Kansas City Film Critics Name “Manchester by the Sea” the Best Film of 2016 During Presentation of 51st Annual James Loutzenhiser Awards

Manchester by the Sea was chosen as the Best Film of 2016 by the Kansas City Film Critics Circle, the second oldest critics group in the country. MediaMikes film critics Michael Smith and Jeremy Werner are members of the group. Smith also serves as the groups secretary and is a member of the governing board. The film was also recognized with the Robert Altman Award for Direction and the film’s star, Casey Affleck, was chosen as the year’s Best Actor. The winners were announced today during a ceremony for the 51st Annual James Loutzenhiser Awards at the Alamo Drafthouse Mainstreet Theatre in Kansas City.

Manchester by the Sea led all films with three wins, while Arrival, Hell or High Water and Moonlight each received two awards. Natalie Portman was named Best Actress for her portrayal of First Lady Jacqueline Kennedy in Jackie while Jeff Bridges was awarded Best Supporting Actor for his work as a grizzled Texas Ranger in Hell or High Water. For the 13th time at least one category resulted in a tie when Viola Davis (Fences) and Naomie Harris (Moonlight) tied in the Best Supporting Actress category. Zootopia was named the year’s Best Animated Feature.

This year the group also awarded the inaugural Tom Poe Award for Best LGBT Film. A beloved associate professor of film and media arts in the Department of Communication Studies at the University of Missouri-Kansas City, Poe, who passed away in November at the age of 70, was a long-time member of the Critics Circle. His reviews were inevitably astute and well-informed yet just as naturally considered and kind, in keeping with his sympathies for both filmmaker and audience. It was Poe’s belief that “great film reviews give rise to thinking about films.” As such, he supported many members of KCFCC through encouragement and dialogue. Tom Poe was our colleague and friend, and it is our intention that this annual award honor his legacy as an advocate for LGBT rights and promote his desire for justice by way of accurate and beneficial representation. The inaugural recipient is Moonlight.

The full list of winners is below:

BEST FILM

Manchester by the Sea

ROBERT ALTMAN AWARD FOR BEST DIRECTOR

Kenneth Lonergan – Manchester by the Sea

BEST ACTOR

Casey Affleck – Manchester by the Sea

BEST ACTRESS

Natalie Portman – Jackie

BEST SUPPORTING ACTOR

Jeff Bridges – Hell or High Water

BEST SUPPORTING ACTRESS

Viola Davis – Fences and Naomie Harris – Moonlight

BEST ORIGINAL SCREENPLAY

Taylor Sheridan – Hell or High Water

BEST ADAPTED SCREENPLAY

Eric Heisserer – Arrival

BEST FOREIGN LANGUAGE FILM

The Handmaiden – South Korea

BEST DOCUMENTARY FEATURE

OJ: Made in America

BEST ANIMATED FEATURE

Zootopia

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION, FANTASY or HORROR FILM

Arrival

TOM POE AWARD FOR BEST LGBT FILM

Moonlight

Blu-ray Review “Miss Peregrine’s Home for Peculiar Children”

Actors: Eva Green, Asa Butterfield, Samuel L. Jackson, Ella Purnell, Judi Dench, Allison Janney
Director: Tim Burton
Rated: PG-13
Studio: 20th Century Fox
Release Date: December 13, 2016
Run Time: 127 minutes

Film: 2 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 3 out of 5 stars

I am a huge life long fan of director Tim Burton…but I have to admit his last one or two films have not done it for me. “Miss Peregrine’s Home for Peculiar Children” feels like a cheap family friendly version of “X-Men: First Class” and plays way to long. I found myself not caring about the characters at all. I hated the villains Samuel L. Jackson was a joke and was completely wrong for the role. I found myself consistently bored watching this and couldn’t wait for it to be over. So not Burton’s finest for sure but I am still sticking around for what he has planned next.

Official Premise: When Jake discovers clues to a mystery that spans alternate realities and times, he uncovers a secret refuge known as Miss Peregrine’s Home for Peculiar Children. As he learns about the residents and their unusual abilities, Jake realizes that safety is an illusion, and danger lurks in the form of powerful, hidden enemies. Jake must figure out who is real, who can be trusted, and who he really is.

20th Century Fox Home Entertainment is releasing this film as sa combo pack with a Blu-ray + DVD + Digital HD copy. The 1080p transfer presented with an aspect ratio of 1.85:1 looks sharp here. I first saw this film in 3D and it had no reason to be in 3D at all and was a complete waste, so the standard Blu-ray is much better way to view. The DTS-HD Master Audio 7.1 track is really nice but I still wasn’t in love with the score as a I have been with previous Burton films.

