Justin Eugene Evans Talks About His Film "A Lonely Place for Dying"

Former NYU student Justin Evans has been making movies since his school days, his latest inarguably his biggest feature to date. His latest film, “A Lonely Place for Dying,” stars Oscar nominee James Cromwell and “Hitchcock’s” Michael Wincott and will be released in the U.S. via iTunes on February 12, 2013. While preparing for this interview I learned that the film, a cold-war era thriller set in the 1970’s, has recently been banned from playing in Russia. Though Evans, who both wrote and directed the film, has received no official reason for the ban he assumes it’s because of his film’s controversial storyline. While preparing for the film’s release Evans took the time to answer some questions for Media Mikes.

Mike Smith: You co-wrote the script for “A Lonely Place for Dying.” What was your inspiration for the story?
Justin Evans: I’ve always been fascinated by the Cold War. It was a dirty, grimy, ethically confused game of global chess that somehow has a sense of romance and nostalgia for me. I have a particular affinity to the subject because I’m a Volga German. Our family immigrated to Russia in the 18th century and turned the Steppes into farm land. Russia made us two promises; the land would be ours forever and since we were not Russian we could not be forced to serve in their military. The Bolsheviks broke both promises with our people and my great-grandfather immigrated to the US in 1918. With a personal history of that scope I think it’s obvious why I’m obsessed with the Cold War.

MS: Not only does James Cromwell appear in the film he’s also a producer. How did that come about?
JE: We asked Jamie to be one of our producers. He said it was contingent upon our craftsmanship; if he liked the movie he’d give it his stamp of approval and be one of our executive producers. I guess he liked the movie!

MS: Even though the film was modestly budgeted it is well crafted, especially the special effects. How were you able to achieve this?
JE: Old fashioned hard work. I’d served as a visual effects supervisor on other projects. I found two VFX artists on the Internet and the three of us worked together for about four months. They completed about 250 visual effects shots. Most of them are hidden; the sky replacements, the sub-frame editing, digitally enhancing fake blood that was used on set..all of that work disappears into the background but provides a level of polish that is absolutely necessary in professional filmmaking. The glitzy stuff is the B-52 bombers and Washington DC street traffic. However, some of the invisible stuff was far more complicated. We did the work remotely. Occasionally, one of the artists would come to my house and we’d polish a shot on our Macbooks. We’d just hang out in my living room, drink some Red Bull and power through some shots while leaning over my ottoman. The tools are cheap. Its simply a question of how hard you’re willing to work. I’m lucky that I found two guys, Daniel Broadway and Marc Leonard, who have old-school work ethics and truly love their craft.

MS: In your opinion, does the continued quest for studios to have the all important opening weekend high gross make it hard for someone like yourself to get your stories told?
JE: That’s not what’s stopping us. Its more subtle and more pervasive than that. Its an intellectual laziness that says “I’ve never heard of you therefore you can’t possibly be talented.” We were told by a VP at Warner Brothers that he wouldn’t look at the movie “because if it were hot someone else would have looked at the movie and I’d have heard about it.” I released 22 minutes online and it was downloaded over 1.5 million times…and agents at Endeavor said “If this mattered it would be reported in Variety.” An ex-executive from Universal told us “I don’t understand your film. It’s a mainstream movie. It’s smart and its a popcorn film. But you don’t have big stars in it. You should have made something weird or cast Tom Cruise. Right now, you got nothing.” We were in 46 film festivals, nominated for 53 awards, won 29 including 18 for Best Picture. No one in the industry cared. Our trailer was downloaded 2.5 million times from iTunes Movie Trailers. No one in the industry cared. And no one ever said “I saw your movie and I don’t like it.” They said “I’m not willing to watch your movie because you’re not famous.” You can’t catch a break because the intellectual laziness creates a negative feedback loop.

