Steve Byrne talks about creating new TBS’ series “Sullivan & Son”

Steve Byrne is the creator, along with Rob Long (“Cheers”), and star of the new TBS’ comedy series “Sullivan & Son”. Steve is known best for performing stand-up. The show is executive produced by Vince Vaughn and Peter Billingsley. The show also co-stars Dan Lauria, Jodi Long, Owen Benjamin, Brian Doyle-Murray, Christine Ebersole and Valerie Azlynn. Media Mikes had a chance to chat with Steve about the new show and what we can expect.

Mike Gencarelli: Being a creator of “Sullivan & Son”, tell us about its origin?
Steve Byrne: It all starts and ends with Vince Vaughn. He has been such a great friend of mine for many years. He told me one day “Why don’t you develop something for yourself”. My focus was always on stand-up. I never wrote anything before and I told him that. He told me “Well you can do it” and that is kind of how the conversation went. He just said “You can do it”. So I went out and bought a bunch of books on script writing and studied for few months. Then I spent another few months writing the inital pilot. I turned it into him and Peter Billingsley and they liked it and suggested with meet with some writers. So we met with Rob Long and we just hit it off right off the bat. Originally the show was suppose to take place in a diner and Rob said “You should make this a bar show”. Well I said “If you sign on, you did one of the best bar shows ever, if you want to do it then hell yeah! Let’s do it!”. So that is how the whole thing came about.

MG: Going from stand-up to sitcom, what do you enjoy most?
SB: What I love about sitcom is that I am not by myself. Stand-up is a lonely profession. It’s a few weeks a year living out of suitcase and constantly being by yourself. You are the life of the party for two hours a night but then you just go back to the hotel room by yourself [laughs]. So it can be a pretty depressing. But being with this great ensemble cast, there is such a genuine chemistry we all have. When we brake for lunch, nobody goes off into their own dressing room. We all sit down and eat lunch together. We got some real good veterans on the show like Dan Lauria, Brian Doyle-Murray, Christine Ebersole and Jodi Long. Everyone has been tremendous to work with. It has been the highlight of my career.

MG: Does it still feel like stand-up due to the live-audience aspect?
SB: I think the only element to stand-up that could be parlayed to doing it in front of a live studio audience is us comics feel more comfortable. I never get nervous. You can put 200 people in front of me or put 5,000 people in front of me. I feel very comfortable and I’ve been doing it for 14 years of my life. The only thing I have a problem with people saying with have a laugh track on our show. We don’t. We earn the laughs that we get. We don’t tamper with them. It’s not our fault that the audience is enjoying themselves at the taping [laughs].

MG: Working with your friends, you find it hard to keep it serious? or is that the magic of the show?
SB: [laughs] There has been times when we try not to goof off too much. I think towards the end of shooting it started to feel like summer vacation. We knew the end was near and people got giddy and had fun. But when push came to shove and they said action, everyone delivered and always tried their best. Hopefully people enjoy the show.

MG: What do you have planned next? Stand-up tour? Season two?
SB: Hopefully we keep the numbers we have and get to come back for another season. Ultimately my primary motivation is to drive people back to my live performances and stand-up. Hopefully the show goes well and I get to do it for many more seasons to come with my pals. I also had a third one-hour special in the can that I was getting ready to film, before the show got picked up. So at some time, I would like to film that.

Alamo Draft House’s Greg MacLennan talks “Van Dammage!”

A graduate of the University of Texas, Greg MacLennan has the job most movie fans would kill for.  As the Director of Interactive Programming for the Alamo Draft House theatres, he has the opportunity to schedule great events combining movies of the past with current features.  This week, the Alamo Draft House Mainstreet Theatre in Kansas City is offering fans the chance to experience “Van Dammage!” – a trio of action films featuring Jean Claude Van Damme leading into an exclusive first look at the new film “The Expendables 2.”  While planning his next event, MacLennan took some time out to speak with Media Mikes.

Mike Smith:  You obviously have a love of films.  What inspired that?
Greg MacLennan:  I had the generic “film student” job of working in a video store, which gave me a chance to devour more movies then I ever had in my entire life.  And when I was younger my brother would go to the video store and bring home these awesome action movies.  Jean Claude Van Damme….Steven Segal….Arnold Schwarzenegger.  All of these amazing 80’s action movies.  I would just devour them no matter what they were.  And when I got older I found myself in a position at Alamo Draft House to put those movies back on the big screen.

MS:  How did the concept for “Van Dammage” come about?
GM:  I wanted to show movies where guys get punched in the face really hard!  That level of awesomeness isn’t happening on the big screen any more.  You don’t see the sweat running off of a bicep that has a vein breaking out of it.  You don’t get a real performance.  You don’t feel like those guys today could actually beat the **** out of each other.  I wanted to do a celebration of that.  And when I heard “The Expendables 2” was coming out I knew this was a perfect time to do it.  We checked with Lionsgate and they were like “let’s do this!”  Seriously, this is the greatest dream of my life.

MS:  Is Jean Claude Van Damme aware of what you’re doing?
GM:  Jean Claude is very aware of it.  He is very flattered.

MS:  What goes into the planning of an event like this?
GM:  First we have to get the idea approved.  Then we have to decide what movies we want to feature.  We have to lock down the titles and then make sure we can get them from the studios.  We have to come up with the various promotion items and the ridiculous menu items.  We always have a lot of surprises when it comes to Alamo Draft House’s Interactive Programming.  Just because you may know the titles of the films or the menu items doesn’t mean you’re going to know everything.  It’s a lot of people working and coordinating all of the aspects of the event.

Here is the lineup and menu for “Van Dammage!”

5:00 PM:  Van Damme stars as real life martial arts champ Frank Dux (and does an incredible display of the splits) in “Bloodsport.”

6:45 PM:  Directed by John Woo, “Hard Target” finds Van Damme helping a woman search for her missing father.

8:45 PM:  Dolph Lundgren co-stars with the Muscles from Brussels in “Universal Soldier.”

