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Sharni Vinson is an Australian actress that got her American debut in the dance film “Step Up 3D”. Since then she has starred in numerous strong female leads like the Australian shark thriller “Bait 3D” and last year’s action/horror film “You’re Next”. She is an actress that is not afraid to get her hands dirty and she plays these fantastic roles. Media Mikes had a chance to talk with Sharni about her latest new film “Patrick: Evil Awakens” and what we can expect next.

Mike Gencarelli: Tell us what drew up into the role for “Patrick: Evil Awakens”?
Sharni Vinson: I think a lot of things at the time drew me to the film. I always like to keep an eye out for any Australian projects that come up. I am Australian and I love getting a chance to get back there and shoot a film with my people [laughs]. So, the fact that this was an Australian movie interested me immediately. The attached cast was a big draw as well. Charles Dance and Rachel Griffiths are two actors that I definitely look up to and admire their work. I thought it would be a great challenge for me. So I wanted to take the opportunity. I also liked that it was a remake of a successfully film from the 70’s, I was also very enticed to see how it could progress with today’s technology advancement.

MG: What is your process for getting into a character like Kathy?
SV: We did not have any rehearsals for this movie. We never had any table readings. It was really interesting actually. I flew into Australia from America the day before we started shooting. So I hadn’t met anybody from the film and you know they say you are supposed to develop all this chemistry beforehand. But the process for this one was quite minimal and really unfolded as we were shooting. I felt like with the set, which was so dark and our wardrobes was really what put us into the character. As soon as I put on that uniform, I started to visualize how it was going to unfold. It was a lot of happening in the moment. Each project is different and this was a great experience getting to do it so naturally.

MG: What was your biggest challenge working on this film?
SV: It was a very smooth shoot. We didn’t run into too many problems. I think maybe the most challenging part could have been was that I was working with an actor, in more than 50% of my scenes, who was in a coma. So he did not speak at all. It was a lot of it was reacting and then reacting to yourself as well. I felt like it was almost along the lines of green screen work, which was very different for me. So that was definitely was quite the challenge I think.

MG: You are known for playing really strong female leads like in “Bait 3D”, “You’re Next” and now this; what do you enjoy most about kicking ass and getting your hands dirty?
SV: HA! It is exactly that what I love about them [laughs]. I grew up in Australia on a farm. I grew up in the dirt and in the ocean and was always very physical. I did a lot of dancing and swimming growing up. With movies, we all know it can get quite tedious sitting on the set for long hours and there is a lot of waiting involved. So when you are doing a role that is heavily involvement with action and utilizing a strong physicality you are always getting to work with a stunt coordinator or trainer in your downtime. I would always rather keep going in my downtime than stop. When you have downtime, you sort of realize how exhausted you really are but if you keep going you feel like you are Superman or something…it is crazy [laughs]. Action and horror genres have been quite good to me. That’s three in a row…

MG: Yeah, I was going to bring up the common theme genre of horror you have trending; what draws you to these films?
SV: I almost want to say that is complete coincidence. I grew up watching horror movies and now I am shooting them. I was absolutely obsessed with them growing up from a really young age. It wasn’t even that I put it out there that I wanted to do horror, these are the roles that I have come my way and that I have taken a liking to. They also, like you mentioned, have that strong female character in them and that is great also and I am enjoying getting a chance to play those characters.

MG: What else do you have planned for 2014 and beyond?
SV: I am very excited to get “Patrick” out there, which comes out March 14th. Next, I am actually doing a film in China mid-year. It is going to be awesome. A part of the film “Bait” was shot in China, so I am excited to get to back there. I do not think the film has settled on a final title yet, so keep an eye out.

Debuting this week on DVD, “Murder in Miami” has been described as “a sexy, thrilling ode to the classic De Palma films of the ’80s – particularly Body Double.” Media Mikes caught up with the film’s director Will Vasquez to talk about his new film, multi-tasking and his boring early days as a photographer for Playboy.

Mike Smith: Your main character is a photographer. Did you rely on any of your past experiences in creating him?
Will Vasquez: A little of the character and his lifestyle I drew from my past experiences, but I’m not as cool as he is.

MS: While a film director has a flowing canvas to tell his story, a still photographer must do it all in one photo. What was the biggest difference in changing from photographs to film?
WV: Film has it’s challenges, because you have movement and sound to deal with. But it’s much more powerful because film has the ability to mess with your emotions. For me, in some ways, I felt liberated when I transitioned from photography. In a photograph, you’re imprisoned in a single frame, where everything has to be perfect. If you really dissect Hollywood movies, you will find errors in some shots, but because the frame changes, the audience doesn’t have a chance to notice them, because they are paying more attention to the story.

MS: You not only wrote and directed “Murder in Miami,” you served as your own cinematographer and editor. Is this because you felt that, as the film’s creator, you knew exactly the look and tone your were looking for?
WV: I love the entire creative process of making movies, and I like to be hands on. Being involved with all the aspects of filmmaking is why I got into this business, and what drives me. The only drawback is that you have to carry the entire film in your head for a couple of years. It feels great when you finally complete the final edit, and you can purge your mind.

MS: Is there a sense of embarrassment on the photographer’s part when shooting photos for publications like “Playboy?”
WV: No, because photographers are there to do a job. At the end of the day, you have to deliver three different looks from your model and do a lot of coverage of each look. You’re not thinking about anything else other than getting the best shots, so you’re eyes are always scanning the frame checking the model’s hair, her pose, that her tummy is flat, that she has pretty fingers and her hands don’t look like claws, even that her feet look pretty. Because every shot has to be perfect.

MS: Do you have a favorite “Playboy” model? Or a least favorite?
WV: I worked with a lot of great models, but my favorite has to be Cynthia Kaye.

MS: Is there anyone you would have liked to have photographed but didn’t?
WV: I would have loved to have photographed Jenny McCarthy. She recently appeared in “Playboy” again and looks better than ever. I think that she really represents the classic “Playboy” girl next door. She’s beautiful, cool, funny, intelligent, and likes to have sex.

Yusry Kru may not be a name you recognize but he is making a name for himself not only working as a director but also producer and visual effects supervisor. He recently directed the action film “Vikingdom”. Media Mikes had a chance to as Yusry a few questions about the film and what’s next.