The special features are not loaded solid but they are decent and worth checking out. “The Peculiar Story” is a solid featurette with interviews with Ransom Riggs, who discusses the film. “The Peculiars” runs over an hour long and is packed with interviews and information on the film. “Hollows and Ex-Hollows” showcases the baddies inthe film. “Map of Days” focuses on the time loop aspect of the film. Lastly there is a music video for “Wish That You Were Here” from Florence + The Machine and a photo gallery included.

Blu-ray Review “Morgan”

Starring: Rose Leslie, Kate Mara, Anya Taylor-Joy, Paul Giamatti, Boyd Holbrook, Toby Jones
Director: Luke Scott
Rated: R
Studio: 20th Century Fox
Release Date: December 13, 2016
Run Time: 92 minutes

Film: 2.5 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 3 out of 5 stars

“Morgan” is a film that probably seemed better on paper. It has a talented cast for sure but is just poorly executed. This film marks, Ridley Scott’s son Luke’s, first time directing. Kate Mara, and Paul Giamatti feel lost here honestly. The story is rather bland and not as interesting as it would be. Plus it seems to steal too much from films like “Ex Machina” and “Species”.

Official Premise: Inside a remote, top-secret lab, a group of scientists are working on an experiment that is leading the way for the next steps in human evolution. But when the experiment’s subject – a genetically designed “human” (Anya Taylor-Joy) – triggers a terrifying event, those involved must decide if the promise of infinite potential outweighs the incalculable danger.

Fox is delivering this as a combo pack with Blu-ray + DVD + Digital HD included. Slipcover as well, housing the set. The 1080p transfer in 2.39:1 looks solid and works with the sci-fi aspect. The DTS-HD Master Audio 7.1 does the job for sure and sounds great doing it. The special features are light but the short film “Loom” is honestly awesome and wish it would have transferred better to feature.

The first extra included is “Modified Organism: The Science Behind Morgan”, which runs about 20 minutes and dives into the scientific side of the films concepts. There are a few deleted scenes included with optional commentary by Luke Scott, who also gives in a gives us an audio commentary track. The short film “Loom”, like I mentioned about is a kick-ass intro to this. Lastly there is a gallery and trailers included.

Film Review: “La La Land”

 

Starring: Ryan Gosling, Emma Stone and John Legend
Directed By: Damien Chazelle
Rated: PG-13
Running Time: 128 minutes
Summit Entertainment

Our Score: 4.5 out of 5 Stars

Earlier this year I found myself listening to 80’s music thanks to “Sing Street,” a semi-original musical about growing up and finding your own unique voice in the chorus. I was enamored with the movie’s somewhat original music. I found myself reflecting on what makes original content, that pays homages or mirrors the past, refreshing for the soul. Something fresh and new makes you feel young, but if it’s also acting as a salute to previous generation, conjuring up fond memories.

I’m not going to claim that I’m old. If anything, I’m always jokingly belittled by my co-workers for being the young pup. So, I can’t claim that “La La Land” is evocative, but I understand what it’s reminiscing about. From the get go it establishes itself as a neo-classical musical that generously throws back to the tap dancing or over-the-top ensemble singing of “Going Hollywood,” “On the Town” or “Singin’ in the Rain.” The style clashes with the 21st century in unique ways, allowing the viewer to take a step back in time and refocus their senses in the current era.

Sebastian (Gosling) is a jazz pianist, struggling to make it as a musician for hire. So much so that when he’s handed a setlist, he finds himself playing off into his own groove or rhythm. Then there’s the aspiring actress Mia (Stone), who’s paying the bills by being a barista and making it to as many auditions as she can. The two awkwardly, and too consistently, bump into each other indirectly or directly. The sparks fly however when the two realize their encounters may not be coincidence.

“La La Land” is a love letter to a bygone era of cinema and antiquated model of love. It may be intentionally subversive that the two leads bump into each other so much before eventually exchanging flirtatious jabs or a callback to how gimmicky people on the silver screen used to fall for one another. Regardless of Damien Chazelle’s intentions, he has a lot of fun playing with the clichés of the movies, while sadly using them to help move the story along.

What Chazelle does do wonderfully however, is show off his expertise as the writer and director as if he’s become a scholar of the musical genre. The script isn’t as airtight when the theatrics, dancing, and music aren’t all working together, but this kind of endeavor could easily suffer more if it was too heavy on the music. The length is the right amount of time and the ending is a wonderfully melancholy exclamation point on a movie that will inspire some, and cause others to give pause and reflect.

Despite not being natural singers, Goslins and Stone on their own carry a tune, moreso Stone. The big numbers, including the opening, blend together whimsical dancing and music infused with jazz, swing and big band. Chazelle, a musician himself, knows when to have the music take over a scene and simply allow the lyrics take over. Just from listening to the soundtrack, I can determine that Chazelle spent more time on the production than the lyrics.

