Film Review "Bullet to the Head"

Starring: Sylvester Stallone, Sung Kang and Christian Slater
Directed by: Walter Hill
Rated: R
Running time: 1 hour 31 mins
Warner Brothers

Our Score: 4 out of 5 stars

As a movie fan in the 1980s I was a huge fan of both Sylvester Stallone and director Walter Hill. Sly was kicking ass over and over, from the various “Rocky” and “Rambo” films to “Night Hawks” and “Tango and Cash.” And Hill, coming off “The Warriors,” was creating such gems as “The Long Riders,” “Southern Comfort” and, of course, “48 Hours.” It’s taken the two of them three decades to finally work together and I’m happy to say that the resulting film doesn’t disappoint.

Jimmy (Stallone) and Louis (Jon Seda) are hit men. Their current assignment finds them visiting a man in his hotel room. The deed is done but a witness is left behind…a woman who Jimmy discovers in the shower but doesn’t kill. Asked if the woman could identify him Jimmy replies, “she won’t.” Later that night both men, while waiting for their payment, are attacked and Louis is killed. Needless to say, Jimmy isn’t happy. He not only has to find the man who killed Louis but he still wants his money! And he’s not a patient man.

Two weeks ago the enjoyable return of 66 year old Arnold Schwarzenegger was deemed a failure because it didn’t have a big weekend at the box office. And that may happen this weekend for Stallone, also 66. Which is a shame because, 35 years after the fact, he still has the screen presence that caused Roger Ebert to compare him to Marlon Brando after the release of “Rocky.” In “Bullet to the Head” he becomes partners with Washington D.C. detective Taylor Kwon (Sung Kang, probably best known for his work in several of the past “Fast and Furious” films). Their relationship is typical good cop/bad cop (or in this case good cop/bad hit man) and it’s their exchanges that give the film a sense of humor. Jimmy isn’t fond of Kwon’s Asian heritage and prefers to call him Odd Job (not to be outdone, another character calls Kwon Kato) and Kwon marvels at how stuck in the 20th Century Jimmy is. However, when the time comes, both men excel at dispatching the bad guys, with each action scene a testament to the talent of director Hill.

The supporting cast also does well, including Slater and “Lost’s” Adewale Akinnuoye-Agbaje as the resident bad guys of New Orleans. Credit also Sarah Shahi as Jimmy’s tattooed daughter and the screen’s most recent Conan the Barbarian, Jason Momoa, as the baddest dude Sly has tangled with in a long time. Also credit Momoa for taking a character that begins very one dimensional and giving him some life. And also give a round of applause to the visual effects department. “Bullet to the Head” isn’t just a clever name…the film has a pretty hefty death count with the bullets pretty much hitting everywhere!

Complimentary Passes to the Kansas City Screening Of "A Good Day to Die Hard" [ENDED]

THE GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL

Media Mikes has teamed up with 20th Century Fox to send (50) of our readers and their guest to the advance screening of “A Good Day To Die Hard.” All you have to do is let us know which “Die Hard” film is your favorite and why. (50) random entries will be selected and the winners will be notified by email The contest will run through Sunday, February 10. Good luck!

Date: Tuesday, February 12
Time: 7:30 p.m.
Location: Cinemark Merriam Theatre, Merriam, Kansas

Opening Date: Thursday, February 14, 2013
Official Website: www.DieHardMovie.com
Rating: Rated R for violence and language.

Synopsis:
Iconoclastic, take-no-prisoners cop John McClane, for the first time, finds himself on foreign soil after traveling to Moscow to help his wayward son Jack — unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover their opposing methods make them unstoppable heroes.

Film Review "Hansel and Gretel: Witch Hunters"

Starring: Jeremy Renner, Gemma Arterton and Peter Stormare
Directed by: Tommy Workola
Rated: R
Running time: 1 hour 28 mins
Paramount

Our Score: 3 out of 5 stars

Of course, like me, you remember the story of Hansel and Gretel. Two kids lost in the forest find a house made of candy, go inside and eventually kill the witch that hoped to eat them. The End. Or so you thought. Apparently there’s a little bit more to the story.

Gorily rendered in pretty impressive 3-D, “Hansel and Gretel: Witch Hunters” gives the old fairy tale a pretty bold spin. Seems the tykes weren’t lost…they were abandoned in the woods by their dad, hoping to hide a family secret. Of course, after they got a taste of the excitement and celebrity that comes with shoving a witch in the over and burning her to death, the two grow up to become, to be blunt, bounty hunters. Their journeys take them to a small town where several children have turned up missing. Even the crudely drawn likenesses attached to milk bottles haven’t produced a clue. When H and G show up they come across a mob, led by the local sheriff (Stormare in, after last week’s “The Last Stand,” his second consecutive over the top performance) intent on burning a young woman (Pihla Viitala) accused of being a witch. Before someone can determine if she weighs the same as a duck (or is made of wood) Hansel steps in and declares her too beautiful to be a witch and she is set free. Later that night a group of non-professional witch hunters are attacked by Muriel (Famke Jensen), a kind of super-witch with some deep and dark plans for the missing children. But Hansel and Gretel have other plans. Let the carnage begin!

