Theater Review: Disney’s “Frozen” at The Dr. Phillips Center – Orlando, FL

FAIRWINDS Broadway in Orlando Presents: 

Disney Frozen The Hit Broadway Musical

February 24 – March 6, 2022

Walt Disney Theater

Our Score: 4.5 out of 5 stars

Ice and cold? In Orlando? And people are enjoying it? That can mean only one thing! Disney’s Hit Broadway Musical Frozen is in town. With 14 performances, of which most of them are sold out, Frozen breaks a record with more performances than any other show in The Walt Disney Theater’s history. 

Based on the 2013 wildly popular animated movie of the same name, Frozen has found a way to capture all the splendor and magic that one expects from Disney for a live audience. Seeing a real-life Olaf and Sven would be a treat in itself, but watching a real-life Elsa summon snow and ice from the palm of her hand or having your heart break as Anna freezes before your eyes, brings a sense of wonderment and excitement that only Disney can bring. 

Caroline Bowman shines as Elsa, emoting beautifully the struggle between wanting to protect your family while also wanting to be yourself.   Alongside her, Caroline Innerbichler mastered the quirky, fun Anna in such a way that made you to be your best friend while also capturing the hearts of all the children (and adults in the theater). Even my 9-year-old bonus daughter left the theater saying she wanted to be just like Anna when she was older. 

You can’t talk about Anna and Elsa, however, without talking about the amazing child stars who captured the youthful excitement and sisterly love of young Anna and Elsa perfectly – Oliva Jones (Anna) and Arwen Monzon-Sanders (Elsa). Their bond on stage, partnered with their ability to bring you in to their world and the emotions they are experience, is far beyond their age. Although Disney did not expand upon their childhood story which was told in the animated film, they did find a way to bring the characters of their childhood to life in a way that kept the spirit of the story alive. 

While it is sad that after its 2018 opening Frozen did not reopen on Broadway after the pandemic, its first national tour is a swirling snowstorm around the nation and a show that is not to be missed. You’ll be singing along to the classic songs from the film like “Let it Go,” while also feeling inspired by new songs like “Monster” which give depth to the storyline. So what are you waiting for? Don’t miss out on, what does Oaken call it?, Hygge and slide over to the Dr. Phillips Center for your tickets now. 

Theatre Review “Tootsie: The Comedy Musical”@ Dr. Phillips Center – Orlando, FL

FAIRWINDS Broadway in Orlando Presents:
Tootsie
November 2–7, 2021
Walt Disney Theater

Our Score: 3.5 out of 5 stars

November 2nd was a big day in Orlando, FL at the Walt Disney Theater at Dr. Phillips Center. It was the return of Broadway to the stage. “Tootsie” is the first Broadway in Orlando production since the pandemic shut everything down. It was a glorious return to the stage at the Walt Disney Theater. The place was packed and the audiences were ready to enjoy some fun Broadway theater. Let’s just say that “Tootsie” did not disappoint its audience.

If you are saying to yourself, “Tootsie”, isn’t that the 1982 movie with Dustin Hoffman…and the answer is yes. They made a musical about it. The show premiered on Broadway in New York back in 2018 and I have to admit it really worked as a musical. The songs were funny and laugh out loud at parts.  In case you are not familiar with the movie the play features a 40-year-old failed actor Michael Dorsey (played by Drew Becker) who plays decides to cross-dress as “Dorothy Michaels” to land a role in a an upcoming musical sequel of “Romeo and Juliet”.

Drew Becker was phenomenal playing both roles with ease and nailing every second of it. In “Tootsie”, the director is played by Adam Du Plessis and he also steals the show with his fantastic dance skills. Props also go to Ashley Alexandra for winning our hearts as Dorsey’s love interest. Payton Reilly honestly, annoyed the hell out of me playing Dorsey’s ex-girlfriend but definitely saving the day was Jared David Michael Grant, playing Dorsey’s best friend. Him and Drew Becker has great chemistry and it really connected on the stage.

The play does have a solid score by 2018 Tony-winner David Yazbek (Dirty Rotten Scoundrels). The song were really fun like I mentioned and definitely had the lady sitting behind me belly-laughing. The show is playing at the Walt Disney Theater from November 2-7, 2021 and if you can get tickets, I would highly recommend. In a time when everyone is worrying about the news, work and struggles of life…it is good to get out and laugh once in a while and “Tootsie” definitely helped in that department!

Theatre Review “Mean Girls” @ Dr. Phillips Center – Orlando, FL

“Mean Girls” is a musical based on the 2004 movie that was written by Tina Fey. The musical premiered in Washington, D.C. in October 2017 and opened on Broadway in April 2018. If you are thinking “Seriously they made a musical for Mean Girls?”, this show has no shortage of talent from the award-winning creative team, including Tina Fey (30 Rock), composer Jeff Richmond (Unbreakable Kimmy Schmidt), lyricist Nell Benjamin (Legally Blonde) and director Casey Nicholaw (The Book of Mormon). This show is packed with energy and devilish humor that will leave you howling.

From upbeat anthems like “Apex Predator” and “I See Stars” to the songs that show the difficult side of being a female like “What’s Wrong With Me,” the music never stopped. The female leads in the show, especially Mary Kate Morrissey (Janis), Danielle Wade (Cady), and Mariah Rose Faith (Regina George), all had unique singing voices that were nothing short of impressive. In addition, the show decided to use digital screens for quick set changes which led to seamless transitions when changing from classroom to classroom and location to location in the middle of a song. The comedic timing in the show, especially by Karen – played by Jonalyn Saxer, kept you laughing throughout the entire show. There was even a scene with the Lion mascot that had the audience laughing so hard some were in tears. Overall, the show captured the life of a teenage girl in a way that had you sympathizing, laughing, and swaying along to the amazing music.

Official Premise: Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung.

The show is playing at the Walt Disney theater from February 25–March 1, 2020. If you are able to get tickets, this is a show that is not to be missed. Overall this musical is just plain fun. You find yourself smiling and laughing till it hurts. Due to the success of the musical production it was recently announced that a film adaptation of the musical was being produced. So expect more of “Mean Girls” in the coming years!

Theatre Review “Disney’s Aladdin” @ Dr. Phillips Center – Orlando, FL

“Disney’s Aladdin” is one of my favorite movies and it is also one of the only Disney plays that I haven’t seen on Broadway. It opened at the New Amsterdam Theatre on March 20, 2014 and since then has become the 11th highest-grossing Broadway production of all time (as of May 2019), grossing over $400 million…and still going strong. The show is currently running from January 22nd through February 9th at the Dr. Phillips Center and it is a MUST SEE for the whole family.