“La La Land” may become the winter darling of those who manage to catch it, I know it’s caused me to spin the soundtrack a few times and tap my foot to its catchy, heartwarming tunes. 2016 has been a dour year, and even worse for the cineplexes that have been populated with big budget sequels that lack creativity to DC superhero movies that lack originality. I’d like to believe that “La La Land” is the light at the end of the tunnel and that anyone who catches it can at least end this miserable year with a smile on their face.

Film director Jeff Santo talks about “This Old Cub”

It’s late June, 1972. I’m in my first season of Little League at a park in Morton Grove, a suburb of Chicago. I come to the plate with the bases loaded and when the pitch comes in I swing as hard as I can. I hit it a long way but, because we’re all kids, there is no outfield fence. If I want a grand slam I’m going to have to leg it out. I chug around the bases and as I get to third base my coach yells at me, “Jesus, you run like Santo!” I slide home safely and go home the hero. At home it dawns on me what my coach said. He was referencing Ron Santo, the third baseman of the Chicago Cubs. It also dawned on me that, a), when I wasn’t pitching I played third base and, b), I had been given uniform #10, which was Santo’s number. I took that to be fate and for as long as I played baseball – I stopped at age 54 – I wore #10. My son, Phillip, also wore #10. My grandson, Hudson, who just turned 6 months old, has already worn #10. To say we worship at the church of Santo is an understatement. I’ve carried one of his baseball cards in my wallet for decades and even got him to sign it in 1998.

After a brilliant career, Ron Santo went on to endear himself to new generations of Cub fans by providing commentary on the radio. Ronnie was a homer through and through and some of his best remembered calls are when he let emotions overcome him. What many fans didn’t know was that Ron Santo battled diabetes every day, including when he was playing. However, he was so scared that the team would not think him healthy enough to play that he hid the disease from the public until long after his playing days ended. Despite a brilliant career, Santo was never elected to the Baseball Hall of Fame during his years of eligibility. When I lived in Baltimore I would occasionally strike up a conversation with Brooks Robinson, arguably the greatest third baseman ever. He would agree with me that Santo should be in the Hall of Fame and every year, before the voting, I would write a letter to the voting committee and remind them that if the greatest third baseman of all time thinks Ron Santo should be in the Hall of Fame then he damn well better be. Sadly, they ignored me.

In 2003 Santo’s name was placed on the ballot for the Veteran’s Committee. Even though he placed first in votes, he never received the required amount for induction. Santo’s son, Jeff, a filmmaker, decided to honor his father by producing the documentary film “This Old Cub.” It followed his father as he went to the ballpark, greeted fans and, most importantly, continued to battle diabetes, a disease which eventually claimed both of his legs. The film ends with Ron receiving the news that he had not been voted into the Hall of Fame. Proceeds from the sale of the film are donated to the JDRF and to date over a half-million dollars has been raised.

It was five years ago, on December 5, 2011, that the Golden Era Committee gathered to vote on ten players in their final chance for induction. The only player to earn that honor was Ron Santo, who was elected as a member of the class of 2012. Sadly, just a year earlier, on December 3, 2010, Ron Santo passed away at the age of 70. As I posted on Facebook that day, I cried all the way into work that morning.

After Ron’s induction into the Hall of Fame, Jeff Santo revisited his film and created a “special edition,” which includes a final interview with Ron as well as highlights from the ceremony where his number was retired, the dedication of a statue to him outside Wrigley Field (Phillip and I traveled to Chicago for that event) and, of course, his Hall of Fame induction. Since the Cubs FINALLY won the World Series, I thought I would speak with Jeff about the film in the hopes that new Cub fans will seek it out.

Mike Smith: I have to ask…how big is your dad smiling today?

Jeff Santo: He’s definitely smiling man. We miss him. We miss him everyday. But I could feel him during the postseason. You could just feel his presence. Our family took a trip to Chicago for the World Series and we had an awesome time. It really brought back a lot of memories. For my brother and I Wrigley Field was basically our playground. To go back and see dad’s statue and all of the things they had done with Wrigley. They’ve made it a cathedral. And to see all of the people with their number 10’s on…it was amazing. Our dad is in our hearts all of the time. And especially during the World Series. He was there and we felt that strong presence all of the way through it.

MS: Most people know of your dad because of his baseball career but I thought that the bigger message in “This Old Cub” was his on-going battle with diabetes. How important was fighting that battle to him?

