. representation! How could the country that invented rock and roll not have a representative at the World Air Guitar Championships? They set up a couple of shows in New York and Los Angeles that year to remedy that and find a champion. By the time I found out about it and signed up in 2009 there were already (28) cities sponsoring events. It expanded from two to twenty-eight cities in five years.

MS: In going through the list of this year’s finalists…they came from all over the world. Finland, of course. Germany, Belgium, France, England. Are the performances influenced by their home countries? You’re very dramatic on stage…a lot of big moves. A lot of Pete Townsend and heavy metal head banging. We’re all of the performances similar?
EM: This was my first year at the World Championships after five years of competing in the U.S. Air Guitar Championships. I learned a lot more about the international style this year.

MS: I know when we spoke earlier you had mentioned that you had planned on retiring from the competitive circuit, win or lose, after the World Championships. Is that still the plan?
EM: I did decide that this would be my last year. But, after winning, I changed my mind so I could fly back to Oulu again next year because I had so much fun! So I will actually compete to defend my title next year!

Composer: Steven Price
Release Date: October 1, 2013
Running Time: 72 minutes
16 Tracks
Label: Watertower Music

Our Score: 4 out of 5 stars

When I saw the trailer to “Gravity”, I was just blown away. I knew it was going to be something special. I was really hoping that the score was going to be equally as amazing. I just had a feeling…and I was completely right! Already one of my favorite scores of the year, no question. The score is simple and calm yet packs a certain suspense and will keep you on your toes. Having seen the film already, you are able to visualize the score as it plays out in your head. It sets up the scene very well for the final tracks with are heart-pounding. I left this score on loop and it only gets better with each listen. Highly recommend this score.

Steven is definitely a composer to keep an eye out for. His previous work including 2011’s “Attack the Block” and this summer’s “The World’s End”.  I have to admit, I have not heard those scores but I know that I will be checking them out now for sure. I really like this style on this score and I think it really suits the movie very well.  For me if you are listening to the score and it makes you want to stop what you are doing and watch the movie then it has achieved its purpose. It is mysterious and calm like the dead of space and I really felt those themes in the music. I think that there is going to be a lot of greatness coming from this guy and I can’t wait to see what he does next!

49 City North American Tour Celebrates the Legend’s New “Closer To The Truth” CD

It’s now official. The one and only Cher herself revealed that she will kick off her “Dressed To Kill” 49 city North American Tour beginning in Phoenix on March 22nd with stops in NY, LA, Boston, Las Vegas, and other major markets. Cher shared the happy news with her fans following her performance on the Today Show this morning.

A full list of “Dressed to Kill” tour dates and cities follows this release. The national tour promoter is Marshall Arts USA. For ticket information and to sign up for tour updates please go to Cher.com.

Cher’s previous tour “The Farewell Tour” later dubbed “The Never Can Say Goodbye Tour” was one of the most successful tours ever by a solo artist and played for a record-breaking 325 dates and seen by over 5.5 million people.

American Express® Cardmembers can purchase their tickets to select cities before the general public beginning Monday September 30th, 10am through Thursday, October 3rd, 10pm.

For all online tickets purchased (presale and general public), ticketholders will receive a free copy of Cher’s new album “Closer To The Truth”, out September 24th on Warner Bros Records.

Cher is in New York this week celebrating the album’s release with upcoming appearances on David Letterman (Sept. 24th) and Live! with Kelly & Michael (October 1st). Cher will also be appearing as a mentor with Blake Shelton on NBC’s The Voice airing in October.

