LAMB OF GOD Announces U.S. Headline Tour with CLUTCH and CORROSION OF CONFORMITY + Festival Performance Dates

U.S. Tour Ticket Pre-Sales Begin TODAY @ 2:00pm Local Time

Festival Appearances Include Bonnaroo, Rock On The Range, Rock’n Derby

This week, LAMB OF GOD wraps up their winter tour with special guests Anthrax and supporters Deafheaven and Power Trip. If you did not get a chance to catch them on this tour, you will soon – LAMB OF GOD is pleased to announce their next U.S. headline tour, which kicks off Saturday, April 30th and features support from renowned rockers Clutch and heavy metal veterans Corrosion of Conformity. Throughout the tour, LAMB OF GOD will perform at several festivals, including Bonnaroo, Rock On The Range, Carolina Rebellion, Welcome To Rockville, Rock’n Derby, and more.

Pre-sale tickets for LAMB OF GOD’s spring headline tour dates go on sale today at 2:00pm local time, and public on-sale begins Friday, February 12th at 10:00am local time. See below for all currently confirmed tour dates and visit www.Lamb-Of-God.com for tickets and more information.

LAMB OF GOD Tour Dates:
Remaining U.S. Headline Tour Dates w/ ANTHRAX, DEAFHEAVEN & POWER TRIP:
Tue/Feb-09 – Oklahoma City, OK @ Diamond Ballroom
Thu/Feb-11 – Las Vegas, NV @ Brooklyn Bowl
Fri/Feb-12 – Los Angeles, CA @ Hollywood Palladium

Future U.S. Headline Tour Dates w/ CLUTCH & CORROSION OF CONFORMITY
+ Spring Festival Performance Dates:
Sat/Apr-30 – Fort Myers, FL @ JetBlue Park – “Fort Rock”
Sun/May-01 – Jacksonville, FL @ Metropolitan Park – “Welcome to Rockville”
Tue/May-03 – New Orleans, LA @ The Orpheum
Wed/May-04 – Memphis, TN @ Minglewood Hall
Sat/May-07 – Concord, NC @ Charlotte Motor Speedway – “Carolina Rebellion”
Sun/May-08 – Reading, PA @ Reading Eagle Theatre
Mon/May-09 – Portland, ME @ State Theatre
Tue/May-10 – Boston, MA @ House of Blues Boston
Thu/May-12 – St Louis, MO @ The Pageant
Fri/May-13 – Council Bluffs, IA @ Westfair Amphitheater – “89.7 The River’s Rockfest (KIWR)”
Sat/May-14 – Somerset, WI @ Somerset Amphitheater – “Northern Invasion”
Mon/May-16 – Binghamton, NY @ Magic City Music Hall
Tue/May-17 – Huntington, NY @ The Paramount
Thu/May-19 – Toronto, ON @ TD Echo Beach
Fri/May-20 – Schaghticoke, NY @ Schaghticoke Fairgrounds – “Rock’n Derby”
Sat/May-21 – Columbus, OH @ MAPFRE Stadium – “Rock on the Range”
Mon/May-23 – Wichita, KS @ The Cotillion
Tue/May-24 – Morrison, CO @ Red Rocks Amphitheatre
Wed/May-25 – Salt Lake City, UT @ The Complex
Fri/May-27 – Phoenix, AZ @ Comerica Theatre
Sat/May-28 – Pomona, CA @ Fox Theater Pomona
Sun/May-29 – Oakland, CA @ Fox Theater
Tue/May-31 – Seattle, WA @ WaMu Theater at CenturyLink Field Events Center
Wed/Jun-01 – Vancouver, BC @ Queen Elizabeth Theatre
Thu/Jun-02 – Penticton, BC @ South Okanagan Events Centre
Sat/Jun-04 – Calgary, AB @ Calgary Stampede Corral
Sun/Jun-05 – Edmonton, AB @ Shaw Conference Centre
Mon/Jun-06 – Saskatoon, SK @ Saskatoon Prairieland Exhibition Park Hall A
Tue/Jun-07 – Winnipeg, MB @ Burton Cummings Theatre
Sat/Jun-11 – Manchester, TN @ Bonnaroo Music & Arts Festival – “Bonnaroo”

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Singer/guitarist/songwriter Donavon Frankenreiter is heading throughout Florida (and one show in Hilton Head Island, SC) starting in March 2016! His latest album was released in 2015 called “The Heart” and if you haven’t heard it I would highly recommend it.

Check out below for a complete list of dates to catch Donavon live! Don’t miss it!

March 10, 2016
687 Central Ave Saint Petersburg, FL – State Theatre
8pm

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“Soundcheck”
Leslie West
Provogue
Tracks: 11

Our Score: 4 out of 5 stars

“Soundcheck” is the newest solo offering from legendary Mountain front man Leslie West. The album is the much anticipated follow up to West’s 2013 release “Still Climbing” which featured guest performances by Mark Tremonti, Jonny Lang and the late Johnny Winter. “Soundcheck” follows in the same suit as “Still Climbing” while taking things to the next level with brilliant performances on all 11 of the albums tracks by West and company.

