The first thing that popped into my head when Will Muse got on the phone was “no way this kid is 16!”  With a voice, and a heart, that belies his youth, Muse is quickly becoming one of the most exciting talents to watch in 2020.

The music video for his first single, “I Can Change,” has been viewed more than two million times.  His sophomore release, “Spend,” was released in April of this year and received heavy airplay on Radio Disney.  This past month the singer/songwriter released his third single, an expressive song about falling in love called “Shape of Your Faith.”  He also created the Music for Wishes Foundation, which helps the Make-a-Wish Foundation grant wishes for children in his Somerset, Kentucky town.  Again…no way this kid is 16!

Will recently took some time out of his busy schedule (he attends school daily, concentrating on his music once homework is done) to talk to me about his new song and his plans for the new year.

MIKE SMITH:  What triggered your interest in music?

WILL MUSE:  When I was growing up my parents were always listening to a lot of cool, classic music.  It definitely influenced me.  From the age of three years old I was listening to Guns and Roses, Pearl Jam, Aerosmith…great classic rock like that.

MS:  How old were you when you wrote your first song?

WM:  When I wrote my first song I was about 12. 

MS:  Was it good enough, in your opinion, that you realized this was something you not only enjoyed but had a true talent for?  Something you not only could do but could do well?

WM:  Yes.  Songwriting has always been a great outlet for me to express myself and my feelings.  To explain my passions through music. 

MS:  As a singer/songwriter there are two different parts of what you do.  Do you have a preference between creating and performing?

WM:  I love to create music.  To create the lyrics and the melodies.  But I really love giving a good live performance.  That really excites me.  One time I was performing my first single, “I Can Change,” and a lady in the audience came up to me after the show.  She was crying because she had been so moved and so touched by the message of the song.  It’s moments like that that bring me joy with my music.

MS:  What was the inspiration for your latest single, “Shape of Your Faith?”

WM:  I wrote it with a fun, groovy and retro vibe in mind, musically.  Lyrically I wanted to talk about how love can take different forms in the way it shapes your life.

MS:  Can you talk about your Music for Wishes Foundation?

WM:  Back in 2017 I wanted to combine my passion for music with my passion for helping people.  Here where I live in Somerset, Kentucky I saw the need for a Make-a-Wish fundraiser so we put on an event that year that consisted of a concert, a dinner and a silent auction.  Besides myself, several other artists perform at the concerts.  This past year we had Pam Tillis, which gave me the opportunity to do a finale’ song with her.  We’ve raised over $85,000.00 to help grant wishes for the local children.

MS:  What’s next for you musically?

WM:  I have a couple more singles I hope to release including a really fun duet.  I’ve also shot a few more music videos and I have a tour coming up in the spring (2020).  I’ve got a lot of great things coming up that I’m really excited about.

III SCHEDULED FOR RELEASE ON FEBRUARY 21, 2020 VIA CENTURY MEDIA RECORDS IS NOW AVAILABLE FOR PRE-ORDER HERE

Coming on the heels of the recent announcement that DEMONS & WIZARDS will release their first album in 15 years III on February 21, 2020, the band is back to unveil the music video for their debut single “Diabolic.” The newest musical opus showcases the sound that fans have come to love from the band. The just released music video borrows stylistic elements from the album cover to tell the time old tale of good vs evil with Hansi Kürsch and Jon Schaffer as the main characters. Watch the video for ‘Diabolic’, which was created by iCODE Team here: https://youtu.be/frMkdkCV2D0.

Hansi Kürsch states: “‘Diabolic’ for sure is a musical statement and its message is very clear and precise: We take no prisoners! We had a hard time figuring out a proper opener to ‘III,’ but when ‘Diabolic’ took shape, we realized it was the perfect introduction to the album!”

Jon Schaffer adds: “This song is a sequel to ‘Heaven Denies’ and it is dark, heavy, vicious,melodic, and totally atmospheric, everything I love about songwriting and making records in eight minutes! ‘Diabolic’ has the right attitude to make a strong statement as the first song that people will hear after 15 years!”

DEMONS & WIZARDS is one of the most legendary collaborations in the history of heavy metal, uniting the talents of Jon Schaffer (Iced Earth) and Hansi Kürsch (Blind Guardian) who are friends for nearly three decades.

DEMONS & WIZARDS musically embodies both musician’s stylistic trademarks and has resulted so far in two hugely celebrated studio albums, Demons & Wizards and Touched by the Crimson King. Both records have been reissued in 2019 on time with the group’s extremely successful return to the world’s stages. Now, the band presents III, a stunning monument of dynamic and powerful heavy metal that simply has all you would expect from these iconic musicians! III is epic, melodic, crushingly heavy, atmospheric, and all in between. 65 minutes of heavy metal mastery! III can now be pre-ordered in a variety of luxurious and limited formats: https://demonswizards.lnk.to/III.

The track-listing for III is:

01. Diabolic

02. Invincible

03. Wolves In Winter

04. Final Warning

05. Timeless Spirit

06. Dark Side Of Her Majesty

07. Midas Disease

08. New Dawn

09. Universal Truth

10. Split

11. Children Of Cain

The III recording line-up consists of:

Hansi Kürsch – Lead & Backing Vocals

Jon Schaffer – Rhythm and Lead Guitars, Bass Guitar, 6 and 12 string Acoustic Guitars, Mandolin, Keyboards, Backing Vocals

Guest Musicians on III:

Brent Smedley – Drums

Jim Morris – Additional Guitars, Backing Vocals

Jake Dreyer – Additional Guitars

Ruben Drake – Bass

Thomas Hackman, Olaf Senkbeil, John Jaycee Cuipers, Zakery Alexander, Jeff Brant, Todd Plant, Jerome Mazza – Backing Vocals

PA’dam chamber choir – Classical Choir

John Cooper is the vocalist/bassist for the Platinum selling rock group Skillet. The band recently partnered with Z2 Comics to release their first graphic novel titled “Eden”. Media Mikes caught up with John and the band at New York Comic Con to discuss the creation of the book, its similarities to the group’s music and if there will be books to come in the future.    

Adam Lawton: Can you tell us a little bit about the bands new comic “Eden”?

