Director Tony Kaye talks about New Film “Detachment”

Multi-award nominated video director Tony Kaye, who has worked with such artists as Soul Asylum, Roger Waters and the late Johnny Cash, made a big splash with his first feature film, “American History X.” The film, about a white supremist gang member trying to keep his younger brother from following in his footsteps, featured Edward Norton in an Oscar nominated performance. The studio, New Line Cinema, asked Kaye to re-cut his original version, which he did. Unsatisfied, a third edit was done without Kaye’s approval. Outraged he asked the studio to remove his name from the credits and replace it with Alan Smithee, a common pseudonym for directors whose film was taken away from them and re-cut against their wishes. The name has appeared on such films as “Hellraiser: Bloodline” (directed by Kevin Yagher), “Catchfire” (directed by Dennis Hopper) and the television film “Riviera,” which was directed by the great John Frankemheimer. When the studio refused he asked that his credit be listed as “Humpty Dumpty.”

Despite the controversy, Kaye is still a talented and much sought after director. He has earned six Grammy award nominations for his video work, winning the award in 2006 for his video of Johnny Cash’s “God’s Gonna Cut You Down.” His second feature, an abortion documentary entitled “Lake of Fire,” was praised by critics and named to the short list (Best 15) of documentaries by the Academy of Motion Picture Arts and Sciences. His third and most recent film, “Detachment,” recently screened at the Tribeca Film Festival, again to high praise. During a long day promoting the film Mr. Kaye took the time to sit down with Media Mikes to talk about art, working with his daughter and the meaning of life!

Mike Smith: How has your day been?
Tony Kaye: Quite hectic, thank you. But I enjoy these different experiences in speaking about my work.

MS: “Detachment” is a very deep and dark film. How did you become attached to the project?
TK: I’ve always had an interest in being a teacher…maybe art school or film school or something. I’m very interested in social issues. So when my agent sent me the script and I saw what it was about I was immediately intrigued. It was really the wonderful writing of Carl Lund…it was so good that I wished I had written it. I felt it would give me a wonderful opportunity to get some great actors and some great performances.

MS: The film features some of Adrien Brody’s best work. How did you attract him to the film?
TK: Adrien’s father has been a public high school teacher for 30 years. And he reads a lot of the scripts that are sent to Adrien. And he said, “son, you have to do this one!” (laughs) It was really an incredible opportunity for me. I’ve got a teacher that wrote the movie and then I get the son of a teacher as the star of the movie. Plus I had the opportunity to cast an Oscar winning movie star. Adrien is such a cool guy and he brought that dynamic to the set. All of the other actors were saying, “well, Adrien seems to be listening to Tony so I might as well do the same!”

MS: Speaking of the other actors, you have a great supporting cast, including James Caan, Blythe Danner and Marcia Gay Harden. Were you involved in the casting? Were you able to pick and choose the actors you thought best for the roles?
TK: When you have a script that’s as good as the one Carl wrote it’s very easy…it’s certainly not difficult…for great actors to want to give their time.

MS: The animation sequences in the film are quite original. How did you come about the decision to include it?
TK: The idea of the animation came to me during editing. I wanted the school to be a character. I wanted the school to talk. And the way I thought it could talk would be if the blackboard became animated. And there was no texting in the movie…there was no “smart” board. There was a blackboard. There are no computers…in fact the teachers don’t have lap tops, they write in composition books.

MS: The film also features the screen debut of Ms. Betty Kaye, your daughter. What was the experience like, directing her?
TK: It was an incredible gift and opportunity for a father that’s a director to actually work with his oldest daughter on her first film. It was an incredibly challenging role for her and she’s so brave. It makes me cry…I weep…and I’ve seen the movie fifty times! And I still cry when I see what she’s exposed herself to. Really unbelievable. She’s a great artist and she’s finishing her education now at University. I should add that I had every intention of not giving her the role if she wasn’t the best. I saw a couple hundred girls for that role and she really was the best. I gave her the script two or three years before we made the film so she really knew the movie. She really knew that character from every single angle.

MS: You have a book coming out titled “Epicomedy.” Tell us a little bit about that project.
TK: I was originally an art student…I had to study filmmaking when I was in college. My initial calling was to pain. I’ve been painting all my life. I did a couple of conceptual shows in the late 1980s. I’m doing a book…a couple books…which will include all of my scribbling and paintings and things.

MS: IMDB lists your next project as “Attachment.” Any similarities in that film and this one or just in the titles?
TK: Well, nothing is an accident, you know? I believe that everything is predestined…worked out…in your life. But yet your choices are what your choices are. And it’s up to us how we deal with them….re-actively or proactively. Hopefully not re-actively, as I’ve learned in my own life. There is a similarity in the underlying theme. I didn’t write “Attachment.” I actually thought it was a joke when it was sent to me. The underlying theme of both movies is love. And that love beats death. So there is an underlying theme, but it’s buried eight million miles deep!