From start to finish Mr. West and his assembled group of musicians are in top form as they blast through a variety musical styling’s covering everything from gritty rock ‘n’ roll to heart wrenching acoustic tinged ballads that echo to the inner most points of the listeners musical soul. The albums opening track “Left by the Roadside to Die” works perfect in its placement by setting the stage for what the listener is in store for. Mixed in with a handful of original tracks are a plethora of re-worked covers including Tracy Chapman’s “Give Me One Reason” a rawkus rendition of Gretchen Wilson’s “Here For the Party” an eerie instrumental version of the Beatles track “Eleanor Rigby” and a one of a kind rendition of “You Are My Sunshine” featuring Peter Frampton. Other guest performers include Queen’s Brian May on the track “Goin’ Down” and the late great Jack Bruce on the live recording of “Spoonful” a recording which until now has never been released.

If you are a long time Mountain/Leslie West devotee then “Soundcheck” will fit perfectly in to your music collection. For the more casual listener you will be hard pressed to find a track on here you won’t like. The production on each of the 11 tracks is really on par and even though the last track is a live track recorded in 1988 it still sounds crisp and in line with the previous 10 tracks making this a great album to listen to over and over.

Track Listing:
1.) Left by the Roadside to Die
2.) Give Me One Reason
3.) Here for the Party
4.) You Are My Sunshine
5.) Empty Promises/Nothin’ Sacred
6.) A Stern Warning
7.) People Get Ready
8.) Goin’ Down
9.) Stand By Me
10.) Eleanor Rigby
11.) Spoonful

Lamb of God, Anthrax, Deaf Heaven, Power Trip

Date: Saturday, January 16, 2016
Venue: Electric Factory, Philadelphia, PA

Media Mikes Score: 3.5 out of 5 stars

Lamb of God made a stop in the city of brotherly love on January 18th as part of their winter headlining run which is in support of the group’s most recent release “Sturm Und Drang”. Along with the Richmond, VA natives were NY thrash metal legends Anthrax, black metal group Deafheaven and the crossover/thrash 5 piece Power Trip. The historic venue was packed to the rafters with energetic metals fans who were more than ready to live up to their “Killadelphia” name sake.

Starting of the night was the impressive Texas based thrash band Power Trip. The group blazed through a 30 minute set which grabbed the crowd’s attention and didn’t let go. Front man Riley Gale put on a stellar performance that was two parts vintage 80’s thrash and two parts modern metal making for a great start to the evening. Deafheaven would take the stage next basked in an eerie green glow that did little to win over the Philly fans. Despite the lack of vocals in the bands overall mix the group’s unique sound only further agitated the crowd who were not shy about showing their displeasure for the group. This displeasure from the crowd was returned with several gobs of saliva courtesy of lead singer George Clarke. Thankfully things did not get too out of hand as the bands set came to a rather unimpressive end.

Anthrax would follow giving the night the proverbial shot in the arm it needed after the previous bands rough time. The band sounded tighter than ever and looked great. Each of the members worked the stage like the veterans they are as they shredded their way through classic tracks such as “Caught in a Mosh” and “Antisocial” before performing their newest song “Evil Twin” which is the first single of the bands upcoming album titled “For All Kings”. Though the bands set was brief they packed every ounce of energy they had in to those 9 songs bringing the sold-out venues energy to maximum levels. Headliners

Lamb of God would close out the night in the city they consider their second home as Philadelphia was one of the very first cities to really embrace the band and their sound. Lead singer Randy Blythe made several notes of the bands relationship with the city to which the capacity crowd responded with huge applause. The groups set was a perfect mixture of both new and old as in between such classic LOG songs as “Desolation”, “Walk With me in Hell” and “ Now You’ve Got Something to Die For” were new tracks such “512” , “Still Echoes” and the bluesy tinged “Overlord” a song I was certainly excited to hear live. Despite vocals being a bit hard to hear at times the bands set was tight and well rehearsed. I am sure it will only get better as this was just the second night of a tour that runs through mid February.

If the combination of a capacity crowd and a solid bill of heavy music wasn’t enough to make you have a good time this evening then you may have wanted to check your pulse. As the sweat soaked fans spilled out on to the chilly streets on Philly it was safe to say that most if not all in attendance got their monies worth and then some.

Anthrax Set List:
1.) Fight’Em Til You Can’t
2.) Got the Time
3.) Caught in a Mosh
4.) Antisocial
5.) Evil Twin
6.) March of the S.O.D.
7.) In the End
8.) Indians
9.) Among the Living

Lamb of God Set List:
1.) Desolation
2.) 512
3.) Walk with Me in Hell
4.) Still Echoes
5.) Ruin
6.) The Subtle Arts of Murder and Persuasion
7.) Overlord
8.) The Faded Line
9.) Now You’ve Got Something to Die For
10.) Set to Fail
11.) Blackened the Cursed Sun
12.) Erase This
13.) Vigil
14.) Laid to Rest
15.) Redneck

“The Magic of Winter”
Wizards of Winter
Date: Sunday, December 27th 2015
Venue: The Oncenter Crouse Hinds Theater
Syracuse, NY

Our Score: 4 out of 5 stars

The Tri-State area based Wizard of Winter brought their own unique brand of holiday cheer to the Syracuse, NY area on December 27th as part of the group’s 2015 “Magic of Winter” tour. The night proved to be a great extension of the Christmas holiday as the night’s performance took you on a magical music adventure which made for a very enjoyable concert experience.

