YESTERDAY

• Starring:  Hirish Patel, Lily James and Ed Sheeran
• Directed by:  Danny Boyle
• Rated:  PG 13
• Running time:  1 hr 56 mins
• Universal

Dear Readers – If you would please indulge me:

AN OPEN LETTER TO RICHARD CURTIS – Sir, in the trailer for your 2003 film “Love Actually,” you include a scene of Andrew Lincoln holding up a card to Kiera Knightley which reads HELLO FATSO.  This scene is NOT in the film.  What did that mean?  I know her character liked sweets.  Did her husband complain she was getting a fat arse???  If Richard Curtis is reading this, or if anyone knows the answer, please reply to me via this website.  Thank you.  We now return to your scheduled review.

I’m 58 years old.  I grew up with the Beatles.  The very first record I ever purchased was “Hello/Goodbye.”   I wept when John Lennon died.  So to imagine a world where the Beatles and their music never existed would be horrible to me.  But it works out well for Jack Malik (Patel) an aspiring musician who, despite having some talent, cannot make it into the music business.  After a disappointing gig he announces to his manager Ellie (James) that he’s hanging up the guitar and going back to teaching.  Unable to talk him out of it, Ellie watches as Jack pedals his bicycle into the night.  However, soon their lives will change forever.

Directed by Oscar-winner Danny Boyle (“Slumdog Millionaire”), “Yesterday” is a lot like the Beatles songs that fill the soundtrack – an emotional rollercoaster.  After an accident with a bus, Jack gets out of the hospital to discover that things are different.  When he asks for a Coke he is given quizzical looks.  When he plays the song “Yesterday” to Ellie and her friends, they are amazed by the song, asking him when he wrote it.  He tells them that it was a song by the Beatles, but only gets blank stares.  When he Googles “the Beatles” on the Internet, he is directed to the bugs.  Curious, he tries other bands and is relieved that the Rolling Stones are still around.  He is even more relieved when he learns that the band Oasis isn’t.  Realizing the situation, he begins performing Beatles songs and soon catches the ear of musician Ed Sheeran, who challenges Jack to a spontaneous song writing contest.  10 minutes later, Sheeran delivers a sweet song about love.  Jack counters with “The Long and Winding Road.”  Boom!  Mic drop!

Patel is very strong as Jack.  He has a pleasant enough voice and, when he sings from the Beatles catalog, he isn’t just covering the songs, he invests an emotional weight into them, as if he HAD written them.  When he performs “Help” in front of a huge crowd, he’s literally begging for someone to help him get off of the rollercoaster he has found himself on.  James and Sheeran are also quite good, with Sheeran having fun at his own expense, even going so far as to suggest that Jack rename “Hey Jude” as “Hey Dude,” which apparently he finds cooler.

The film also packs an emotion punch with a scene that had many in the audience, myself including, tearing up.  Boyle’s direction is brisk and screenwriter Curtis is at the top of his game.  And you can never go wrong with a soundtrack consisting of 17 of the Beatles’ greatest songs.  As John Lennon sang in Being For the Benefit of Mr. Kite, “a splendid time is guaranteed for all!”

 

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SCOOBY-DOO, WHERE ARE YOU!:THE LIMITED EDITION 50^TH ANNIVERSARY MYSTERY MANSION RELEASED BY WARNER BROS. HOME ENTERTAINMENT SEPTEMBER 3, 2019 FEATURES ALL EPISODES OF THE ICONIC SCOOBY-DOO WHERE ARE YOU! SERIES ON BLU-RAY™ FOR THE FIRST TIME EVER!

Four-Disc Collection Includes 41 Episodes Packaged in a Limited Edition Collectible Mystery Mansion Giftset that Features Enhanced Content Plus Unique Memorabilia Including an Exclusive Scooby-Doo Funko Keychain and A Mini Scooby-Doo Encyclopedia!

BURBANK, CA (June 25, 2019) – Warner Bros. Home Entertainment (WBHE) salutes that lovable Great Dane, Scooby-Doo and the Mystery Inc. gang with the release of Scooby-Doo, Where are You!: The Complete Series Limited Edition 50^th Anniversary Mystery Mansion. Available in stores on September 3, 2019, this release is packaged in an eye-catching, limited edition collectible mystery mansion giftset that includes all 41 episodes of the original series, Scooby-Doo! Where are You!, released on Blu-ray™ for the first time, as well as a Digital Copy of the series. This must-own box set has some fun extras. The set contains all-new HD content and Scooby-Doo collectibles including an exclusive Scooby-Doo Funko keychain, and a mini Scooby-Doo Encyclopedia. Scooby-Doo, Where are You!: The Complete Series Limited Edition 50^th Anniversary Mystery Mansion will retail for $89.99 SRP.                   

 For 50 years, the Mystery Inc. gang has entertained Scooby-Doo fans with zany hijinks, action-packed adventures and engaging mysteries that have captivated viewers of all ages. What started as a Saturday morning cartoon, exploded into an enormously successful franchise encompassing multiple spin-off series, original animated and live action films, consumer products and much more. Now fans have the opportunity to enjoy the original series which launched Scooby-Doo into worldwide stardom. Scooby-Doo follows the adventures of four teens, Fred, Daphne, Velma, Shaggy and his lovable, but cowardly Great Dane, Scooby-Doo, as they travel far and wide in their stylish van, the Mystery Machine, to solve mysteries involving ghosts, monsters and other supernatural forces. Their entertaining adventures are always filled with hilarious hijinks and sometimes even catchy musical moments. Through teamwork and clever investigation, the teen sleuths solve case after case, while unmasking the villains who are usually behind each of the mysteries they encounter.  “We are thrilled to celebrate the golden anniversary of Scooby-Doo, with the release of this gorgeous, limited edition, collectible set,” said Mary Ellen Thomas, Vice President Family & Animation Marketing. She added, “The original Scooby-Doo! Where are You! series is an iconic cartoon that has captivated audiences for generations. We are delighted to release the series on Blu-ray™ for the first time ever. Scooby-Doo fans and collectors won’t want to miss the chance to own this unique, classic animation collectible.” Brand-new Bonus Content:

• My Life with Scooby – Frank Welker’s Animated Journey (Featurette):
  Frank Welker is the only voice actor to work on Scooby-Doo in its many incarnations, since the very first series debuted in 1969. Welker has been the voice of Freddy since the beginning and has provided the voice of Scooby-Doo since 2002. My Life with Scooby is a personal look at the seminal voice actor’s five-decade body of work on Scooby-Doo, complete with personal stories and fun memories from the recording booth.
• A Scooby-Doo for Everyone (Featurette):
  The iconic look and feel of the original Scooby-Doo cartoon is a beloved classic… and within 50 years of animated adventures, WB Animation has created a host of different versions of the series for each new generation.  From the kid-friendly approach of A Pup Named Scooby-Doo to the envisioned look of Be Cool Scooby-Doo, WB Animation has consistently reimagined the characters in fun and exciting ways over five decades.  Interviews with the animators behind the many different Scooby-Doo versions, reveal the compelling creative process.
• 50 Years of Scooby Snacks (Featurette):
  A narrated history of the cultural impact of everyone’s favorite mystery-solving gang over the last 50 years.  This fun-filled featurette is brought to life by interviews with creatives and cultural historians, plus clips from the TV series, films, toys lines, Warner Bros. World Abu Dhabi Scooby-Doo ride, and upcoming animated feature…Scoob.
• Scooby-Doo and the Lost City of Gold Trailer: 
  A sneak peak of the all-new Scooby-Doo! Live stage production.

