Affleck's Revenge Complete – "Argo" Takes Best Picture

It’s hard to believe that it’s been 15 years since a baby faced Ben Affleck, his voice cracking, accepted the Best Original Screenplay Oscar with Matt Damon for “Good Will Hunting.” Since then, Affleck’s career has had more ups and downs and twists and turns then all the rides at Disney World combined. And when he wasn’t nominated for his outstanding work of directing “Argo” (ironically he went on to win almost every other prestigious directing award, including the BAFTA and the DGA) he became an underdog again. Affleck and company climbed back atop the Oscar mountain last night when “Argo,” which Affleck also produced with Grant Heslov and George Clooney, took home the Best Picture trophy at the 85th Annual Academy Awards. Though it seemed to some that “Lincoln” was the favorite, I knew a month ago that the backlash in Hollywood over Affleck not getting the director nomination would help the film cross the finish line first. Remember: actors make up the largest branch of the Academy, which means they have the most votes. And every actor secretly wants to direct. So when one of their own was denied the wagons were circled.

The night saw a few certainties as well as a few surprises. I wonder how many people’s Oscar pool was blown when Christoph Waltz was named Best Supporting Actor for his role in “Django Unchained.” It was Waltz’s second Oscar in three years, having previously won for “Inglorious Basterds.” Like he did then, Waltz thanked the films writer/director Quentin Tarantino, even finishing his speeck with a few lines from the script.

“Brave” was the surprise winner of the Oscar for Best Animated Feature, with the award going to co-directors Mark Andrews and Brenda Chapman. The moment had to feel special for Chapman, who was removed from the film during production. The first “I knew it” award of the evening went to Anne Hathaway who won the award as Best Supporting Actress for “Les Miserables.”

Speaking of “Les Miz,” several members of the cast took to the stage to belt out a medley of hits from the show, resulting in one of the nights prolonged standing ovations. Another was reserved for Dame Shirley Bassey, who showed she still has the pipes as she belted out the theme to “Goldfinger.” Her performance was the highlight of a very tepid salute to the 50th Anniversary of James Bond. The prevailing rumor was that all six actors who portrayed Bond on screen (Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig) would appear but alas it didn’t happen. Still, they could have done a lot more then just show a few clips. However, Adele killed when she sang her theme song from the latest Bond epic, “Skyfall.” Later in the show she and co-writer Paul Epworth deservedly won the award for Best Original Song.

Another musical moment occurred when, during the annual “In Memoriam” segment, Barbra Streisand came out to sing the Oscar winning song “The Way We Were” after talking about the man who helped write it, Marvin Hamlisch, who passed away last year. Of course there are always omissions in this segment but two of the biggest I noticed were Larry Hagman and Andy Griffith. I was glad to see that a film critic (the great Andrew Sarris) was included in the montage. Hope for me to one day appear on the Oscar telecast. A tearful Chris Terio thanked Ben Affleck while accepting his Best Adapted Screenplay award for “Argo.” He pointed out that it had been 15 years since Affleck had won his award and thanked him for giving him the same chance he had gotten. Tarantino won his second Original Screenplay Oscar (he also won for “Pulp Fiction”) for “Django Unchained.” In typical QT style he made sure to pay homage to his fellow nominees and declare 2012 the “Year of the Writer!”

The night also saw only the sixth tie in Academy history when Paul Ottison (“Zero Dark Thirty”) and Per Holberg and Karen Baker Landers (“Skyfall”) tied in the Best Sound Editing category. I felt bad for first announced winner Ottison because when he asked presenter Mark Wahlberg for the envelope he refused, presumably because he needed to read the names of the other winners. He did give the envelope to Landers but hopefully the Academy will make up another one for Ottison. “Life of Pi” snagged many of the technical awards it was nominated for and took him a major prize when Ang Lee was named Best Director.

Best Actress went to Jennifer Lawrence for “Silver Linings Playbook” (she also won the Independent Spirit Award in the same category the night before). Best Actor was pretty much a given as Daniel Day-Lewis became the first actor to receive (3) Oscars as Best Actor. Of course, in my opinion, this should have been his fourth – his performance in “Gangs of New York” is amazing. Day-Lewis gave one of the evening’s more moving speeches, thanking his co-nominees as well as his wife. It is well known that when he takes a role Day-Lewis pretty much inhabits that character 24 hours a day. He thanked his wife Rebecca who, after 16 years of marriage, has “lived with some very strange men.”

That brought us to the final award of the evening and a surprise presenter when Jack Nicholson turned the “and the Oscar goes to” line over to First Lady Michelle Obama, who made the announcement, proclaiming “Argo’ the years Best Picture.

Jonathan Lipnicki talks about producing "Broken Roads"

At age seven, Jonathan Lipnicki was a bona fide star. As Ray Boyd, the precocious son of the title character’s love interest in “Jerry Maguire,” he stole more hearts from the audience then star Tom Cruise. Regular television roles on such series as “The Jeff Foxworthy Show” and “Meego” kept him in front of the camera, as did roles in films like “Stuart Little” and “The Little Vampire.” Though he’s still busy in front of the camera, Lipnicki has embarked on a new career, adding the title of Producer to his resume with the release of the film “Broken Roads.” While promoting the films upcoming NYC appearance Lipnicki spoke to Media Mikes about his new career and dealing with fame at such a young age.