JS: It was right up there with winning the World Series or getting into the Hall. My brother and I can always remember him having to take a shot every day before he went to the ballpark. It was just what he did. We didn’t know it was a debilitating disease that may cause him to lose his legs in the future. Or that he had a 25-year life expectancy. We had no clue about that growing up. We just knew that dad took his shot in the morning and then went out to do his business at the ball park. That was it. Of course I learned more after we grew out of our childhood days. Doing the film…to be able to go back in time to see what he did and what this disease could do to a person. To know all of the adversity he went through and how he fought hard to become the ballplayer he was. That was another level that he rose to. As a son watching your father go through that it’s heartbreaking but then you’re inspired by how he handled it and it just makes you a better person. Being his son I can say that. So in the movie we really wanted to show what he overcame without sentimentalizing it. We wanted to show him as a man and what he did accomplish. I wanted to approach the story as a filmmaker and not just be a son making a film about his father. My dad always said…and I remember this from way back…he accepted having diabetes. If he didn’t accept it he couldn’t have gotten through it. It was like, “I know I have this disease now how do I deal with it?” When he first got it in the minors he wanted to ignore it. He didn’t want to take insulin. But then he had to accept it and ask how could he still maintain the level of play as a ballplayer and get through this and work it out. He had to test himself. He had to see how low he could go before he had to take a candy bar. Back then they didn’t have glucometers to check your blood sugar levels. He took that fight on. “I have this. This is who I am. Let’s go.” It was a part of his life and he always knew it was a part of his life.

MS: The “special edition” of “This Old Cub” includes footage from your dad’s Hall of Fame induction. How bittersweet was that honor?

JS: It was very bittersweet. It was sad not being able to see him on the stage. His wife gave an excellent speech but it was sad not being able to see him there. He so wanted to be up there and we all knew that. It was sad. It was tough going out to Cooperstown I have to tell you. Now the World Series was different. We enjoyed it because so many other people were enjoying it. I think the Hall of Fame was sad because so many other people were sad that he wasn’t there. I know he’s glad he’s there but I think it was ridiculous that he couldn’t get in before he died.

MS: They missed out on a hell of a speech.

JS: They missed out on a hell of a moment! For someone that so appreciated his baseball career and his life. It would have been a great moment. But everyone knows he should have been there and that was gratifying to us.

MS: I used to talk with Brooks Robinson when I lived in Baltimore about your dad and he thought your dad should have been in the Hall.

JS: Brooks is in the film. And that’s exactly what he said. And if someone like that says he should be in…come on! I mean you can’t get any better than Brooks Robinson at third base!

“This Old Cub” is now available in the comfort of your home on Video On Demand. You can also order it here. To learn more about Diabetes or to make a donation to the JDRF, click here.

GHOST IN THE SHELL Limited Steelbook Packaging with Exclusive Mondo artwork coming to Blu-ray + Digital HD March 14, 2017

BEVERLY HILLS, CA – (December 13, 2016) The groundbreaking anime film Ghost in the Shellarrives on Blu-ray + Digital HD with limited-edition Mondo key art in collectible Steelbook packaging from Anchor Bay Entertainment on March 14, 2017. The groundbreaking anime celebrated the 25thanniversary of the original Manga in 2014. Directed by legendary anime director Mamoru Oshii, Ghost in the Shell questions human existence in the fast-paced world of the information age, this award-winning, cyber-tech thriller has established itself as one of the leading Japanese animation films of all time.

A female cybernetic government agent, Major Motoko Kusanagi, and the Internal Bureau of Investigations are hot on the trail of “The Puppet Master,” a mysterious and threatening computer virus capable of infiltrating human hosts. Together, with her fellow agents from Section 9, they embark on a high-tech race against time to capture the omnipresent entity.  Ghost in the Shell took the world by storm in the mid-90’s, exhibiting a new dimension of anime with unprecedented, mesmerizing cinematic expression. Seamlessly merging traditional animation with the latest computer graphic imagery, this stunning sci-fi spectacle challenged the boundaries of mainstream animation with detailed artistic expression and a uniquely intelligent story line. Veteran director Mamoru Oshii skillfully creates the ultimate anime experience in this futuristic masterpiece based on the groundbreaking comic book by Masamune Shirow.

Ghost in the Shell: Stand Alone Complex Season 1 and Season 2 previously only available on DVD will be arriving on Blu-ray for the first time on February 21, 2017. Ghost in the Shell  will be available on Blu-ray  from Anchor Bay Entertainment on March 14, 2017 for the suggested retail price of $34.99.

To learn more about the film, please visit www.anchorbayentertainment.com.

ABOUT ANCHOR BAY ENTERTAINMENT
Anchor Bay Entertainment, a Lionsgate company, is a leading independent home entertainment company that acquires and releases a wide array of theatrical and home entertainment content, including STARZ Original series, children’s programming, fitness (Anchor Bay Fitness), sports and specialty films on Blu-ray™ and DVD formats. The company has long-term distribution agreements in place for select programming with The Weinstein Company, AMC Networks and RADiUS, among others.