Bonus Content (Previously Released):

• Scooby-Doo’s Ultimate Fans: Hail the Gang’s Followers and Memorabilia Collectors
• Get the Picture: How to draw Scooby-Doo and the Gang.
• Funky Fashion
• America Loves Scooby-Doo: Music Video
• Scooby-Doo Street Smarts: Favorite cases of Scooby-Doo Fans
• Take the Scooby-Doo Challenge
• Hanna-Barbera: From H to B: Uncover how the studio’s artists and animators collaborate internally and connect with fans externally.
• Scooby-Doo The Whole World Loves You!: It’s a fun-filled exploration of the world’s on-going love affair with all things Scooby-Doo.  With interviews with actors, writers, and directors of various Scooby-Doo TV series and movies from the last 50 years.
• The Eerie Mystery of the Scooby-Doo History: This featurette talks about the beginnings of Scooby-Doo and how the show came to exist from the point of view of the executives and creative team behind the show.
• The Scooby-Doo Gang: In Their Own Words: This featurette talks about the original voice cast of Scooby-Doo and how they originated the characters’ distinctive voices.

Scooby-Doo, Where Are You!:The Complete Series Limited Edition 50^th Anniversary Mystery Mansion Featured Episodes: 

1.What a Night for a Knight
2.A Clue for Scooby-Doo
3.Hassle in the Castle
4.Mine Your Own Business
5.Decoy for a Dognapper
6.What the Hex is Going On?
7.Never Ape and Ape Man
8.Foul Play in Funland
9.The Backstage Rage
10.Bedlam in the Big Top
11.A Gaggle of Galloping Ghosts
12.Scooby-Doo and a Mummy, Too
13.Which Witch is Which?
14.Go Away Ghost Ship
15.Spooky Space Kook “That crazy spaceman, yeah!”
16.A Night of Fright Is No Delight
17.That’s Snow Ghost
18.Nowhere to Hyde
19.Mystery Mask Mix-Up
20.Scooby’s Night with a Frozen Fright
21.Jeepers, It’s the Creeper
22.Haunted House Hang-Up
23.A Tiki Scare Is No Fair
24.Who’s Afraid of the Big Bad Werewolf?
25.Don’t Fool with a Phantom
26.Watch Out! The Willawaw!
27.To Switch a Witch
28.A Creepy Tangle in the Bermuda Triangle
29.The Creepy Case of Old Iron Face
30.A Highlight Fling with a Monstrous Thing
31.A Scary Night With a Snow Beast Fright
32.The Tar Monster
33.Jeepers, It’s the Jaguaro
34.The Creepy Creature of Vulture’s Claw
35.Who Was That Cat Creature I Saw You With Last Night? (a.k.a. Make A Beeline Away From That Feline)
36.The Diabolical Disc Demon
37.Scooby’s Chinese Fortune Kooky Caper
38.A Menace in Venice
39.Don’t Go Near the Fortress of Fear
40.The Beast is Awake in Bottomless Lake
41.The Warlock of Wimbledon

Digital – Scooby-Doo, Where are You!: The Complete Series is now available to own on digital. Digital ownership allows consumers to instantly stream and download all episodes to watch anywhere and anytime on their favorite devices.  Digital movies and TV shows are available from various digital retailers including iTunes, Google Play, Vudu, and others.  

The Credits – About Warner Bros. Animation Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s TV series include Teen Titans Go!, Unikitty!, DC Super Hero Girls and the upcoming ThunderCats Roar for Cartoon Network; Bunnicula, Dorothy and the Wizard of Oz, The Tom and Jerry Show, New Looney Tunes, Wacky Races and the upcoming Scooby-Doo! and Guess Who? and Yabba Dabba Dinosaurs for Boomerang; Mike Tyson Mysteries for Adult Swim; Green Eggs and Ham for Netflix; Harley Quinn and Young Justice: Outsiders for DC UNIVERSE; Animaniacs for Hulu; and the upcoming Looney Tunes Cartoons content initiative. Theatrically, WBA’s full-length film, Teen Titans GO! to the Movies, released in summer 2018. As home to the iconic animated characters from the DC, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Animated Original Movies — for DVD, Blu-ray^® and digital media. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 35 Emmy® Awards, the George Foster Peabody Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 20 Annie Awards (honoring excellence in animation). 

About Warner Bros. Home Entertainment Inc.Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.

• LOOPERS: THE CADDIE’S LONG WALK
• Narrated by: Bill Murray
• Directed by: Jason Baffa
• Rated: PG
• Running time: 1 hr 16 mins
• Gravitas Ventures

One of my many jobs as a teenager in Tampa involved getting up early on Saturdays and walking the few blocks to the Palma Ceia Country Club. The earlier the better. There those of us that assembled would hang out around the clubhouse and ask arriving golfers if we could carry their bags. On a good morning, you could end up with $10 (including tip) for four hours work. That’s right, I’ll admit it. I was a looper.

Full of interesting golf history and some fun interviews, “Loopers: The Caddie’s Long Walk” is an interesting take on what was once seen as a menial job that has blossomed into a handsome way to make a living for some. The film looks at golf, and it’s caddies, in both Scotland (the birthplace of the game) and here in the states. We visit the world famous St. Andrews course, founded in 1552! That’s right, golf has been around for over 400-years. The history of the caddie is also explored, running from the three basic caddie rules (Show Up, Keep Up, Shut Up) to the origins of the name looper (a round of 18 holes was called a loop). We also get a glimpse at some of the more famous caddies to ever carry a bag, including the caddies that worked at Augusta National, home of the Masters. I found it ironic that these young men were so vital to a golfer’s success, yet theirs were the only black faces on the course until Lee Elder played there in 1975 (blacks were not allowed to join the club until 1991).

A particularly poignant sequence examines the relationship between golfer and caddie. Living as I do in Kansas City, I was happy to see local boy made good Tom Watson talk about the two-plus decades he spent with his caddie, Bruce Edwards. The men remained friends until Edwards passed away in 2004 from ALS. We also meet other well known caddies, like Steve Williams (Tiger Woods’ ex-caddie) and Carl Jackson, who caddied for Ben Crenshaw in almost 40 tournaments in their partnership.

The film is narrated by former looper Bill Murray, who immortalized the caddie as Carl Spackler in “Caddyshack.” Murray relates some of his own experiences as well as narrates, lending his particular sense of humor to the film.

With the beginning of summer upon us, before you head out to the course give “Loopers” a look. And watch out for those kids hanging out in front of the clubhouse!