Full of exploding heads and set in that weird movie land where the people still ride horses, light their homes with candles and possess automatic weapons, “Hansel and Gretel: Witch Hunters” is best summed up in one word: Fun. At least that’s the way I took it. Both Renner and Arterton give tongue in cheek performances, which are always the best in films like this. Take these parts too seriously and you get hooted off the screen. Take them too casually and people want their money back. Here the laughs are earned, the effects are strong and both actors can be assured of working again.

Visually the film is well put together. The 3-D is utilized to its fullest potential and the special effects are well rendered. The script has some witty moments as well as a few holes. Due to having to eat so much candy as a child Hansel has apparently become the world’s first diabetic. He informs us that he needs to give himself a shot every couple of hours or he will die. Then he proceeds to go a couple days without it. Maybe he’s Type 2? On a positive side, I can see this movie spawning a great drinking game once it comes out on DVD – everyone takes a drink when they hear the word witch! See, I told you it was fun!

Theater Review "Billy Elliot: The Musical" – Music Hall, Kansas City, Missouri

Billy Elliot: The Musical
Music Hall, Kansas City, Missouri
January 22, 2013

Our Score: 4 out of 5 stars

“I never had that much energy at that age,” is what I told myself after watching 12 year old Drew Minard steal the show as the title character in “Billy Elliot: The Musical.”

The show, based on the film of the same name, tells the story of a young man who, bored with boxing classes, finds himself drawn to ballet, an endeavor that does not go over well in his tough, English household, where it’s easier to make fun of “the bally,” as it’s called, then appreciate the beauty of the art.

As the show begins the audience is thrust into the beginning of Britain’s 1984 Coal Miner’s strike.  Billy’s father, Joe (Rich Hebert) is one of the leaders of the strike, hoping by holding out that he can better the life of his sons.  His oldest boy, Tony (Cullen Titmas) also works in the mines but doesn’t have his father’s temperament.  Joe and his sons live with Grandma (Patti Perkins), Billy’s mother having died some time ago.  They are working class, as is the majority of their small town, which makes Billy’s new found hobby even more difficult to embrace.  But, urged on by his teacher (Janet Dickinson), Billy follows her advice and, true to the song she sings to motivate him, he shines!

Photo by Amy Boyle

Winner of 10 Tony Awards including Best Musical, “Billy Elliot” is what I would call a “solid” musical.  It has all of the great elements you want in a show:  great cast, intriguing story and a good score.   Which is kind of disappointing since the music was written by Elton John (“The Lion King”) in a collaboration with Lee Hall, author of the book and lyrics as well as the screenplay to the original film.  While a couple of numbers stand out (“Solidarity” and “Merry Christmas Maggie Thatcher”) there really isn’t a song that you leave the theatre humming.  But don’t let that keep you away.  The show is entertaining and well choreographed.  Heck, the curtain call is a production number in itself.  And if you go, make sure you give a standing ovation to Master Minard (or any of the other boys, there are four in total, who are playing Billy on this tour).  He certainly earns it!

“Billy Elliot: The Musical” continues in Kansas City through January 27 and then visits the following cities:

CLEARWATER, FLORIDA                 January 29 -30

RICHMOND, VIRGINIA                   February 1-3

BIRMINGHAM, ALABAMA           February 5 -10

GREENVILLE, SOUTH CAROLINA                February 12 -17

NAPLES, FLORIDA                            February 19 -24

JACKSONVILLE, FLORIDA              February 26 – March 3

WEST PALM BEACH, FLORIDA     March 5 – 10

PEORIA, ILLINOIS                             March 12 – 14

FOR LATER SHOWS VISIT  http://www.billyelliottour.com/us-tour-tickets

 

Film Review "Quartet"

Starring: Tom Courtenay, Pauline Collins and Maggie Smith
Directed by: Dustin Hoffman
Rated: PG 13
Running time: 1 hour 38 mins
The Weinstein Company

Our Score: 4 out of 5 stars

In this day and age when actors jump behind the camera at the drop of the hat it’s almost shocking to see that it took Dustin Hoffman 50 years to try his hand at directing (I don’t count the few days he spent on the film “Straight Time” before turning the project over to a more seasoned director). But those five decades of studying have truly paid off with Hoffman’ debut film, “Quartet.”

In the English countryside sits a beautiful retirement home with a special clientele. Everyone living under the roof is a classical musician. Of course, there is a class system in place. Among the unwritten rules – the tables in the dining room with a window view are reserved for vocalists…no clarinet players need apply! Every year, on October 10, the residents put on a gala benefit to raise money for the home, honoring Giuseppe Verdi. This year’s selection will be from “Rigoletto.” But when a new resident arrives, old wounds are opened, new friendships are made and the old showbiz adage that “the show must go on” is never more evident.