With this being the groups first time in Syracuse anticipation was certainly high as concert goers filled in the seats at the multi tiered Crouse Hinds Theater. The show began promptly at 8pm as the band kicked off their impressive 26 song performance with a song from their debut album “The Magic of Winter” titled “Flight of the Snow Angels”, a fitting opening number which set the stage perfectly for the rest of the night’s performance. Former Trans-Siberian Orchestra narrator Tony Gaynor would take the stage several times painting a vivid picture of the upcoming number which helped those in attendance sink deeper into the spirit of the night’s performance though, I personally found these moments (which also included a 15 minute intermission) to sort of halt the night’s momentum as it seemed like the band would no sooner start to get in a groove only to have it broken up by brief pieces of commentary. All of the members of the group put on stellar performances including several standout moments by former Trans-Siberian Orchestra vocalist Guy LeMonnier, Violin/Vocalist Natalia Niarezka and lead guitarist Fred Gorhau who blazed his way through intricate solo after solo without missing a beat. Songs such as “Ebeneezer” Savatage’s “Christmas Eve (Sarajevo 12/24)”, “Season’s Lament” and the upbeat “Gales of December” sounded really great as they made their way into every nook and cranny of the theater prolonging the Christmas holiday just a touch longer.

As the night’s performance came to a close the Syracuse crowd seemed pleased with the show they had just witnessed. As the band left the stage the crowd thanked the performers with a heavy blanket of applause which the performers seemed very appreciative of. With such a good response from the groups Syracuse debut my hope is they continue to make stops in Orangeman country for many more holiday season to come.

Set List:
1.) Flight of the Snow Angels
2.) Magic of Winter
3.) Arctic Flyer
4.) Special Feeling
5.) First Snow (Trans-Siberian Orchestra cover)
6.) A Night of Reflection
7.) Sing Alleluia/ 3 Ships
8.) Once Long Ago
9.) 3 Kings
10.) Nutrocker (Electric Light Orchestra cover)
11.) Ebeneezer
12.) Christmas Eve (Sarajevo 12/24) (Savatage cover)
13.) March of the Metal Soldiers
14.) Season’s Lament
15.) Just Believe
16.) Gales of December
17.) Whoville
18.) Waken to the Sound
19.) Toys will be Toys
20.) The Journey
21.) Queen of the Winter Night (Trans-Siberian Orchestra cover)
22.) Electric Blue (Trans-Siberian Orchestra cover)
23.) Little Help (Joe Cocker cover)
24.) Spirit of Christmas
25.) Requiem (Trans-Siberian Orchestra cover)
26.) With One Voice

It’s is with great sadness that Media Mikes reports the passing of a true Rock/Heavy metal icon. Ian “Lemmy” Kilmister passed away on December 28^th at the age of 70. Lemmy was the in your face front man of the heavy metal band Motorhead which Kilmister formed in 1975. The group went on to release twenty two studio album as well as several live albums. The group is probably best known for their 1980 album release “Ace of Spades” which spawned the bands signature song of the same name. Lemmy worked with countless other acts and artists including Wendy O. Williams and Dave Grohl. He also appeared in a number of television shows and films including the 1995 comedy “Airheads” staring Brendan Fraser, Adam Sandler and Steve Buscemi. A statement on the bands Facebook page read:

“There is no easy way to say this…our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26^th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.”

“We cannot begin to express our shock and sadness, there aren’t words.”

“We will say more in the coming days, but for now, please…play Motorhead loud, play Hawkwind loud, play Lemmy’s music LOUD.”

“Have a drink or few.”

“Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.”

“HE WOULD WANT EXACTLY THAT.”

Ian ‘Lemmy’ Kilmister

1945-2015

Born to lose, lived to win.

The Media Mikes crew would like send our heartfelt condolences to all the friends, family and band members of Lemmy. He will truly be missed.

“Winter Warriors Tour”
Battlecross, Havok, Nekrogoblikon, Black Fast
Date: Monday, December 14, 2015
Venue: Montage Music Hall, Rochester, NY

Our Score:3 out of 5 stars

Metal Injection’s 2015 Winter Warriors tour made a stop at the Montage Music Hall in Rochester, NY as part of a brief 6 show run. The bill which featured Black Fast, Nekrogoblikon, Havok and Battlecross was certainly not one for the faint of heart as all 4 bands commanded the crowd’s attention before pummeling them with a barrage of bombastic sonic landscapes.

