Director: Eric Walter
Starring: Daniel Lutz, Laura DiDio, Neme Alperstein
Distributed by: IFC Films
MPAA Rating: Not Rated
Running Time: 86 minutes

Our Score: 3.5 out of 5 stars

Growing up less than 10 minutes away from “The Amityville Horror” house, I have always been interested in this “haunted house”.  We used to take trips to the house numerous times throughout the year. Was it real? Was it a fake? Either way it is still history and has influenced everything from books to films over the last almost 40 years.  This film is a very intimate chat with Daniel Lutz, who was 10 years old when him and his family moved into the house after the murders that took place just 13 months before. “My Amityville Horror is a well-crafted documentary and an interesting look into the life of Daniel Lutz both past and present. Fans of “Amityville Horror”, should definitely check it out.

Official Premise: For the first time in 35 years, Daniel Lutz recounts his version of the infamous Amityville haunting that terrified his family in 1975. George and Kathy Lutz’s story went on to inspire a best-selling novel and the subsequent films have continued to fascinate audiences today. This documentary reveals the horror behind growing up as part of a world famous haunting and while Daniel’s facts may be other’s fiction, the psychological scars he carries are indisputable.

The interviews with Lutz, who is now in his 40’s, are very honest. He seems very damaged from his experience but then again who wouldn’t be. There is also no bullshitting with this guy. You can tell that he has a hard time talking about his experience.  If you are looking for any secrets revealed, this film doesn’t offered any new evidence or information.  But I found it very interesting to hear it first had from someone that lived through the events that occurred to the Lutz family. Whether they are true or not, I would like to think that they were true. I mean you almost feel bad for this guy but he does tell his story quite well.

Matthew Modine is probably known best for playing Pvt. Joker in Stanley Kubrick’s “Full Metal Jacket” and Louden Swain in “Vision Quest”. He recently appeared as Deputy Commissioner Peter Foley in “The Dark Knight Rises” and will be appearing later this year as John Sculley in upcoming “jOBS”. Matthew also is set to produce and voice act in Ralph Bakshi’s latest film “Last Days of Coney Island”, which is currently trying to become funded via Kickstarter. Matthew took out some time to reflect working with Stanley Kubrick in “Full Metal Jacket”, Christopher Nolan in “The Dark Knight Rises” and his role in “jOBS”. Check out the first part of our interview with him, here.

Mike Gencarelli: Can you believe that it has been 25 years since “Full Metal Jacket” and here we are still discussing it all these years later?
Matthew Modine: It is amazing. It is a testament to Stanley Kubrick and his genius. He didn’t make movies that are disposable. They continue to have relevance long after they have been released, whether it is “Paths of Glory”, “Dr. Strangelove”, “2001: A Space Odyseey” or “A Clockwork Orange”. They are just films that continue to speak to audiences. I always remember something that Stanley said “A film should be like a good piece of music. Something that you can listen to over and over again and have relevance long after it is written”. I think he tried to approach film with that mentality like a great piece of music.

MG: Tell us about the origin of your book “Full Metal Diary”?
MM: I had a tremendous experience working with Kubrick and I kept this diary while I was working on the film. He also allowed me to take photographs on the set. I had this 2 1/4 x 2 1/4-inch Rolleiflex camera that I tucked inside my jacket when we were in Vietnam and then kept in my foot locker when we were filming the boot camp. It was very rare that he allowed me to take photographs on the set because he was such a secretive and private filmmaker, but he almost encouraged it. I don’t know why but I am very grateful that he did and gave the opportunity to be able to share what that looked like. The thing about keeping my diary is that Kubrick often asked me to read my diary out loud to everyone on the set. The thing that it encouraged me to do was tot hen keep a very good diary with accurate notes. The thing that I love about the diary is that it is the voice of a young man that is in a situation that he really doesn’t understand. It is not a reflection is my point. It is not somebody looking back at a time working with Stanley Kubrick, as a recollection. What you experience when you reach it is this naive person about a circumstance that he doesn’t understand and I think that makes it quite unique.

MG: How did your diary go from book to the new iPad app?
MM: I was approach by Adam Rackoff. He used to work for Apple. He was one of the geniuses that worked for them. Steve Jobs was his boss. He was responsible for opening stores, advertising and more. I had done a presentation at the Apple Store in Soho talking about how the book was made on a Mac. He really just loved the book and knew that their were only 20,000 copies of the books made each with a serial number. So years later, the iPad come out with these amazing apps. He told me that he thought it would be an perfect iPad app. He said he would have me record the story in my own voice, do characterizations for the people talked about in the stories, have someone do original score along with sound effects and create this amazing and deeply immersible experience for people to enjoy with iPads. The final thing that sealed the deal for me is that he said that it would be something that Stanley Kubrick would be proud of. So with us holding the bar that high for Stanley Kubrick, that was the criteria for this…was it good enough for Stanley? In the end, I think we created something that he would definitely be impressed with.

MG: Last year you played Deputy Commissioner Peter Foley in “The Dark Knight Rises”, tell us about that experience?
MM: The thing that was amazing about that film is that people are always comparing Christopher Nolan to Stanley Kubrick. As big as that film was, as large as the cast was, the budget…everything – when you came on the set of “The Dark Knight Rises” it felt like an intimate independent film. Nolan creates an environment on the set that makes it feel very intimate. He doesn’t have a video village. He has this little monitor he wears around his neck. He is not one of those directors that is hiding behind a bunch of monitors and away from the set. He stands on the set and is with his actors and his crew. He is curious about what his technicians are going and what the actors are thinking and saying. I think that may not sound like what a director is suppose to do but you will be surprised at how many filmmakers are not that involved. There is so much chaos on a film set that you don’t know who is directing the movie. Is it the producers? Is it the writer? The crew? The director of photography Nolan is really the the captain of his ship. His wife is his producing partner and his brother is his writing partner. It is just a very tight and intimate environment. I mean how often does anyone have such a great character arc in that kind of a film. I just hope I get the opportunity to work with him again.