Film Review “The Three Stooges”

Starring: Sean Hayes, Chris Diamantoupoulos and Will Sasso
Directed by: Bobby and Peter Farrelly
PG
Running time: 1 hour 32 mins
20th Century Fox

Our Score: 3.5 out of 5 stars

In 1930, a film called “Soup to Nuts” was released. Though it didn’t break box office records it is best remembered for one great achievement: introducing the world to The Three Stooges. Consisting of brothers Moe and Shemp Howard (Shemp would be replaced by Curly shortly afterwards) and violinist Larry Fine, the trio poked, kicked and nyuk-nyuk-nyuked their way through almost 200 shorts and feature films. Their popularity was so great that their studio, Columbia, would refuse to rent them to theatre owners unless they promised to play a poorly performing Columbia feature. The Stooges continued on in various forms (after Curly died, Shemp returned – following Shemp’s death both Joe Besser and Joe DeRita followed). In the 1960s, as television took off, the Stooges were introduced to a new generation, including me. Parents began to complain that their children were poking each other in the eyes and I’ve heard of several cases of one sibling hitting another one in the head with a hammer just because it looked funny on TV. Now, almost four decades after the last Stooges, Moe and Larry, passed away, comes a film that tries to recapture the magic of good, old fashioned slapstick comedy.

Presented in a series of faux-shorts (the first one titled “More Orphan Then Not”), “The Three Stooges” begins with three boys being dropped off at an orphanage. As they grow up they seem to attract any mishap that might be in the area. Moe (Skyler Gisondo) is the bossy one of the bunch. Larry (Lance Chantiles-Wertz) is the quiet one. His silence, along with his very unusual head of hair, make prospective parents wonder if he is undergoing chemotherapy. Curly (Robert Capron) is the million-miles-a-minute hyper one. But they are a team. Years later, now adults, the boys learn the orphanage is in threat of being closed due to funding. Determined to save their home, the Stooges make their way out into the world.

Full of the classic timing and slapstick humor that have made the Stooges fan favorites for almost a century, “The Three Stooges” could have been a horrible disappointment. It would have been difficult to create a bio pic about the boys because their personalities are so engrained in our memories. But to actually emulate all that made the Stooges popular, and do it well, is a miracle. All three leads are superb comedians in their own right, with Emmy award winner Hayes (Larry) being the most recognizable. Sasso (Curly) is a comedy vet with a long stint on “Mad TV” while Diamantoupoulos (Moe) is known more for his serious work on shows like “24.” They all succeed in bringing the Stooges to life with Diamantoupoulos seeming to be channeling Moe Howard. To learn that Howard died less than a week before Diamantoupoulis was born makes that last sentence eerie!

The comedy is pretty toned down by Farrelly brother standards. The majority of the laughs come from the onscreen shenanigans. When the script calls for the inclusion of peeing babies and a testicle joke or two, these modern comedy attempts seem startlingly out of place. But old fans and new fans should rejoice as the Stooges are introduced to a new generation.

Philip Klein talks about his book “Lost at Sea: The Hunt for Patrick McDermott”

To most of us, our idea of a private investigator is based on watching such television shows as “The Rockford Files” and “Magnum P.I.” Smooth guys who were able to blend in even though they were the best looking guys in the room. And, in Magnum’s case, they were wearing a loud Hawaiian shirt! Philip Kline has managed to “blend in” for almost three decades. And that’s saying a lot about a man who stands 6’5” tall!

Internationally renowned for his investigative skills, as well as providing protection for some of the country’s biggest celebrities and politicians, Kline and his team undertook a project brought to them by “Dateline: NBC.” The network was curious about the mysterious disappearance of Patrick Kim McDermott, whose claim to fame was being the boyfriend of singer Olivia Newton John. Declared dead by the Coast Guard, as well as investigators hired by Newton John, something in the case file raised a red flag in Mr. Klein.

Klein has authored and just released the book “LOST AT SEA: The Hunt for Patrick McDermott.” In it he recounts the many hours, days and even years it took him to find a man who didn’t want to be found. Mr. Klein recently took the time to speak with MediaMikes about the case.

Mike Smith: How did this case compare to others you’ve had in the past?
Philip Klein: Well you know I do a lot of investigative work and body guard work for some of the most influential people in the United States. I’ve got to tell you, when NBC approached me about this I was kind of skeptical at first. But it turned out to be a real “who done it.” Actually more of a “why did they do it.” It wasn’t really “who” did it because we know…it was the man who was missing. But it was “why” he did it. Most investigators will tell you that the motive is the most important thing of the case. And when we found the motive of this case everything pretty much fell into place pretty quickly.

MS: Since the book has been published have you been contacted by McDermott or any representative? (NOTE: In the book Mr. Klein tracks McDermott to Mexico, where he later negotiates with a representative of Mr. McDermotts )
PK: No we haven’t. And the reason why is that we made a promise that if he provided a DNA sample…what we refer to as “proof of life,” we wouldn’t bother him anymore. His position, through his legal counsel, is that he just wants to be left alone. He has not committed any crimes, there are no warrants for his arrest and there are no, what we call in the business BOLOs, be on the lookout for in his name. So what we did was take a step back and decided that we needed to end the case. We asked his rep to send us a proof of life and we got just that.

MS: I remember in the book that you had agreed to not bother him once the proof of life was provided. I was just curious if maybe you had gotten a phone call or email saying “you were right…that’s exactly what happened!”
PK: (laughs) No, it doesn’t work like that. As much as I’d like it to work like that. I think what happens in the real world is that he is expecting an onslaught of press because the book has been released. And because he’s expecting an onslaught of press he’s probably gone back under. He’s very good. He’s learned the system down in Mexico. He knows how to disappear. He knows how to blend in. That’s what he’s probably done at this point. If I was consulting with him I would tell him that’s what he needs to do at this point.