Mike Smith: At age 22 you began a new career as a producer. How did this come about?
Jonathan Lipnicki: I always knew I would end up doing something behind the camera, but I didn’t know it would happen at this point in my career.

MS: How did you become involved with “Broken Roads?”
JL: I like to say I fell into it. I met the director, Justin Chambers, through a mutual friend, and we hit it off. He has this crazy charisma, which makes you want to be friends with him and support him. One day he asked me if I knew any actors who I thought would fit the roles he sent out breakdowns for. I sent him a few actors that I knew and he liked my choices. Not long after that he asked me if I wanted to get involved.

MS: You continue to act. Is this something you’re going to continue to pursue or do you see your career moving to more behind the scenes?
JL: Acting is my number one priority, but I would like to produce more in the future.

MS: You were a star at age 7 when “Jerry Maguire” was released. Does fame look different at that age as opposed to now when you can appreciate it more?
JL: Your perception changes about certain things like fame when you grow older, it definitely loses some of its innocence. That being said I look different so I live in anonymity, which is amazing.

MS: What do you have coming up next, either in front of or behind the camera?
JL: I currently have a web series from the Russo Brothers (“Arrested Development”) on YouTube, and I have two films in post production, “Edge of Salvation” and “TAG”.

Film Review "Snitch"

Starring: Dwayne Johnson, Jon Bernthal and Susan Sarandon
Directed by: Ric Roman Waugh
Rated: PG 13
Running time: 1 hour 52 mins
Summit Entertainment

Our Score: 3 out of 5 stars

If you’ve ever flown you’ve heard the great words of advice that greet you through the airport loudspeaker: “Don’t offer to carry something in your bag for someone else.” Thanks to the new film “Snitch” you can add this tip: “Don’t let your friend ship you a package, no matter how much they beg.”

Jason Collins (Rafi Gavron) is chatting with his best friend over the computer. His friend needs a favor…he has a “package” that he can’t have sent to his house so he wants to send it to Jason. Jason knows what’s in it and, after contemplating the request says “no.” The next day the doorbell rings and Jason is greeted by a delivery driver. “Sign here, please.” Moments later Jason’s home is raided by federal agents. Busted!

A smart story that only begins to unravel at the end, “Snitch” is about Jason’s father, John Matthews (Johnson). John runs a successful construction company and lives happily with his second wife and young daughter. Jason is bitter about his folks breaking up, evidenced by the fact he uses his mother’s maiden name. It seems that Jason’s friend set him up…painting him as a drug dealer to reduce a sentence he received. John learns that, due to mandatory sentencing laws, Jason is looking at a minimum of 10 years in the pokey. He can get time off if he can supply some names of people that sell drugs but he refuses to do to his friends what happened to him. John takes it upon himself to approach the federal prosecutor (Sarandon) and offer his services…he’ll find a drug dealer, turn him in and get the sentence reduced. Unfortunately for John, you can’t look up “drug dealer” in the Yellow Pages so he persuades one of his employees (Bernthal), who stated a criminal record on his job application, to help him. And the game begins.

There are a lot of things to like about this film. First off, this is probably the most impressive performance that Johnson has given on film. John loves his son and that is conveyed through his words and actions. A few emotional moments cause John to drop his self assured guise and these are some of the better moments of the film. Sarandon is her usual strong self as is Barry Pepper as one of the federal agents that busted Jason but is sympathetic to his plight. Where the film goes off track is when it turns from an emotional drama into a car-crashing, gun-shooting action film. Instead of frightened father, John begins to channel John Wayne. As he drives his semi towards the bad guys while emptying the shotgun he holds with one hand he resembles the Duke at the end of “True Grit,” taking on all comers with no regards to his own safety.

Sally Kirkland talks about her new drama "Broken Roads"

With a career that began in 1960, Sally Kirkland has built an incredible resume’ of roles on both television and in film. After small roles on episodic television and the occasional film, she hit it big in 1973 by appearing in two of the year’s biggest hits, “The Way We Were” and the winner of the Academy Award for Best Picture, “The Sting.” While continuing to appear on some of the more popular television series of the decade (“Baretta,” “The Rookies,” “Kojack” among others) she continued on the big screen with roles in “Blazing Saddles,” “Bite the Bullet,” “A Star Is Born” (which was just released on Blu-ray) and “Private Benjamin.” In 1987 she won a Golden Globe and earned an Academy Award nomination for her role as a former Czech-star trying to make it in New York City in the film, “Anna.” She continues to work steadily, with notable roles in films like “The Best of the Best,” “JFK” and “Richard III.” She currently stars in Justin Chambers’ new drama “Broken Roads.” Ms. Kirkland recently sat down with Media Mikes to talk about her new film, what she has coming up next and what it’s like to be an Oscar nominee.

Mike Smith: Tell us about Mrs. Wallace, your character in “Broken Roads.”
Sally Kirkland: She is a strong, proud, and lonely survivor who when we find her has been lost since her husbands death. She never had a good relationship with her daughter. And when her grandson shows up at her door step angry over his mothers death she has an extraordinary opportunity to experience love again.

MS: What attracted you to the role?
SK: Because I’ve never been a physical mother or grandmother and it was an opportunity to experience that with her. I feel she is amazingly dramatic and funny, the best kind of role. Her vulnerability is breath taking. I love roles where I get to open peoples hearts. I was motivated by (writer/director) Justin Chambers passion and vision…as well as Aiden Bristow’s. (Ms. Kirkland’s co-star in the film).