MG: You mentioned Apple and later this year you also have your role of John Sculley in “jOBS” coming, what can we expect?
MM: I haven’t seen the finished film but it was extraordinary to work on. I think that Ashton Kutcher did an amazing job from the work I saw. He was really fully committed to doing Steve Jobs justice. It is amazing to see how much he began to look and sound like him. I am looking forward to see it. I know it closed the Sundance Film Festival, was received positively and received a distribution deal. So all the signs are that it will be an entertaining film.

Starring: Steve Carell, Steve Buscemi and Jim Carrey
Directed by: Don Scardini
Rated: PG 13
Running time: 1 hr 40 mins
Warner Brothers

Our Score: 4 out of 5 stars

Young Albert (Mason Cook) is a lonely boy. He lives with his mother who works frequently, meaning he’s often home alone. One year, while celebrating his birthday (alone) he opens a present to reveal a magic kit complete with an instructional video featuring the great Rance Holloway (Alan Arkin). Albert practices the enclosed tricks and is soon a young wiz with the sleight of hand. A chance meeting with fellow lonely boy Anton (Luke Vanek) nets him an assistant. Together the two devise new tricks and dream of the day they will be on top of the magic world.

A sweet film with a message of never giving up on your dreams, “The Incredible Burt Wonderstone” gets by on the magic of a game cast. Now adults, Burt (Carell) – the former Albert – and Anton (Buscemi) are THE attraction to see in Las Vegas, where there show, “A Magical Friendship,” packs them in nightly. But things aren’t what they seem. Off-stage these friends have grown tired of each other, fake-smiling their way through performance after performance while they gradually grow bitter at performing the same illusions over and over. Burt now fancies himself a lady’s man, though his female assistants would be to differ. After firing yet another one – mid show – Burt appoints one of the stage crew to the position. Jane (Olivia Wilde) reluctantly takes the job, even though Burt continues to call her “Nicole” – the name of the last assistant.

Meanwhile, a new kind of entertainer has come on the scene, one Steve Gray (a hilarious Carrey). Gray is a performer in the tradition of David Blaine – he really doesn’t do anything. Among his “feats” are staring for three days without blinking and not peeing for twelve. Yet Gray manages to attract crowds while filming a television special called “Brain Rapist.” And as Gray begins to grow, Burt and Anton’s audiences begin to shrink. Soon their theatre is dark and Burt finds himself performing at the local Big Lots. But a chance meeting with his inspiration convinces Burt he may have one more trick up his sleeve.

Consistently funny, with a little heart mixed in, “The Incredible Burt Wonderstone” is a welcome addition to multiplexes still packed with raunchy comedies, action films and last year’s Oscar contenders. Carell and Buscemi work well together and it’s nice to see Buscemi with a substantial comedy role, not just a bit in an Adam Sandler film. Wilde, who was so funny in last year’s underrated film “Butter,” also flashes some comedy chops, holding her own with Carell and Carrey, two comic masters. As a casino owner more involved with business then his own son James Gandolfini is perfectly cast. Carrey steals the film as Gray, a man more concerned with the trappings of fame then actual entertainment. The script quietly delivers the laughs, not hitting you over the head as some comedies do. Director Scardino, an Emmy winning television veteran, keeps the film moving while staging some great visual illusions.

Starring: Erica Linz, Igor Zaripov, Dallas Barnett
Director: Andrew Adamson
Rated: PG (Parental Guidance Suggested)
Studio: Paramount
Release Date: March 12, 2013
Run Time: 91 minutes

Film: 4 out of 5 stars
Extras: 2 out of 5 stars

I have always been a fan of Cirque du Soleil. I’ve seen numerous shows including “O”, “La Nouba”, “KÀ”, “CRISS ANGEL Believe and my favorite “The Beatles LOVE”. Each one is a unique experience and nothing compares to a Cirque show…nothing. So I was thrilled to see this film, especially in 3D. “Cirque du Soleil: Worlds Away” is one visual trip. The last time I saw “Cirque du Soleil” in 3D was during the IMAX film from 2000 “Journey of Man 3D”. Of course this film is so much better than that film and really takes 3D to another level. The simple story in this film focuses on love at first sight and the fantastical happenings on the way to happily ever after. I just love the idea of that and it really hits a nerve with me. I highly recommend seeing this release, especially in 3D and get ready to be blown away with this visual spectacular film.

Official Premise: From the big top to the big screen, visionary filmmaker James Cameron and director Andrew Adamson (Shrek, Narnia) invite you and your family on an all new 3D adventure: “Cirque du Soleil Worlds Away”. A young couple who is separated, must journey through the astonishing and dreamlike worlds of Cirque du Soleil to find each other, as audiences experience the immersive 3D technology that will allow them to leap, soar, swim, and dance with the performers.

Paramount delivers “Cirque du Soleil: Worlds Away” in a beautiful three-disc Blu-ray 3D/Blu-ray/DVD combo pack, as well as an Ultraviolet digital copy (in 2D). Since you know that James Cameron is involved expect that the 3D is going to look stunning. I am not mistaken, this film really is amazing looking with it’s 3D presentation. The depth is added so well that you literally find your dodging these performers as they fly around and perform this wonderful stunts. I have to say, the 2D transfer really can’t compare since this is really meant to be seen only in 3D. The music of Cirque du Soleil is also a very important part of their shows. I still, infact, still have my CD from when I saw “La Nouba”. This DTS-HD Master Audio 5.1 audio track is breathtaking just like the stunts performed in the film. The music really assists to tell the story and really transports you into this fantasy world.

The worst part of this release is the special features or lack there of. There are no 3D extras at all. There are only two short featurettes on the 2D disc. ”Making Worlds Away” is extreme short look into the production with the cast and crew. ”A Day in the Life with Erica Linz” features the actress talking about the film and working with both Cameron and Adamson. Lastly there is a “Cirque du Soleil Las Vegas Commercial”. Though not really a bonus feature but nonetheless a bonus, there is a coupon including a 20% discount offer on select Cirque du Soleil LIVE shows in the U.S. and Canada including “Amaluna”, “Quidam”, “TOTEM”, “Mystère”, “KÀ”, “CRISS ANGEL Believe”, “The Beatles LOVE”, “Zarkana” and “Zumanity”. So that is a little extra added bonus! I highly recommend “LOVE”!