Official Premise: From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. Aladdin features all your favorite songs from the film as well as new music written by Tony® and Academy Award® winner Alan Menken (Newsies) with lyrics penned by the legendary Howard Ashman (Beauty and the Beast), Tony Award winner Tim Rice (The Lion KingAida), and book writer Chad Beguelin (The Wedding Singer). Directed and choreographed by Tony Award winner Casey Nicholaw (The Book of MormonSomething Rotten!), this “Fabulous” and “Extravagant” (The New York Times) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley (Mary Poppins), Gregg Barnes (Kinky Boots), and Natasha Katz (An American in Paris).

Orlando native, Michael James Scott, played the role of the Genie and easily stole the show. Michael isn’t new to playing this role after though after being apart of the original Australian Cast (2016-2017), as well as taking on the U.S. National Tour (Jan-Aug 2018), took over the West End (Aug 2018-Feb 2019), and Broadway (Feb-Sept 2019). So as far as I am concerned Michael James Scott is the Genie. I literally loved every second he was on the stage. Such energy and such love for his craft.

Speaking of returning cast Jonathan Weir, who played Jafar in the original US tour cast as well taking over the reigns on Broadway. There was no shortage of talent on this stage. Jonathan was a riot with his companion Iago, played by Reggie De Leon. Together they both commanded the stage. Jonah Ho’Okano, who plays Aladdin, is also fresh off the boat from playing the lead in the Disney Cruise Line version of “Aladdin: A Musical Spectacular”. So he is also no stranger to the character.

The costumes are outstanding. There are so many quick changes that will leave you amazed as to how it is done. The colors are just so vibrant from the costumes to the set, which are also super elaborate – especially the Cave of Wonders. I absolutely loved the Cave of Wonders set. It was stunning and so well put together. Also “Whole New World” song was super impressive with the flying carpet, which I have no idea how it was done. This was a really beautiful moment of the evening.

Since this show running for a few weeks at Dr. Phillips Center, there are still plenty of time to get great seats for upcoming shows and Media Mikes had the tips for you to experience this amazing show. There are still great seats available for the following shows on Wednesday January 29th-Friday January 31st and from February 4th through Saturday February 8th. If you can make any of those shows, I cannot recommend any more to not miss this show. I had a smile on my face from the moment it started until the moment it ended. Definitely some magic happened at Walt Disney Theater.

Blockbusters Disney’s Aladdin And Mean Girls Anchor 19/20 Fairwinds Broadway in Orlando Season At Dr. Phillips Center for the Performing Arts

Current subscribers may renew their seats for the upcoming season beginning at 10 a.m. Friday, February 15, 2019

ORLANDO, Fla. (February 14, 2019) — Blockbuster Disney’s Aladdin and record-breaking new musical comedy Mean Girls will make their Orlando premieres as part of the 2019-2020 FAIRWINDS Broadway in Orlando series at the Dr. Phillips Center for the Performing Arts. The season also includes audience favorites Escape to Margaritaville: The Jimmy Buffett MusicalA Bronx Tale and The Play That Goes Wrong, along with Tony Award®-nominated revivals Miss Saigon and Lerner and Loewe’s My Fair LadyThe season will also feature the return of the musical phenomenon Les Misérables, for one week only.

Dr. Phillips Center joined Florida Theatrical Association and Broadway Across America today to announce the full line-up.

19/20 FAIRWINDS Broadway in Orlando series:

Escape to Margaritaville: The Jimmy Buffett Musical November 12–17, 2019

The Play That Goes Wrong — December 3–8, 2019

Disney’s ALADDIN  January 22–February 9, 2020

Mean Girls  February 25–March 1, 2020

Miss Saigon  March 31–April 5, 2020

A Bronx Tale  April 28–May 3, 2020

My Fair Lady  May 26–31, 2020

Les Misérables will be presented as a Season Option playing for one week only October 22-27, 2019. Subscribers will have first access to purchase tickets for Les Misérables once they have renewed their seats for the 19/20 season.

“The 2019-2020 season builds on the excitement and success of last year, our biggest season yet,” said Dr. Phillips Center President and CEO Kathy Ramsberger. “The opportunity to bring the best of Broadway to our community in both the performances on our stage and the ‘backstage’ educational experiences like Master Classes and Cast Chatbacks, is a way to invite everyone to experience our vision of Arts For Every Life.”

“We could not be more proud to partner with the Dr. Phillips Center and FTA to bring the best of Broadway right here to downtown Orlando. The upcoming season is a real treat for Central Florida audiences with a balance of some of the biggest hits in recent years alongside gorgeous revivals of legendary musicals,” said Susie Krajsa, President of Broadway Across America.

“We are once again excited to offer special, one-of-a-kind experiences and exclusive pre-sale opportunities to our members through our continued support of the FAIRWINDS Broadway in Orlando series at Dr. Phillips Center and to provide quality entertainment to our entire region,” said FAIRWINDS Credit Union President and CEO Larry Tobin.

One of the benefits of being a subscriber is having the option to renew your seats each year. Current subscribers can renew their seats now through March 15, 2019. Subscribers who renew early before March 1, 2019 can guarantee the lowest price for their subscription by taking advantage of loyalty pricing. FAIRWINDS Broadway in Orlando will first send renewal information via email and encourages renewing online for ease and convenience. This electronic communication will be followed up with a brochure sent via posted mail.

New subscriptions for the 19/20 season are not yet available for purchase at this time. Those interested in subscribing for the 19/20 season may join Broadway in Orlando’s subscription notification list at orlandobroadway.com. In April, those on the notification list will be among the first to be alerted when subscription seats become available.

Groups of 10 or more may begin placing ticket requests for most shows in the new season beginning February 15, 2019. Group minimums and discounts vary by show. Seating locations for group orders may not be confirmed until later this year.  For more information, email groups@drphillipscenter.org or call 407.455.5550. Tickets for individual shows in the 2019–2020 season will be made available at a later date.

For more information and to renew a subscription for the 2019–2020 season, visit OrlandoBroadway.com.

ABOUT THE SHOWS

Images and B-roll: https://dr-phillips-center.box.com/s/9aj4fixa5b9avk26w9vdocar7dstpobj

Les Misérables

October 22–27,2019

Walt Disney Theater

Season Option

Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award®-winning musical phenomenon, Les Misérables, direct from an acclaimed two-and-a-half-year return to Broadway. Set against the backdrop of 19th-century France, Les Misérables tells an unforgettable story of heartbreak, passion, and the resilience of the human spirit. Featuring the beloved songs “I Dreamed A Dream,” “On My Own,” “Stars,” “Bring Him Home,” “One Day More,” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. With its glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking new production has left both audiences and critics awestruck. “Les Miz is born again!” (NY1). 