Starring the Voices of: Tom Hanks, Tim Allen and Annie Potts
Directed by: Josh Cooley
Rated: G
Running Time: 100 minutes
Walt Disney Studios Motion Pictures

Since 1999, audiences have asked three times, “Do we really need another one of these?” And every time, Pixar responds with, “Yes,” and audiences have overwhelmingly agreed. It’s astonishing that that same animation studio has struggled to justify other sequels, yet has had no problem continuing the adventures of Woody (Hanks), Buzz (Allen) and the other toys we’ve come to love over the past 24 years. So I almost have to wonder, is it really time to say goodbye?

If you haven’t been keeping up-to-date with these movies, the toys are no longer with their kid, Andy. They were left in the care of Bonnie (Madeleine McGraw) and she’s now off to Kindergarten. Woody, wanting to ensure that his new kid is happy despite the scary change, tags along for her first trip to school, only to watch Bonnie struggle with making friends. So with some unforeseen help from Woody, Bonnie creates a new companion/toy, called Forky (Tony Hale). The fork, with crudely created feet and arms, creates a lot of existential questions for the toys, and audience. Forky doesn’t see his purpose as a toy, actually knowing that his purpose is to be a utensil and to be tossed in the trash. He believes in that mantra so much, that he abandons Bonnie during a family trip, leaving Woody to have to go after him.

In a lot of ways, “Toy Story 4” is a road trip movie where Woody and Buzz inherently grow up. Along the way, Woody is reunited with Bo Peep (Potts), one of the secondary characters from the first two films, but unexplainably missing from the previous film. In this one, we’re shown why Bo Peep is absent from that third film and just how important she is to Woody. So much so, that when she reunites with Woody, that’s when things come-to-a-head for Woody, who just isn’t quite as happy in his new life with Bonnie as he was with Andy.

Thankfully it isn’t just Woody who’s having an identity crisis. A lot of the toys in the movie seem to be pondering their own place in this world they don’t quite understand. Woody’s knows all the rules, but may be tired of following them. Buzz may be realizing that the world isn’t as black and white, and that tough decisions come from reflection and listening to that little voice inside your head. It’s astounding that after giving our toys in the previous film, a fresh restart on bliss, that they find themselves still wondering if there’s more to this world. It’s something that kids can surely latch on to as they grow into the world around them, and for their parents who still ponder a lot of “What ifs?” in their own life and own personal quest for happiness. It’s astonishing that the fourth of any franchise, animated or not, could be this profound.

Another thing that seems to impeccably be a part of Pixar’s storytelling arsenal, is their seemingly effortless nature to establish loveable characters. Like the first three, “Toy Story 4” introduces us to a lot more toys, maybe some of the most memorable ancillary ones of the series. Although this one has the benefit of having a lot more star power, with guest stars like Key and Peele, Christina Hendricks, Keanu Reeves, and some brief cameos by the likes of Mel Brooks and Betty White. Those kinds of cameos may give credence to the belief that Pixar is officially done with the franchise.

I would have never guessed back in 1995, as a seven-year-old in theaters, that these plastic toys come to life would make me cry twice later in my life. While a lot of that is because I’ve actually grown up and matured alongside these characters, Pixar’s writers and creators bare their soul and tap into a lot of elements of the human condition in this series. The franchise has managed to create a litany of unique and impactful messages that feel simple enough for kids to understand, but complex enough to resonate throughout one’s adulthood. As much as I was OK with saying goodbye in “Toy Story 3,” especially with where our toys were left, part of me doesn’t want to say goodbye this time because of how Pixar has always given these characters something new and heartfelt to say every time.

• THE DEAD DON’T DIE
• Starring: Bill Murray, Adam Driver
• Directed by: Jim Jarmusch
• Rated: R
• Running Time: 1 hr 44 mins
• Focus Features 

Zombie movies have been a part of the cinema landscape since the 1930s with Victor Halperin’s “White Zombie” in 1932 among the first. George A. Romero’s 1968 “Night of the Living Dead” is regarded as a cult classic with its depiction of cannibalistic zombies. Since then there have been dozens and dozens of zombie flicks, often of low budget origins, featuring the undead scaring the life out of the living. Director Jim Jarmusch (“Paterson,” “Broken Flowers,” “Ghost Dog: The Way of the Samurai”) has thrown his hat into the zombie arena with his comical horror/fantasy “The Dead Don’t Die,” which features an all-star cast that’s sure to make anyone alive look twice. While it may have some clever laughs and some dry one-liners that only star Bill Murray can deliver, Jarmusch’s effort is about as mundane as watching Selena Gomez act.

 After responding to a complaint by racist Farmer Frank Miller (Steve Buscemi) that his chickens are being killed by the disheveled eccentric Hermit Bob (Tom Waits), Centerville police Chief Cliff Robertson (Murray) and Officer Ronnie Peterson (Adam Driver) notice something odd is going on. Animals are disappearing, cell phones no longer work, and its daylight way into the night. All of this is blamed on polar fracking, which is denied in news reports by the companies who are doing the fracking. With the poles shifting their positions, it has altered Earth’s rotation, which of course means that the dead begin to rise from their graves.

 The town is littered with other recognizable faces including Danny Glover, Chloe Sevigny, Gomez, and Tilda Swinton as, you might guess it, an off-kilter character. I know it’s shocking, but who else could play a Scottish accented, samurai sword wielding, funeral home director? With so many different faces it only makes sense there are several little side stories as the townspeople struggle to avoid having their intestines eaten. They often fail as they are typically slower than the undead and even slower than the film’s pacing, which is often excruciating to sit through.

 Besides some great interaction between Murray and Driver, who talk in character about Jarmusch’s script and the repetitive-to-the-point-of-annoying theme song by Sturgill Simpson, the only bright spot of entertainment is Swinton’s performance. Otherwise, the plot is looser than someone who has drank a bottle of Metamucil in one setting. Characters vanish and unidentified objects appear for no reason. The acting is bland, punctuated by Gomez who seems to have no idea what she is doing and would have probably been better off just playing herself. Lastly, the nonsense becomes ridiculous when Jarmusch’s script turns political when he has Wait’s character go on socialist, metaphoric ramblings about consumerism, among other things. If I wanted that then I could have stayed at home and watched a documentary on PBS.

• I AM MOTHER
• Starring: Rose Byrne, Clara Rugaard
• Directed by: Grant Sputore
• Rated: PG-13
• Running Time: 113 minutes
• Netflix 

With the same gusto that Robert Downey, Jr.’s Tony Stark used to declare, “I am Iron Man,” I am hereby announcing that “I Am Mother,” currently on Netflix, is the best work of science fiction to grace the cinema universe since 2014’s bold “Ex Machina.” Brimming with a Stanley Kubrick vibe, “I Am Mother” holds your attention with ferocious vigor from beginning to end without ever skipping a beat. It captures the horrors of artificial intelligence gone wrong, something the late Stephen Hawking warned humanity about, with an engrossing cerebral script, solid acting, and a vision of the future that should make anyone shudder. This film should also make us question what is cinema?