11:00 PM:  Van Damme joins Sylvester Stallone, Bruce Willis, Chuck Norris and a who’s who of action movie greats in “The Expendables 2.”

The menu created for VAN DAMMAGE is action packed as well. Moviegoers can enjoy three special dishes that will put a stranglehold on even the largest appetite – KUMITE CHOP SUEY, a dish packed with meat, eggs, veggies and noodles. ANDREW SCOTT’S EAR NECKLACE, freshly fried pork rinds fit to be strung together and worn, or dipped in a spicy soldier dipping sauce. Finally, finish off your hunger with HARD TARGET BEIGNETS, a sweet and delicious New Orleans treat of fried dough finished with powdered sugar and served with chicory syrup.

This special event is also being held on Wednesday, August 15, at the Austin, Texas Alamo Draft House.  VAN DAMMAGE tickets are $20 and available now! Tickets for the Kansas City screening are on sale now here.

Check out the event trailer here:

Executive Director Kim Klingler talks about working with the Ian Somerhalder Foundation

Kim Klingler talks is the Executive Director with the Ian Somerhalder Foundation.  Over the the last 12 years, she has worked with a variety of for profits and non profits, in a variety of industries, focusing on strategic mission, start up, product, brand and team development. Kim took out some time to chat with Media Mikes to tell us how she got started with ISF and what they have planned upcoming.

Mike Gencarelli: How did you take on the role of Executive Director of the Ian Somerhalder Foundation?
Kim Klingler: I was watching Ian on the Larry King Gulf Oil Spill Telethon, and was struck with Ian’s authenticity.. and wanted to connect with him to see if there were potentials to collaborate with Well World, a project I was working on with Deepak Chopra. Ian and I spoke on the phone and clicked…we felt the same way about the current state of the planet, and had the same vibe about the types of solutions we wished to see… the rest as they say is history.

MG: Tell us about the foundation’s mission and goals?
KK: Our mission statement is: “The Ian Somerhalder Foundation aims to empower, educate and collaborate with people and projects to positively impact the planet and its creatures.” The underlying energy of the foundation enables our mission and vision. There are more than 650 ISF community groups world wide. ISF is more than an organization, it’s a family of people who wish to see great change for all
living beings on this planet. We thrive off of the collaborative nature of everyone from volunteers to corporate bodies. We welcome out of the box thinkers and encourage people to share their innate talents with change makers creating opportunities for the best of many worlds to come together.

MG: How has it been working with Ian to accomplish these goals?
KK: If you can believe it, I’m not asked this question often. Which is truly crazy! I’ve seen Ian inspired, happy, very sad and even angry – I’ve got all the goods! I wish people would ask this question more, because it gives me an opportunity to share a little more about him and why I’m grateful to be working towards change with him.Ian is a very creative being, in too many forms to list. He’s also exceptionally intelligent and quite strategic. If he could he would try to solve every problem, because it’s in his genuine nature to heal. He’s very sensitive to the energy in a room, and can pick up things most people miss. He’s also a naturally grateful person which makes working with him a delight. He’s one of my more favourite human beings on this planet but keeping up with him is not an easy task! Im almost convinced the man has perfected teleporation and mastered sleep deprivation!

MG: How did ISF get involved with Best Friends Animal Society’s Strut Your Mutt?
KK: We are huge fans of Best Friends it was just natural to get involved withthis awesome project. We all work virtually, and I love the way I can work in tandem with people all over the world but there is something to be said about connecting in person. It renews that human connection all social animals crave, so having the opportunity to walk with and power up with people who care in person was to hard to resist!

MG: What can people do to get involved even if that can’t attend?
KK: If you can’t be in Lafayette, LA on September 22nd, you can still Strut Your Mutt by becoming a “virtual” member of the ISF Dog Pack. Every ISF Dog Pack member creates their own personal SYM page, sets there own fundraising goal and raises funds via sponsors like family and friends. For the virtual walkers, we are encouraging them to set aside a day and take their pet on a special walk. Then share their walk with their sponsors and others on the SYM Facebook page through pictures and a story.

MG: What does ISF have planned next after this event?
KK: We have a stack of to do’s a bunch of creative directions and a whole lot of work ahead of us! We are VERY excited about moving forward with the Animal Sancturary and it’s bully program- keep your eyes posted!

 

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Ian Somerhalder talks about his foundation and “The Vampire Diaries”

Ian Somerhalder is known best for his television roles on shows like “Lost” and “The Vampire Diaries”.  Ian also spends a lot of his time working with his foundation, Ian Somerhalder Foundation or ISF.  The foundation is participating Best Friends Animal Society’s annual Strut Your Mutt event at Park Sans Souci in Lafayette, Louisiana this year.  Media Mikes had a chance to ask Ian a few questions about his foundation and also about returning to season 4 of “The Vampire Diaries”.

Mike Gencarelli: Tell us what made your start your foundation, ISF, and how did you come up with the mission of promoting love and interconnectedness?
Ian Somerhalder: After witnessing the devastation of the Oil spill in the Gulf, I had find a way to utilize my voice to make a change. I was not alone. I witnessed the compassion from others, equally as grief stricken, unite in determination. People of all ages gathered together to make a difference. I soon realized the immediate need for a platform for these amazing people to come together to have their voices heard. This launched the IS Foundation. As we come together more and more from all ages and walks of life, we celebrate our shared passions as well as our differences. With an understanding of the ultimate interconnectedness of the universe, we emphasize the unique strengths in all the different voices that make up the ISF Family.

MG: Tell us about your participation in the Best Friends Animal Society’s annual Strut Your Mutt eventat Park Sans Souci in Lafayette, Louisiana?
IS: ISF has long been a fan and supporter of Best Friends Animal Society and their mission of “No More Homeless Pets”. As we developed the idea for our Animal Sanctuary, we were looking for opportunities to spread the word and raise funds for this ambitious project. The “Strut Your Mutt” event in my home state is a great opportunity to get out and do just that alongside some amazing people and animals. We hope you join us and participate in this fantastic event!