MS: You’re also credited in “Broken Roads” as an associate producer. How did that come about?
SK: In this particular case it allowed me to bring in writers to help with the script and to have casting consultation and bring in music composers. It also gave me creative consultation in the look of the marketing and posters, etc.

MS: One of my favorite clips on Youtube is the Academy Awards ceremony when you were nominated for “Anna.” While most nominees, then and now, appear calm you were anything but. What was going through your mind in the few moments after you hear: “And the winner is……?”
SK: I think in my own mind. I thought I was going to win, and I’ve never been good at covering up my feelings or knowing how to lie. It was a huge humbling experience. Check out the video below to watch Ms. Kirkland at the Oscars.

MS: You’ve built an incredible body of work over six decades. How have you managed to sustain such a long and successful career?
SK: I’ve been very blessed to have worked with some of the greatest actors and directors in the world. Starting with “The Sting” and “The Way We Were” (directed, respectively, by George Roy Hill and Sydney Pollack and both starring, coincidentally, Robert Redford). They let me know there was no where to go but up. I’ve been passionate about acting since I was ten years old. Never was too interested in going to college or having a family. My whole life is my art and God. I experience the flow of God when I’m doing my best acting.

MS: What do you have coming up next?
SK: A film called, “Alice Stands Up”, written and directed by Brent Roske, who directed me in a short called “African Chelsea.” He’s written this film for me, which is extraordinary. We should begin shooting by spring.

Film Review "Broken Roads"

Starring: Sally Kirkland, Aidan Bristow and Shoshana Bush
Directed by: Justin Chambers
Not Rated
Running time: 2 hours 31 mins
Crevice Entertainment

Our Score: 4 out of 5 stars

I’m sure I’ve said this before, but it bears repeating. One of the pleasures of this job is getting the chance to take a look at some of the first work a filmmaker does, especially when it’s done well. This week it was my pleasure to watch the first feature from writer/director Justin Chambers, a drama called “Broken Roads,” which is opening in New York City on February 19.

Aldo Russo (Bristow) is a happy kid of 17. But when he and his mother are involved in an auto accident that takes her life he finds his world turned upside down. As he is not yet 18 he is sent away to the country to live with his maternal grandmother, Mrs. Wallace (Kirkland). As his mother left home at a young age and never returned Aldo has never met Mrs. Wallace. At first things are strained. Though they are technically family there is nothing but the memory of a dead woman to bond these two together. Aldo has to wonder how long the next nine months are going to seem.

An intimate drama, with only a few main characters, “Broken Roads” could easily have gone down the maudlin road that bigger budgeted and similar stories (the Jane Fonda/Lindsay Lohan stinker “Georgia Rules” comes to mind) have followed. But with a smart screenplay by director Chambers and a talented cast, led by former Oscar nominee Kirkland, the story maintains its credibility throughout.

As Aldo, Bristow (who bears a strong resemblance to a younger Joaquin Phoenix) does a fine job dealing with the various emotions he’s called on to express. Anger. Fear. Loss. And, eventually, love. It’s a strong performance from an up and coming actor. Kirkland, who has somehow always managed to remain under the radar, is equally impressive as she deals with the same emotions Aldo is experiencing. Supporting work by Bush, as a young girl Aldo meet, along with Rolanda Watts as a kindly neighbor and Ross Marquand as someone from Aldo’s past, helps carry the film along. And special mention needs to go to cinematographer Michael Moghaddam for his camera capturing the beauty of the countryside as well as composer Jimmy Gelhaar, whose score is an excellent accompaniment to the on screen story.

Coach Bill Courtney talks about football and Academy Award Winning Documentary "Undefeated"

You may not know the name Bill Courtney but if you’re lucky you know, or knew, someone like him. Courtney was the volunteer head coach for the Manassas (Tennessee) High School football team for seven years. Even though he has his own business and a large family of his own, Courtney takes time out every day to make sure that the boys at Manassas that want to play football can. “Football doesn’t build character,” the coach believes, “it reveals it.” During what would be his final season at Manassas, the coach and his team were followed around by a camera crew highlighting O.C. Brown, a player who, reminiscent of the story of Michael Oher which was told in “The Blind Side,” was being helped along by a local family to ensure he studied hard so that he could go to college. But the camera captured much more. The resulting film, “Undefeated,” went on to win last year’s Academy Award as the year’s Best Documentary. While preparing for the film’s release this week on DVD, Coach Courtney took time out to talk with Media Mikes about football, his players and why people in Tennessee are so giving.

Mike Smith: I have to ask – The Touhy family took in Michael Oher. The Finley family took in Patrick Willis. (NOTE: Willis, from Bruceton, Tennessee, was taken in by his high school basketball coach and his family. What’s incredible about these stories is that earlier this year Oher and Willis squared off against each other in the Super Bowl). Yourself and your coaches at Manassas. Is there something in the water in Tennessee that gives people such great hearts?
Bill Courtney: (laughs) I’ve done about 100,000 interviews and that’s the first time that question has been asked. I don’t know! In the South we still teach civility and humility…love for your common man. Maybe that translates to this. I haven’t really thought about it. There are people all over this country that do wonderful things for kids in all kinds of communities. The truth is I think we just happened to have our stories told. I think we’re just representatives of a whole community of people from all over the country that do lots of things to help the neediest. We were just the lucky ones to have our stories told.

