Record Store Announces Full list of 2018 Releases!

RECORD STORE ANNOUNCES FULL LIST OF 2018 RELEASES!
THE FIRST THING YOU NEED TO KNOW ABOUT RSD 2018 IS…
WAIT FOR IT… THIS ONE GOES TO 11!

Yes, this is Record Store Day’s 11th anniversary, and with apologies to Nigel Tufnul and Spinal Tap, we are turning all the knobs across the board WAAAAYYYY past 10 on April 21st to give everyone the best possible music and independent community experience!

DON’T MISS YOUR CHANCE TO DISCOVER EXCITING, NEW AND LIMITED-EDITION TITLES WHILE CELEBRATING THE CULTURE OF THE INDEPENDENT RECORD STORE, NATIONWIDE.

FEATURING RELEASES FROM JERRY GARCIA, PRINCE, RUN THE GRATEFUL DEAD, THE STOOGES, NOTORIOUS B.I.G., MADONNA, MASTODON, DISTURBED, PINK FLOYD, JIMI HENDRIX, BRUCE SPRINGSTEEN,  RAMONES,  AND EVEN MORE INCREDIBLE ARTISTS! (WE TOLD YOU THERE WERE A LOT!)

IN THE INCLUSIVE SPIRIT OF RECORD STORE DAY, THERE IS TRULY SOMETHING FOR EVERYONE AT ALL YOUR FAVORITE LOCAL INDEPENDENT RECORD STORES ON APRIL 21ST, 2018!

Record Store Day is turning it up a notch in 2018, and everything is coming together to give you something very, very special on April 21st! More independent releases with newer artists, legendary names, iconic performances captured for posterity, limited runs, multiple formats, more heavy hitters, more long out-of-print reissues, more exclusive tracks, and more of everything else you were hoping for. Why? Because you deserve it…and because that is what Record Store Day does…every year, for all our participating record stores and their loyal customers. Find records you never thought you would ever see again, buy records you cannot get enough of, and discover records that will become your new favorites immediately out of the shrink wrap! We are extremely psyched about the depth and scope of 2018’s Record Store Day selections.

RSD 2018 Ambassadors Run The Jewels are fulfilling their duties by releasing The Stay Gold Collectors Jewel Box, a limited edition metal box set which includes a 12” EP etched with custom Marvel-branded art, an RTJ slipmat, and which provides a fitting place to house your RTJ vinyl collection. More hip-hop, both new school and old, comes to record stores courtesy of Rapsody, J Dilla, Czarface, Rob Base & DJ EZ-Rock, Nas, 9th Wonder and more.

Jazz fans have a lot to be excited about as ORG Music presents An Evening With Ornette Coleman (Part 2), taken from a 1965 concert at Fairfield Hall in Croydon, England. This album showcases Coleman’s experimentation with contemporary classical forms, features new artwork, and is exclusive to RSD 2018. Verve is releasing Ella Fitzgerald’s Ella Live at Zardi’s for the first time on opaque pink and opaque blue vinyl. John Coltrane’s “My Favorite Things” is being released as a 7” single through Atlantic, a replica of the original 7” “My Favorite Things Part I & II”, a hit single for the jazz giant in 1961. And Thelonious Monk’s 100th birthday is celebrated with Columbia/Legacy’s re-release of Thelonious Monk’s 1964 classic Monk.

The Motor City gets a shout out from a few titles this year, including Modern Harmonics’ release of two very early 7” singles from the MC5, pressed at Third Man Pressing. Third Man Records co-founder (and Detroit native) Ben Blackwell curates a collection called The Stooges (Detroit Edition). Speaking of Third Man Records, they offer a little Nashville in the mix, with a single from Joshua Hedley, a new country signing who you’ve probably seen leading the band at the iconic Robert’s Western World this past decade or so.

Today’s stars are well represented this year. Taylor Swift has taken over the pop world with several massive releases and Swifties can pick up special record store colored vinyl editions of three of them this April 21. New West Records’ Jason Isbell’s Live At Twist And Shout, is just that: a a six song recording of a performance from his 2007 in-store at Twist & Shout in Denver, Colorado. Mom & Pop Records has two from Courtney Barnett for RSD 2018: a 12” single with two songs from Courtney’s upcoming LP, and a picture disc edition of The Double EP: A Sea of Split Peas.

The youth are wild, but the kids are all right, and that may be because of the music they get at record stores on 2018. Records geared towards kids but enjoyed by everyone include Rockabye Baby’s lullaby versions of Beastie Boys songs, a reissue from Brookvale Records of Marlo Thomas’ classic Free To Be You And Me and a Blitzen Trapper record created with toy instruments actually called Kids Album!

Various artist compilations and movies from films are a big part of the mix too. Dogfish Head Craft Brewed Ales continues its series of Music to Drink Beer To compilations and throws in a little sumthin sumthin by calling this edition Music to Drink Beer And Make Love To! Past & Present are releasing Girls in the Garage Volumes 2 and 3, collections of rare 60s girl group singles prove that long before Patti Smith and Joan Jett, girls were rocking in the garage as hard as the guys. Select-O-Hits brings us Malaco: The Last Soul Company 50 Years of Excellence, an RSD-curated collection of songs on gold vinyl from the 50 years of Malaco, featuring artists like Johnnie Taylor and Bobby Bland, proceeds of which benefit the BMI Foundation.