After a small spattering of local talent the main bills opener Black Fast would be first to take the stage. The 4 piece progressive thrash group hailing from St. Louis, Missouri did an impressive job with the short time they had as they did a great job loosening up the crowd with their set which was a mixture of older songs along with a couple from the group’s latest release “Terms of Surrender”.

Up next would be the group I was definitely most excited to check out. Los Angeles, CA natives Nekrogoblikon who up until now have been relatively scare here on the east coast made up for lost time as they shredded through a 30 minute set complete with several appearance by the bands mascot Mr. John Goblikon who assisted the band in working the crowd into a feverish frenzy. The band’s unique brand of mythical tinged metal rang through the venues walls as the band performed songs of their latest release “Heavy Meta” before closing out the set with an impressive rendition of the song “Powercore” which was complete with over the top synth and guitar work that easily made your head spin. Filling the difficult spot of performing after Nekrogoblikon on this night would be bestowed upon Century Media artist Havok. The band which formed in Denver, CO in 2004 mixed classic thrash elements with modern day accoutrements. The groups sound could be described as early Megadeth on speed as each of the bands 4 members are certainly no slouches at their respective instruments. Though lead vocalist/guitarists David Sanchez’s expletive filled rants became a bit tiresome as the bands set went on the group still did a solid job keeping the night’s energy level high.

Tour headliner Battlecross would close out the night in impressive fashion. Having just seen the band opening for GWAR in September I was anxious to see what the band from Detroit could do with a full length set. Needless to say I was not disappointed as the guys seem to only get better each time I see them. With the added time to their set the members of the band wasted no time going right for the throat. The set list was a solid blend of new and old as the band performed a variety of songs from its back catalog however the set lacked any material from the bands August 2015 release “Rise to Power”. Vocalist Kyle Gunther and company certainly appeared to be in top form despite being at the end of months and months of touring proving BattleCross can certainly bring it any place at any time. Though you can never be too sure of a Monday night club show the audience and bands alike seemed to enjoy the night’s festivities making this unseasonably warm night in Rochester, NY a good one for heavy music.

Battlecross Set List:
1.) Force Fed Lies
2.) My Vaccine
3.) Beast
4.) Ghost Alive
5.) Never Coming Back
6.) Flesh & Bone
7.) Get Over It
8.) Kaleb
9.) Push Pull Destroy

MediaMikes favorite hip-hop duo, Kansas City based Dr. Dilznik and the Last Rekrute, have released the video for the first single off their upcoming album, “SOS – Stuck on Stoopit,” the fourth and final installment of the Stoopit series, scheduled for release this coming Spring.

The song, “Adios Caballos,’ was produced, mixed and mastered by legendary Kansas City producer S.G. and samples the song “Goodbye Horses” by Q Lazzurus, best known for it’s inclusion in the film “The Silence of the Lambs.”

Check out their new video here:

Fred Gorhau is the guitarist for the NY, NJ, and PA metro area band The Wizards of Winter. The group which formed in 2010 has strong classical and progressive rock influences features several former Trans Siberian Orchestra members. The group recently released their second full length album titled “The Magic of Winter” which is a continuation of the groups 2014 self titled release. Media Mikes had the chance to speak with Frank recently about the new album, the group’s ties to the Trans Siberian Orchestra and the bands upcoming holiday tour.

Adam Lawton: Can you tell us about the group’s initial formation?
Frank Gorhau: We all come from different backgrounds. Me personally I come from a rock and heavy metal background. The group was put together by our keyboardist Scott Kelly, his wife Sharon and Steve Ratchen the bass player. The whole concept behind the group was there was a food pantry in the area that needed help. Scott and company wanted to do something so they decided to put a band together. The first year they were performing they did strictly Trans Siberian Orchestra (TSO) music. I joined the group in the second year when things really started picking up. People were asking where they could get our music and there really wasn’t a place. We decided we better do a CD so we did and now we are just releasing our second album. We have some former members of TSO appearing on the album and have had the chance to tour with 5 former members thus far. It’s great to be able to get together and do something that has grown exponentially. The group has gone from being a TSO tribute act to performing 20 of our own original songs with just a couple TSO classics thrown in for the member of that group who our now playing with us. We are doing a holiday rock concert of our own so it’s fitting to throw in some of those great TSO pieces.

AL: You recently started working with Jonny Z and Chuck Billy how did that partnership come about?
FG: I think Jon had seen some things from us and he reached out to me while we were on the road last year. He asked me for my info which I jumped at right away because Jon’s pedigree speaks for himself. We spoke and he asked if we had any video of a full show. Sadly I did not have any pro-shot material at the time. He really wanted to see our full show and as luck would have it he happened to be in Philadelphia when we were playing in nearby Easton, PA. The show was sold out and from there one thing just led to another. He started Breaking Bands with Chuck Billy and Maria Ferrero and they have been making things happen for us quite a bit this year. We are super excited and can’t wait to get out there.