MG: How can people help that cannot attend the event?
IS: Understandably, not everyone will be able to attend. By spreading the work of ISF, especially our plans to build a sustainable animal sanctuary, you are still participating! We are tremendously grateful for donations from ISF family members who want to see this dream come true. If just 1,000 people donated $10 a month for a year, we could achieve our goal!

MG: How do find time to focus on your charity along with starring in the hit CW show “The Vampire Diaries”?
IS: Although it can appear overwhelming at times, it’s necessary. We all lead busy lives, but to see the changes we want for this world we have to make time to stay active with our ideas and continue to collaborate. We can’t do it alone. I wouldn’t be able to accomplish nearly as much as I do without the incredible ISF family. Together our voices weave a tapestry that serves as support for our array of initiatives. ISF has an amazing Executive Director, Kim Klingler, who brings a tremendous amount of passion and knowledge to the table. We are also fortunate to have talented and driven volunteers who commit countless hours contributing their time on projects, content for the website, event planning and much more.

MG: How is filming going so far for the upcoming 4th season?
IS: Great! Coming back for a new season is always reminiscent of the first day of school. The cast and crew are incredibly close, so rekindling bonds and positive energy encompasses the set. And from what we’ve seen so far, this season is bound to be excellent. Things are going to be very interesting for Damon…so I hope you stay tuned to see…

MG: What do you have planned next for ISF and where can people find out more information?
IS: ISF is currently working on several projects and initiatives. We are planning our very own Vampire Diaries Convention to be hosted in Canada early next year. We are also working on a youth development conference to held next year as well. To see information about any of our current projects like the Animal Sanctuary, you can visit isfoundation.com and follow us on twitter and facebook.

Dj Ashba talks about working with Guns N’ Roses and Sixx AM

Dj Ashba is the guitarist for the hard rock/metal groups Guns N’ Roses and Sixx AM. Media Mikes had the chance to speak with Dj about his work with the groups and hit recent connection with Bullyville.com.

Adam Lawton: How did you first get hooked-up with Axl Rose?
Dj Ashba: Sharon Osbourne introduced me to Axl in 2000 during the time I was recording the Beautiful Creatures album.

AL: What is the hardest part about balancing your work in Guns N’ Roses and your work with Sixx: A.M.?
DA: Well due to the fact that Sixx: A.M. is not really a touring band it makes things much easier. That’s not to say we won’t ever get out and play some shows, but we really enjoy just writing and putting out great albums. We tour a lot in Guns but we have some nice breaks which allows me to focus on my other passions.

AL: What was it that made you want to start your own media company “ASHBA Media, Inc.”?
DA: I was an artist before I was a musician, and in my mind art always goes hand-in-hand with music. When I was in Jr. High, I had a cartoon in the local newspaper and I have always been the “artsy kid”. I created ASHBA Media, Inc. when my artwork was seen by Virgin, and they appointed me as their agency of records to brand and market all of the Virgin Megastores worldwide.

AL: You are involved in a number of different ventures (music, art, clothing, etc.). Is there one that you find more satisfying than the others?
DA: No, One is a nice head break from the next, but they are all part of the same world.

AL: How did you get started with BullyVille.com?
DA: I had bought a brand-new house in Las Vegas, and my neighbor happened to be James McGibney-the CEO of Bullyville. After sitting down and talking to him I felt I needed to get involved. I think it’s a wonderful thing that he is giving people a place to go online to raise awareness. Because of what I had been through in my childhood, I wanted to help and Bullyville.com was the perfect vehicle.

AL: What other projects do you have in the works?
DA: I started a corporation called ASHBA AUTOMOTIVE GROUP with Ryan Freidlinghaus of WEST COAST CUSTOMS. We will be launching the brand-new, Limited Edition ASHBA CHALLENGER, by Dodge. We are very proud. It is the ultimate, modern “Rock N’ Roll Hotrod”. Rock N’ Roll and hotrods used to go hand in hand, and it’s an American tradition that we want to bring back in a big way. I will also be launching a social network, called “ASHBALAND.COMA Rock n’ Roll community”. It’s the ultimate place on the net for fans to unite, come together, and share their love for music.

Jack Perez talks about “Mega Shark vs. Giant Octopus” and “Some Guy Who Kills People”

Jack Perez is known best as the director of the cult hit “Mega Shark vs. Giant Octopus”. Jack also recently directed the new horror/comedy “Some Guy Who Kills People”. Media Mikes had a chance to chat with Jack about his new film and the cult success of “Mega Shark vs. Giant Octopus”.

Mike Gencarelli: How did the title, “Some Guy Who Kills People”, come about?
Jack Perez: I came to the project after the script was already written. Ryan Levin had come up with the title and I loved it. Some people had wanted to change it as they thought it was too strange. I really fought for it as I thought it summed up the theme of the movie.

MG: What was your biggest challenge working on this production?
JP: I think getting the film done in the time we were given. We only had 16 days to do the film and its one of those films where performance counted. I wanted to make sure I could get all of those. Time was really the biggest thing. Fortunately we had a great crew and the cast was great as well.

MG: How was it working with such a great cast?
JP: It was great! I am a big fan of Karen Black and Barry Bostwick. These were all people Iadmired. I also admired Kevin Corrigan’s work and knew him socially however we had never made a film together. This film was a chance to work with people I loved. Thankfully they were all available as that generally never happens.

MG: Were the comedic parts of the film planned or were they something that just naturally occurred?
JP: Everything was deliberate. The script was designed to have equal parts of comedy, horror and drama. That was something that made me like the script so much. Mixing these things is always appealing but difficult to find.

MG: How did John Landis become involved?
JP: I think he had gotten script early on as Ryan was looking for a director. Landis was approached and it appealed to him however around that same time he was approached to make “Burke and Hare”. That was a project he has been looking to make for a long time and it then became about finding someone to replace him which is where I came in.

MG: Did you think “Mega Shark vs. Giant Octopus” would ever reach the cult status that it has? And why did you choose to go by Ace Hannah?
JP: I never did. The reason I didn’t put my name on it was because I like to have control over the edit of my work. I think it is an essential part of directing. The Asylum doesn’t work that way. I knew they would sort of make a mess of my work. I wish people could see my cut of the film as it is a much faster, funnier movie. There was a bunch of stuff added to pad the length of the movie.