The Official Film of Record Store Day 2018 is The Godfathers of Hardcore, which tells the continuing fascinating story of Agnostic Front. Composer Aaron Drake’s score makes its vinyl debut on Record Store Day 2018.

In all, it’s one of the most diverse lists of titles ever to be put together for a Record Store Day celebration and whether you find an armful or a select few that pique your interest, they all play a part in helping us throw our favorite party of the year. We’re gonna leave with something that Reid Robinson of Co-Op Records of Moline passed along to us: “My favorite RSD quote ever was from a few years ago. A short, sweet statement from a teenage girl to her dad-
“YES! Christmas USED to be my favorite day of the year!”

For general information, please visit http://www.recordstoreday.com

A full list of titles and their accompanying artwork can be found here:www.recordstoreday.com/SpecialReleases

CD Review: Reggie and the Full Effect “41”

“41”
Reggie and the Full Effect
Pure Records
Tracks: 14

Our Score: 4.5 out of 5 stars

Revered punk-rock project Reggie and the Full Effect will release their 7th studio album, “41” on February 23rd 2018 via Pure Noise Records. Serving as the solo project for Get Up Kids keyboardist James Dewees since 1998 Reggie and the Full Effect blend synth infused rhythms with a driving punk rock ferociousness which creates the perfect foundation for Dewees gravely vocal style.

With almost a five year lapse between Reggie’s 2013 release “No Country For Old Musicians” and their latest offering “41” I was quite anxious to hear what Mr. James Dewees had in-store for listeners this time around. Clocking in at 53 minutes “41” is a very deep and heartfelt album that is brimming over with emotion. Tracks like “Broke Down” and “New Years Day” hit hard lyrically as Dewees pulls directly from some very personal experiences. The album has plenty of lighter moments as well including tracks like “Karate School” the interstellar instrumental “Channing Tatum Space Rollerblading Montage Music” and “Trap(ing) Music” an industrial powered behemoth featuring James’ alter ego Klaus and Common Denominator which will surely have you chanting the comical chorus before the end of the song.

From start to finish “41” is the type of album I really enjoy listening to. From light to heavy and touching on all points in between both emotionally and stylistically “41” has something for everyone. Having listened to the album from start to finish several times over before writing this I just couldn’t and still can’t stop playing it. With 2018 just starting do yourself a favor and grab a copy of this album as I think its definitely going to be one of the bright spots in music this year.

Track Listing:
1.) IL Sniffy Incontra
2.) IL Pesce Svedese
3.) Alone Again
4.) Broke Down
5.) Heartbreak
6.) Karate School
7.) The Horrible Year
8.) New Years Day
9.) Maggie
10.) Channing Tatum Space Rollerblading Montage Music (feat: Fluxuation)
11.) You’ve Got Secrets
12.) Trap(ing) Music (feat: Common Denominator)
13.) And Next with Feeling
14.) Off Delaware

Be sure to check out our exclusive interview with James Dewees here for more info on the album.

The Power, Full Of Tender And Empathy: How To Stand Out In Business Writing With Contrasts 

We will start with the brief exercise for your imagination. Imagine you are at the zoo, watching zebras. Suddenly you see a green parrot on the head of one animal. We think you will be intrigued by the question what this bird is doing here. And now you are in the same zoo, but watching the cage of green parrots. You will be amazed, but not intrigued and you will not ask yourself anything. Now you understand what does the contrast mean. This is a tiny detail that grabs your attention and keeps you focused. And you can use it for the business writing and in your personal notes. Let’s discover how, if you are a blog writer.

Make Your Headlines Outstanding

Per example, “My Experience Of The Horribly Good Las-Vegas Churches Trip” contains two contrasts and grabs attention with the doubled force. The primary one is about “horribly good” part, two adjectives meaning different states are standing together creating an enhancement. The second is “Las-Vegas churches”. For many Vegas means gambling, partying, visiting nightclubs. This headline invites to discover different, part of the city, usually hidden from the eyes of regular tourists. The reader is intrigued and wants to read or at least open up an article.

Creating The Persuading Content

To sell something, highlight the transformation your reader achieves after buying your product. Per example, “Turning Your Body Into The Thankful Instrument In Two Weeks On The Contemporary Dance Workshop In Paris”. The headline might inspire and seduce. Using the contrast into the selling emails, headlines, website content etc will make your offer special. Use the contrasts not only in the description but to describe the scene. If you need to create the advertising text, use the scene description to immerse the reader in the story.

Use the contrast to create the tension. Keep the reader focused. This is the only way to make the text immersive and interesting.

