Hollywood Undead’s Johnny 3 Tears talks about new album "Notes From The Underground"

Johnny 3 Tears is the vocalist for the rock/rap group Hollywood Undead. The group is set to release their third full length studio album via A&M/Octone Records in early January titled “Notes From The Underground”. Media Mikes had a chance to talk with Johnny recently about working on the album as well as what it was like shooting a video for the song “We Are” with Slipknot percussionist “Shawn “Clown” Crahan directing. Be sure to check out our review of Hollywood Undead’s latest album “Notes From The Underground”, here.

Adam Lawton: Can you tell us a little bit about the groups writing sessions for the new album?
Johnny 3 Tears: Some of them were fun and some of them sucked! (Laughs) It’s always an up and down process with moments of glory and moments of pure panic. I enjoy writing records in general because all of the moods and things that happen during that time. We usually work with more than one producer which adds a little bit of flavor to things. We always try to keep things that way as it’s very easy by the 10th or 11th song to get repetitive. Recording 3 or 4 songs with different guys keep us honest and working hard. It was a lot of fun and writing is my favorite part of being in the band.

AL: What type of steps do you take personally when writing?
J3T: I always write a hook or a melody first. Often I will have words to the melody as well. Typically I think a lot of people write a guitar part and then sing to it. People think I am weird because I do things the other way around. I have just always done things that way especially since I can’t play guitar worth a crap. Songwriting I think is very individualized.

AL: Did you guys try anything out of the box during the sessions that maybe you have tried before?
J3T: We get pretty extreme during our sessions. It is not uncommon for us to have a 48 hr. recording session where we don’t sleep. Guys start to get to the point where they are starting to lose their minds. For me those are break through moments where you are so off your rocker that you try something you would never do with a sane mind. Producer wise some of them will do whatever we want and are willing to go deep in to the project. Other guys have other priorities and don’t want to live that life. We sometimes will have to be at the studio at 10am instead of 10pm drinking Starbucks instead of Jack Daniels but it works. The power is very balanced out.

AL: How was it working with Danny Lohner again?
J3T: We worked with him on first record but weren’t able to on the second as our schedule’s didn’t match up. Lohner is one of those outside the box guys like us and we love working with him because of that. He is more of a friend than a producer to us now as we have become really close. I am a huge Nine Inch Nails fan so when we first started with him I was a little gun shy. Once we got to know him we saw he’s a really cool guy. Danny brings some great ideas to the table.

AL: Can you tell us about the two version of the album that are being released?
J3T: With a regular record you are allotted a certain number of songs. If it was up to us we would have 30 songs on every record but I understand how things work. The deluxe version of the album is a chance for us to get more material out. It has 3 more songs than the standard version and for me it is the complete record that should be there. We always try to do different things that allow fans to get tracks that don’t make it on to the album. The deluxe album is one way and also if you buy the album off of ITunes you get a track that is exclusive to there.

AL: Can you tell us about working with Shawn Crahan on the video for “We Are”?
J3T: The video came out a few weeks ago and it turned out really cool. Working with Shawn was really awesome. I had no idea what the guy was going to be like when we first met. Slipknot is one of those bands that are more of a movement than a band as they represent a lot. You just don’t know what to expect. When we finally met Shawn we found he is one of the most down to earth, cool, creative guys you will ever know. We have done a lot of videos with other people who are strictly video directors but it was cool to work with a guy who has been in a band as well. I think he understood the other side of things and he really made us feel comfortable. It was a very smooth and fun process.

AL: What are the tour plans for the coming months?
J3T: January 8th we start a major market 12 date tour. It’s a promo tour where we will be playing some smaller venues that will allow us to get back to the basics of where we started. The shows will be intimate gatherings for people who have listened to us since we started. After that I think things will be pretty non-stop.

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Guns N’ Roses drummer Steven Adler talks about new solo album “Back from the Dead”

Steven Adler is probably best known for his work as the original drummer for the multi-platinum selling band Guns N’ Roses. After being fired from the group in 1990 Steven went on to work with a number of other acts and also appeared on the VH1 reality show “Celebrity Rehab with Dr. Drew”. More recently Steven and his new band simply titled Adler released their debut album “Back From the Dead” and Media Mikes had a chance to ask Steven a few brief questions about the album and the bands touring plans.

Adam Lawton: What type of writing process did the band take when putting songs together for the new album?
Steven Adler: Jacob Bunton and Lonny Paul would bring me songs and then Jeff Pilson and I would add our thing to them. Jeff also produced the record as well as played bass. Everyone in the group was real open to changes and ideas. That made the whole writing/recording process very fun and creative.

AL: How was it like working with Slash again?
SA: Slash and I have been friends since we were kids. I have always loved the way he plays and was honored that he took the time to play on our record.  Back in the GNR days, we took each other’s talents for granted.  At this stage in my life, I’ve learned to appreciate these moments.

AL: Are there plans to shoot any more videos for songs off the album?
SA: In a perfect world we would shoot a video for every song on the record.  But I can tell you from firsthand experience, we don’t live in a “perfect world”, so we’ll have to wait and see what happens.

AL: How did the band get involved with playing on this year’s Kiss Kruise?
SA: Our singer Jacob told us about it and passed the information onto our managers. From there they called Doc McGhee who is KISS’s manager and they made everything happen.

AL: Does the band have any tour plans in the works you can tell us about?
SA: Yes! We are playing some shows with Duff McKagan’s band “Loaded” in Japan starting in early March. Our manager and agents are working on some other things as well but for right now it’s nothing we can officially say. The band does plan on touring everywhere.

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Otep Shamaya talks about new album “Sounds Like Armageddon”

Otep Shamaya is the lead vocalist for the heavy metal band Otep. The group has just released a live CD titled “Sounds Like Armageddon” and has an album of new material set for release in the coming year. Media Mikes had a chance recently to ask Otep a few questions about the groups new live CD.

Adam Lawton: What made you decide to release a live album?
Otep Shamaya: I started this band to summon my soul into existence through the power of live performance. This album brings the raw, organic intensity of our live shows to a private performance inside the intimate universe of your mind.

AL: Was there any nervousness knowing that you would not only be performing but also recording?
OS: No, we prepare diligently for our live shows. People are always recording them in some fashion, smart phones, etc so we are accustomed to it in some way. But the truth is we give everything we have to every show, no matter where it is, how many people show up, or how we feel on that night. Every show counts. Play it like it’s your last.