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Actors: Suraj Sharma, Irrfan Khan, Tabu, Gérard Depardieu
Directors: Ang Lee
Rated: PG (Parental Guidance Suggested)
Studio: 20th Century Fox
Release Date: March 12, 2013
Run Time: 123 minutes

Film: 5 out of 5 stars
Extras: 5 out of 5 stars

Wow! Wow! I think that about sums up my review. I have to admit I did not see this film in theaters. Not for the last of interest, just never hard the opportunity.  Boy, was I missing out.  “Life of Pi” was absolutely stunning.  I do not even think though that that is enough of a comment to describe how amazing it is.  But beyond being an amazing movie, this was the best 3D that I have seen, or at least since “Avatar”, especially on Blu-ray. “Life of Pi” is such a visually amazing film.  And how about the performance from newcomer Suraj Sharmaread, where the hell was his Oscar nomination.  Ang Lee won Best Director at this year’s Academy Awards, check out our interview with him here, which he well deserved. Do not miss this film and it is a must see in 3D. Highly (x2) recommended!

Official Premise: Embark on the adventure of a lifetime in this visual masterpiece from Oscar winner Ang Lee, based on the best-selling novel. After a cataclysmic shipwreck, young Pi Patel finds himself stranded on a lifeboat with the only other survivor – a ferocious Bengal tiger named Richard Parker. Bound by the need to survive, the two are cast on an epic journey that must be seen to be believed.

“Life of Pi” is already hands down my favorite Blu-ray release of 2013 already. Fox really delivered the goods here. It comes as a combo pack with a Blu-ray 3D + Blu-ray + DVD + Ultraviolet Digital Copy. This film is like I said really meant to be seen in 3D. In fact if you don’t have a 3D TV and where on the fence, this would be the film to push you over! I have never experienced a film like this before. From the moment the film started I sat on my couch speechless with my mouth wide open at the amazing visuals that were coming off my television screen. The 1080p transfer is just stunning and perfectly represents the 3D. Don’t get me wrong it also looks stunning in 2D but the visual aspect is drastically reduced. Kudos go to the incredible cinematography from Oscar nominee Claudio Miranda (“Tron: Legacy”) for this visual masterpiece.

One thing I wanted to point out with the video was there was a sudden change in the aspect ratio during the “flying fish” scene. The aspect ratio jumps the normal 1.85:1 to 2.35:1. I liked this change because during that scene, one of the fishes seem to actually jump out from beyond the black border on the bottom and into the film itself. I was blown away. ”Life of Pi” besides looking absolutely stunning on this release, it also sounds perfect. The fast and furious DTS Master Audio 7.1 surround audio track is a thing of beauty in itself. This works perfectly with the film’s action and events surrounding it. You literally can feel like you are in the storm or the tiger is actually about to attack right behind you. Top that with Mychael Danna’s Academy Award-winning score and you will be left applauding at the end of the film like myself.

The special features are also another spectacular edition to this release. With big name Blu-rays coming out with little or no extras (*cough* “The Hobbit” *cough*), this is a real treat. First since I was in love with the 3D aspect of this film, I almost fell over when I saw that their were actually 3D special features! Don’t bother re-reading that sentence, it is true! There are five deleted scenes, which total up just shy of 15 minutes. I really enjoyed the “VFX Progressions” in 3D, which shows the ship sinking sequence in various stages. There is also a montage of footage during the production of the wave tank used. Lastly there is a 3D Theatrical Trailer. All of these extras can also be played in 2D as well for those lacking the extra dimension, but what fun is that?

If you enjoyed this film or want to learn more be sure to check out the brand new microsite for “Life of Pi”, and explore Pi’s miraculous journey and how the film came together here.

Also check out the internationally recognized American chalk/street artist Tracy Lee Stum who brought her spectacular interactive 3D street drawing to L.A. in Downtown Los Angeles from March 9-12. She paid tribute to Life of Pi, in honor of the March 12 home entertainment release. The drawing was inspired by a key scene from the four-time Academy Award-winning film.

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Going into its fourth season, NBC’s Community abruptly changed much of its behind the scenes creatives, including, crucially, creator and show runner Dan Harmon. At the same time, the study group on the show, headed up by Joel McHale’s Jeff, faces their senior year at Greendale University. It’s therefore fitting that when two of its stars, Alison Brie (“Annie”) and Danny Pudi (“Abed”), got together to talk about the show this year, much of the focus was on change:

Pudi: That is in some ways what we set  up for season four, embracing change, and I think specifically with the world of Abed. You see that right away, in the premiere of season four, going into his happy place especially anytime anyone mentions that it’s our senior year which is scary. And I think with Abed we’ve explored change a few different times already. In the “My Dinner with Andre” episode you know, it ends with Abed saying  that changing really isn’t his jam, you know? He’s more of a fastened lip and stoic type. And I think the thing about senior year at Greendale is that whether or not we change much as individuals, our circumstances change and our environments change. So I think that is something we have to at least address so there is part of that. And I think honestly when I look at the world around me I think most of my friends and the people I know, they’re at their core, they’re essentially the same people. You know, you do grow but in many ways the things that grow is literally just the fact that you’re a little bit older now and you have to have a job and you have kids and a family and you’re no longer living at home. Your responsibility to the world around you changes. It’s your ability to adapt to that that I think is interesting. And so I think that’s what we explore season four.

Brie: Yea I think that Annie, like all the characters, has always been changing. You know because they started out as singular beings and now they’re sort of a unit and just in terms of gaining friends like that and growing up a little, like everyone I hope, grows in college because you’re learning so much about yourself through these interactions with these other people. And Annie she started out, I always think of Annie being kind of two steps forward and one step back like in all of her growth. She started out so studious and just seemed very driven and is still driven, but we’ve seen some detours. She gets hung up on guys, she gets hung up on the friends group and trying to keep the study group together because she’s never had friends like this before. And she’s never had guys interested in her before. So we’ve see those kind of detours with Annie and this year she’s sort of returning to her studious roots and she’s discovered a new major, forensics, that she’s now interested in and feeling really passionate about it again. So we sort of see her returning to being that figure for the group. To being kind of driven and just being kind of the voice of reason for the group and that’s how she changes.