Mike Gencarelli: What was the most challenging aspect for you on “Vikingdom”?
Yusry Kru: Obviously, when we made the decision to film everything in Malaysia, I knew it was going to take massive planning to get it right. I remember, 20th Century Fox coming over to film in Malaysia for ‘Anna and the King’. This is the equivalent of them filming that whole movie in California (but with less money, of course). So, you could say that pre-production was the most challenging. I broke down the script to every single location, person and prop, and made a list, down to the spoon on the dinner table. From there, I called in a few illustrators and had them draw every single thing/person on that list. By the end of it, we probably had hundreds of illustrations before we even started with pre-production. We then scouted for locations in Malaysia that we could possibly use, that actually matched the illustrations. If there were none, we would then know these had to be built. It is the same process for every little detail on the pre-viz. Overcoming it was really by doing a thing at a time, without letting the whole production overwhelm you. Having said this, the filming was no walk in the park either… But if you’re asking about the most challenging aspect, that would definitely be the pre-pro. It was really extensive.

MG: Tell us about how the character Eirick was created?
YK: I discussed with Dom (Purcell) on how the character should be portrayed in the film. Imagine someone who was brought back from the dead… someone who has lost every reason for living… primarily driven by the fact that he is no longer able to be with his immortal lover, Frejya. To make matters worse, he is asked to go head on against the God of Thunder, Thor! How’s that for motivation? So he is a reluctant hero and his character is subdued until he fights against Thor at the final battle.

MG: Tell us about what you have in the cards for 2014?
YK: I am currently smack in the middle of directing my sixth feature film entitled “Cicakman 3” (or in English “Geckoman” – a successful Malaysian comedy super hero franchise I created in 2005), which is the 2nd sequel to my debut as a director in the film industry. KRU is also in the midst of completing our first 3D animation movie entitled ‘Ribbit’, about a frog with an identity crisis. Ribbit, with the voices of Sean Astin, Tim Curry & Russell Peters will be screening at EFM in February 2014. KRU is also in the midst of pre-production of various other projects, which we anticipate to announce at Cannes Film du Marche.

Dominic Purcell is known best for his role of Lincoln Burrows in Fox’s long running TV series “Prison Break”. Recently Dominic has worked with acclaimed director Uwe Boll on great films like “Assault on Wall Street”. Media Mikes had a chance to chat with Dominic on his latest film “Vikingdom” and what he has planned for 2014.

Mike Gencarelli: What was the most challenging aspect for you working on “Vikingdom”?
Dominic Purcell: Most challenging aspect was the trust it required to engage in a heavy CGI movie made outside the safe confines of Hollywood an industry that excels in extravagance.

MG: How do you prepare for a character like Eirick?
DP: Preparation for me is all about economy. If its necessary I will but rarely do. I rely on the text and excute what is simply required.

MG: What do you enjoy most about working with Uwe Boll on various projecting including “Assault on Wall Street” and “In the Name of the King III”?
DP: Uwe is a courageous film maker that challenges conventional thinking. Directors and film makers of this kind have always been inspirational for me they allow when given the opportunity to challenge and provoke thought. Is this not what is important? I will continue to work with Uwe on future projects that provoke and challenge apathy and comfort.

MG: You had a very busy 2013 and 2014 looks to surpass, tell us about what you have in the cards?
DP: I’ve got couple of films being released. All worth a look. I’m especially interested in “A Fighting Man and watching how it is received. Spending a year training (boxing) and getting my head smashed it better get some love out there amongst critics. It’s a good film.

Brighid Fleming is an up and coming teen actress who has appeared in television series and films ranging from “Its Always Sunny in Philadelphia” to “Gamer” with Gerard Butler. Brighid’s most recent film “Labor Day” stars Josh Brolin and Kate Winslet and was released to rave reviews. Media Mikes had the chance to speak with Brighid recently about her work on the film as well as her work on the upcoming horror film “The Road Killer”.

Adam Lawton: Can you tell us what first got you interested in acting?
Brighid Fleming: When I was younger we used to go to New York a lot to watch plays. Seeing all these made me fall in love with the idea of performing. My mom asked me after one time if I wanted to meet the characters after a performance and I told her no. I wanted to be the characters. She got me involved in Stage Theater and from there I just couldn’t stop.

AL: Can you tell us about your new film “Labor Day” and your character Eleanor?
BH: The film is about a convict that gets picked up by a mom and her son. The man ends up hiding out with a family and sort of takes care of them. It’s a love story that stars Josh Brolin and Kate Winslet. I play the role of Eleanor who is a very edgy and independent girl. She is very smart and knows what she wants. Things were pretty free with the character and I think I was able to add quite a bit to her. Eleanor is a pretty interesting character.

AL: What was it that interested you in the role?
BH: I was really drawn to how strong the character of Eleanor was. Finding a role this strong for someone my age is sort of rare. A friend suggested that I submit an audition tape so I did even though I thought no one would ever see it. A couple weeks later I got a call telling me about the call back. It was very surprising.

AL: What was it like working with such a diverse cast and what was your best memory from the shoot?
BH: All of my scenes were with Gattlin Griffith who plays Henry however; I was able to me Kate Winslet. She was so great. Kate was very nice and level headed. It was great experience. Probably my favorite memory from the shoot was the day we were filming out on these big white rocks. Our scene was shot as we were walking across them. This was also the same day I had my first on screen kiss. That day was a lot of fun.

AL: Can you tell us about some of your other upcoming projects?
BH: I have a role in Shakespeare’s “A Mid-Summers Night Dream” which is being put on by the Inter-City Shakespeare Company. This program is really great as you get attend workshops put on by the professional artists from the company. This is a great opportunity for young actors and actresses and you can find more out about the program at www.innercityshakespearecompany.org. I also am working on a play written by Eric Ludnik titled “Day Trader” which runs through mid February. Besides those performances I am an associate producer on a horror film titled “The Road Killer” which stars Maria Olsen. I am a big horror film fan and while working with Maria on another project we became friends and are now working on this project together.

AL: Is producing something you see yourself doing more of as you get older?
BH: I have always been very interested in the production side of things. I have always been writing and actually wrote my first novel when I was 7 though, it may have not been very good. (Laughs) I like the idea of being behind the camera. I think there are a lot of interesting aspects to both being behind and in front of the camera. Producing and acting are things that I hope to be able to keep doing for a long time to come.

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James D’Arcy is known best for playing three roles in the 2012 epic sci-fi film “Cloud Atlas”, directed by Tom Tykwer and The Wachowski’s. He also played the role of Norman Bates in “Hitchcock”. Media Mikes had a chance to chat with James about his role in his new film “After the Dark” and his new A&E TV series “Those Who Kill”.