MG: What do you have planned next?
JP: I just did a movie for the Syfy channel called “Blowing Vegas of the Map”. It’s kind of a goofy, super natural disaster type movie. It was really a chance to work with Barry Bostwick again. Ryan and I also want to work together again.

Dennis Franz talks about going from “NYPD Blue” to designing homes

Dennis Franz is best known for his role as Andy Sipowicz in the long-running series “NYPD Blue”. There is a whole different side that you woulnd’t expect from the former hard-boiled police detective. Joining forces with the Junior League of Santa Barbara, actor Dennis Franz with wife Joanie Franz are creating the first Design House of Santa Barbara set to open just after Labor Day in September. Media Mikes had a chance to chat with Dennis about designing homes and how he got involved doing this.

Mike Gencarelli: Going from working on TV on “NYPD Blue”, how did you get involved in home design?
Dennis Franz: I am sure Martha Stewart is somehow responsible. I have oddly enough been a fan of hers for as long as I can remember. My wife is also the same way. We have always enjoyed on weekends going to open houses. We have motor scooters that we will jump on and go looking for open houses. We will spend an entire day just going from house to house. It is something we have always really enjoyed. I am sure this has been a big part of my interest in this project. When the cable channels started coming out with shows about house hunting and home improvement that furthered my interest. Towards the end of “NYPD Blue’s” run my wife and I started buying houses and flipping them. We enjoy the design and building process. Isn’t it the next logical step for an actor who plays a cop for 30 years to start building and designing homes?

MG: Why did you choose the area in Santa Barbara, California of Montecito?
DF: We live in Montecito and we just love the area. It is a very beautiful area both weather and scenery wise. It has a very French Riviera look. The town also has a real small town feel to it and there is a lot going on there. We have owned in this area for about 18 years now and after “NYPD Blue” ended we moved out here permanently.

MG: What do you enjoy most about working with your wife on these projects?
DF: My wife has always been very energetic. Before I met her she was a very successful business woman. I knew that she had this drive for whatever it is she is doing. I tend to be on the other side of that spectrum. I enjoy a good day of golf and taking a nap. What I most enjoy though is the artistic and creative collaboration that we have on these projects. We really do enjoy shopping for various design elements. I leave all the supervision and business decisions in my wife’s hands.

MG: Tell us about working with BRAVO! network’s Million Dollar Decorators and your HGTV Special?
DF: My wife has been very instrumental in getting the attention of “Million Dollar Decorators”. Mary McDonald who is on the show is also one of our designers. She has been out several times filming part of an episode. She has done a wonderful job and has been great to get along with. It was really nice to have her involved in this stage of the project. HGTV has also been out filming a bunch of times for a special. I don’t know one that will be airing though. It’s really been my wife who has thought that these shows would be a great source for getting people’s attention.

MG: What do you find to be the hardest challenge when working on a project?
DF: This project is called “The Santa Barbara Design House and Gardens”. When we purchased this property we wanted to get involved with the community on a more philanthropic level. My wife made the offer to the Junior League of Santa Barbara in that all the money from people purchasing tickets to see this property would be donated back to their organization. We also will be having a Grand Opening dinner which will feature celebrities and entertainment. The proceeds from that event will be given to an organization called “Angel Foster Care of Santa Barbara”. The organization finds homes for abandoned or abused infants 2 years of age or under. It is an extremely worthwhile organization. Helping these organizations was more of a priority than the actual building of the house. We wanted to make sure we did everything correctly so that we could help raise funds for both of these great organizations. The dinner is set for Sept. 8th and the house will be on display starting Sept. 13th.  As far as challenges go there are always last minute things that pop up that need to be taken care of. You also are always finding things to add or change as you reach the end of a project.

MG: What do you have planned for your next project?
DF: You should probably ask my wife that question. It’s always a fun ride though to wherever she takes us. More than likely it will be another house in this same area but probably a little smaller. As for another design house I don’t know what the plans are for that. This design house will be for sale after the showings and such.

If you are interested in tickets or details for the event, please check out: www.sbdhg.com

The Treatment’s Matt Jones talks about debut album and touring with Motley Crue and Kiss

Matt Jones is the vocalist for the British rock band The Treatment. Media Mikes talked with Matt recently about the band’s debut album titled “This Might Hurt” and what they are most looking forward to this summer touring with Motley Crue and Kiss.

Adam Lawton: Can you give us some background on the band?
Matt Jones: Dhani Mansworth our drummer started the band when he was 14 and still in school. He kind of brought us in from all different areas. He found Ben Brookland our guitar player first and then it was like a snowball effect after that. Ben knew Rick and then Rick knew Tag Grey. They found me on Myspace when that was still doing stuff. Over the last couple years we have just gone from there really.

AL: How would you describe the band’s sound?
MJ: We are a straight up hard rock band. You can kind of here some of our influences like Judas Priest and AC/DC in our sound. People call us classic rock all the time which is fine. That is a great genre of music and it’s what we all listen to.

AL: Can you tell us about the band’s debut album?
MJ: We released it here in England last September. It took about a year to record prior to that. It has been a long going thing for us. It will be brand new for those people in the States which is great. The album has been well received so far and we have been having a lot of fun playing the tunes.

AL: What type of writing approach does the band generally take?
MJ: We all kind of work as a group. Ideas seem to come from everywhere and we actually record as we are writing. When someone has an idea we press record on the computer. We will record the guitars and then just build up from there. When we listen back to it is when we may decide to make changes. It is a really sort of slow building process.

AL: Does the band write all the time or do you set aside specific times to get together and write?
MJ: We write all the time as we are lucky enough to all live together. We live with our manager’s family as our drummers dad is our manager. As soon as we have ideas we just get together and start jamming. We are always working on something.