MS: What was the initial idea pitched to you from the filmmakers when they approached you about filming you and the team?
BC: The local Memphis newspaper, “The Commercial Appeal,” and their sportswriter, Jason Smith, wrote a story about one of our players, O.C. Brown, living with Mike Ray, one of our offensive line coaches, and his family and me driving him back and forth from school in order for him to get tutoring so that he could get qualified to go to college. The producer of the film read the story on line while he was surfing through some recruiting websites. He’s a big University of Tennessee fan and Tennessee was recruiting O.C.. When he saw the story he thought it might make an interesting, small documentary. He called me and we met so he could hear more about that story. When they got here they found out the greater story of Manassas…of the coaches and all the kids…and decided that there was a bigger story to tell. He told me he was going back to L.A. to get funding to make a movie. Of course, when he left we all thought that was the last time we’d see him but four weeks later, after closing up their apartments and selling off their belongings the filmmakers moved to Memphis on a shoe-string budget and started making a movie that nobody thought anybody would ever see. And lo and behold…here we are!

MS: How did the team react with the cameras constantly following them around? Was it an intrusion or did they get used to it?
BC: It would be pretty disingenuous to say that at first the kids and the coaches weren’t aware. But also, you just had two guys with two small cameras. There were no boom mikes…no lighting…no sound. It was two guys with what looked like camcorders. That’s what the entire movie was shot on. So it really wasn’t this big production, which made it less intrusive. I don’t know if I’d believe this if I hadn’t gone through the experience but, honestly, after three or four days…after a week…you kind of get used to it. They worked so hard to know the players and the coaches and the teachers that, when they weren’t around, people were more cognoscente of it. “Hey coach, where’s the film guys?” “I don’t know.” The days they didn’t show were stranger then the days they did because they were there almost every day for a year. You honestly eventually just get used to it.

MS: I see that O.C. transferred this year to Austin Peay. How is he doing, both as a student and as an athlete? (NOTE: At the end of “Undefeated” O.C. is admitted to Southern Mississippi University).
BC: I just saw him at Christmas break and talked to him last week. I still talk to all the guys regularly. O. C. had some struggles with his grades and Southern Miss had a coaching change. The coaches that were there were really fond of O.C. and worked with him really hard to keep him where he needed to be academically. But I think after the coaching change O.C. was uncomfortable. He transferred to Austin Peay and started nine games this season. He hurt his knee and missed the last two games and now he’ll be starting next year. I’ll have three former players starting on the offensive side of the ball at Austin Peay next year. I suspect I’ll be making some travels up to Clarksville to watch those guys play.

MS: When we announced we were going to interview you the question we were asked most to ask you was if you still keep in touch with Money and Chavis? And if so, how are they doing? (NOTE: Chavis Daniels and Montrail “Money” Brown are two of the young men whose stories feature prominently in the film)
BC: Absolutely! You have to remember I was a coach at Manassas for seven years. I’ve known most of these boys since they were in sixth or seventh grade. I’m still very, very fond of them and am probably still their biggest supporters. Chavis is doing well. He goes to Lane College in Jackson, Tennessee. He’s playing football – outside linebacker – and is still In school. He’s doing very well. Money…when O.C. left Southern Miss he left Southern Miss as well and is enrolled in community college here in Memphis. Most importantly he just got back from North Carolina where he was trained as a Young Life educator and is now setting up Young Life chapters in the inner-city schools all over Memphis to do devotionals and mentorships with inner city kids. I actually spoke to Money yesterday and he’s got as many as fifteen kids in different chapters in the Memphis city schools and he goes in the mornings and talks with them and helps mentor them. Money has found a calling to give back in the way he was helped and he’s still in school. The guys are doing really well. I couldn’t be more proud of them.

MS: When the film ends, you’ve left Manassas to coach your son’s team. Your first game was against Manassas. What did it feel like to be on the opposite sideline? BC: It was terrible. There was enormous trepidation leading up to that game personally, obviously. I mean those are like my sons over there, you know? I love them. And to have to go coach against them was really a very difficult thing for me. It was difficult for them as well. I was so glad when it was over with. It was tough. Very tough!

MS: Can I ask who won?
BC: We did.

MS: Thank you so much for your time, coach. I have to tell you, when I watched the film, it made me think back to my high school days. I owe a lot to my coaches for keeping me on the straight and narrow.
BC: I appreciate that. I honestly think that’s why so many people across all kinds of cultures and racial divides identify with this movie because they either remember a coach that did something for them that impacted their life in a positive way or are coaches doing that very thing. I think this film brings out the humanity in that. I appreciate you saying that…thanks for the kind words.

Film Review "A Good Day to Die Hard"

Starring: Bruce Willis, Jai Courtney and Sebastian Koch
Directed by: John Moore
Rated: R
Running time: 1 hour 37 mins
20th Century Fox

Our Score: 3.5 out of 5 stars

In 1988 the know-it-alls in Hollywood laughed when it was learned that 20th Century Fox had given $5 million to a television actor to star in a film whose lead character had already been offered to, and turned down by, such stars as Burt Reynolds, Sylvester Stallone, Don Johnson and Richard Gere. Of course now you know that the actor was Bruce Willis and the film was “Die Hard.” Who’s laughing now?

It’s a bad time in Russia. A political prisoner, a scientist who once worked at Chernobyl, is about to go on trial. But a member of the government does not want his voice heard, even on a witness stand. As this problem is being worked out we visit a Moscow nightclub where an assassination is attempted. The would be killer is apprehended.