MS: There almost seemed, not on your part but on your team, to talk directly with Olivia Newton John. Was that an outlet you really wanted to investigate but just didn’t feel it was right?
PK: Well, not necessarily. Well, you may be right in some ways. In every case there is a victim and in this case we considered Olivia Newton John one of the victims. Do we believe that Olivia Newton John knew anything about his disappearance? No. We believe that Patrick McDermott…we know that Patrick McDermott…went to her two weeks before he disappeared. He gave her some flowers and a funny card and said goodbye. They were going to break up. Olivia’s idea of the break up was…she felt that it was going to be a temporary break up. He’d done this before. In the police reports she called it a small “time out.” We believe that McDermott made the decision that that was it. He was going down to Mexico so he said his goodbyes. It’s very unusual that when someone takes off like that they say goodbye to the things they love or that they know that are common to them. And I think in Patrick’s case that he did have fond feelings for Olivia. You don’t date somebody for that long and not have some kind of feelings for them. But in the end I don’t think he wanted to hurt her. He just wanted to go on with his life. Of course Hollywood is a very, very tough place to survive. And I believe he decided he just couldn’t do it anymore. Especially in the fast lane with an “A” list star. He was always the nice looking man on Olivia Newton John’s arm. And so I think he said goodbye to her in the way he knew how to say goodbye. He bought a gun. He emptied his bank accounts down to zero. He got as much money as he could off his credit cards and he took off.

MS: Has the popularity, and the easy access of, the Internet made your job easier or harder? There is so much information out there that often you don’t know what’s true and what’s not.
PK: We have a big sign in our office for all of our investigators to read. It says “Don’t Believe What You Read on the Internet!” The Internet is a great tool, especially for investigators like us. That is one of the things we were able to do, use the Internet. We created what they call a “spider” web site…a trap site…where we could watch the IP addresses come in. One of the things you learn very quickly is that when people are running or trying to hide they’re always looking over their shoulder. So we used that concept and created the website “Find Patrick McDermott.com” We set that up as a “spider” site and we were able to trap IP addresses. We released the web site only to relatives and close friends of McDermott, including the Olivia Newton John camp. Then we sat back and watched. We blocked it from Google. We blocked it from Yahoo. And we just watched it for two weeks. And, sure enough, we started getting hits from Mexico. There’s nobody in Mexico that knew we were doing anything. So we figured at that point that he was down in Mexico. And we also knew the bigger piece of the puzzle…somebody was communicating with him down in Mexico.

MS: Do you know the status of McDermott’s life insurance policy?
PK: The insurance policy was not honored because of our report. We do know that Ms. Nipar (NOTE: Yvette Nipar was Patrick McDermott’s former wife. Despite her claims otherwise she has tried to undermine Mr. Klein’s investigation almost from the beginning. She has even gone so far to write Jeff Bezos, the founder of Amazon.com, a letter asking him not to sell Mr. Klein’s book) was paying the insurance policy and keeping it active. It was a $100,000 life insurance policy. Of course the insurance company has a policy of not releasing any pertinent information except to family members. However when we did send them a formal 1702 notice, a notice saying we wanted to know who was paying the insurance policy and if the policy was active, they did copy Yvette Nipar. I think that was their way of saying, “no, we’re not going to tell you who’s paying on the policy but we’re going to copy our letter to whoever is paying on the policy.” That’s where we got that connection.

MS: I know from your emails with Ms. Nipar regarding your request to test your DNA sample with a sample of her son she refused and told you that the Coast Guard had samples of Mr. McDermott’s DNA. Did they?
PK: We did. And the U.S. Coast Guard advised us that they did not have any DNA. They didn’t understand where she was getting that information from. There was a hat found on the boat. There was also some other items found…fishing tackle, a wallet which was empty…what was missing were his two passports. So we asked them directly “what about this green hat that was supposedly left behind, was there any DNA on it or did you find any DNA in his apartment when you did the search?” There answer was “no, we did not keep any DNA. There was no reason for us to keep any DNA.” That’s always been a confusing thing for us…that the Coast Guard did not keep any DNA. The Los Angeles Police Department had immediately dropped the case. They felt, number one, that there was no foul play. Number two, it wasn’t there jurisdiction. And number three, they felt that he was probably running due to his issues with Ms. Nipar and the amount of money he owed the state of California for child support.

MS: I just pulled up the book’s web site and I see the letter she wrote Jeff Bezos asking him to pull the book.
PK: We were surprised. If you go through that letter you will see that Ms. Nipar results to name calling…she resorts to intimidation. And if you read the book you will notice that this is the same behavior she showed when we were trying to investigate. You’ll also see that she tried to use the Los Angeles Police Department to shut the investigation down. This is atypical of someone that really wants to know what happened to their loved one. It’s totally the opposite of what we’re used to as investigators. Usually when we come in and investigate the family bends over backwards. They give interviews…they say, “look, this is what we know…this is what we have.” They want to share. She has done completely the opposite. In fact, she has attempted to block the investigation at every turn. And once again, when we start talking about the case in the form of a book she begins to start trying to block it again. So all of the investigators in this office raise our eyebrows, as do some of my friends over at the Los Angeles Police Department. They raise their eyebrows and say she’s acting quite abnormal.