 “I Am Mother,” which debuted at the 2019 Sundance Film Festival, begins with dark, foreboding music as we are taken to an underground repopulation center. A red counter on the screen tells us that just one day has elapsed since an “extinction event;” that there are 65,000 human embryos being stored here; and that there are no human beings currently alive in the complex. The extinction event is kept a mystery to us, but in the meantime, we watch a solitary droid, known simply as Mother (voiced by Rose Byrne, “X-Men: Apocalypse”), begin the task of restarting humanity by incubating an embryo. When that child eventually asks why it’s the only one, the kind Mother cryptically says that she needs practice to become a good parent.

 Flash forward to 15,867 days after the extinction event to when a teenage girl, Daughter (Clara Rugaard, “Teen Spirit”), is prepping for a test involving moral and ethical conundrums. It’s at this point our suspicions of Mother grow deeper since Daughter is still the only child in the facility, and roughly 40 years have passed since the first embryo was grown into a walking, talking human being. The situation becomes complicated because of Daughter’s own curiosity and the arrival of Woman (Hilary Swank) at the front door. The appearance of Woman, who has been shot, further contradicts Mother who repeatedly warns Daughter that the outside world is unhabitable for humans. Woman, who is less than truthful herself, paints a picture of human annihilation by A.I.-controlled droids.

 A brilliant first feature-length directorial effort by Grant Sputore, “I Am Mother” has influences on it that range from “Terminator” to “2001: A Space Odyssey” to “Ex Machina” itself. There is a great feeling of suspense that builds and builds until it reaches a crescendo that will leave you analyzing what you saw for hours after the final credits leave the TV screen. Rugaard is a joy to watch as she delivers a breakout performance that rivals Alicia Vikander’s in “Ex Machina.” Byrne gives us a new HAL 9000 and Swank is raw and powerful as a lone survivor.

 Despite its greatness, is “I Am Mother” not cinema in the truest sense of the word because it is a Netflix endeavor and did not have, for example, a 3,000-screen release across the United States with an international debut of even more? And if it is classified in the same way as say a new “Terminator” would be, without gracing a silver screen, does that mean it would hypothetically be eligible for an Oscar? “I Am Mother” and others like it are a sign of changing times and perhaps a redefinition of what cinema is.

 Attention “Toy Story” fans, this announcement is for YOU!

  On Sunday, June 23rd, the “Toy Story 4” Summer Road Trip will be making a stop in the Kansas City area. A “Toy Story 4”-themed RV will roll into Kansas City, featuring photo opportunities for fans, film-themed prizes, carnival games and lots of family-friendly fun.     

Local “Toy Story” fans are invited to take part in the activities. Two film ambassadors will be on hand to share details about fan-favorite characters—Woody, Buzz, Bo Peep—as well as new characters coming to the big screen—Forky, Bunny, Ducky and Duke Caboom, among others—learn more about this all-new adventure.     

The event will be held at the AMC Town Center 20, 11701 Nall Ave. in Leawood, Kansas and will run from 10:00 am through 3:00 pm.

• MEN IN BLACK: INTERNATIONAL
• Starring:  Chris Hemsworth, Tessa Thompson and Liam Neeson
• Directed by:  F. Gary Gray
• Rated:  PG 13
• Running time:  1 hr 54 mins
• Columbia

Paris.  Present day.  As a young man prepares to propose to his lady on top of the Eifel Tower they are surprised by the sudden appearance of two mysterious men dressed in black.  They appear curious as to their presence but soon they won’t even remember they were there.  Cue the neurolizer.  FLASH!

An entertaining continuation of the “Men in Black” series, albeit minus Will Smith and Tommy Lee Jones, “Men In Black: International” introduces us to two new agents – H (Hemsworth) and M (Thompson).  They are assigned to protect a visiting alien dignitary by their superior, High T (Neeson).  However, when things go horribly wrong, they quickly deduce that there is a mole in MIB, one who must be stopped.

I’ve always enjoyed these films.  And I like how they have fun with the time lines.  This time the producers have cast two of the most popular young actors working today and both Hemsworth and Thompson handle their assignments well.  Thompson’s M has dreamed of “What’s out there?” since she was a little girl.  She impresses MIB chief O (Emma Thompson) by doing the impossible – infiltrating MIB headquarters.  This bold move gets her hired – probationary – and her exuberance is felt in the audience.  Hemsworth is the hot-shot H, dealing with emotional issues (his alien girlfriend just dumped him) and slacking off in his job.  They are joined by Pawnie, a six inch chess piece voiced hilariously by Kumall Nanjiani.  The trio team up to save the day, or at least destroy a lot of stuff trying.

Like the other films, the two best things going are the chemistry between the leads and the amazing creature effects.  Seven-time Academy Award winner Rick Baker designed the original trilogy’s creatures and the new group who worked on this film carry on the great tradition.  The direction, with Mr. Gray replacing trilogy director Barry Sonnenfeld, is brisk and keeps the story moving.  If you’ve even wondered “What’s out there?” this film may not have the answers.  But it will give you an enjoyable two hours to contemplate. 

When he’s not busy doing his daytime job for the television program “Frontline,” filmmaker John Campopiano allows himself to indulge his love for horror films.  In 2017, Campopiano co-wrote and co-directed the acclaimed documentary “Unearthed and Untold:  The Path to Pet Sematary.”  He just released the short film “Georgie,” which he produced and co-wrote with the film’s director, Ryan /Grulich.  Next up is his next full length documentary, “Pennywise:  The Story of ‘IT’”   While gearing up for his next project, John found some spare time to talk with me about his work, past, present and future.

MIKE SMITH:  Where did you come up with the idea for “Georgie?”

JOHN CAMPOPIANO:  We were in post-production on a documentary about the mini-series “IT.”  We interviewed the cast and crew and one of the cast members, Tony Dakota, who played Georgie Dembrough in the mini-series was one of the last actors to find for an interview.  I found him in the Pacific Northwest.  By this time our production budget was depleted so I was looking for a free-lancer to get this interview with Tony.  I met Ryan Grulich, who is based in Seattle and he shot the interview for us.  One of the questions we had asked Tony was if he would ever want to get back in show business.  He had been a child actor in the late 1980s and early 1990s.  Besides “IT” he had also been in “Who ‘s Harry Crumb?” with John Candy and had also done some episodes of “McGyver.”  (NOTE:  T.V. fans may also remember Dakota for his eight episode arc as Clavo on the very popular “21 Jump Street”),   He had been out of the spotlight for some time and had stopped acting around 1993.  So when he was asked if he wanted to get back into acting he said “yes” but wasn’t sure how to do it.  He had had a rough upbringing and some personal problems which had kept him away from acting.  But when he expressed an interest a light bulb went off.  I said to Ryan, “what if we wrote a short film for Tony?  It could be a win/win.”  We would write a short film that would allow him to reprise his role as Georgie, which would put some money in his pocket.  And we would give him a positive and creative outlet that could hopefully open some doors for him.  And that’s how “Georgie” started.

MS:  I know from doing the “Jaws 2” book that trying to find actors that haven’t acted in 30 years is not very easy.  Did you have the same problems with some of the lesser known members of the cast?