AL: What made you start covering the Nirvana song “Breed” during your sets?
OS: Nirvana is one of my biggest influences. We were asked to cover a song on The Ascension, I chose BREED because I thought it was the one Nirvana song (at the time) that we could honor and do tribute to without veering too far from our sound or theirs.  It is now one of the staples of our live shows and fans go insane when they hear it.

AL: Can you tell us about your upcoming studio album?
OS: It’s a concept album based on a graphic novel I’ve been writing for two years. The book is about a girl corrupted by the world, corrugated by evil, ripped away from the golden, molten elixir of creativity, and abandoned on the placid, jagged rocks of a cruel and barbaric island where the rats poison themselves. This is a story of her personal revenge and righteousness. Her rise from the smoldering ash as a bruise that never heals transmuting, to the infinite, still-born messiah, a vigilante serial assassin, codename: HYDRA.

AL: Will there be plans to tour in support of the new album?
OS: Of course.

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Don Felder talks about working with The Eagles and his new solo album

Don Felder is probably best known for his lead guitar work with The Eagles. Felder was inducted with the group into the Rock and Roll Hall of Fame in 1998 however left the group shortly their after. He has recently released a new solo album titled “Road to Forever” which is his first solo release in 30 years. Media Mikes had the pleasure of talking with Don recently about the album, his autobiography and his plans for 2013.

Adam Lawton: With your last solo album being released 30 years ago what prompted you to now release an album of new material?
Don Felder: When you are in The Eagles you eat, breath and sleep Eagles business. You are either on the road, writing songs, doing interviews or performing. It is something that is all consuming and a monster of a machine. When I left the band in 2001 I really went through a period of self reflection. I started meditating between 30 and 40 minutes a day where I would look back at my life. I was trying to get a handle on what had happened to me and how I had changed. I would come out of these sessions and write down my recollections. My fiancé had read them and told me she thought it would make a great book. I told her that I was the world’s worst English student in high school and I actually had to go to summer school because I failed English. The next thing I know I am on a plane to New York with a literary agent. We ended up coming back with 5 offers from publishing companies to publish this book. I then had to look at the daunting task of having to take all these recollections  of my life story and write it in to a book. That took some time. During that first year of separation from the Eagles I also was separating/divorcing from my wife. Everything that I knew was stripped away from me. I had to find a place where I could resolve all of that. As I was going through the book writing process there would be painful parts that I needed to work through. To help myself through those tuff times I would go in to my home studio and write a song about it. I wrote 26 song ideas at about the same time I was writing my book. This was an effort to emotionally and intellectually flush myself of these feelings. I didn’t want to carry this excess baggage with me through the remaining years of my life. After the book was published I went out on the road to promote it as well as doing shows with my solo band which I have had for about the last 8 and a half years. In between all of that I worked on this album. I took the best 16 songs from the original 26 and recorded them for this CD. At that point I really shifted myself away from book writing and promotion. There were a lot of reasons that caused this album to take so long. I definitely wasn’t at home just twiddling my thumbs. (Laughs) I had a really full plate on all levels.

AL: Did you find any similarities between writing a book and writing music?
DF: Absolutely! It was a dual cathartic experience. On one hand I was writing the text of my life while on the other I was writing the music to my life. I turned those stories and experiences in to songs. To me real art weather its film, literature, painting or music contains stuff that have a human common denominator. People can experience those things and relate to them. I felt it was important for me to take my experiences and put them in these songs.  For me that is one of the most personal things an artist can do is to expose themselves in these ways. I felt the process to be very personal on both levels.

AL: The album features an impressive lineup of guest appearances. How did you go about picking people to appear on the album?
DF: One of my top criteria was having people that I know and who are good people and friends that wanted to have fun. When I finished the song “Fall From the Grace of Love” I wanted it to have these really great harmonies in the chorus. I called my friend Steven Stills who I was in a band with when I was 15. He actually lives down the road from me and we hang out and play golf together. When I got to California the first band I was in was Crosby, Nash. I called those guys up and asked them if they would sing on the record. They came over immediately and we had a really great time. There was no drama like I was so used to with my old band. Steve Lukather is probably one of the funniest guys to be in a room with. Not only is he a great guitar player but he is a ton of laughs. He played on the song “Road to Forever”. Tommy Shaw of Styx came in and helped with a couple tracks. Randy Jackson also came in and did some bass work on a song. Everyone knows him as the “Dawg dude” on “American Idol” but, he is a monster bass player! Randy is probably one of the top players in the Los Angeles area. He just destroyed this thing. They are all just friends of mine who happened to be in or around town. We had a lot of fun and made some great music. Those sessions really wiped away the old stigma of being in the studio and having arguments and contentious feelings. There was none of that and everything was just all good. In fact I had such a good time that I will promise the next album will not take another 30 years. (Laughs)

AL: How did your song “Fall From the Grace of Love” end up being chosen to appear in an episode of Showtime’s “Homeland”?
DF: I love the show and was just as shocked as everyone else when I heard they wanted to use one of my songs. I watch that show religiously as I think it is one of the most exciting shows on television right now. I got a call a few weeks back by the people who handle my publishing company that they had received a request from the people at “Homeland” to use the song. I said absolutely and felt quite honored.

AL: Can you tell us about your tour plans for the rest of this year and in to 2013?
DF: I think my last date for 2012 is December 15th. We have had such a great response to not only the new record but also the live shows that I plan on working from early February through fall of 2013. I will probably stay out on the road until it gets too cold to be slopping around out there. I could certainly use a vacation right now. It seems the closest I get to a vacation these days is doing interviews with people like yourself.

AL: What do you think has been the biggest change in your audiences over the years?
DF: Personally I am not a fan of going to really large venues like football stadiums or hockey arenas to hear music. I think that is the wrong place to go. The sound is usually bad and most instances you are so far away from the stage that you get a better show watching the video monitor than you do from your seat. It is just not comfortable. I prefer to play the 3-5,000 seat arenas. In the summer I do like playing larger venues like State Fairs and such with bands like Reo Speedwagon and the Doobie Brothers. Those big festivals that happen during the day are really great and people love that. I think the smaller venues are much more comfortable and intimate. It also is better sounding for the artist and listener at a smaller venue. We are also able to make the ticket prices much more affordable than that of say the Eagles. About 60 percent of my shows consist of Eagles songs while the rest is covers and solo material. It’s a great evening where by the end everyone is up on their feet dancing and having a great time. There is no drama as it’s just a great group of guys playing great music and having fun.