Packed wall to wall with a who’s who of some of Britain’s finest actors, “Quartet” is, in the simplest terms, a solidly told story. Based on the play of the same name by Ronald Harwood, who also wrote the screenplay, “Quartet” is a film that doesn’t rely on special effects or gimmicks. Just acting. That being said it’s probably no surprise that Dustin Hoffman is the director…that’s his acting philosophy in a nutshell. Courtenay, probably best remembered for his Oscar nominated work in “The Dresser,” is Reg, a former opera singer now taken to giving visiting school children lectures on his craft. Wilfred (Billy Connolly) spends his days flirting with the younger female members of the staff while sneaking the occasional nip or two. Cissy (Collins) is friendly to everyone she meets but sadly is falling into a state of recurring forgetfulness. These three are looking for a fourth to sing with them when the home receives a new arrival – the very diva-ish Jean Horton (Smith). So talented was Jean in her day that, when she arrives at the home, she is greeted with a loud ovation from the other residents. But then the fun starts. Jean insists on playing the diva, expecting the rules to be bent for her. She also happens to be Reg’s ex wife, a situation that makes things just a bit uncomfortable. This gets even more complicated when the other three want her to sing with them.

The film is quiet and personal, as are others based on Harwood’s work (“The Dresser,” “Taking Sides”) and that trait is enforced by Hoffman’s straightforward and unforced direction. Let’s hope it doesn’t take him another 50 years before he attempts his sophomore effort!

Win Tickets to the Kansas City Advance Screening of "Identity Thief" [ENDED]

THE GIVEAWAY HAS ENDED AND ALL WINNERS HAVE BEEN NOTIFIED VIA EMAIL

Media Mikes has teamed with Universal Pictures to give you the chance to be one of the first people to see the new comedy “Identity Thief,” starring Jason Bateman and Melissa McCarthy. To qualify all you have to do is leave a comment below telling us your favorite line from your favorite comedy. (20) random entries will be selected and will be notified by email. The contest ends at Midnight, February 3, 2012. Screening information is as follows:

Date: February 5, 2013
Time: 7:30 p.m.
Place: Cinemark Merriam, Merriam, Kansas

Opening Date: Friday, February 8, 2013
Official Site: www.IdentityThiefMovie.com
Rating: Rated R for sexual content and language.

Synopsis: Unlimited funds have allowed Diana (McCarthy) to live it up on the outskirts of Miami, where the queen of retail buys whatever strikes her fancy. There’s only one glitch: The ID she’s using to finance these sprees reads “Sandy Bigelow Patterson”… and it belongs to an accounts rep (Bateman) who lives halfway across the U.S. With only one week to hunt down the con artist before his world implodes, the real Sandy Bigelow Patterson heads south to confront the woman with an all-access pass to his life. And as he attempts to bribe, coax and wrangle her the 2,000 miles to Denver, one easy target will discover just how tough it is to get your name back.

Complimentary Passes to the Kansas City Advance Screening of "Hansel and Gretel: Witch Hunters" [ENDED]

ALL PASSES HAVE BEEN DISTRIBUTED AND WINNER HAVE BEEN EMAILED

If you like your fairy tales with a little bit of action then do we have the movie for you.  Media Mikes has teamed up with MGM, MTV Films and Paramount Pictures to give you a chance to be among the first to see the new film “Hansel and Gretel:  Witch Hunters.”
If you would like to enter for a chance to win tickets to the following advance screening, please leave a comment below, telling us which of your favorite fairy tales would you like to see brought to the big screen. The first (50) people to comment will be given a code to obtain a pass for (2) via the GOFOBO site. Winners will be notified on or before Wednesday, January 23rd. ONLY ONE ENTRY PER PERSON PLEASE! OTHERWISE ALL ENTRIES WILL BE DISREGARDED. The winners will be will notified via email and will be instructed how to register for their passes. Good luck and hope to see if you at the screening! Screening information is as follows:

Date: Thursday, January 24, 2012

Time: 8:00 p.m.

Place: AMC Studio 30, Olathe, Kansas

Official Site: HanselandGretelmovie.com

Opening Date: Friday, January 25, 2012

 

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Film Review "The Last Stand"

Starring: Arnold Schwarzenegger, Johnny Knoxville, Forest Whitaker and Luis Guzman
Directed by: Jee-woon Kim
Rated: R
Running time: 1 hour 47 mins
Lionsgate

Our Score: 4 out of 5 stars

There must be something in the water in California. In 1967, actor Ronald Reagan began the first of two terms as Governor. In 2003, actor Arnold Schwarzenegger did the same. But the similarities don’t end there. Both were succeeded in office by Jerry Brown (ironically, Reagan succeeded Jerry Brown’s father). After leaving office both went on to be President. OK, just kidding there, though I’m sure it’s only the fact that, because he was born in Austria, Schwarzenegger is constitutionally prohibited from running for the office. No, now that the politics are over Schwarzenegger is back in the movie game. And he picked a good one right out of the chute.

Las Vegas. As a state trooper sits parked on the dark desert road outside of town he is startled by the roar of an engine outside. He sees nothing in the dark except his radar gun screen, flashing 197. Angered he radios in to complain about the Air Force flying their jets low to the ground. Down the highway, in the little border town of Sommerton, the local high school football team is heading out for a trip to the state championships, as is most of the town. Staying behind is Sheriff Ray Owens (Schwarzenegger), a former Los Angeles drug cop who left the city behind years ago. With most of the townsfolk away for the weekend, Ray envisions an easy weekend, turning over the care of the town to his three deputies. But fate has other ideas.