CHER ‘DRESSED TO KILL’ TOUR
Sat, March 22 Phoenix, AZ  – US Airways Center
*Mon, March 24 Houston, TX – Toyota Center
*Wed, March 26 Dallas, TX – American Airlines Center
Fri, March 28 Little Rock, AR – Verizon Arena
Sat, March 29 Tulsa, OK – BOK Center
Mon, March 31 Nashville, TN – Bridgestone Arena
Wed, April 2 Pittsburgh, PA – Consol Energy Center
*Fri, April 4 Washington DC – Verizon Center
Sat, April 5 Uncasville, CT – Mohegan Sun
Mon, April 7 Toronto, ON – Air Canada Centre
Wed, April 9 Boston, MA – TD Garden
Fri, April 11 Indianapolis, IN – Bankers Life Fieldhouse
Sat, April 12 Detroit, MI – Joe Louis Arena
Wed, April 23 Buffalo, NY – First Niagara Center
Fri, April 25 Montreal, QC – Bell Center
Sat, April 26 Ottawa, ON Canada – Tire Centre
*Mon, April 28 Philadelphia, PA – Wells Fargo Center
Wed, April 30 Columbus, OH – Nationwide Arena
Fri, May 2 Cleveland, OH – Quicken Loans Arena
Mon, May 5 Charlotte, NC – Times Warner Cable Arena
Wed, May 7 Raleigh, NC – PNC Arena
*Fri, May 9 Brooklyn, NY – Barclays Center
*Sat, May 10 East Rutherford, NJ – Izod Center
*Mon, May 12 Atlanta, GA – Philips Arena
Wed, May 14 Jacksonville, FL – Veterans Memorial Arena
Fri, May 16 Orlando, FL – Amway Center
Sat, May 17 Ft. Lauderdale, FL – BB&T Center
Sun, May 25 Las Vegas, NV – MGM Grand
Wed, May 28 Denver, CO – Pepsi Center
Fri, May 30 Lincoln, NE – Pinnacle Bank Arena
Sat, May 31 Kansas City, MO – Sprint Center
Mon, June 2 Louisville, KY – KFC Yum! Center
Wed, June 4 St. Louis, MO – Scottrade Center
Fri, June 6 Milwaukee, WI – BMO Harris Bradley Center
Sat, June 7 Chicago, IL – Allstate Arena
Mon, June 9 Des Moines, IA – Wells Fargo Arena
Wed, June 11 Minneapolis, MN – Target Center
Fri, June 20 Winnipeg, MB – MTS Centre
Sat, June 21 Saskatoon, SK – Credit Union Centre
Mon, June 23 Edmonton, AB – Rexall Place
Wed, June 25 Calgary, AB – Scotiabank Saddledome
Fri, June 27 Vancouver, BC – Rogers Arena
*Sat, June 28 Seattle, WA – Key Arena
Mon, June 30 Portland, OR – Moda Center
*Wed, July 2 San Jose, CA – SAP Center at San Jose
Sat, July 5 Ontario, CA – Citizens Business Bank Arena
*Mon, July 7 Los Angeles, CA – Staples Center
*Wed, July 9 Anaheim, CA – Honda Center
Fri, July 11 San Diego, CA – Valley View Casino Center

(*American Express® Cardmembers can purchase tickets before the general public.*)

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Composer: Joseph Bishara
Audio CD
Release Date: September 24, 2013)
Number of Discs: 1
Label: Void Recordings
Total Length: 43 minutes

Our Score: 4 out of 5 stars

When I first heard the score to “Insidious” back in 2011, I was blown away.  The score was absolutely terrifying. It really drove the film so well and perfectly executed each scare and left you hanging on the edge of your seat. When it comes to horror films, the score is so important and very few actually get it right. Joseph Bishara is one of my favorite composers as he knows what to do in order to bring the horror aspect to horror films. He has worked with director James Wan on now “Insidious” and “The Conjuring” and now this film. I loved both of those films and equally their respective scores. I have to admit though, I wasn’t a huge fan of “Insidious: Chapter 2” as a film but that doesn’t mean that Bishara didn’t completely rock it with this score.

In fact, this score was the real saving grace for me with “Insidious: Chapter 2”. Even though I didn’t find the second film scary at all, the score definitely stood out for me. In the first film, it really carried you and left you biting your nails. But even though the scares weren’t as pronounced as the first film it still added to the overall atmosphere. I felt it got a little lost while I was watching the film. Personally, I enjoyed this score much more at home on this CD listening to it while watching the film. So if you enjoyed the first score from Bishara and despite whether or not you liked the film, I would still recommend this CD because it really delivers what a horror score should sound like! Can’t wait to hear what he does next!