John Cooper: I love comics and they are something I grew up with. I have always looked at Skillet as sort of a theatrical band. When I say theatrical I am meaning more from an operatic feel than that of a visual feel like Kiss or Alice Cooper. I had always envisioned doing a comic book as I see us all as characters. I had sort of put it off because if it’s not done right it can become terribly cheesy. On social media I am always posting about comics and I ended up getting a call from Z2 Comics asking if I would be interested in doing a graphic novel. I told them yes and that I had some story ideas but I wasn’t sure where to begin. They said that’s ok as they had some ideas of their own. I wanted to do something that was more science fiction as opposed to hero driven. I was looking for something with a post-apocalyptic feel but with a message of hope. That’s something you don’t see a lot. The book has sci-fi and super-natural elements mixed in with some religious undertones. In my view I think all great science-fiction have religious elements. When I say “religious” I’m not necessarily meaning Christianity but just religious. Films like “Dune”, “Blade Runner” and “Battlestar Galactica” are solid examples of that.

AL: How much collaboration went into the book?

JC: I brought the theme of a dying world filled with people all having the same dream which is leading them to paradise. I worked with some really great writers who helped me put together all the different ideas I had. Sadly the idea of the glowing eyes was not my idea but one I really liked as it was sort of an homage to “Dune” which is one of my all time favorite books.

Ian Lawton: What did the rest of the band think about the comic?

JC: The band loves the comic. At first I think they weren’t too sure what to expect. My wife Corey knew what I was going for as she knows me really well. I think it’s hard for people to understand what’s in your head when you are creating something. Once the book was done I think they were a little shocked as to how good it was and how emotional it is.

AL: Did the writing for “Eden” happen at the same time you were writing the band’s latest album “Victorious”?   

JC: Yes, I was writing for both things at the same time. It was a very crazy and busy two years. While these two things were going on I also released a side project EP titled “Fight the Fury” along with our drummer Jen’s side project “Ledger”. All of these things were basically written and released in two and half years. Writing for the comic was making me really want to write music so all of these things had me firing on all pistons. Each project worked off of one another.

IM: Was writing the book similar to writing music?

JC: I didn’t notice this until after the book was done and I had read it. I know that may sound sort of silly but, sometimes when you are writing you don’t always notice things others might as you are just going with what is coming out. After I read the book I felt as thou it was very similar to our music. The book is a little dark but it is meaningful. That’s what people say about Skillet songs and I think “Eden” has that same feel.

IM: Can you tell us about the special hardcover edition that will be available?

JC: That’s something that I am still waiting to see myself. I have seen parts of what are going to be in it and I am very excited for the finished version to be available. It’s going to have this really cool axe on it which is my weapon in the book. With this beard I sort of feel like a lumberjack and thought that an axe would be a perfect weapon as opposed to some of the other more futuristic weapons you see in the book.

AL: Is this just a one off book or are there plans to do others?

JC: The band is going to be out on the road until mid December so that’s going to have me tied up for a few months. We have started to talk a little about the possibility of more books but nothing is definite. I think it would be great to do a second one.

To order a copy “Eden” click here and to order Skillets latest album “Victorious” click here   

Media Mikes had the chance to sit down with Chase Mason of the metal band Gatecreeper to talk about the band’s sophomore album “Deserted”, out now. Chase also shared with us info on the groups upcoming tour, his approach to standing out in death metal, and his friendship with fellow artist Post Malone.

Ryan Albro: What would you tell people about Gatecreeper that have never heard of them before?

Chase Mason: Gatecreeper is a death metal band from Phoenix, Arizona. We play a catchy, mid-tempo style mixed with old school death metal. Even if you don’t like death metal you will like Gatecreeper.

RA: What would you tell eager returning fans about the new album, Deserted?

CM: If you liked the last record, Sonoran Depravation, you’re going to like this one. It shows a natural progression for the band and is a better, more concise, version of what we’ve already been doing. We’re not trying to experiment or be progressive here. It’s overall better than the last record.

RA: Gatecreeper has been gaining a lot of popularity as of late. How do you maintain relevance in today’s music scene so well?

CM: It’s important to use all the tools that you have to your advantage. I’ve seen a lot of bands that think they’re too cool to use social media or don’t play shows with bands they don’t think are cool. It’s better not to turn your nose up at certain things. It’s about being comfortable and staying true to who you are. As far as standing out in a sea of a million bands and artists, I think it’s really important to provide a full package. I try to pay attention to every aspect of the band. You have to have good songs to start out with, but the visuals are important as well. There are a lot of bands with really good songs that may not get noticed because they’re lacking in other areas. The music first, then your art, whether it’s album art, tour flyers or tour merch. I’ve tried with Gatecreeper to have a full package and have everything flow together and be distinct so that we stand out. There are new bands putting out records every day, there are a million shows that come into your town a year, so if you want to stick out, you’ve got to pay attention to all the little details.

RA: What can you tell us about the Brad Moore album artwork?

CM: It’s crazy. Anybody who sees it will think it’s crazy, in a good way. It’s important to me to have cool art. If someone’s at the record store or they’re online and they see that album cover it will grab their attention. Even if they don’t know who we are, they will listen to the record.

RA: Which tracks from “Deserted” are you most looking forward to performing live?

CM: Puncture Wounds is a very fast, up-tempo song for Gatecreeper. That song will be a great circle pit song. The end of the song Ruthless was written with playing the song live in mind. There’s a part in the song that as soon as it hits you’ll know it’s time for a circle pit. Since we toured so much on the last record, we learned what works well live. Deserted was the first record, while we were writing, where we knew a part would sound cool on the record, as well as live.

RA: What are the band’s touring plans for the album?

CM: We’re going to do two record release shows, one in LA, the other in Phoenix. Phoenix will be our hometown record release show. Starting on Halloween, we’re co-headlining a tour with Exhumed, with Necrot and Judiciary until December. After that we play the Decibel Metal & Beer Fest in LA. That’s what we have lined up for the rest of the year after the record comes out. We’re still finding out what we’re going to do, but next year we’re going to be doing some more touring for sure.

RA: When can we expect the Gatecreeper / Post Malone collaboration?

CM: I think you’ll be waiting forever [laughs]. I like Post Malone’s music, I like him as a person. I like rap and a lot of things that aren’t metal, but I don’t feel the need, nor do I ever want to combine them. I would play a show with Post Malone for sure. Will we ever do a song with him? Probably not. I think there has to be a line drawn somewhere.

Christian Jacobs is a former child actor and the co-creator of the award winning kid’s television series “Yo Gabba Gabba!”. He also fronts the popular ska-punk band The Aquabats! under the pseudonym of The MC Bat Commander. Media Mikes had the chance to speak with Christian recently about the group’s current tour, the bands successful kickstarter campaign and when fans can expect new episodes of “The Aquabats! Super Show”.