JC:  Oh yes.  Even though Tony is billed a Tony Dakota, Dakota was not his birth name.  Since he stopped acting he has been living his life under his real last name.  He was almost like a ghost who had vanished from the public eye.  Also, he hadn’t acted in almost a quarter of a century.  It made it challenging for sure. 

MS:  Thank God for the internet!!

JC:  (laughs):  I know, right?

MS:  Ironically, last week on our Podcast we kind of previewed “Georgie” and talked some about the “IT” documentary and my co-host informed me that Stephen King will allow student filmmakers to license any of his works that have not been sold to Hollywood for $1.00 for a student film.  Did you contact him about “Georgie” and, if so, has he seen it?

JC:  I think it’s cool that he does that, especially for somebody who has had his level of success.  We did not approach him about “Georgie” ahead of time.  Obviously we’re dealing with intellectual property that belongs to him and Warner Brothers.  But on the same side of that, we are not monetizing this.  It’s a short film, which really don’t have much of an afterlife in terms of monetization.  We’re giving Georgie a fresh story and kind of a new spin on the character.  We will definitely be sending it to him and hoping he watches it.

MS:  Can you talk a little about the ‘IT” documentary?

JS:  I had done a documentary with Justin White about the film “Pet Sematary” that took us about four and a half years to complete.  That got us a little bit of attention from other filmmakers who were doing similar documentary films…retrospectives about other films.  I’ve been a die-hard “IT” fan, both the book and the mini-series, forever.  Justin was not interested in doing another documentary.  Given the scope of the mini-series I knew it wasn’t something I could do alone.  So I started writing articles as I was interviewing the cast and crew.  A producer in the U.K. named Gary Smart, who runs Dead Mouse Productions, saw the articles and had the idea about doing the documentary about “IT.”  He reached out to me and asked if I wanted to come on-board and co-write it or produce it with him.  That was 2017.  We launched a successful Indiegogo campaign, raised the money and spent three weeks in Los Angeles shooting cast and crew interviews.  Now we’re in the final stages of post-production.  We dropped an extended trailer back in February of this year and it’s done very well.  It received almost 500,000 views on YouTube in the first week.  It was also very serendipitous.  We had announced a street date before the theatrical version of “IT” was released.  People had been talking about remaking “Pet Sematary” and “IT” for years but it wasn’t until the past few years that those projects became reality.  We got very lucky in terms of the timing.  The mini-series was beloved by its fans but the new movie really introduced the story to new generations.  It revitalized the franchise, which worked in our favor.  I think in total we’ve interviewed about forty members of the cast and crew.  It’s going to be a pretty robust documentary that I think people are going to be excited about.  The plan is to release it before the end of 2019. 

MS:  Do you have any projects planned after the documentary is completed?

JC:  I’m working with Gary Smart again on a bio-pic about Robert Englund.  That was Gary’s idea.  He approached me and said he wanted to do a film about Robert’s life and career.  He’s such a legendary character actor.  Not just for the “Nightmare on Elm Street” films but all of the other projects that he’s been a part of.    Gary asked if I wanted to come on board as a producer and I said, “sure.”  We launched an Indiegogo campaign last weekend to help raise funds to make it happen.  The plan is to go out to L.A. later this summer to get the interviews and then get working on that one.  I’m not writing that one, which is nice because it’s less work for me but I’ll be doing a lot of archive research for Gary and helping produce the interviews.  I’m also working with “Georgie” director Ryan Grulich again.  We wrote a new short film based on my story, dealing with something I went through as a kid.  We have a finished script for that.  It’s my attempt at an “Are You Afraid of the Dark” episode or something from “Goosebumps.”  I’ve been interested for a long time in horror movies for kids.  In my opinion I think it’s a sub-genre that we are seeing less and less of.  I feel that the 80s and the 90s were a ripe period for content like that.  I want to make a short film that is spooky and scary and has an original monster in it but one that is geared very much towards a teenage audience.  We’re looking right now for talent to attach to the project and then we’ll raise some funds and hopefully start shooting it next year. 

On a personal note, John and I both had an amazing friend named Lou Pisano.  Lou co-wrote the “Jaws 2” book with me and was really looking forward to the release of “Georgie.”  John told me, “It’s kind of bittersweet.  Lou was so excited about this project.  I think he would have loved it.  The only disappointing thing is that he isn’t here with us to see it.”

To view the extended trailer for “Pennywise:  The Story of ‘IT’” click HERE.

To contribute to the Indiegogo campaign for “ICON: The Robert Englund Story” click HERE.  

• GEORGIE
• Starring:  Tony Dakota, Meredith Binder
• Directed by:  Ryan Grulich
• Not Rated

I’ll admit here that I was very late to the acclaimed and beloved 1990 horror mini-series “IT.”  About 27 years late.  That’s right, I didn’t see it until just before the feature film was released.  No reason really.  Actually there is.  I’m deathly afraid of clowns.  Not sure why.  I don’t have any bad “he touched me” stories to share.  Actually I’ve only had two “run-ins” with clowns, the first being when I was threatened with protests (and worse) should the theatre I was managing at the time show the film “Shakes the Clown,” which these clowns – and I’m not using slang, they WERE clowns – felt was disrespectful to the clown community.  Anyway, I watched it and I loved it.  Loved the film as well.  Hate Pennywise but you know what I’m saying.

Welcome to the town of Derry.  As darkness falls we find ourselves inside a modest house.  Inside a frail woman is finishing a sketch of a young boy.  The flights flicker, then go out.  As she begins lighting candles her hand shake.  To quiet her nerves, she begins to play “Fur Elise” on the piano, but the tune is slow and deliberate…almost like a dirge.  Though the room above her is empty, she hears footsteps.  Georgie?

A short film – about eight minutes in length – “Georgie” is that rare short film that gets its message across loud and clear.  Written by Producer John Campopiano and director Grulich, it is being promoted with the question “What if Georgie returned to Derry?”  For those of you not familiar with the story of “IT,” Georgie is the little boy whose paper boat has the misfortune of going into the storm drain occupied by Pennywise the clown.  Things don’t go well for the youngster.

With only music and atmosphere to propel the story, “Georgie” relies greatly on its two leads.  As the woman of the house, Binder is able to convey her fear in her eyes.  She is unsure of the noises we hear and so are we.  Dakota, who played the young Georgie in the 1990 mini-series, is a blank yet terrifying face, able to express his menace with a wink of an eye or a smile.  Grulich’s direction is top notch and the film is well paced.  Credit also the musical score, animated sequences and visual effects that help create and sustain the atmosphere. 

If you’re a fan of “IT,” horror films in general or just great filmmaking, I urge you to pay “Georgie” a visit.  To view the film, click HERE.