When new writers came on fans were worried that it might be less ambitious than when Dan [Harmon] was on, was that a concern for you?

Brie: I think, you know, it’s a tough thing to learn that your show runner is not coming back to the show and Dan is such a big part of the show, so I think we were a little nervous and didn’t know what to expect but that’s not really a new feeling having worked on our show for four years now. So when we met the new guys they really stressed how much they loved the show and wanted to keep it the same and some of our writers were still the same… And we all were certainly very vocal this season to sort of speak to what our characters would and wouldn’t do and the way things might go on the show and so we were all sort of working together to keep the show intact.
Pudi:… I think for us the one thing that you know we wanted to do and to make sure it comes across this year is that our genuine love for the show comes across and I think you’ll see that with us this year. Still, there’s an extra level of responsibility we had as actors to really make sure that we’re still staying true to who these people are and the world around Greendale. But there was definitely—you can’t replace Dan Harmon. He created something that’s pretty amazing and I’m forever thankful for that.
Brie: Yea, me too.

This season has already seen Malcolm McDowell guest star as a history teacher, Matt Lucas as a deranged Inspector Spacetime fan and NBC’s just announced that in the spring we will see “Seinfeld” favorite Jason Alexander as a Friendly Mountain Man.

Who is your dream guest star on the show?
Brie: I’ve always thought Jason Bateman would be this like—because we love Arrested Development here—and I’ve always thought that he would be so great on the show. Pudi: Dream would be Zach Galifrianakis. I think that would be so much fun. I think it would be amazing to see him in our world. Bruce Willis would be unbelievable. We could do like a Looper. Oh, that would be amazing!

What’re you really excited for people to see for the rest of this season?
Brie: I am really excited for the Christmas episode, that’s the one that’s Hitchcock inspired. Also we have like a Freaky Friday episode that was written by Jim Rash—who of course plays Dean Pelton, and is an Academy Award Winner for Screenwriting [The Descendents]–so that is a really fun one. And also our season finale, I am like ‘Hang in there, fans…’ I think the finale is such a special treat and it’s written by Megan Ganz and it’s one of my favorite episodes this season and I think that it has a lot of elements in it that, it’s really just made for the fans.
Pudi: In some ways it is just a little bit more of a love note.–
Brie: Because it was sort of written as if it might be our last so a lot of heart in there from all of us. And I do think that the episodes get better and better throughout the season so keep tuning in, guys!

“Community” airs Thursdays at 8pm on NBC

Actors: Matthew Macfadyen, Jerome Flynn, Adam Rothenberg, Amanda Hale, MyAnna Buring
Directors: Andy Wilson
Rated: NR (Not Rated)
Studio: BBC Home Entertainment
Release Date: March 12, 2013
Run Time: 480 minutes

Series: 3.5 out of 5 stars
Extras: 3 out of 5 stars

When I saw the trailer for “Ripper Street” on BBC America, I was immediately hooked.  A crime drama based around the killings of Jack the Ripper…where do I sign up?  This new series includes eight episodes which are each more incredibly gripping than the last. The show also boasts a very sharp cast including Matthew Macfadyen (“Anna Karenina”), Jerome Flynn (“Game of Thrones”), Adam Rothenberg (“Alcatraz”) and MyAnna Buring (“Downton Abbey”, “The Twilight Saga”).  The series is very character driven. This works perfectly since from the very first episode, you really find yourself loving this cast. I wish the series was longer, but at least we have something to look forward to since the series was already renewed. BBC American is bringing this show back in early 2014 with another eight episode series. Count me in! Until then be sure to pick this up and play catch-up with this.

Official Premise: BBC America’s compelling crime drama Ripper Street set in the seething backstreets of Victorian London comes to Blu-ray! Haunted by the failure to catch London’s most evil killer Jack the Ripper Inspector Edmund Reid now heads up the notorious H Division – the toughest police district in the East End. Charged with keeping order in the blood-stained streets of Whitechapel Reid and his men find themselves fighting to uphold justice and the rule of law; but always in the background lurks the fear of the Ripper is he back for another reign of terror? Rich episodic storylines meld with the intrigue of a criminal underworld festering on the hard streets of Victorian London following the battle of the men whose job it is to bring the law to the lawless

The Blu-ray presentation is decent but nothing special.  The episodes are presented in 1080i, which still looks sharp but could have been given the little extra effort that was required to make it a full HD Blu-ray. Same goes for the audio, which is an DTS-HD Master Audio 2.0 surround track.  This works well with the show, since it is very dialogue driven.  Also the score is blended nicely here as well. I just would have like to seen them go the extra step to upgrade to the 5.1 track. The special features are decent as well for this release, though no commentary tracks.  There are three “Inside Looks” from the cast and production team. “London Calling: Whitechapel” is a tour of the Dublin, Ireland transformed into London’s East End during 1889. “Jack the Ripper: Prime Suspect” is a look into modern forensic science and its part in solving the case of Jack the Ripper.  Lastly there are some character profiles included.

Actors: Anthony Hopkins, Helen Mirren, Scarlett Johansson, Toni Collette, Danny Huston
Directors: Sacha Gervasi
Rated: PG-13 (Parental Guidance Suggested)
Studio: 20th Century Fox
Release Date: March 12, 2013
Run Time: 98 minutes

Film: 3.5 out of 5 stars
Extras: 4 out of 5 stars

When I first saw Anthony Hopkins in make-up for the role of Alfred Hitchcock, I was blown away.  Kudos to my buddy Greg Nicotero and his team at KNB EFX on that wonderful make-up job (snubbed for the Oscars BTW).  I have always been a fan of the mysteriousness of Alfred Hitchcock.  “Psycho” is one of my favorite films of all-time.  I was thrilled to see the story behind the making of it. I know this film may not be 100% correct with the facts but it is very entertaining and packs some very impressive cast performances. The film is well-paced running just over 90 minutes but I was literally enjoying every second of it.  I loved Helen Mirren in it and in fact, Media Mikes awarded her with our Best Actress of 2012 award.  All around witty, interesting and just fun to be had here. Recommend to check this out.