GHOST IN THE SHELL Blu-ray™ + Digital HD
Street Date: March 14, 2017
Pre-book: February 8, 2017
Catalog #: BD64909
UPC: 013132649092
Run Time: 82 Minutes
Rating: Not Rated
SRP: $34.99
Format: English: Dolby 5.1 DTS-HD
Aspect Ratio: Anamorphic Widescreen 1:78:1g
Audio: Subtitles: English, Japanese

Film Review: “Rogue One: A Star Wars Story”

Starring: Felicity Jones, Forest Whitaker and Diego Luna
Directed by: Gareth Edwards
Rated: PG-13
Running time: 2 hrs 13 mins
Disney

Our Score: 4 out of 5 Stars

“A long time ago, in a galaxy far, far away…” So begins “Rogue One: A Star Wars Story.” But that is all the film’s opening has in common with episodes I – VII. There is no wordy crawl, giving you a hint at what’s been going on before you sat down in the theater. No, this is Episode III.V – 3.5 – and if you’re even vaguely familiar with the previous seven films, you pretty much know what’s about to take place.

Set 18 years (my guess) after the events of “Episode III,” “Rogue One” is the tale of the band of rebels who risked everything attempting to steal the plans for the original Death Star. The film begins when Galen Orso (the always great Mads Mikkelsen) is taken by the Empire to help complete the Death Star. His young daughter, Jyn (Beau Gadson) is left behind and forced to fend for herself for many years. We meet up with Jyn again as an adult. As portrayed by Felicity Jones, she is a young woman of resolve, one who has continually searched the galaxy for her father. She teams up with Cassian Andor (Diego Luna), a member of the rebellion. When word comes that one of the Empire’s pilots has defected and is telling stories about the Death Star, the duo put together a small group of like-minded people to assist in stealing the battle station’s plans.

As much as I would love to go into more plot details, I fear the good folks at Disney would have me torn apart by a Gundark. And so would you, dear readers. Let’s just say that the film is a well-made addition to the saga. The cast is surely up to the task, with Jones and Luna giving strong performances. The supporting players do just as well but I’ll single out Donnie Yen as Chirrut Imwe, a blind warrior whose devotion to the Force knows no limit. A shout out also to Alan Tudyk as K-2S0, a droid with more than a little attitude.

Written by Oscar nominees Chris Weitz (“About a Boy”) and Tony Gilroy (“Michael Clayton”), the screenplay is a fine combination of dark and funny. Director Edwards, who helmed 2014’s “Godzilla,” keeps the film moving quickly. The special effects, as expected, are beautifully presented. The X- and Y-wings jump off the screen as they zoom by. Another visual triumph concerns the return of a familiar character who is rendered by the same process that was used to feature the 1980’s version of Jeff Bridges in “Tron Legacy.” However, while I found the effects in “Tron” to be quite disconcerting, the effect here is breathtaking.

This is the first “Star Wars” film not to be scored by John Williams and it suffers for it. Though some of Williams’ original music is included, the main composer here is Oscar winner Michael Giacchino (“UP”). The score is not unpleasant, but when it’s followed by Williams’ music, it sadly pales. But if you were going for the music you’d just buy the CD. “Rogue One: A Star Wars Story” is a fine stand-alone film and one that will have you anticipating “Episode VIII,” which is just a short 367 days away!

 

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DVD Review “Elena of Avalor: Ready to Rule”

Actors: Aimee Carrero, Jenna Ortega, Chris Parnell, Yvette Nicole Brown, Carlos Alazraqui
Studio: Buena Vista Home Entertainment
DVD Release Date: December 6, 2016
Run Time: 90 minutes

Our Score: 4 out of 5 stars

“Elena of Avalor” is the latest Disney channel kids series. It also has immediately won the love of my four year old daughter. We have already gone to Magic Kingdom so she can meet Princess Elena in person. This show is a fun spin-off from “Sofia the First”. There are a few characters that I hate already like Estabon but luckily hes not in it much. I have a feeling that we are going to see quite a lot of “Elena of Avalor”, so stay tuned.

Official Premise: Join Elena as she learns about being a princess who will one day become a queen and rule her kingdom. She’s saved her kingdom from an evil sorceress who was trying to destroy Avalor, but that was the easy part! Elena’s journey leads her to understand that her new role requires thoughtfulness, resilience and compassion, the traits of all truly great leaders.

With this DVD you are getting four full episodes of the show. The episodes are “First Day of Rule,” “Model Sister,” “All Heated Up,” and “Island of Youth.” Also included as a bonus gift is the mini light up scepter. This is a cool treat but it does take a bit of pressure to push down. I am looking forward to future releases of this series!