Smoothly directed and featuring characters that rise above being one dimensional, “The Last Stand” could be an old episode of “Gunsmoke,” with its theme of the law versus the bad guys. Ray is Matt Dillon while his three well meaning but inexperienced deputies (Guzman, Zach Gilford and Jaimie Alexander) are Festus. Sommerton is Dodge City and drug cartel leader Gabriel Cortez (Eduardo Noriega) is the bad guy. And what a bad guy he is. No fewer than a dozen members of law enforcement are killed when Cortez escapes federal custody, aided in his escape by a Corvette ZR-1, a car so fast that, when an attempt is made to pursue it the police are told it’s faster than their helicopter. A fast car always equals car chases and director Kim does not disappoint. In fact, all of the extreme action scenes staged by Kim are quite impressive. His camera continually moves, putting the viewer in the car and taking them along for the ride.

Cast wise it appears that Schwarzenegger still knows how to hit his mark. Now 66, the Austrian Oak has lost a step or two and isn’t afraid to acknowledge it. It’s also great to see Forest Whitaker in a role worthy of his talent. As the head of the FBI team tracking Cortez, he gets to chew a little scenery for once. Peter Stormare is in full crazy-guy mode (think of his role in “Fargo”). I’ve been a fan of Luis Guzman’s since the late 1980s so it’s always great to see him on screen. Speaking of a crazy guy, Johnny Knoxville rounds out the cast as the local goof with one hell of a gun collection.

"Critics vs Oscars Free-For-All" Coming to Kansas City

If you haven’t already got your Oscar ballots marked you may want to attend the annual “Critics vs Oscars Free-For-All” slated for Wednesday, January 23 at the Screenland Crossroads Theatre in Kansas City.

During the program trailers for films Oscar-nominated in all major categories will be screened, as will scenes from all nine Best Picture nominees. Each trailer will be followed by a sure to be impassioned discussion from some of Kansas City’s best known film critics.

The event starts at 7:00 p.m. but there will be a pre-show mixer starting at 6:00 p.m. in which those in attendance can rub shoulders and share opinions with KC’s cinema scribes. A donation of $10 is requested from those in attendance, which goes to support CinemaKC and it’s efforts to serve the movie community in 2013. Your donation not only gets you 90 minutes of film and discussion but also a raffle ticket for a chance to win some great movie memorabilia and passes to the Screenland Theatre and the Boulevard Drive-In. For more information on the event or CinemaKC go to www.CinemaKC.com

Betty White reflects on career and new season of "Betty White’s Off Their Rockers"

Betty White is a legendary TV icon, a seven time Emmy award winner and currently starring in NBC’s show “Betty White’s Off Their Rockers”. Betty and her posse of senior pranksters returned for season two of this series on NBC on Tuesday January 8th with special guests PSY and Kim Kardashian appearing in bits with Betty in two back-to-back episodes. Media Mikes had a chance to chat with Betty about her career and the new season

Mike Smith: You are a cultural icon. What keeps you going in the business?
Betty White: Because why quit something you’re enjoying so much? It’s such fun, and who would ever expect at 91 to still get invited to do shows. I mean, that’s unheard of, so if they don’t want me to do it, don’t ask me, because if they ask me I’ll take it.

MS: When you were first approached about doing this show, it’s “Off Their Rockers” with seniors doing pranks, did you immediately know you wanted to do it?
BW: No, I was not enthused about doing this. First of all, well not so much for the show but because my schedule just didn’t tolerate it, so I thanked them very much and said, no thank you. But they kept coming back, and it was a show that started in Belgium, and it was the most popular comedy show in Europe for a while. So when they invited me to do it, I said that’s very nice, but I just can’t work it in. And they kept coming back, and of course I had the backbone of a jellyfish, so here I am doing it, but I’m having a good time.

MS: What’s the best prank you’ve ever pulled, the funniest one?
BW: I’m not a real prankster. I love doing “Off Their Rockers”, because the other people are pranking, but I willmaybe kid my friends and say one thing or tell them something happened that didn’t really happen, but I straighten it out pretty fast. The trouble is you can paint yourself into a corner if you try too many pranks, you know?

MS: Can you reflect about the direction of TV today?
BW: Well, I think TV has changed, but I think the audience has changed more than anything else. The audience has seen every plot. They’ve heard every joke. They keep being a challenge, so the producers and the show people try to top themselves or get unusual and I think every once in a while, just a good old-fashioned straightforward television show, or a situation comedy suddenly hits the spot. It’s almost like something they haven’t seen for a while.

MS: How did you develop the sense of humor that you have and the love of laughter, and your amazing sense of comic timing?
BW: Oh, that was my mother and father. I was an only child, and the – we had the best time together. My dad was a salesman, so he would bring jokes home, but also he’d ask me how things went at school, and I would start telling him, and pretty soon we’d begin to make jokes about it, and it was a love of laughter at home that just was a precious commodity to have with your folks, and Sunday morning breakfast would last two hours sometimes when we all giggled and scratched and talked.