Track Listing:
1. Ghost photographs
2. inside your dream
3. the flickering entity
4. Insidious Chapter 2
5. you think I did this
6. new home
7. empty crib
8. empty home
9. had a bad dream
10. who behind eyes
11. Don’t You Dare
12. are you Here
13. only Ghosts left
14. this is My room
15. to Live again
16. Mater Mortis
17. putrid chamber
18. Further striking
19. feel real Pain
20. one of the Dead
21. the Mother
22. good little girl
23. closing Further
24. time to forget
25. new haunting
26. void figure 7 (ch2)

Jerry Horton is the guitarist for the multi-platinum rock group Papa Roach. The group’s latest release “The Connection” has been tearing up the rock charts and Media Mikes caught up with Jerry recently to discuss the bands career at the Big Flats, NY stop of the Carnival of Madness tour which along with Papa Roach features Skillet and Shinedown.

Adam Lawton: Can you tell us about the bands decision to tour as a package as opposed to a solo headlining run?
Jerry Horton: I think a lot of it had to do with the fact that last year we were supposed to be part of a package tour however due to Jacoby’s vocal problem we had to cancel those shows. We were trying to figure out what to do this year tour wise and the guys from Shinedown hit us up. We have toured with them before and it’s always been a great time so that’s what we decided to do.

AL: Having not toured immediately upon the latest albums release how has the reception been towards the new material on this tour run?
JH: It’s been really good. We have had quite a few people up front just singing along to the new stuff. That’s not something we expect especially from say a Shinedown crowd. Not to say there isn’t cross pollination of our fans and Shinedown fans happening but with them being the headliner you don’t expect to see people singing along to some of our heaviest songs. Things have been great on the tour and each night we flip flop sets with Skillet so some nights we play earlier and other nights we have the later slot. The challenge of getting everyone up out of their seats is one we enjoy and we have had a lot of people up and dancing this time out.

AL: Having a career that is going on 20 years now what do you feel has been the
bands biggest progression over the course of that time?
JH: I would have to say that probably our biggest change happened just recently. We introduced some more electronic elements to our sound. We had a little bit here and there in the past like on “Getting Away with Murder” but it was never really as much in the forefront as it is on this record. We wanted to do that in a way that wouldn’t take away from the rock element of the band. When we write and record we will do the main guitar part and then layer over the top of that. With the electronic sounds we want those to help people differentiate between the various parts of the songs. There are a lot more textures going on in the newer material however I wanted the beats to resemble those from our earlier records.

AL: From a tonal stand point do you feel the band’s sound has changed at all?
JH: I wouldn’t say it has changed so much. We have used different amps from time to time but for our main sound whether I am using a Marshall, a Bogner or a Boogie I have a certain frequency range that I like my sound to sit in. Whatever amp I am using will generally fit in there. You can kind of hear some differences if you go back to the “Infest” album and compare it to “The Connection”. There is a little difference but I generally don’t get down to the freakishly specific settings. I go a lot by ear and how it meshes with the bass. Tobin acts like a second guitar player with his playing style so at times the tones have to be similar and distinct even while we are playing lines that may be similar.

AL: Over time has your live tone and recording tone started to mimic one another or have they stayed pretty separate?
JH: On the last record we used Bogner amps but live I am currently using the Axe Effects unit. I have a similar tone but it’s not exactly a Bogner amp. There are some concessions I am willing to make when it comes to touring and playing live. It’s not only a space issue but there are things like weight and shipping that we have to take in to consideration. The Axe unit comes within I would say between 90-95% of my studio sound. A tone purist would take a look at my whole rig and probably just shake his head in disappointment.

AL: Have there been any talks yet of starting work on a new album?
JH: We have started thinking about it. Ideas have started floating around but we don’t have specific songs finished just yet. I know Jacoby has lyric ideas and we have an idea as to how we want the album to sound. There are a lot of cool things that we are tossing around. I know Tobin has two or three songs in the works and we are really stoked about those. We are still just in the beginning stages. We will probably be in the studio around March.

