Film Review “Men in Black III”

Starring: Will Smith, Tommy Lee Jones and Josh Brolin
Directed by: Barry Sonnenfeld
PG 13
Running time: 1 hour 47 mins
Columbia Pictures

Our Score: 4 out of 5 stars

It’s been 10 years since Agent’s “J” and “K” have made our world safe from aliens. A lot of things have changed since then. A lot hasn’t. But when the fate of the world depends on things changing 40 years in the past, who you gonna call? No, not the Ghostbusters!

The original “Men in Black” was the second of three summer films that established Will Smith as a bonafide box office star (and a sure bet to open a film over the 4th of July). His young buck agent “J” played perfectly off of Tommy Lee Jones’ gruff agent “K.” “MIB 3” finds them just as we remember them. But MIB itself has changed. The new head of the agency is the lovely “O” (Emma Thompson). She and “K” appear to have a bit of a past but if that’s true she’s not saying. When a galactic menace named Boris the Animal ( played by “Flight of the Conchords” Jemaine Clement) escapes his lunar prison, intending to settle a long time score with “K”, “J” must travel back in time to 1969, where he again encounters “K” (a brilliant Josh Brolin). While there doors are unlocked and questions are answered.

A resounding return to the magic that made the original “Men in Black” so successful, “MIB 3” is what a summer movie should be: FUN! Well written and featuring some of the best effects on screen this year (my apologies, “Avengers”), the film also features some fine performances. Smith easily slips back into the wise cracking “J” while Jones has mastered the crusty old mentor role. The standout here is Brolin, who nails Jones’ mannerisms and vocal tics. Every time he calls Smith “slick,” hondo” or “sport” you almost expect to see Jones standing behind him. Clement is also solid in a role I never would have considered him for. His Boris the Animal (“it’s JUST Boris,” he hisses when addressed by his full moniker) is truly evil and much more suited to take over the world then Johnny Knoxville’s head in “MIB 2.” The visual effects are just as sharp, with 12 time Oscar nominee (and 7 time winner, including for the original “Men in Black”) Rick Baker and staff outdoing themselves.

Director Sonnenfeld keeps the pace moving smoothly while the script by, among others, Etan Coen (“Tropic Thunder”) and David Koepp (“Jurassic Park,” “Spider-man”) delivers the humor as well as an unexpected emotional payoff. As in the other films in the series, the production values are top notch with special credit going to cinematographer Bill Pope (the “Matrix” films, “Spider-Man 2 and 3”), whose lens seemingly captured a post card of New York City, circa 1969. Credit as well to long time Sonnenfeld production designer Bo Welch, whose attention to the detail of the late 1960s is outstanding.

Film Review “Chernobyl Diaries”

Starring: Jesse McCartney, Jonathan Sadowski and Olivia Dudley
Directed by: Bradley Parker
R
Running time: 1 hour 30 mins
Warner Brothers

Our Score: 3.5 out of 5 stars

Blame “The Blair Witch Project.” Since that film came out in 1999, a plethora of “found footage” films has invaded the multiplex. Some of them (“Cloverfield,” the “Paranormal Activity” series) have been downright scary. Others, like the recent “Apollo 18,” have been anything but. Now we have “Chernobyl Diaries” which, thankfully, is no “Apollo 18.”

On a trip to Europe three young friends visit all of the major cities on the continent. London. Prague. Frankfurt. The trio is made up of Chris (McCartney), his girlfriend Natalie (Dudley) and their friend Amanda (Devin Kelly). The group ends up in Kiev, where they plan to meet up with Chris’ brother, Paul (Sadowski). The plan is to take a trip to Moscow. But the plans change when Paul enlists Uri (Dimitri Diatchenko), an “extreme tour” guide. Uri informs them that he can take the group to Pripyat, which is where the workers of the Chernobyl Nuclear Plant and their families lived. They learn that, after the reactor meltdown a quarter century ago, the residents of the town were given less than five minutes to evacuate. It now stands as a town that time forgot, where because of the fallout, nothing can live. Almost nothing.

Best described as “I Am Legend” meets “Paranormal Activity,” “Chernobyl Diaries” is a pretty slick little film. The “Paranormal Activity” gene comes straight from the source as the film was co-written by Oren Peli, the writer/director of the original film. His script is solid here, with an unflinching look at what the effects of a nuclear disaster can be. In Pripyat giant bears and packs of dogs hunt in the woods while fish resembling the kind swimming near the nuclear plant on “The Simpsons” fill the lake. The city is also occupied by what appears to be a race of people that have mutated into night dwelling monsters.

Though some of the scares are telegraphed the majority of the film is pretty intense. Credit a strong cast, a keen eye by first time director Parker and a production designer who has managed to bring, excuse the pun, a dead town to life. The set pieces are impressive as are the visual effects. If you’re looking for a fright this holiday weekend you could do much worse then “Chernobyl Diaries.”

Film Review “Battleship”

Starring: Taylor Kitsch, Brooklyn Decker and Liam Neeson
Directed by: Peter Berg
PG 13
Running time: 2 hrs 21 mins
Universal

Our Score: 2 out of 5 stars

“H-7. Hit. B-7. Miss. H-8. Hit. You sunk my Battleship!”

If you grew up in the 1970s you remember the television commercial about the two old men playing “Battleship” while attending the opera. I certainly played it enough in my time (though I will admit here that I often cheated, stating “Miss” when in reality my mine sweeper should have been heading to the bottom of the ocean). Now, from Hasbro, the toy company that gave you such films as “Transformers” and “G.I. Joe” (as well as their sequels), comes “Battleship.”

2005. A planet almost identical in location from its sun as Earth is discovered in a far away galaxy. Hoping to learn more about it, our government builds a transmission station and the next year sends a radio beacon into space, hoping to reach the planet. The project is called, simply, the Beacon Project. As the beam heads skyward, we are introduced to Alex Hopper (Kitsch), a slacker in every sense of the word. Alex currently lives on the couch in the home owned by his brother Stone (Alexander Skarsgard), a commander in the U.S. Navy. Another of his apparently frequent run-ins with the law cause Stone to lay the law down, demanding Alex make something of his life by joining him in the Navy. Aye-aye, sir!

Over the top in every way, “Battleship” is two-plus hours of explosions in what is really a mash-up of “Independence Day,” “Transformers,” “Signs” and “Power Rangers.” But, not necessarily in a good way. The film starts off promisingly, with Alex going above and beyond to obtain a snack for the pretty daughter (Decker) of a Navy admiral (Neeson). But then things begin to unravel. In what seems like a day (no transitional scenes) Alex is now a naval officer stationed in Hawaii. He is also part of a soccer team that plays the sailors of the Japanese navy who are visiting Pearl Harbor to take part in a training exercise and attend a dedication to the battleship U.S.S. Missouri. Good point? I’m going to say “no.” Because I know that if I were a naval veteran at Pearl Harbor the last thing I want to see is the Japanese navy! Anyway, during the game Alex gets in an altercation with a Japanese player. Apparently that’s a bad thing because, as Alex heads out to sea on his training exercise he’s informed that “JAG” is probably going to kick him out of the Navy. Really? Without a trial? Is Alex in the RUSSIAN navy?