Understand Your Customer

Consider your customers are not buying the products, they are purchasing the quality of life. Describe the quality of improved, life to your customers. Persuade your future clients and immerse them in the new world. To describe the improved quality of life after some purchase, start with the description of the current problem your customers are experienced. Google about the needs of the target groups, or even consult the marketing consultant for an analysis if you work in some big company. Use the contrast between the life they have and the life they can have with your product or a service. This is the contrast between what is and what could be. Describe the profits and the changes that could happen. Per example, it could be the self-confidence, the self-love, the social status person will gain after purchasing the product. It can be something like: are you tired from the early wakeups and working for the boss? Try our course How To Become A Top Freelancer Within Two Month Of Practice, and forget about working in the office.

Use an empathy and understanding to offer new life to your valuable customer. Persuade your customer that he deserves everything the best. Delight the fact that there is no need to get used to the pain points, triggering on a daily basis. Provide your clients with the fact that there is a perfect way and it can be achieved with your help easily. Good luck, dear article writers!

Reggie and the Full Effect Frontman James Dewees Talks About the Bands Latest Album “41”

Reggie and the Full Effect is the solo project of Get Up Kids keyboardist James Dewees. On February 23rd Reggie releases their first album in four years simply titled “41”. Media Mikes spoke with James recently about the albums deep subject matter, the return of James’s alter-ego Klaus and the bands upcoming tour with Senses Fail which kicks off on February 27th.

Adam Lawton: Can you give us some background on your new album “41”?

James Dewees: I started working on the music just after the release of “No Country For Old Musicians”. During that time there was stuff going on with Get Up Kids and I was working with Gerard Way as well. I tend to do a lot of projects as I find while I am working on those projects I come up with ideas that could be songs for Reggie. The music came about pretty well as I started with about twenty or twenty five demos. For the lyrics I was sort of fishing around and trying to decide what type of record to make. It came down to when I found out my mom was diagnosed with lung cancer and my mother in-law at the time was diagnosed with leukemia. That next year was really just me traveling back and forth to Missouri to be with my mom and then back to Long Island for my mother in-law. Basically I was just going to doctors appointments all the time. I would do a couple shows here or there to make some money but then I would go straight back to the hospital. These events were where the lyrical content ended up coming from. My mom passed on April 9th and then my mother in-law passed away on May 9th. It was a really heavy and emotional time that made it seem pointless in trying to do my silly, funny project. Things were just a big bummer. After about the first year of that I started writing lyrics that were more about what I was going through. This was my way of going through the stages of grief. On the record there is stuff that is kind of funny then some that’s more serious, sad and angry. Music has always been my escape and it’s something that I really enjoy doing and it helped me get through all the stuff I had going on at this time.

AL: Being that you didn’t start writing until a year or so after those passing’s what was it like diving back in and reopening those wounds?

JD: I cried in the studio a lot. Trying to sing songs like “New Years Day” and “Next Time with Feeling” which are really heavy songs was difficult. Whenever I would revisit those feelings and I would remember something else about that time that I had forgotten. I did the record with Ray Toro from My Chemical Romance who is a really close friend and it was very personal and private with just him and me working on the album. This made it where it was ok to cry and be upset and I had a friend there to support and encourage me. He pushed me to keep going even during difficult times.

AL: The album also features a new track from Common Denominator. Can you tell us about that track and when/if we will finally get a full length release from Klaus?

JD: With the popularity of Trap music I thought it would be really funny that with Klaus coming from Finland he didn’t know what it was and believed it was about trapping animals. Instead of singing about drugs and whatever he is singing about trying to catch animals. I have played around with the idea of doing a whole album but every time I have started it things just don’t come together. The thing with Common Denominator is that it can’t be thought about too much. The music has to be written in about twenty minutes and if possible recorded in twenty minutes. You really can’t write the lyrics to much. You just have to start recording and see what comes off the top of your head otherwise I think it loses the humor.

AL: Can you tell us about the latest single off the album titled “Karate School”?

JD: That was a song the label picked after going back and forth for awhile about what songs to release. I chose “Horrible Year” which was released first and they chose “Karate School” there is one more song set to come out but I won’t tell you what that one is just yet. I like the song as its heavy and defiantly a traditional Reggie song. It’s not really about anything it just a song about my day. The label wanted something about the song for a press release so I came up with the Harry Potter story as I couldn’t think of anything without making it sound dull. (Laughs)

AL: The band heads out on the road with Senses Fail on February 27th can you tell us about that?

JD: That came about through a discussion with the label. We originally were going to be out on tour in January doing a headlining run but Buddy Nielsen and I started talking and decided to do a tour together. The tour starts in late February and runs through March. After that Reggie has some solo shows in early April and then I will be pretty busy with Get Up Kids.

For a full list of tour date visit: www.facebook.com/reggieandthefulleffect

Gwar Announces Full Details of New Album “The Blood of Gods”

GWAR Announces Full Details Of New Album “The Blood of Gods”
First Song Streaming; Pre-orders Available Now

The time has come, your Lords and Masters GWAR have unveiled the details of their latest masterpiece “The Blood of Gods”. Today the first single “Fuck This Place” is available for audio and video streaming. Watch the video, check out the song and pre-order your copy of “The Blood of Gods” at metalblade.com/gwar! Your Intergalactic Overlords demand it! Digital pre-orders include an instant gratification download of “Fuck This Place”. Limited edition special bundle packs are available for pre-order as well.