Film Review: “Manchester by the Sea”

Starring: Casey Affleck, Lucas Hedges and Michelle Williams
Directed by: Kenneth Lonergan
Rated: R
Running time: 2 hrs 17 mins
Amazon Studios

Our Score: 5 out of 5 Stars

Lee Chandler (Affleck) is the kind of man who just likes to go about his business. The maintenance man for a group of apartment buildings, his days are spent shoveling snow, fixing leaks and helping tenants unclog their toilets. He doesn’t say much, taking in the world with sad eyes. But when his brother suddenly dies, Lee is forced to not only deal with the fallout from that tragedy but another one from his past as well.

Featuring award-worthy performances from its three leads, “Manchester by the Sea,” is the perfect drama to off-set a multiplex full of Bad Santas and Dwayne Johnson. Lee’s brother, Joe (Kyle Chandler) has died and Lee must return to his old hometown to attend to things. While there he visits his nephew (Hedges) at his ice hockey practice. Several of the players gossip about Uncle Lee, though one maintains that “it never happened.” As the film progresses, we see Lee dealing with being charged with raising his nephew at the same time having to relive some of his past.

The story is told seamlessly by writer/director Lonergan, with modern day easily blending into the past, slowly building up to why everyone in this small town appears to know of Lee. Affleck has steadily grown from the young tag along in “Good Will Hunting” to an actor of great range. His eyes often saying what he won’t with his mouth, Lee’s simple life is anything but simple. As Lee’s former wife, Michelle Williams bares her emotions in a performance sure to break your heart. As the young nephew suddenly left father-less, Hedges equally impresses. All three actors are sure to draw some serious consideration come awards season, as will the film itself. Easily one of the years best!

Film Review: “Office Christmas Party”

Starring: Jason Bateman, Olivia Munn and T.J. Miller
Directed By: Will Speck and Josh Gordon
Rated: R
Running Time: 105 minutes
Paramount Pictures

Our Score: 2.5 out of 5 Stars

Anymore when I watch a new Christmas movie, I tell myself that it could have been a lot worse. “Love the Coopers,” “Fred Claus” and “Surviving Christmas” are just a few of the awful Christmas movies in the past decade that come to mind. But luckily moviegoers have been treated to a handful of yuletide delights at the theaters over the past couple of years. Lately the raunchy comedies have dominated, going light on the holiday cheer, and heavy on the eggnog and drugs. “Office Christmas Party” follows this current pattern, delivering an entertaining enough comedy, but an ultimately forgettable raunchfest.

Clay (Miller) heads up the Chicago branch of Zenotek, a lowly computer technology company that tries to compete with the likes of Dell, Apple and others. His sister, Carol (Jennifer Aniston), who is also Zenotek’s CEO, has just given him the bad news. Bump up your growth to 12% or cut 40% of your staff by the time Christmas rolls around. Being a worker’s boss, he can’t fathom laying off dozens of his closest friends. So in the hopes of landing one of the biggest clients in the Windy City, he sets out to throw the ultimate company Christmas party.

There’s also some other side plots, including office romance and sex, Jason Bateman’s character is dealing with a divorce, and there’s a worker who’s trying to pass off a prostitute as his supermodel girlfriend. None of this really amounts to anything or comes off as remotely heartwarming. It only serves as cohesive glue in between jokes, physical humor, and pop-culture sight gags like the throne from “Game of Thrones.”

But the set-up for the jokes is tired and predictable. It’s almost like the duel directors and multiple scriptwriters were a lot more hesitant to go with ad-libbing and natural comedic abilities of its cast. It makes “Office Christmas Party” a more by-the-books comedy with scripted and foreseeable. When being allowed more natural, the likes of Miller, Bateman, Kate McKinnon, Rob Corddry and others are genuinely funny.

Not every moment is unfunny chatter. Once the party kicks off, there’s enough visual comedy to keep it going to its inevitable conclusion. I also can’t help, but be a fanboy of Bateman’s deadpan delivery and Miller’s goofy sensibilities. “Office Christmas Party” isn’t going to become a holiday staple like “Christmas Vacation” or “Bad Santa.” It’s a handful of laughs and short escapism for those who don’t want to watch one of the Oscar hopefuls.

Film Review: “Nocturnal Animals”

Starring: Amy Adams, Jake Gyllenhaal and Michael Shannon
Directed By: Tom Ford
Rated: R
Running Time: 116 minutes
Focus Features

Our Score: 4 out of 5 Stars

“Nocturnal Animals” requires two viewings, if you can stomach it that is. Tom Ford’s vision is a messy movie, with a fuzzy meaning. But despite the juggling act, the disorderliness feels intentional. “Nocturnal Animals” is two movies for the price of one, with each tale telling and revealing more about the other. “Nocturnal Animals” delivers a slow reveal that will surely dissatisfy many, while simply turning off others in the first few minutes, but please those who hang with it and scratch beneath the surface.