AL: What other tour plans are in place for the remainder of this year?
JH: We finish the Carnival of Madness tour on September 15^th. In October we are starting in the Pacific North West and going through Canada and down the east coast making our way to Florida. In November and December we head over to Europe for some shows and we finish there at the Brixton Academy in London. We have a few shows after that but we have most of the holiday season off.

Lightnin Malcolm is a Mississippi based blues musician who has performed with everyone from Big Jack Johnson, T Model Ford and Sam Carr to name just a few. Lightnin’s newest solo album “Rough Out There” which features the grandson of T Model Ford on drums was released recently and has been garnering a lot of attention from the blues world.  Media Mikes spoke with Lightnin recently about his writing style and what he likes most about the new album.

Adam Lawton: Can you give us some info on your latest album “Rough Out There”?
Lightnin Malcolm: The album features 14 new songs and is a little over an hour’s worth of music. The record  is primarily duo music with guitar and drums. It’s what we like to call stompin’ music and it’s for people who want to just get up and have a good time. The words are kind of serious so the music is a combination of things. There are parts that will make you think and parts that will take your mind off things and let you just enjoy and have a good time.

AL: How does this album differ from your previous work?
LM: I love all of my albums as they are like children to me so it’s hard to compare them or pick one over the other. I think this latest one has shown my growth as a musician especially my work as a song writer. I have T Model Ford’s grandson Stud playing drums on this album and he is just dynamite. There are horns on a few of the tracks as well as slide guitar which were done by Luther Dickinson. Luther is probably one of the best slide guitar players in the world. Even though we are normally just a two piece we have been adding a lot of things lately. The cores of our songs are based on the rhythm of the guitar and the drums. I think with each album I am getting better at getting my message across through my songs.

AL: What type of writing process do you use?
LM: It all really depends as I have written a lot of songs. A lot of times is just comes out of nowhere. There have been times where I have been out somewhere and had to ask to barrow some ones phone so that I could call my phone just to sing a line or hum a melody in to my voice mail. I don’t want to forget it because I may come up with 3 songs that I think are the best thing I have ever written. Then I come with 3 more songs. I am always out on the road as I get to live a unique life and see a lot of things. I think that plays a big part in how and what I write songs about.

AL: Were all the songs on the new album ones that were recently written or are they older songs that have been around for some time?
LM: Some of them are brand new and some of them have been kicking around for 10 or 15 years in my head. It’s real easy for me to write songs but when it comes down to picking what will be on the album is when it becomes difficult. There are just so many directions in which you can go. I have a new group of songs I have been working on recently that are very serious but I am not sure I want to put all of those on the same album because I don’t want it to be a downer or anything. I want every record to be a party record. No matter how serious a record might be I want the end result to be uplifting.

AL: How did you go about connecting with the players you have on the album?
LM: I have known these guys for a long time now. I play with The North Mississippi All-Stars and have met and become friends with guys through that. Stud our drummer I have known since he’s was 1 when I used to drum for his grandfather T model Ford. He was practically sitting in my lap while I was up there playing by the time he was 3 or 4. He knows what kind of sound I like and the drive I am looking for. Along with what I like he has created his own sound which is really great. Most of the people on this album are guys I go way back with and we are like family.

AL: Are there any songs off the new record that you really enjoy playing live?
LM: Man I like them all! “Reality Check” is a nice two piece song that is challenging to do live as it is just guitar and drums. There is nothing else going on in that song. That really shows off our two piece style. Over the years I have played some big shows just as a two piece so I learned how to pull off songs as a two piece even though they weren’t written that way and never thought they would be performed that way. Now I am not afraid to try anything as I have continued to develop my sound. “Reality Check” is a challenging one that people love and “My Life’s a Wreck” is one of my favorites as well. I love playing all of my material.

AL: Can you tell us about your current tour?
LM: We are currently in the middle of a 40 date tour. We have been down through Texas up to Colorado and over to Arkansas. Stud and I are always out on the road. When these dates wrap up I will be back out on the road doing double duty with the North Memphis All Stars. I will be opening those shows along with performing with the All-Stars. After that I have a few days off and then head overseas for about 4 weeks of shows there. I am constantly on tour through November.