Adam Lawton: Can you tell us about the bands current “Holy Guacamole Tour”?

Christian Jacobs: We did a previous tour in July however this tour sort of marks the first headlining tour we have done in some time that has gone east of the Mississippi. These shows are reuniting us with the “Legion of Righteous Comrades” who this last year helped us raise money to film new episodes of “The Aquabats! Super Show”. We have ten episodes shot and we are going to be shooting one more once we have the guest star lined up. These are fun sized episodes meaning they aren’t as long as the previous episodes from season one and two but, they are still a lot of fun. This tour is kind of recognizing the completion of those episodes and all the merchandise that we designed for that campaign. Getting out and playing is a way for us to meet up with the fans that helped keep the Aquabats! alive and a chance for us to say  thank you for the support. From that Kickstarter campaign we have been able to film the new episodes, record an album, prepare to start another album in December and to do this tour. This band has been around the block a few times and the fact that there is a new generation of fans coming out to the shows and helping us put out new content has been just great.

AL: What was it that appealed to the band about using Kickstarter?

CJ: Us doing a Kickstarter has been talked about for a long time. We hesitated a bit as we are old-school. I was worried that we might look bad asking for money in this type of way and we were very nervous. I think a lot of people have the perception that with our previous things being successful there should be no reason why we can’t put new stuff out on our own. Sadly that’s not always the reality and that’s what happened for the Aquabats! We did try other networks when The Hub folded however, sometimes when things fail a stigma can often get attached to those associated making it difficult to keep going. We knew that people liked the show and wanted to keep it going so after meeting up with a couple guys  who had experience with fan funding they gave us some great  insight that helped us change our minds and see fan funding in a different light. Everyone who donated is a big part of what we accomplished. It’s like they are all producers which I think is very cool.

Ian Lawton: How do you come up with the characters for the show?

CJ: A lot of the things you see on “The Super Show” I think are influenced by stuff we watched as kids growing up. Everything from “Godzilla” movies to really weird Japanese kids shows and some of the shows from Sid and Marty Krofft who put out “Land of the Lost” and “ H R Puff N Stuff”. A lot of the characters we write and come up with are in a way homage’s to those things. Characters like Cobraman! came from Japanese common writer shows, Space Monster M was this weird Gung Ham hybrid robot that we loved. We wanted to create characters that our kids could be introduced to in a fun way while at the same times we as parents could watch and reminisce about the shows we used to watch. We had the same idea when we were putting together episodes for “Yo Gabba Gabba”.

IL: Can you tell us about the cat that shows up throughout the Aquabats! series?

CJ: That is actually a fox and he is hidden in every episode that we have done. Our special effects guys name on the show is Joel Fox. He does all of the weird lead in screen effects like floating pizzas and fingers turning into bananas. That stuff never ends up in the actual episode but it’s there and the beginning of each segment. Joel is sort of an enigma as he never tells us what he is going to do. Being he is our good friend we got him this fox costume and hid him in all the shows. He is somewhere in all the new upcoming episodes as well. It’s going to be harder to find him but he is there.

IL: Do you have a favorite character that you have come up with?

CJ: I really like all the Aquabats! character because they are just really funny. Each character is sort of an extension of the guy who plays it. The Bat Commander and I our definitely not the same guy but maybe some of our personality traits cross over. I can be a little like the commander but not totally as he is kind of a jerk sometimes. It’s all satire for each of us. I do like how we have evolved over time and how we can poke fun at each other through the production. Pilgrim Boy is a favorite as he is one of the original characters we came up with back in 1996. We had written out a bunch of the episodes at that time and the shape shifting pilgrim boy was a part of that. Cobraman! is another great one both on stage and on the show. The guy has snakes for hands which he shoots live snakes out of. (Laughs) Plus he has a very funny voice. Silver Skull is a good character as well. We sort of gave him this Bane type voice as that was a big joke at the time.

AL: Is there a time table for when we will see the new episodes and album?

CJ: We finished recording the album in July however due to everyone having family stuff going on and our producer being away it took awhile to get all the mixing done. We have it all completed know and would like to have it out around Halloween given a lot of the songs have a spooky vibe to them. We aren’t sure if that will give us enough time to promote it so aside from as soon as possible there is not a solid time table for that. We want to make sure we have good promotion in place and a couple videos as well. The new episodes of the show will start airing around September 20^th on our YouTube channel.

AL: One of the things you do outside of the band is summer drawing classes for kids. Can you tell us about that program?

CJ: My brother Parker does these drawing classes and he always recruits me to come and help. It’s always a lot of fun. When we were kids we didn’t have distracters like phones and tablets so we had to find ways to entertain ourselves. Technology is wonderful but I think when you have a lack of resources you have more of an opportunity to use your brain and be creative. By having these classes my brother is able to teach kids how to doodle and how to use their imaginations. The classes are designed to be free flowing and not necessarily about how to draw something right but more to challenge your creativity. You won’t be drawing a bowl of fruit to look like a bowl of fruit. Instead you might draw whatever you want and have it fighting something inside comic panels or creating new characters no one has ever seen before. It’s a way for kids to bring their imagination from their heads directly to their hands. In this day and age it’s great to encourage kids that they too can create things “Fortnite” or “The Aquabats!”. Growing up we had punk rock to inspire us but we want to get kids going even younger and that’s a lot of what “Yo Gabba Gabba” was about. It’s extension of doing things yourself with the ideas being geared or aimed at young people. You don’t have to sit and wait for the next thing. You can be the next thing. With YouTube and all these things there is no reason anyone can’t if they really want to.

AL: Are there other projects outside of what you have already mentioned that we can be watching for?

CJ: We have been talking about and pitching new shows ever since the network we were on went out of business. There are just so many places to pitch new ideas that we have been going practically non-stop. We haven’t quite struck gold yet but given our track record with “Yo Gabba Gabba” and “The Aquabats! Super Show” we have a solid formula. The ideas are there we just have to get them out there while juggling families and all that. We do plan to tour again once the new record is out and we are on the hook for one more record after that as well so we have a lot that will be going on. If you had told me twenty five years ago that we would still be doing this in 2019 I would have laughed at you but it’s really great that we still are able to do this and we really enjoy it.