AL: What can you tell us about the new album which came out earlier this month?
FG: I think “The Magic of Winter” is sort of a continuation of our first album. I am really happy with my playing on this record and our producer Eric Rachel did a fantastic job on things. It’s a really great sounding record. Tony Gaynor who was the original announcer for TSO does a great job not only announcing the song but tying the story in with everything. The story acts as this metaphorical train which takes the listeners from one place to another as it looks into various people lives during the holiday season. At first I wasn’t too sure of the story line and how it would all work but after seeing how it affects our fans and having some of those fans come up to me crying after the show really meant a lot. The album was a lot of fun and with it being the holiday season people can get emotionally involved with this release. We try to address all aspects of the holidays both happy and sad with our songs. We know that sometimes the holidays can be difficult for people and we do try to address that. I think people appreciate at that as it shows that they might not be the only ones with those feelings at this time of year.

AL: Were you more involved with the creation of the new album as compared to the previous when you were still relatively new to the group?
FG: I did play on the whole first album but only really had my hands in a couple of the songs. Most of the stuff was already there and I just put my spin on things. With “The Magic of Winter” I was intimately involved with the writing and arranging. We started putting all this stuff together in March or April so to have it all done for a November release is pretty good. There was a lot of good feedback that happened during the creation of this project and I am just super happy and proud of what we came up with in such a short time.

AL: How does the writing process work for the group being that there are quite a few members in the group?
FG: If there is one person more than any that brings in material I would have to say it is Scott. He comes up with a lot of ideas just sort playing around. Scott and I work well together whether we are retooling a traditional Christmas song or working on a new piece of material. Everyone brings something to the table. All twelve of us don’t normally get together to write but there is a core four or five that do work together and throw ideas back and forth. From there we bring the more solid ideas to the rest of the group and share with them what we think would benefit the track. It’s just been a really great experience.

AL: Having a history that is really entrenched with pieces of the Trans Siberian Orchestra be it through starting as a TSO tribute band to recruiting former TSO members, how do you go about differentiating those similarities from your own material?
FG: We are definitely similar and that’s not something I am going to pretend we are not. We started as a TSO tribute, our name comes from a TSO song. I wear that on my sleeve as sort of a badge of honor. I am a fan and to get to know these guys as friends now is something very special to me. We do have some differences in that we don’t take as much of the traditional Christmas music and rework it with a modern spin. TSO has done quite of bit of that. I think a larger portion of our material has vocals too it where TSO is mostly instrumental. We try to have about a 60/40 split between songs with vocals and straight instrumentals. We try to keep things interesting for the listener without going too far outside of the normal song structure.

AL: What can you tell us about the bands current holiday tour run?
FG: We are bringing out a few new effects with us this tour to help enhance the stage show. We have changed up the storyline a little bit as we don’t want to keep doing the same thing year after year. We won’t be doing all of the new record but we will be doing somewhere between 5 and 6 songs from that. The idea of the show is that it all takes place within a snow globe and as the globe is shaken the scenes change. The new material is sounding really great live and I think people are going to really enjoy what we have in store for everyone this year.

“The Blame Game” is the latest video from the Minneapolis, MN based rock band City of the Weak. Directed / Edited by: Cody Hoffman & City of the Weak the video showcases not only the band’s music but also the immense visual appeal that the band carries. The group is currently touring the US through October as special guests on the “Not So Sound” tour with Solice. Be sure to check https://www.cityoftheweak.wordpress.com for a full list of dates.

“Repentless”
Slayer
Nuclear Blast
Producer: Terry Date
Tracks: 12

Our Score: 4 out of 5 stars

“Repentless” is the latest offering from thrash legends Slayer. The album which is being released via Nuclear Blast and features 12 take no prisoner tracks produced by Terry Date (Slipknot, Pantera). “Repentless” is the bands twelfth studio album and the first to feature Exodus guitarist Gary Holt who has been performing with the group since 2011 and Paul Bostaph who rejoined the group in 2013.

After an 8 year wait Slayer are back with their latest offering titled “Repentless”. Though the band looks a little different these days the groups sound is still just as brutal as ever. Tracks like “Repentless” and “Vices” blast through your senses like a hot knife through butter while songs like “When the Stillness Comes” and “Implode” will have your head banging and fist pumping whether it wants to or not. Though nothing can compete with the bands classic “Reign In Blood” era line up and sound the band which since 2011 has featured Exodus guitarist Gary Holt and more recently drummer Paul Bostaph the current lineup comes as close as possible.

Clocking in at just over 40 minutes what “Repentless” lacks in run time it makes up for in guitar riffage, machine gun like drumming and of course plenty of vocal wailing provided by vocalist/bassist Tom Araya. Long time Slayer fans may find some points of the album lacking intensity, however I found the slower paced moments quite fitting and enjoyable as they not only showed diversity in the groups sound. They also gave me a second or two to catch my breath in between the albums more speedy moments. The album is available in multiple formats including a Limited Edition version which includes special packaging and a bonus DVD with a making of the album documentary and a complete live performance from the bands 2014 Wacken Festival appearance.