AL: What are the video/single release plans for the album?
MJ: We just released a video for the song “Nothing to Lose”. Fans can check that out on YouTube. The video is a bit of a performance piece as we rented out a recording studio and gave the video a real old school vibe. We wanted it to look like when all thebands that we like we’re doing things. It’s a real fun video.

AL: What can you tell us about your upcoming tour with Motley Crue and Kiss?
MJ: This will be the bands first trip to the U.S. and we are really excited. This is a huge tour. For us being an English band that gets to come to the U.S.A. it’s just amazing. Bands from the UK have been going over to you guys for some time now. It’s kind of like the promise land. (Laughs) Nikki Sixx has been a massive supporter of ours even though we don’t know how he really came across us. Ever since he did he has been very good to us. We are really grateful for all of his support. It’s going to be great playing our songs and getting to see Motley Crue and Kiss every night.

 

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Midnight Red’s Thomas Augusto talks music with Media Mikes

Thomas Augusto is a member of the pop group Midnight Red. The group has recently released a new single titled “Hell Yeah” and Media Mikes had a chance to talk with Thomas about the single and the groups plans for the summer.

Adam Lawton: Can you tell us about the formation of the group?
Thomas Augusto: I first met Eric Secharia about 5 or 6 years ago. He at the time was living in California and I was living in Texas. Eric had started to put a group together with Anthony Ladao and they called me to join them. From there we found Colton Rudloff by searching “kid that can sing” on YouTube and, from there we had found Joey Diggs through a mutual producer. That was pretty much the formation of Midnight Red.

AL: What was it like when you all first got together in the same room for the first time?
TA: I think we were all measuring each other up. There was definitely no tension but we were trying to figure out what each other was about. We had actually met Colton and Joey on the exact same day. We took some time to get to know each other but once we were Midnight Red things were effortless.Everything blended together well and it seemed meant to be.

AL: What is the group’s writing process like?
TA:  There is a mixture. Some of the things we write on our own and some of it is written as a group. Anthony is a very talented producer who makes some great beats. We usually will just bring all of our ideas together and go from there.

AL: Can you tell us about the new single “Hell Yeah”?
TA: We recorded “Hell yeah” in Paris with Red One. It was just a blast! It’s a really cool song that we all like. The song fuses several genres in to one. There are some huge pop elements in the song along with dance elements and hip-hop elements. There is a guitar riff in the song that almost reminds me of Red Hot Chili Peppers.

AL: How did the idea for the song come about?
TA: “Hell yeah” was actually created by Red One and his team. We first heard the instrumental portion of the track before it was even done being made. There was a portion of the chorus done but when we heard it we just started exchanging ideas.

AL: Can you tell us about the bands EP?
TA: The EP is currently available on ITunes and was something we put out to help promote us out on the roadduring our tour with New Kids on the Block and The Backstreet Boys. We worked with Red One on that as well and it was a really fun project. We recorded it in Los Angeles and performed a number of the songs while we were out on that tour. The EP gives fan a taste of what they can expect from the full length album.

AL: What are the bands plans for the rest of this year?
TA: The full length album will be out towards the end of this year. We also will be touring and doing a lot of radio promotion.

H. Perry Horton talks about writing “Shark Week” & “2-Headed Shark Attack” with The Asylum

Perry Horton is the writer of two recent films from The Asylum, “Shark Week” & “2-Headed Shark Attack”.  Media Mikes had a chance with Perry about how he got started working with The Asylum and about his upcoming films.

Mike Gencarelli: Tell us about how you got involved working with The Asylum?
H. Perry Horton: In August 2010 I started my blog, Committed, dedicated entirely to Asylum films – news and reviews, interviews and profiles et cetera, as well as my own personal pitches. Basically, it was a shameless ploy to get their attention, and somehow it worked; in January 2011 they added me to their pool of writers. Three months after that, I was working on A Haunting in Salem.

MG: What was your biggest challenge working on “2-Headed Shark Attack”?
HPH: The sheer number of characters. I inherited the concept and basic set-up from the very talented Edward DeRuiter (3 Musketeers), and in my head, a semester-at-sea couldn’t just be 8 or 10 characters, there had to be enough people to justify the program, so I added a bunch more. Too many, perhaps, for development across the board, but on the bright side, it does yield possibly the highest death count in all of shark cinema history, at 26, I think.

MG: You work with sharks again with “Shark Week” also from The Asylum, tell us about working on this project?
HPH: The Asylum came to me with the concept, a sort of Hunger Games for the shark set. I thought it was a brilliant idea, and instantly wanted to get my hands on it. As far as the process went, it was quick – very, veryquick – and as such sort of a blur in my memory. I just remember throwing myself into it, wanting to satisfy what I think of as the two sides of being a shark fan – wanting to marvel at the sheer evolutionary superiority of the creatures, the genetic adaptations and instincts that make them such exceptional predators, and wanting to see them rip shit up. There are a lot of different species in the film, and I wanted to highlight each’s nefarious advantages, give each a different perilous personality.

MG: You are quite the shark expert, what do you enjoy most about working within that genre?
HPH: I don’t know that I’d consider myself a shark expert – maybe a shark-movie aficionado – I’ve just always been simultaneously fascinated and terrified by them. When I was a kid, eight or nine, I was surf fishing with an older friend in North Carolina, back where I’m from, and he got a bite on his line, big one, and started trying to reel it in but it was giving him trouble. When he tugged hard on the line, a hammerhead breached the surface not ten feet off shore. My buddy dropped the pole right there and it disappeared into the waves. Since then, I’ve been hooked (pardon the awful pun). Sharks are the pinnacle of evolution, the absolute fulfillment of biology’s potential, they’re consumption machines, it’s all they do, and they are well-equipped for the task. I can’t think of a more primal creature on the planet. And then there’s the sea: I could be making this up, but we know more about our solar system than we do the sea. It covers 3/4th of the planet and contains such a wide variety of hazards they’re practically innumerable. You put those elements together – a singled-minded killing machine with zero natural predators and the most unexplored and hostile environment on Earth – you’re gonna come up a winner every time.