Escape to Margaritaville: The Jimmy Buffett Musical

November 12–17, 2019

Walt Disney Theater

Welcome to Margaritaville, where people come to get away from it all—and stay to find something they never expected. Get ready for a hilarious and heartwarming musical with the most unforgettable songs from one of music’s greatest storytellers. USA Today calls it “A little slice of paradise!” and Entertainment Weekly raves, “It will knock your flip-flops off!” So don’t let the party start without you.

The Play That Goes Wrong

December 3 –8, 2019

Walt Disney Theater

What would happen if Sherlock Holmes and Monty Python had an illegitimate Broadway baby? You’d get The Play That Goes Wrong, Broadway & London’s award-winning smash comedy! Called “A GUT-BUSTING HIT” (The New York Times) and “THE FUNNIEST PLAY BROADWAY HAS EVER SEEN” (HuffPost), this classic murder mystery is chock-full of mishaps and madcap mania delivering “A RIOTOUS EXPLOSION OF COMEDY” (Daily Beast) that is “TONS OF FUN FOR ALL AGES” (HuffPost)!

Disney’s Aladdin

January 22–February 9, 2020

Walt Disney Theater

Discover a whole new world at Aladdin, the hit Broadway musical.  From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle.  It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. 

Hailed by USA Today as “Pure Genie-Us,” Aladdin features all your favorite songs from the film as well as new music written by Tony® and Academy Award® winner Alan Menken (Newsies) with lyrics penned by the legendary Howard Ashman (Beauty and the Beast), Tony Award winner Tim Rice(The Lion King, Aida), and book writer Chad Beguelin (The Wedding Singer). Directed and choreographed by Tony Award winner CaseyNicholaw (The Book of MormonSomething Rotten!), this “Fabulous” and “Extravagant” (The New York Times) new musical boasts anincomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley (Mary Poppins), Gregg Barnes (Kinky Boots),and Natasha Katz (An American in Paris).  See why audiences and critics agree, Aladdin is “Exactly What You Wish For!” (NBC-TV).

Mean Girls

February 25–March 1, 2020

Walt Disney Theater

“BY FAR THE FUNNIEST MUSICAL OF THE YEAR!” – Chicago Tribune

Direct from Broadway, MEAN GIRLS is the hilarious hit musical from an award-winning creative team, including book writer TINA FEY (“30 Rock”), composer JEFF RICHMOND (“Unbreakable Kimmy Schmidt”), lyricist NELL BENJAMIN (Legally Blonde) and director CASEY NICHOLAW (The Book of Mormon).

Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung.

New York Magazine cheers, “MEAN GIRLS delivers with immense energy, a wicked sense of humor and joyful inside-jokery.” USA Today says, “We’ll let you in on a little secret, because we’re such good friends: GET YOUR TICKETS NOW!”

“IT’S NOT A REGULAR MUSICAL, IT’S A COOL MUSICAL.” – Entertainment Weekly

Miss Saigon

March 31–April 5, 2020

Walt Disney Theater

“A DYNAMITE BROADWAY REVIVAL.” – The New Yorker

Experience the acclaimed new production of the legendary musical Miss Saigon, from the creators of Les Misérables.This is the epic story of a young Vietnamese woman named Kim. In a bar run by a notorious character called The Engineer, Kim meets an American G.I.just before the fall of Saigon. That encounter will change their lives forever. Featuring stunning spectacle, a sensational cast of 42, and a soaring score including Broadway hits like “Last Night of the World,” “The Movie in My Mind,” and “American Dream,” this is a theatrical event you will never forget.

A Bronx Tale

April 28–May 3, 2020

Walt Disney Theater

Jersey Boys meets West Side Story.” – amNewYork

Broadway’s hit crowd-pleaser takes you to the stoops of the Bronx in the 1960s—where a young man is caught between the father he loves and the mob boss he’d love to be. Bursting with high-energy dance numbers and original doo-wop tunes from Alan Menken, the songwriter of Beauty and the BeastA Bronx Tale is an unforgettable story of loyalty and family.

Three years ago, Academy Award nominee Chazz Palminteri teamed up with Academy Award® winner Robert De Niro, Tony® Award winner Jerry Zaks and  Tony® Award nominee Sergio Trujillo to create this streetwise musical – based on Palminteri’s true life story.

The New York Times hails A Bronx Tale as “A Critics’ Pick! The kind of tale that makes you laugh and cry.”

Lerner and Loewe’s My Fair Lady

May 26–31, 2020

Walt Disney Theater

From Lincoln Center Theater comes “a sumptuous new production of the most perfect musical of all time” (Entertainment Weekly), Lerner & Loewe’s My Fair Lady, directed by Bartlett Sher.  Boasting such classic songs as “I Could Have Danced All Night,” “The Rain in Spain,” and “Wouldn’t It Be Loverly,” My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady.”  But who is really being transformed?

“Thrilling! Glorious and better than it ever was! A marvelous and transformative revival.” – The New York Times

For more information and to renew a subscription for the 2019–2020 season and Broadway in Orlando, visit OrlandoBroadway.com.

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FAIRWINDS Broadway in Orlando is presented in partnership with Broadway Across America and Florida Theatrical Association. FTA is a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality touring Broadway productions and the promotion of arts education throughout the state of Florida. For more information, visit FloridaTheatrical.org.

About Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a private, not-for-profit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Fla. With its opening in November 2014, the arts center has become a gathering place for creativity and discovery, and a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Advent Health School of the Arts, the DeVos Family Room and other event rental spaces. Under construction is Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. Dr. Phillips Center collaborates with the City of Orlando, Orange County, the City of Winter Park, the State of Florida and generous donors.

BROADWAY ACROSS AMERICA (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com and Group Sales Box Office.  Led by 13-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, The Phantom of the Opera and Hamilton. Current and past productions include The Band’s Visit, Beautiful, Cats, Chicago, Dear Evan Hansen, Hairspray, Mean Girls, The Producers and Waitress.

About FAIRWINDS

FAIRWINDS Credit Union, headed by President/CEO Larry Tobin, is one of the largest financial institutions headquartered in Central Florida, with assets of more than $2.2 billion, 190,000+ members and over 500 employees. The financial cooperative established in 1949 is open to anyone living or working in Central Florida.

Theatre Review “RENT: 20th Anniversary Tour” Dr. Phillips Center for the Performing Arts, Orlando FL

FAIRWINDS Broadway in Orlando presents RENT: 20th Anniversary Tour
Show dates: Tuesday–Sunday, June 5–10, 2018
Show times vary
Tickets start at $34.25

RENT is a Broadway musical that I have seen many many times since 1996. This show is special. It has always been special and it will always be special. It was a show that is ahead of it’s time and still as smart as ever. Having seen this show on Broadway numerous time and now seeing it for the first time at the Walt Disney Theatre at Dr. Phillips Center for the Performing Arts and it was like I was transported to the first time I saw it over 20 years ago now! I have never been to show where the audience was literally sitting on the edge of their chairs, dancing and singing along like this! The cheers! The applause! It was literally magic! It was like seeing it for the first time again. This show is an experience! Do not miss it!