On the slight “plus” side of the film, the special effects are first rate though, like “Transformers 2,” they are eventually almost a blur because of the films’ dependence on them. The cast does its best with what it was given. Kitsch is a likable actor who’s two biggest roles (here and this past spring entry “John Carter”) have pitted him against special effects. He needs to find a role that lets him achieve the performances he reached on “Friday Night Lights.” And hopefully avoid his agent’s phone call when the ultimate Hasbro movie, “Lincoln Logs vs Tinkertoys,” is being cast!

Aretha Franklin fills Kauffman Center with Soul

Photo by: Patrick Howell courtesy of Kauffman Center for the Performing Arts

Aretha Franklin
Kauffman Center for the Performing Arts
Kansas City, Missouri
May 8, 2012

A few years ago, “Rolling Stone” magazine published a list of the 100 greatest voices in rock and roll history.  No surprise that number one went to the Queen of Soul herself, Ms. Aretha Franklin.  At the beautiful Kauffman Center in Kansas City, her majesty held court for a sold out audience.  And she didn’t disappoint.

Cloaked in a fur coat and carrying her pocketbook, as if she was just stopping by to say hello, Ms. Franklin opened her show with a rousing version of Jackie Wilson’s “(Your Love Has Lifted Me) Higher and Higher.”  For the next hour and a half she regaled the audience with many of her hits (“Think,” “Chain of Fools”) as well as some surprises.

The show went off without a hitch.  Almost.  After her second number Ms. Franklin requested that the stage airconditioning be turned off, threatening to leave the stage if it wasn’t.  “I came to give Kansas City my best performance,” she informed the unknown tech, again requesting the a/c be cut.  Thankfully for all in attendance it was.  Later in the show one of her bracelets fell off.  She eventually enlisted the help of her band director, who refastened it to much applause.

Ms. Franklin was in fine voice, hitting all of the notes the audience expected.  She kicked off the second act of her show by sitting down at the piano and paying tribute to one of her mentors, the late, great Sam Cooke.  While images of Cooke were shown on the video screen, Ms. Franklin sang one of Cooke’s biggest hits, “You Send Me.”  “Jesus” she said, as shots of the handsome Cooke filled the screen, “he was a fine man!”  She followed up with a moving tribute

Photo by: Tim Hursley

to the late Whitney Houston, singing a few bars of “I Will Always Love You.”  She concluded the second act with an audience favorite, “Freeway of Love.”

For her encore she informed the audience that the other night she had seen one of her five favorite films on television (among her favorites: “Dr. Zhivago,” “The Thomas Crown Affair” and “Lady Sings the Blues.”  I can only assume one of them is “The Blues Brothers.”)  She then delivered a moving version of “The Way We Were.”  She concluded the evening with her signature number, “Respect.”

On a side note, I must add here that this was my first visit to the Kauffman Center for the Performing Arts and it was easily one of the most beautiful venues I’ve attended an event at, The complex, along with the Sprint Center, is one of the crown jewels in Kansas City’s performing arts crown.

SET LIST:  (Your Love Is Lifting Me) Higher and Higher, Share Your Love with Me, Think, Baby I Love You, Something He Can Feel, Chain of Fools, Ain’t No Way, Instrumental Highlights (the band was TIGHT), Find Me An Angel, Help Me Lift Him Up, You Send Me, I Will Always Love You, Freeway of Love.  ENCORE:  The Way We Were, Respect.

Rick Hornyak talks about his new CD

What makes a hard working union man in Pennsylvania suddenly decide to chuck everything aside and head to Texas? That’s one of the things I made sure I asked Rick Hornyak when we spoke. A singer/songwriter with a great gift for lyrics, Hornyak is currently embarking on one of several short tours planned for 2012 in support of his new CD, “Marigold.” I recently talked to Rick about his music, his passions and, of course, why Texas?

Mike Smith: How long had you been writing songs before you decided to pursue music as a career?
Rick Hornyak: I guess I started writing songs when I was about 19. I used to work in a steel mill and that kept me pretty busy so there weren’t a lot of songs from age 20 to 27, when I finally had a dozen or so that I was kicking around. When I was 27 I moved to Austin (Texas) and I’ve written a lot more since. So probably when I was around 19 or 20 years old was when I started coming up with original songs.

MS: How was it adjusting from quiet, sleepy Pennsylvania to wild and crazy Austin?
RH: I have to tell you it was really terrifying for the first six months. I really am from one of those middle-of-nowhere, one traffic light towns in Pennsylvania. I was afraid of the city. My parents had lived in Pennsylvania as did their parents and we grew up thinking that the city was dangerous. I was always afraid I would end up in the bad part of town or that something was going to happen to me. But as soon as I learned the names of a few main roads I discovered I could get where I needed to go. I’d have to say it was terrifying, but exciting, at the same time.

MS: “Marigold” is your first full length CD. Is there a deliberate tone to the album? You have a nice collection of ballads mixed in with some up-tempo tunes.
RH: We actually sent around a pre-release survey to friends and family and people we already knew who were familiar with the band. We sent them mixes of the songs and tried to get an idea of the order to put the songs in…what were their strong points. We went through about 30 of those. I’m so happy that people took the time to fill them out. To listen to the songs and fill them out. The song “See This Through” was a very popular one. Another song that people were really leaning towards is “Right in Front of Me.” As for any kind of theme, I’ve recently just discovered that I was reaching a kind of inner peace when I was writing. I fell in love again after ten years of sort of being single and a little bit bitter. My life was starting to get a little more stable. I wanted to start taking care of my body more…to be a little less self destructive. So that’s really the kind of general tone…it captures a time of my life when I did a lot of reflecting.

MS: I’m glad you mentioned “See This Through.” It’s one of the songs that I really took notice of on the CD. I’m a fan of great lyrics and that song definitely fits the bill. Were there any musicians that influenced you when you were growing up…made you say “Wow, this is what I want to be!”
RH: I have a really diverse music sense because I listened to everything growing up. When I was a kid I listened to 50s and 60s pop records that my parents had. I’ve loved music, as I’m sure you have, probably since I was 5 years old. It made me want to dance around the living room. I grew up listening to Tommy James and the Shondells…the Supremes…the Beatles. Those were my parent’s records. I don’t know how much of his actual style I picked up, but Bob Dylan, when I was in my early 20s, he showed me the power of what a songwriter could be. The way that somebody else’s words can make you think that song was written just for you. I’ve had people tell me that about a couple of my songs and it’s so flattering. The song we were just talking about…”See This Through”…a friend of mine was inspired by the song to put her bar up for sale and move to Hawaii. She gathered enough money for a couple of months, got an apartment and got a bartender job. She let her employees run the bar until it sold. I kind of got off the question (laughs)…I’d definitely have to say Bob Dylan was a real influence.