MG: Tell us about why you created Committed, a fanblog about The Asylum?
HPH: I’m a fan, first and foremost, I just love whatthey do. I’ve always been a B-movie guy, and for my money, they’re making the best ones out there. I started the blog because I couldn’t believe there wasn’t one already, and because I wanted people to share in my enthusiasm for Asylum films. For all the general crap people may sling just because of the type of films they make, how inexpensively or quickly they make them or who’s in them or whatever, there’s at least twice as much to love about every single one of their films, and I wanted to share those things. And also I really, really wanted to write for them.

MG: What is your all-time favorite film from The Asylum and why?
HPH: Anything that reads “Screenplay by H. Perry Horton.” Other than that, Mega Shark vs Giant Octopus is the film that really ignited my love for The Asylum. But I come at the question from a couple different angles. As a fan, I dig the Mega Shark movies, the found-footage stuff like Alien Origin, certainly the sex comedies like Bikini Spring Break; while as a writer I’m drawn to stuff like Paul Bales’ Nazis at the Center of the Earth and Sherlock Holmes, Geoff Meed’s I Am Omega and 6 Guns, Jose Prendes’ Haunting of Whaley House and Jared Cohn’s Born Bad – I could go on for paragraphs – but basically stuff that I’ve been not only impressed by, but humbled. So I guess the short answer is, all of them?

MG: What do you have planned next?
HPH: “Shark Week” premieres on SyFy Saturday, August 4th at 9 p.m. then bows on DVD a few weeks later on the 28th. I have a disaster film that’s in production at the moment, water-based, and an iron or two in the fire beyond that. I’m a superstitious sort of writer in that I don’t like to discuss projects before they’re in production. I’m a big believer in jinxes.

Bassist Ricky Phillips talks working with Styx, Reo Speedwagon and Ted Nugent

Ricky Phillips is no stranger to world of rock music. Over his 30+ year career Phillips has played bass for a number of successful groups. He is probably best known for holding down the low end for the legendary classic rock band Styx. Media Mikes had the chance to talk with Ricky recently about the bands current tour with Reo Speedwagon and Ted Nugent as well as about the bands recent Blu-Ray release titled “Styx: Grand Illusion/Pieces of Eight- Live”.

Adam Lawton: Can you give us some background on the bands current tour with Reo Speedwagon and Ted Nugent?
Ricky Phillips: Both Styx and Reo Speedwagon have some incredible history that goes way back. We are both from Illinois and have toured together before but this is the first one we have done together in about 3 or 4 years. We did do some one off shows here and there but the idea came up to put us together and have Ted Nugent open. It is sort of a collaboration of Mid-West rock bands. The attendance at these shows has just been amazing. When you go out each year you never know what the shows will be like. The first leg of the tour went well and was sort of business as usual. This second leg has been sold out every night which just blew us away. It’s really crazy how it’s caught on. This success may lead to us doing a similar tour sometime next year. The fans seem to really enjoy the line up and if you think about it each group is quite different so we are trying to put a different slant on mid-west rock.

AL: What has been the biggest difference in the crowds as of late?
RP: There are so many young people now that have discovered classic rock bands. They seem to be at a point in their music listening lives where they are looking for what came before. We are those guys. When I and the rest of the guys in the band were younger and at this point we were heavily influenced by the British music movement. From there we looked back and found artists like Muddy Waters and Howlin’ Wolf. Guys like Eric Clapton and Jimmy Page were into these acts so we started searching them out as well. It is pretty cool seeing these new young faces as they watch and sing along. We have a great cross section of fans.

AL: Can you tell us about the DVD/Blu-Ray the band recently released?
RP: The “Styx: Grand Illusion/Pieces of Eight- Live” came out really great. The Blu-Ray did amazing and I couldn’t believe how many people were waiting for that. I think we were actually number 2 in sales for the first couple weeks on Amazon.com. Those two albums go together so well that the discs came out beautifully. Doing those shows was like going back the vinyl era where you dropped the needle and boom the music kicks in. We did each album in its entirety the way it was recorded so fans could have that feeling of knowing what the next song is. They could get wrapped up in the songs. We would then take an intermission and come back and play “Pieces of Eight”. It was just so much fun. When we first did those records and you were trying to get them on the radio you would pack one side with what you thought were going to be the hits. You were trying to foresee the future. When you do a live concert things are exactly the opposite. You generally start with the B cuts then the hits and close out with your encores. It was a bizarre way to do a live show like an album but it seemed to work really well. The Blu-Ray version of the show is definitely the way to see it.

AL: Was it hard going back and playing some of the material that you hadn’t played in awhile?
RP: At first it was a little tough. We worked pretty hard on the material and once we got in to it we knew we weren’t turning back. We did a lot of switching off between vocals parts as there are just so many stacked vocal parts on those albums. We even threw a microphone back to our drummer Todd Sucherman who is a great singer. Getting those extra voices were crucial and probably the biggest challenge. We like challenges like that and we welcomed it. Things turned out really well.

AL: VH1 recently did a re-mastered episode of the “Styx: Behind the Music” episode. What was it like having to delve once again back in to the bands history?
RP: Personally I am not a fan of those kinds of shows. I am a bit of a weirdo. I don’t like people knowing my bands business. I liked the concept of not knowing about a band until you went and saw them live. You might see a picture or two of a band in a magazine or something but that was about it. I loved that mystique. Watching these types of shows is a little difficult. I know fans like them and we are in a different age now. With reality television and things I guess these types of shows fit right in. The episode is pretty well represented I think. They shot some footage of me while I was in England and I was a little afraid to watch the show. After seeing I thought it was good and gladthat it was out there for fans to see how the band came about and how we have evolved.

AL: What other plans are in the works for the band?
RP: The band will continue to tour and live its daily life. As that happens things are always evolving and stuff start to tell their own stories. We have been writing new material and talking about getting it recorded for some time. I have started to hear more and more about it as of late. We may find some time in our schedules to actually do that. For us it’s really about the touring business. After this tour wraps up I think we have about a week off and then we go back out doing “An Evening with Styx”. I kind of know what parts of the country we will be in but I don’t know the exact venues.