“The Blood of Gods”, produced, recorded, mixed and mastered by Ronan Chris “Lord God” Murphy, will be released October 20th via Metal Blade Records. The album will be available in Standard CD, 2LP Colored Vinyl and Digital formats.

“The Blood of Gods Track Listing:
1. War on GWAR
2. Viking Death Machine
3. El Presidente
4. I’ll Be Your Monster
5. Auroch
6. Swarm
7. The Sordid Soliloquy Of Sawborg Destructo
8. Death to Dickie Duncan
9. Crushed By The Cross
10. Fuck This Place
11. Phantom Limb
12. If You Want Blood (You Got It) – AC/DC Cover

The Berserker Blothar says:
“Fuck This Place,” the name says it all. Look around you. Your life sucks. Your planet is dying. You want to kill yourself and everyone you meet. So do it. You’ve drenched yourselves in gasoline, and now GWAR offers you a light. The finish line of the human race is at last within reach. Scream it now at the top of your lungs…”Fuck This Place!”

“The Blood of Gods” is nothing less than a sacred text chronicling the rise of humanity against their makers, and the massive battle between GWAR and the forces of all that is uptight and wrong with the world. Along the way, the band challenges the sins of their great mistake, from politics, pollution, and organized religion, to fast food, and factory farming. Humans are shown as what they are; a parasitic disease that must be eradicated before they suck the planet dry.

Sleazy P. Martini comments on “The Blood of Gods”:
“Sorry scoffers, you thought GWAR was finished? You’re the one who’s finished when GWAR starts their fall tour after dropping their heaviest album yet. “The Blood of the Gods” will be the soundtrack that covers up your pathetic cries for mercy. So go ahead and scream all you want. Just make sure your in key or your death will be excruciating beyond comprehension.”

In support of “The Blood of Gods” release GWAR will be on the road throughout the rest of 2017 including three shows in September with a stop at Chicago’s Riot Fest. GWAR will then return to the road On October 20th, the release date of “The Blood of Gods.” The first show on “The Blood of Gods Tour” is in their adopted home base of Richmond, Virginia and will run through December 10th in Detroit, MI. A complete list of “The Blood of Gods Tour” dates including an NYC appearance on Halloween can be found below. Support on the tour will come be provided by Ghoul, Doyle(10/20-11/5), He Is Legend (11/7-12/10) and U.S. Bastards.

GWAR On Tour:
9/15: Knoxville, TN @ The International
9/16: Middletown, OH @ Land of Illusion
9/17: Chicago, IL @ Riot Fest

GWAR W/Ghoul, Doyle and U.S. Bastards:
10/20: Richmond, VA @ The National
10/21: Cleveland, OH @ Agora Ballroom
10/22: Toronto, ON @ Opera House* (No Doyle)
10/23: Millvale, PA @ Mr. Smalls
10/25: Greensboro, NC @ Arizona Petes
10/26: Baltimore, MD @ Rams Head Live
10/27: New Haven, CT @ Toad’s Place
10/28: Worcester, MA @ Palladium
10/29: Philadelphia, PA @ Trocadero
10/31: New York, NY @ Irving Plaza
11/1: Buffalo, NY @ Town Ballroom
11/2: Louisville, KY @ Mercury Ballroom* (Stonecutters Open)
11/3: St. Louis, MO @ Pop’s
11/4: Sioux City, IA @ Hard Rock
11/5: Lawrence, KS @ Granada

GWAR W/Ghoul, He Is Legend and U.S. Bastards
11/7: Minneapolis, MN @ First Avenue
11/8: Winnipeg, MB @ Pyramid
11/9: Saskatoon, SK @ Saskatoon Events Center
11/10: Edmonton, AB @ Union Hall
11/11: Calgary, AB @ The Palaces
11/13: Vancouver, BC @ Commodore
11/14: Portland, OR @ Roseland
11/15: Seattle, WA @ Showbox SoDo
11/17: Santa Cruz, CA @ The Catalyst
11/18: Las Vegas, NV @ Fremont Country Club
11/19: Sacramento, CA @ Ace of Spades
11/21: San Diego, CA @ House of Blues
11/22: Los Angeles, CA @ Fonda Theater
11/23: Tempe, AZ @ Marquee Theater
11/24: Albuquerque, NM @ Sunshine Theater
11/25: Denver, CO @ Summit Music Hall
11/26: Lincoln, NE @ Bourbon Theatre
11/28: Tulsa, OK @ Cain’s Ballroom
11/29: Dallas, TX @ Gas Monkey Live
11/30: Houston, TX @ House of Blues
12/1: San Antonio, TX @ Aztec Theater
12/2: Baton Rouge, LA @ Varsity Theater
12/3: Atlanta, GA @ Masquerade
12/5: Ft. Lauderdale, FL @ Revolution
12/6: Tampa, FL @ The Ritz
12/8: Indianapolis, IN @ The Vogue
12/9: Peoria, IL @ Limelight
12/10: Detroit, MI @ St. Andrews Hall

For More Info Visit:
http://www.gwar.net

Dave Coulier talks reflects on his role in “Full House” and his stand-up comedy tour

Dave Coulier is know best for his role as Joey Gladstone on “Full House”. What you may not know is that before “Full House”, Dave started out as a stand-up comedian. Well, he is returning to those roots this year with a comedy tour and is hitting the road with dates all around the country. Media Mikes had a chance to chat with Dave about his tour, reflect a bit on “Full House” and even chat about his voice acting roles on “The Real Ghostbusters”. Check out his tour dates, here.