MS: Could you elaborate a little bit on how you think you have achieved the notoriety that you have, and what advice you can give for other women that are starting in the business?
BW: Well, bless your heart, I hope it’s fame, not notoriety, but I’ve been so lucky. I just can’t tell you how lucky to get to this age. Who would ever dream that you’d get to be 91 years old and you’re still working as much as I am? But I think it’s because I thoroughly enjoy what I do. I love this business, and I’ll quit when they ask me to, but as long as they keep asking me to work, I’ll keep saying yes, and it is such a privilege. I think women have come a long way over the years in being you know, coming into their own and roles that they get and in – well, in the whole business, and women executives and all that, but it’s a very lovely position to be in to be taken seriously as well as laughed at.

MS: Can you talk about what it was like to have Ed Asner on the show, and what you did together?
BW: Oh, it was such fun, and Ed and I stay very close. We’ve always adored each other. I don’t think we’ve ever said a nice word to each other, but we adore each other. You know that kind of a friendship. He always yells at me and I yell at him and lovingly. He did the show and when you work that closely together, somehow you fall into a pattern, and it’s as though you saw each other yesterday, even if a little time has gone by.

MS: What are some of the biggest challenges in making the show?
BW: Yes, well, let me answer the question. The challenges are to try to keep it fresh, to try to keep any semblance of freshness going. Well, after this number of years of all the shows and all the jokes and all the scripts, that’s the – a major challenge, so what you do is keep reworking the same old material and try to put a little new slant on it, and then with fresh people in the role, it’s amazing how long you can milk stuff.

MS: What type of attitude do you recommend for longevity?
BW: Oh, honesty. You can fool everybody else maybe that you know, but you can’t fool that camera. That camera will know when you’re faking it every time.

 

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"Lincoln," "Life of Pi" Lead Oscar Nominations

“Lincoln,” Steven Spielberg’s masterpiece about the last months of the 16th President of the United States, led all films this morning when nominations for the 85th Annual Academy Awards were announced. The film received 12 nominations including Best Picture, Best Director (Spielberg) and Best Actor (Daniel Day-Lewis). Right behind was Ang Lee’s “Life of Pi,” which received 11 nominations, among them one for Best Picture. Also racking up nominations: “Silver Linings Playbook” (8), “Argo” and “Les Miserables” (7 each), “Amour,” “Django Unchained” and “Zero Dark Thirty” (5 each). All of these films received Best Picture nominations. The final Best Picture nominee, the Sundance Festival fave “Beasts of the Southern Wild,” earned 4 nominations, including a nod for Best Actress for 9-year old Quvenzhane’ Wallis. The nomination makes Wallis, who was 6 when the film was made, the youngest nominee ever for an acting Oscar.

In the acting categories, there is a good mix of past winners and newcomers. Best Acting nominees include first time nominees Bradley Cooper for “Silver Linings Playbook” and Hugh Jackman for “Les Miserables.” A pair of two-time Oscar winners, Daniel Day-Lewis for “Lincoln” and Denzel Washington for “Flight,” are also on the list as is two time nominee Joaquin Phoenix for “The Master.” Besides Wallis, nominees for Best Actress include Jessica Chastain (“Zero Dark Thirty’), Jennifer Lawrence (“Silver Linings Playbook”), Emmanuelle Riva (“Amour”) and Naomi Watts (“The Impossible.”

In what I’m pretty sure is a first, the Best Supporting Actor category is the first acting category ever in which all five nominees already have at least one acting Oscar on their mantle. The nominees are: Alan Arkin (Best Supporting Actor for “Little Miss Sunshine”) for “Argo,” Robert DeNiro (Best Supporting Actor for “The Godfather Part II” and Best Actor for “Raging Bull”) for “Silver Linings Playbook, Philip Seymour Hoffman (Best Actor for “Capote”) for “The Master,” Tommy Lee Jones (Best Supporting Actor for “The Fugitive”) for “Lincoln” and Christoph Waltz (Best Supporting Actor for “Inglorious Basterds”) for “Django Unchained.” Best Supporting Actress nominees are Amy Adams (“The Master”), Sally Field (“Lincoln”), Anne Hathaway (“Les Miserables”), Helen Hunt (“The Sessions”) and Jacki Weaver (“Silver Linings Playbook”).

Besides Spielberg, the nominees for Best Director are: Michael Haneke for “Amour,” “Benh Zeitlin for “Beasts of the Southern Wild,” Ang Lee for “Life of Pi” and David O. Russell for “Silver Linings Playbooks.” A surprise non-nominee ( and I have to be honest I actually started this paragraph by listing him as a nominee) was Ben Affleck, the director of “Argo.” Affleck received a nomination from the Director’s Guild of America last week.

The 85th Annual Academy Awards will be presented on Sunday, February 24th.