The cast of the anniversary tour really delivered for me. I had VERY high standards for these songs and the way they are sang specifically. I really love this movie. I have been listening to it for more than half my life. The cast at this theater gave it their all. They knocked it out of the park! Roger was a real highlight for me and Angel, of boy, Angel he was simply amazing! Some notes about the Walt Disney Theater that I have been noting over the last few months, sitting in Orchestra Left in Row J and around there, we had some of the performances cut off due to the angling. It wasn’t anything major but I think it could have been adjusted since orchestra right had a lot of unused space. In the beginning of the performance, there was a little bit of an issue with the music overpowering the singing but over the first song I did not notice it again.

The set this performance did remind me of RENT. It represented the show perfectly but I just miss that Broadway feeling of getting entirely new set each Act. We stay in one scene the whole performance and I was looking for something new each scene with some new objects onto the stage. But don’t let this take away from a magical evening, I can guarantee you there wasn’t a dry eye in the theater. The last thing I want to mention is that the range of age from this performance was outstanding. It ranged from early teens to senior citizens. I mean for a show to have that much range…this many years later is something special. RENT has been touring to celebrate it’s 20th anniversary for the last two years now and I don’t know when I will see it live again…and I encourage you to see this while you can!

Official Synopsis: In 1996, an original rock musical by a little-known composer opened on Broadway…and forever changed the landscape of American theatre. Two decades later, Jonathan Larson’s RENT continues to speak loudly and defiantly to audiences across generations and all over the world. And now, this Pulitzer Prize and Tony Award®-winning masterpiece returns to the stage in a vibrant 20th anniversary touring production. A re-imagining of Puccini’s La Bohème, RENT follows an unforgettable year in the lives of seven artists struggling to follow their dreams without selling out. With its inspiring message of joy and hope in the face of fear, this timeless celebration of friendship and creativity reminds us to measure our lives with the only thing that truly matters—love.

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“OUC Speakers at Dr. Phillips Center” Returns With The Big Bang Theory’s Mayim Bialik

 — Tickets for both shows go on sale Friday, March 2, 2018 — 

ORLANDO, Fla. (February 26, 2018) — Dr. Phillips Center for the Performing Arts and OUC – The Reliable One announced today that actress, author and neuroscientist Mayim Bialik will kick off the second year of the popular speaker series, “OUC Speakers at Dr. Phillips Center.”

Best known for her critically acclaimed role as Amy Farrah Fowler on CBS’ The Big Bang Theory, Bialik will explore seemingly dissimilar — yet altogether entertaining — topics such as the work of the brain and behavioral development; her life as an actress and scientist; and the special relationship that exists between The Big Bang Theory and its audience. Her speaking engagement will take place Saturday, April 14 in the Walt Disney Theater.

Tickets for “An Evening with Mayim Bialik” presented by the Dr. Phillips Center in association with UCF Celebrates the Arts start at $35; a limited number of tickets will also be available for $200 for a meet and greet with the actress. Tickets go on sale at 10 a.m. Friday, March 2.

“The OUC Speakers at Dr. Phillips Center platform allows us to make meaningful connections with our customers and our community,” said Roseann Harrington, Vice President of Marketing, Communications & Community Relations of OUC – The Reliable One. “And the series is steeped in both education and innovation — two things we’re passionate about. We’re very pleased to be part of the program for a second year.”

“It’s rewarding to renew our relationship with OUC and collaborate together on the speakers series,” said Kathy Ramsberger, president and CEO of the Dr. Phillips Center. “The popularity of the format is really evolving, as more guests — especially Millennials — look for alternative entertainment options.”

Tickets may be purchased online at drphillipscenter.org, by calling 844.513.2014 or by visiting the Dr. Phillips Center Box Office at 445 S. Magnolia Avenue between 10 a.m. and 4 p.m. Monday through Friday, or 12 p.m. and 4 p.m. Saturday. Online and phone ticket purchases are subject to handling fees.

OUC is part of a growing list of arts center business partners, including Florida Hospital, Fairwinds Credit Union and Morgan Stanley. Businesses interested in learning more about sponsorship opportunities should email corporate@drphillipscenter.org or call 407.992.1746.

About the Speakers

Mayim Bialik 

Mayim Bialik currently stars on the hit CBS comedy, The Big Bang Theory as ‘Amy Farrah Fowler,’ for which she has received two Critics Choice Awards, four Emmy Award nominations and seven SAG Award nominations. From playing the young version of Bette Midler’s character in Beaches to guest spots on series such as WebsterMurphy Brown, and Curb Your Enthusiasm, in addition to her turn as ‘Blossom Russo’ in the iconic 90’s sitcom Blossom, Bialik has appeared in numerous beloved roles throughout her dynamic acting career.

An acclaimed author, Bialik has written #1 New York Times bestseller Girling Up: How to be Strong, Smart, and Spectacular, as well as Beyond the SlingMayim’s Vegan Table and the soon-to-be released, Boying Up: How to Be Brave, Bold and Brilliant. Bialik has recently dedicated her skills as a writer, actress, neuroscientist and mother to driving GrokNation.com, the website she started in 2015.

Following the end of Blossom, Bialik left acting for a time and earned her BS in Neuroscience from UCLA in 2000, with a minor in Hebrew & Jewish Studies. She went on to complete her PhD in Neuroscience, also at UCLA, and then completed her doctorate in the fall of 2007, which examined the role of oxytocin and vasopressin in Obsessive-Compulsive Disorder in adolescents with Prader-Willi syndrome. While at UCLA, Bialik was a dedicated student leader in UCLA Hillel, leading and starting a Women’s Rosh Chodesh group, chanting and blowing shofar for the High Holiday services, and conducting and writing music for UCLA’s Jewish acapella group.

In addition to acting and raising her two boys, Miles and Fred, Bialik serves as a spokeswoman for a multitude of brands and organizations including Texas Instruments, DeVry University, Capitol One, Fisher Price, City of Hope, Gillette, (among others) and speaks at events around the world.

About OUC

Established in 1923 by a special act of the Florida Legislature, Orlando Utilities Commission is the second-largest municipal utility in Florida and 14th largest in the country. OUC provides electric, water, chilled water and/or lighting services to 375,000 customer accounts in Orlando, St. Cloud and parts of unincorporated Orange and Osceola counties.