Mike Gencarelli: This year is a big year for you as you tour the comedy circuit from January through October; what can we expect that these shows?
Dave Coulier: I started doing stand up many years before “Full House” and I really wanted to get back to my roots. I love performing live. I have been lucky because people have really been packing these venues. I sold out shows in Cleveland and Cincinnati in the last month. I think a lot of people know me from “Full House” but not as a stand-up comedian. So it has taken a couple of years to remind people that this is what I started doing. But I have a really funny show. I talk about “Full House” a bit but you will also get to see what I do when you are not watching me on “Full House” re-runs. So it is fun!

MG: What would you say is one of the hardest parts of doing stand-ups?
DC:I think the most challenging part for me personally is the travel. The writing is a constant challenge for sure and the actual performing on stage is a real blast and I love it. I also really enjoy getting to meet my fans afterwards during the meet and greets. Like I said though, the hard part is being away from my wife and my family. You are living out of a suitcase in a hotel, so that is certainty tough. The performing, I have been doing that for 35 years, so that part is just a lot of fun.

MG: Since you are touring throughout the year, what do you do to make sure your material does get old for you personally each night?
DC:It is a constant process of weeding out material that doesn’t work and filling it with stronger, fresher and better stuff. That is the process night after night. This set that I am working with now is about an hour and fifteen minutes with material which will also be included in a stand-up special that we are going to be shooting soon. It is going to be called “Glorified Birthday Clown”.

MG: I know a few years ago you did a “Clean Guys of Comedy Tour”; is your current tour family friendly or adults only?
DC:I have always worked pretty clean. If you look at the landscape of comedy today, there is a wide specter of guys like myself, Jim Gaffigan, Brian Regan, Jerry Seinfeld and we are all clean. Then there is the other side of the spectrum where the comedians are using F-bombs and being very edgy and there is a lot of different flavors in between that. For me, I just never worked any different. My goal early in my career was to get on “The Tonight Show” with Johnny Carson, which was clean. So, I got to make my first appearance on “The Tonight Show” when I as 24 years old and since then, I never really changed my style. So if you come out to one of my shows, you will not be offended. We have all types of people ranging from teenagers to grandparents.

MG: When you played Joey Gladstone on “Full House”; did you ever imagine that this show would still be so popular and people would still be saying taglines like “Cut. It. Out!”, after all these years?
DC:I think we are all really proud of the work we did and that it has had such longevity. It has also become very multi-generational. We have never been off the air since 1987. We have been syndicated in over 100 countries around the world. I think it owes to the fact that it is good family entertainment. You get some good values when you watch an episode of “Full House” and they don’t produce shows like that anymore. We are all also still friends as well, in fact just prior to us speaking now, I was on the telephone with John Stamos. We are closer than ever and I really love the friendships that have developed from working on this show.

MG: Lastly before “Full House”, you have also done tons of great voice work including voicing Dr. Peter Venkman on “The Real Ghostbusters”; what was it like working on a show like that?
DC:It was an great show to work on. It was such an iconic movie and to be able to play a part that Bill Murray played was a real treat for me because I am a real fan of his. It still has a fan base as well. In fact, at one of my stand-up shows recently and a fan had brought actual animation cells from the show to have me sign. So that was really cool that people are still enjoying it also. So for me the coolest part was just to have been involved.

Win a Signed Script from Full Moon Streaming’s Horror Web Series “Trophy Heads” [ENDED]

Media Mikes is teaming up with Full Moon to giveaway a really RARE prize. For the first time, signed scripts of Trophy Heads (episodes 1 through 5) are available on FullMoonStreaming.com. There are only 90 signed scripts are available and will sell out quickly. We are lucky enough to be able to give one of these amazing items away to our fans.

The script includes the following autographs: Linnea Quigley – Jacqueline Lovell – Denice Duff – Brinke Stevens – Michelle Bauer – Darcy DeMoss – Adam Noble Roberts – Irena Murphy – Maria Olsen -David DeCoteau and Charles Band!

If you would like to enter for your chance to win this incredible prize, please leave us a comment below or send us an email with with which horror icon you would you like to have appear in future episodes of “Trophy Heads”, who knows they might actually appear! This giveaway will remain open until July 4th at Noon, Eastern Time.

With this contest, we will give you readers more chances to win. You can leave a comment below here like usual…but you can also leave us a message on our Facebook and Twitter with the #hashtag #FullMoonMM and #TrophyHeadsMM. So there are more ways for you to win for this giveaway! This is open to our readers in US and Canada only. Media Mikes will randomly select winners. Winners will be alerted via email.