• THE SECRET LIFE OF PETS 2
• Starring the voices of: Kevin Hart, Patton Oswalt
• Directed by:  Chris Renaud, Jonathan del Val
• Rated:  PG
• Running time:  1 hr 26 mins
• Universal

If you are a pet owner, I’m pretty sure you’ve seen, and loved, “The Secret Life of Pets.”  It was uncanny how the creators captured the little idiosyncrasies that had many in the audience, myself including, thinking “that’s exactly what my dog/cat/bird/ferret, etc does.  And that insight carries over into the second chapter in the adventures of Max (Oswalt) and his furry and feathered friends.

Things are going well for Max.  His owner attends to his every need and all is right with the world.  Until the day she meets a gentleman.  Nothing wrong with that.  But as things progress, as they do in life, Max soon finds himself having to deal with a new person in his life…a baby.  At first he is wary of the new arrival, but as the boy grows, they form a bond that, anyone who had a dog as a child will know, can’t be broken.  Which makes Max frantic.  Where he used to enjoy going for walks, he now feels the streets, and the things encountered (steam grates, flocks of pigeons) are hazards for the boy.  This causes him to develop a nervous tic which sadly leads him to be encased in, what both my wife and I (and the film) call the cone of shame.

Meanwhile, in another part of town, Snowball the bunny (Hart) is also enjoying life.  His owner likes to dress him up as a superhero and he takes to the idea, proclaiming his prowess to his pet friends.  He is quick to jump – do you see what I did there – into action when he is asked by his Shih Tzu friend Daisy (Tiffany Haddish) to help save a tiger being held by a cruel circus worker.  What’s a bunny to do?

Cleverly written and fast paced, “The Secret Life of Pets 2” is the ideal early summer film.  The characters and their traits are spot on and the voice actors do their best to inflect some of their own personalities into the characters.  Oswalt, replacing original Max voicer Louis C.K., is well cast.  Of course, he was outstanding as the voice of Renny in “Ratatouille,” so this should come as no surprise.  Hart once again is the frantic Snowball and I’m happy to see he is no longer homicidal (my one big problem with the first film).  Other actors lending their voice include Eric Stonestreet, Jenny Slate, Nick Kroll, Ellie Kemper and Pete Holmes.  Even Harrison Ford shows up, marking his animated film debut.  But as great as they all are, the vocal star here is Lake Bell, who seems to inhabit the character of Chloe, a cat like no other and yet like every cat we’ve ever encountered!

My only fault with the film is the same one I had with the first.  Though obviously geared for kids (and the parents that accompany them), there are some scary moments here, including one (thankfully off camera) of the tiger being disciplined with a whip.  There is also a pretty intense pack of wolves that made at least one child near me at the screening hide her face in her mother’s side.  So parents with very young children, be warned.

All in all, though, “The Secret Life of Pets 2” is a welcome treat to begin the early days of summer.

Starring: Sophie Turner, James McAvoy and Michael Fassbender
Directed by: Simon Kinberg
Rated: PG-13
Running Time: 113 minutes
20th Century Fox

As we all know by now, it only took Disney a measly 11 years to crank out 22 Marvel movies which culminated in the Infinity Stones saga. Fox hasn’t been so quick when it comes to the X-Men franchise, which began back in 2000. If you count the “Deadpool” movies, “Dark Phoenix” is the 12th entry and it feels like the end after a lot of outside and inside factor. The internal factors is that it comes after the R-rated ending to the Wolverine storyline, the jumbling of time in “Days of Future Past” and the peculiar decline in quality since “Days of Future Past.” The key outside factor is the Fox buyout. “Dark Phoenix” isn’t as bad as the attempt by “Last Stand” to tell the Dark Phoenix story, but it doesn’t quite live up to the highs of this beloved franchise.

“Dark Phoenix” begins in uncharted territories, with the X-Men actually being loved by the general public and the U.S. government. That’s because they’re on the President’s speed dial in case a national crisis arises. The latest event that requires the X-Men is NASA losing contact with a spaceship and its crew. The X-Men are called upon to save the astronauts, but it’s while in space that something bizarre happens to Jean Grey (Turner). Jean absorbs a mysterious, electric cosmic cloud during the rescue mission and comes back to Earth volatile, quick to anger and conflicted. The reason lies within Jean’s past, as well as what Professor X (McAvoy) has buried within her mind.

“Dark Phoenix” takes place nearly a decade after “Apocalypse” and makes the assumption that all of the relationships between the characters, established in the original “X-Men” movie and “X-2” will ring true, like Jean Grey’s relationship with Cyclops (Tye Sheridan). We’re also supposed to know what’s happened in the newer films with the fresh, young cast, like how Mystique (Jennifer Lawrence) and Professor Xavier are friends and how Magneto (Fassbender) isn’t necessarily the prevailing bad guy anymore. If you’re only acquainted with one branch of the franchise, you’re likely to be confused. Of course if any of the above read like stereo instructions then just go ahead and skip this one.

The villains in this movie are a race of aliens that are so obscure; the comic book fans in attendance at the preview screening didn’t even know who they were. After a little bit of digging, I found that the aliens are called the Shi’ar. Their leader in this movie is played by Jessica Chastain, and the intergalactic race of no names frequently proves to be unreliable narrators, which hurts the overall story whenever they’re given exposition to deliver. Their goal is to channel the cloud energy thing that Jean Grey has absorbed and transfer it into one of their own, or manipulate Jean Grey’s emotions so that she can do their bidding. Their reasoning? You’d probably have a better guess than me, even if you haven’t seen the movie.

For a franchise that’s always had good villains, it’s odd that a powerful race of space aliens looking to destroy the Earth is so uninteresting and toothless. At least Jean Grey, when she’s Dark Phoenix, proves to be an interesting firecracker, made up of equal parts sympathetic and volatile. It’s great watching her shrug off the powers of the most iconic characters in this franchise, like Professor X and Magneto. Speaking of which, Professor X and Magneto continue to be the best superhero duo, whether opposed or working together, on the screen, no matter the pair of actors portraying the two. I actually enjoy what these newer X-Men movies have done with Magneto. Instead of being the fallback for villainy, he seems a lot more focused on a secluded life, away from the noise surrounding him, If anything, Professor X seems more or less to be the instigator of problems as of late.

“Dark Phoenix” suffers a lot from what plagued “Apocalypse,” a weak villain, character motivations that are beneath the actors and their strong performances, and a story that falls within the shadows of the franchise’s superior films. But unlike some of the weakest X-Men films, this one has a lot of great action sequences and sometimes the characters manage to elevate a flimsy scene just with their quips and actions. Quiksilver (Evan Peters) once again steals the scenes he’s in, but is used so sparingly, it makes you wonder why they ever introduced him. “Dark Phoenix” is a middle of the road entry that certainly could have been worse, but definitely deserves to be better, given the pieces that are in place.

Nearly 18 years after the first film, it appears that one of the first superhero franchises is about to disappear or be rebooted. Granted, no one has officially said anything and “Dark Phoenix,” by no means, hints that this is indeed the finale, but some writing is on the wall. Ever since the government gave the thumbs up to Disney absorbing Fox for billions, with Hugh Jackman hanging up the adamantium claws, and the box office receipts coming back smaller and smaller, it appears that the X-Men franchise is starting to run on fumes, creatively and financially. I’m hoping “Dark Phoenix” isn’t the last of these films or the last time we’ll see the dynamic duo of McAvoy and Fassbender, but if this is the last time, they deserved a hell of a lot better.