AL: Is there anything else we can be watching for from you in the coming year?
DF: There are a lot of things in the planning stages for 2013. Those things will start to show up on the website once they become public. Right now there are a couple tours being planned. One includes going to Japan, Europe and Australia. That is going to be contingent on the routing of where we will be and when during next year. I can’t really say exactly what will happen until those are contracted. I love to be out playing music and have a very child like enthusiasm for it. When you are doing something you love to do it is a playful experience. I have been fortunate enough and been given the gift to be able to do what I love. I enjoy it for that.

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Flyleaf’s Pat Seals talks about new album “New Horizons”

Pat Seals is the bassist for the rock band Flyleaf. The group has a new album out titled “New Horizons” and Media Mikes had the chance to talk with Pat recently about the album and the group’s tour plans.

Adam Lawton: Can you tell us about the recent change in singers? and what it will be like performing the new album with a different singer than it was recorded with?
Pat Seals: Kristen May has taken over the singing duties for Lacey Sturm who recently stepped down. Kristen played in the band Vedera prior to joining us and she has a really powerful voice. As far as performing the new material with Kristen it hasn’t been too different. There have been a few little things that are different but nothing major.

AL: What can you tell us about the band’s new album “New Horizons”?
PS: We had the great pleasure to work with producer Howard Benson again. This is I think our 3rd album with him and it is probably are best one yet. It has a really polished sound which I think fans will be in to.

AL: Can you tell us about the first single “New Horizon” and will there be a video to accompany it?
PS: That song is pretty heavy and has a great vibe to it. I think fans right off the bat are going to really like it and connect to it. The video for the song was just released and is a performance video that showcases the band. I think it turned out pretty cool.

AL: What type of approach does the band take to writing?
PS: Generally we set aside time when we are not on the road to work on songs. I know there are some bands that huddle in to the back of the bus to work but that’s not usually how we do things. We did quite a bit of pre-production on this latest album.

AL: What are the bands tour plans for this album?
PS: We are rehearsing as we speak. The band is really looking forward to getting out there and playing shows for our fans. We are currently looking at several different tour packages but nothing has been confirmed so I can’t really say anything more than that just yet.

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Karine Hannah talks about her first album and benefit show

Karine Hannah is a Canadian born vocalist who got her start at the very early age of 14. Karine has performed all over the world and received an invitation from Celine Dion to perform at her wedding. Karine is currently in the studio working on her first full length release and MediaMikes.com had the chance to talk with her about the album as well as her upcoming benefit show in New York on November 26th.

Adam Lawton: What was it that initially interested you in singing and performing?
Karine Hannah: At a very young age I realized I could actually carry a tune. People used to encourage me and tell me that they liked what they heard. It was one of those things where you know you are meant to be doing something.

AL: Did you ever take any lessons?
KH: No lessons. At one point I had thought it would be good to go and get some vocal lessons as it seemed like that’s what a lot of people do. I tried with a couple of different instructors but they didn’t want to touch me. I had already found my own way of using my voice and they didn’t want to tamper with that. The times they did want to try things I kind of backed up because I didn’t want to change the way I was doing things. I think there is something about having more of a raw sound as it is more real.

AL: Can you tell us about being asked to sing at Celine Dion’s wedding?
KH: We are both from the same city. I was doing a local television show and she and her manager happened to be watching at the time I was on. She turned and told her manager that she wanted me to sing at her wedding. Her manager luckily knew my manager at the time as I was just starting out and very young and they contacted me. It was very surreal. When you are that young and put in to a situation like that you see things differently. I think if I had been older and more mature I would have seen things a different way. When you are a teenager you don’t know what to expect. I think I was just so enamored by it all that I though because I was doing this that I had made it. That wasn’t the case at all. It was a great experience and the most magical wedding I have ever seen in my life. It was unbelievable. At the end of the evening Celine sat down on the ballroom floor with me and we just talked about the whole evening. We complimented each other and sort of bonded during that time.

AL: Can you tell us about your upcoming album?

KH: I am very excited about this. I have waited a million years to finally get a record deal and have the opportunity to record. I think there is a reason for everything and why things happen the way they do. This album is probably going to be compiled of up tempo pop/dance tunes and big ballads. I have already recorded my second song and it’s fantastic. So far I feel like I have two hit singles. We just are slowing chipping away as this is going to be a long process. I don’t want to just record anything to fill an album. I want it to be spectacular.

AL: Can you tell us about your upcoming benefit show?

KH: That is something that I am so passionate about. This is a show that I have been doing off and on for the past few years. The concept is 70’s and 80’s only male sung radio songs. These are the guilty pleasures that people don’t like to admit they love but they are amazing melodies. I put my own spin the songs and bring them back to life. People can sit and show they appreciate these amazing songs. We pack 22 songs in to a 90 minute set. When I do these shows I like to link up with a cause and help raise funds for them. I have a son that is on the autistic spectrum who attends the Manhattan Children’s Center so the proceeds from this year’s show will be donated to them. The event is being held at Joe’s Pub in New York City on Monday, November 26th.

 

 

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Sister Sin’s Liv Jagrell talks about new album “Now and Forever”

The Swedish heavy Metal band Sister Sin has just released a new album titled “Now and Forever” via Victory Records. Recently Media Mikes had the pleasure to talk with the bands lead vocalist Liv Jagrell about the album and the bands upcoming U.S. tour.

Adam Lawton: Can you give us some background on the band?
Liv Jagrell: We are Swedish band that started around 8 years ago. I would describe our sound as old school heavy metal. That’s definitely where are roots are and Sister Sin has that similar type of sound. That sound is something that is in our hearts and is also something we want to share with everyone out there.

AL: How did you come to join the band?
LJ: The band had been looking for a singer with a voice similar to Motley Crue. One of the guys had an idea where they thought it would be cool to have a female singer but the others weren’t so in to the idea. Around that time I had put an ad in the paper and was contacted by the guitarist. He told me they were mostly looking for a guy but to come down and try out anyways. I went down to audition and we did a couple original songs as well as the Motley’s song “Live Wire”. After that they told me I was the best one to come through and asked me to join the band. I guess they had auditioned several other guys but none of them had anywhere near the balls I had. (Laughs) That gave me a bit of confidence.

AL: Can you give us some background on the band’s new album?
LJ: This will be Sister Sin’s third album now. We felt that we needed to do something different from the previous two releases. The album is old school heavy metal with a touch of the first two records added in. Our last albums were pretty straight forward so this time we wanted to try something different. We worked heavily on the vocal and melody of this album. We based the music around that which is something we had never done before. We also added some keyboard parts for the first time as well. We tried to step a little outside of our box. The album turned out better than we expected and we are very happy.