Mike Gencarelli: How did you get involved with the film “After the Dark”?
James D’Arcy: I woke up to an email from my agent sending me the script. I read the script completely cold and I had no idea what I was about to read at all. There was the moment in the script when I shoot one of the kids in the head, that is when it really got my interest. I thought this was really an unexpected twist. Then when I finished the script, I thought it was challenging, provocative and intelligent. You have to have a brain to watch the film. I was enthusiastic due that those aspects. Then I received a bunch of photographs of where we would be shooting. When I saw the locations, it made much more sense to me. I couldn’t visualize how it would work until I saw the photographs. I was just blown away. Then met with John Huddles and really liked him. He had a lot of great ideas and it just grew from there.

MG: I was wondering about the shooting locations since they were extremely beautiful.
JD: Yeah, it was incredible. The three places we filmed in Indonesia were the Prambanan Temple, Mount Bromo and Belitung Island. When I saw the island, I thought “Oh my God, that looks like a holiday”. It was beautiful. We did have to work unfortunately as well [laughs]. The other two Prambanan Temple and Mount Bromo, I haven’t never seen any place like them before. I had no idea a place like Prambanan even existed before. For Mount Bromo, we actually shot in an active volcano. It was filming on Mars. It was really worth it since these were just such extraordinary places.

MG: What intrigued you most about your character Mr. Zimit
JD: I really didn’t know if he was a good guy or not. I liked that there was this dubious gray area. I liked that he was smart and very charismatic. You just never quite knew where you where with him. He was constantly pulling the rug out from under your feet. I thought he was very complex and not obvious and I appreciated that enormously as an actor.

MG: You provided narration throughout as a few of the scenarios played out; was this done before or after shooting the film?
JD: You have an advantage over me since I haven’t seen the completed film yet. We didn’t record any narration separation. We shot it as part of the scene. I do remember that I was slaving over this very long speech at one point. We actually shot that and I remember thinking that this was most likely going to be used as a voice over. Some of the dialogue we shot twice, once was in the classroom and once was on location, so we never quite knew where the director was going to make the cut.

MG: Since you haven’t see the film, I am not sure you can relate but I loved the score in the film and we also interviewed the composer, Jonathan Davis and Nicholas O’Toole, I felt like the music was another character in the film.
JD: Yeah, I can’t comment much on that. But I have been in movies, where the music does something and becomes a character itself. It doesn’t just enhance what you are already hearing and seeing, it adds this extra layer. That is when music is best in the movies.
MG: Honestly, “Cloud Atlas” is one of those films for me and I loved how well the score was intertwined into the film.
JD: Yes, that score was quite amazing. Tom Tykwer did a phenomenal job.

MG: What can we expect from your upcoming A&E series “Those Who Kill”?
JD: It stars Chloe Sevigny and myself. We are both very damaged human beings with scores to be settled. We shot the whole thing in Pittsburgh, which is an extraordinary location since it allows a lot really artistic shots. It is a very dark and powerful show. It was great being able to take a character over a few hours as opposed to just one feature film. We had a chance to explore. them. I am very excited for this show.

MG: You’ve done roles like Mr. Zimit in “After the Dark”, Thomas Schaeffer in “Those who Kill” and you played three roles in “Cloud Atlas”; do you seek out specific roles when you approach a project?
JD: I do not think that I have ever actively seeked out a role. But when you read a script, you immediately know the ones you have an affinity with. Often, the ones that I have an affinity for are also the ones I am afraid of. I am not sure if I am able do them, which leads me to then investigate and pursue further.

MG: What else do you have in the cards for 2014?
JD: I am filming a movie right now called “Survivor”. It is stars Milla Jovovich, Pierce Brosnan, Angela Bassett, Dylan McDermott and myself. We are shooting in London and Bulgaria. It is an action/thriller. It is really good fun and James McTeigue is directing it. He is just wonderful. I also did a film last year called “Let’s Be Cops”, which is a very broad comedy, even though I am not the funny part of it. Because of the way, the film was shot most of the scenes I were in were more serious but I did get to see the funny stuff and it is quite funny indeed. I think that comes out in the Summer.

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Animator, Floyd Norman was named a Disney Legend in 2007. His first feature for Disney’s “Sleeping Beauty”. He worked under Walt’s personal supervision on story sequences for “The Jungle Book”. In 1997, Norman moved to Pixar Animation Studios where he joined the story crew for “Toy Story 2” and “Monsters, Inc.”. He continues to work for The Walt Disney Co. as a freelance consultant on various projects. Media Mikes had a chance to chat with Floyd about “The Jungle Book” and working personally with Walt Disney.

Mike Gencarelli: Tell us what it is like to see a film like “The Jungle Book” restored and presented on high definition Blu-ray?
Floyd Norman: It is delightful to know that people still appreciate this film. It continues to amaze us that worked on it nearly 50 years ago that it is still loved by audiences. It seems to have a life of its own and I love that.

MG: Have you seen it yet and if so how do you feel it looks having worked on it?
FN: I do not really see that much of a difference. I know that the film looks clean and pristine. The guys who did the restoration have done a terrific job, so no complaints there.

MG: You worked under Walt Disney’s personal supervision on story sequences including the song “Trust in Me”, tell us about that process?
FN: It was very simple [laughs]. In a way it was simple, yet also very complex. When I began working on this particular sequence, I was handed some rough notes from Larry Clemmons, who was credited on the film for the story. I called him our writer because he has an actual typewriter and that made him a real writer [laughs]. So he wrote me notes about the sequence and for this one it was going to be Mowgli’s meeting with Kaa the Snake. So that is pretty much all I got. We were told that Kaa was going to try and hypnotize him and then funny stuff would happen. So that is what I had to go with “funny stuff was going to happen”. I had to come up with that “funny stuff”. So like I said in one sense it was a very simple job as well as being very complex because we had to figure out what was that funny stuff and how was it going to happen. They just kind of turned you loose and let you do your job.

MG: How long did a scene like that take to complete?
FN: It is difficult to remember. I would say a few weeks, maybe three weeks to completely storyboard that sequence. That was considered normal during that time. I had no real rush because Walt Disney was either in Europe or working on other matters and wasn’t able to review it right away. So I definitely had amble time to work on it.

MG: Did you find that working directly with Walt Disney did you have any creative freedom or did you follow a set path?
FN: Oh no, I found that I had a good deal of creative freedom. Surprisingly more than I ever realized. I initially came in expecting to be told exactly want to do and that was not the case at all. I came in and they said “Here is the sequence and just go do it” [laughs]. So given very little guidance or direction, I just went off and did what I had to do. The good news was that whatever I did, they seemed to like it [laughs]. The main thing, and the most critical, was that Walt liked it. So as long as Walt likes it you are safe [laughs].