Official Premise: Oscar® winners Anthony Hopkins and Helen Mirren* are spellbinding in this provocative story about the making of one of cinema’s most iconic films. Plagued by both a reckless ego and nagging self-doubt, Hollywood legend Alfred Hitchcock (Hopkins) becomes obsessed with a grisly murder story that the studios won’t back. Determined, he risks his reputation, his home and even the love of his wife Alma (Mirren), as he sets out to make the film. Ultimately, Hitch wins Alma over, and the two collaborate to create an enduring masterpiece – Psycho.

Fox is delivering this released as a combo pack with the Blu-ray disc, a DVD disc and also a digital copy of the film. The 1080p transfer for the Blu-ray looks great.  There are no noticeable flaws or issues that I was able to pick out. The colors are sharp and the picture quality is super clear. The DTS-HD Master Audio 5.1 audio track is also fantastic.  It works perfectly with the dialogue, which this film is quite driven by. It also works great with Danny Elfman’s score for the film.  Danny delivers a fun and very unique score, which is much different that we are used to for him.

The special features are very impressive for this release and come jam-packed.  First, there is a feature “Becoming the Master: From Hopkins to Hitchcock”, which showcased the transforming of Hopkins into character. “Obsessed with Hitchcock” and “Remembering Hitchcock” look into the phenomon behind the man. “Sacha Gervasi’s Behind the Scenes Cell Phone Footage” is fun to watch but remember it was shot on a cell phone. Speaking of cellphones’ “Hitchcock Cell Phone PSA” is included which aired in theaters prior to the films release. Next, there are three featurettes focusing on the the film’s story, the cast and the score with “Danny Elfman Maestro”, all three are great.  There is also a piece of “Hitch and Alma” from the film, as well as a deleted scene included.  Almost forgot that there is a decent audio commentary track with director Sacha Gervasi and Stephen Rebello, author of “Alfred Hitchcock and the Making of Psycho”, which is information packed.  Wrapping up these extras is a theatrical trailer.

CHASING BEAUTY  – A Documentary Film
www.chasingbeautyfilm.com

Upcoming Screening on Thursday, March 28, 2013

Kansas City, MO – Please join us for a free promotional screening of the new
documentary film, CHASING BEAUTY, at Screenland Crossroads at 8:00 pm on
Thursday, March 28th, 2013. A panel discussion will follow featuring Director Brent Huff, Jenny Wheat (Wheat Photography / Manifest Talent), Heather Laird (President of the Film Commission of Greater Kansas City), Jennifer Mangan (President of Exposure Model and Talent), Kenny Johnson (Photographer), Mark Jones (I & I Talent and owner of Global Stars Network), Michelle Davidson (Host KC LIVE).

CHASING BEAUTY takes a candid look at the beauty industry and the people that drive it. The film provides a rare glimpse behind the glossy covers and into the intriguing and complex world of modeling. This documentary features interviews with supermodels, photographers, agents, designers, plastic surgeons, makeup artists and psychologists to ask the questions… what is beauty and is it worth the cost?

Cocktail Hour: 7:00 pm – 8:00 pm!!
Screening: 8:00 pm – 9:30 pm
Q & A : 9:30 pm – 10:00 pm

Screenland Crossroads
1656 Washington
Kansas City, MO 64108
Tel. 816.421.9700

Tickets are FREE on a first-come, first-served basis – early arrival is encouraged!

R.S.V.P. chasingbeautydocumentary@gmail.com

Actors: Ian McKellen, Martin Freeman, Richard Armitage, James Nesbitt, Ken Stott
Directors: Peter Jackson
Rated: PG-13 (Parental Guidance Suggested)
Studio: New Line Home Video
DVD Release Date: March 19, 2013
Run Time: 169 minutes

Film: 4 out of 5 stars
Extras: 2.5 out of 5 stars

I am a huge fan of Peter Jackson’s “The Lord of the Rings” series.  They are easily some of my favorite films that if I see them on, I just lost a day since I can’t not watch them. “The Hobbit” was also quite amazing and one of my favorites from 2012.  There has been much speculation on whether it is up to par with the film’s that it follows and I believe that it is.  “The Hobbit: An Unexpected Journey” is the beginning of another trilogy with Peter Jackson behind all three.  This film is followed by “The Desolation of Smaug” and “There and Back Again”, which will be in theaters respectively in 2013 and 2014. So basically if you know J. R. R. Tolkien’s 1937 novel, which only runs just over 300 pages, that their is a little bit of embellishment here in order to span three films.  I like to look at “The Hobbit” as a way to lure us about to Middle Earth and get you ready for the following three films.  Is it as good as “The Lord of the Rings” trilogy…no, but did you really expect it to? Don’t forget what the power of a film earning a BILLION dollars will do! Stand alone, this is an amazing well-made film and I will be first in line for the next two and fingers crossed for an Extended Edition release in the future.  Be sure pick up this this first installment and begin your Hobbit collection! Keep ’em coming Peter Jackson!

Official Premise: The adventure follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

This edition from Warner’s comes as a Blu-ray combo pack with a Blu-ray disc, a DVD copy and also an Ultraviolet digital streaming copy. When this film was released, there was a lot of focus on the 3D, since it was the first film to be released theatrically in the new 48FPS 3D (double the projection speed of regular 3D).  I had the privilege of seeing this film in 3D and I have to say it is really the way to go if you have the option.  Peter Jackson really sets up the Middle Earth to look amazing in the third dimension. Easily add a half a star to the film’s rating for the 3D added in. Nonetheless, the 2D version still works, it is just missing the added depth. I have to say Warner still delivers easily one of the best Blu-rays of the year in terms of audio/video.  The 1080p is stunning and absolutely crystal clear.  The DTS-HD Master Audio 7.1 surround track is a real beast.  Get ready to write that apology letter to you neighbors since this shit is going to break the windows and shake the walls.  The action and score are perfectly balanced and will blow your speakers if you are not careful.  You have been warned.