AL: What made you choose “End of the Line” as the album’s first single?
LJ: That was collaboration between us and Victory Records. We had a couple of choices but in the end this was the song that we felt worked best as a single. The song has a sound that represents the entire album very well. The song was also a great fit to make a video for.

AL: Can you tell us anything about the video?
LJ: The video was released on Oct. 15th and is based around Armageddon prophecies. We used that idea but added in the fact that people still need to be living day by day and not worrying about when the world may end. If you take those thoughts and put them in the mid of a maniac you well get this video. The video plays very much like a movie and is similar in theme to “Terminator”. We are very happy with the video.

AL: When you are writing material do you often find yourself pulling from real world situations or topics?
LJ: We write about things we care about. We are known for being rebellious but we care about what’s going on in the world. None of us were born in to rich families and were brought up in a way that we have to work to survive. This is our reaction to Sweden and the rest of the world.

AL: Can you tell us about the bands upcoming tour?
LJ: We will be heading out on the road in February with Doro. We want to get back to the U.S. as soon as possible and hopefully we can get something set up before then. We really just want to get back out there. We would be on tour right now if we could but things just haven’t worked out that way. We do have some shows scheduled around Scandinavia but we are also looking to head to Europe as well.

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Marti Frederikson talks about music and working on Aerosmith’s new album

Marti Frederikson is a writer, producer, performer who has worked with artists such as Buckcherry, Carrie Underwood and Gavin Rossdale. Frederikson recently completed work on tracks for the upcoming Aerosmith album titled “Music From Another Dimension!” which is set for a November 2012 release. Media Mikes had the chance to talk with Marti about his career and what it was like once again working with Aerosmith.

Adam Lawton: How did you first break in to the music business?
Marti Frederiksen: I started off playing in bands and had gotten a couple record deals. I was just trying to be myself. I started off playing the drums when I was very young and I have always loved music. From the age of 5 on I never gave up on music.

AL: What type of process do you take when a band is looking to work with you?
MF: I try to work with bands and artists that I really like while at the same time not spreading myself to thin by wanting to do everything that comes my way. There are only so many days in the week so it’s hard. If I hear something new and like the approach of a group or artist then I don’t want to change their sound. What I want to try and do is to help them make their work better. I am attracted to cool sounds that I want to try and make better.

AL: Do you have a favorite out of writing, producing or performing?
MF: Doing live stuff I would have to say is my least favorite these days. Songwriting is what I really enjoy. Getting together with someone and 3 hours later you have a great song is something I really like. The producing usually will happen when you are just trying to get a song to the finish line. You end up spending a lot of time as producing is very time consuming. Depending on how good an act is generally dictates how long things will take.

AL: How did you first get involved working with Aerosmith?
MF: I worked with a band many years ago called Brother Cane and their Aerosmith’s A&R guy heard the song we had done and he really liked the approach of the song. I was lucky enough to get a meeting with him from this and he asked me if I would be interested in working with Aerosmith. This was in 1997 and at that time the band was coming off of the “Get a Grip” album.

AL: What type of role do you as the produce take with such an established band like Aerosmith who have a very defined, signature sound already?
MF: I first met with Steven and Joe. I tried to guide whatever ideas came out of us playing in to full songs. I really wanted to get some hooks and put those together into a bunch of songs that people would want to listen to and buy.

AL: Can you tell us about working the track “What Could Have Been Love” which has been in the works for many years now?
MF: The song has been around for years now. Finally everyone got to play on it as there has been a demo floating around for a bit. This song was always something Steven wanted to do and releasing it was just a matter of when and what the song would be for. I am really glad this song turned into an Aerosmith song which is what is was intended to be.

AL: Was it difficult in any way going to work with the guys knowing some of the member’s recent troubles with one another?
MF: It was probably harder for them. I will just wait until they are ready. They came prepared and we just took it from there. Once they were prepared to get in the studio and start putting songs together it was pretty simple. There was a lot of outside press going on which impacted the members prior to this but that stuff was all sorted out before they came in.

AL: Did the band work together as a whole or did the members work separate from one another?
MF: The stuff I worked on had some pretty decent demos already. There were a few other tracks we got together on such as “Beautiful” and a duet with Carrie Underwood titled “Can’t Stop Loving You” that really came from scratch.

AL: What other projects are you currently working on?
MF: I just got in with the 3 Doors Down guys who are putting out a greatest hits record. I did 3 new songs with them which will be included on that release. I have also been doing a lot of writing with various writers and groups.

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Violinist and YouTube sensation, Lindsey Sterling talks about her debut album

Lindsey Sterling is a violinist and YouTube sensation and known best for appearing on the fifth season of “America’s Got Talent”. She recently released her debut album titled “Lindsey Sterling”. The album quickly shot to #1 on the Electronic Music charts and landed in iTunes Top 100. Media Mikes had the chance to speak with Lindsey recently about her music and her future plans.

Adam Lawton: How did you first get involved with music?
Lindsey Sterling: I have played the violin pretty much my whole life. In High School I tried to branch out and experiment with different styles. I really got in to the solo performing aspect while I was trying to earn money for college. I had done some talent competitions and during that time started writing music that was more modernized while incorporating dance in to my performing. I never knew that my music would take the turn it did and become my whole life. I love it and feel so great. I am very glad the hard work has paid off.

AL: What can you tell us about your debut album?
LS: I started writing that at the end of 2010. I had intended to do a full length album as I could only afford to do 3 songs. I met with a producer and he thought the idea was kind of cool so we recorded the 3 songs and everything really started from there. I put the songs out on ITunes but nothing really sold at first. It wasn’t until I started making YouTube videos and the music was searchable that people started to take notice. People started buying my music which led to me being able to make more music. At first I was doing things song by song when I could afford them and finally I knew I just had to finish the album.

AL: What type of process do you take when song writing?
LS: I would meet with a couple different producers and when working on the various tracks I would sit and listen to the whole track while giving my input. Once the beat was done I would take that and improvise over the top of it. I would just jam for hours until I had what I wanted for the piece.

AL: What were your first thoughts when your album took off the way it did?
LS: I was extremely excited! I knew the album would at least do ok because I have some pretty dedicated fans that would support the album. The album is still #1 on the Electronic charts and is I think up to #13 on the overall charts. That was crazy. I still can’t believe after 3 weeks of being out the album is still in the top 100. It’s just overwhelming to think that only a few years ago I barely had enough money to record 3 songs and now all that hard work is paying off.

AL: Can you tell us about your current tour?
LS: We have cut the tour in half as we just finished up the first part. We have a 2 week break and then we will be back out on the road which will take us through California, Seattle and into Canada. That will wrap this tour. In January we are planning on going to Europe which I am looking forward to. I get a lot of request to play overseas so to finally be able to go over to these places will be great. When we return from Europe we are planning on hitting the States again in February/March.