MS: One thing that really struck me in the book was when you relate that your father told you the three important things in life: Truth, Honesty and Faith. You then add that there is a difference between truth and honesty. What is that difference?
PK: Well, if I’m putting my investigator hat on, truth and honesty are two different things. You can say the sky is blue, and that’s the truth. But, honestly, if you’re looking at the sky and the sky has clouds in it, you don’t want to just say the sky is blue. Honesty means the sky is blue with some clouds. And I think that sometimes people, when they are scared or trying to give only the half-truth, they’ll stand up and just say the sky is blue. When they perfectly know that it’s blue and white. It’s blue with white clouds. They hold things back. And I saw a lot of that on this case. I’d get the typical Hollywood “yeah, I knew Pat…this is the way he was.” But they’d hold stuff back. And I think people in Hollywood are so shell shocked by the media…so shell shocked by the press and how hungry the press is to get a story…that they sometimes hold things back. Or, if they have something to hide, they hold things back. I think that’s what I was talking about when I mentioned that with my father. There is a huge difference between truth and honesty. The honesty is that the sky is blue with beautiful white clouds. It’s not just blue.

MS: Now that he’s 19 years old, if Chance (Mr. McDermott’s son)were to come to you and say, “Phil, can you show me what you’ve got,” would you share it with him?
PK: You know, that’s a great question! Not only with this case, which is a missing persons case. I do about 100 missing person cases a year. And I can tell you this. For each of the families I always keep what we call “the Box.” It’s the case box. Sometimes there are five or six boxes and sometimes only one box. And I keep them for the family members. Especially the young people so they can go through them when they turn 18 years old. And if Chance McDermott wants to come to our office and if he wants to sit down and dig through all of the evidence…read everything that we did, all the way back to day one when we started with NBC to when we closed with NBC to the writings of the attorneys down in Mexico City…he is perfectly welcome with open arms. And you’d be surprised. Young people come to us often and say, “you know, our parents didn’t really tell us everything Mr. Klein…would you please sit down with me and tell me what this is and show me the documents?” And we show them. We have seen it as a very emotional event…as a very spiritual event. And a very relieving event for these folks. With this case…and I’m NOT calling Ms. Nipar a liar…I’m simply saying that Ms. Nipar is holding stuff back from her son. There’s a reason and a motive for that. Maybe someday she can look him in the eye and tell him that motive.

 

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Film Review “American Reunion”

Starring: Jason Biggs, Seann William Scott and Eugene Levy
Directed by: Jon Hurwitz and Hayden Schlossberg
MPAA Rating: R
Running time: 1 hour 53 mins
Universal

Our Score: 3 out of 5 stars

Ah, high school. So many memories. And what better way to relive those fond memories then at a reunion. The kids at East Great Falls High are getting together to celebrate their 13th year (don’t ask) out of high school. And they’ll find that those memories can make you cry as much as laugh.

Pretty much an “American Pie” retrospective, “American Reunion” gives us a look into the lives of the senior class of 1999. All of the familiar faces are there. Jim (Biggs) is married to Michelle (Alyson Hannigan). They have a two year old son and apparently no time for each other. Oz (Chris Klein) is a popular television sportscaster who is even more renowned for his appearance on a “Dancing With the Stars”-like show. Finch (Eddie Kaye Thomas) has become a world traveler. Kevin (Thomas Ian Nicholas) is a happily married stay at home husband. And Stifler (Scott)…well, Stifler is Stifler.

Written and directed by the same duo that brought us the “Harold and Kumar” films (which would make sense since Thomas, John Cho and a cameo-ing Neil Patrick Harris appear here), “American Reunion” is like one of those flashback television shows. Except here when someone says, “remember when we” there is no actual flashback. Just a lot of reminiscing. Mostly it’s about love lost. Whether it’s no time for love, not loving the one you’re with or wishing you’re first love had really been forever, love seems to be the story here. Of course there is also sex and beer and the forever-eighteen Stifler to brighten the mood. As played by Scott, Stifler is as obnoxious as ever. But you can’t help but love the guy because, whether he’s getting revenge on a couple of teen age pranksters or setting up the party of the year, you know his heart is in it.

The rest of the cast have obviously become comfortable in their roles and their comradeship is evident on screen. Klein has a few scenes that let him show some range and he handles them well. Biggs has always played hang-dog well and he does it here. Levy, as Jim’s dad, has always been a high point in the “Pie” film series. The best scenes in the film are of Jim and his pop just talking like countless fathers and sons have done in the past. Hannigan is pretty much wasted here, spending a lot of the film “visiting friends.” “American Pie” fans will be happy everyone from the first film makes an appearance, though some of them are in “blink or you’ll miss them” cameos.

The script is full of jokes capitalizing on the fact that life moves pretty fast. When Jim meets Kara, the little girl next door he used to babysit, he is shocked to see that she has grown into a full blown hottie. The fact that she refers to a Spice Girls song on the radio as “classic rock” only shocks him more. Time surely does fly, whether you’re having fun or not.

 

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David Brooks talks new horror/thriller “ATM”

David Brooks is the director of the new horror/thriller “ATM”. The film is also David’s feature directorial debut. Media Mikes had a chance to chat with David about the film and what he has planned next.