Episode 4 of Trophy Heads premieres on June 25th will premiere exclusively on FullMoonStreaming.com! If you haven’t started watching the series, now is the time to sign up, then tell your friends and family about FullMoonStreaming.com, because it’s FREE to try! There’s only a few hours left to subscribe for free, as the trial ends on June 25th.

Last Day to Get 1 Week Free of Full Moon Streaming!

This week is the premiere of Episode 4 of Trophy Heads exclusively on FullMoonStreaming, which means anyone can watch episode 1, 2, 3, 4 with our limited free trial. And this episode is one of the best! With cameos by classic alumni Stuart Gordon, Robin Sydney, Jessica Morris, Amy Paffrath, Jean Louise O’Sullivan, and starring Denice Duff and Jacqueline Lovell playing themselves!

Full Moon wants to cut off your head with their latest contest for their new series “Trophy Heads”

Calling all horror fans! Full Moon’s new series, Trophy Heads, shot this year, is getting ready to premiere on June 6th on http://fullmoonstreaming.com. Us here at Media Mikes are huge fans and supporters of Full Moon and their projects. We wanted to let you all know about the  awesome contest that going on and all you have to do to enter is let Full Moon chop off your head…

Submit a photo of your head to submit@fullmoonfeatures.com  and we will send you a customized mounted head image of you to use as your Face Book profile picture, link it to Fullmoonstreaming.com and that’s all you need to do to enter the contest.

To check out the details on the contest and what the many prizes are follow this link  http://fullmoonstreaming.com/Submit-Your-Head

Magazine Review “Full Moon Presents: Delirium” Issue #1

“Full Moon Presents: Delirium”
Issue: #1
Genre: Horror
Publisher: Charles Band
Pages: 50

Our Score: 3.5 out of 5 stars

Charles Band…this guy is a legend. He has not only been making the movies that he wants to make for the last 30 years but now he is also being a magazine publisher. You really got to give it to this guy for non-stop work in order to deliver to the large appetite of this fans. Flashback to early 1990-1991, I remember I used to walk up and down the horror section in the local mom and pop video store, Royal Video in Long Island, NY, looking for killer horror titles. I found myself in front of “Re-Animator” and my life was changed. Fast forward many years, I have a copy of issue #1 of Charles Band’s hororr magazine, “Full Moon Presents: Delirium”, in my hands and I am transported back to that aisle in the video store. Thanks Charles! You the man! All I have to ask is when is issue #2 coming out?

Inside this beautiful magazine is filled with everything Full Moon and horror from Blu-ray advertisements to convention promotions. There are some great featured interviews including a nice focus on one of my favorites “Re-Animator”. There is a Q&A with Stuart Gordon about his beloved horror cult classic. The gorgeous Barbara Crampton chimes in about her titilating role in “Re-Animator”. Of course the man that ties it all together, composer Richard Band talks about the music for “Re-Animator”. There are also interviews on newer projects including Douglas Aarniokoski talking about directing “Nurse 3D” and his start at Full Moon and also Olivia Alexander talking about her role in Full Moon’s “Killer Eye 2”. Lastly there is a great feature “Red, White and Blue Underground” which has Full Moon taking a look at the company’s amazing titles.

Besides features, there are some other great columns included. The issue kicks off with “Delirious Words” which is love letter to Band’s Full Moon from the editor. “Full Moon Rising” takes a look into the ganja versions of classic films “Trophy Heads” and “Head of the Family”. “Bring me the Head of Stuart Gordon” has the director talking about his adventures in filmmaking. “Wizard Studios” is an amazing piece on the newly revival of the microbudget imprint within Fill Moon and their first three films. “Grindhouse Flix” has legendar actress Celeste Yarnall reflecting on her role in “The Velvet Vampire”. “The Vault” takes a look back into the cult classic “Tourist Trap”. Wrapping this up is “Bandwidth”, which is a closing words from publisher Charles Band.

I think this magazine has great potential for us horror fans. Currently my favorite horror magazine has to be Horrorhound and this reminds me a lot about it. Fangoria gives away too many spoilers. Rue Morgue is too wordy and not very fun to read. My only comments again Delirium would be for them to figure out a common font size and style for each article and stick to it since there is a lot of jumping around and it is distracting. The only other thing would be the price point $45 dollars for a subscription, which is not terrible since I think Horrorhound is $35 but my issue is that shipping is not included. But either way, if you love horror and Full Moon’s contribution to it, I would recommend checking this out. It is not available in stores either so head over to FullMoonStreaming.com and subscribe you. Tell them MediaMikes.com send you!

Beyond Dishonor release full length video for “Heisenberg”

Trenton, New Jersey metalcore mainstays BEYOND DISHONOR have released a music video for their first single, entitled “Heisenberg”. The song comes off the band’s upcoming EP, “Generations”, set to drop in June.