AL: What do you like most about utilizing the YouTube site to help promote your music?
LS: It is really cool that we live in world now where an independent artist can make it in the music world. It used to be that you needed a record label in order for your music to get heard. Before I discovered the YouTube model I kind of started that way. I am so grateful that I was able to do things this way and for myself. I am still an independent artist and my album is doing just great. I also sold out my U.S. tour on my own. It is the time of the independent and you don’t have to sell out or do what people are making you do. You can stay true to your vision and be your own boss.

AL: With all of your recent success have you thought about going to a major label?
LS: I love being an independent artist. Funny enough I have thought about it. Now I am just waiting to see if someone comes forward with an offer I am willing to accept. I am not willing to give up certain things and I am also to the point where I don’t necessarily need a labels support. We have had a few major labels fly out to try and convince us to sign to their label. It is really cool that the ball is in my court.

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Filed Under: Music Interviews Tagged With: album, debut, lindsey, sensation, sterling, talks, ...

Alter Bridge’s Mark Tremonti talks about solo album “All I Was”

Mark Tremonti is best known as the guitarist for the multi platinum selling band Creed and for his work in Alter Bridge. Mark has just released his first solo album titled “All I Was” and Media Mikes was fortunate enough to talk with Mark recently about the decision to put out a solo album and what other plans he has in the works.

Adam Lawton: What was the idea behind wanting to put out a solo release?
Mark Tremonti: Being a songwriter for all these years I have had a lot of ideas that were stockpiled up. When Miles Kennedy who sings for us in Alter Bridge went out on tour with Slash recently I saw a window of time where I could take some of those ideas that didn’t work for my other bands and put them together to create an album out of. “All I Was” is what we came up with.

AL: Are the songs on the album all from previous ideas or was there some new material written as well?
MT: Most of it is stuff that was written. There were really just parts of songs and nothing that was completed. When I got together with the other guys who played on the album is when I started arranging the ideas. A majority of the initial riffs were already written.

AL: How did you go about picking the line up for the band?
MT: Eric the other guitar player was an obvious choice.  He is someone that I have been playing guitar with for years and years. We are best friends and over the years I have probably shown him more ideas for songs than I have with my other two bands. I am very comfortable working with him. Garret our drummer was in a band with Eric called Submersed. I co-produced a record for them years ago and Garret was still living in Orlando so he was an obvious choice to bring in. He is an incredible drummer.

AL: How did you go about creating a unique tone on this album that was different from your previous work?
MT: It was mostly based on my roots. The rhythm parts on this album are based around a speed metal/thrash type style. I tried to mesh the two styles of my influences that being speed metal and melodic 70’s rock. I was in to stuff that my parents exposed me to like Rod Stewart and Journey. I still love that music and wanted to mesh the two.

AL: What was the biggest difference you noticed when stepping up and performing not only the guitar work but also the vocal work as well?
MT: I loved it. I have written a lot of lyrics over the years for my other bands but I never had to write an entire album. It is a whole other process. I have to work out all the guitar lines and solos while also bringing in the lyrics. I spent about a month and a half working on that. The singing part was easy after everything was written. Singing is fun. Once I sang the album the first time I went back in and changed/re-wrote things where I thought the original stuff didn’t fit or sounded off. I sort of went through the vocal process twice just to make sure it was right. All together the album took about 3 months to complete.

AL: What types of tour plans are in place to support the release?
 MT: We have a 2/3 week tour run in the States coming up and then after that we are heading over to Europe where the first handful of shows will be with Slash. After those shows we will continue our own tour where we will hit Amsterdam, Italy and Germany. When I get home from that I will be back out on the road with Creed until I get back with Miles to write the next Alter Bridge record. In February I will be back out with the solo group for a more extensive European tour which will include shows in Australia.

AL: What are you most looking forward to about playing these songs live?
MT: It’s a much different vibe on stage when you are singing and not just playing guitar. It is a great experience to be able to play these songs. This record is a really fun record to play live and we enjoy it. I can’t wait to do it in front of a crowd who know the songs. The first time we played this material was for a couple of CD release shows. People hadn’t heard the songs yet. This time people will be familiar with them.

AL: Is this solo album just a one-time thing or will you be doing another one in the future?
MT: We will definitely do another solo album. As soon as we can find the time we will get it done.

 

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Vision of Disorder’s Tim Williams chats about new album “The Cursed Remain Cursed”

Tim Williams in the lead singer in the Long Island-based hardcore band Vision of Disorder. I have been a fan of these guys since day one and were a major influence in my taste of music. The band released their latest album “The Cursed Remain Cursed”, which was the first studio recording in over a decade. The album is also one of their best to date. Media Mikes had a chance to chat with Tim about the album and the how the hardcore scene has changed over the years.

Mike Gencarelli: Tell us about the inspiration behind “The Cursed Remain Cursed”?
Tim Williams: Long story short, it was a long process…which is fine. We took our time. A lot of the inspiration both the songs and the lyrics were based on how I was feeling during the time. Things were a little hairy in my life for a while. So I was dealing with that and then also the disbanding of Bloodsimple. I was looking forward to just getting in the studio, taking my time and not having to rush out on the road right away. Just kind of settling down a little, you know? Things were really busy for a long time and it was good just to say in one place and make some music.

MG: It’s been 11 years since your last studio album; how do you feel that the sound for VOD has evolved in that time?
TW: I think we have changed as people and musicians. We are a little wiser and know what we want and know how to get it. I think going when we went out own way for that time and made it on our own terms really helped also. I think the biggest difference this time around for VOD is that we are more mature and know how to handle the business better.

MG:The tracks on this album are just as hardcore matching the self-titled album, you have any difficulty keeping that level of anger through the lyrics?
TW: No, not at all. There is plenty to be mad about [laughs]. There are also plenty of things to talk about in the world. The things that I draw my lyrically content from are very present and have not run dry from that well. It is difficult to do well, so you need to take the time to make it what it is. Just pushing out the first thing in your head and holding it. So it is not hard to conjure it but it is hard to make it good.

MG: What was your biggest challenge heading into the studio?
TW: My biggest challenge was to try and not make the same mistakes. I wouldn’t go as far as to stay relevant but to make really good music and not fall back on the stuff that we have already achieved.