Julia Davis talks about documentary "Top Priority: The Terror Within"

Born in Russia, Julia Davis seemed to have a fairy tale life. She met and fell in love with filmmaker B.J. Davis while he was making a film in her hometown, emigrated to the United States and, armed with her educational degrees, found a job in one of this country’s most important agencies – the Department of Homeland Security. However, the fairy tale took a horrific twist when Ms. Davis reported to her supervisors what appeared to be a security breach of top priority. Rather then investigate her report the agency, and others within the U.S. Government, set out to discredit her, as well as subjecting her family and friends to unimaginable harassment. It took almost a decade but the truth has finally come to light. With the DVD release of the whistle-blowing documentary film of which she is the subject, “Top Priority: The Terror Within,” Ms. Davis graciously took some time out to talk with Media Mikes about her life since the film was released and her plans for the future.

Mike Smith: What made you choose to go into a career with the government?
Julia Davis: Since my childhood, I always had an interest in police work and investigative matters. After 9/11, I felt the need to serve our great nation, helping to safeguard it from any future terror threats. Since I speak multiple languages, I thought that my abilities could be put to good use by the federal agencies responsible for protecting our national security.

MS: Do you believe that all of the retribution towards you was brought on because you simply embarrassed the government?
JD: I’ve often wondered whether the reason for such unprecedented magnitude of retaliation was embarrassment or corruption. Customs Service is historically the most corrupt federal agency. Even the former Port Director of the San Ysidro Port of Entry where I worked (which is the largest and busiest land border crossing in the U.S. and in the world), Daphiney Caganap was caught red-handed for accepting bribes to allow drugs and illegal aliens to cross the border. It is certainly not outside the realm of possibility that someone intentionally allowed 23 subjects from terrorist countries to enter the U.S. without following proper procedures, in exchange for a bribe or because of another sinister motive.

MS: How were you able to obtain the various taped testimonies and video surveillance footage that appears in the film?
JD: In retribution for my whistle-blowing disclosure, my husband and I were twice maliciously prosecuted and falsely imprisoned. We eventually prevailed against the Department of Homeland Security in those legal proceedings and were declared factually innocent. At that point we filed a lawsuit against the DHS to hold them accountable for their outrageous, unconstitutional actions. Discovery procedures provided an opportunity for us to depose the Defendants, videotaping their testimony. The Blackhawk helicopter raid of our house was recorded by our neighbor, Mathew Judd. Shortly after giving us the tape and his statement, this healthy 25-year old man was found dead. Over the years we were subjected to extensive surveillance by fixed wing airplanes, helicopters, vehicles and agents following us on foot. We’ve been meticulously documenting what could be described as living in the movie “Enemy of the State”. The documentary contains 517 video, audio and document image inserts. Since the magnitude of the case is so unbelievable, we were determined to illustrate every fact with irrefutable evidence. Director Asif Akbar and Editor Paul Robinson labored tirelessly to make an enormous amount of evidence available to the viewing audiences. I can’t say enough to praise their dedication to getting the story told in a way that leaves nothing to speculation. What is shown in a film is not an allegation or contention, but facts, accompanied by audiovisual proof.

MS: Since the film was made have you been able to find anything that might further link this case with the deaths or Brittany Murphy or her husband?
JD: I’ve requested and obtained an extensive number of records from the Department of Homeland Security/ICE, which contained the evidence that Brittany Murphy and Simon Monjack were about to be prosecuted for alleged “immigration marriage fraud” shortly before Brittany died. As a matter of fact, Britt’s death is the only reason the prosecution didn’t go forward. I find it highly suspicious that the same agency (DHS/ICE) was utilizing exactly the same methods (helicopter and vehicular surveillance, entertainment industry work interference, investigations, etc.) to pursue my husband and I, just as they did to Britt and Simon after she became a witness in my case. Brittany and Simon exhibited numerous symptoms of acute poisoning prior to their deaths (including vomiting and abdominal pain), but neither their hair nor tissues were ever tested for toxins, poisons or heavy metals. Brittany’s father, Angelo “AJ” Bertolotti is continuing his fight to get his daughter’s hair and specimens finally tested by an independent laboratory. He is now represented by George Braunstein, Esq. – an esteemed attorney who was involved in securing a proper autopsy with respect to the death of Sylvester Stallone’s eldest son Sage. We are determined to find out Brittany’s and Simony’s true cause of death, which will start with proper medical testing of their specimens.

MS: You often appeared on television as an anti-terrorist expert before this happened. Are you still able to do this or has this case maybe scared off the networks?
JD: I still write for the Homeland Security Examiner and appear on network television as an anti-terrorism/immigration expert, but my case is undeniably too controversial for the mainstream media. Amongst other things, the documentary explores the connections between our government agencies and the MSM. It is disappointing, but no longer surprising.

MS: Were you able to take any action against the police departments that falsely stopped you?
JD: We’ve made a report to the San Diego Police Department that addressed the unlawful actions by the officers of their motorcycle traffic division (including Officer Steve Webb, who conspired with the Department of Homeland Security in conducting an illegal traffic stop). Much like the DHS, they took absolutely no action to hold anyone accountable.

MS: You have a Masters Degree in Aviation and Spacecraft Engineering. Any desires to pursue that field again?
JD: I studied engineering to follow in my parents’ footsteps, particularly because my father was an ingenious, award-winning inventor in that field. While I still love technology, I believe that creative expression in its various forms is my true calling. There are many important stories that need to be told and I intend to do my part in making that happen, as a Director, Producer, Screenwriter and an Investigative Reporter.