In New York City we reunite with Detective John McClane (Willis). He has been informed that his son, Jack (Courtney), is currently in a Russian prison, charged with attempted murder. Though their relationship isn’t the best, John knows that a dads gotta do what a dads gotta do. Yippie Ki Yay!

Packed with wall to wall action (sometimes too much), the fifth film with the words “Die Hard” in the title is a worthy addition to the family started with John McTiernan’s classic original. Taking the story outside the United States for the first time, the story is a well written puzzle full of double-crosses, car chases and machine gun fire. The action is well delivered by director Moore, who opens the film with an incredible car chase through Moscow involving a utility van and an armored personnel carrier. Moore does not depend on miniatures or CGI in this sequence, choosing instead to destroy what surely must be every car in the Russian capital. While fun to watch, the chase seems to go on f-o-r-e-v-e-r, which eventually ratchets down the excitement. Ironically, it’s when the actors are center stage that the film succeeds. Willis and Courtney have an ease with each other, sharing the same mannerisms and smart-aleck attitude. Peeved that his son continually refers to him as “John,” McClane finally asks, “Whatever happened to dad?” Jack’s reply: “Good question.” The relationship feels real, a father and son trying to one up each other. There is even a physical resemblance between the two, with Courtney looking more like a junior Willis then Joseph Gordon-Levitt did in “Looper.”

The supporting cast also does a fine job helping the plot along, particularly Koch and Rasha Bukvic, who has some fun as a tap-dancing enforcer. Also strong as the corrupt politico is Sergey Kolesnikov, an actor who appears to have been separated at birth from the great Clancy Brown. Production values are strong and the story moves along fairly well thanks to a sharp score by Marco Beltrami.

Incidentally, there was one more actor that turned down the role of John McClane. He had appeared in the film “The Detective” which, like “Die Hard,” was based on a book by Roderick Thorpe. The actor had it in his contract that should another film based on Thorpe’s character be made, he would have first refusal of the role. Thankfully, 73 year old Frank Sinatra passed.

 

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Justin Eugene Evans Talks About His Film "A Lonely Place for Dying"

Former NYU student Justin Evans has been making movies since his school days, his latest inarguably his biggest feature to date. His latest film, “A Lonely Place for Dying,” stars Oscar nominee James Cromwell and “Hitchcock’s” Michael Wincott and will be released in the U.S. via iTunes on February 12, 2013. While preparing for this interview I learned that the film, a cold-war era thriller set in the 1970’s, has recently been banned from playing in Russia. Though Evans, who both wrote and directed the film, has received no official reason for the ban he assumes it’s because of his film’s controversial storyline. While preparing for the film’s release Evans took the time to answer some questions for Media Mikes.

Mike Smith: You co-wrote the script for “A Lonely Place for Dying.” What was your inspiration for the story?
Justin Evans: I’ve always been fascinated by the Cold War. It was a dirty, grimy, ethically confused game of global chess that somehow has a sense of romance and nostalgia for me. I have a particular affinity to the subject because I’m a Volga German. Our family immigrated to Russia in the 18th century and turned the Steppes into farm land. Russia made us two promises; the land would be ours forever and since we were not Russian we could not be forced to serve in their military. The Bolsheviks broke both promises with our people and my great-grandfather immigrated to the US in 1918. With a personal history of that scope I think it’s obvious why I’m obsessed with the Cold War.

MS: Not only does James Cromwell appear in the film he’s also a producer. How did that come about?
JE: We asked Jamie to be one of our producers. He said it was contingent upon our craftsmanship; if he liked the movie he’d give it his stamp of approval and be one of our executive producers. I guess he liked the movie!

MS: Even though the film was modestly budgeted it is well crafted, especially the special effects. How were you able to achieve this?
JE: Old fashioned hard work. I’d served as a visual effects supervisor on other projects. I found two VFX artists on the Internet and the three of us worked together for about four months. They completed about 250 visual effects shots. Most of them are hidden; the sky replacements, the sub-frame editing, digitally enhancing fake blood that was used on set..all of that work disappears into the background but provides a level of polish that is absolutely necessary in professional filmmaking. The glitzy stuff is the B-52 bombers and Washington DC street traffic. However, some of the invisible stuff was far more complicated. We did the work remotely. Occasionally, one of the artists would come to my house and we’d polish a shot on our Macbooks. We’d just hang out in my living room, drink some Red Bull and power through some shots while leaning over my ottoman. The tools are cheap. Its simply a question of how hard you’re willing to work. I’m lucky that I found two guys, Daniel Broadway and Marc Leonard, who have old-school work ethics and truly love their craft.

MS: In your opinion, does the continued quest for studios to have the all important opening weekend high gross make it hard for someone like yourself to get your stories told?
JE: That’s not what’s stopping us. Its more subtle and more pervasive than that. Its an intellectual laziness that says “I’ve never heard of you therefore you can’t possibly be talented.” We were told by a VP at Warner Brothers that he wouldn’t look at the movie “because if it were hot someone else would have looked at the movie and I’d have heard about it.” I released 22 minutes online and it was downloaded over 1.5 million times…and agents at Endeavor said “If this mattered it would be reported in Variety.” An ex-executive from Universal told us “I don’t understand your film. It’s a mainstream movie. It’s smart and its a popcorn film. But you don’t have big stars in it. You should have made something weird or cast Tom Cruise. Right now, you got nothing.” We were in 46 film festivals, nominated for 53 awards, won 29 including 18 for Best Picture. No one in the industry cared. Our trailer was downloaded 2.5 million times from iTunes Movie Trailers. No one in the industry cared. And no one ever said “I saw your movie and I don’t like it.” They said “I’m not willing to watch your movie because you’re not famous.” You can’t catch a break because the intellectual laziness creates a negative feedback loop.