MS: You’re on the first leg of several short tours this summer. Do you have any plans to record again soon?
RH: I’ve got some songs in the works. All of the new candidates are here. A few that are done and about a dozen or so in the refining process. That’s something that’s tough to do when you’re on the road and touring. You’ve got so many things to do that you often lack that three hours you need to go in and try to write every day. But that’s what I’m doing in my free time. I’m trying to make sure that I’ve got a lot of new material ready. I feel I need to push myself. I want to top my next record in my own head. That’s how I felt with “Marigold.” I felt I had taken a big step. That I was getting better. I could hear it and that’s a great feeling for a song writer.

Rick concludes this leg of his 2012 tour with a stop Sunday night, May 13, at Ernie Biggs in Kansas City. For more tour information, or to order his new CD, go to www.rickhornyak.com

 

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CD Review: Rick Hornyak “Marigold”

Rick Hornyak
“Marigold”
Produced by: Rick Hornyak
11 tracks
Running time: 45 mins

Our Score: 4 out of 5 stars

It was about three songs in, on the second listening of Rick Hornyak’s new CD, “Marigold,” that I put my finger on how to best describe his sound. The Austin, Texas resident, by way of Clarks Mills, Pennsylvania, was spinning beautiful stories that made my mind wander. And then it hit me. Hornyak’s music is best described as Mike Nesmith (his solo stuff (“Different Drum”), not his Monkees years) meets Jimmy Buffett. Like Nesmith, who hailed from Houston, Hornyak has a smooth, folksy delivery that emphasizes the moods of each song. Like Buffett, his lyrics tell amazing stories. He is also an accomplished guitarist, starting of songs like “So Many Times Before” with some fancy guitar work. To me the standout song is “See This Through,” delivered so sincerely it could have been part of Bad Blake’s concert set in the film “Crazy Heart.” Other notable songs are “Foolish Love” (good for slow dancing) and the cheerfully delivered “The
Monkey Song.”

Track Listing:
1. So Many Times Before
2. See This Through
3. Right in Front of Me
4. Cigarettes
5. Homesick Blues
6. Don’t Hide Away
7. Foolish Love
8. Door to Your Heart
9. Far From Home
10. The Monkey Song
11. Moving On (Without You)

Film Review “The Dictator”

Starring: Sacha Baron Cohen, Anna Faris and Ben Kingsley
Directed by: Larry Charles
R
Running time: 1 hour 25
Paramount

Our Score: 5 out of 5 stars

When a film opens with a dedication to the late Korean leader Kim Jong Il you know you’re going to be taking a politically incorrect ride. And when the film comes from the mind of the brilliant Sacha Baron Cohen, you know it’s going to be hilarious.

Unlike his previous faux documentaries featuring his characters Borat and Bruno, “The Dictator” finds Cohen starring as Admiral General Aladeen, the title dictator of the North African county of Widya. Aladeen rules with a heavy fist. Disagree with something he says, block his way on the stairs or forget to offer him the prize that came out of your box of cereal and, with a quick flick of his hand past his neck, you’re taken away. He has survived many assassination plots, mostly because his chief of staff (Kingsley) has a stable of doubles around whose main job is to get shot in the head. Tired of the atrocities going on in his country, the United Nations summon Aladeen to New York, demanding he address the group and his country’s presumed search for nuclear power. But when Aladeen finds himself on the outside looking in he must also look inside himself for the answers.

Sharing screenwriting duties with three others, Cohen has crafted a masterpiece of political incorrectness. No one is spared here, especially those of the Jewish faith. A devout Jew himself, Cohen proves that often it is necessary to point out our faults and prejudices with laughter rather than anger. The laughs are pretty much non-stop and if you’re familiar with “Borat” or “Bruno” then you know you’re going to see and hear a lot more then you’d expect in a film. Cohen is top notch in what amounts to a dual role, as are co-stars Faris, in a rare appearance as a comic straight man, and Oscar-winner Kingsley. Supporting turns by Aasif Mandvi, Chris Parnell and others keep the laughs coming at a very brisk pace. The film is accompanied by a collection of recognizable songs, though they seem new because each song is now sung in Widyan. The musical score, by Cohen’s older brother Erran, is also a fine compliment to the film.

In the kingdom of comedy there is currently only one ruler. Hail Sacha Baron Cohen!

Film Review “Dark Shadows”

Starring: Johnny Depp, Michelle Pfeiffer and Eva Green
Directed by: Tim Burton
PG 13
Running time: 1 hour 53 mins
Warner Brothers

Our Score: 4 out of 5 stars

As a boy of 10 I would run home from school every afternoon to catch the gothic soap opera “Dark Shadows.” The story of 18th century vampire Barnabas Collins roaming the streets in modern times, the show aired on ABC for six seasons and was a great training ground for future television stars like Kate Jackson, Dana Elcar, Conrad Bain, Abe Vigoda and David Groh. Even Harvey Keitel appeared in a couple of episodes. The show was unusual for its time as it blended romance and comedy with a dash of horror. This week, director Tim Burton and his frequent star Johnny Depp add their own quirky touches to a film that pays perfect homage to the series that inspired it.

In the 1750s, young Barnabas Collins (Justin Tracy) and his family leave Liverpool and head for the new world. There his father begins building his fortune in the fishing business. Though the family is well off, his father reminds Barnabas of the most important thing…”family is the only real wealth.” Barnabas is in love with the beautiful Josette (Bella Heathcote). However he has also dabbled around with the mysterious Angelique (Green). When he refuses Angelique’s pleas to be hers only she flies into a rage. It seems Angelique is a witch. She punishes Barnabas’ rejection by turning him into a vampire and then turning the town on him. He is quickly spirited off to the woods, chained into a coffin and buried, condemned to spend the rest of his unnatural life in darkness.

1972. In the town of Collinsport, Maine a construction crew unearths an odd object. Opening it they are suddenly attacked. Soon they are all dead, their blood drained from their bodies. As the police investigate a bus carrying the fair Victoria (also Heathcote) arrives. She has come to apply for the nanny position being advertised for by Elizabeth Collins Stafford (Pfeiffer). Upon arrival at the family mansion, she is quickly introduced to the residents: handyman Willie (Jackie Earle Haley), Elizabeth’s brother, Roger (Jonny Lee Miller), her daughter Carolyn (Chloe Grace Mortez), her nephew David (Gulliver McGrath) and the family psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter). Finding his way to the mansion, Barnabas introduces himself and begins to assimilate himself back into the family. And a lost love to regain.