Any fan of the hit television drama “Breaking Bad” will immediately recognize that “Heisenberg” is a tribute to the popular show — complete with yellow meth lab suits, greasy cigar-smoking drug kingpins, shady factory laboratories galore and more. Click on the link below to check out the official full length video

Matthew Modine reflects on working with Stanley Kubrick in "Full Metal Jacket" and Christopher Nolan in "The Dark Knight Rises"

Matthew Modine is probably known best for playing Pvt. Joker in Stanley Kubrick’s “Full Metal Jacket” and Louden Swain in “Vision Quest”. He recently appeared as Deputy Commissioner Peter Foley in “The Dark Knight Rises” and will be appearing later this year as John Sculley in upcoming “jOBS”. Matthew also is set to produce and voice act in Ralph Bakshi’s latest film “Last Days of Coney Island”, which is currently trying to become funded via Kickstarter. Matthew took out some time to reflect working with Stanley Kubrick in “Full Metal Jacket”, Christopher Nolan in “The Dark Knight Rises” and his role in “jOBS”. Check out the first part of our interview with him, here.

Mike Gencarelli: Can you believe that it has been 25 years since “Full Metal Jacket” and here we are still discussing it all these years later?
Matthew Modine: It is amazing. It is a testament to Stanley Kubrick and his genius. He didn’t make movies that are disposable. They continue to have relevance long after they have been released, whether it is “Paths of Glory”, “Dr. Strangelove”, “2001: A Space Odyseey” or “A Clockwork Orange”. They are just films that continue to speak to audiences. I always remember something that Stanley said “A film should be like a good piece of music. Something that you can listen to over and over again and have relevance long after it is written”. I think he tried to approach film with that mentality like a great piece of music.

MG: Tell us about the origin of your book “Full Metal Diary”?
MM: I had a tremendous experience working with Kubrick and I kept this diary while I was working on the film. He also allowed me to take photographs on the set. I had this 2 1/4 x 2 1/4-inch Rolleiflex camera that I tucked inside my jacket when we were in Vietnam and then kept in my foot locker when we were filming the boot camp. It was very rare that he allowed me to take photographs on the set because he was such a secretive and private filmmaker, but he almost encouraged it. I don’t know why but I am very grateful that he did and gave the opportunity to be able to share what that looked like. The thing about keeping my diary is that Kubrick often asked me to read my diary out loud to everyone on the set. The thing that it encouraged me to do was tot hen keep a very good diary with accurate notes. The thing that I love about the diary is that it is the voice of a young man that is in a situation that he really doesn’t understand. It is not a reflection is my point. It is not somebody looking back at a time working with Stanley Kubrick, as a recollection. What you experience when you reach it is this naive person about a circumstance that he doesn’t understand and I think that makes it quite unique.

MG: How did your diary go from book to the new iPad app?
MM: I was approach by Adam Rackoff. He used to work for Apple. He was one of the geniuses that worked for them. Steve Jobs was his boss. He was responsible for opening stores, advertising and more. I had done a presentation at the Apple Store in Soho talking about how the book was made on a Mac. He really just loved the book and knew that their were only 20,000 copies of the books made each with a serial number. So years later, the iPad come out with these amazing apps. He told me that he thought it would be an perfect iPad app. He said he would have me record the story in my own voice, do characterizations for the people talked about in the stories, have someone do original score along with sound effects and create this amazing and deeply immersible experience for people to enjoy with iPads. The final thing that sealed the deal for me is that he said that it would be something that Stanley Kubrick would be proud of. So with us holding the bar that high for Stanley Kubrick, that was the criteria for this…was it good enough for Stanley? In the end, I think we created something that he would definitely be impressed with.

MG: Last year you played Deputy Commissioner Peter Foley in “The Dark Knight Rises”, tell us about that experience?
MM: The thing that was amazing about that film is that people are always comparing Christopher Nolan to Stanley Kubrick. As big as that film was, as large as the cast was, the budget…everything – when you came on the set of “The Dark Knight Rises” it felt like an intimate independent film. Nolan creates an environment on the set that makes it feel very intimate. He doesn’t have a video village. He has this little monitor he wears around his neck. He is not one of those directors that is hiding behind a bunch of monitors and away from the set. He stands on the set and is with his actors and his crew. He is curious about what his technicians are going and what the actors are thinking and saying. I think that may not sound like what a director is suppose to do but you will be surprised at how many filmmakers are not that involved. There is so much chaos on a film set that you don’t know who is directing the movie. Is it the producers? Is it the writer? The crew? The director of photography Nolan is really the the captain of his ship. His wife is his producing partner and his brother is his writing partner. It is just a very tight and intimate environment. I mean how often does anyone have such a great character arc in that kind of a film. I just hope I get the opportunity to work with him again.

MG: You mentioned Apple and later this year you also have your role of John Sculley in “jOBS” coming, what can we expect?
MM: I haven’t seen the finished film but it was extraordinary to work on. I think that Ashton Kutcher did an amazing job from the work I saw. He was really fully committed to doing Steve Jobs justice. It is amazing to see how much he began to look and sound like him. I am looking forward to see it. I know it closed the Sundance Film Festival, was received positively and received a distribution deal. So all the signs are that it will be an entertaining film.