MS: You did pretty much everything on this film except run the catering truck! Do you eventually want to narrow your career to one vocation, be it directing or writing, or are you happy having a hand in pretty much everything?
JE: I don’t know how to not be involved in everything. I know Photoshop so well that I can do the graphic design myself faster than if I had to explain my ideas to someone else. I’ve designed lighting and lenses and projectors so unless I can afford the world’s most expensive cinematographers I might as well do it myself. I interviewed a cinematographer for “A Lonely Place For Dying” and as I showed some of my storyboards the person wanted to know the mood of a particular shot. I said we’d have huge beams of god light coming in through these basement windows. The cinematographer blanches and says “That can’t be done unless you have 10K HMI’s.” I said “That’s not true; volumetric lighting is a matter of particle density, not light intensity. I can make a volumetric light with a flashlight if I have enough smoke in the air.” The cinematographer insists I don’t know what I’m talking about…and after awhile you get tired of those kinds of debates. Its just easier to do it yourself. I’m not trying to. Part of it is that I’m an Aspie and I really struggle with rephrasing things with the social lubrication people need so the truth can slip past their defenses. Its even worse if you can’t here my vocal tone or see my facial expressions. My communication style, when stripped of these nonverbal queues, makes me sound like an asshole to a certain type of person. I’m just stating facts; I willingly give up control when I find competent people. If I can’t…then I might as well do it myself. Hopefully I don’t sound like too much of a jackass saying that out loud. That being said, there is plenty I didn’t do. Brent Daniels did all the sound. Alone. By himself. He built the 5.1 mixing facility in his home and he put close to 1,500 hours into the dialogue, sound effects, music and mixing of this film. Ginger Ravencroft is a dear friend and a hell of a still photographer. She’s the reason we have 12 gorgeous theatrical posters. Daniel Broadway and Marc Leonard did 250 visual effects shots for the film. Without those people the movie would not be as good. So, I think the most accurate thing to say is while I wear many, many hats so do the people I trust the most.

MS: Are you planning anything currently?
JE: I’m the president of BryteWerks. We’re about to release our flagship digital motion picture projector. We have about 5 employees and an additional 25 contractors working on various engineering projects. I can’t go into the details of everything we’re doing but we’ve got some really cool products coming down the pipe. And I will get back to directing…but not until we finish our motion picture projector. We have pre-order customers to satisfy and this is a chance to really shake up the world. I’m already writing my next project. The rest is a secret.

 

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Brett Alan Coker Talks About His Upcoming Project (And How You Can Help)

I worked in the movie theatre business for 20 years. In that time I met hundreds of young adults who loved movies and planned to make them some day. But I’ve only had one who, at the age of 17, had already written no less than (5) full length feature films (and I still have the scripts to prove it). His name is Brett Alan Coker and he is now working with Kickstarter to help fund his next project. Hoping to get the word out, Coker talked with Media Mikes:

Mike Smith: Tell us about your new project.
Brett Alan Coker: The project is called “Lenexa (a docu•mys•tory)” and it’s a quasi-documentary. It is going to be done in the form of a documentary. But it is part truth and part fabrications. It is going to be a blend of coming-of-age tales from my own life and made-up stories of characters that I have created over the years with my writings.

MS: Sounds simple.
BAC: I really don’t know how else to describe it other than to say it is hopefully going to be a love letter to Kansas and to the city of Lenexa, as well as a home movie and a mystery.

MS: Talk about the story of “Lenexa”:
BAC: It is all predicated on an suburban legend of a treasure left behind by a group of guys that were petty thieves in the late 90’s. As the story unfolds you receive more and more information about the guys whom created and left the treasure, as well as deduce what the treasure actually is. If it in fact exists, what it is, and where it is. All the information needed to figure out the truth about mystery of the treasure will be in the documentary. But it is up to the viewer to piece it together.

MS: You’ve written several scripts. Have you filmed any of your work?
BAC: This project, hopefully, will be the first of many. Using the funds I am attempting to raise from Kickstarter.com I will be able to get the equipment and software I need to do this film, and many others after. I don’t know what you know about Kickstarter.com, but it’s a website that helps people crowd source funding for creative projects. It’s an all or nothing thing. I am looking for raise $5,000 by March 11th, 2013. And if I don’t hit that goal, I don’t get a dime. I could have $4,997.00, and if I don’t get the last $3.00 then…nothing.

To give a hand to Brett’s project, just visit:
http://www.kickstarter.com/projects/thebac/lenexa-a-documystory-a-feature-length-film

Win a Track Jacket From the Film "Identity Thief" [ENDED]

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Media Mikes has teamed up with Universal Pictures to give (2) lucky readers an opportunity to win an official “Identity Thief” track jacket.

All you have to do is tell us you’re favorite comedy duo. Laurel and Hardy? Martin and Lewis? Jay and Silent Bob? (2) random entries will be picked from all comments left and those people will win the track jacket. This contest will run until midnight EST Sunday, February 24, 2013. Good luck!