Cleverly written by Seth Grahame-Smith (author of the novel, “Abraham Lincoln: Vampire Killer”), “Dark Shadows” is a faithful homage to the television show I remember, with a little more humor thrown in to keep the youngsters interested. The cast does a fine job with their character development, with Depp leading the way. His Barnabas is youthful in appearance and, as the 1970s were a time of unusual mod fashion, he blends right in. He is puzzled by some of the achievements he has missed, as well as finding the most comfortable place to take a nap. He also doesn’t understand why 15-year old Carolyn isn’t married yet (surprised, he tells her that she must “put her child bearing hips to good use”). Here horror takes a backseat to comedy, but the jokes work a majority of the time. The special effects are tame, as is the on-screen violence. But the film is not out to shock, it’s out to enlighten. As Barnabas begins to stir things up, he soon learns that, like his father used to tell him, family IS important. And it is this lesson that Barnabas uses to educate the others.

The film is typically Burton, combining color and whimsy together to form a backdrop that keeps the film moving at a brisk pace. The cast has fun with their roles, as well as with the early 1970s backdrop. The musical score, by long time Burton collaborator Danny Elfman, lends the film a perfect accompaniment. Like Steven Spielberg and John Williams, the two artists seem to share similar visions when discussing film. As a tribute to a television classic, “Dark Shadows” is right on the mark.

 

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Film Review “The Best Exotic Marigold Hotel”

Starring: Judi Dench, Dev Patel and Bill Nighy
Directed by: John Madden
PG 13
Running time: 2 hours 3 mins
Fox Searchlight

Our Score: 4.5 out of 5 stars

This time of year brings many surprises to the multiplex. This season’s first surprise is a charming film packed with a who’s who of some of the greatest actors to ever come out of England. The film is called “The Best Exotic Marigold Hotel” and it’s a fine diversion from the super heroes and animated fare that fills theatres in the summer months.

The story concerns a group of Brit senior citizens looking for a way to keep their autumn years comfortable. Evelyn (Dench) is recently widowed and learning that her husband has left her in a considerable amount of debt. Graham (Tom Wilkinson) is a retired judge who still regrets leaving the love of his youth. Douglas and Jean (Nighy and Penelope Wilton) are a couple of civil servants trying to rekindle the sparks of their marriage. These people and others are drawn to a brochure they are sent from India advertising the opulent Marigold Hotel. Soon the group is off to Jaipur, hoping to spread their retirement money out longer in the Indian economy. However, when they arrive they discover that the hotel is not as fancy as pictured. The phones don’t work, the faucets drip and not all of the rooms have doors. However, inspired by the passion of the hotel’s young owner/manager Sonny (Patel) the palace they imagined begins to take shape.

Skillfully acted by a group that has, between them, 14 Academy Award nominations and 3 Oscars (not to mention the one Bill Nighy should have won for “Love Actually”), the film is the greatest assemblage of British talent since the last “Harry Potter” film. As each person begins to deal with their new surroundings, the story enfolds, enveloping each of them with the magic that Sonny is trying to restore to his family’s hotel. Also along for the trip is Mrs. Donnelly (Maggie Smith) who, rather than wait on a rather long list for a hip transplant, takes advantage of the cost and availability of Indian medicine and two seniors (Celia Imrie and Ronald Pickup) still looking for the excitement that love brings. There are secrets to be discovered, of course, and that is what makes this rather exotic trip worthwhile. Patel brings the same youthful ambition here that he displayed in “Slumdog Millionaire” and more then holds his own against his older co-stars. On the technical side, the film is brilliant with the colors and sights of India, delivering a much more nuanced vision of the country then the one featured in many films. Director Madden keeps the pace moving briskly, helped mightily by a witty script by Ol Parker, based on Deborah Moggach’s novel, “These Foolish Things.”

 

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Media Mikes’ 2012 Summer Movie Preview

It’s almost summertime and, as the song says, the living is easy. Especially if you’re a superhero. Last year the summer movie season took off with a bang, helped by the giant hammer wielded by “Thor.” This year he’s back…and he’s bringing some friends with him. Hopefully if you’re reading this you’ve already seen (or plan to see again) “The Avengers.” Remember to sit through the credits next time.

Here is a list of some of the movies we’ll be talking about this summer. Some synopsis information courtesy of our friends at the Internet Movie Data Base. As always, release dates are subject to change at the whim of the studio.

MAY 4
THE AVENGERS
Starring: Robert Downey, Jr., Chris Evans and Samuel L. Jackson
Directed by: Joss Whedon
The best of the Marvel World…well, minus the X-Men and Spider-Man…team up to save the earth. Trust me, after this thing makes $100 million opening weekend (only it’s two and a half hour running time prevents me from predicting $125 million) Warner Brothers will team Whedon with Christopher Nolan for the ultimate “Justice League of America” film!

THE BEST EXOTIC MARIGOLD HOTEL
Starring: Judi Dench, Maggie Smith and Bill Nighy
Directed by: John Madden
A group of English retirees travel to India with the plans of staying in a fashionable hotel. What they find is the Marigold Hotel. Madden directed Dench to an Oscar in “Shakespeare in Love.” Look for our review when the film opens wide on May 11.

MAY 11
DARK SHADOWS
Starring: Johnny Depp, Michelle Pfeiffer and Eva Green
Directed by: Tim Burton
When I was 10 years old I would sprint home from school to catch the gothic soap opera “Dark Shadows.” The film finds Victorian age vampire Barnabas Collins loose in the late 20th century. Though the television series was quite serious, this looks more like a vampire-out-of-water comedy. Burton has hit and missed when he’s tackled previously known projects (“Planet of the Apes, “Charlie and the Chocolate Factory). Look for original series star cameos from David Selby, Kathryn Leigh Scott, Lara Parker and the original Barnabas, Jonathan Frid. Sadly, Frid just passed away last month, prophetically on Friday, April 13th.

THE DICTATOR
Starring: Sacha Baron Cohen, Anna Faris and John C. Reilly
Directed by: Larry Charles
According to Sacha Baron Cohen, he loosely based his script on “Zabibah and the King,”a novel reportedly written by former Iraqi Leader Saddam Hussein. Here the star of “Borat” and “Bruno” portrays General Aladeen, a proud oppressor of the people.

HICK
Starring: Chloe Grace Moretz, Blake Lively and Rory Culkin
Directed by: Derick Martini
A Nebraska teen gets more than she bargained for when she sets out for the bright lights of Las Vegas.