MS: You did pretty much everything on this film except run the catering truck! Do you eventually want to narrow your career to one vocation, be it directing or writing, or are you happy having a hand in pretty much everything?
JE: I don’t know how to not be involved in everything. I know Photoshop so well that I can do the graphic design myself faster than if I had to explain my ideas to someone else. I’ve designed lighting and lenses and projectors so unless I can afford the world’s most expensive cinematographers I might as well do it myself. I interviewed a cinematographer for “A Lonely Place For Dying” and as I showed some of my storyboards the person wanted to know the mood of a particular shot. I said we’d have huge beams of god light coming in through these basement windows. The cinematographer blanches and says “That can’t be done unless you have 10K HMI’s.” I said “That’s not true; volumetric lighting is a matter of particle density, not light intensity. I can make a volumetric light with a flashlight if I have enough smoke in the air.” The cinematographer insists I don’t know what I’m talking about…and after awhile you get tired of those kinds of debates. Its just easier to do it yourself. I’m not trying to. Part of it is that I’m an Aspie and I really struggle with rephrasing things with the social lubrication people need so the truth can slip past their defenses. Its even worse if you can’t here my vocal tone or see my facial expressions. My communication style, when stripped of these nonverbal queues, makes me sound like an asshole to a certain type of person. I’m just stating facts; I willingly give up control when I find competent people. If I can’t…then I might as well do it myself. Hopefully I don’t sound like too much of a jackass saying that out loud. That being said, there is plenty I didn’t do. Brent Daniels did all the sound. Alone. By himself. He built the 5.1 mixing facility in his home and he put close to 1,500 hours into the dialogue, sound effects, music and mixing of this film. Ginger Ravencroft is a dear friend and a hell of a still photographer. She’s the reason we have 12 gorgeous theatrical posters. Daniel Broadway and Marc Leonard did 250 visual effects shots for the film. Without those people the movie would not be as good. So, I think the most accurate thing to say is while I wear many, many hats so do the people I trust the most.

MS: Are you planning anything currently?
JE: I’m the president of BryteWerks. We’re about to release our flagship digital motion picture projector. We have about 5 employees and an additional 25 contractors working on various engineering projects. I can’t go into the details of everything we’re doing but we’ve got some really cool products coming down the pipe. And I will get back to directing…but not until we finish our motion picture projector. We have pre-order customers to satisfy and this is a chance to really shake up the world. I’m already writing my next project. The rest is a secret.

 

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Interview with Eugene Mirman

Eugene Mirman is know best for his role of Yvgeny Mirminsky on Adult Swim’s “Delocated’.  The show returns for season three on February 2nd. Eugene also voices Gene Belcher on Fox’s “Bob’s Burgers”, which returns for season two in March.  Media Mikes had a chance to chat with Eugene about working on the show and what he has planned for 2012.

Mike Gencarelli: Tell us about season three of “Delocated”?
Eugene Mirman: Season three has been a lot of fun. We recently finished filming and the episodes are set to start airing February 2nd. I have a girlfriend this season and the episodes are all very funny. There also is going to be a cross over with “Downton Abbey” that fans of both shows will want to watch for.

MG: How do you think your character has changed over the course of the 3 seasons?
EM: This season I am starting my own company, so the episodes aren’t going to be as much about stand-up per say. My character is a little more 3 dimensional. I am still however the wacky hit man of comedy.

MG: Is the reality television portion of the show still going to be used?
EM: Yes that will still be a part of the show. Janeane Garofalo will be playing the head executive this season. I didn’t really have any scenes with her but she is a nice person in general.

MG: How do you feel this season differs from the others?
EM: I don’t know if they are really different from one another. The really big thing is the cross over with “Downton Abbey”. We had some great guests on and I think I might possibly have more stuff in this season. We will have to wait and see.

MG: You are currently touring with your comedy act, tell us about that?
EM: I am doing a tour with Andrew Bird which starts in March. I am also doing the South by Southwest Festival and some shows in Seattle towards the end of March. I am going to be a part of the “Cabinet of Wonders” show which can be heard on NPR. The show will feature musicians, authors and comedians.

MG: What do you like about doing stand up compared to working on television?
EM: I like to do all of it. It helps break things up and I love splitting my time between the different projects.

MG: You voice Gene Belcher on “Bob’s Burgers, which returns for season two in March, tell us about that?
EM: We have recorded around 14 or 15 episodes since summer. There are going to be a lot of awesome guests and a lot more things will be happening outside of the restaurant. I feel we are starting to find our groove with everyone involved with the project.

MG: You’ve been working with Adult Swim since “Home Movies”, tell us about how you originally got working with them?
EM: I just texted them and told them to let me in. (Laughs) Brendan Small used to be my roommate when “Home Movies” was on UPN. Through that I did an episode and later did “Lucy: Daughter of the Devil”. The people who make these shows are the ones responsible for putting me in their future shows.  It has been a great journey.