About the Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a nonprofit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Florida. With its opening in November 2014, the performing arts center launched its vision of Arts for Every Life by being a gathering place for creativity and discovery; a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Dr. Phillips Center Florida Hospital School of the Arts, the DeVos Family Room, and other event rental spaces. Future expansion includes Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. Dr. Phillips Center is a private non-profit collaborating with the City of Orlando, Orange County, the City of Winter Park, the State of Florida and generous donors.

 

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Theatre Review “Waitress” @ Dr. Phillips Center for the Performing Arts – Orlando, FL

Waitress: The Musical
Show dates: Tuesday–Sunday, March 20–25, 2018
Tickets: start at $34.25
Walt Disney Theater at @ Dr. Phillips Center for the Performing Arts
445 South Magnolia Avenue
Orlando, FL 32801

Let me just start my saying that I have never seen or even wanted to see the 2007 film, “Waitress” starring Keri Russell, which this musical version is based on. I wouldn’t have ever even seen the play if it wasn’t for a few of my friends who say the play on Broadway over the last few years and RAVED about it! Suddenly my interest was kicked off and to top it off the musical features music and orchestration by Sara Bareilles. From the opening scene of the “Waitress”, I knew I was hooked.

Here is the official premise of the show: Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.

Like I mentioned “Waitress” features original music and lyrics by 5-time Grammy nominee Sara Bareilles and I really enjoy the music (listening as I type as well). The songs were strong, uplifting and really beautiful. Desi Oakley, who played the lead Jenna, has an outstanding voice. She really blows you away with some of her songs. They have such range and perfectly pitched. Jeremy Morse, who played the role of Ogie, easily stole the show and was extremely funny. He has previously starred in the same role back in 2015 in the American Repertory Theater staging of “Waitress”. Also really dug that there was a live band on the stage in the background throughout most of the show, which blended in so well I forgot they were their sometimes.

Dr. Phillips Center for the Performing Arts delivered another winning show for me. Being from New York originally and missing Broadway a little, shows like this makes me miss it much less. Here is a little tip since I believe I found the perfect seats for this theatre. We were in Row Q in the Left Orchestra and we had perfect seats, it is at the divide, so no one in front of you and plenty of leg room. Definitely will look for these seats again in the future.

“Waitress” has a lot of heart. It plays to your funny bone the first Act and just kicks you in the stomach for the second Act and delivers a great finish. I believe shows like this are important because they feature strong women and have a positive message of love and the beauty of life. I have to admit one thing that after this show I REALLY wanted me some pie! So make sure to not go hungry because this show will leave your mouth watering.Now if you excuse me I am craving some pie and I need to watch the movie finally!

Hamilton, 2017 Tony®-winning Best Musical, Leads the 18/19 Fairwinds Broadway in Orlando Season at Dr. Phillips Center for the Performing Arts

 

HAMILTON,

2017 TONY®-WINNING BEST MUSICAL AND
2018 GRAMMY® AWARD WINNER DEAR EVAN HANSEN

and

TONY®-WINNING BEST MUSICAL REVIVAL HELLO, DOLLY!

Starring Broadway Legend Betty Buckley

to anchor

18/19 FAIRWINDS BROADWAY IN ORLANDO SEASON

AT DR. PHILLIPS CENTER FOR THE PERFORMING ARTS

 

Current subscribers may renew their seats for the upcoming season beginning at 10 a.m. Friday, March 9

 

ORLANDO, Fla. (March 9, 2018) — Hamilton will headline the 2018–2019 FAIRWINDS Broadway in Orlando series at the Dr. Phillips Center for the Performing Arts. In addition to Hamilton the season includes the six-time 2017 Tony® and 2018 Grammy® Award winning Best Musical Dear Evan Hansen and the 2017 Tony® Award-winning Best Revival Hello, Dolly! starring Broadway legend Betty Buckley.

The arts center joined Florida Theatrical Association and Broadway Across America today to announce the full line-up.

18/19 FAIRWINDS Broadway in Orlando series:

  • Hello, Dolly! — November 27–December 2, 2018
  • Irving Berlin’s White Christmas The Musical — December 18–December 23, 2018
  • Hamilton — January 22, 2019-February 10, 2019
  • Fiddler on the Roof  March 5 –March 10, 2019
  • Dear Evan Hansen — April 16 –April 21, 2019
  • Anastasia — May 14–19, 2019
  • Come From Away  June 11–16, 2019

The season will also feature the return of audience favorite as a Season Option:

  • Jersey Boys — October 30–November 4, 2018

Subscribers will have first access to purchase tickets for Jersey Boys once they have renewed their seats for the 18/19 season.

“This will be a stand-out season on so many levels,” said Dr. Phillips Center President and CEO Kathy Ramsberger. “Hamilton has become a theatrical phenomenon, and three of the seven shows made their debut on Broadway just last year, so the content is fresh and relevant. The other big benefit is that we’ve had great success securing show performers for special appearances and educational workshops in our local schools, including our own School of the Arts. Extending the arts beyond our facility and into the community is one of our top priorities.”

“We are proud to partner with Dr. Phillips Center and Florida Theatrical Association for what is sure to be a record-breaking season in Orlando! This is going to be an unforgettable season of the best that Broadway has to offer,” said Susie Krajsa, EVP of Presenting for Broadway Across America.

“We’re excited to continue bringing special, one-of-a-kind experiences to our members through our continued support of the FAIRWIINDS Broadway in Orlando series at Dr. Phillips Center,” said FAIRWINDS President and CEO Larry Tobin. FAIRWINDS recently signed a multi-year agreement with the arts center, which includes naming rights to the series.

Current subscribers can renew their seats starting at 10 a.m. Friday, March 9, 2018 through April 13, 2018. Subscribers who renew early before March 23, 2018 can guarantee the lowest price for their subscription by taking advantage of our new loyalty pricing. FAIRWINDS Broadway in Orlando will first send renewal information via email and encourages renewing online for ease and convenience. This electronic communication will be followed up with an invoice and brochure sent via posted mail to all subscribers.

While new subscriptions cannot be offered at this time, interested parties may join the subscription information list to be notified if any subscription seats become available. Groups of 10 or more may begin placing for most shows in the new season beginning March 9, 2018. Group minimums and discounts vary by show. Seating locations for group orders may not be confirmed until later this year.  Group tickets may not be available for Hamilton. For more information, email groups@drphillipscenter.org or call 407.455.5550. Tickets for individual shows in the 2018–2019 season will be made available at a later date.

For more information and to renew a subscription for the 2018–2019 season, visit OrlandoBroadway.com.

 

 

ABOUT THE SHOWS

 

Jersey Boys

October 30–November 4, 2018

Walt Disney Theater

Season Add-On

They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn’t get enough of. But while their harmonies were perfect on stage, off stage it was a very different story — a story that has made them an international sensation all over again.