MAY 16
THE SAMARITAN
Starring: Samuel L. Jackson and Luke Kirby
Directed by: David Weaver
After serving 20 years in prison, a man tries to walk the straight and narrow path. But he soon learns the past isn’t something he can easily ignore.

MAY 18
BATTLESHIP
Starring: Taylor Kitsch, Liam Neeson and Rhianna
Directed by: Peter Berg
Yes, the popular board game is now the film. And if my eyes don’t deceive me, there’s a little bit of Transformers thrown in for good measure. Ah, the power of the people at Hasbro!

HYSTERIA
Starring: Hugh Dancy and Maggie Gyllenhaal
Directed by: Tanya Wexler
What happened when Doctor Mortimer Granville invented the vibrator? I’m sure it’s pretty darn funny. Perhaps even hysterical!

VIRGINIA
Starring: Jennifer Connelly, Emma Roberts and Ed Harris
Directed by: Dustin Lance Black
A sheriff sees his state senate bid slide out onto the ice when his daughter begins to date the son of a charming but psychologically disturbed woman with whom the sheriff has engaged in a two-decade-long affair. Writer/director Black won an Oscar for his screenplay for “Milk.”

WHAT TO EXPECT WHEN YOU’RE EXPECTING
Starring: Cameron Diaz, Jennifer Lopez and Matthew Morrison
Directed by: Kirk Jones
Five intertwined stories focus on couples about to welcome their bundles of joy into the world.

MAY 25
CHERNOBYL DIARIES
Starring: Jesse McCarthy and Olivia Dudley
Directed by: Bradley Parker
On an “extreme tour” of the abandoned city of Pripyat, where the former workers of the Chernobyl Nuclear Reactor lived, six tourists discover they are not alone.

HIDE AWAY
Starring: Josh Lucas and James Cromwell
Directed by: Chris Eyre
In an attempt to reconnect with his life, a man buys and rehabs a used sailboat.

MEN IN BLACK 3
Starring: Will Smith, Tommy Lee Jones and Josh Brolin
Directed by: Barry Sonnenfeld
To save Agent K from death by alien Agent J must travel back to the 1960s. Let me say here that when I saw “No Country for Old Men” I said that Josh Brolin reminded me of a young Tommy Lee Jones. Here, Brolin plays A YOUNG TOMMY LEE JONES!

MOONRISE KINGDOM
Starring: Bruce Willis, Edward Norton and Frances McDormand
Directed by: Wes Anderson
When a young couple flee their small town the locals form a search party to find them. After films like “Rushmore,” “The Royal Tannenbaums” and “The Fantastic Mr. Fox” I’ll follow Wes Anderson anywhere.

JUNE 1
HIGH SCHOOL
Starring: Adrien Brody and Michael Chiklis
Directed by: John Stalberg
When the pot loving high school valedictorian faces the consequences of a drug test he conspires to find a way to have the entire school fail the test.

KILLER JOE
Starring: Emile Hirsch, Matthew McConaughey and Juno Temple
Directed by: William Friedkin
In order to pay off a debt, a man puts a hit out on his mother so he can collect the insurance money. One of the greatest directors of his generation, Friedkin won an Oscar for “The French Connection” and gave us “The Exorcist” and “Sorcerer” in the 1970s.

PIRANHA 3DD
Starring: Danielle Panabaker and Ving Rhames
Directed by: John Gullagher
There were so many naked breasts in “Piranha 3D” that I joked in my review they should have called the film “Piranha 3DD.” I need to start copywriting my ideas. Since Lake Victoria is no longer friendly our fishy pals head to a nearby water park.

SNOW WHITE AND THE HUNTSMAN
Starring: Kristen Stewart, Charlize Theron and Chris Hemsworth
Directed by: Rupert Sanders
In a twist to the fairy tale, the Huntsman ordered to take Snow White into the woods to be killed winds up becoming her protector and mentor in a quest to vanquish the Evil Queen.

JUNE 8
BEL AMI
Starring: Robert Pattinson and Chrisina Ricci
Directed by: Declan Donnellan and Nick Ormerod
The chronicle of a young man’s rise to power in Paris via his manipulation of the city’s most influential and wealthy women.

MADAGASCAR 3: EUROPE’S MOST WANTED
Starring the voices of: Chris Rock, Ben Stiller and David Schwimmer
Directed by: Eric Darnell, Tom McGrath and Conrad Vernon
While still trying to return to New York the animals become part of a traveling circus in Europe.

PEACE, LOVE AND MISUNDERSTANDING
Starring: Jane Fonda, Catherine Keener and Jeffrey Dean Morgan
Directed by: Bruce Beresford
An uptight NYC lawyer takes her two teenagers to her hippie mother’s farmhouse upstate for a family vacation.

PROMETHEUS
Starring: Michael Fassbinder, Charlize Theron and Noomi Rapace
Directed by: Ridley Scott
A team of explorers discover a clue to the origins of mankind on Earth, leading themon a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race. Is this the prequel to Scott’s “Alien?” If it is, he isn’t saying.

JUNE 15
ROCK OF AGES
Starring: Tom Cruise, Alec Baldwin and Julianne Hough
Directed by: Adam Shankman
Based on the Broadway musical, the story follows two young people trying to make it big in Los Angeles while they sing some of the greatest songs of the 80s! I’m sure you’d agree with me when I say just seeing Tom Cruise belting out “Pour Some Sugar On Me” in ass-less chaps will be worth the price of admission.

THAT’S MY BOY
Starring: Adam Sandler, Andy Samberg and James Caan
Directed by: Sean Anders
As Adam Sandler’s favorite web site, we’re proud to announce this upcoming film which follows the adventures of a young man who has been separated from his father for some time. My son saw an early preview of this film a few months ago and told me that, if they keep it rated “R” and don’t cut anything, it would be the funniest Adam Sandler film EVER! Wow…that’s MY boy.

YOUR SISTER’S SISTER
Starring: Emily Blunt and Rosemarie DeWitt
Directed by: Lynn Shelton
Invited by a female friend to vacation with her family after the death of his brother, a young man must face the music after sleeping with her sister.

JUNE 22
ABRAHAM LINCOLN: VAMPIRE HUNTER
Starring: Benjamin Walker, Mary Elizabeth Winstead and Rufus Sewell
Directed by: Timur Bekmambetov
Possibly the greatest title for a movie EVER. When our 16th president learns that vampires are threatening to take over our country he decides to kick a little ass!

BRAVE
Starring the voices of: Kelly McDonald and Billy Connolly
Directed by: Mark Andrews, Brenda Chapman and Steve Purcell
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. PIXAR’s first film with a female lead has had a lot of behind the scenes problems while in production.