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New York based heavy metal group Damn Your Eyes have just released a brand new 10 track album titled “Kill The Outside”. The band which consists of former We Are The Enemy and Bonesmith members along with current Black Water Rising bassist Oddie McLaughlin have come together to forge a new musical path which draws deeply from the each of the members own personal experiences. Media Mikes had the chance to speak with Oddie recently about the creation of the new album, its deep personal meaning and what it like balancing duties between two bands.

Adam Lawton: Can you tell us about some of the work that went in to the new album “Kill The Outside”?

Oddie McLaughlin: Artie (Alexander) and I have played together off and on since we were first out of high school. We were always writing or learning different material. We recorded I think five songs with this drummer about fifteen years ago and then went our separate ways. Two of those songs from that period we kept. Basically it was just the riffs as there was no melody or vocal lines. That’s really where everything started. I got a call on day asking if I would be interested in starting something new and I said yes so shortly after we started writing songs for this release. When I got together with Artie after talking he already had few songs laid out including the two riffs we originally worked on. He had added some new ideas and things just started rolling. The writing for this album has been amazing and things have come together fairly easy. The songs all fell together nicely. Once we got our singer Kenny (Vincent Jr.) things moved even quicker. It’s just been a great process.

AL: The songs all seem very personal. Were the lyrics pulled from members past experiences?

OM: Oh yeah. Most of it is from Artie and some of it is from the other guys. They pulled from their experiences in the music business to how the world is going today. We expressed our emotions related to some of those events along with a bunch of other things. It’s definitely a record that deals with what is going on around us and personally.

AL: Do you ever find it hard to dig in to some of those emotions?

OM: No. We feel that if we put this stuff out there that it might help someone. Someone might see that they aren’t the only one feeling a certain way. I think it’s a great avenue to get it across to people especially metal fans.

AL: Along with personal lyrics the album also features a variety of musical styles. Was this something the band did consciously or was it something that occurred more naturally?

OM: I think it was something that happened organically. All the guys in the band like different styles of music but at heart we are total metal heads. We like a certain tone which has come from each of us evolving our sounds over the years. We all spent time on our own to craft just the right tone to get to where we are now. That’s what we are in to. The genre of music comes naturally for as we like to chug it out in order for that melody to come with a groove chorus or a main verse riff. We all have been doing this for some time now and we have a solid process which allows for the creation of material to occur fairly easily.

AL: What are the bands plans to tour in support of the album?

OM: We all work regular jobs and a couple of us have kids so planning a tour can be a little tricky. We are always willing and ready to get out there but for now have just a few shows set up to help things get going. I think this is a great band with great songs. I feel that no matter where we play we will go over well and we hope to be able to play as many shows as possible. Playing live is what we absolutely love. Practice, Recording and all that stuff is great but nothing beats performing live on stage.

AL: You also play in Black Water Rising. How do you go about splitting time between the two groups?

OM: It can be tough sometimes balancing two bands and your own personal life. You have to be really careful with scheduling in order not to double book yourself. Just last month this happened where I played with both bands in one night. I played an early show with Damn Your Eyes in Long Island and then had to drive to New Jersey for a show with Black Water Rising. I made it in plenty of time and something like that doesn’t happen often. When you’re booking you have to do things so far in advance that you forget and things get piled up.

For more information on Damn Your Eyes visit their official Facebook page here 

Wizard Rock originators Harry and the Potters have been performing their signature brand of magic infused rock since 2002. Consisting of brothers Joe and Paul DeGeorge the duo have performed over 800 shows at various libraries, rock clubs, art spaces, bookstores, basements, and all ages’ venues all over the world. The band’s latest offering “Lumos” is the first studio album in 13 years to be released by the group and Media Mikes had the chance to speak with the brothers recently about its creation, the staying power of Harry Potter and the bands current tour.

Adam Lawton: Can you tell us a little bit about the new album?

Paul DeGeorge: Despite not having released a new studio album in the last 13 years we have still been pretty active touring. We felt that if we were going to be able to continue to exist in this current political climate that it would be nice to have some songs in the set that reflect the current reality. Having never actually written substantially about the seventh Harry Potter book we felt this was a good opportunity to revisit that. In book seven things really come to the fore with Harry and his friends fighting against fascism and exclusion in the wizard world. It felt really relevant to us on that level and we wanted to bring that to our live shows.

Joe DeGeorge: We have a unique position to take a perspective on this as two Harry Potters commenting on our world which has direct parallels to the world we are living in now.

AL: I assume you wrote a lot of this new music more recently?

JD: We set aside some time specifically to write and record this record. Paul doesn’t live close by so it’s been harder the last few years to casually work together as a lot of our time when we are together is touring or visiting with family.

PD: We had set aside a few weeks to put things together for this as we did have some ideas going in but, it wasn’t until last year actually that we carved things out.

AL: Can you tell us about your tour which kicks off June 20^th?

JD: We mostly will be hitting libraries much like we have in the past. I am really looking forward to getting out there as playing libraries is a big part of why we started this band. We could play for kids and have it be their first rock show. On this tour we are going to be hitting a bunch of new places both here in the states and in Canada so that should be fun.

PD: Accessibility has always been important to us. We didn’t just want to play for young people and their parents but we also wanted to reach those kids who felt excluded by an age restricted music scene that was 18 or 21+. Some cities are more inclusive however, by touring libraries we are performing in places which are meant for everybody.

AL: With your music being solely based around Harry Potter do you ever feel the need to step outside of that?

PD: Not for this band. We do have other musical projects that we are involved in so if we want to do something else we just start a different band. We have one band that all we sing about are clams. Specifically hard shell clams regional to the North-Eastern seaboard.

AL: With the last film being released in 2011 what do you feel contributes to the staying power/appeal of Harry Potter?  

JD: I think what is so impressive about these stories is that they have such a far reach. It has become a cultural touch stone for the generation of people who grew up reading the books. They are sharing these stories that affected them and how they were markers of their own coming of age with the next generation.

PD: The continued popularity doesn’t surprise me in the least. Look at Star Wars for instance. If you look at music there are lots of bands who continue to play in 2019 that first started 50 years ago and who are just as popular today as they were then. Despite the absence of actual new material I have seen an uptick in the corporate side Harry Potter such as the merchandise and the creation of the parks (which I think are great). These types of things have certainly helped keeps things going. A lot of our fans aren’t really interested in that side of things as we have our own unique crowd.

AL: You both have other projects that you work on. Can you tell us what you currently have going on with those?