Now on to the special features, which are very disappointing for a release of this stature. There majority of these extras aren’t even new since they have been available online. I am assuming that they are either holding out for the extended edition or the inevitable trilogy collection.  “ew Zealand: Home of Middle-Earth” is a short look with Peter Jackson and the production crew of New Zealand being turned back into Middle Earth. Next is ten “Video Blogs” from Jackson that were available previously that were made to tease us during the production. They run about an collective two hours and are very fun and informative still but as the only main extra included, I am a big taken back. Here is a breakdown of the blogs “Start of Production (April 14, 2011)”, “Location Scouting (July 9, 2011)”, “Shooting Block One (July 21, 2011)”, “Filming in 3D (November 4, 2011)”, “Locations Part I (December 24, 2011)”, “Locations Part II (March 2, 2012)”, “Stone St. Studios Tour (June 6, 2012)”, “Wrap of Principal Photography (July 24, 2012)”, “Post-Production Overview (November 24, 2012)” and “Wellington World Premiere (December 14, 2012)”. There are also a few film and game trailers included as well. Lastly there is a sneak peak access code included for an exclusive online sneak peek at “The Desolation of Smaug”, hosted live by Peter Jackson on March 24th at 3pm EST/12pm PST.

The Hobbit: An Unexpected Journey available on Blu-Ray 3/19/13 at WB Shop http://bit.ly/WzQwcw

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Actors: Joaquin Phoenix, Jeremy Suarez, Jason Raize, Rick Moranis, Dave Thomas
Directors: Aaron Blaise, Robert Walker
Rated: G (General Audience)
Studio: Walt Disney Studios Home Entertainment
Release Date: March 12, 2013
Run Time: 85 minutes

Brother Bear: 3.5 out of 5 stars
Brother Bear II: 2.5 out of 5 stars
Extras: 3 out of 5 stars

When I first saw “Brother Bear” in the theaters, I first thought that Disney was slipping quite a bit with their animated films but since it has grown on it. “Brother Bear” is not a perfect film and in fact is one of the last classically animated film from Disney. The film delivered a great message and has quite a bit of heart. The animation still holds up, especially on Blu-ray. The voice cast includes an interesting choice of Joaquin Phoenix and Rick Mornais, in one of his last film roles. So since this film is a two movie collection, we also have the direct-to-video sequel “Brother Bear 2” included. This film screams direct-to-video and really should be considered as a bonus feature here for this release. “Brother Bear” is a the real draw here though and worth the purchase or upgrade alone.

Official Premise: Disney proudly presents two heartwarming and hilarious movies in one incredible collection – Brother Bear, the 2003 Academy Award nominee for best animated feature, and Brother Bear 2 – together for the first time on Blu-ray. Bring home an entire forest full of fun, complete with digitally restored high definition picture and sound. After an impulsive boy named Kenai is magically transformed into a bear, he and his little brother bear, Koda, take a courageous (and often hilarious) journey to see the Northern Lights. Experience the excitement of these two fantastic films like never before on Disney Blu-ray!

Even though these films aren’t Disney classics per se, they are still decent film and look amazing on Blu-ray. “Brother Bear” looks stunning with its 1080p transfer presented with its aspect ratio of 2.35:1 with black bars at the top and bottom. The colors are beautiful, sharp and really pop off the screen. Believe it or not “Brother Bear 2” is also very impressive as well. Even though it is direct-to-video quality Disney cleaned this film up for this Blu-ray quite well. Next up is the audio, “Brother Bear” delivers a great DTS-HD Master Audio 5.1 track, which works well with the action, the dialogue, the score and of course Phil Collins’ songs. Again “Brother Bear 2” also delivers with it’s DTS-HD Master Audio 5.1 track. For what it is worth, the track works with what what the film has going for it.

Next up are the special features, which are just ports of previous DVD releases. They are decent but in terms of taking the extra effort, it is a letdown. “Brother Bear” starts off with an audio commentary track with the film’s characters Rutt and Tuke (voiced by Rick Moranis and Dave Thomas), the film’s Canadian Moose duo. If you are a die-hard fan, I highly recommend this as it is a riot. “Paths of Discovery: The Making of Brother Bear” is a four-part documentary focusing on the cast, story, production and score. There are three deleted scenes with an introduction from directors Aaron Blaise and Robert Walker, as well an Never-Before-Heard Song (except on the last DVD release) called “Fishing Song”. “Art Review” takes us with Art director Robh Ruppel and supervising animator Byron Howard as they discuss…art from the film.

“Bear Legends” is a very short series of Native American tales. There is the song “Transformation” with its original Phil Collins lyrics, as well as a Sing-Along Song for “On My Way” and a Music Video for “Look Through My Eyes” by Phil Collins. “Koda’s Outtakes” are in character and are quite funny, taking a page from “Toy Story”. “Making Noise: The Art of Foley” is a non-technical look at sound design for kids. Wondering about “Brother Bear 2” extras? The only extra is “Behind the Music” with Producers Jim Ballantine and Susan Kirch, director Ben Gluck and others talking about the films tunes.

“Brother Bear” is not the only animation classic being released on high-def Blu-ray. March 12th will also bring the release of “The Hunchback of Notre Dame 1 & 2″, “Mulan 1 & 2″ and “Who Framed Roger Rabbit”, which is celebrating its 25th anniversary. Of course like Disney is smart to release their films like that ”Mulan”, ”Brother Bear” and “Hunchback” with their direct-to-video sequels because otherwise I do not think that anyone would be interested in owning them. So I look at these direct-to-video sequels as a bonus feature really. I am not sure how “Who Framed Roger Rabbit” fits into this trend but that is one release that I am highly anticipating.