SEEKING A FRIEND FOR THE END OF THE WORLD
Starring: Steve Carell and Keira Knightley
Directed by: Lorene Scafaria
As an asteroid nears Earth, a man finds himself alone after his wife leaves in a panic. He decides to take a road trip to reunite with his high school sweetheart accompanied by a neighbor who inadvertently puts a wrench in his plan.

TO ROME WITH LOVE
Starring: Penelope Cruz and Alec Baldwin
Directed by: Woody Allen
A series of vignettes showing people from all walks of life dealing with the predicaments of falling in love.

JUNE 29
G.I. JOE: RETALIATION
Starring: Channing Tatum, Dwayne Johnson and Bruce Willis
Directed by: Jon M. Chu
Framed for crimes against the country, the G.I. Joe team is terminated by the President’s order. Or a cross between “The A-Team” and “Mission: Impossible 4.”

MAGIC MIKE
Starring: Matthew McConnaughey and Channing Tatum
Directed by: Steven Soderbergh
OK, I’ve officially declared June 29th as Channing Tatum day. Here he stars as a male stripper, which he used to be. It’s been three films since director Soderbergh announced his retirement from films. I’m expecting at least another three more.

PEOPLE LIKE US
Starring: Chris Pine and Olivia Wilde
Directed by: Alex Kurtzman
After his mother passes away a man must deliver a $150,000 inheritance to the sister he’s never met.

TAKE THIS WALTZ
Starring: Seth Rogen and Michelle Williams
Directed by: Sarah Polley
A happily married woman falls for the artist that lives across the street.

JULY 3
THE AMAZING SPIDER-MAN
Starring: Andrew Garfield and Emma Stone
Directed by: Marc Webb
In this reboot of the story Peter Parker follows clues that may tell him more about his parents. Oh, and meets the Lizard!

JULY 6
THE MAGIC OF BELLE ISLE
Starring: Morgan Freeman and Virginia Madsen
Directed by: Rob Reiner
In an effort to tap into his original talent, a wheelchair-bound author moves to a rural town, where he befriends a single mother and her three kids.

SAVAGES
Starring: Aaron Johnson, Taylor Kitsch and Blake Lively
Directed by: Oliver Stone
Two pot growers team up to take on the leader of a Mexican drug cartel who has kidnapped their shared girlfriend.

JULY 13
ICE AGE: CONTINENTAL DRIFT
Starring the voices of: Ray Romano, Denis Leary and John Leguzamo
Directed by: Steve Martino and Mike Thurmeier
Adrift on an iceberg, Manny, Diego and Sid find themselves dealing with everything from pirates to sea creatures.

RED LIGHTS
Starring: Cilian Murphy and Sigourney Weaver
Directed by: Rodrigo Cortes
When a psychologist and her assistant study paranormal activity, they are led to investigate a world-renowned psychic.

TED
Starring: Mark Wahlberg and Mila Kunis
Directed by: Seth MacFarlane
When a young boy wishes for his teddy bear to come to life he doesn’t realize that 20 years later he’s going to have to deal with the consequences of his wish. From the hysterical and twisted mind of “Family Guy” creator Seth MacFarlane, who also voices TED.

JULY 20
THE DARK KNIGHT RISES
Starring: Christian Bale, Anne Hathaway and Morgan Freeman
Directed by: Christopher Nolan
The final chapter in director/co-writer Christopher Nolan’s outstanding film series, featuring the mega bad guy Bane. And hello Cat Woman.

JULY 27
NEIGHBORHOOD WATCH
Starring: Ben Stiller and Vince Vaughn
Directed by: Akiva Shaffer
A group of neighborhood fathers form a group to keep their homes safe and unwittingly come up against a band of aliens.

STEP UP REVOLUTION
Starring: Ryan Guzman and Kathryn McCormick
Directed by: Scott Speer
Emily arrives in Miami with aspirations to become a professional dancer. She sparks with Sean, the leader of a dance crew whose neighborhood is threatened by Emily’s father’s development plans. Now that I read this again I realize this is pretty much the same plot as “Breakin’ 2: Electric Boogaloo!”

AUGUST 3
360
Starring: Jude Law, Anthony Hopkins and Rachel Weisz
Directed by: Fernando Meirelles
A look at what happens when partners from different social backgrounds engage in physical relationships.

THE BOURNE LEGACY
Starring: Jeremy Renner, Edward Norton and Rachel Weisz
Directed by: Tony Gilroy
Rachel Weisz fans rejoice! Two movies on the same day. In this one we learn that Matt Damon’s Jason Bourne wasn’t the only mysterious agent for the C.I.A.

DIARY OF A WIMPY KID: DOG DAYS
Starring: Zachary Gordon and Robert Capron
Directed by: David Bowers
With school out for the summer, it’s time for Greg to decide what he’s going to do with his free time.

LITTLE BIRDS
Starring: Juno Temple and Kate Bosworth
Directed by: Elgin James
Two friends face a life changing event after they leave their home and follow two boys they’ve just met to Los Angeles.

TOTAL RECALL
Starring: Colin Farrell and Kate Beckinsale
Directed by: Len Wiseman
A revamping of the Arnold Schwarzenegger classic featuring a great supporting cast including Bryan Cranston, Ethan Hawke and Bill Nighy.

AUGUST 10
2 DAYS IN NEW YORK
Starring: Chris Rock and Julie Delpy
Directed by: Julie Delpy
A woman breaks up with her lover and takes their daughter to live with her in New York City.

THE AWAKENING
Starring: Dominic West and Rebecca Hall
Directed by: Nick Murphy
In early 20th Century England a hoax investigator checks into the story about the ghost of a child.

THE CAMPAIGN
Starring: Will Ferrell and Zach Galifianakis
Directed by: Jay Roach
Two rival North Carolina politicians with presidential aspirations tangle with one another. Director Roach has done two outstanding political films for HBO (“Recount” and “Game Change”) so he knows his way around the material.

HOPE SPRINGS
Starring: Meryl Streep and Tommy Lee Jones
Directed by: David Frankel
After thirty years of marriage, a middle-aged couple attends an intense, week-long counseling session to work on their relationship.

AUGUST 15
THE ODD LIFE OF TIMOTHY GREEN
Starring: Jennifer Garner and Joel Edgerton
Directed by: Peter Hedges
After a childless couple bury a box in their backyard, which contains all of their wishes for an infant, a child is born.

AUGUST 17
THE EXPENDABLES 2
Starring: Sylvester Stallone, Bruce Willis and Arnold Schwarzenegger
Directed by: Simon West
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat. West directed the action packed “Con Air.”

PARANORMAN
Starring: Kodi Smit-McPhee and Anna Kendrick
Directed by: Chris Butler and Sam Fell
A misunderstood boy who can speak with the dead, takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.