“Carnival of Madness 2013”
Shinedown, Skillet, Papa Roach, In This Moment, We As Human
Date: Wednesday, August28^th 2013
Venue: Tag’s Summer Stage, Big Flats, NY

Our Score: 3 out of 5 stars

The Tag’s Summer Stage was alive and kicking on August 28^th as the 2013 Carnival of Madness tour made a stop in the normally quiet upstate NY town of Big Flats. Complete with stilt walkers, jugglers and of course tour headliners Shinedown there really shouldn’t have been anywhere else to be.

The show kicked off with We As Human taking the stage for a brief 20 minute set which primed the crowd for what was to come later in the evening. Though the crowds appreciation was lacking somewhat in the way of applause the 5 piece rock band from Nashville, TN forged ahead giving their all. In This Moment would take the stage next and the always entertaining Maria Brink and company took the show to a completely different level. The set consisted of air/smoke cannons, scantily clad backup dancers and of course some great heavy music.

The next slot on the bill changes from night to night with Papa Roach and Skillet alternating line up slots. On this night it would be veterans Papa Roach who would take the stage first blasting their way through a high energy set that mixed both classic and new songs from the bands expansive catalog. Lead singer Jacoby Shaddix who is back and better than ever (Shaddix had a polyp removed from his vocal cord recently) whipped the crowd in to a frenzy that resulted in people and lawn chairs sailing through the air from the start of the bands set until the last notes of the bands hit song “Last Resort” rang out.

Skillet would follow and though I wasn’t sure how anyone could follow the amazing set that Papa Roach had just completed Skillet delivered. The band pulled out all the stops including masked string players, air cannons and levitating platforms. Not only did the band deliver visually they sounded great as well. As always fan favorites such as “Hero” and “Monster” garnered the biggest responses however each number the band performed in their 11 song set was spot on.

Last to take the stage where tour headliners Shinedown. Though the bands set was packed with hit after hit for me the performance fell kind of flat. At times the production of the show which featured a vast lighting rig over powered the bands performance making it hard at certain points to look directly at the stage. I did however enjoy the bands cover of the Lynyrd Skynyrd classic “Simple Man” as singer Brent Smith always does the song justice. All in all a great night of music and fun was had by those in attendance.

Papa Roach Set List:
1.) Still Swingin’
2.) Blood Brothers
3.) Give Me Back My Life
4.) Between Angels and Insects
5.) Where Did the Angels Go?
6.) Burn
7.) Forever
8.) Leader of the Broken Hearts
9.) Scars
10.) …To Be Loved
11.) Getting Away with Murder
12.) Last Resort

Skillet Set List:
1.) Whispers in the Dark
2.) Hero
3.) Sick of It
4.) Comatose
5.) Rise
6.) Awake and Alive
7.) The Last Night
8.) Not Gonna Die
9.) Circus for a Psycho
10.) Monster
11.) Rebirthing

Shinedown Set List:
1.) I’m Not Alright
2.) Enemies
3.) Devour
4.) Unity
5.) The Crow & The Butterfly
6.) Adrenaline
7.) I’ll Follow You
8.) Diamond Eyes (Boom-Lay Boom -Lay Boom)
9.) If You Only Knew
10.) Amaryllis
11.) Sound of Madness
12.) Second Chance
13.) Simple Man
14.) Bully

Black Label Society
“Unblackened”
eOne Music
Tracks: 23

Our Score: 4.5 out of 5 stars

Zakk Wylde’s Black Label Society is back with a new two disc live offering titled “Unblackened”. Recorded in stunning high definition during the band’s 2013 appearance at Club Nokia in Los Angeles, CA, the two disc CD/one disc Blu-Ray album showcases the bands reworking of some of Black Label Society’s most iconic tracks in a way they have never been performed before.