MG: Can you compare your work on “The Jungle Book” to some of your other earlier films including “Sleeping Beauty”, “The Sword in the Stone” and “Robin Hood”?
FN: It was actually totally different because on those films, I was actually working on the animation. For “Robin Hood”, I was an animator and didn’t do any storyboard work at all. It was just animation. Having said that, I feel that the story in “Robin Hood” was pretty terrible [laughs]. I can afford to say that because I didn’t story work on “Robin Hood” [laughs]. But I did have a lot to fun animating it. I worked on animation also with “The Sword in the Stone”. The cool thing about that project was that I got to work personally with Milt Kahl, who was acknowledged as being one of the finest Disney animators of all-time. Milt is a giant in the world of animation, so that was a big deal for me. I was still a kid when I worked with Milt; I was only in my 20’s. Milt was a tough guy but it was such a great experience.

MG: Unlike some animators you embraced the digital age by working at Pixar and definitely software for animation; tell how you feel animation has changed?
FN: Oh, there is no doubt that animation has changed. Once again, following in Walt’s philosophy, “You have to embrace change, not run from it”. When I saw what Pixar was doing, I thought that I had to work for these guys. So when the opportunity came for me to go to Pixar in 1997, I was ready to pack up and go. Not everybody was, mind you, Pixar was at that time not a well-known studio. They only had made one film, which was “Toy Story”. I think that you have to move forward as Walt believed “Don’t fight technology. Embrace it and learn how to use it”. That is what Pixar did and they are continuing to do that. Certainly that would have been what Walt would have done as well.

MG: Do you still do any animation for Disney today?
FN: No animation. But I have worked on Disney storybooks from time to time. As I have time I work on Disney projects. Generally, I wait for them to call me. I don’t go looking but every now and then someone will call me. I had the opportunity to work on an electronic device that they were developing. I asked one of the Vice President’s how did they get my name and they said “John Lasseter recommended you”. I do not think that you can do any better than that getting a recommendation from John Lasseter [laughs].

Dichen Lachman is best know for her work in Joss Whedon’s science fiction drama TV show “Dollhouse” as Sierra. She also played Suren in Syfy’s hit series “Being Human”. Her latest film is “Lust for Love”, which is directed by Anton King and reunites her with a lot of cast from “Dollhouse”. Media Mikes had a chance to chat about the film with Dichen and what was it like working with friends.

Mike Gencarelli: How did you get involved to star in “Lust for Love”?
Dichen Lachman: I don’t know if a lot of people know this but Anton (King), the writer/director, and I used to be in a relationship. We moved to LA and were together for a very long time. Anyways, life happens and we went our separate ways. He went off to Vietnam to write scripts. We kept in touch and he ended up sending me “Lust for Love” and I really liked it. It was really fun, clever and quirky. He suggested that maybe we could make it. I thought that would be great but making a movie is very complex. Even though I have been working in the business for so long, I didn’t even know where to begin. All of the cast from “Dollhouse” all became very close friends over the two years we worked together and then on. I was invited into that “Whedon” world through Joss and my work on the show. So, I thought if we did it with our friends it would be fun.

MG: Tell us about funding the film on Kickstarter?
DL: Anton mentioned Kickstarter and we decided to look into that and we were able to raise some of the budget there thanks to the fans. The first and most important part was if our friends even wanted to be involved at all. I always thought that Fran (Kranz) would be great as Astor. I thought that he could bring something that wasn’t on the page. So we asked him to read it and he really liked it and it just grew from there. Our first table read was so much fun and it gave us the energy to keep going. Once we brought on a group of people, who thought it was a fun script, that is when we proceeded with the Kickstarter. If our friends didn’t respond it would have diminished the desire to move forward. Since they enjoyed it so much, we knew we had to do it!

MG: What was it like get back together with your crew from “Dollhouse”?
DL: It was so much fun. We would always hang out together after the show but it felt like we were hanging on to something that we lost. We got so close during our time on “Dollhouse” that it was extremely fun to revisit that place. The feeling that you have when you are on set with friends and collaborating, don’t get me wrong it was extremely difficult making this movie, but it was also very rewarding. Those moments you catch where you are doing a scene and you can’t get through it because you are laughing are wonderful.

MG: Yeah! I was going to ask, when you are working with friends like Fran; do you find it harder to focus especially for the dramatic scenes?
DL: Working with Fran is an experience that every actor should have the privilege of. He is a wonderful actor and person. It is just an extreme amount of fun. It is very difficult to get through a scene with Fran without laughing. There is one scene in the movie when we are sitting on the steps and trying so hard not to laugh. He is just riffing and bringing this life to the character that wasn’t there and because I didn’t read it, it is unexpected and spontaneous. It is so wonderful.

MG: What did you enjoy most about playing Cali?
DL: She was a great character because she is not typical. She is rather resistance to the whole romantic side of things, which I liked. She is also very practical. So acting while also producing on this project was probably one of the hardest things that I have ever done. You are trying to inhabit a character and then at the same time worrying if the caterer is going to arrive on time. I don’t know if that helped my performance since it got me out of my head and just made me do it. I didn’t have the distraction of doing too much acting. She was a really fun character and I liked her relationship with Fran a lot. She is also not a girl’s girl either and I liked that. She was like one of the guys and it was really fun to be in that place.

MG: You mentioned producing, is that something you plan to do more?
DL: I would love to, yeah! I have so much more respect for people that do that job now. It is one of those things that you have to understand every department. It is extremely difficult. We did have an incredible team though, Jack Wylson was so key and worked so hard with the other producers as well in terms of making this flow right. So I would like to do it again but I am not sure I would do it the same way though. I am excited and I hope that this opportunity will help me do more.

MG: I am not really a huge fan of romantic comedies but I was really surprised with this film and enjoyed it a lot!
DL: You can’t imagine how happy that makes me. It is definitely different and quirky. I think for people that ordinarily don’t enjoy rom-coms, there is something about this one that will speak to them.

MG: What can you tell us about your role in The CW’s “The Hundred”?
DL: I can tell you that how it came about because two writers from “Dollhouse”, Liz (Craft) and Sarah (Fain) asked me if I wanted to come play on this show. I said “Of course”. Jason (Rothenberg), the creator, is super talented and such a great writer. I spoke with him recently and he told me that “People have been asking me about your character on the show, make sure that you do not tell anyone about who you are playing” [laughs]. So in terms of that I guess I can’t say much. But I think people are really going to really respond to the show and that everyone involved is really excited about it. It is very dark, especially for The CW. I know they have stuff like “The Vampire Diaries” but this takes it another step further. After the pilot, it takes some really exciting turns, so I would say stick with it. I am very lucky to be a part of it.