SPARKLE
Starring: Jordan Sparks and Whitney Houston
Directed by: Salim Akil
Set in the 1960s, three sisters form girl group and soon become Motown sensations, but fame becomes a challenge as the close-knit family begins to fall apart. A remake of the 1976 film that introduced Irene Cara and Lonette McKee. Houston’s first acting role since 1996’s “The Preacher’s Wife” and, sadly, her last.

AUGUST 24
HIT AND RUN
Starring: Kristin Bell, Bradley Cooper and Dax Shepard
Directed by: David Palmer and Dax Shepard
A man jeopardizes his status in the Witness Protection Program to help his girlfriend get to Los Angeles.

LITTLE WHITE LIES
Starring: Marion Cotillard and Jean Dujardin
Directed by: Guillaume Canet
A near-fatal accident leaves one friend in the hospital while the rest go on their annual vacation. But their secrets and personal grief threaten to drive them apart. A huge hit in its native France, the film should get extra attention thanks to its two Oscar winning co-stars.

PREMIUM RUSH
Starring: Joseph Gordon-Levitt and Michael Shannon
Directed by: David Koepp
A Manhattan bicycle messenger is followed by a corrupt cop who is interested in his next delivery.

AUGUST 31
LAWLESS
Starring: Tom Hardy and Gary Oldman
Directed by: John Hillcoat

During the depression a group of bootleggers are threatened by the authorities that want a piece of their profits.

THE POSSESSION
Starring: Jeffrey Dean Morgan and Kyra Sedgwick
Directed by: Ole Bornedal
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl’s father teams with his ex-wife to find a way to end the curse upon their child.

Film Review #2 “The Avengers”

Starring: Robert Downey, Jr., Chris Evans and Samuel L. Jackson
Directed by: Joss Whedon
PG 13
Running time: 2 hours 22 mins
Paramount

Our Score: 4 out of 5 stars

Phew! That is the sound I made at the end of “The Avengers.” After two plus hours of Iron Man, Thor, Captain America and their pals, I was able to take a breath and say to myself, “he did it…he pulled it off.” Of course, in the capable hands of Joss Whedon did I really need to worry?

The story concerns an evil plot to take over the Earth hatched by the very jealous Loki (Tom Hiddleston), brother (kind of) of Thor (Chris Hemsworth). Loki seeks an object called the Tesseract, an almost endless source of energy currently in the hands of S.H.I.E.L.D. and under the watchful eye of Nick Fury (Jackson). After infiltrating S.H.I.E.L.D. headquarters Loki steals the Tesseract, intending to turn it over to a race of beings that want to destroy earth and, seemingly, put Loki in charge. After learning that one of his best men has turned on him, Fury summons a little help. Avengers assemble!

A roller coaster ride of non-stop action, “The Avengers” manages to take the different tones set by the previous films and fashion them into one strong voice. Each character remains true to him/her self, clashing with the others at first but eventually finding a common goal to unite.

My biggest fear for the film was that some of the actors would just walk through their roles, hoping to get lost in the crowd. But instead they deliver strong performances across the board as if they were worried they WOULD get lost in the crowd. Downey sets the tone perfectly as Tony Stark/Iron Man. His sarcastic style is still around (he refers to Thor as “Point Break”), but behind that self assuredness lies a man who longs for more than a flashy suit. The other characters are involved in their own things. Besides Iron Man and Thor, we meet Captain America (Evans), Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Dr. David Banner (Mark Ruffalo), who has a habit of getting angry and becoming the Hulk. Each maintains the characters they brought to life in previous films, with the exception of Ruffalo. Taking over from Eric Bana and Edward Norton, Ruffalo gives Banner just the right amount of humanity needed to make us care about him. Sure, we want to see him get big and green, but we also know the toll it’s going to take.

The on screen battles are well choreographed and, though they sometimes seem to go on forever, manage to build in excitement. The script, by Whedon and Zak Penn, is clever and full of comments that seem to have been lifted directly from the comic pages. The 3D effects were well rendered and, more importantly, well utilized. And, like in other films, there are a few surprises left over for after the credits.

 

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Pat Boone to “Journey” to Omaha in May!

Over the years, film historian Bruce Crawford has provided the people of Omaha with presentations of classic films, making each showing more memorable by including special celebrity guests. For his 30th classic film event, Crawford will be screening the 1959 adaptation of Jules Verne’s “Journey to the Center of the Earth,” starring James Mason, Pat Boone and Arlene Dahl. Mr. Boone will be Crawford’s special guest at the screening.

The screening will be held on Saturday, May 19th, at the Joslyn Art Museum’s Witherspoon Hall Theatre, located at 2200 Dodge St, Omaha, NE. The film will start at 7:00 p.m.

Tickets are $25.00 and are available at all Omaha area Hy Vee Food store customer service counters. A limited number of tickets will also be available at the door the night of the performance. Proceeds benefit the Nebraska Kidney Association. For more information call 402-932-7200 or visit www.omahafilmevent.com

Film Review “Disneynature’s Chimpanzee”

Starring:  Oscar and other assorted friends.
Directed by:  Alastair Fothergill and Mark Linfield
G
Running time:  1 hour 18 mins
DisneyNature

Our Score: 3.5 out of 5 stars

There’s a great part in “Jay and Silent Bob Strike Back” where, during the filming of a parodied “Scream 3” the killer turns out to be a monkey.  Horrified, Shannen Doherty turns to director Wes Craven and exclaims, “A monkey, Wes?  Jesus, you’re not even trying anymore are you?”   Smiling, Craven replies, “The market research says that people love monkeys!”  And take it from me, they’re going to love little Oscar, the star of the new documentary, “Chimpanzee.”

Young chimp Oscar spends his days hanging out with his mom.  Life is pretty sweet for the little guy.  But when the food in their part of the jungle runs low, Oscar’s group must forage in areas that are not friendly, guarded by a rival group of chimps.  It’s like “West Side Story” with primates!

Cute as a button (the first five or six times he’s on screen the screening audience let out a collected “awww), Oscar makes for an engaging movie star.  The film itself is beautifully shot, with the filmmakers gaining unprecedented access to the secrets of the jungle.  The story is pretty straight forward.  Find food or fight trying.  The chimpanzees must have studied at the Disney school of movie plots.  During one of the skirmishes Oscar’s mother just disappears, apparently killed.  The rival gang is led by a scowling chimp named Scar.  The film is surprisingly “G” rated, which I found strange considering there is an intense sequence where the chimps surround a weaker group of monkeys, capture the slowest one and eat it.  I guess if it happens in nature it’s not PG worthy.