MS: What are your plans for the future?
JD: As they say, “People plan and God laughs”. My main goal and objective is to do my best to make this world a better place, one day at a time. I plan to continue making movies, writing books and news articles/investigative reports. I also plan to continue with my ongoing efforts to ensure that meaningful whistleblower laws finally get enacted, which would include jury trials and protection for national security whistleblowers.

MS: Finally, what would you say to someone who finds themselves in the position you were in and knows of what extremes others will go to prevent the truth from coming out?
JD: I would tell them to hold on tight, as they’re in for a wild ride. Most importantly, I would implore them to never surrender, never lose hope and never stop telling it like it is (even when it seems like no one is listening). Truth, justice and the American way is about doing the right thing, no matter the price.

DVD Review "Top Priority: The Terror Within"

Directed by: Asif Akbar
Rated: NR (Not Rated)
Studio: Fleur De Lis Film Studios
Release date: December 12, 2012
Run time: 98 minutes

Film: 5 out of 5 stars
No Extras

When I first reviewed the film “Top Priority: The Terror Within” I summed up my reaction to what I had just seen in one word – WOW! As I watched it again in preparation of it’s release on DVD another word registered inside me – ANGER! Not at the film, mind you, but at the lengths that some people (and organizations) will go to in order to validate something that has no business being validated…that the entire “cover your ass” mentality that permeates so many different groups can extend to the willful ruination of innocent people’s lives. Here is my initial review of the film from June of 2012:

Wow!

Knowing I had just seen his new documentary, “Top Priority: The Terror Within,” producer BJ Davis asked me what I had thought of the film. I summed my review up in one word.

Much has been made of the state of the world since the horror of September 11, 2001. As citizens we’ve been told to keep our eyes open…to report anything we may think is suspicious. But what if you worked for the U.S. Government’s Department of Homeland Security and you discovered that no less than 23 “Special Interest Aliens” (read: persons from such countries as Iraq, Libya, Indonesia and others) just walked across the Mexican border into the United States. You’d notify your superiors, right? Apparently not if you want to keep your job.

The central figure in this film is Julia Davis. Born in Kiev, Russia she met and fell in love with American filmmaker BJ Davis while he was making a movie in her country. Emigrating to the USA and armed with Masters Degrees in Aviation and Spacecraft Engineering, she soon found herself working for the Department of Homeland Security as a Customs and Border Patrol Officer. So strong was her knowledge of, and commitment to, the job that she would often appear on national news programs as an anti-terrorist expert to field questions. In an average month, approximately 10-15 “Special Interest Aliens” would be given authorization to enter the USA, usually after a lengthy question and answer session with a DHS agent. While checking her daily work Davis discovered that, in a 10 hour period on July 4, 2004, 23 “Special Interested Aliens” entered the US without so much as one question by anyone in authority. When Davis reported this horrific breach of security all hell broke loose. On her.

It’s often hard to judge a politically themed documentary. Sometimes, as in the case of some of Michael Moore’s work, the information given is slanted. I’m not saying it’s wrong…I’m just saying that sometimes you don’t see all that is to be seen. That is not the case here. Pressing on with her complaint, Davis soon finds herself the target of harassment at work as well as having to deal with fifty-four fraudulent charges leveled at her. Each one of these charges is proven false thanks to an unprecedented glimpse at government video depositions as well as video surveillance tapes. In one instance, Ms. Davis reports that her superior, Linda Boutwell (who Ms. Davis’ attorney humorously refers to as “Miss BUTT-well” when he discusses her) picked up her personal backpack and threw it to the floor so forcefully that the cell phone inside was broken. Boutwell submits a sworn statement claiming to have never touched Ms. Davis’ backpack. When government investigators are confronted by video surveillance tape that shows Boutwell doing exactly what she is charged with, they inexplicably side with her. The case gets even more involving when Boutwell tells her superiors that Davis, while at work for the Department of Homeland Security, is secretly helping her husband and his crew make a local film. According to Boutwell she is told this information by actress Brittany Murphy. When the Davis’ inquire as to why these charges were made, Murphy informs them that, though she is friends with Boutwell’s daughter, she never made those statements. What follows for the next 18 months is an all out assault on the very freedoms Ms. Davis swore to protect. She is followed by helicopters…her house is illegally searched…the government tries to have her deported, calling her marriage to BJ a sham. They even arrange to have local police pull the Davis’ over at pre-scheduled times to prevent them from arriving at court hearings and depositions on time.

Surprising to hear? It was to me. But every accusation is backed up with proof! There is no gray area here. It’s all there in the black and white video footage as well as the notes and documents the Davis’ were able to track down. And they weren’t the only people under surveillance. In an interview shortly before she died at the age of 30, Brittany Murphy told the writer she knew she being watched. In fact, it was much worse. Murphy endured helicopter surveillance, wiretaps, an arrest in the middle of the night and an unsuccessful attempt to deport her fiancée Simon Monjack, whom she later married. That shortly after her statement both Murphy and Monjack suddenly died only makes the case more bizarre!