JD: I play in a band called Down Town Boys which is sort of this leftist type punk band. Our last record come out in 2017 called “Cost of Living”. Paul owns and run a shop in Kansas with my wife called Wonder Fair that deals with art, art supplies and stationary.

AL: What do you feel is the most rewarding part of taking you music out on the road for people to experience?

PD: It’s a big opportunity to connect with people. It’s great to be able to be a meaning part in people lives. Playing to young kids is such an honor as for a lot of kids we will be their first concert so that’s really great and something we take very seriously.

For more info on the band visit www.Harryandthepotters.com  

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Mike Valente is the guitarist for the Upstate New York hardcore/metal band Brick By Brick. The band is set to release a new album titled “Hive Mentality” on February 22nd and Media Mikes had the chance to talk with Mike recently about the release, working with “Orange is the New Black “star Jessica Pimentel and the bands upcoming European tour.

Adam Lawton: Can you give us some background on your band Brick By Brick?

Mike Valente: The band has been around since 2004 and at that time we had confined ourselves to be just a local band. We had a couple members that couldn’t do a lot of traveling so it was basically something we did just for fun. As the band progressed and there was a bit of a demand for us we had to look at getting some new members who could commit more time. In 2014 we added Ray Mazzola on vocals and since that time things have been a lot of fun.

AL: What can you tell us about the band’s new album “Hive Mentality”?

MV: The last record we put out really didn’t have the distribution reach that we had wanted. In order to make up for that we went back in and re-worked a bunch of things and finished up some other material that we hadn’t done before. We are now working with Upstate Records and they have been really good to us. At the time we were slated to be part of the Rebellion Tour in Europe and we needed a new record so we went into the studio so this time when we were touring over there people had a better idea of who we were and could get our record. Getting picked up for this tour in March is what really kicked things into motion.

AL: There a few different guests on the record. Can you tell us about those?

MV: Tony Foresta from Municipal Waste/Iron Reagan has been a friend of mine for a long time. When those guys come through we always have a great time. I had been listening to a lot of thrash music at the time of writing the song and Ray and I though Tony would be perfect for the song as it has a real party vibe to it. The experiences we have had together match perfectly so I called Tony up and he didn’t even bat an eye as he was totally down for it. The song we “In The Ruins” which features Vincent Bennett of The Acacia Strain was a song we had originally released on a split with the band Ruckus from California about six or seven years ago. The original version was with our old singer and there was a limited amount pressed. Everyone was down for it so that worked out nicely. We also have Jessica Pimentel from Alekhine’s Gun. A lot of people know her from “Orange is the New Black”. I have known her for quite some time as well and thought she would be perfect for the rant part in “Hive Mentality”. Just like with the others I called her up and she was more than happy to do it.

AL: How did the cover of Motorheads “Iron Fist” end up on the album?

MV: We had been asked to be part of a Motorhead compilation that Upstate Records was putting together called “Damage Cases”. We had intended on doing a more obscure song but when we looked at the track listing a lot of other bands were looking to do the same thing. I couldn’t believe no one had picked “Ace of Spades” or “Iron Fist” being they are such iconic Motorhead songs. We chose “Iron Fist” as it’s such a fun song to play. We did our own spin on it and it’s just a great song to play live.

AL: Can you tell us more about the bands European tour in March and about any other shows you have lined up?

MV: We kick things off with our release party show on February 22nd. We are doing that at Upstate Concert Hall in Clifton Park, NY. Anyone who buys a presale ticket will also get a copy of the album. We are doing a bunch of other cool packages for that show as well. The line includes Dying Fetus, Ramallah, I Am, Assault on the Living, Snap Mare and Close to Nothing. After that we aren’t doing anything until we leave for Europe March 6-18. I think this is the eight year that they have done the Rebellion tour/festival over there. We will be playing with Madball, Iron Reagan and bunch of other great bands. That tour is going to be a lot fun and we are defiantly looking forward to it.

For more info on Brick By Brick you can visit their Facebook page at www.facebook.com/brickbybrickny and on Instagram at @brickbybrickhc

Steve Dadaian is an Armenian-American fusion guitarist based in the Tri-State NY,NJ,PA area. Steve’s latest album “Follow the Light” is a theatrical, symphonic soundscape packed full of razor-sharp guitar work that will leave listeners slack-jawed. Media Mikes had the chance to speak with Steve fresh off his appearance at this year’s Winter NAMM convention where we discussed the albums creation, his work System of a Down’s Serj Tankian and Soilwork’s Bjorn Strid.

Adam Lawton: What was it that first got you started with music?

Steve Dadaian: I grew up in New Jersey and where I went to school they made you take a mandatory guitar class. That was really my first exposure to the instrument. I listened to a lot of classic rock artists like Jimi Hendrix and Randy Rhoads. Listening to music like that you get drawn to the guitar and as I got older I started listening to more progressive stuff like Rush and Dream Theater. Listening to all those bands helped me build my technique and was the foundation for where my playing is today.

AL: Your new album “Follow the Light” is a shift from your previous work. Can you tell us about that progression?

SD: With this record aside from one song there really aren’t any vocals. In order to fill that space I had to think about how I was going to write each piece and what I wanted to use on each track. With symphonic music there are so many different ways you can go. This was a lot of fun because I could use different chord structures and voicing’s that a traditional vocalist might not be able to do. As a guitar player I was really able to open up which I enjoyed.

AL: Where did you start when writing these pieces?

SD: That’s something I struggle with quite a bit. Sometimes I will come up with a melody other times it will be just a riff. For the title track of the album I started with the opening riff and then everything came after that. Generally the symphonic stuff comes last. The guitar is my base line as that is what I do. The chords, leads and riffs are the bulk of the song so once I have those I will go back and fill in the space to help each section sound more epic. Aside from that my process always seems to vary.

AL: Did you provide all the instrumentation on the album or did you work with other musicians?

SD: On three of the tracks I collaborated with other artists. I worked with Claudio Pietronik from Italy who does a lot of stuff for Jam Track Central. He is a great player with a lot of knowledge about cinematic music. We were able to collaborate on two tracks and another we co-wrote. For the most part the instrumentation all comes from me. I do love working with other artists but when you have a technical riff it can be hard to add things in order to make it sound bigger. I have a good sense of where I want things to be so for a majority of the album it’s just me.

AL: The track “Soul Connection” has a great back story behind it. Can you tell us about that?