Anton King is an Australian writer-director, who made his started in the business by premiering short films to the film festival circuit. One of those short films, “Lust for Love”, was just turned into a feature film which packs a fantastic cast including Fran Kranz (“Dollhouse”) and Dichen Lachman (“Dollhouse”) and Beau Garrett (“Tron Legacy”). Media Mikes had a chance to chat with Anton about the film and how fans can see it.

Mike Gencarelli: “Lust for Love” was originally a short film you did back in 2007; what made you turn it into a feature?
Anton King: The “Lust for Love” short was one of the first films I made, it’s a sex comedy that played at the Melbourne Underground Film Festival a long time ago. I just always liked the title so I decided to reuse it.

MG: Tell us about how you financed the entire film from your Kickstarter campaign?
AK: We were blessed with the support of our Kickstarter backers and many volunteers who contributed to the production, however like most independent films Lust for Love took longer and cost more than anticipated. After shooting the film we obtained other investment necessary to complete and deliver it, although we’re still very proud of what we were able to achieve given our limited budget.

MG: Tell us how you got Fran Kranz and Dichen Lachman and many others from the “Whedonverse” involved with the film including Enver Gjokaj, Miracle Laurie, Maurissa Tancharoen and Felicia Day?
AK: I think the performances in Lust for Love are definitely one of its best attributes, and we were certainly lucky to get such a great cast. I’ve known Dichen and Caitlin since they played sisters together on the Australian show “Neighbours”, and I got to know the “Dollhouse” cast through Dichen. I was even fortunate enough to shadow the director Félix Alcalá for one of the episodes of “Dollhouse”. Maurissa asked me if I wanted to direct the music video for her song “Remains” and we cast Fran in that too. When Dichen and I were casting “Lust for Love” we just chose great actors we knew that were available, so the cast is a mix of people she’d worked with on “Dollhouse”, and some Australian actors we knew. We also cast Karim Saleh who’s just an endlessly entertaining close friend of ours and Beau Garrett who Fran recommended.

MG: Honestly, I am not a big romantic comedy fan but you blend the two so well; tell us about this achievement?
AK: With both I just tried to keep it organic and not to overplay anything, but of course it’s difficult when you’re working in a genre that has no real darkness. It’s no coincidence that two of the most respected romantic comedies “Annie Hall” and “(500) Days of Summer” are actually about couples that aren’t supposed to be together and that don’t end up together. I also think that Lust for Love is helped by the fact that it’s about one guy chasing lots of girls rather than just one girl.

MG: Love the music in the film for example Jed Whedon and Jack Savoretti; tell us about that aspect of the film?
AK: The music supervisor Brienne Rose and I worked really hard to find the right songs for the film and Dichen came up with quite a number of selections too. While our composer Darren Morze created many wonderful pieces. It was a long process of trial and error, but for a film like this the music’s really important. Jed and his wife Maurissa were really supportive of the film and let us use both “Tricks On Me” and “Heat Of A Match” which are two of my favorites from Jed’s album “History of Forgotten Things”. We were also contacted through Kickstarter by Ryan Darton who allowed us to use songs from his album “I Am A Moth”.

MG: You juggled quite a few hats with this film; what was your biggest challenge?
AK: Perhaps the biggest challenge in making “Lust for Love” has been dealing with the sheer volume of work and the fact that it continues for so long. With such a small team and budget there’s been a lot we’ve had to do ourselves. Creatively, screenwriting is of course endlessly challenging, and we spent quite a bit of time in the edit making sure the non-linear narrative was clear.

Tell us how and where can fans see this film and what do you have planned next?
AK: “Lust for Love” is available on VOD and iTunes from Feb 7 in the US and Canada with DVD and foreign releases coming soon.

Enver Gjokaj is know best for his role of Victor in Joss Whedon’s “Dollhouse”. He also appeared in a small role in “The Avengers”, again with Joss Whedon and the new TV series “Witches of East End”. Media Mikes had a chance to chat with Enver about his new film “Lust for Love” and reuniting with his “Dollhouse” cast.

Mike Gencarelli: How was it reuniting with your “Dollhouse” cast members for “Lust for Love”?
Enver Gjokaj: We have always been good friends even after “Dollhouse” ended. “Dollhouse” was one of those jobs that spoiled you on every other job. You get a job and it is your first job and you think that every job will be like this…but it is not [laughs]. I have made though so many great friends from that show. Dichen (Lachman) and I are practically best friends. So we have been hanging out for a while and that is from where the inception of the film began. We were always looking for another project for all of us to do. We also wanted to figure out how much we would be able to do on our own. This was one of those projects. Everyone involved just wanted to see what we could do and it ended up being quite a lot actually.

MG: When you work with friends, do you find it more challenging or easier?
EG: It depends. Of course we love each other, so we had a ton of fun. When you are shooting something on a budget, there is no one hat so to speak. Dichen, who was the main actor and also producer, would go from setting a table for lunch straight to in front of the camera [laughs]. She wore many different hats but for me I just got to be an actor for this, which was a total pleasure. Anton (King), the director, gave me total layaway and I made the character my own. I went in a pretty comedic direction with him.

MG: Jake was definitely a funny character, tell what you enjoyed most about him?
EG: I loved it because nobody really lets me do comedy [laughs]. I have done a lot of auditions for comedies but in terms of stuff I’ve gotten hired for, I do not think people are aware that I am able to be funny [laughs]. It has been quite a few years since I was able to do quite a broad character. Anton was great and very encouraging. I would do something and it would be way over the top and then I would come to him after all apologetic. He was like “Are you kidding me? Go farther…more…more”. So that was a total pleasure since you do not often get to take the limits off a character and get to do whatever you want. There is a part where I slapped Fran (Kranz)’s character with a piece of chicken and all of that just came out of the moment. Also for me playing a lovable dickhead is right in my pocket, so to speak [laughs].

MG: What is your technique when preparing for a role?
EG: For this character, I really found him at the table readings. At first I didn’t know what to do with him. I feel like a lot of time you read a role over and over and it eventually shows itself to you. I do not think anyone planned for this character to be so broad. You really don’t plan it though and after a while it just comes out naturally.

MG: What else do you have in the cards for 2014?
EG: Right now, I am excited for “Lust for Love” getting released. Also we are in pilot season now and everyone is casting the new TV shows. I am out there auditioning for a lot of stuff. So I will see if anything comes out of it.

Photo Credit: Fabio, Inc.

Fabio Lanzoni or better know as just Fabio, is an Italian model, spokesperson, and actor. He has a very fun cameo in the new film “Dumbbells” playing himself. He also is working on a new supplement product called Healthy Planet Vitamins. Media Mikes had a chance to chat with Fabio about this film and his product.