Go behind the music and inside the story of Frankie Valli and The Four Seasons in the Tony®-winning true-life musical phenomenon, JERSEY BOYS. From the streets of New Jersey to the Rock and Roll Hall of Fame, this is the musical that’s just too good to be true.

FEATURING THE LEGENDARY TOP TEN HITS:

“Sherry” • “Big Girls Don’t Cry” • “Walk Like A Man” • “Can’t Take My Eyes Off You” • “December, 1963 (Oh What A Night)”

 

Hello, Dolly!

starring Betty Buckley

November 27– December 2, 2018

Walt Disney Theater

Tony Award®-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” Winner of four Tony Awards® including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving thunderous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!”

Irving Berlin’s White Christmas The Musical

December 18–December 23, 2018

Walt Disney Theater

This holiday season, discover the perfect gift for everyone on your list.  Start with a timeless tale of joy and goodwill, fill it with classic Irving Berlin songs, top it off with glorious dancing and lots of snow and come see Irving Berlin’s WHITE CHRISTMAS!  It’s a must-see classic in a lavish new musical that the New York Times says to “put on your wish list.”  Irving Berlin’s WHITE CHRISTMAS tells the story of a song-and-dance team putting on a show in a magical Vermont inn and falling for a stunning sister act in the process. The show is full of dancing, laughter and some of the greatest songs ever written. The gift everyone is dreaming of is this merry and bright holiday musical.

 

Hamilton

January 22, 2019–February 10, 2019

Walt Disney Theater

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B and Broadway, HAMILTON is the story of America then, as told by America now.

With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

Fiddler On The Roof

March 5–March 10, 2019

Walt Disney Theater

 

Tony-winning director Bartlett Sher and the team behind South Pacific, The King and I and 2017 Tony-winning Best Play Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick. The original production won 10 Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer

Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.

Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!

Dear Evan Hansen

April 16 – April 21, 2019

Walt Disney Theater

DEAR EVAN HANSEN is the winner of six 2017 Tony Awards including Best Musical and the 2018 GRAMMY award for Best Musical Theater Album.

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.

“One of the most remarkable shows in musical theater history,” says The Washington Post. The New York Times calls DEAR EVAN HANSEN “a gut-punching, breathtaking knockout of a musical” and NBC News says the musical is “an inspiring anthem resonating on Broadway and beyond.”

DEAR EVAN HANSEN features a book by Tony winner Steven Levenson, a score by Grammy, Tony and Academy Award winners Benj Pasek and Justin Paul (La La LandThe Greatest Showman), and direction by four-time Tony nominee Michael Greif (RentNext to Normal).

The Original Broadway Cast Recording of DEAR EVAN HANSEN, produced by Atlantic Records, made an extraordinary debut on the Billboard 200 when released and entered the chart at #8 – the highest charting debut position for an original cast album since 1961—before going on to win the 2018 Grammy for Best Musical Theater Album. A special edition coffee table book authored by Levenson, Pasek, and Paul, Dear Evan Hansen: through the window (Grand Central Publishing / Melcher) is now available, offering an in-depth, all-access look at the musical, including never-before-seen production photos and cast portraits, behind-the-scenes stories, and a fully annotated script by the authors.

 

Anastasia

May 14–19, 2019

Walt Disney Theater

From the Tony Award-winning creators of the Broadway classic Ragtime, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

ANASTASIA features a book by celebrated playwright Terrence McNally, a lush new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics) with direction by Tony winner Darko Tresnjak.

 

Come From Away

June 11–16, 2019

Walt Disney Theater

On 9/11, the world stopped. On 9/12, their stories moved us all.

Broadway’s COME FROM AWAY has won Best Musical all across North America. The New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships.

Don’t miss this breathtaking new musical written by Tony nominees Irene Sankoff and David Hein, and helmed by this year’s Tony-winning Best Director, Christopher Ashley. Newsweek cheers, “It takes you to a place you never want to leave!”

 

For more information and to renew a subscription for the 2018–2019 season and Broadway in Orlando, visit OrlandoBroadway.com.

###

 

FAIRWINDS Broadway in Orlando is presented at Dr. Phillips Center for the Performing Arts in partnership with Broadway Across America and Florida Theatrical Association.

Florida Theatrical Association (FTA) is a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality touring Broadway productions and the promotion of arts education throughout the state of Florida. For more information, visit FloridaTheatrical.org.

BROADWAY ACROSS AMERICA (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include BeautifulCats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. Broadway.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com.

About Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a nonprofit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Florida. With its opening in November 2014, the performing arts center launched its vision of Arts for Every Life by being a gathering place for creativity and discovery; a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Dr. Phillips Center Florida Hospital School of the Arts, the DeVos Family Room, and other event rental spaces. Future expansion includes Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. The Dr. Phillips Center is a private non-profit collaborating with the City of Orlando, Orange County, the State of Florida and generous donors.

About FAIRWINDS

FAIRWINDS Credit Union, headed by President/CEO Larry Tobin, is the largest financial institution headquartered in Central Florida, with assets of $2.2 billion, more than 177,300 members and over 510 employees. The financial cooperative established in 1949 is open to anyone living or working in Central Florida. Membership also is available to family of members who live outside Orange, Seminole, Volusia, Osceola, Polk, Brevard or Lake counties.

 

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Theatre Review “The Lion King” @ Dr. Phillips Center for the Performing Arts – Orlando, FL

The Lion King
Show dates: February 14–March 11, 2018
Walt Disney Theater at @ Dr. Phillips Center for the Performing Arts
445 South Magnolia Avenue
Orlando, FL 32801
Tickets: start at $35.25

I remember like it was yesterday when “The Lion King” opened up on Broadway at the New Amsterdam Theater in October of 1997. I saw it that year and was mesmerized by the outfits and the set, just beautiful! Years later I had a chance to see it again in Las Vegas in 2009 and again I experienced that wonderful same feeling. Last night, I experienced that same feeling again. From the moment the lights went down, I immediately got the chills! The music came on and the cast come flooded through the seating area in full costume, singing at full volume. This was magic!

The Walt Disney Theater at @ Dr. Phillips Center for the Performing Arts is a wonderful spot to enjoy theatre. Coming from Broadway, this theatre easily rivals the experience for me personally. The sound is fantastic. The seating is so comfortable much better than a ton of the old Broadway theaters, I can recall. They even utilized two of the box seating areas and had musicians playing living music throughout, which really added a nice 3D sound. I have to admit though, they seemed a little distracting during the song, “Be Prepared” since it seemed a little out of sync.