SD: That was the only song on the album with vocals. I like to hear a track with vocals from time to time so I included “Soul Connection”. This was a song I originally wrote for a writing competition put on by Serj Tankian from System of a Down. This song meant a lot to me and I actually ended up being a finalist in the competition. I wanted to do more with the track and the chance to work with Bjorn Strid from Soilwork presented itself. I had told him the story of the song and it resonated with him the same way it had with me so I sent it to him and about three days later it came back perfect. Bjorn gave a brilliant performance. What’s really cool is the first seven notes of the song are the ones Serj came up with through what I submitted to the contest. I feel this song is a pivotal point in the concept record. One other thing that is really great about this song is that all proceeds from it are being donated to the Creative Armenia Foundation. They are an initiative to help fund artists world-wide who might not have resources available to them. They work with musicians, film makers and of other artistic formats. It’s a great cause that I am glad to help out with.

AL: Are there any plans in place to tour in support of the release?

SD: I just came back from a performance at NAMM which was really great. I currently have some guitar clinics lined up around the Tri-State area for this year and I have also been talking with some New York City venues about putting on a few different things. As the demand increases we will certainly look at expanding things. I just had a request to perform in Miami so there are quite a few things that are being put together

For more info on Steve you can follow him on Instagram @SteveDadaian and on Facebook at Stevedadaianguitar

Richie Cavalera is the vocalist for the heavy metal band Incite. The Phoenix, AZ based group is set to release their fifth full length studio album on January 25th titled “Built to Destroy”. Media Mikes spoke with Richie recently about the upcoming release, their new video and, the groups subsequent tour which kicks off on January 25th as well.

Adam Lawton: What can you tell us about the bands upcoming release “Built to Destroy”?

Richie Cavalera: We have two tracks from the album out now. The first is “Ruthless Ways” and then we have a video for the title track “Built to Destroy”. This was a killer record to make as it is the third one with this same lineup. We have been touring a lot and getting more comfortable with one another so I think that helped the process quite a bit. When people hear it they are going to know what it’s like to hear us live as I think this album captures our live sound quite well. There are lots of great solo spots as wells as two guest spots. One features Kirk Windstein from Crowbar and the other has Chris Barnes of Six Feet Under. From beginning to end this is a no bullshit record.

AL: This being your third release with the same lineup was there anything different you set out to accomplish?

RC: I think the biggest thing right off the bat was that we let Dru (Rome) our guitarist really write. In the past we had always pieced things together but for the first time we sat back and let Dru present us with full songs. It was a cool move which added a killer feel. People will notice that guitar work on this album is like nothing we have ever done before. Seven or eight of the albums eleven songs have solos and there is a lot of dynamic. This album was a lot of fun to make.

AL: What was it that led you to the decision of having Dru take control of a bigger part of the writing?

RC: I think there were quite a few things that led us to that decision. In the past we had done a lot of the email stuff by just sending parts back and forth to one another. We would assemble songs from riffs. This time things were presented as full songs. We had been touring a lot so a bunch of the work was done in venues and dressing rooms. Basically where ever we could get work done we did it. I think that helped add to the albums live feel. Switching things up worked out really well.

AL: Even though the process worked well for you did you find it difficult to write/record while on the road?

RC: It was defiantly difficult. At this stage of all of our lives there is a lot going on and there isn’t ever a real stopping point. The cycle between recording and touring never seems to end so you just have to go with it. We found a time where we were stopped and just went full bore while keeping our fingers crossed that no tours would come up. Thankfully we were able to get everything done the way we wanted it.

AL: What was it that made you decide to work with producer Steve Evans again?

RC: We had known him from working on our last album “Oppression”. Steve has worked on so many great albums so when we got to work with him on the last record we were very excited and it was just a great time. We knew going into the record for the new record time was going to be a big factor so being we were comfortable with Steve we wanted to work with him again. He actually came out to Arizona and sweat it out with us this time around. To be able to have a good bond with your producer really helps the process.

AL: Can you tell us about the video for the title track “Built to Destroy”?

RC: That song is the opening track on the album. It is a full on explosion of everything this band is. We feel we are at a point to take on the metal world and be that band to help carry the metal torch. We have always done crazy videos in the past but this time we wanted to showcase what the band is about. I think the video shows a great image of the band. We are rocking out with nothing else crazy going on. This is actually one of two video we shot. The other is for the song “Resistance”. We shot that one on skid row in Los Angeles and I think it will be out around the time the album comes out.

AL: Can you tell us about the upcoming tour which starts on the same day the album releases?

RC: We lucked out and things lined up quite nicely with that. We will be out opening for Kataklysm and Soulfly. We haven’t toured with those guys since we first got this band going. The tour is going to be a lot of fun and we will be going all over. I think there are around twenty eight shows scheduled on this run then we head over to Europe with Septic Flesh and Krisiun. We are also working on some things in June and July here in the states before heading back to Europe for the summer festivals. This will be our first time getting to do the big festival shows so to be able to play in front of twenty five thousand people is going to be amazing. We have been dreaming along time about what we could in front of that many people and now we are finally going to be able to do it.

For more info on Incite you can visit their Facebook page at https://www.facebook.com/INCITEband/

Adam Lawton: Give us a little background on the band if you could?

Will Ash: Los Angeles is kind of a funny place. Everyone has their own things going on so you tend to explore a lot of different avenues when you are trying to be creative out here. I think we are lucky in this band as we have a bunch of guys who are all adventurous enough to want to try a number of different things such as theater, comedy, stunt work and pod-casting. Being that we all come from these different areas of entertainment we are able to use those different experiences to help us create this music. The band sort of started when our singer Geordy came into where I teach guitar lessons. We started talking and had some of the same ideas. He and I coming together kind of solidified the start of The Crown Remnant. The name was already in place and everything so from there we started to audition people. We reached out via Facebook and a bunch of other avenues to get the lineup that we have now.

AL: The new album is titled “The Wicked King: Part II”. Can you tell us about that and how you built on the concept established from the first record?

WA: This was a good creative experience. I like music that is thematic and records that keep a theme throughout the individual tracks. We actually wrote part 1 and part 2 in tandem with one another. We started with a very wide perspective. We knew we wanted an album that was cohesive from the first track all the way to the last track. From there we chose to do a split release. Part 2 is the answer to the call sounded by part 1. The first record has a brighter more idealistic approach and this new album is the antithesis of that. It’s a little crazier, a bit darker and somewhat bigger.