MG: How was it working with producer Will Putney on this album?
TW: It was great. I have done work with Will before back on Bloodsimple. He engineered their second record. VOD recorded about 3-4 demos for this record to see how they sounded. We did a demo with Will and that one just destroyed every other demo we did. It just captured what VOD should be. We went back and forth with a couple different producers. Long story short, based on the connection I had with him, I just kept pushing for Will over and over. Finally, it all worked out. It couldn’t have been a better choice because the proof is in the pudding and Will was a very intricate part of that record. He really just let us be VOD and that is why it worked. Will knows how the band is supposed to sound and I feel that we did it right.

MG: Any B-sides that didn’t make it onto this album?
TW:We wrote a lot of songs for this record. There was a lot that we didn’t even bring to the pre-production. There was one song that actually was tracked but  there was so much shit I had to get done and I didn’t even listen to it. Everything was going so good and I didn’t want to waste 2-3 days on a new song, when the other shit was so great. That might come out some day…you never know.

MG: How does you feel that the hardcore scene has changed since you started?
TW: It has definitely changed. How do I feel? It doesn’t really matter…it changes, you know? It will change with or without me. I feel fortunate that VOD was around when it began – or I would say was morphing into a different thing, like from the 80’s into the 90’s. We were very fortunate to have been involved with the scene in the 90’s with bands like Madball, Dark Side, the original Life of Agony, Sub-Zero and all those bands that were really hardcore. To be a part of that and actually succeed was a cool thing. Seeing VOD be able to come back is even better. It has really been a crazy ride.

MG: We going to have to wait another decade before we get more material again?
TW: This album is still new, obviously. But yes, we will like to do more records down the line. We are just going to continue on and probably crank out another one and just keep going. Why will we stop right?

 

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Traci Lords talks about new film “Excision” and album “M2F2”

Traci Lords is an actor/singer/producer/director.  She has appeared in films like “Cry-Baby” and “Blade”, as well as the recent “Excision”.  She also released a new compilation album called “Traci Lords Presents: M2F2”. Media Mikes had a chance to chat with Traci about her new film “Excision” and also her new album.

Mike Gencarelli: How did you get involved with a film like “Excision”?
Traci Lords: It happened like “I Hope They Serve Beer in Hell Happened, “Blade” and “Cry-Baby” all happened, through my agent, Stephen LaManna. I saw the short that Ricky Bates Jr. had done years before for his final school project. I thought it was very interesting. We had several meeting and I ended up doing some screen testing for the role. I thought that I had played the role of Pauline, played by AnnaLynne McCord, before in my career. I have also played the role that Ariel Winter plays in the film as well. But I have never played a woman like Phyllis, that was as controlling and uptight. When I read it one of my concerns what how do you make somebody that is this tough in ways – how do you make her likable  – how do you give her humor? That was one of the challenges with this role. I had to figure out how to not make her one note and make her a real person.

MG: Phyllis is one great character, how did you prepare for the role?
TL: I just kept trying to put myself in the frame of mind of a parent that has one of their children dying. The closest experience I had to that, and thank God, is having two cats. The cat didn’t like ended up dying and the one I like survived. It is a terrible analogy but it is the only one I had going into the movie. What does that feel like? Trying to figure out what the other way would feel like? To be a parent and not like one of your children, probably has to be the worst feeling in the world. The torment about that is something that I just chewed on and focused on. There were wonderful actors all around me and that made it easier to come about. AnnaLynne McCord created a very unlikable strange, wonderful, bizarre character in this movie. She would come to the set as that character and it was not hard to be annoyed by her in that sense. So it helps my portrayal of Phyllis, since I just had to look in front of me.

MG:What was it in the script that jumped out of you that made you want to be apart of this project?
TL: I think the aspect that compelled me most had to be the director, Ricky Bates Jr. I think he is a really interesting person. He wrote something, whether you like it or not, it is bizarre enough to make you think. The fact that he as confident as he is as such a young filmmaker, I thought that was very intriguing. I am curious to see what he will do with more experience.

MG: John Waters is this film, you worked with him on “Cry-Baby” & “Serial Mom”, did you get a chance to reunite?
TL: That was really my doing. Ricky was a fan of John Waters and John is very dear friend of mine. I put the two of them together and John said he would do the movie, much to Ricky’s delight. John flew in for a day and we had a fun time on the set. Seeing the film for the first time at Sundance this past January, when John comes on the screen, the whole audience just lost it. You don’t expect him in that role of a priest. Ricky really cast against type in this film. It was just delightful.

MG: What do you enjoy most about working in the horror genre?
TL: I have done a lot of work in the horror genre. It is nice to return here. I liked to bounce around much with different genres like “Blade” and “Cry-Baby”. I haven’t done a real juicy dark drama in quite a while. I think I do something funny next.

MG: Last year your single “Last Drag” was hot on the charts, any plans for new music?
TL: As a matter of fact, I released “M2F2” last week on iTunes. There are ten tracks on the album, eight of which are already charting here and there. That is really great. I have three tracks on it, since it is “Traci Lords Presents”, So it is a compilation of tracks from Sea to Sun Records. It is definitely a love record, meaning that you can put it on in the beginning of a date and play it straight through no matter what happens. That was the idea behind “M2F2” aka “Music 2 Funk 2” [laughs]. I see myself doing more and more compilations like that. Really I want to continue to act and sing but also focus more on writing, producing and directing of my own stuff. I think there are so few wonderful roles for women, especially of my age. So I guess I going to have to write my own now.

MG: What else do you have plans in the cards?
TL: I am also currently adapting my book “Underneath it All”, my life story that came out in 2003 from Harper Collins into a bio pic.

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Filed Under: Film Interviews, Interviews Tagged With: album, excision, film, lords, m2f2, talks, ...

Johnny Van Zant talks about 25 years with Lynyrd Skynyrd and new album “Last of a Dyin’ Breed”

2012 marks the 25th anniversary of Johnny Van Zant taking over as the leader singer of Lynyrd Skynyrd. I have been a fan of this band since I was old enough to speak. There is something special about this band that just really speaks to it’s fans and they are so multi-generational. I am proof of that having a 4 month only daughter that has been listening to their tunes after only being born for 5 minutes. Johnny and the band are celebrating the release of their latest new album “Last of a Dyin’ Breed” and he took out some time to chat with us about the new album and to reflect on 25 years with the band.

Mike Gencarelli: How can you reflect on how Skynyrd is definitely still relevant today?
Johnny Van Zant: My brother was pulling for the common people when he started this band. He was writing songs like “Alabama”, “Curtis Lowe”, “Tuesday’s Gone” and “Simple Man”. To this day man, we try to keep it to things that we lived or our fans have lived or living through. People can relate to that. We like to think we are pretty down to earth people. When I get home, I take out the garbage and drop my kids off at school. I do the same things as everyone else and that keeps us humble to that fact. I always tell people we are no different from our fans.  That is the way that I have always remembered how Lynyrd Skynyrd has been. We are common people and I feel that it lives through the music.