Track Listing:
1.) Delusions of Saviour
2.) Repentless
3.) Take Control
4.) Vices
5.) Cast the First Stone
6.) When the Stillness Comes
7.) Chasing Death
8.) Implode
9.) Piano Wire
10.) Atrocity Vendor
11.) You Against You
12.) Pride in Prejudice

“30 Years of Tourment”
GWAR, Butcher Babies, Battlecross
Date: Friday, September 18, 2015
Venue: Water Street Music Hall, Rochester, NY

Our Score: 2.5 out of 5 stars

Antarctic natives GWAR slaughtered their way to the Water Street Music in Rochester, NY on Sept. 18th as part of their current “30 Years of Tourment” tour. Along for the ride this time around were the always lovely Butcher Babies and Detroit darlings Battlecross. The night proved to be a mixture of sweat, energy and several unknown liquids which were expelled on to the crowd by the night’s headliners providing the perfect recipe for Friday night.

Kicking off the night was the band Battlecross who blasted through a 30 minute set which set the bar relatively high for the following acts. Vocalist Kyle Gunther seemed to give everything he had from start to finish which complimented the rest of the bands in your face performance which seemed to ignite the incoming crowd. Up next would be the lovely Butcher Babies who despite this being the bands last night on the tour certainly did an amazing job of taking things to the next level as not only did the band command the crowd’s attention from the stage but took things further as both Heidi Shepherd and Carla Harvey took turns working the security barrier which at times was over flowing with energetic crowd surfing fans. GWAR would be next where they proceeded to close out the night in typical blood soaked fashion. This was the first time the band has performed in Rochester since the addition of both Pustulus Maximus on guitar and Blothar on vocals and the crowd seemed to enjoy the new characters and what they brought to the live performance. Though the performances seemed to lack the energy and spur of the moment banter once provided by the late great Oderus Urungus (Dave Brockie) the set did feature some songs fans hadn’t heard live in awhile such as “I Bonesnapper”, “Babyraper” and the always entertaining ”Meat Sandwich”.

It was great to finally see the latest incantation of GWAR however there was something missing. Undoubtedly the absence of founding member Dave Brockie cast a big shadow for this reviewer and even though the bands current lineup put on a great show it was very apparent that Mr. Brockie left some extremely large latex and goo covered shoes to fill.

GWAR Set List:
(Partial list)
1.) Sick of You (Dubstep Version
2.) Vlad the Impaler
3.) Saddam a Go-Go
4.) Jack the World
5.) I Bonesnapper
6.) Babyraper
7.) Meat Sandwich
8.) Let us Slay
9.) Sick of You

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Sean Yseult is probably most recognized as the co-founder/bassist for the heavy metal band White Zombie, a group which dominated MTV with its hit song/video “Thunder kiss 65” in the early 90’s. Since the groups disbanding in 1998 Sean went on to play with several other acts such as The Famous Monsters and Rock City Morgue. In November of this year, Sean will showcase a different part of her artistic abilities in “Retrospective”- a love letter to her long-time muse, New Orleans which will be on display at Sacred Gallery in NYC through December 31^st. Media Mikes had the chance to speak with Sean recently about the exhibits creation and her return to New York City.

 Adam Lawton: What can you tell us about your upcoming exhibit “Retrospective” which opens in November?
Sean Yseult: The exhibit is going to have a little bit of everything. There are pieces from shows I did in New Orleans 10 years ago. Mostly I am going to be showing my large 4ft by 6ft pieces I did recently for a show in New Orleans titled “SQIREE D’EVOLUTION”. It’s kind of a tongue and cheek yet morbid setting of a party in New Orleans set in the 1870’s. It’s based around a secret societies party that has gone wrong. It’s a really fun show. The exhibit will also have some pieces from my “MISSISSIPPI MERMAIDS” show where I figured out how to put girls inside of bottles on the ocean which is a little different. (Laughs) I also have some pieces from way back that are old black and white Polaroid’s done in the style of Joel-Peter Witkin and Bellocq. There is a lot to look at as they gave me a tone of space so I am going to fill it out. (Laughs)

AL: Where did your influences come from for “SQIREE D’EVOLUTION” and “MISSISSIPPI MERMAIDS”?
SY: I really don’t know where I got the idea for “MISSISSIPPI MERMAIDS” and having girls in bottles. Maybe I watched too much “I Dream of Jeanie” when I was growing up. (Laughs) For “SQIREE D’EVOLUTION” I was hugely influenced by the Dutch Masters. I made an enormous black back drop and the photos have a serious light/darkness to them with an intensity of color. A lot of people walk up to them thinking they are paintings. I am very happy with how those turned out. I definitely draw from a few different areas.

AL: With the pieces that are coming from different exhibits how did you go about choosing those selections?
SY: I looked at everything I had done and it all has this sort of timeless quality to it. You can’t really tell which era the pieces are actually from. Even my new pieces which are in full color and set in the 1800’s have those elements. It’s very hard to tell the time as they are a bit ghostly and a lot of them are portraits of women in various states of dress or undress. It all sort of fits together somehow. (Laughs)

AL: What is it that draws you to this type of subject matter?
SY: I moved to New Orleans and became entranced with the people and the beauty of the city. The city is in this sort of state of decay and things are falling apart. In the summer especially girls are running around in slips and things so it’s hard to tell really what period you are in. It’s pretty amazing. To me it’s just so beautiful and there are so many lovely people. I just enjoy photographing it all.