AL: With both records being written at the same time how did you decide what songs went where?

WA: That was a question that went through all of our brains for quite some time. Initially we were very starry eyed and wanted a full 13 track release. The more we thought about it the more saw the benefits two releases could bring. We wanted to keep things consumable so the decision to do two releases was really the first decision we made. From there it was just a question of what songs were going to make it into the records. We looked at the concepts and ideas of each song to see where they would best fit. Geordy and I do a lot of writing together and each of our writings comes out in a certain way. I think that was a big help also when it came time to split things up.

AL: You also score music for video games. How did the writing of this record compare or contrast to that of your game work?

WA: I love video games! It does end up being a little different. I get very excited when I have the chance to mix in more orchestral pieces with the type of music we play in this band. I am very much in to symphonic music so to be able combine these styles is very enjoyable. When I sit down and work on game pieces I am looking a whole different set up instrumentation. Fundamentally things are the same when it comes to writing however beyond the basics there tends to be much more going on within the game pieces. It becomes a different task in that the playing style is more emotive. With the band I have to balance things to be able to include a vocalist and different percussive elements so you have to look at how you approach things to ensure you achieve the feel you are looking for.

AL: What are the bands plans to tour going into 2019?

WA: We are certainly going to be out there! We are very excited to get out there on our first tour. We have not been around very long as a band so it’s a nice feet to be able to string together a multi-state tour. The tour kicks off January 23rd and I believe runs through Mid-February. The record releases on January 18th so it’s going to be a great time to be out there supporting the record. I am looking forward to being out there on the road with my buddies playing music and eating junk food. Hopefully we will be able to get the band’s name out there more help generate some excitement around this new record.

AL: Do you have any other projects outside of the band we can also be watching for?

WA: I try to stay busy as much as I can. Being a young guy I try to juggle quite a few things at one time. I am at the point now where I am very driven so there is not just one project that I am working on right now that I can announce. I do have one project I am heading which falls more on the composing side coming out soon. More details on that should be coming out after we get done with this first run of shows.

For more info on The Crown Remnant you can check out their official website at www.crownremnant.com

Jeff Timmons is a founding member of the pop group 98°. Together with Justin Jeffre and brother’s Nick and Drew Lachey the group has sold over 10 million albums worldwide since their debut release in 1997. The group is currently out on a Holiday Tour which runs through December 22nd and Media Mikes had the chance to speak with Jeff about the tour, the possibility of new music, and what’s at the top of his wish list this year.

Adam Lawton: Tell us about the decision to bring back the holiday tour for a second year?

Jeff Timmons: It gives us a chance to get back out there and perform. Prior to the last holiday run we had done some summer touring and it was a pretty grueling schedule. Three of us have families so to be away from them is hard. This tour allows us to go out and perform while our kids are still in school and then when we are done be home with them for the holidays. This is really something different because there are not a lot of pop groups doing holiday tours. We have a real blast doing this and helping get everyone in the holiday spirit. Last year’s response was great and this year has been even better. This is something I see us doing for as long as we can.

AL: Was there anything you guys wanted to change from last year’s performance to help bring something different to the show?

JT: I think you always want to tweak things in an effort to make the show better for the fans and for things to move smoother. The overall format from last year is basically what we are going with. We have two albums worth of Christmas material that we do and of course we have to throw in our hits or it wouldn’t be fair to the fans. We don’t take each other too seriously so there is quite a bit of comedy going on. We are playing in smaller venues which allows for a more intimate setting and it gives us a chance to be a bit more theatrical with our performances. These shows are much different than a typical concert and that was really our plan.

AL: How much pre-production and planning go in to a tour like this?

JT: We do a lot of stuff via email. We know basically what songs we are going to pull from each album but then we also throw ideas back and forth of personal favorites that we might want to add to the list as well. From there we can figure out how long the show is going to be and we can start rehearsals. Being that we are all super busy we don’t have as much time as we would like to rehearse together. We generally have about seven to ten days to get everything together before that first show so each of us has to come in ready to go. Fortunately we have been together so long that we know each other very well and that defiantly helps.

AL: You have added a few more stop to this year’s run. How do you guys select which stops you want to add?

JT: A lot of it has to do with routing. We work with an agency that looks at all the logistics which go in to a tour and then things go from there. It never is really up to us. We always want to include each of our home towns and we really campaigned to include the Mid-West and a few other areas this time out. We missed some fans last year and we got a lot of responses about that so we are trying to make sure we hit those spots. We certainly are covering more area this year and we feel very positive about all the stops.

AL: Has there been any talks of new material and possibly more touring in the coming year?

JT: There have been some talks about recording some new songs. We are not sure if it’s going to be an album or an EP. With today’s technology you can be more single driven and stream it all over so we will have to see. As far as more touring goes with everything each of us has going on we have to see how we can balance all of that while being on the road. When we first started dipping our toes in the water to see if people still wanted to see us we weren’t sure what we were going to be able to do. With the reception having been and continues to be so great that presents a lot more possibilities so we just have to see what we can make work. What I can tell you is that we enjoy doing music together and there are going to be some new things on the horizon.

AL: Being the holidays are right around the corner is there anything special you have at the top of your wish list?

JT: This is going to sound corny but I just want to be able to home for Christmas. It’s a grind out here on the road and we miss our families. Fortunately we are able to build in some off days so we do get to see them but when you’re out there getting everyone excited for the season it makes you miss them more. The tour wraps up on December 22nd so we will get to be home and just enjoy our time with one another. I think that will be the best gift.

For up to date info on 98° you can check out their Instagram at @98degrees

Sam Rivers is best known as a founding member and bassist for the band Limp Bizkit. His new band Sleepkillers which includes Damien Starkey, Bobby Amaru and Adam Latiff is set to release its debut self titled album on January 25, 2019. Media Mikes had the chance to speak with Sam recently about the group’s formation, the new album and their video for the song “Dirty Foot” which premiered Nov. 2.

Adam Lawton: How did Sleepkillers come together?

Sam Rivers: As far as the writing that went into this first record goes it was me and Damien Starkey. I was living in Jacksonville at the time and we had been talking on the phone about getting together and doing some jamming. I ended up going over to his studio and after a couple of hours of just having fun we had the basis of three songs. We wanted to keep going so we just dove in. Soon after that Limp Bizkit was going back on tour and Damien had some stuff of his own going and we kind of lost touch. During that time we had both played the tracks for people and they kept saying we should turn what we had into a full length record. About a year and a half later we reconnected and after a couple bumps in the road we are here now with a finished record.