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Charles Fleischer is known best as the man who gave the voice to Roger Rabbit” in the film “Who Framed Roger Rabbit”, which is celebrating its 25th Anniversary this year. The film is also debuting on Blu-ray for the first time on March 12th. Besides voice acting, Charles is also a stand-up comedian and also has two patents including a device to measure the golden ratio He has also invented and patented a Toy Egg. Fleischer is also the author of “The Moleeds,” a book of his own mathematical theories. In 2010, Charles spoke at the TED conference and discussed about his unique theory of everything called “Moleeds”, read more on that below. Media Mikes had a chance to chat with Charles to reflect about his role in “Who Framed Roger Rabbit” and also get to find out his love for science.

Mike Gencarelli: What do you think it is about “Who Framed Roger Rabbit” that makes it so unique and holds up over the last 25 years?
Charles Fleischer: It all goes back to good storytelling. It links to the job of the director and that was Bob Zemeckis. He is a genius director and a master storyteller. You combine that with the animation skills of Richard Williams and the script by (Peter) Seaman and (Jeffrey) Price and then on top of that your introducing a new cartoon character. Certain films are just classics and hold up through time and I will certainly say that “Who Framed Roger Rabbit” is one of those.

MG: We spoke with Christopher Lloyd a few years back, read here, and he said that you voiced the role off screen, was that a difficult task?
CF: It wasn’t necessarily difficult but it was slightly different. We rehearsed face to face and I even had them make a full costume. Then I would be off-camera and I would watch exactly was (Bob) Hoskins was doing. If he reached out and grabbed Roger, I would have to reach like I was being grabbed while performing. It was a kind of performance I named “T.P.A.”, which is Trans Projectional Acting. Where you are there but you are projecting your performance from another space.

MG: Since we are going back 25 years, let’s go all the way back. What was your audition process like for this film and the creation of that wonderful voice?
CF: I was originally called in to help them find the Eddie Valiant character. They needed someone to read Roger off-camera when they did the screen-tests. After doing several of those Bob Zemeckis asked me if I wanted to do the character for the film and I said “Gladly”. So once I got it, I got to read the whole script, got to see some animation tests and I was able to find tune the voice into something that would be appropriate.

MG: How does it compare to your various other voice roles including “Rango” and “The Polar Express”?
CF: Nothing compares to “Roger Rabbit” [laughs]. That pretty much also goes for any role that I have played from “Zodiac” to “Night Shift”. The essence of Roger Rabbit is the closest to who I am. I am a stand-up comedian, I make people laugh and that is what I love to do. I felt this certain kinship with the elemental aspects of Roger Rabbit, which made it more important to me. On another note, his wife was Jessica Rabbit and my youngest daughter is named Jessica. One of my favorite scenes in the movie is when Roger is in the Alley sitting on a trash can and he is brokenhearted about Jessica playing patty cake. Just the fact that the name Jessica had an emotional sympathy within me that created this resonance that added to the whole projection of my acting dynamic.

MG: I always thought that you must have had no voice after shooting this film with all the screaming.
CF: Well it is a cartoon scream, so it doesn’t hurt you.
MG: Oh ok, I didn’t know that.
CF: Me neither. I just made it up [laughs].
MG: You got me man! [laughs]

MG: Word was released last month about “The Stooge” with Mickey Mouse & Roger Rabbit, have you been approached to reprise?
CF: I think that was a lot puffery. I do not think that there is any substance to that. I think that is the strategy that they were trying to use by putting it out there and see what people think and if they want it. I would suspect that any subsequent Roger Rabbit film would have some like Robert Zemeckis involved.

MG: Speaking of that, I have heard about talks of “Who Framed Roger Rabbit 2” for as long as I can remember, what do you think is the reason why this never happened?
CF: I think there are a number of reasons. I think one of the main reasons is that at the time it was co-produced by Disney and Amblin Entertainment. So to get both parties on board would be a challenge. It is all speculation. I can only say that eventually I hope they get around to making it because I believe there is a market.

MG: Off-topic, but can you talk a little about your unique theory of everything called “Moleeds”?
CF: You just touched my heart now we can talk now [laughs]. This is very important to me. Moleeds is something that I have been working on for over 30 years. It is a mathematical discovery that deals with prime numbers and creates patterns and relationships that I believe have some significance with the DNA of the universe. I did a talk on TED, check it out below. A mathematican in Vienna saw that and I started corresponding with him. He created these programs for me which allowed me to visualize moleeds on higher levels. The prior work that I had done was just on a calculator and making graphs on the computer. He was able to create these formulas based on my research that allowed you to plug in any prime number and see the symmetrical system that would be generated by moleeds.

CF: Since we are on science, I have another discovery which has to do with gamma ray bursts. I wrote a scientific paper, which was published on the Cornell University’s website. In order to be published there you need to be endorsed by a published scientist. Gamma ray bursts are the largest display of energy in the universe. I found patterns that indicate that they are not random, which if I am correct will change science!

Actors: Bob Hoskins, Charles Fleischer, Christopher Lloyd, David Lander, Wayne Allwine
Directors: Robert Zemeckis
Rated: PG (Parental Guidance Suggested)
Studio: Touchstone Home Entertainment
Release Date: March 12, 2013
Run Time: 104 minutes

Film: 5 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 3 out of 5 stars

Wow, 25 years already? I remember watching this film as a kid over and over and over. Now here we are 25 years later and I am watching it with my own daughter. “Who Framed Roger Rabbit” is such an amazing film.  It really brings you back to the day before everything was all CGI and perfect.  The film definitely has it flaws since it is very ambitious blending animation with live-action.  This is before the days of “The Smurfs” or “Garfield”.  This took some real talent people to make this film work…and still work today. Disney did a pretty good job restoring this film for Blu-ray, but this lacks any effort in the extras department.  I thought it was missing a certain magic touch but still looks and sounds amazing and much better than I ever remembered, but Blu-ray today comes with high standards. If you are a fan of this film like myself you will enjoy this high-def upgrade. I recommend checking this out for sure.