Film Review "Identity Thief"

Starring: Jason Bateman, Melissa McCarthy and John Cho
Directed by: Seth Gordon
Rated: R
Running time: 1 hour 52 mins
Universal

Our Score: 3.5 out of 5 stars

I can only imagine what it was like to go to a movie during the Golden Age of Hollywood. Long before television, home video and the internet you could go, uninformed, to see a movie and every now and then leave the theatre realizing you had just witnessed the birth of a star. I felt that way after seeing the movie “Bridesmaids.” In a supporting role Melissa McCarthy totally blew me away. Of course, it wasn’t just me she impressed since she earned an Oscar nomination for her performance – a very rare feat for a true comic performance. Though I don’t see another nomination coming here, McCarthy continues to shine in the new film “Identity Thief.”

Sandy Patterson (Bateman) is a mild mannered Colorado-based account executive who has had to suffer with a first name that makes strangers think he’s a woman (his father actually named him after baseball great Sandy Koufax). One morning the phone rings with terrible news. Sandy is informed that someone has tried to use one of his credit cards. The woman on the phone also tells him that if he can provide some information that she can stop the fraud from happening. Sandy shares his info, not knowing that the voice on the other end of the line belongs to Diana (McCarthy) a scam artist living in Florida. Soon Diana, as Sandy, is buying jet skis, a car and rounds of drinks for her friends. She also gets into a bar fight. When she doesn’t show up for court a warrant is issued for Sandy’s arrest. Understanding he’s in a tight situation from which the police can offer no help, Sandy decides to travel to the Sunshine State to confront his new self.

Packed with some great physical comedy by both stars, “Identity Thief” does a fine job of making a complete film out of a one-joke plot line. This is due to the chemestry between Bateman and McCarthy. Bateman, who was once “Teen Wolf” (or Teen Wolf 2 to be exact) has carved out a solid new career as the everyman that many in the audience can relate to. He has some great moments, especially at home with his wife (Amanda Peete) and daughters. Just as his life was getting good (new job, major raise) it begins to fall apart. His credit score is below 240, which isn’t a good thing to have when you work with other people’s money! While his idea to retrieve Diana may seem far fetched, it makes sense to a simple guy like Sandy.

McCarthy makes Diana believable as well. Even when she’s conspiring to get away from Sandy or complaining to anyone that will listen about her Fiber Myalga you feel a wee bit of sympathy for her situation. Of course the two leads have some great supporting characters to lend them a hand, including “Modern Family’s” Eric Stonestreet and “Terminator 2” bad guy Robert Patrick. When they show up on screen, in seperate moments, they breathe like into the film just as it appears it will stall. Some of the bits are included because they seem funny though aren’t really needed and add an extra 20 minutes or so to the film that it really doesn’t need.

That being said, I recommend you see “Identity Thief,” even if it’s just so you can witness the continued rise of a shooting star.

Film Review "Side Effects"

Starring: Jude Law, Rooney Mara and Catherine Zeta-Jones
Directed by: Steven Soderbergh
Rated: R
Running time: 1 hour 46 mins
Open Road

Our Score: 4 out of 5 stars

An empty room. On the floor, a set of bloody footprints. Fade to black.

Martin (Channing Tatum) has just been released from prison where he did time for insider trading. His wife, Emily (Mara), appears to be happy that he’s home though the combination of a husband in prison and an uprooted life has given her an anxiety condition that is out of control. After a car accident Emily meets Dr. Banks (Law), a psychiatrist who feels the accident was anything but. He offers to help Emily, unaware that soon he will be the one needing help.

An old fashioned thriller in every sense of the word, “Side Effects” gives you just enough clues to stay in the game but never reveals enough to get you to drop your guard. The clever script, by Scott Burns, is full of twists and turns that take you from one character to the next, silently scratching your head and wondering who do you believe?

The storyline is helped by a cast just as serious as the material. In his best work since “Cold Mountain,” Jude Law is brilliant. He gives Dr. Banks a heart that one normally doesn’t see in the typical Hollywood shrink. With a wife (Vinessa Shaw) and step-son at home he strives to do what he can for both his family and his patients. Mara continues the great promise she showed in “The Girl with the Dragon Tattoo.” Emily is sometimes happy, sometimes sad and, sometimes, both at the same time, which is very hard to portray believably on screen. You want to root for her but you take a step back, unsure if you should. Zeta-Jones is well cast as a former doctor of Emily’s while Channing Tatum continues the run of fine performances that started last year.

For a director supposedly mulling retirement, Steven Soderbergh has kept busy. This is his fifth feature film since 2011 and, after roles in the recent “Haywire” and “Magic Mike,” Side Effects” completes a Channing Tatum trilogy! Busy or not, Soderbergh is still at the top of his game, crafting a film that gives you clues that may or not tell all that you need to know.

Media Mikes to Co-Sponsor Kansas City Oscar Charity Benefit

It will be a movie lover’s dream come true when the Screenland Crossroads Theatre, ReelSmart Trivia, and MediaMikes.com present a benefit presentation of the 85th Annual Academy Awards on Sunday, February 24, 2013 at the Screenland Crossroads Theatre (1656 Washington Street, KCMO).

The event, which will feature a live presentation of the 85th Annual Academy Awards on the Big Screen, will benefit The Parent Project, an organization working to find a cure for Duchenne Muscular Dystrophy, the most common and fatal genetic disorder diagnosed in children.