Along with Zakk Wylde on guitar/piano, bassist JD DeServio, long time BLS co-guitarist Nick Catanese, drummer Chad Szeliga, singer Greg Locascio and Derek Sherinian on keyboards/piano “Unblackened” is probably the best release to come out from The Doom Crew since the early 2000’s. At first I wasn’t sure if I was going to like the lighter approach to songs that have been ingrained in to my head since I first started listening to Zakk however in my opinion this should have been the band’s sound from the start. Each track seems to breathe much better which also allows the rich instrumentation to remain clear and articulate (something that is often overshadowed by the group’s standard sludge like sound). Wylde’s voice on tracks like “Sold My Soul”, House of Doom” and “In This River” renews my faith in him as a front man as he showcases a unique vocal range that is quite a bit different than the Viking like gargling he has become known for.

Don’t let the idea of songs like “House of Doom” and “Stillborn being reworked into more acoustic renditions sway you from picking up a copy of this album as those songs along with the other 20 plus are equally crushing and still every bit Black Label Society. Though I appreciate the original recordings of each song which were reworked for “Unblackened” I can safely say that I like the new versions that much more. Another great thing about this release is that it is being released in a couple different formats some of which feature additional material and bonus tracks so no matter if you’re a devout vest wearing, chapter member of the Black Label Society or simply a music fan in general you will surely want to make some room in your collection for “Unblackened”.

Disc 1 Track Listing:
1.) Losin’ Your Mind
2.) The Blessed Hellride
3.) Sold My Soul
4.) Road Back Home
5.) Spoke In the Wheel
6.) House of Doom
7.) Queen of Sorrow
8.) Machine Gun Man
9.) Sweet Jesus
10.) In This River
11.) Throwin’ It All Away

Disc 2 Track Listing:
1.) Takillya (Estyabon)
2.) Won’t Find It Here
3.) Rust
4.) Speedball
5.) I Thank You Child
6.) Stillborn
7.) Ain’t No Sunshine When She’s Gone
8.) Lovin’ Woman
9.) Queen of Sorrow (unplugged)
10.) Song For You
11.) Won’t Find It Here (unplugged)
12.) Yesterday, Today, Tomorrow

GWAR
“Battle Maximus”
Metal Blade Records
Tracks: 13
Our Score: 4.5 out of 5 stars

GWAR the rubber clad creatures from Antarctica are back with their 13th studio album titled “Battle Maximus”. The album is being released via Metal Blade Records and features 13 brand new tracks from the heavy metal group that have been slaying audiences and figure heads since the late 1980’s. When a band loses a member there are two things that can happen. The band can either replace that member and continue on or pack it in and call it quits. When Cory Smoot (Flattus Maximus) guitarist and key song writer for the band passed away while the group was on tour in 2011 I was unsure how a role that large could be filled and if there ever would be new GWAR music again. Thankfully the group has decided to forge on and with the addition of Pustulus Maximus (Brent Purgason) Gwar has been able to not only carry on with their signature sludge like sound they have taken it to an entirely new level.

The album kicks off with an acoustic tinged intro featuring the always comical lyrical stylings of Oderus Urungus (Dave Brockie) before blasting into “Madness at the Core of Time” which is a song done in typical GWAR fashion. The song also features several Iron Maiden type lead passages which were spot on. As the album continues to pulverize your senses you come across tracks such as “Nothing Left Alive” which features some stellar double bass technique courtesy of Jizmak (Brad Roberts) before making way for tracks such as “Torture” and “I, Bonesnapper” which gives GWAR’s always entertaining sidekick Bonesnapper a chance to strut his stuff and tell stories of his days on the Scum Dog slave ships. The album closes on several high notes such as “Falling” which features even more great solos and a trippy vibe reminiscent of “Dark Side of the Moon” before ending with the track “Fly Now” which upon close listen plays like a tribute to the bands fallen brother Flattus.

All the performances on “Battle Maximus” are well crafted and executed flawlessly. I have to give it to the groups newest members as with this being their first record with the band they are certainly worthy the Scum Dog armor in this writers eyes. GWAR fans both new and old will definitely want to grab a copy of this for their collection as it ushers in a new era for the wart covered creatures known as GWAR.