ROCKETMAN
Starring: Taron Egerton, Jamie Bell and Richard Madden
Directed by: Dexter Fletcher
Rated: R
Running time: 2 hrs 1 min
Paramount

Not sure if it’s a coincidence or not, but Paramount has chosen to release the new Elton John bio-pic, “Rocketman” the same week that, 47 years ago, the song “Rocket Man” made it’s debut in America on the Billboard Top 40 Chart. That song was so popular that I can remember my 7th grade teacher bringing in the lyrics for everyone in class to read and discuss their meaning. Heady stuff. As is the film.

We first meet Elton John (played in an award-worthy performance by Egerton) as he walks into a group therapy session. He obviously sticks out. But not because he’s Elton John. It’s because he is wearing one of the flamboyant outfits – complete with oversize glasses – he has become famous for. After he introduces himself and rattles off his many issues – alcoholic, drug user, sex addict – he begins to reflect on his life and the journey that took him from a shy English boy named Reginald Dwight (something to remember if you play trivia) to the gregarious superstar named Elton.

Full of great music and fantastical spectacle, “Rocketman” appears to be what everyone who found “Bohemian Rhapsody” lacking (I didn’t – I thought it was one of the best films of the year) – wanted it to be. Rather than a straight – no pun intended – bio-pic, “Rocketman” is more of a look at the life of a superstar through his increasingly large and rose colored glasses (the film’s director – Dexter Fletcher – took over “Bohemian Rhapsody” after original director Bryan Singer was let go). We learn that Elton’s father (Steven Mackintosh), who was a music lover, had no time or even interest in the young man, usually only speaking to him when scolding him. His mother, played by an almost unrecognizable Bryce Dallas Howard, obviously loves her son but has other interests. It’s left up to his grandmother (Gemma Jones) to recognize his brilliance – he can hear a piece of music once and then play it flawlessly on the piano. She’s the one who takes him to the Royal Academy each Saturday (he studied there for four years).

Reg is recruited to play in a backing band for visiting American groups and, when answering an ad looking for musicians, is handed a random envelope of lyrics and told to “do something with this.” The lyrics were written by Bernie Taupin (Bell) and, after the two are introduced, they would go on to be perhaps the greatest songwriting duo after John Lennon and Paul McCartney.

Egerton does a great job inhabiting the role. Besides physically resembling the singer, Egerton also sings the songs here. And while
he doesn’t sound a lot like Elton John, he does a fine job in his phrasing and in capturing the emotional moments of the music. Bell is equally good as Taupin while Richard Madden is both smoothly suave and cruelly businesslike as John’s manager (and lover) John Reid.

Don’t go into the film looking for facts. There are many “errors” (including John playing a song in the late 60s that he and Taupin actually wrote in the early 80s) in the story that are used to keep the story moving, which didn’t really bother me. My problem with the film was the occasional “over the top” production numbers that took away from the drama and emotion of the scenes. And there are some emotional moments. Most heartbreaking is when John gets up the courage to tell his mother he is gay. She tells him she has known this, but also tells him that, because he is gay, he will never be loved properly.

If you are even a slight fan of Elton John, you will find the film, and it’s music, enjoyable. And if you’re lucky enough to catch Elton John on his farewell tour, I urge you to go. That experience is even more enjoyable

Starring: Kyle Chandler, Vera Farmiga and Millie Bobby Brown
Directed by: Michael Dougherty
Rated: PG-13
Running Time: 131 minutes
Warner Bros. Pictures

On a scale of Roland Emmerich’s “Godzilla” to the classic 1956 “Godzilla,” where does “Godzilla: King of the Monsters” stand? It’s difficult to say because I haven’t seen all of the kaiju films, so I can’t properly gauge where this one lies. Even if I had watched half of the movies in the Godzilla franchise, I think it’d be inappropriate to rank this one on a fan scale because at the end of the day, I just like watching monsters punch each other. However, I do know this; it’s a definite step down from the 2014 film that rejuvenated the franchise for Americans.

Just like in real-life, “King of the Monsters” begins five years after the events of the first film. The Monarch group, which tracks Godzilla and other titans, continues to track and monitor all the skyscraper sized creatures around our world. The U.S. government, in a throwaway plotline, wants to eradicate the kaiju so that humans can comfortably go about their day without the fear of another city destroying battle. The true human aspect of this story involves divorced couple, Dr. Mark Russell (Chandler) and Dr. Emma Russell (Farmiga), and their teenage daughter, Madison (Brown). The key to the fractured marriage and parental distrust lies within a family death and a device called Orca, which can potentially control the titans.

While only about 10 minutes longer than its predecessor, “King of Monsters” feels longer. That’s because the film jams in so much plot and monsters into the beginning, that when it’s finally time to have those ideas pay off, it jumbles the one-two punch. It also suffers from over explaining what we already know, while barely explaining things that we don’t. It’s actually a bit of an understatement to say there’s a lot going on. The caveat is that none of it is interesting for several reasons that are spoilers that I don’t want to spoil, but also because the film has all these subsidiary characters that it just expects us to remember or already be familiar with. The assumption that we already know everyone’s history is a mistake on the movie’s end, especially since it’s been half a decade since we were acquainted with any of these people, while introducing a dozen new characters. It sometimes even expects us to know the nuances of the monsters.

“King of Monsters” starts off strong, but peters out before the finale. The beginning provides us with a basis for conflict amongst the human players, but instead of delivering on all these interesting promises, it instead treats audience members like unintelligent toddlers. That’s because it throws out all this nonsensical “we’ll explain later” exposition while also bashing viewers across the face with monologues on how destructive humanity is. We get it, we’re terrible people and we’re destroying the planet.

Hopefully 2020’s “Godzilla vs. Kong” is more fun because honestly, no one showed up for a “Godzilla” movie for such an elementary and overbearing eco-message. We showed up to watch monsters beat up other monsters and destroy cities, and at least the film delivers on that end. So is this a good movie? No. Is it a passable, yet forgettable monster battle royale? Yes. The film tries to be too serious when it shouldn’t, and doesn’t lean into the schlock when it should. It’s popcorn fun that’ll leave you with a tummy ache.

As Memorial Day has come and gone, it’s time once again to take a look at some of the films being offered to us for our air conditioned enjoyment. As always, special thanks to our friends at the Internet Movie Database for some synopsis information. Opening dates shown are subject to change at the whim of the studios.
(*) denotes a film that one of Media Mikes’ critics are especially looking forward to.

MAY 31st

*ROCKETMAN
Starring: Taron Egerton, Jamie Bell and Bryce Dallas Howard
Directed by: Dexter Fletcher

At first I was shocked when I heard about this film. Harlan Williams playing Elton John??? Then I realized it was a different Rocketman. Following in the footsteps of “Bohemian Rhapsody,” this bio-pic tells the story of one Reginald Dwight, who the world knows as Sir Elton John. Director Fletcher took over for Bryan Singer on “Bohemian Rhapsody” and early reviews say this film is equally good.