AL: Coming back to New York for your first solo show is sort of a home coming for you. What do you think the experience is going to be like?
SY: I am really excited! I originally moved to the city to attend Parsons School of Design for photography. Its finally coming full circle that I get to come back there with my photo’s after all these years. Parsons is where I met Rob and we started White Zombie which sort of derailed my photography for awhile but after the band broke up I moved to New Orleans and started back up with my photography. I have shown off and on at different galleries but it’s going to be so great to show at Sacred Studios. I have been making visits up there ever since I was offered the show.

AL: How did the opportunity to show at Sacred Studio actually come about?
SY: I was at an opening last spring at a private gallery at the Chelsea Hotel for Dee Dee Ramone. My old A&R guy from Geffen Records was there and he pointed out this artist that he loved named Vincent Castiglia. We started talking and he had shown at Sacred Gallery and thought they might like my work. He put me in touch with them and I talked with Kevin Wilson the gallery director and from there things moved pretty quickly.

AL: With being so involved with your photography as of late do you feel your music has sort of taken a back seat?
SY: Not always. I sort of flip flop back and forth depending on my schedule. For the last year though I would have to say yes. I spent 2 years putting together “SQIREE D’EVOLUTION” which was a lot of very intense work. Now I am more curating and gathering things to put a show like this together. I do have a new band called Star and Dagger which will be recording with the amazing Chris Goss later this year. We have a lot of songs written but just haven’t had time to get everyone together.

Drummer Anton Fig has been performing both live and in the studio since the mid 1970’s.  He has worked with artists such as Bob Dylan, Madonna and most notably as the drummer for David Letterman’s house band the CBS Orchestra. Anton released his first solo album “Figments” in 2002 and recently re-released it in 2015. Media Mikes had the chance to talk with Anton recently about the albums re-release and its creation and also about his impressive session work.

Adam Lawton: “Figments” was originally released in 2002. Can you tell us about the decision to re-release the album?
Anton Fig: When the album was initially released there were a few people who heard it however at that time the transition from retail to online sales was just starting to take place. Stores were closing up and the stuff on the web was still just starting to happen. Things weren’t the way they are now with social media and everything so it was hard for people to access the album. I felt the album still sounded fresh and vibrant and with there being a number of ways to get the word out about it re-releasing the album seemed like a good thing to do.

AL: Thinking back to when you first started working on the album what do you feel was the driving element in releasing your first solo album after being in the music business for quite some time prior?
AF: I always had said to myself that once it became easier to record and digital recording was more available that I would put out a record. Going into a traditional studio is quite expensive so being able to record from your home and not have to travel and all that made things much easier. I did travel a little bit to work with some of the people on the album and I did my drums in a studio but all the mixing and overdubs I did at home which was relatively inexpensive. In 2002 home recording was still new. Nowadays everyone has the ability to record digitally from just about where ever. By doing things the way I did back in 2002 it was more affordable at the time. All the songs that make up the album were ones that I had sort of saved up over time. From there I went about putting the right people to each of the songs.

AL: How far back in your career did you actually start writing some of this material?
AF: I was in a band in the 80’s called Spider. We were managed by Bill Aucoin who had managed Kiss and we were always encouraged to write in that group. After that group ended I just kept writing. Over the years I had built up a group of songs that I wanted to get out there. I picked the songs I liked the best and just went from there with finding the right combination of players for each one.

AL: Do you find it hard for people to really take notice of an album like this being you are mostly know for your drum work?
AF: I think what surprised people most was the fact that “Figments” isn’t really a drum record. This is a song record along the lines of a Phil Collins album or something like that. There aren’t drum pyrotechnics or anything like that as it more about song production. That’s the record I wanted to make. I feel it adds something because it has a bit of a surprise element to it based just on that score.

AL: Did you creative process differ any on this album as opposed to some of the others you have appeared on?
AF: When I am working on someone else’s project generally my main concern is the drums. They are the ones in charge of the overview of things and how they want the song to sound. I am there to try and help them realize that vision as quickly as possible. When you are doing your own record you have to have that overview. Once I had the drum sounds down I sort of forgot about them and had the big picture more on my mind. It actually helped my drumming a lot as I was forced to look at the big picture as opposed to only the drumming.

AL: When you are approached with session work opportunities what is it that you look for in a project prior to agreeing to work on it?
AF: I think mostly it’s if I am the right person for the session. I look at if it’s something that I can be mostly myself in. If they are asking me to do something that I am not really suited to do you almost want to tell them to get so and so to do it but, I generally try to do all of the projects I am asked to do. Nowadays I have a set up where I can do drums remotely as I have my own studio. In a situation like that you are not in a room with a producer or artist so you have to decide what the best way to approach things are and how much of yourself you can put into that session. It can be a bit harder working that way at times.