There are more twists and turns to this film then all of the rides at Disneyland. “Top Priority: The Terror Within” is a film that will make you think and, hopefully, say “Wow!”

For more information on this extraordinary case or to order the DVD please click here.

Vlad Yudin talks about directing the long-awaited follow up to "Pumping Iron" titled "Generation Iron"

Photo Credit: Bobby Quillard

Growing up in Russia, Vlad Yudin took advantage of his countrymen’s love of movies by seeing pretty much everything he could.  Be they action films from America or the more “art” films of Europe and Asia, each time he left the theatre he could envision himself making movies one day.

After a successful series of documentaries on rap artists like Big Pun and Twista, he turned to features.  His first film, “Last Day of Summer” earned good reviews and can currently be seen on the various Showtime cable television channels.  His next project is “Generation Iron,” a revisit to the world of professional bodybuilding that was made popular in the 1977 documentary “Pumping Iron,” the film that introduced Arnold Schwarzenegger to the world.  What was intriguing about “Pumping Iron” was not the actual body building contest but the mental contest played between the participants.  In one segment Schwarzenegger senses that Lou Ferigno is not mentally ready to compete and slowly begins to attack him.  By the time Ferigno took to the stage he was already a loser in his mind, enabling Schwarzenegger to win his 7th consecutive Mr. Olympia title.  The film also serves as an early example of the sheer willpower that Schwarzenegger has to achieve whatever his goals may be, from Mr. Olympia to Hollywood star to Governor of California.
While in post-production on “Generation Iron”, Mr. Yudin took time out to talk about his inspirations, the benefits of bootlegging and his upcoming projects.

Mike Smith: As a young man growing up in Russia what inspired you to try your hand in the film business?
Vlad Yudin: As a young boy I enjoyed going to the movies…all kinds of movies. Living in Russia gave me access to films from all over the word. European films, American films, Asian films…I used to watch everything. I would watch a film and think about what it would be like to make one. So that’s where the interest came from and I kept that interest growing and growing and growing and little by little I got into it.

MS: We’re there a lot of western films available to you?
VY: In Russia in the early 1990s there was a lot of bootlegging going on. You could get almost anything on VHS tapes. So we would buy them and trade them with each other. That gave us a chance to see everything from action films to horror films.

MS: Addressing “Generation Iron.” What made you want to revisit a film like “Pumping Iron” and update it?
VY: Well first it’s important to mention that “Pumping Iron” was a monumental film. Not only as a documentary, but as Arnold Schwarzenegger’s introduction to the world. It changed the entire fitness industry and introduced body building to the world. In the 35 years since it’s been released the fitness industry has gotten huge…it’s big all around the world, but the sport of body building is still relatively unknown. It seemed like a great sport to revisit and to try to introduce some characters who just happen to be body builders. I think that’s what made the first film so interesting and fun to watch. The guys were just so colorful. So to me it made sense to revisit it.

MS: Besides the present day body builders will there be any appearances by some of the original “Pumping Iron” stars, like Schwarzenegger or Lou Ferigno?
VY: (laughs) I will only tell you that there are a lot of cameos. And that fans of the original “Pumping Iron” will not be disappointed.

MS: The competition aside, to me the best parts of “Pumping Iron” were the behind the scene looks at the various competitors and their lives. Will “Generation Iron” continue that theme?
VY: Definitely. That’s what really made the film. The great access I had to these guys behind the scenes…how they prepare. I mean, the most important thing is the preparation. In body building, when you go on stage and pose you’re showing off what you’ve been working on for the last year. Dieting…working out…your lifestyle…pushing your body to its limits every day. This is all of the stuff that takes place off stage. This film is about how much these guys want to win and how seriously they take it.

MS: A lot of your work to date has been documentaries. Do you hope to branch out and create fictional feature films?
VY: Absolutely. I would love to work in both directions. To me it comes down to making an interesting film…be it a documentary or a narrative feature. As long as the film is interesting to watch.

MS: Do you have a project planned after the release of “Generation Iron?”
VY: A few projects. “Generation Iron” is scheduled to come out this summer. Then we have a graphic novel being developed called “Head Smash” which will then be developed into a feature film. The graphic novel will be unveiled this year at the San Diego Comic Con. We also have a horror film in post production called “Catskill Park,” which should be ready by the end of the year.

"Top Priority: The Terror Within" DVD Giveaway [ENDED]

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In conjunction with the new DVD release of the whistle-blowing documentary “Top Priority: The Terror Within,” Media Mikes has teamed with Fleur De Lis Film Studios to give two readers a chance to win a copy of this hard hitting documentary. All you have to do is let us know, in a few sentences, your favorite documentary film and what made it so memorable to you. Did “Gimme Shelter” give you an inside look at the end of the 60s? Maybe “Bowling for Columbine” changed your views on gun laws. Or maybe you just love “March of the Penguins” because, well, darn it, they’re just so cute!

The contest will run from Monday, January 7 through January 21st. Two random entries will be selected and notified of their win via email. Good luck!