Despite owning a successful LA art gallery, Susan (Adams) seems indifferent to life. She’s married to an unfaithful man, her child has left the coop and she inhabits an artificial home full of artificial art pieces. Something stirs her from her humdrum existence, her ex-husband’s novel. Edward (Gyllenhaal) has sent her a copy of his book and inquired through email about possibly meeting for dinner to catch up. The novel, “Nocturnal Animals,” is not only dedicated to her, but she tells everyone that Edward had always referred to her as a nocturnal animal.

When she flips to page one, the movie then dives into the context of the book. It begins with a family being driven off the road in rural Texas by dangerous men and turns into a husband/father trying to make sense of a horrifying night that has turned into a lifelong nightmare. The raw viciousness and violence of Edward’s book seems to startle and upset Susan. But it’s not the visceral nature of the book; it’s how much of it mirrors their old relationship.

You could almost call “Nocturnal Animals” a wonderful ensemble, featuring actors and actresses who have won or been nominated for an award, or those who certainly should. Gyllenhaal does double duty as Edward in Susan’s life and as the heartbroken, vengeful father in the book. Accompanying him and Adams are Michael Shannon, Aaron Taylor-Johnson, Armie Hammer, Ilsa Fisher, and others. The visual storying telling between the fictional book and the reality are clear, but it’s when the two begin to reflect each other metaphorically and physically, that it becomes blurry.

The neo-western style of the book story never really meshes well with the simmering thriller happening in the real world, but the dramatic and tonal shifts help break up any monotony that might creep in because on their own accord, each story isn’t stellar. It’s only interesting when both are slapped together, with similar symbols bleeding through the lines of reality. Director Tom Ford deserves all the credit in the world for keeping the wild swings in storytelling and writing in check, without derailing the movie entirely.

However, the commentary on Susan and Edward’s formal love life is suspiciously misogynistic. Understandably, Edward is the one commenting on it and Susan is the one merely reacting to his comparisons. But it offers a one-sided narrative of what once was, painting Susan in a broad and negative light. Although that could be its inherent intention, depending on how you want to view the ending to the movie, and the book within the movie, I can help but wonder about it’s reception of the roles were changed.

“Nocturnal Animals” will certainly draw comparisons to some of David Lynch’s more bizarre offerings, but Ford’s style isn’t charmingly oddball enough. It’s intentionally dark content and bizarre imagery is more likely to turn-off a regular audience than dazzle. But it’s a compelling movie to watch and delight to discuss with those who have managed to stomach it. Ford, the fashion designer turned director, is a unique talent worth keeping an eye on.

Blu-ray Review “End of a Gun”

Actors: Steven Seagal, Florin Piersic Jr., Jacob Grodnik, Jonathan Rosenthal, Radu Andrei Micu
Directors: Keoni Waxman
Rated: R
Studio: Lionsgate
Release Date: December 13, 2016
Run Time: 93 minutes

Film: 2.5 out of 5 stars
Blu-ray: 3 out of 5 stars
Extras: 0 out of 5 stars

“End of a Gun” is the latest direct-to-Blu-ray dump from Steven Seagal. I can’t believe how many cheap action movies, this guy puts out every year. I swear that this is the 4th or 5th one just in 2016. Not sure how he does it but the guy keeps busy. Not the worst little action film. Low budget, nothing special but I do have a soft spot for Mr. Seagal. Keep them coming man!

Official Premise: An ex-DEA agent’s life takes an unexpected turn when he comes to the rescue of a seductive woman and finds himself entangled in a bloody game of cat and mouse with a maniacal drug lord after going on the run with her…and $2 million worth of drug money.

Lionsgate is releasing this Blu-ray with a Digital HD copy included of the film. And if you are looking for any other special features, there are none. Nothing at all, which is not surprising due to the quality of the film itself. Seems like a “we don’t care just throw Seagal on the cover and it will sell” attitude here.

 

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Blu-ray Review “Jason Bourne”

Actors: Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel, Julia Stiles
Directors: Paul Greengrass
Rated: PG-13
Studio: Universal Studios Home Entertainment
Release Date: December 6, 2016
Run Time: 123 minutes

Film: 3 out of 5 stars
Blu-ray: 4.5 out of 5 stars
Extras: 2 out of 5 stars

My issue with the “Bourne” franchise is that ALL the films just feel exactly the same. I can’t tell you a difference between any of the films. Universal realized they failed without Damon with “The Bourne Legacy”, so they brought him back but its just not enough to make this film memorable. Now that I have seen it and let it settle I still can’t tell you the difference between the other three films (with Damon). Either way, it made money, so I am sure… coming soon: Bourne 6.