Matthew Lillard talks about his directorial debut with “Fat Kid Rules the World”

Matthew Lillard has appeared in over 70 films and is probably best known for his roles in Wes Cravens “Scream” and the live action “Scooby-Doo” films. Media Mikes had the chance to talk with Matthew about making his debut as a director with the film “Fat Kid Rules the World” which is an adaptation of the K.L. Going novel of the same name.

Adam Lawton: Can you give us a brief overview of the film?
Matthew Lillard: In the first few frames of the film the main character Troy Billings who is an obese teenager tries to jump in front of a bus. He ends up being saved by a punk rock guitar savant and the two start a band. The film is really about their journey as friends and them finding themselves.

AL: What drew you to the project?
ML: I was the kid who was lost in high school. I feel like 95% of the world feels like they don’t belong in whatever high school situation they are in. I felt like the story of Troy’sjourney depicted my experience in school. I think there are kids out there that need a movie like
this. The film is very honest and we just wanted to deliver that to those who need it.

AL: What was the hardest part of both directing and acting in the film?
ML: I actually cut my part out of the final frames of the film as it just didn’t work. Thestory is very fast and tidy and I felt my stuff really kind of lagged.

AL: How did Pearl Jam’s Matt McCready become involved with the scoring of the film?
ML: I had told my agents that I was directing a film and they asked me if I had anyone in mind to do the music. I told them no but the film was based in Seattle. They brought up Matt’s name and that he was looking for a film to score. He came on board and changed the quality of our film. He made a huge impact on our movie.

AL: What are the film’s release plans?
ML: The idea is that any one in America right now can go to www.tuggthefatkid.com and request a screening of our movie in their local theater. Once there are enough people to pre-buy tickets the screening will happen. It’s kind of a new way distributing independent films.

AL: You used Kickstarter.com to fundthe film. How did you become aware of that?
ML: I have had tons of friends that have used it in the past. It was a pretty amazing experience as we raised $158,000.00 in 31 days. It just helped propel the film as there is always the chance that an independent film can drift off in to oblivion. The support we have gotten from the community has really allowed us to find a new avenue to distribute this movie.

AL: What other projects are you working on right now?
ML: I just finished a film with Clint Eastwood titled “Trouble with the Curve” that comes out this fall. I also will be leaving soon for Australia to start work on “Nims Island 2”. I am always looking for films to do and hope to be doing another one in the next 6 months.

Kevin Heffernan talks about Broken Lizard, “Super Troopers 2” and “The Babymakers”

Kevin Heffernan is a member of the comedy group Broken Lizard.  He co-stars in the new film  “The Babymakers” along with fellow Broken Lizard member Jay Chandrasekhar, who also directed.  Kevin is currently touring the stand-up comedy circuit with fellow Broken Lizard member Steve Lemme.  Media Mikes had a chance to chat with Kevin about Broken Lizard, “Super Troopers 2″ and “The Babymakers”.

Mike Gencarelli: How was it working with Jay Chandrasekhar solo compared to a Broken Lizard production?
Kevin Heffernan: He is a total dick…no he’s good. It was great. It was a project we put together a while back. It was closed and then fell apart and then closed then fell apart. So it was great to finally do it. It wasn’t that different from shooting a Broken Lizard film. We used a lot of the same crew and it is sort of like family. I’ve worked with Jay a lot so it was really smooth. Smooth sailing.

MG: Tell us what you enjoyed most about playing Wade?
KH: It is kind of funny since that with some of the early reviews, it has been said that it is a bit of a departure from our Broken Lizard work and features more mature material. But the fact of the matter is that I got to play the “Broken Lizard” asshole character. So it was fun for me. I got to be a jerk and a dumb guy. It ended up not being too far away for us. We dealt with issues with having kids and stuff but I was still running around with my pants down.

MG: What was your favorite experience from “The Babymakers”?
KH: Jay and I haven’t worked on something together since “The Slamming Salmon”. So it was fun to get back into that. You kind of realize the more movies you do the more comfort you have. There is a lot of improv on this. We got to come up with a lot of funny stuff. The other nice thing was working with a guy like Paul Schneider. I didn’t know Paul before but he has a lot of indie film cred. He is a real actor [laughs]. Unlike us, you know. To spend time on a set with a guy who is that talented was different than hanging out with my college buddies.

MG: What do you like most about working in comedy genre?
KH: I think it is just the sensibility of it. Being on set is fun, the atmosphere is just very fun. It is the base instinct of trying to make people laugh. I guess I could do drama but I really don’t seek any of that stuff out. I just love doing comedy.

MG: After “The Slamming Salmon”, you plan to direct again?
KH: Yeah, I would love to do more directing. We got a lot of irons in the fire currently. We had a couple of movies that have come close in the last year and one of those I was going to direct for Broken Lizard. So I still want to do that. You just gotta ride the wave a little bit. We made this movie. Then Steve Lemme and I got the stand-up tour also, which we actually just shot for a special last month. So we are editing that together right now. I like doing multiple things, that way you don’t get bored but I hope to direct again soon.

MG: Tell us about your stand-up tour with Steve Lemme?
Steve told me you and him are working on a new Broken Lizard script, any details?
KH: We got a couple of things we were working on right now. One we really like where we (Broken Lizard) all play minor league umpires. So it is funny kind of “Bull Durham” movie…but with umpires [laughs]. That is kind of secondary though. The big push is really for “Super Troopers 2”. The hold up is just a negotiation with Fox right now. They own the first one and the rights to the second one. So its moving along just slowly.

MG: You guys also have a TV pilot in the works, any update?
KH: Steve and I actually just pitched a new idea to a few places including NBC. They seem to really be into a few of the new ideas we have, so I think we should have something moving forward soon hopefully.

Jay Chandrasekhar talks about Broken Lizard, “Super Troopers 2″ and “The Babymakers”

Jay Chandrasekhar is a member of the comedy group Broken Lizard.  He directs and co-stars in the new film  “The Babymakers”, which co-stars fellow Broken Lizard member Kevin Heffernan.  Jay also has directed a lot of television including “Arrested Development” and “Community”.  Media Mikes had a chance to chat with Jay about Broken Lizard, “Super Troopers 2″ and “The Babymakers”.