Cost for the event is $20.00 per person, which includes hors d’oeuvres, popcorn & soda, and chances to win great prizes and celebrity autographed memorabilia. A cash bar will also be available. Doors open at 6:00 P.M.

For more information, call (816) 421-9700 or visit the following web sites: www.screenland.com, or www.reelsmarttrivia.com. For more information on The Parent Project, visit www.parentprojectmd.org.

Win Passes to Attend Fathom Events Opera Series in Kansas City [ENDED]

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Media Mikes has teamed with Fathom Events to give their readers a chance to expose themselves to a little culture! Fathom Events has teamed up with the Metropolitan Opera Company to broadcast some of their greatest performances this year into theatres, giving fans who can’t make it to New York a chance to experience outstanding performances of some of the greatest operas ever. First up will be Verdi’s Rigoletto, which will premiere on Saturday, February 16th. Interested fans only need to let us know what live event they’d like to be able to catch in a theatre. A concert by your favorite band? A Broadway performance of your favorite show? Let us know. Media Mikes is giving away (2) sets of Admit Two passes for each LIVE performance. Those who can’t make the LIVE show can use their passes for the Encore presentation. You only need to register once. The contest will run through February 25. The winners of the passes for the February 16th passes will be randomly chosen on Wednesday, February 13 and notified by email of their prize. All other prize winners for the March and April presentations will be notified NLT Wednesday, February 27. The screenings will be held at the Regal Kansas City 18 Cinemas.

The Operas featured are listed below:

2/16 Rigoletto LIVE
3/2 Parsifal LIVE
3/6 Rigoletto Encore
3/16 Franscesca da Rimini LIVE
4/3 Franscesca da Rimini Encore
4/27 Giulio Cesare LIVE
5/15 Giulio Cesare Encore

 

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Jason Vivone talks the Blues and touring with his band the Billy Bats

Photo by Heather McKenzie

I first met Jason Vivone in 2000 when, after a mutual friend introduced us, he cast me in a film he was shooting locally in Kansas City.  A year later he cast me as Dave Moss in his stage production of David Mamet’s “Glengarry Glen Ross.”  One day while reading lines at his apartment I couldn’t help but notice a nice selection of guitars displayed in one room.  A guitar player myself, I jokingly asked Jason if he was any good.  “I get by,” was his reply.  Like a fox!  This week Jason, along with his band the Billy Bats, will be representing Kansas City at the International Blues Challenge in Memphis.  Before he and the band headed to the Bluff City Jason took some time to talk with Media Mikes.

Mike Smith: What inspired you to pick up a guitar?
Jason Vivone: My grandma had a Gibson acoustic guitar she always kept in the case. When it was time to play there was this whole ritual – I had to sit down first, then she would take it out of the case, then she would play. I don’t know why this is but she had a piano ,too and there was no ritual to the piano. It was just a piece of furniture you could walk by and make sing and then go on with what you were going to do – go to the kitchen, feed the cat, whatever.

MS: Was there a certain kind of music that you wanted to play?
JV: I liked songs with stories. You could close your eyes and invent a movie just by the music and the words and the feel of the thing.

MS: What drew you to the blues?
JV: I liked the emotion of blues. And that doesn’t mean just the sad stuff. I liked the swaggery stuff. The upbeat stuff, too. The tunes I fell in love with all felt like the singer walked into your house and took a chair and said “Lemme tell you about my baby…”

MS: You’ve also had success in filmmaking and theater. Have you put those on the back burner for now?
JV:  I suffered a pretty serious concussion and whiplash from an automobile accident a while back. It can limit my physical endurance sometimes. That’s why I’m playing the cigarbox guitar so much. A regular six string guitar gives me an incredible headache after a couple songs. Right now, I wouldn’t have the stamina or daily concentration to direct and produce a theater piece. We are, however, fortunate that a local burlesque artist, Sophie Sassafras, has decided to use a few of our tunes in an upcoming show. It feels like I am back in a theater production again. As far as film work, there are a few video projects in discussion for the Bats this upcoming year.

MS: How did the Billy Bats come together?
JV: I had played guitar all through high school and college. I got a job in Branson and it killed my taste for playing. It seemed like everywhere I went there were rip off artists. I thought the problem was me. I quit playing for ten years. In 2005, I was directing a play and we needed some guitar music. I just hired myself to save some money and found the guitar still loved me.

MS: You’ve competed as a solo artist at the International Blues Challenge in the past but this is your first time with the Billy Bats. What do you remember about your first time there?
JV: It was fun. Lots of talent. Great food. And a rich history. I highly recommend it.

MS: How did you earn this shot in the Challenge?
JV: We competed in the Kansas City competition facing off with – I think – a dozen other bands. Some great musicians all around. The judges gave us the nod of approval.

MS: Are you familiar with any of the other bands you’ll be competing with?
JV: We’ve been checking out the other bands at the IBC home page at blues.org. We really enjoy the folks who are putting their signature on a sound. And you have to hand it to the International bands — always a high degree of talent from them.

MS: What do you have planned after Memphis?
JV: We have some new things we want to incorporate into the act. The blues world has a wide influence and there are motifs and sounds we really want to explore. New Orleans feels. String band traditions. Vocal groups. We have some new material to start work-shopping and hopefully we will record this year.

 

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