Mike Gencarelli: Tell us about your relationship with Hoyt Richards (who co-wrote the film and plays Jack Guy)?
Fabio: I have known Hoyt for a long time. We started modeling together back in the 80’s while working for Ford. We used to go on talk shows together and represent Ford Modeling Agency and due to that we became good friends. At that time Hoyt was involved with a cult. They believed the end of the world was coming. He was giving every single penny he had to this cult. I always told him that these people were taking him for a ride but he was very into it and didn’t listen to me. They took everything from this guy and left him with nothing. So he ended up staying with me for about a year and a half after since he was left broke. I gave him a car and really helped him out. He is a real good friend of mine and such a great guy and I would do anything for him.

MG: How did you get involved with this film “Dumbbells”?
Fabio: He asked me if I wanted to be involved with his movie and, of course, I said “Definitely, I want to do it”. At the same time, my sister was battling with cancer and my time was limited. I cancelled all of my jobs prior just to be with her. She unfortunately ended up passing away six months later. He would have loved me to be more involved with the film but it was just bad timing then. It is a funny movie and Hoyt did a really great job with it.

MG: There is a line in the film “Fabio’s kind of a dick huh?”; how was it playing yourself with that angle mixed in?
Fabio: In the beginning, Hoyt originally wanted to do a movie about his life. I think it would have been amazing but is more drama than comedy. After though, he decided to put that chapter of his life behind and just make fun of it. So we just played around with the film and just had fun. I liked playing fun on myself but I get to save him in the end, so I redeem myself.

MG: Tell us about the highway billboard for “Dumbbells” pushing “For Your Consideration: Best Actor”?
Fabio: Yeah! That’s funny right? They asked me about that and I thought it would be fun for them to put up this billboard. I figured why not. I think it is very effective though and it gets people interested in the film.

MG: Besides acting, tell us about your work with Healthy Planet Vitamins?
Fabio: It is a great supplement product, which is currently available in Whole Foods Market and other stores. It is also available through the website, http://healthyplanetnutrition.com/. It consists of the highest quality of protein available. People may not know but every single cell of your body regenerates due to protein. This has been proven. The highest quality protein in nature is whey. The only problem is that the quality of whey in the U.S. is not good and in fact not even real whey. I came out with a line with real biologically active whey. The only place you can get this is from New Zealand, since they do not use pesticide and fertilizers. The results have been unbelievable that people have been getting. The problem is that companies today cut corners for profits. I didn’t want to cut corners, I wanted to give the people the best quality protein there is and I believe I have achieved that.

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William Shockley (born September 17, 1963) is an actor and musician. Shockley was born in Lawrence, Kansas. He graduated from Texas Tech University with a degree in political science. Shockley has appeared in many movies and TV shows including Welcome to Paradise, In Justice, Showgirls, The Joyriders, and most notably Dr. Quinn, Medicine Woman in which he played Hank Lawson. He also appeared in the 2007 film Treasure Raiders.

Mike Smith: You led a rather nomadic lifestyle as a young man. Did that experience help prepare you for the different roles you’ve played as an actor?
William Shockley: Moving around all the time during my childhood actually proved to be a huge plus. I can pretty much travel anywhere and feel comfortable with my surroundings. I was forced to learn how to acclimate and get along with strangers. I’m sure that living in different parts of America and living abroad in Europe gave me insight and perspectives that I have woven into various characters.

MS: You’ve done a lot of episodic television, most notably “Dr. Quinn: Medicine Woman.” Is there a comfort as an actor when you’re adding to the same character each week as opposed to a one-shot film character?
WS: Being a series regular on a television show like “Dr. Quinn, Medicine Woman” was a true gift. I loved the privilege of developing a character over a 6-year run. I became very attached to the role of “Hank Lawson”. He was a complex character… lots of layers, which is wonderful. He was one guy on the surface, and a totally different person in his heart. The great writing on “Dr. Quinn” was a huge bonus. I’ve done many films as well, and I seem to always want to do a sequel to a film when I have a character that I connect with and enjoy portraying. I feel this way about “Born Wild”, a film coming out this summer, where I co-star with Barry Corbin, Kix Brooks (of “Brooks & Dunn”), Tanya Clarke, Joe Lando and Justin Deeley. The role in “Born Wild” is “CJ Jennings”… a guy with a wayward, troubled past, who goes back home to reconcile his future. “CJ” has so many issues and so much baggage, yet at the end of the day, he finds redemption. I also got to reunite with Joe Lando, from “Dr. Quinn”, on this film. Joe is a dear friend and it was great to be back on a set with him.

MS: You’re upcoming film, “Reaper,” teams you up with “Starship Troopers'” Jake Busey. Did the two of you get to trade any Paul Verhoeven stories?
WS: I actually didn’t have any scenes with Jake. I worked with Danny Trejo and Vinnie Jones, both great actors and a lot of fun to be around.

MS: In the almost 20 years since it’s release, “Showgirls” has blossomed into a cult hit, with midnight showings ala “The Rocky Horror Picture Show.” Did you have any idea when you were making the film that it would still resonate all of these years later?
WS: I don’t ever have a preconceived idea of how a film will resonate with the audience. As an actor, all I can do is prepare to the best of my ability, show up on the set, and deliver the goods. The rest is up to the director and producers and other actors in the film. You can only control yourself in this type of setting, and then, anticipate the best.

MS: What do you have coming up next?
WS: I actually have several films coming out in 2014. “Ambush at Dark Canyon”, a western that Team Two Entertainment produced (my production company) starring Kix Brooks and Ernie Hudson, was released January 14 and is available on DVD at Walmart. This summer I’m in two films, “Born Wild” and “Dug Up”, a redneck-stoner-zombie-comedy. Later in the year “Reaper” will come out, followed by “Finding Harmony” with Billy Zane and Allison Eastwood, and a western, “Hot Bath ‘An A Stiff Drink”, with Ronnie Blevins and Grainger Hines. My partners in Team Two Entertainment are Kix Brooks, Dustin Rikert and Eric Brooks. We have a big announcement being made this Spring. There’s a really awesome deal being set up that I’m very excited about. Stay tuned for those details.

Photo Credit: Joanna Brooks

You may not know the name Matthew Patrick Davis yet but he is making a name for himself very quickly. He recently made headlines when his stage version of “Jack’s Lament” for “Tim Burton’s The Nightmare Before Christmas” showed up on online. He has also been behind some very funny stage productions with the UCB Theatre including “The Shining! The Musical!” and “Jurasic Park: The Musical!”. Media Mikes had a chance to chat with Matthew about his work and what he has planned next.