Buyi Zama has played Rafiki in the stage production of “The Lion King” since day one and it was such an amazing experience to get to see her again in this role, now for the third time. She doesn’t miss a beat and she is on point from seeing her over 20 years ago! Coming off the last ‘Gazelle’ National tour, Mark Campbell, returned a Scar and easily commanded the stage. Besides a little technical difficulty with his mask, was on par if not better than John Vickery in the Broadway production! Literally gave me chills when he spoke!

Buyi Zama as “Rafiki” in THE LION KINGNorth American Tour. ©Disney. Photo by Joan Marcus.

Having seen “The Lion King” live on Broadway and in Las Vegas, this easily one of my most enjoyable to see how it came to life. This felt like a full Broadway production. Even after the show, we got a chance to go backstage and got to view how everything is stored and all the costumes and how the set works. It was amazing. I also got some insight from Mark Campbell, who describes some difference in how the sets move in and out of place and how climbs up the set pieces during the herd sequence, so it really just showed how much goes in behind-the-scenes.

The ensemble cast should also get a shout out here because they were just amazing, when we were backstage we saw how easy of the ensemble cast has 10-15 outfit changes per show. It was simply extraordinary. “The Lion King” started its nearly one month run on February 14 and runs till March 11, 2018, so if you can catch a show I would highly recommend it. Tickets can be purchased here!

Disney’s THE LION KING Performances Begin on Wednesday, February 14 and Play for Four Weeks Through Sunday, March 11 at Dr. Phillips Center

Buyi Zama as “Rafiki” in THE LION KINGNorth American Tour. ©Disney. Photo by Joan Marcus.

Orlando, FL, January 29, 2018 – Casting has been announced for the Orlando return engagement of Disney’s The Lion King. The show’s first appearance in the Walt Disney Theater at Dr. Phillips Center for the Performing Arts, and it’s third time to Orlando, the four-week engagement runs from February 14 through March 11.

The production features Mark Campbell as “Scar,” Gerald Ramsey as “Mufasa,” Buyi Zama as “Rafiki,” Nick Cordileone as “Timon,” Greg Jackson as “Zazu,” Ben Lipitz as “Pumbaa,” Gerald Caesar as “Simba,” Nia Holloway as “Nala,” Keith Bennett as “Banzai,” Martina Sykes as “Shenzi” and Robbie Swift as “Ed.”

The role of “Young Simba” is alternated between Joziyah Jean-Felix and Ramon Reed and the role of “Young Nala” is alternated between Danielle W. Jalade and Gloria Manning.

Rounding out the cast are Derek Adams, Kayla Rose Aimable, Andrew Arrington, William John Austin, Eric Bean, Jr., Kolin Jerron, Thabani Buthelezi, Sasha Caicedo, Kyle Robert Carter, Thembelihle Cele, Erynn Marie Dickerson, Tony Freeman, Mukelisiwe Goba, Deidrea Halley, Jalen Harris, William James Jr., Jane King, Gregory Manning II, Christopher L. Mc Kenzie, Jr., Nhlanhla Ndlovu, Aaron Nelson, Selloane Nkhela, Phylicia Pearl, Christopher Sams, Jordan Samuels, Mpume Sikakane, Sadé Simmons, Kimber Sprawl, Kevin Tate, Jennifer Theriot, Courtney Thomas, Shacura Wade, Zola Williams and Krystal Worrell.

Coming to Orlando as part of the 2017 – 2018 FAIRWINDS Broadway in Orlando season tickets start at $35.25 and may be purchased online at drphillipscenter.org, by calling 844.513.2014 or by visiting the Dr. Phillips Center Box Office at 445 S. Magnolia Avenue, Orlando, FL 32801 between 10 a.m. and 4 p.m. Monday through Friday, or 12 p.m. and 4 p.m. Saturday. Online and phone ticket purchases are subject to handling fees. For groups of 10 or more please contact Group Sales at Groups@drphillipscenter.org or calling 407.455.5550.

Ticket buyers are reminded that Dr. Phillips Center is the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that Dr. Phillips Center is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.

The North American touring productions of The Lion King have been seen by more than 19 million theatergoers. Having already played more than 70 cities across North America, The Lion King now proudly returns to Orlando to make its debut in the Dr. Phillips Center for the Performing Arts.

Shows, dates, times, prices, and artists are subject to change.

Dashaun Young as “Simba” in THE LION KINGNorth American Tour. ©Disney. Photo by Joan Marcus.

ABOUT THE LION KING

In its 20th year, THE LION KING continues ascendant as one of the most popular stage musicals in the world.  Since its Broadway premiere on November 13, 1997, 24 global productions have been seen by more than 90 million people.  Produced by Disney Theatrical Productions (under the direction of Thomas Schumacher), THE LION KING is the only show in history to generate six productions worldwide running 15 or more years.  Performed in eight different languages (Japanese, German, Korean, French, Dutch, Spanish, Mandarin and Portuguese), productions of THE LION KING can currently be seen on Broadway, London’s West End, Hamburg, Tokyo and Sapporo, Madrid, Scheveningen, Holland, and on tour across North America, for a total of eight productions running concurrently across the globe.  Having played over 100 cities in 19 countries on every continent except Antarctica, THE LION KING’s worldwide gross exceeds that of any film, Broadway show or other entertainment title in box office history.          

THE LION KING won six 1998 Tony Awards®:  Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical.  THE LION KING has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design. 

The show’s director, costume designer and mask co-designer Julie Taymor continues to play an integral part in the show’s ongoing success.  The first woman to win a Tony Award for Direction of a Musical, Taymor has in recent years supervised new productions of the show around the world.

The Broadway score features Elton John and Tim Rice’s music from The Lion King animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer; and music from “Rhythm of the Pride Lands,” an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer.  The resulting sound of THE LION KING is a fusion of Western popular music and the distinctive sounds and rhythms of Africa, ranging from the Academy Award®-winning song “Can You Feel the Love Tonight” to the haunting ballad “Shadowland.” 

The book has been adapted by Roger Allers, who co-directed The Lion King animated feature, and Irene Mecchi, who co-wrote the film’s screenplay.  Other members of the creative team include:  Michael Curry, who designed the masks and puppets with Taymor, Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), John Stefaniuk (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor) and Doc Zorthian (production supervisor). Anne Quart serves as co-producer.

For more information worldwide, visit LionKing.com.

# # #

About the Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a nonprofit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Florida. With its opening in November 2014, the performing arts center launched its vision of Arts for Every Life by being a gathering place for creativity and discovery; a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Dr. Phillips Center Florida Hospital School of the Arts, the DeVos Family Room, and other event rental spaces. Future expansion includes Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. Dr. Phillips Center is a private non-profit collaborating with the City of Orlando, Orange County, the City of Winter Park, the State of Florida and generous donors.