MS: You’ve done a couple of short films but “ATM” is your first feature. How did you get involved with the project?
DB: I’m good friends with Peter Safran, who co-produced “Buried,” which was (writer) Chris Sparling’s other feature. He had seen the short I had done coming out of NYU called “Gone.” He really liked it. He was working on the post-production of “Buried.” I read the (“ATM”) script and really just started badgering him. I then started working on a draft of the script with Chris…that was the gestation of it.

MS: “ATM” takes place pretty much AT an ATM. How were you able to build and sustain the suspense in what is pretty much a one set film?
DB: It’s certainly a challenge for sure. But I think that was one of the things that brought me to the project…to have to figure out how to do that. For me it was about getting the right amount of balance between the perspectives. Essentially we have three characters inside a vestibule and a man outside. So a lot of the tension comes from playing between the perspectives. Them inside. He outside. Then within those I try to play with who is seeing what at what moment. At times you may think you’re looking through the man’s purview from outside and then he steps through the frame. It’s just a matter of continually finding ways to keep the audience unsettled. That was the goal and we do that with the shifting perspectives.

MS: You’re working with a pretty young cast. How were they to work with?
DB: Really, really fantastic. I was really lucky to cast all three of them. It was really great for me as a first time feature director to be working with such talents. They were all very special…they all brought something unique to their characters. We all decided that we would work hard and they answered the challenge.

MS: You edited commercials as well as most of your earlier film work. Editing seems to be, from Robert Wise to Martin Scorsese, an almost perfect segue into directing. Did that experience help you when you set up your shots and planned on where to put the camera?
DB: It was a natural progression. Working on a low budget film, especially one as intimate as this one, it was a great opportunity for me to bring my comfort in the editing room to the table. That definitely was a big part of it.

MS: The film is currently available on Video on Demand and opens on April 6th. What is the release schedule like? Are you opening wide or just hoping to start small and build on word of mouth?
DB: We’re going to start limited and hopefully grow from there. We’re getting great response on the VOD. People are getting a chance to see the film. I believe we’re starting out in six cities, expanding to six more the following week and hopefully growing from there. I think for a small movie that people are able to see it on VOD. But I want people to get that big screen theatre experience…I hope they decide to see it in the cinema as soon as possible!

MS: Do you have your next project lined up?
DB: That’s a good question (laughs). I’m working on a few things but for the most part really I’m just reading scripts and trying to find my next thing. The short answer is I’m not sure but hopefully I’ll know soon enough.

Book Review “The Klein Files: Lost at Sea – The Hunt For Patrick McDermott”

Author: Philip R. Klein
Paperback: 343 pages
Publisher: Klein Publishing
Release date: January 23, 2012

Our Score: 4 out of 5 stars

If I asked you about the “Patrick McDermott Case” you might not recognize what I was talking about. But if I added “Olivia Newton John”s missing boyfriend” before the name you’d certainly understand.

In the summer of 2005, while on an overnight fishing trip, Patrick McDermott vanished. A quick and hasty search by the Coast Guard, as well as investigation “experts” on land, concluded that he must have fallen overboard and drowned.

In the search for the ever popular ratings, the television program “Dateline N.B.C.” contacted famed investigator Philip Klein and asked him if he would take one of two cases they had been following. Intrigued by the celebrity aspect, and the fact that nothing seemed kosher in the information presented to him, Klein took the McDermott case. For over two years he and his team interviewed witnesses, checked alibis and investigated leads previously dismissed. And they got their man!

A true storyteller (I would love to just sit down at a table with Mr. Klein and hear some of his exploits), Klein begins the book in the middle of a harrowing plane ride. With his wife, Inga, he is escorting a suspected kidnapper and the young child she abducted back to Texas. Approaching the runway at 200 MPH the front landing gear fail to lock, causing the plane to skid. Cool heads prevail, thankfully, and everyone gets off safely. But those few minutes inside the plane are riveting. Once Klein accepts the case he and his team begin to systematically follow the clues. And there are many. Most of them point to McDermott’s horrid ex-wife, described by anyone that would talk about her as a bitch. And that was the polite word. As the case progresses Klein and his team literally travel the globe, setting traps and beating bushes. Taking advantage of the world wide web they set up a “spider” web site, one that captures the IP address of everyone that visits it. They also set up a public web site which, within 48 hours of the first “Dateline N.B.C.’ show airing, crashes 39 times and gets over 2 million hits!

While Klein is the lead investigator he also praises his “team,” from his office workers to his field men. And to Inga! It’s clear that she is the force which guides him, both personally and professionally, and his words of appreciation ring true.

If you’ve ever wanted to get inside a missing person case…and I mean INSIDE…then “Lost At Sea” is a fine entrance.

Film Review “Wrath of the Titans”

Starring: Sam Worthington, Liam Neeson and Ralph Fiennes
Directed by: Jonathan Liebesman
PG 13
Running time: 1 hour 39 mins
Warner Brothers

Our Score: 3.5 out of 5 stars

The answer is YES. “Wrath of the Titans” is 100 times better then 2010’s “Clash of the Titans.” But wait, there’s more…

The film picks up many years after the first film ended. Perseus (Worthington), the son of Zeus (Neeson), recently widowed and raising young son Helius (John Bell), is living the quiet life of a fisherman. One night he is visited by his pop who tells him that because so many people have stopped praying to the Gods they are getting weak. If they get any weaker the world as the people know it will be destroyed. The source of that destruction is blamed on the common folk and their lack of prayer. Only after investigating does Zeus find that his brother, Hades (Fiennes), still bitter from the whole “sent to the underworld” thing, has teamed with nephew Ares (Edgar Ramirez) to release Kronus, the king of the underworld and father of Zeus, from where he has been seemingly forever. Kronus’ goal is to retrieve the lightning bolt of Zeus, the triton of Poseidon and the helm of Hades, which when assembled together will allow Kronus to defeat the Titans. Chaos ensues.