Mike Gencarelli: Let’s talk about your stage version of “Jack’s Lament” for Tim Burton’s “The Nightmare Before Christmas”? Have you been contacted at all or do you have plans to expand it?
Matthew Patrick Davis: As a 6’8” physical actor who grew up loving Tim Burton, Danny Elfman and Oingo Boingo, playing Jack in a live adaptation of “The Nightmare Before Christmas” has always been a dream of mine. A couple years ago, I put up a few scenes from “Nightmare” in my acting class. The class freaked out and got super excited about it, so that’s when we decided to shoot some of it, and that’s where the video comes from. If this video could accomplish anything, I guess it would be for it to be a viral thingy and get the attention of the people that own the rights and actually have the power to make it a legitimate piece of theatre: Tim Burton and Thomas Schumacher, the President of Disney Theatrical Group. It would obviously have such mass appeal, and I think could be something insanely great.

MG: Tell us how did you come up with the ideas for “The Shining! The Musical!” and “Jurassic Park: The Musical?”
MPD: I write the movie musicals with my friends Joe Chandler and Zach Paez; friends from high school who are now television writers in Los Angeles. We just pick movies that we love, and musicalize them into part parody, part tribute. “Jurassic Park” was a movie that was very formative in our youth; as 14 year olds, we would often be found doing impressions of the Raptors or the Spitter in a Denny’s parking lot somewhere. “The Shining” is another one of our favorite films — we just enjoyed the juxtaposition between the darkness of man slowly going insane and trying to murder his family, with the light-heartedness of a musical.

MG: Any plans to ever perform these again or record and release them?
MPD: We perform the movie musicals semi-regularly at the Upright Citizens Brigade Theatre in Los Angeles, so there will definitely be another performance sometime in the future.

MG: What do you have planned next to turn into a musical?
MPD: We’ve done four movie adaptations, (JP, The Shining, The NeverEnding Story, and The King of Kong) so next, we would love to do an original. So we’ll do that, and/or do one of the movies we’ve always talked about doing, i.e. T2, Top Gun, Glengarry Glen Ross, Braveheart, The Sixth Sense, etc.

MG: How did you end up as the Sprint Zombie for their commercials?
MPD: It was a pretty standard commercial audition process, just like any other. I got lucky with this one, in that they ran it so much, and it was actually a funny spot that I was really pleased with. The director said that one the reasons they hired me was because they like the way I added the “cool, cool cool cool…” in the audition, so I guess that’s something.

MG: What else do you have planned for 2014?
MPD: I’m going to be releasing an album of some of my songs that can be found on my YouTube page. I’ll be writing more songs and musicals. I’m hoping to take my one man show to the Upright Citizens Brigade Theatre in NYC — it’s called, “Matt Davis Gets A Girlfriend:” A One Man Musical about One Man’s quest to not DIE ALONE. Also, I’ll be doing the revival/reboot of the musical Side Show at the Kennedy Center in DC in June and July, having just done it at the La Jolla Playhouse.

Ray Wise is a well-known actor in the business. He is known for roles including Leland Palmer in “Twin Peaks”, Leon C. Nash in “RoboCop” and the Devil in “Reaper”. Ray has a great role in the recent creature feature “Big Ass Spider!”. Media Mikes had a chance to chat about his role in that film and he also was able to reveal plans for a complete Blu-ray box set of “Twin Peaks”.

Mike Gencarelli: How did you end up working on a film like “Big Ass Spider!”
Ray Wise: I worked with Mike Mendez, the director, briefly before this on a project. I knew that he wanted me to play this military man, which was fine with me. I read the character description and I taught it was good role for me. He is not too over the top and conservative in his approach. It was also a nice contrast to Greg (Grunberg) and Lombardo (Boyar)’s characters. They supply a lot of the humor in the script, which was really well written. Mike Mendez did a really good job with it and I responded well to its humor. I saw a lot of possibilities in it and I thought if he could pull it off it would be a good film. I think he did just that and even exceeded expectations. I was pleasantly surprised when I saw the first cut of the film. I think it is very funny and very effective. I think people are going to love it.

MG: You play hard-ass Major Braxton Tanner but you are still quite funny; what is your process for balancing the comedy for the role?
RW: It came intuitively for me. It was sort of natural. That is the way I liked to approach all of my roles actually. I like to find the humorous aspects of the character as well as some of the more dramatic and create that blend. That is way I like do things naturally. Fortunately, it works out most of the times and translates well on screen.

MG: There has been quite the positive response around this film; I have a feeling it is going to stick around…
It is going to have legs…
MG: Literally [laughing]…
RW: Eight legs [laughing].
MG: [laughing] Exactly!

MG: If they decided (and hopefully they do) to make a sequel to “Big Ass Spider!” would you be on board?
RW: Absolutely! Yeah, I am on board. Absolutely!

MG: Tell us about joining the cast of “The Young and the Restless”?
RW: I am playing this Ian Ward. He has come in from out of town as is a past cult leader. He has these individuals that follow him religiously because he has this special philosophy of life that can help everyone achieve their own dreams. They are thinking that he is responsible for the pregnant of the character Nikki many years ago. Allegedly responisble. So, he comes to town to really stir things up. You know, it is another one of those characters for me.

MG: And you are no stranger to playing the baddie like with the Devil in “Reaper” etc; what draws you to these characters?
RW: I think it is because they are always so well-written. When the writers try and write the bad guy, they try and put in a little extra umph in these characters. They add a little extra than a rather bland and mundane good guy [laughs]. I think my own personal physicality and demeanor plays well to that aspect of the writing as well. When you see me, you think “Well he seems alright…but there is something going on here” [laughs]. That suspense and anticipation is really great for the audience.

MG: Do you enjoy going from a bad guy like those to funny roles in films like “FDR: American Badass!”?
RW: First of all I love Barry (Bostwick) and I thought his FDR was really great! I played Douglas MacArthur, so that might have been the beginning of my military chops [laughs], I am not sure. I enjoyed that experience very much actually. There was a lot of laughs and it turned out pretty well also like “Big Ass Spider!”.

MG: I heard you broke the news about an upcoming “Twin Peak” series Blu-ray; can you give us the scoop?
RW: It will be a new box set of the pilot and episodes combined with “Fire Walk with Me”, the prequel movie. It is everything. Everything! Also included will be deleted scenes from “Fire Walk with Me”. I think David (Lynch)’s original cut of the film was about 3.5/4 hours long, so there is stuff that no one has ever seen that is going to be on this new box set. I think it is pretty great. So stay tuned.

For nearly a decade, Superman fans came to love Michael Rosenbaum for his portrayal of Lex Luthor on “Smallville”. During that time Michael also found time to act in other TV shows and movies as well as voicing the Flash for DC’s animated universe. For the past two years though, Michael has been working on something near and dear to his heart. His first movie, “Back in the Day”, details a lot of his experiences growing up in a small town in Indiana. Some of those experiences are hilarious as well as very touching. Media Mikes was able to talk with Michael about his labor of love as well as the trials and tribulations with working on his first film.