MG: Like I mentioned I already have my 4 month daughter listening to Skynyrd, can you reflect on being so multi-generational?
JVZ: We call it the Skynyrd Nation, Mike. We are three generations old. I got a great place on stage, so I have this bird’s eye view of the audience. It is very mixed and everyone is out there. Young, old and in-between…and younger. [laughs].

MG:“Last of a Dyin’ Breed” is a really fierce follow-up to 2009’s “Gods and Guns”, which was also a hard year for the band. What did you enjoy most about this album and working again with “Gods and Guns” producer Bob Marlette?
JVZ: Bob is really great. I like him not only as a producer but also a friend. We were introduced to him by John5 from Marilyn Manson and Rob Zombie. We wanted to go in the studio and do a few tracks before we signed on for a whole record. But when we went in, everything really clicked. To have Bob back on board for “Last of a Dyin’ Breed” is just really great. We work with him very well. We  also tried to have a lot of fun working on this record. Like you said during the last record, we were going through some hard times, not only personally but as a band. When you lose members of a band, that is actually very personal as well though. There were times during recording “Gods and Guns”, where we asked ourselves if we should hang up our boots and call it a day. But Bob was one of the influences pushing us to get the record done. If Billy (Powell), Ean (Evans) or even my brother were still around, they would be kicking butt and taking names. That is why we are trying to carry this band on. I mean, this is my 25th year with the band now.

MG:The new album charted at #14 on the Billboard Charts, which is the best debut for Skynyrd since “Street Survivors”, can you reflect on that?
JVZ: I am just glad – it’s like Skynyrd was nominated seven times for Rock ‘n Roll Hall of Fame and it became a joke within the band. We used to say “Do we have to die to get into it”. But when it finally happened, I was just so happy for Ronnie (Van Zant), Gary (Rossington), Allen (Collins), Leon (Wilkeson) and Billy (Powell), the guys that started this band. I was overwhelmed with happiness for them. The thing that it comes back to is that is it great to debut at #14, but for me though it makes me happy that the fans like it. Numbers are great but to know the fans appreciate it what it is all about. We had a great time doing it and thought it was the best thing to biscuits and gravy [laughs]. But when the fans start liking it and to hear folks like you liking it, that is real payoff for me.

MG:I like that the band is continuing to produce new tunes. When I spoke with Rickey Medlocke, he said that “I guess we could sit back and rely on our classic tracks but if we can put out new music and material, it will keep things from getting stale.”
JVZ: It does. That would be the wrong thing and my brother would be coming down and kicking all of our asses. [laughs] He would say “What the hell, go out there and make some new music”. It is refreshing, it really is. We all know what made this band what it is. People have told us “Well why don’t you right another ‘Sweet Home Alabama'”? It has already been done right the first time. We don’t need to do it again.

MG:I got it Johnny, “Sweet Home Alabama 2”?
JVZ: Yeah that’s it! [singing] “Sweet Home Alabama…2”. Yeah, it doesn’t work. [laughs].

MG:Like you said 2012 marks your 25 years with the band, how do you feel that the music has changed throughout the years?
JVZ: I am not sure really. We have always been sticking with things we know about, like I said before, or things that have touched people around us. Lyrically, I don’t think we tried to change at all. I think we have tried to put some new guitar work. But I think that is more progress, you know? Believe me, I was a Lynyrd Skynyrd fan before I was in the band and if I wasn’t a part of Skynyrd and the albums came out and all sounded the same as in the old days. I would be like “Oh, it just sounds like the old stuff”. So we try to take a step forward. Someone people gonna like, some people gonna love it and some people gonna hate it. That’s the way life is.

MG:For me it would be “Simple Man” and those opening cords. What is the one track that when it goes on you completely jam into it?
JVZ: OH GOD! Hell yeah! It has to be “Simple Man”. That is just timeless. It just tells it like it is about being a simple man. The old saying is “If you gain the world, but lose your soul…what do you have?” That is basically what the song is saying: “Forget your lust, for the rich man’s gold. All that you need, is in your soul”. What a great song!

MG:Which tracks from the new album do foresee becoming part of a must play list during touring?
JVZ: Right now, we are playing “Good Teacher”, “Last of a Dyin’ Breed”, “One Day at a Time” and trying to work up “Homegrown”. The problem is [laughs], we love making new music but putting everything in the set [laughs] is one hard chore to do. You don’t want to take away an old classic. You want to be able to play the old songs that people love and cherish. So to put a new one is…you kind of have to sneak them in when you can [laughs].

MG:What do you do to keep it fresh constantly touring all around the world?
JVZ: I enjoy seeing the fans. Each night is a different night. Any member of Lynyrd Skynyrd will tell you the same. Every night is a different situation, a different part of the country or different part of the world. And it thrills me to get out there and play songs for people. There are nights where you may be tired or your voice isn’t up to par though. A friend of mine said they say a particular artist not too long ago and said that their voice wasn’t that good. I asked them if they checked their website to see how many shows they had before that [laughs]. You can tune a piano…but you can’t tune a voice! [laughs].

MG:You think The Van Zants will ever get in the studio again?
JVZ: We got to a point – we did a couple of country albums. The first one which we really worked hard on was “Get Right with the Man”. Then we got to the second one, “My Kind of Country”, which we also put a lot of time into. We finally looked at each other and just said that we were killing ourselves. He is still going with .38 Special and I am with Skynyrd, then you throw in this project into the mix. It has been a few years now…and we are definitely both getting a little antsy now. So let’s see what’s going to happen in the near future.

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Lions Lions’ Jon Kay and Josh Herzer chat about new album “To Carve Our Names”

Post-hardcore band Lions Lions are back with a brand new full length release titled “To Carve Our Names” and Media Mikes caught up with bassist/vocalist Jon Kay and lead vocalist Josh Herzer to talk about the new album while the band was playing in Rochester, NY this past month.