Mike Gencarelli: What was your biggest challenge working on “The Babymakers”?
Jay Chandrasekhar: I think I wanted to try something a little more real. So I wanted to see if I could make the tone with the real life relationship stuff work with some of the stuff that Kevin and I tend to do in the comedy world. I wanted to see if both of those tones could fit into a movie. So that was my biggest challenge for sure. I feel like I am very happy with how it ended up.

MG: How did it come about working with Kevin Heffernan solo on this project?
JC: He worked on a film called “Strange Wilderness”. The writer of that film, Peter Gaulke, had written this script with Gerry Swallow. He gave it to Kevin and asked if we could get it made at Warner Brothers, when we were there. Kevin gave it to me and asked if I would be willing to direct it. I read it and loved it and said “Let’s go for it”. So that is how it ended up being just the two of us. It is a movie about a couple really. It wasn’t able to be adapted to be a five man Broken Lizard movie. The thing about Broken Lizard movies is that it needs to have the right vibe and, of course, be able to star five guys. This was not one of those.

MG: What was your inspiration for the character Ron Jon?
JC: I based it somewhat on a couple of my Uncles. I’ll tell you this, I feel like Indians in Hollywood are always computer guys, cab drives, or nerds that never get chicks. I thought it might be fun to make the bad guy/criminal an Indian. I’ll be honest with you, I’ve been imitating my Uncles since I was like 4 or 5, so I really had a fucking blast with this character.

MG: Do you find it difficult both acting and directing on a film?
JC: I have done it now like 6 or 7 times now. I always say acting and directing ruins two perfectly good jobs. But look, it is a great way to get good parts [laughs]. Frankly, I know how to do it. One thing I do is make sure that Kevin is watching my performance and I watch his of course when he directs. I just give a range of sizes for the performance starting at super subtle and get bigger and bigger. And I hope that one of those will make the cut.

MG: Besides film, you’ve been directing a bunch of TV, how do the do compare? What do you enjoy most?
JC: I have been lucky to work on a lot of great television shows like “Arrested Development” and “Community”. I am working with high-end top level comics and actors. I am getting to see how they work and also making new friendships/relationships. Due to this, now I am developing my own television show as well. The business is very different. You have to work faster and generate material a lot quicker. Yet it also has to be on a high level of entertainment. I am having a lot of fun shooting television though. My job there is to make a very good episode. It’s not to make my show. It is to shoot their show.

MG: With “Super Troopers 2” script completed, what are you most concerned about with making this film?
JC: I am concerned about fucking it up for the fans, obviously. There is nothing worse than watching a sequel and being like “What the fuck is that”? We have written what I think is a really great story. I think ultimately we have done 10 drafts of it and we need to do another 10 to ensure it is as funny or close. That is going to require, you know, smoking a lot of joints and sitting around a room and coming up with the right details. There is no guarantee, of course. Firstly, we still need to get Fox to allow us to make the film. Assuming that they do, there is a lot riding on it creatively.

MG: What do you have planned next with Broken Lizard? Solo?
JC: I got the pilot but I really can’t talk about it yet since it is not setup anywhere yet. There is a film called “Shotgun Wedding” that Olivia Munn and I are doing a re-write of currently. Unless the “Super Troopers” issue resolves itself, I imagine I would be making “Shotgun Wedding” next.

Maggie Wagner talks about play “Right on Target” and “Return of the Killer Shrews”

Maggie Wagner is playing the role of Karen Harrison in the play “Right on Target”, which premieres at this year’s New York International Fringe Festival. She is also co-starring with John Schneider in “Return of the Killer Shrews”. Media Mikes had a chance to chat about these projects and what else she has planned next.

Mike Gencarelli: What drew you to audition for the play “Right on Target”
Maggie Wagner: I got a phone call from one of the producers who’s a friend of mine. He was working on a play for the Fringe Festival and he had a part in it that he thought I would be good for. He wanted me to meet Gary Morgenstein who was also going to be working on the play. Gary thought I was the right person for the role also. I then auditioned over Skype for director Noemi De Lapunte. She liked me and everything went from there.

MG: Tell us about your character, Karen Harrison, in the play?
MW: I play a character by the name of Karen Harrison. She is a very liberal, hippy, jewelry maker who is married to a very conservative, right wing African American. We are complete opposites.

MG: The play is premiering at the New York International Fringe Festival, what can we expect next?
MW: I have never been to the festival. I do know that two plays or more have gone on to Broadway. One of those was “Urine Town”. This festival is a starting ground for shows and it’s a mixed bag so you never know what you are going to get.

MG: How would you compare working in theater to working in film or television?
MW: It’s all about truth and reality for me. I try to do everything the same. They are different mediums but I try to be as real as possible. You try to bring in your own reality. There is a lot more projecting when it comes to stage work but I love being on stage and hearing the laughter from the crowds.

MG: Is there a specific genre where you feel most comfortable?
MW: I love everything. I like anything that involves me getting paid and being able to show my strongest points. (Laughs)

MG: How did you get involved with “Return of the Killer Shrews”?
MW: The writer of the sequel Steven Latshaw happens to be a friend of mine. The original actress who was cast became pregnant and they needed someone for the role of Stella. They were looking for someone with a biting wit similar to Fran Drescher. I guess I am the low budget equivalent to what they were looking for. (Laughs) They called and asked me if I wanted to be in the film and I just went and did it. There was really no audition process.

MG: Did you have any problems working with the digital effects in the film?
MW: Not really. They kind of give you the idea of where things are and you just sort of go from there. It was great working with John Schneider. We are sort of like the odd couple.

MG: What other projects do you have coming up?
MW: I just finished a film titled “Hate Crime”. The film was directed by James Cullen Bressack and the film is an experimental horror film. It is a found footage film where a family is attacked by some intruders. There is a lot of special effects things going on. I hear it is pretty gruesome to watch.