Full Character Lineup Revealed for “Marvel Avengers: Battle for Earth”

Ubisoft revealed the full lineup of Super Heroes and Super Villains for Marvel Avengers Battle for Earth and key art created by Marvel Comics artist Stefano Caselli.  Fans will get to play as 20 different Marvel characters including:


1. Black Widow
2. Captain America
3. Doctor Doom
4. Dr. Strange
5. Hawkeye
6. Human Torch
7. Iceman
8. Iron Man
9. Loki
10. Magneto
11. Phoenix
12. Queen Veranke
13. Scarlet Witch
14. Spider Man
15. Storm
16. Super Skrull
17. The Hulk
18. Thor
19. Venom
20. Wolverine

About Marvel Avengers Battle for Earth:
Marvel Avengers Battle for Earth is the ultimate super hero brawler set in authentic comic book-style art environments based on the iconic Secret Invasion storyline. Battle for Earth provides endless entertainment through a variety of gameplay modes including co-op, campaign, arcade, challenges, versus and tournament. Fans will enjoy embodying their favorite Marvel super heroes or villains within the game including Avengers Captain America, The Hulk, Iron Man, Hawkeye, Black Widow and Loki.

Developed by Ubisoft Quebec, Marvel Avengers Battle for Earth will be released in North America on Kinect for Xbox 360 on October 30th and Nintendo’s Wii U system this Holiday.

For more information on Marvel Avengers Battle for Earth, please visit: http://AvengersBattleforEarth.com

Blu-ray Review “Full Metal Jacket: 25th Anniversary Edition”

Director: Stanley Kubrick
Starring: Matthew Modine, Adam Baldwin, Vincent D’Onofrio, R. Lee Ermey, Dorian Harewood, Kevyn Major Howard
MPAA Rating: R
Distributed: Warner Home Video
Release Date: August 7, 2012
Running Time: 116 minutes

Film: 5 out of 5 stars
Extras: 3 out of 5 stars

As much as I absolutely love this film, the 25th Anniversary release of “Full Metal Jacket” feel a little but like a double dip…but you know you still need it if you are a die-hard fan. The main draw here is a newly added 60 minute documentary and an impressive 48-page DigiBook with photos from Matthew Modine’s personal collection. Also within there are behind-the-scenes stories on the production and the music. I think for this is honestly worth the purchase alone. If you agree then you don’t want to miss this release. I know it may be hard to believe but this is the first time I am watching this film on Blu-ray and it was definitely worth the wait.

The film says to included a new remastered video though it is the same as the 2007/2011 releases. Nonetheless it still looks incredibly impressive. It easily warrants 5/5 stars for 1080 transfer alone. There are many a few audio when it comes to the film’s audio. The Dolby Digital 5.1 is the default but the uncompressed PCM 5.1 surround track is sharper and more impressive. The special features are decent but feels a little light overall. “Stanley Kubrick’s Boxes” is an hour-long documentary, which follows director Jon Ronson as he is given a chance to dig through thousands of boxes on Kubrick estate following his death. There is a commentary track from author/screenwriter Jay Cocks and actors Adam Baldwin, Vincent D’onofrio and Lee Ermey. Sounds perfect right? It would have been but it was recorded individually, so the fun was gone. Matthew Modine takes the lead in “Between Good and Evil” focusing on the filming, casting, and the overall production. Lastly, there is the theatrical trailer included.

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Premise: Marine recruits endure basic training under a leather-lunged D.I., then plunge into the hell of Vietnam. Matthew Modine heads a talented ensemble in this searing look at a process that turns people into killers.

Film Review “The Human Centipede II (Full Sequence)”

Directed by: Tom Six
Starring: Laurence R. Harvey, Ashlynn Yennie
Distributed by IFC Midnight
MPAA Rating: Unrated
Running time: 87 minutes

Our Score: 4 out of 5 stars

I am not afraid of squeamish films and I am a big fan of the “The Human Centipede (First Sequence)”. I thought it was different, original and very disturbing. This film is also very different, original and very very disturbing. A sequel to this film could have just been a real cop-out but I feel that a lot of planning actually went into this. Tom Six is no doubt one fucked up guy but he definitely knows how to make a good film. If you are a fan of this first film, this is a must see and definitely worth a watch.

The sequel takes a very interesting turn and takes us into the “real world” where we have Martin Lomax, who is completely obsesses with the film “The Human Centipede (First Sequence)”. Martin has plans to complete the full twelve person centipede. He even goes as far as setting up a fake audition with the first films star Ashlynn Yennie, who returns as herself. I don’t want to say more to avoid spoilers.  Just make sure not to eat prior to watch this film.

I have to give Laurence R. Harvey the highest praise since he plays the highly disturbed Martin Lomax. He does not speak a word throughout the film and that is what makes him even creepier. I might even say that he trumps Dieter Laser in terms of creepiness. He is really enjoying what he is doing and seems so detached from reality. I completely understand why this film threatened to be banned in the UK, it is extremely intense and makes the first film look like a kids film. I am serious it is that intense.