The world the chimpanzees make for themselves is pretty amazing.  Whether fashioning a bed for themselves by bending tree branches or choosing between a log or a rock to open nuts, it’s clear that these guys are pretty smart.  And close.  The best scenes are the simple ones…Oscar and his young friends wrestling or just Oscar cradled in his mother’s arms.  The magic of the jungle is caught in all its beauty, with special mention to the various time-lapse shots capturing everything from a blossoming flower to a spider making its web.  And while Wes Craven believes everyone loves monkeys, I noticed that the majority of the under-5 crowd fidgeted during the screening, usually being taken out of the theatre in tears.  But for the over-5 crowd, the film should be a crowd pleaser.

Blair Butler talks about writing for G4TV’s “Attack of the Show”

When I’m asked how/why I got into film reviewing I cite three film critics whose work inspired me. The first is Steve Otto, who was the film critic of the Tampa Times when I was in high school. He took the time to talk to me every time I stopped by the paper and would often lend me photos to reproduce with my school paper reviews. Second was Stephen Hunter, who was the film critic of the Baltimore Sun when we first met. I actually paid $50.00 in a PBS auction for a chance to go see the film “Beastmaster” with Stephen and then discuss it with him during lunch. When I got into the promotions/marketing field I got to work with Stephen often and we became friends. He later went on to write for the Washington Post and won the Pulitzer Prize in 2003 for Distinguished Criticism. The third is Robert (Bob) Butler, former film critic for the Kansas City Star. When I arrived (the first time) in Kansas City in 1979 the first thing I read in the local paper was Bob’s review for the film “10.” The more I read his work the more I began appreciating how much fun and passion one person could share with the written word. When I moved to Baltimore I would pick up the Star at the local out of town newspaper stand each week and did that until I moved back to KC in 1996. I finally got to meet Bob when I was admitted into the Kansas City Film Critics Circle. To now be considered a colleague of someone I admire was a pretty great feeling.

I give you this background information as a way of introducing Blair Butler. You probably know her from her stand up comedy routines, appearances on the G4 television network or creator of the popular comic book “Heart.” That’s how I knew her until her mother, Ellen, remarked to a fellow critic that “Blair was coming home this week.” After listening for a few more moments It suddenly dawned on me that Blair was Bob and Ellen’s daughter! Small world.

Blair was indeed “home” this week, appearing at Planet Comicon 2012. While here she graciously took time out to answer a few questions.

Mike Smith: How did a girl from Kansas develop a love for comic books?
Blair Butler: My Dad took me to Clint’s Comics in Westport and let me buy comics out of the 25 cent bin when I was little. After reading some really terrible issues of Werewolf by Night and She-Hulk, I stumbled onto Batman and the New Mutants – and I was hooked for life. After a brief lapse in the mid 90s (I got burnt-out on gimmicky covers, variants, and style-over-substance) I came back to comics thanks to great titles like Planetary, The Authority, and Geoff Johns’ run on JSA. And I’ve been there ever since.

MS: How did you get involved with G4?
BB: I was hired as the head writer for “X-Play,” a videogame show on the TechTV network. When G4 bought TechTV, the two networks merged – and I wound up becoming the comic book correspondent for “Attack of the Show” – which was an amazing opportunity that I’m incredibly grateful for. If I knew at age 12 that I’d be covering comics for part of my day job, I think my 12-year-old self would hyperventilate with excitement.

MS: You once reviewed comic books in your “Fresh Ink” segment of “Attack of the Show,” by rating them either BUY, BROWSE or BURN. Have you ever gotten a nasty message from someone whose work you trashed?
BB: Well, the good news is that I haven’t used the BUY, BROWSE, or BURN system for a few years on the show – primarily because I was pretty adamantly opposed to the suggestion of “burning” any comics. Now, I usually only review comics that I really love on the Live edition of “Attack of the Show,” or on my weekly review segment at www.G4tv.com/FreshInk — so thankfully, I haven’t met any furious writers or artists. Yet.

MS: What do you have coming up in the future?
BB: Well, I’ll be busy writing full-time for “Attack of the Show,” as well as working as a correspondent for two of the show’s signature segments: “Fresh Ink” – where I cover the wide world of comic books, and “M.M.A. Chokehold,” where professional fighters come in and do analysis for several of the biggest UFC events. We’ve have Chuck Liddell, Urijah Faber, Forrest Griffin, Nate “Rock” Quarry, Roy “Big Country” Nelson, Mayhem Miller, and a ton of other great fighters on the show, so — as a fan — that’s been amazing. And now that I’ve written my first comic book HEART — about a young, up-and-coming cage fighter named Oren “Rooster” Redmond – I’m hoping to make even more comics. And if I’m lucky, I’ll get to make them with my amazing HEART collaborators, artist Kevin Mellon and letterer “Crank.”

TV Legend Dick Clark dead at 82

Dick Clark, whose almost seven decades on television made him known as “America’s Oldest Living Teenager,” died today after suffering a massive heart attack. He was 82.

Born in Mount Vernon, New York towards the end of 1929, Clark started out as a mail clerk at WRUN-Radio, which was run by his father and uncle, in Utica, New York. Within a year he graduated to doing the weather and finally his own newscast. He was 17.

He attended Syracuse University and after graduation returned to Utica where he hosted a television country music program. In 1952 he was hired by WFIL, a Philadelphia station that broadcast on both radio and television. Initially hired as a radio DJ, Clark begin filling in for host Bob Horn on the stations afternoon teenage dance show, “Bandstand.” When Horn was fired in 1956 after being arrested for drunk driving Clark took over the show permanently, soon establishing it as one of the most popular on air. In 1957 the ABC television network picked up the show to run nationally, re-naming it “American Bandstand.” The show became a hit nationwide, airing after school in most cities. Sensing a change in the music world, Clark was one of the first hosts to welcome black dancers and guests on his show.

In 1959, Congress began an investigation into what was known as “Payola,” which concerned record company executives paying disc jockeys to highlight certain records and ignore others. Clark was called to testify before the committee and admitted to taking a fur coat and some jewelry for his wife from one record company president. As this was the only incident, Clark was reprimanded. However, to avoid the perception of impropriety, ABC asked Clark to sell his interest in the television program. He did but managed to keep rights to several important individual programs. In 1963, ABC moved “American Bandstand” to Saturday afternoons, where it ran until 1989.

Clark was also a shrewd producer. In 1972 he hosted his very first “New Year’s Rocking Eve” program. He also produced and hosted several game shows, most notably “The $10,000 Pyramid.” This grew to $25,000 then finally $100,000. He also produced such other popular shows as “Bloopers and Practical Jokes” and the very popular “American Music Awards.” In 2004 Clark suffered a stroke, which kept him off the air on New Years Eve. But the next year he was back, with new co-host Ryan Seacrest. His speech was stilted but you could see the young man inside in his eyes. Dick Clark was a true television icon. I doubt there will ever be another like him.