Adam Lawton: Can you give us a little background on the formation of the group?
Jon Kay: Lions Lions formed after bands we were previously in broke up. Josh had gotten a hold of me through AIM when that was still popular and told me that I was going to be in his new band. I knew Josh’s work and what he was about so I said ok right away. I knew for me that this would be a good direction to go in. Josh had already been working with one of the bands previous guitarists writing songs but we couldn’t decide if we were going to have a lead singer or not. We almost started out as a 3 guitar piece band. Things started to fizzle and one of the guitarists left so we started looking for our original lead singer Danny. It seemed like people in the band started dropping left and right at that time. We went through a bunch of lineup changes and toured out to the west coast. We were playing in Reno which is where Josh is from and he had been a fan of our band and knew about us when we were playing out there. He found out we were looking for a singer and just sent us some tracks he sang on with his old band. We asked him to fly out to Boston and try out. He came out and we wrote 2 songs right away. Josh didn’t even have a return ticket when he came out. Our newest guitarist Isaac was the second guy we tried out after we started looking for someone new. He was a huge fan boy in the beginning but he was something we could shape. When he gets on stage he knows what we are all about and he just gets it. He has been right there with us as soon as things got going.

AL: How would you describe the band’s new album “To Carve Our Names”?
Josh Herzer: The new album to me is sort of a culmination of everything the band has done prior. The first album was sort of post-hardcore minus the screaming vocals. The following album was much more breakdown oriented and heavier. My first EP in the band was essentially a pop-punk album. This record was literally whatever we felt like doing at the time. There are dark almost metal type songs on there as well as acoustic songs. This album has all of our influences and everything we have done in the past combined in to it.

AL: What was the writing process like this time around?
JH: Long.
JK: It was very, very long. When we started working on songs everyone was doing separate things on their own. I wrote a few songs with a friend of mine and presented them through email. This was before we all lived together. We wrote quite a bit away from each other as it was kind of tough to hook up with each of us living in a different part of New England. Most of us have the gear to work on songs that way so it was basically an email thing back and forth. When it came time to send stuff to the label they asked us for some things with a little better quality. We ended up going in and working collectively on songs with a friend of ours from the band Our Last Night. He helped us critique the songs. We did a couple different versions of pre-production with one being live and the other two differing in quality.
JH: Pretty much from the time that we finished our EP in late 2010 to the time we recorded this album in October of 2011 we had been writing. There are still probably 5 or 6 tracks that were recorded that didn’t make it on the album. We wrote a lot and had to re-write a lot. The initial batch of songs the label didn’t like so we re-worked those and also wrote a new batch. It was pretty nuts but we are very happy with the end result.

AL: With having so much material how did you choose what was going to be included on the album?
JH: A lot of it had to do with our producers Shep Goodman and Aaron Accetta. They looked at everything we had and used their experience to decide which songs had the strongest qualities. We just laid everything out and said what we thought about each track. We all had input on which songs we liked the best. We also wrote/recorded two new songs while we were in the studio.

AL: Do you think you will ever release the tracks that weren’t included on the album?
JH: It’s possible. One of the tracks is actually out on ITunes as an exclusive. That song is called “Drifting”. We may look to do a 7 inch as we want to do something on vinyl.

AL: What was the idea of ending the album with a softer song as opposed to the more traditional idea of closing with a more upbeat song?
JK: It’s sort of a past experience thing but also our producers suggested it. We figured it would be a safe choice as our record “From What We Believe” included an acoustic track that was placed I think two tracks before the closing song. People made quite a few comments asking why we did things that way. We have never really been strong on how a record should be laid out. We always talk about it but how do you figure out an exact formula?
JH: Ending with a song like that is sort of a typical thing in our genre. We really liked that song and I felt starting the album off very high energy and ending very relaxed was a cool thing.

AL: What do you feel makes Lions Lions stand out from other in the same genre?
JH: I feel as though the stuff we play is sort of throwback and nostalgic to the early 2000’s Victory Records type stuff. That’s the stuff we like a lot. I guess our take is sort of a newer version of what that stuff was. I guess we are sort of old in that sense. Those were the glory days for us that have just withered away.

AL: What are the bands plans for the rest of the year?
JH: We have most of July off and have actually started writing our next full-length album. We are going to relax for a little while until our next tour starts in August. We will be playing with Day Trader, Such Gold and Silverstein.
JK: We want to be out there touring.

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Country singer, JT Hodges chats about his debut self-titled album

JT Hodges is a country singer known best for his singles “Hunt You Down” and “Goodbyes Make You Mine”. He recently released his debut self-titled album and is hitting the road soon touring. Media Mikes got a chance to chat with JT again about this debut album and the inspiration behind it.

Mike Gencarelli: Tell us about how it feels to finally have this album released?
JT Hodges: It is a breath of fresh air, for one. You spend the whole year working a few different singles that is all that people have to go by. I have said from the beginning that if you are fan or not of this song, wait till the record comes out. I feel that there is a song for everyone on the record. It is very diverse and I just don’t do one thing. What I do though is all within the frame of the style. It’s what I have been doing over the years and will only to continue to grow and expand from it. I am just happy the first album is out and people can decide for themselves what they like.

MG: I thought “Hunt You Down” was a great track but I think you outdid youself with each track on the album.
JH: Well dude, that means a lot man!. In the world we have today everything is subjective but if the majority of the comments are positive, that is always great to hear.

MG: Has any of this CD release madness been overwhelming at all for you?
JH: No, I really love it. Thank God for social media. I have made a lot of great friends in radio. Radio has really kind to me. We have been lucky to get a few songs out there already. I just love all the social media and a good way for me to get the word out.

MG: When we last spoke in October of 2011 you mentioned “Hunt You Down” was found on Beale street, tell us about where the rest of the album was discovered?
JH: Honestly if we had all day I could do through each song and tell you. Really a lot of them are going back to almost 10 years ago. When I was in thee writers room, just thinking about a mood and it transports you back to a specific time in your life and different situations. That probably means that you are going to write a real song that day. The majority of the songs on the record really bared that process for me. There are also some observation songs like “Sleepy Little Town”. It was just an image for me just driving through this small town. There are a lot of things that go a little astray in life and we deal with them. That song is just three separate stories exposing secrets that everyone finds out about since they are in this small town. All across the board with the record, each track is very personal to me. When you are writing a record you realize that you are not the only one going through heartbreak or have some hard times. You find out you are not only writing it for yourself but also for your listener.

MG: What do you think will be the next single for this album?
JH: The next single is “Sleepy Little Town”. It is going to be released to radio on September 10th.

MG: Are you hitting the road soon and if so where and with you?
JH: We have got a few potential tour plans. Fingers crossed those are going to work out. A lot of the shows are being booked for the Fall. I traveled the country this year and played a lot of show. We are building one fan at a time and having a blast doing it.

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Filed Under: Interviews, Music Interviews Tagged With: album, chats, country, debut, hodges, jt, ...
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