Jeremy Werner: When watching “Back in the Day”, you really get this vibe that this is a love letter to the people and town that you spent your best years in.
Michael Rosenbaum: Oh yeah…I go back twice a year for whiffle ball. I really embrace the city. I really love where I grew up…cutting backyards, drinking out of firehoses, catching fireflies and playing baseball as a kid…It was a little bit of a love letter. I wanted it to be authentic and I wanted people to see how beautiful it can be instead of a stereotypical, ‘Oh I hate the small town and these people are rednecks’. It’s just the opposite of that. I’m very proud of where I grew up.

JW: I assume that every character in this movie is based off someone that you knew growing up.
MR: (laughs) Oh yeah, it is. Skunk is a real character played by Harland Williams…A lot of these things happened. I’ve known these guys for a long time, so it’s an exaggeration and loosely based on a lot of these guys, but definitely. There’s kind of a lot of characters all rolled up in one…I was kind of a nerd in high school and couldn’t get laid. So the girl in the movie is the one I had my first time with mixed in with the most beautiful girl in the world I could never get. They’re all based on the idea or of people that I knew.

JW: I’m almost afraid to ask, (laughs) but there’s a mom who drinks and smokes in the movie…did you know someone like that?
MR: (laughs)…You see some of those things every once and a while and you’ve seen it. That girl was a little bit of an exaggeration, but I hope that people find that funny…that was an exaggeration of someone I sort of knew, who when I go back home, I kind of still see every once and a while and it’s a big exaggeration…I thought she was just a larger than life character and people do that. They actually smoke light cigarettes and they’re smoking occasionally. They think it’s OK. They occasionally drink…an occasional shot of whiskey. So I think there are people out there.

JW: So have your friends watched this movie yet?
MR: They love it…they thought they were gonna see something shot on an iPhone and we had the budget to about do that (laughs). The laughs were loud, it’s great to see it with an audience…so far everyone has really enjoyed it. Obviously there’s some offensive moments and I’m sure somebody will say this isn’t for me, but it’s not for everybody. There is heart…so there’s a little bit of something for everybody. It’s what I wanted to make. I’m happy with that.

JW: How much of yourself did you put into the movie’s main character, Jim Owens?
MR: I obviously have a lot to be thankful for and I’ve done it all for myself and God bless, but there’s always a part of me that longs to be back home. I miss that side, that part of my life. Jim left someone behind, a girl he was in love with. I think that we all wanna find that, that love and he remembers that she was probably the best thing to ever happen to him and even though it happened years ago, he’s seeing what happens. I think there’s a big part of Jim in me or me in Jim because I think a lot of people long to go home and they miss home. Sometimes when they’re home, they realize: I do love home. But maybe I was destined to be an actor. I was destined to be a doctor somewhere or was destined to be…whatever it was. To each his own. I miss my friends back home. I miss the simplicity of being in a small town and living in a neighborhood and having seasons. I’m in Los Angeles and as beautiful as it is and you go to the beach and you have all these great things in life…everybody will sit there and go, “Oh my God. I’d love to have your life”. It’s funny because I’d like to have their life in a lot of ways too…It’s kind of mixing it. I think you can have the best of both worlds.

JW: So with so many memories, when did you start work on this script?
MR: Well, it’s one of those things where it was one of the first scripts I’d written and then I kind of let it go because it’s too small for a studio to buy and go, “Yes! It’s gonna be a big blockbuster comedy.” They consider it not high concept enough, I would say. I was trying to say, “I know these characters, wait until you see them.” It’s funny, I wrote it so long ago that I started working on all these other projects and then when another movie that I was suppose to make fell through…I was asked, “Do you have anything you wrote on growing up in Indiana?” I said, “Holy shit, I do.” I kind of switched gears and within three months I was prepping this movie and I pulled it out of the woodwork. I updated it a bit and I asked my friends to be in it. It’s a passion project. I can’t believe this movie is my first. Honestly, it was my first step in directing and it was the best first step. I hope people look at it and go, “Wow! For a million bucks, this is friggin’ funny. It looks great.”…You hope that people appreciate it and you hope you can get your second shot and that’s what I’m aiming towards.

JW: Was there a lot of pressure going into this?
MR: Yeah, I didn’t know how much work it was until I started doing it and then I realized…how am I gonna do this scene in one day? I don’t have enough money for this stunt, how am I gonna do that? How am I gonna get these actors from LA…and why would they do some independent movie in the middle of Indiana for no money in the dead of winter? So there’s a lot of obstacles. Then you finally make it happen and then you’re shooting and you start to have more problems. It’s raining…a snowstorm is coming in…whatever’s happening. Oh my God, it can’t be a Christmas movie anymore, it’s getting warm now. And then how do we finish the movie…and then post-production. How can we afford sound design? How can we afford a composer? How can we afford getting the songs that I really wanted to be in this movie? And then all of sudden we’re trying to screen the movie and we only have ‘x’ amount of weeks to edit it and now we’re trying to sell it. On a studio movie, once you’re done directing and cut, you’re done. Studio takes over and they have an infrastructure. With an independent movie there’s multitasking and I’ve been doing a ton of jobs with my amazing producer, Kim Waltrip and my post supervisor Aaron Peak, for no money. I haven’t taken a job for a year and a half because I’ve become so invested in this.

JW: Is there another script you have in mind after this?
MR: Yeah, I can’t really name it. There’s a camp movie that I’m considering directing that I wrote. I also wrote a TV show that we’re probably gonna shoot digitally for a studio. So that’s in negotiations…a lot of good stuff on the horizon.

JW: Now finally…as a nerd, I gotta ask…
MR: Do it!

JW: (laughs)…have you gotten any calls to be Lex Luthor in the upcoming Batman vs. Superman movie?
MR: The fans have been unbelievable. They’ve tweeted me, I’ve tweeted back…I’ve been to conventions and they always ask me, “Would you do it?” And I’m not an idiot, of course I’d do it. I’d love to do it. But I think Joaquin Phoenix is probably gonna do it or somebody. I’m a big Zack Snyder fan. Obviously, I think I could play the role. I would do it in a heartbeat, but I don’t hold my breath because I know there’s the stigma, “He was the TV Smallville Lex Luthor.” I say that sarcastically, but I think it’s a shame. If people like the role and what I did with it, then they should consider it. But I’m not the director. I’m not the producer. Long story short, I’d do it in a fucking heartbeat.

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