AL: One of the groups you have been involved with over the years was with Kiss and later on Ace Frehley. How did that relationship come about?
AF: At the time I think Peter Criss had broken his arm or something like that and wasn’t going to be able to drum on the upcoming album “Dynasty”. I worked on that album and from there I got asked to do another album with them titled “Unmasked”. With Ace I was playing in my band Spider at the time and we were auditioning bass players. One of the guys who came in was friends with Ace and mentioned he was looking for a drummer for his solo project. He got me an audition with Ace and from there I ended up doing the record and becoming friends with Ace. Right after that is when I got the gig with the Late Night Show so that’s where things ended with the band. I have played on a good majority of Ace’s stuff most recently “Anomaly”.

AL: Up until recently your work with Kiss was done as a ghost writer. Is it hard going into projects like that where you know you will not to be credited?
AF: With Kiss I knew upfront that I wasn’t going to be credited. They told me I would be paid well however I could not talk about it. That was always my understanding with them so I never talked about it. Gene Simmons mentioned it in a book of his recently and my name was also added to the liner notes of the re-issued “Dynasty” album. Once they started talking about I also started talking about it. It was over 20 years or something like that where I didn’t say anything about my involvement. I knew we had an agreement and I stuck to it. Today it’s hard to do something like that as there are no secrets.

AL: Are there plans to tour behind “Figments”?

AF: I would like to but with every song having a different line it would be quite difficult. The album is almost like a playlist that you would put together. It would be hard to fully recreate the albums line up. I suppose I could put together a band and do some of the songs. I think if a song off the record gets a lot of attention and people are asking for it then I will think more about taking it out on the road. For now though I am out with Joe Bonamassa and have be selling the album at the shows so I am out there with it.

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Heavy Metal group Sevendust is back with a brand new album titled “Kill the Flaw”. The album which is being released on October 2^nd will be the bands 11^th studio album and their third since joining Asylum/7Bros. Records. Media Mikes had the chance recently to discuss the new release with the groups lead vocalist Lajon Witherspoon who detailed the bands solid work ethic and its upcoming plans in support of the album.

Adam Lawton: With “Kill the Flaw” being the bands third album in three years do you ever find it hard to keep up with the one album a year pace or is that something that the band has come a custom to over time?
Lajon Witherspoon: For us this is what we were born to do. We were blessed with the energy and the passion to make music so once we all get in a room together things just start to happen. The days of putting out an album and going on to tour in support of that album for a year or two is gone. To remain relevant you have to keep putting out new material in order to keep things fresh. Even if you had an album that had a bunch of hit singles if you are not out there with something new it’s easy to be forget these days.

AL: Like with previous release from the band you guys handled not only the music side of things but also the albums production. Do you find it hard balancing both of those roles in the studio?
LW: With all of us being in this band since day one we look at one another as artists, producers, singers and writers. Because of that it’s easy to have that respect for one another in the studio. It’s never been a big deal for us to work like that. We all know this band like a book and have been together for so long that there are no egos when it comes to this type thing.

AL: What do you find to be the benefits of keeping things internal as opposed to bringing in someone from outside the group and, is this way of working something that has evolved over time for the band?
LW: Sometimes we do feel like we need to bring in someone from the outside to sort of police what is going on but more so lately we like to just be able to go in and see what we can come up with as a band. It’s a friendly affair when we work like this and we are a band throughout the whole process which is something we really enjoy. I think it is something that has evolved over time. You work on different albums in different ways and over time you find you niche in what works and what doesn’t. Me personally I think we work best when we go into a room with no plan and maybe Morgan starts by laying a drum beat down or Clint starts with something on guitar and we just go from there. That’s where the magic starts.

AL: What led you guys to choose the song “Thank You” as the albums lead single?
LW: That was a song that I didn’t really see as the first single but afterwards I am glad it was. When you put out an album you want all the songs to get their due but “Thank You” is an incredible, inspiring song that turned out great. I am super proud to have it as our first single but again I really feel that this album has 9 other singles people need to hear along with this one. These songs are our babies and we want people to hear them all.

AL: The album can be preordered at www.sevendust.com with a couple different bonuses. Can you tell us about some of the things your guys are offering to the fans who pre-order the album?
LW: We try to do different things which we hope will make people feel more a part of what we have going on. We have packages where you can get limited edition t-shirts, signed copies of the album to actually getting to listen to album in the studio with the band.  We try and make things more personal and take away some of the machine like elements.

AL: What type of tour plans do you guys have in place to support the release?
LW: We start rehearsals in about 2 weeks and after that we will be hitting the road with Godsmack. That’s going to be a great time as we haven’t toured with those guys in quite some time. It also has been awhile since we haven’t done a tour where we headlined. It’s going to be great to just go out there each night and rock a 45-50 minute set. When that run wraps up we have another list of shows in the works prior to my new baby being born in December and then after a little break we will be back out there. We are just really excited with everything we have going on and can’t wait for people to hear this new album.