Featuring strong performances by Neeson and Fiennes, “Wrath of the Titans” features some brilliant effects (the fire and ash monster that is Kronus) and, though still converted, much better 3D then the last film. Which I’m sure will make Warner Brothers happy after the backlash the studio took from fans due to the horrible 3D conversion they shelled out good money for. The story is pretty much your standard mythological tale…monster threatens town/village/city/world and is eventually defeated by unassuming hero. Of course, the hero here is part man/part God, so he has a slight edge. The story has a more humorous tone as well, when Perseus encounters a trio of Cyclops. And, despite what I’m sure was against Worthington’s wishes (he spoke out very negatively about an appearance in the first film), Bubo the owl makes another appearance here.

I’d also urge you to get in your seats early as preceding the film is an incredible trailer for Peter Jackson’s upcoming “The Hobbit.” Worth an extra rating star all by itself!

Film Review “Salmon Fishing in the Yemen”

Starring: Ewan McGregor, Emily Blunt and Kristin Scott Thomas
Directed by: Lasse’ Hallstrom
PG 13
Running time: 1 hour 47 mins
Lionsgate

Our Score: 3.5 out of 5 stars

The news in England is pretty bleak. The headlines are full of stories about war and a bad economy. Enter Patricia Maxwell (Thomas), press secretary to the Prime Minister. She enlists her staff to search high and low for what she calls a “Good Story,” something that will take the peoples’ minds off of the negative. Unbeknownst to Maxwell, a very wealthy Yemeni Sheik (Amr Waked) with a love for fishing wants to bring the sport of salmon fishing to his country. A match made in publicity heaven.

Based on the novel by Paul Torday and adapted by Oscar winning screenwriter Simon Beaufoy (“The Full Monty,” “Slumdog Millionaire”), “Salmon Fishing in the Yemen” is a well written, finely acted film that hopefully will not get lost in the upcoming “BIG MOVIE” release schedule. McGregor plays Dr. Alfred Jones, who works for the government’s conservation office. Blunt is Harriet, who is the Sheik’s representative on the project. At first Jones believes it all a joke, quoting a price of 50 million pounds as the cost of the project thinking he will call the Sheik’s bluff. But when the Sheik deposits the money in the bank he realizes the plan may work. An avid fisherman himself, Jones understands the peace and tranquility the Sheik is hoping to share with his people. A secondary story featuring Jones and his wife and Harriet and her recent boyfriend gives the film a romantic twist. Fate throws the two together alone in a strange country after Alfred’s wife heads to Geneva for a six week work project and Harriet’s beau, a soldier, is listed as missing in action. Only a minor subplot concerning the Sheik’s countrymen and their worries that he is becoming too “westernized” slows the film down. Both leads work well off of each other and it’s a treat to hear McGregor unleash his Scottish accent on screen.

The photography is beautiful, with the normally dull desert landscapes brought to life by cinematographer Terry Stacey (“American Splendor”). Equally solid is Lasse Hallstrom’s direction, keeping the film moving as gracefully as salmon swimming upstream.

Exclusive “The Hunger Games” Giveaway [ENDED]

THANK YOU FOR ENTERING, THE CONTEST HAS ENDED. WINNERS HAVE BEEN CHOSEN AND NOTIFIED VIA EMAIL. PLEASE CHECK BACK EVERY WEEK FOR NEW GIVEAWAYS!

Thanks to the good folks at Lionsgate Films, MediaMikes has obtained a couple of rare promotional items to give away to celebrate the new film “The Hunger Games.”

We have (12) sets of “The Hunger Games” lanyards and lenticular Katniss book marks to give away. All you have to do is “LIKE” our Facebook page and then post “HG” and the name of your favorite “Hunger Games” character. If you’re already a fan of our Facebook page, just head over and post “HG” and the name of your favorite character. (12) winners will be randomly selected from all entries. The contest will run until Midnight on Sunday, April 8, 2012. Good luck!

Planet Comicon 2012 a Huge Success!

Edward James Olmos and MediaMikes' Mike Smith

After two days of packed panels and costumed fans, Kansas City’s Planet Comicon 2012 came to a close this past Sunday.

Not even unseasonably warm weather or the fact that the University of Kansas’ basketball team was playing for a spot in the Final Four (they made it) could keep fans away from the Overland Park Trade Center in Overland Park, Kansas, just outside of Kansas City.

Drawn to the show by such celebrity guests as Edward James Olmos, Billy Dee Williams and a trio of stars from “Buck Rogers in the 25th Century,” Planet Comicon 2012 may have been the best attended show in the history of the convention.