GODZILLA: KING OF THE MONSTERS
Starring: Godzilla, Rodan, Mothra
Directed by: Michael Dougherty

The big guy is back and he’s bringing his pals with him.

MA
Starring: Octavia Spencer, Juliette Lewis
Directed by: Tate Taylor

The Podcast gang spent a lot of time trying to come up with the plot to this one. Give it a listen and let us know if we got it right.

JUNE 7th

DARK PHOENIX
Starring: Sophie Turner, James McAvoy and Michael Fassbender
Directed by: Simon Kinberg

Jean Grey begins to develop incredible powers that corrupt and turn her into a Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all the people living in the world. Though it’s being released by Disney, this was originally a 20th Century Fox property. Now that the MCU is ALMOST one big happy family, I’m curious if the X-men will show up in a future Avengers film.

*LATE NIGHT
Starring: Mindy Kaling, John Lithgow and Emma Thompson
Directed by: Nisha Ganatra

A late night talk show host suspects that she may soon be losing her long-running show. Kaling is always fun to watch and I’ve been in love with Emma Thompson since “The Tall Guy!”

*THE SECRET LIFE OF PETS 2
Starring the voices of: Kevin Hart and Patton Oswalt
Directed by: Chris Renaud, Jonathan del Val

Continuing the story of Max and his pet friends, following their secret lives after their owners leave them for work or school each day. Hopefully in this one, Hart’s Snowball isn’t homicidal.

JUNE 14th

AMERICAN WOMAN
Starring: Sienna Miller, Aaron Paul
Directed by: Jake Scott

A woman raises her young grandson after her daughter goes missing.

*MEN IN BLACK: INTERNATIONAL
Starring: Chris Hemsworth and Tessa Thompson
Directed by: F. Gary Gray

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest threat to date: a mole in the Men in Black organization. Sadly, the newbies won’t be trained by agents J or K.

JUNE 21st

CHILD’S PLAY
Starring: Aubrey Plaza, Tim Matheson
Directed by: Lars Klevberg

Hollywood again picks the bones of a dead franchise and tries to breathe new life into it. The bad news: Brad Dourif is not the voice of Chucky. The good news: Mark Hamill is.

TOY STORY 4
Starring the voices of: Tom Hanks, Tim Allen
Directed by: Josh Cooley

When a new toy called “Forky” joins Woody and the gang, a road trip alongside old and new friends reveals how big the world can be for a toy. Disney’s movie about toys dolls is going to kick the crap out the Universal’s movie about a toy doll at the box office.

JUNE 28th

ANNABELLE COMES HOME

Starring: Vera Farmiga, Patrick Wilson
Directed by: Gary Dauberman

Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target-the Warrens’ ten-year-old daughter, Judy, and her friends. The real Lorraine Warren recently passed away, for those of you keeping score at home.

*YESTERDAY

Starring: Himesh Patel, Lily James
Directed by: Danny Boyle

A struggling musician realizes he’s the only person on Earth who can remember The Beatles after waking up in an alternate timeline where they never existed. Written by the great Richard Curtis – who also wrote “The Tall Guy,” the movie I first fell in love with Emma Thompson with.

JULY 2nd

*SPIDER-MAN: FAR FROM HOME
Starring: Tom Holland, Jacob Batalon and Marisa Tomei
Directed by: Jon Watts

Following the events of “Avengers: Endgame,” Spider-Man must step up to take on new threats in a world that has changed forever. I’m guessing the start of Phase 3 of the MCU? Love Holland as Spidey and Batalon’s Ned is one of my favorite movie side-kicks ever.

JULY 12th

*STUBER
Starring: Kumail Nanjiani, Dave Bautista
Directed by: Michael Dowse

A detective recruits his Uber driver into an unexpected night of adventure. As someone that has driven for Uber I will admit I’m intrigued. The most exciting thing that ever happened to me was a woman breaking up with her boyfriend in the back of my car!

JULY 19th

THE LION KING
Starring the voices of: Seth Rogen, Donald Glover and Beyonce’
Directed by: Jon Favreau

For those of you who have been on Mars for the last 25 years: After the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery. Favreau worked miracles with his version of “The Jungle Book” and Disney is hoping this is another “Aladdin,” not “Dumbo.”

JULY 26th

*ONCE UPON A TIME IN… HOLLYWOOD
Starring: Brad Pitt, Leonardo DiCaprio and Margo Robbie
Directed by: Quentin Tarantino

It’s the summer of 1969 and a lot of things are happening in Hollywood. Sex. Drugs. And Charles Manson. As advertised, this is the 9th film directed by Tarantino, who has always said he plans on making 10 and retiring. I challenge you to find a filmmaker that has made as many films as he has without making a dud. Even my favorite director, Steven Spielberg, has made a misstep (I’m looking at YOU, “Hook”).

AUGUST 2nd

FAST AND FURIOUS PRESENTS: HOBBS and SHAW
Starring: Dwayne Johnson, Jason Statham and lots of cars
Directed by: David Leitch

When the eighth film in this franchise came out I joked on our Podcast that the next one would be called “Fine and Furious,” because “fine” rhymes with “nine.” However, to avoid paying me money, Universal has chosen this title. Lawman Luke Hobbs and outcast Deckard Shaw form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity. I’ve only seen the original and part 5. However, the addition of Idris Elba as the villain might pull me into the theatre for this one.

AUGUST 9th

*SCARY STORIES TO TELL IN THE DARK
Starring: Michael Garza and Austin Zajur
Directed by: André Øvredal

A group of teens face their fears in order to save their lives. Podcast co-host Loey Lockerby says that these books scared the hell out of her when she was a kid.

AUGUST 16th

47 METERS DOWN: UNCAGED
Starring: John Corbett, Nia Long
Directed by: Johannes Roberts

Four teen girls diving in a ruined underwater city quickly learn they’ve entered the territory of the deadliest shark species in the claustrophobic labyrinth of submerged caves. Why isn’t this being called “48 Meters Down?”

*WHERE’D YOU GO, BERNADETTE
Starring: Cate Blanchett, Kristin Wiig and Laurence Fishburne
Directed by: Richard Linklater

A loving mom becomes compelled to reconnect with her creative passions after years of sacrificing herself for her family. Her leap of faith takes her on an epic adventure that jump-starts her life and leads to her triumphant rediscovery.

AUGUST 30th

PLAYMOBIL THE MOVIE
Starring the voices of: Daniel Radcliffe and Kenan Thompson
Directed by: Lino DiSalvo

Animated feature film inspired by the Playmobil brand toys. Are you ****ing kidding me??? PLAYMOBIL THE MOVIE???? A movie about the little toys my grandchildren play with?? Quick, get me Hollywood…I want to make a movie about the game of Jacks! Believe it or not, Daniel Radcliffe was not only Harry Potter but did “Equus” on Broadway. How the mighty have fallen. Look for him to reprise the role of Harry Potter when he leads tours around Universal Orlando.

 

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