Track Listing:
1.) Intro
2.) Madness at the Core of Time
3.) Bloodbath
4.) Nothing Left Alive
5.) They Swallowed the Sun
6.) Torture
7.) Raped at Birth
8.) I, Bonesnapper
9.) Mr. Perfect
10.) Battle Maximus
11.) Triumph of the Pig Children
12.) Falling
13.) Fly Now

Hank3
“Brothers of the 4X4”
Hank3 Records
Producers: Hank3
Tracks: 16

Our Score: 4 out of 5 stars

“Brothers of the 4X4” is the 2nd and 3rd album being released by Hank3 on October 1st. The son of country music legend Hank Williams Jr. produced the 16 track 2 disc album that is being released via his own label Hank3 Records. The follow up release to 2011’s “3 Bar Ranch Cattle Callin” and “Attention Deficit Domination”, “Brothers of the 4×4” is a down home traditional country album packed full of banjo’s, acoustic guitar, slide guitar and Hank3’s signature voice. The two disc album may be considered traditional by some in its approach the delivery remains unique and classic Hank3.

“Nearly Gone” which opens up disc one of “Brother of the 4×4” is a perfect example as the track consists of standard country instrumentation that is given its own spin with an overdriven vocal mix that gives the track an almost rock type feel. The track “Hurtin For Certin” features some amazing guitar picking from guest musician Johnny Highland while the song “Farthest Away” was my own personal favorite track as it reminds me of something you would hear on an old honkey tonk juke box with blown speakers. Hank3 certainly has his own version of country and though it differs greatly from that of his father and grandfathers its still country. Even if you may not be a huge Hank3 fan give “Brothers of the 4X4” a listen as there is a little something for everyone on there.

Track Listing Disc 1:
1.) Nearly Gone
2.) Hurtin For Certin
3.) Brothers of the 4X4
4.) Farthest Away
5.) Held Up
6.) Outdoor Plan
7.) Deep Scars
8.) Lookey Yonder Commin
9.) Ain’t Broken Down
10.) Overdrive
11.) Loners 4 life
12.) Dreadfull Drive

Track Listing Disc 2:
1.) Getting Dim
2.) Possum In a Tree
3.) Broken Boogie
4.) Toothpickin

Be sure to check out our exclusive interview with Hank3, here

Hank3
“A Fiendish Threat”
Hank3 Records
Producers: Hank3
Tracks: 13

Our Score: 3 out of 5 stars

“A Fiendish Threat” is one of three albums being released by Hank3 on October 1st. The album was produced by Hank himself and features 13 rocking tunes that are being released via Hank’s label Hank3 Records. The follow up release to 2011’s “3 Bar Ranch Cattle Callin” and “Attention Deficit Domination” “A Fiendish Threat” is an interesting take on punk rock. Picture the Misfits but without electric instruments and grease paint.

Each track features a dwelling sound that captures the listener’s attention just prior to Hanks twangy southern voice slapping you silly. The albums opening track “Can I Rip U” does a great job laying the foundation for what’s to come as it’s a full on four on the floor foot stomping number filled with angst that instantly makes you take notice. “Feel the Sting” is jammed packed with blazing fiddle solos and though it may not be a traditional punk instrument Hank and his band will instantly change that assumption.

“Your Floor” was probably my favorite track off the album as it features a eerie chorus/flange type effect mixed with spacey vocals that creep along at a slow yet steady pace before fading off into the distance.Fans of Hank3 are no strangers to his explorative nature when it comes to sound and “A Fiendish Threat” is no exception as the album blends everything from country to rockabilly to punk without missing a single beat.

Track Listing:
1.) Can I Rip U
2.) Different From The Rest
3.) There’s Another Road
4.) Broke Jaw
5.) Watchin U Suffer
6.) Breaking Free
7.) Face Down
8.) New Identity
9.) Feel the Sting
10.) Fight My Way
11.) Full On
12.) Your Floor
13.) A Fiendish Threat

Be sure to check out our exclusive interview with Hank3, here