Buck Rogers himself, Gil Gerard, remarked to me, “this is the busiest Sunday I’ve ever seen at one of these events.” Gerard and fellow “Buck Rogers” actors Erin Gray and Felix Silla spent the weekend meeting and greeting their fans. Other guests included Robin Thorsen and Amy Okuda from “The Guild,” graphic artists like Bernie Wrightson and Blair Butler, star of G4’s “Attack of the Show.”

Shane DeMink took home the prize for Best Costume. His Captain Jack Sparrow was spot on, right down to the accent.

Film Review “The Hunger Games”

Starring: Jennifer Lawrence, Josh Hutcherson and Stanley Tucci
Directed by: Gary Ross
PG 13
Running time: 2 hours 22 mins
Lionsgate

Our Score: 4 out 5 stars

It happens every year. Called “The Reaping,” it consists of children being randomly selected to fight to the death in what has been known as, for the past 73 years, The Hunger Games. The winner is treated to a life of luxury. The losers…you know.

In District 12, 16 year old Katniss Everdeen (Lawrence) is hunting for food. No, really. Bow and arrow in hand she scopes out a deer. But the deer is startled by the sudden appearance of Gale Hawthorne (Liam Hemsworth). It’s obvious the two are sweet on each other but there are more serious things afoot. Like the upcoming “Reaping.” To be eligible, a child must be between the ages of 12 and 18. Katniss’ sister Prim just turned 12 this year and is nervous that she will be picked. With only one entry in the drawing her chances seem slim. But when the time comes it is Prim who is called. To save her sister Katniss offers herself up as tribute. Together with Peeta Mellark (Hutcherson), Katniss is sent to the Capitol to prepare herself for, literally, the battle of her life.

Based on the first of a series of popular novels by Suzanne Collins, “The Hunger Games” is a smart cross between “The Running Man” and “The Truman Show,” with a little “Romeo and Juliet” thrown in for good measure. In a brief intro we are informed that, many years ago, 13 districts tried to overthrow the government. When the rebellion was quashed, those in charge declared that, because of their actions, each year two children (a boy and a girl) would be “chosen” to fight to the death on live television. That’s right. “The Hunger Games” is a national phenomena….the Super Bowl of Carnage. “May the Odds be forever in your favor” is the often repeated phrase that the participants hear. But when there can only be one winner, the odds are pretty much stacked.

I haven’t read the books but I do know of the outcry fans of the novels had when Lawrence was cast. I liken it to the screams that came from Anne Rice fans when Tom Cruise was picked to play Lestat in “Interview With a Vampire.” The fans I talked to after the “HG” screening seemed pretty pleased with Lawrence and with good reason. Coming off an Oscar-nominated breakout performance in “Winter’s Bone,” Lawrence is continuing to prove herself as one of the best new talents working today. Cute as a button, Lawrence also manages to project the quiet strength needed to make Katniss believable. As Peeta, Hutcherson comes off a little whiny. If I had to bet on the outcome of the games I think I’d take the little 12 year old girl over Peeta. The supporting cast shines, even if they do so in hairdos that look like they were left over from a Tim Burton film. As the games master of ceremonies, Tucci chews the scenery in huge teeth and what appears to be a chonmage (the official name of the hairstyle you’d find on a Sumo wrestler) on his head. As Haymitch, the “mentor” for the team from District 12, Woody Harrelson hits all the right notes. As a past “winner,” he can’t help but be cynical about his charges chances. And a true tip of the hat to musician Lenny Kravitz for a strong performance as Cinna, the District 12 style guru. Coupled with fine work in “Precious” a couple of years ago, Kravitz could easily build a fine career in films.

As he has in previous films like “Pleasantville” and “Seabiscuit,” director Ross manages to get inside the characters he’s filming, allowing them to not be overshadowed by the action on screen. And speaking of the action, the film carries a rating of PG 13 largely because of the subject matter. There is some violence on screen but I don’t think it’s anything too rough for the book’s tween-age readers.

One thing I caught that might confuse those who haven’t read the books (and this is not a spoiler). During the opening “video” it is announced that 13 Districts revolted yet in the film only 12 are represented. I asked someone who read the books and was informed that the 13th District was destroyed…something that is made more of in the later books. Thought I’d share this so, like me, you’re not sitting in the theatre trying to figure out how two times thirteen equaled twenty four!

Planet Comicon 2012 This Weekend in Kansas City

Planet Comicon, one of the largest pop culture and comic book conventions in the Midwest, opens it’s 2012 edition this weekend, March 24 and 25, at the Overland Park International Trade Center in Overland Park, Kansas. The show runs from 10:00 am to 7:00 pm on Saturday the 24th and 10:00 am to 4:00 pm on Sunday the 25th.

As usual, actors and artists from every area of pop culture will be appearing live to meet and greet their fans. Major attendees at Planet Comicon 2012 include Oscar nominated actor Edward James Olmos (“Stand and Deliver,” “Battlestar Galactica,” “Miami Vice”) and Billy Dee Williams (“The Empire Strikes Back,” “Batman,” “Brian’s Song”).

Other guests appearing include Jake Lloyd (young Anikan Skywalker in “Star Wars Episode One: The Phantom Menace”), Gil Gerard, Erin Grey and Felix Silla from “Buck Rogers in the 25th Century,” and Amy Okuda and Robin Thorsen from “The Guild.”

There will also be a plethora of comic book artists as well as a jam packed dealers room. Admission is $20 for an Adult Weekend Pass, $15 for a one day Adult Pass and $5 for kids ages 7-14. Kids under 7 are admitted free.

