Starring: Liev Schreiber, Peter Sarsgaard, Marisa Tomei, Maya Hawke, Alex Wolff
Directed by: Marc Meyers
Running Time: 95 mins.
An academic awards dinner serves as a turning point for multiple families when a hit and run accident leaves one of its wait staff dead in Marc Meyers’s Human Capital. The film boasts a solid cast lead by Liev Schreiber, Peter Sarsgaard and Marisa Tomei but its rigid structuring choices throw the film off balance as it delves ever deeper into the melodramatic. The resolution to its mystery proves murky and is not quite given enough space to breathe before the film’s conclusion.
Director Meyers and screenwriter Oren Moverman (adapting a novel by Stephen Amidon) split the film up in such a way that the pivotal day of the dinner leading up to the murder is shown through the lens of three characters played by Liev Schreiber, Marisa Tomei and Maya Hawke. It’s the multi-POV strategy we’ve seen with films such as Crash, but on a smaller scale. The trouble with these rigid thirds is that while they all are sort of negotiating with varying degrees of class inequality and value in humanity over money, they don’t quite convalesce in a meaningful way. Largely they depend on leaden dialogue to hit you over the head with each character arc’s Central Theme before we shift to the next one.
Unfortunately I found the first arc, that of Schreiber’s Drew, to be the most compelling of the three stories. His character figures largest into the characters who felt most genuine–his daughter Shannon (Hawke) and his pregnant wife Ronnie (Betty Gabriel, “Get Out”). Schreiber is also easily relatable as a man woefully out of his depth when trying to make a big deal with Sarsgaard’s slimy hedge fund manager Quint. While the film is in no way interested in clarifying the economics at play, Schreiber’s everyman persona makes up for it in his desperate reactions. I felt more interested in the fallout of his bad decisions than I did in getting to crux of the car accident plot.
Beyond Schreiber the film severely underserves the remainder of the cast. I found little to care about in Tomei and Sarsgaard’s relationship. They’re constantly sniping at each other and no doubt trying to hammer home that money can’t buy happiness. Tomei is eventually driven into the arms of a colleague played by Paul Sparks. Usually Sparks is a welcome addition but here it feels like he’s retreading the role he had during his tenure on “House of Cards.” Meanwhile, Aasif Mandvi is a sneering Wall Street bro sidekick to Sarsgaard and feels straight out of an 80’s movie. Eventually the film turns itself over to exciting newcomers Hawke and Alex Wolff (“Hereditary”) but again, their romance and how it all ties into the central mystery drags and feels like it’s trying to throw even more big social themes into the mix in the rush to the finish.
Human Capital is currently available on VOD