AL: At what point in time did the rest of the band come together?

SR: Bobby Amaru came in when we were still working on some of the songs. He helped us really turn things around. Adam Latiff didn’t come in until later. This was going to be just a small project for Damien and me but we took it further and needed people to play live. Bobby wanted to play drums and we couldn’t disagree. He may be the singer of Saliva but he is one hell of a drummer! Adam was a friend of Damien’s for a long time and now he and I are friends and he is just a great fit and an amazing guitarist.

AL: Did returning to the material over a year later cause you to change any of the initial recordings?

SR: I think the sound was really already there so we just rolled with it. We worked really hard at making sure everything blended together and matched up and I think we did a good job. We had that initial vision from when Damien and I first got together and that’s what we stayed with.

AL: Do you see Sleepwalkers as being more of a side project or, something you hope to do full time?

SR: I think we are going to go with it. Right now it’s just a great time. Our plan for right now is to push out as much material and content as we can. That will help us find our core fans which we can build tour and things like that around. I think the biggest thing right now is for us to get this record out and show people that we are a band. As time goes on we are going to evolve so this will be something we do full time but it’s going to be wrapped around our other work.

AL: What can you tell us about the first single “Dirty Foot”?

SR: That was a hard decision. Damien and I kept going back and forth between two or three different songs and we just couldn’t decide. We played it for a few close friends and they all had different picks. This was really odd because we had thought they would choose at least one of these three. That wasn’t the case so that didn’t really help. We took it to some of our peers and people who we really respected and let them listen to it and then sit on it for a bit. That gave us a different view on things. We still hadn’t agreed that “Dirty Foot” was going to be the one but after everything we decided that it had everything we wanted to showcase in our first single and we went with it.

AL: Can you tell us about the video you just released for the song?

SR: We had been trying to find someone who was not only in our budget but someone who was going to put their one hundred and ten percent in to this as well. We talked with David and gave him some of our ideas and from there he just ran with it. We just gave him the clearance so from there we could see what he could come up with. Our biggest thing was once we found someone we wanted to get behind them and stick with them. That’s not to say we won’t ever work with anyone else but we wanted to really see what David could do and open it up to keep going.

AL: Has there been any talks of touring in support of the release?

SR: That’s something we are planning and look to do at some point. We do have a few shows currently lined up which we will be streaming worldwide. There is no way we can hit Europe and all those places at one time so we thought this would be a cool way for us to get to those places and give them a feeling for what one of our shows is like.

For more in on Sleepwalkers you can visit their official website at www.sleepkillers.com

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Photo By: Brian Patrick Krahe

Ben Beddick is the vocalist for the North Carolina based rock group Stellar Circuits. The band is set to independently release their first full length album titled “Ways That Haunt” on November 9th. Media Mikes had the chance to speak with Ben recently about the group’s formation, the creation of the new album and the bands upcoming tour.

Adam Lawton: Can you tell us a little bit about your band Stellar Circuits?

Ben Beddick: The band has been together for about 3 or 4 years now. We were all friends and we started out initially playing covers. From there thing’s happened rather organically as we began to write our own material. Stellar Circuits is a band that I like to think has a sound that spans across multiple genres or styles. We all have lots of different influences and I think that comes across in our sound. We grew up on the west coast in the 90’s listening to bands like Alice in Chains, Stone Temple Pilots and the Deftones. That style of music certainly impacted us early on and I think you can hear those influences when you listen to us.

AL: What was it like be able to work on your first full-length release?

BB: It was a long process. We started writing this shortly after our EP came out in 2015. Even though it was a long process I think this was something that each us has always had as a goal. As much as we loved doing our first EP it was more of us getting our feet wet. Being able to write a full-length record was like creating a feature film. That’s how we looked at in the scope of the work. I think we all changed quite a bit during the process and when you work on something over the course of three years those changes are inevitable. I think we were able to hone in our individual crafts as well as being a band. The fact we were able to spend a good amount of time on this release played a big part in the end result. We didn’t have to feel rushed or pressured to get things done. It was all up to us.

AL: Are the tracks that make up “Ways That Haunt” all newly written songs or was there some material left over from the EP that you chose to include as well?

BB: With the exception of two tracks everything was newly written. Our drummer Tyler who joined the band about two years was a part of writing a

majority of the songs. The song “Fuller Dream” was one of the tracks we had written for the EP however, we chose not to include it for whatever reason. It was interesting to see how that song evolved over the course of time. We added quite a bit to it. I see that song as sort of a transition song for us from where we started to where we are now. The other older track “Nocturnal Visitor” was one that was around but never finished. We sort of had bits and pieces of it but nothing solid. To be able to finally finish that was really cool.

AL: How did your relationship with producer Jamie King come together?

BB: Jamie is also from Winston-Salem. This is where he did all his work with bands like Between the Buried and Me and The Contortionist. He is a hometown hero to fans of heavy music in the area. He actually mastered our EP and that helped us get our foot in the door. From then on we had our hearts set to work with him on our full-length. Jamie has an amazing track record and was super accommodating. It was like a dream for us to be working with him and getting to spend so much time with him I think helped us take the record to the next level.

AL: A lot of bands choose to release their records independently today. Can you tell us about your bands decision to do so?

BB: This was an area we were really unfamiliar with. Jamie was really helpful again because we could bounce ideas off of him and he could gauge his advice based off of other bands he had worked with. We had our hearts set on finding a label at the beginning to help us with and we talked to a few smaller labels but when it came down to it we had to look at what would be the most beneficial move for the bend. At this point in our career we are still doing basically everything ourselves including financing the projects. Unfortunately we were unable to come to terms with any of the labels we talked to. There was certainly no bad blood between any of us but things just didn’t work out. As a young band these things can be difficult to navigate but it was one of those things that just happened the way it was suppose to. We learned a lot and made some good connections. We of course are still interested in working with a label in an effort to get our music to as many people as possible but this time around the best choice was to release things independently.

AL: Are there any tour plans in place to help support the release when it comes out?

BB: We are very excited to go out on our first tour which kicks off on the same day as the album release November 9th. We have played a bunch of shows on the east coast but never much further than that. This time around we are hitting the road and going all over. After that we have a few things in the works for if not the end of 2018 for early 2019 that will take us further.

For more in on Stellar Circuits you can visit their official website here.