Official Synopsis: On Blu-ray for the first time ever, this digitally remastered edition of Who Framed Roger Rabbit practically jumps off the screen with its brilliant picture, rich sound – and dangerous curves. It’s 1947 Hollywood, and Eddie Valiant (Bob Hoskins), a down-on-his-luck detective, is hired to find proof that Marvin Acme, gag factory mogul and owner of Toontown, is playing hanky-panky with femme fatale Jessica Rabbit, wife of Maroon Cartoon superstar, Roger Rabbit. When Acme is found murdered, all fingers point to Roger, who begs the Toon-hating Valiant to find the real evildoer. Complete with hours of bonus features – including three digitally restored Roger Rabbit shorts, this multi Oscar winner (best film editing, best sound effects editing, best visual effects, special achievement in animation direction, 1988) is pure magic in hi-def Blu-ray.

I am not sure what I really expect with the Blu-ray’s 1080p transfer, I think I was expecting it to really pop more.  I really enjoyed watching it but I kept kind of sighing through certain scenes that still felt a little rough.  I will give it a little slack since the film is 25 years old. This new digital remaster still delivers a nice presentation. The DTS-HD Master Audio 5.1 audio track is quite impressive. You will be holding your ears for all of Roger’s screams and the constant toon-action. The dialogue is clear and the score flows quite well. Both the audio and video are major upgrades from the last DVD release.  The release comes in a combo pack also, so we can both a Blu-ray disc and a DVD of the film.

The special features are a decent but not really 25th anniversary material.  There is nothing new for this release just ports from the last DVD release. The only semi-upgrade is that “The Roger Rabbit Shorts” – “Tummy Trouble,” “Roller Coaster Rabbit” and “Trail Mix-Up” have been digitally restored and presented in high definition.  The rest of the ported special features are an audio commentary track from Director Robert Zemeckis, producer Frank Marshall, associate producer Steve Starkey, visual effects supervisor Ken Ralston and co-writers Jeffrey Price and Peter S. Seaman, which still holds up but I would have loved to see something new.  There is also two featurettes on the production, only in SD, “Who Made Roger Rabbit” and “Behind the Ears”, both worth checking out and have some good behind-the-scenes footage. There is one deleted scenes called “Pig Head Sequence,” with an introduction by the filmmakers. Then we have “Before and After”, which compare raw production footage with final live-action/animation shots. “Toon Stand-Ins” is a short feature on the rubber models used for stand-ins and “On Set!” which is a fly-on-the-wall look at the shoot. Good extras like I said but lacking the anniversary quality.

Actors: Dallas Roberts, Alison Eastwood and Anne Dudek
Director: Matthew Arnold
Rated: PG-13 (Parental Guidance Suggested)
Studio: Starz / Anchor Bay
DVD Release Date: March 19, 2013
Run Time: 88 minutes

Film: 3 out of 5 stars
Extras: N/A

Anything that boasts that it is from the producer of “The Devil’s Rejects” and “Capote” draws my interest. What a combination! This supernatural thriller is based on true events and that makes it much more interesting. The focus of the film is on SUNDS, which is the belief behind that your mind can actually kill the body through false belief. Is that crazy or what? Right off the bat, count me in! Dallas Roberts really delivers a great performance. You might know him recently from his role of Milton in season three of “The Walking Dead”. My main issue with the film was the blend of archival footage and actual interview, which takes away from the thrill. Get over that and genre fans should enjoy this quite a bit!

Official Premise: “Shadow People” is based on a true story about small town radio personality Charlie Crowe (Roberts) who unravels a conspiracy about encounters with mysterious beings. These “Shadow People” were the cause of hundreds of unexplained deaths. He encounters CDC Epidemic Intelligence Agent Sophie Lancombe (Eastwood), whose investigations entwine her with Charlie’s own discoveries leading them both into a dark world and a decades old cover-up.

What I liked about this film is that it actually used real historical evidence about SUNDS and the phenomenon of an inverse placebo effect. It is really an interesting topic and is blending with archival footage and actual interviews from people involved with the story that the film is based on. The Blu-ray looks very nice with its 1080p transfer and the DTS-HD Master Audio 5.1 track works well to create the suspense and a few good jumps. Unfortunately the Blu-ray does not have any special features included, which is a shame. I would have loved to seen more focus on the behind-the-scenes and many a special or two on the actual events and on SUNDS itself.  Oh well, at least we have Google for those looking for more.

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Actors: Kris Lemche, Joe Egender, Timothy V. Murphy, Eric Zuckerman
Directors: Andrew Weiner
Rated: Unrated
Studio: IMAGE ENTERTAINMENT
DVD Release Date: March 26, 2013
Run Time: 87 minutes

Film: 1 out of 5 stars
Extras: N/A

When I read “From the makers of The Last Exorcism”, I was interested and yet also hesitant. I liked “The Last Exorcism” but didn’t really love it.  I love the topic of Frankenstein though and I  was loving the idea of a “Blair Witch”/found footage twist on the classic Mary Shelley’s story.  This film though took away 90 minutes of my life that I will never get back.. I couldn’t help relate this back to “The Troll Hunter” with a group of people heading to a strange place to try and find the mystery character. Except “The Troll Hunter” was ace and had some amazing visual effects and delivers some great scares.  The only payoff in “The Frankenstein Theory” is on the box cover.  The rest is waiting 90 minutes and being let down.  I would steer clear of this film by all means and don’t get tricked by its flashy/lenticular box.

The premise for this film is pretty interesting. What if the most chilling novel of all time was actually based on a true account of a horrific experiment gone awry? Professor John Venkenheim takes a documentary film crew to the Arctic Circle in order to prove the theory.  Of course things go array and pretty much nothing happens until the last 5 minutes. The film tries it best to be another “Blair Witch” meets “Jaws” with them hunting down the beast (who almost is not even seen, except on the box cover). They have many moments of “What was that sound?” and they even have a Quint-like U.S.S Indianapolis speech from “Jaws”, which I was laughing at loud at.  There are virtual no scares at all and the ending is actually makes the film even worse since it delivers zero payoff. On top of the terrible film, there is also zero special features included…not even a trailer. Do yourself a favor skip this and rent “The Troll Hunter”, which is basically the same movie for 100% better.