Official Premise: Matt Damon returns to his most iconic role in Jason Bourne. Paul Greengrass, the director of The Bourne Supremacy and The Bourne Ultimatum, once again joins Damon for the next chapter of Universal Pictures’ Bourne franchise, which finds the CIA’s most lethal operative drawn out of the shadows.

“Jason Bourne” Blu-ray comes equipped with a DVD and also a UV/iTunes digital copy. The 1080p transfer looks great, no complaints really at all. Dark scenes are also shot well. The DTS-HD Master Audio 7.1 sounds amazing with the action packed score and sequences. So U/V doesn’t let down. The special features though are not as impressive.

There are really one three (multi-part) featurettes included on this Blu-ray. The first “Bringing Back Bourne” features cast/crew discussing on bringing back Damon and Greengrass to the series. There is a three part feature “Bourne to Fight”, which focuses on the action/choreography. Last extra is a two parter “Las Vegas Showdown” focusing on showing in the sin city….and that’s all folks.

Blu-ray Review “Fear the Walking Dead: The Complete Second Season”

Actors: Kim Dickens, Cliff Curtis, Frank Dillane, Alycia Debnam Carey
Number of discs: 5
Rated: Not Rated
Studio: ANCHOR BAY
Release Date: December 13, 2016
Run Time: 648 minutes

Season: 2.5 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

Man I tried, I tried! I really hated the first season of “Fear the Walking Dead”. It just felt so unnecessary and I did not like anyone from the cast at all as characters and actors. I said I wasn’t going to watch the second season of this show at all…but I gave in. The second season is a little bit better mostly because it expands from the original 6 episode order but I still found myself cursing the cast and just not enjoying the series at all. If you are obsessed with all things “The Walking Dead”, I am sure you will enjoy but I will pass on this series.

Official Premise: Last season, ‘Fear the Walking Dead’ explored a blended family who watched a burning, dead city as they traversed a devastated Los Angeles. In Season 2, the group aboard the Abigail is unaware of the true breadth and depth of the apocalypse that surrounds them; they assume there is still a chance that some city, state, or nation might be unaffected some place that the Infection has not reached. But as Operation Cobalt goes into full effect, the military bombs the Southland to cleanse it of the Infected, driving the Dead toward the sea. As Madison, Travis, Daniel, and their grieving families head for ports unknown, they will discover that the water may be no safer than land.

“Fear the Walking Dead: The Complete Second Season” Blu-ray comes with a Digital HD of the season as well. The special features are decent and worth visiting IF and only if you like the show. There are a bunch of audio commentaries included with cast/crew. watched through the commercials included are the “Flight 462” webisodes. There is the Q&A with Cast and Creative Team from Paley Fest LA 2016. Lastly there are two featurettes going behind-the-scenes “Inside Fear the Walking Dead” and “The Making of Fear the Walking Dead”. Some decent content there but this show still doesn’t do it for me.

Blu-ray Review “Don’t Breathe”

Actors: Dylan Minnette, Jane Levy, Stephen Lang, Daniel Zovatto
Directors: Fede Alvarez
Rated: R
Studio: Sony Pictures Home Entertainment
Release Date: November 29, 2016

Film: 3 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 3 out of 5 stars

I had really solid expectations for the film “Don’t Breathe”. The director Fede Alvarez blew me away with his remake of “Evil Dead” and because a director to watch out for. This film is definitely creative and shows off his style but overall, I got bored really quick with this one. The pay off/twist for me didn’t wow me either. I thought it was very stretched out and after a while I found mind wandering waiting for something new to happen. Stephen Lang was definitely a force to be reckoned with and shows off his amazing acting chops again but he wasn’t enough to save this movie for me.

Official Premise: “Don’t Breathe” follows a group of thieves who break into a blind man’s home thinking they’ll get away with the perfect crime. When the blind man reveals a dark side, the trio quickly discovers they were dead wrong. Stars Jane Levy (Evil Dead), Dylan Minnette (Goosebumps), Daniel Zovatto (It Follows) and Stephen Lang (Avatar).

The Blu-ray of Don’t Breathe comes with a solid 1080p which works well since most of the film is quite dark. The DTS-HD Master Audio 5.1 surround track works with the suspense scenes. The special features are decent, especially the audio commentary with Director Fede Alvarez, Co-Writer Rodo Sayagues and Actor Stephen Lang. I enjoy this actually cause it has great insight. They had some deleted scenes includes along with the director’s commentary, which I feel like some of these could have worked well in the film. Lastly there are five short featurettes looking at the behind-the-scenes with cast/crew.

 

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