For more information head to http://www.planetcomicon.com/

Film Review “21 Jump Street”

Starring: Jonah Hill, Channing Tatum and Ice Cube
Directed by: Phil Lord and Chris Miller
MPAA Rating: R
Running time: 1 hour 49 mins
Columbia

Our Score: 4.5 out of 5 stars

2005. High school seniors Schmidt (Hill) and Janko (Tatum) are on opposite ends of the popularity meter. Schmidt is quiet and smart and has a horrible time talking to girls. Janko is the classic big man on campus. For very different reasons, neither attends their senior prom.

2012. Reunited at the police academy, the two develop a friendship. But their first crack at big time crooks will have to wait. They’re on bicycle duty. But when an “old and recycled” program is reinstated they find themselves assigned under cover as high school students hoping to uncover a new drug and its manufacturer. And the fun begins!

Hilarious from beginning to end, and featuring a surprisingly funny performance by Channing Tatum (who knew this guy could be funny…he’s always brooding every time I see him), “21 Jump Street” is the funniest film of the year so far. Both cops find out that high school isn’t the same the second time around. While Janko was the epitome of cool in 2005, he finds that the shift of power now favors the more studious kids. Which works out fine for Schmidt, whose high school highlight was forming the Juggling Society (one man, three balls). It’s kind of like “The Breakfast Club” only now Anthony Michael Hall is cooler then Judd Nelson.

Both leads do a great job conveying they’re new stations in life. Ice Cube is the, in his words, stereotypical angry black police captain, and he has fun with the role. Supporting characters, including Chris Parnell, Rob Riggle and Dave Franco (James’ little brother and an upcoming talent to watch) keep the film moving along briskly.

Film Review “Jeff Who Lives At Home”

Starring: Jason Segel, Ed Helms and Susan Sarandon
Directed by: Jay Duplass and Mark Duplass
MPAA Rating: R
Running time: 1 hour 23 mins
Paramount Vantage

Our Score: 3.5 out of 5 stars

Meet Jeff (Segel). Like the title of the movie says, he lives at home. In his mother’s basement. He spends his days smoking pot and discussing the many interesting facets of the movie “Signs.” He also gets the occasional wrong number calling him. Today someone was looking for “Kevin.” Hmmmmmm.

Featuring a strong performance by Segel, “Jeff, Who Lives at Home” is a story that tries to convince us that everything happens for a reason. Good or bad, hot or cold, fast or slow…one action leads directly to another…even if there are many detours along the way.

When asked by his mother (Sarandon) to fix a simple closet door Jeff instead finds himself following a young man (Evan Ross) he spies on the bus simply because he has the name KEVIN on the back of his basketball jersey. Across town, his brother Frank (Helms) is rewarding himself for having a good week at work. Unfortunately, his wife (Judy Greer) is not too happy with the reward system Frank has come up with. She’s also tired of the lack of communication between them and may or may not be looking to reward herself with a little male company. Meanwhile, mother is dealing with a possible secret admirer at work. And what was that about KEVIN?

Bravely played by Segel, whose fondest act here is playing the part sans makeup, his constant five o-clock shadow a reminder of his life, “Jeff, Who Lives at Home” is a true family comedy with a truly dysfunctional family. Whereby Jeff can get along without all of the trimmings of life (car, house…even a girlfriend), Frank considers these things the most important symbols that he is indeed living a life. Coming across almost as cocky as Danny McBride’s Kenny Powers, Helms does his best to make the audience feel for a character who really doesn’t deserve sympathy. Frank is pretty much one dimensional so credit to Helms for trying. Sarandon gives a strong performance as a woman who doesn’t realize she misses the life she once had. Kudos as well to supporting work by Greer and Rae Dawn Chong, who plays a co-worker of Sarandon’s. But the film breathes through Segel, who says more here with his eyes then some actors say in a two page monologue. If not for a telegraphed, treacle-filled ending, “Jeff, Who Lives at Home” could have been practically perfect. But at least it’s better then “Signs.”

 

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“Footloose” DVD Giveaway [ENDED]

THANK YOU FOR ENTERING, THE CONTEST HAS ENDED. WINNERS HAVE BEEN CHOSEN AND NOTIFIED VIA EMAIL. PLEASE CHECK BACK EVERY WEEK FOR NEW GIVEAWAYS!

To celebrate the DVD release of “Footloose”, Media Mikes would like to giveaway THREE copies of film on DVD. If you would like to win this great prizes, just go to our Facebook page, like us and then leave the comment “Footloose.” We will choose (3) random comments as winners of the DVDs. If you are already a MediaMikes Facebook fan, just go to our Facebook page and leave the comment “Footloose.” Contest is open until midnight EST March 27, 2012.

Writer/Director Craig Brewer delivers a new take of the beloved 1984 classic film, “Footloose.” Ren MacCormack (played by newcomer Kenny Wormald) is transplanted from Boston to the small southern town of Bomont where he experiences a heavy dose of culture shock. A few years prior, the community was rocked by a tragic accident that killed five teenagers after a night out and Bomont’s local councilmen and the beloved Reverend Shaw Moore (Dennis Quaid) responded by implementing ordinances that prohibit loud music and dancing. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel (Julianne Hough) in the process.