FAIRWINDS Broadway in Orlando is presented in partnership with Broadway Across America and Florida Theatrical Association. FTA is a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality touring Broadway productions and the promotion of arts education throughout the state of Florida. For more information, visit FloridaTheatrical.org .

Broadway Across America (BAA) is part of The John Gore Organization family of companies, which includes LionKing.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include Beautiful, Cats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. LionKing.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit LionKing.com and Broadway.com.

 

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Theatre Review “Finding Neverland” @ Dr. Phillips Center for the Performing Arts – Orlando, FL

Finding Neverland
Dr. Phillips Center for the Performing Arts
Orlando, FL
June 6th, 2017

Our Score: 5 out of 5 stars

Finding Neverland is a story about how author and playwright J.M. Barrie overcame creative struggles when four children and their widowed mother came into his life one day in Kensington Park in London, just after the turn of the century in the early 1900’s. Jack, George, Michael, Peter, and their mother Sylvia Llewelyn Davies broke Barrie out of a creative “slump” he was in by helping him to rediscover his inner child, reminding him that sometimes you shouldn’t take life too seriously and should just have some fun.

Barrie draws his inspiration primarily through Peter, who lost his playfulness and imagination following the passing of his father. Although Jack, George, Michael and their mother tried to maintain positivity following their loss, Peter just wasn’t the same. He had seemed to “grow up” too soon. But when Barrie and the Davies’ all met that fateful day in Kensington Gardens, Barrie couldn’t help but feel like he had to somehow restore Peter to the child he was before his father’s passing. In the process of doing so, Barrie ultimately found the child that had been suppressed within himself for far too long. As a result of Barrie finding that child buried deep inside, he remembered Neverland – an imaginary place he had fashioned in his mind when he was a young boy. That imaginary place, combined with inspiration Barrie drew from his various adventures with the Davies family, is what drove Barrie to give life to the story of Peter Pan as we now know it.

Neverland itself can be summed up as a beautiful story… about how we came to know another beautiful story. There’s laughter, joy, a little bit of sadness, and a whole lot of fun. But Neverland, in its Broadway play format – now traveling North America – is truly a masterpiece of the stage. It’s not just the story that made it such an enjoyable experience – but also the fantastic cast that brings the story to life in front of a live audience.

For just a few short hours, I hung on every line and every lyric of the dialogue and song that projected towards me from the stage. I couldn’t wait for the next witty line, silly joke – or even sad twist in an overall whimsical and upbeat storyline. The four young actors that played the Davies children were wonderful. Rory Donovan, who plays the roles of both Charles Frohman, the man who backed Barrie’s plays, as well as Captain James Hook – was fantastic. His Hook was intimidating yet hilarious at the same time. The entire cast worked so well together, was so polished and really seemed like they were having the time of their lives up on the stage.

Throughout the play I didn’t look at my watch, check my phone, or even have a single thought about anything else in the world outside of that theatre – not even once. When the play broke for intermission I was annoyed; I didn’t want the fun to stop. When it finally ended, I wanted it to start from the beginning all over again. If you have a chance to catch this play while it’s on tour do yourself a favor, and anyone else who you might consider bringing along, and go buy some tickets right now. I promise you that you’ll have a blast, and for at least a few short hours you’ll forget about everything else in the world and do nothing by laugh and smile. And we could all use more of that in our lives.

 

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Theatre Review: Wicked @ Dr. Phillips Center for the Performing Arts, Orlando FL

“Wicked” opened on Broadway in New York back in 2003 and has since com “a cultural phenomenon” according to Variety and called “the best musical of the decade” by Entertainment Weekly. “Wicked” has been performed in over 100 cities in 14 countries around the world being translated into six languages and is the winner of over 100 international major awards, including a Grammy® and three Tony® Awards. And this month it is in Orlando, FL at the Dr. Phillips Center for the Performing Arts’s Walt Disney Theater from January 11 – 29, 2017.

If you have never seen or heard of “Wicked” here is a quick premise: The surprising tale of an unlikely friendship between two women in the Land of Oz, Wicked tells the untold story of the Wicked Witch of the West and Glinda the Good, long before Dorothy dropped in. Elphaba, born with emerald-green skin, is smart, fiery and misunderstood. Glinda is beautiful, ambitious and very popular. The remarkable odyssey of how these unexpected friends changed each other’s lives for good has made Wicked one of world’s most popular musicals.

This show was simply outstanding. Simply outstanding! I grew up in New York and visit the theatre district many many many times and have seen hundreds of plays. I loved the grand scale of it all. The sets, the cast, the music! It was all so amazing to me. When I moved to Florida in 2010, I thought I wasn’t going to be  able to see that scale of amazing again in the theatre…and that was true until I found the Dr. Phillips Center for the Performing Arts’s Walt Disney Theater. These people put on shows like I have never seen. “Wicked” was so just epic and breathtaking that I feel like I have to see it twice to soak in all the magic that it was!

I am sure that Idina Menzel and Kristin Chenoweth were amazing in their original roles on Broadway. No doubt. But these two leads in Orlando were absolutely breathtaking! Their voices really pick you up and take your through this amazing story behind “The Wizard of Oz”. The talent on this production overall is just A+. With all the shows I’ve seen I have to admit this was in no question of the best in recent year! Must see this show at the Dr. Phillips Center for the Performing Arts or at least during its North American tour.

Theatre Review “Slava’s Snowshow” Orlando FL, Dr. Phillips Center for the Performing Arts

Tuesday, February 17, 2015–Sunday, March 1, 2015
Walt Disney Theater
120 minutes (2 hours)

“Slava’s Snowshow” is like nothing I have ever seen before on the stage. I have seen a dozen of the Cirque du Soleil shows and since Slava is the original Cirque du Soleil clown, I knew sort of what to expect. Still I haven’t been to a show that literally it has almost been a week since I saw it and I haven’t stopped thinking about it. This award winning international clown show has been touring for 20 years and I hope it goes for another 20 years. Even though this is a circus show, it is really magical. The set is extremely simple yet so effective. There is so much done with so little. The colors are so vibrant and the use of music blends in so beautifully.

Since this show is called “Snowshow”, I also expected the use of snow but never like this. Watch the 30 second clip below to just get a glimpse of what you can expect. You literally have snow exploded at you like a avalanche and it is breathtaking. Before the break, there is also a part with a spider web that takes over the entire theater. Words connect explain how terrifying yet at the same time exhilarating experience it was. to top it off it end with dozens of balls flying into the audience and the kids went crazy for that!

This was the first time that I got to visit the brand new Dr. Phillips Center for the Performing Arts in Orlando, FL and it is a marvel it is own. The parking situation is not great at all though and the staff was also quite nasty and rude. I don’t just mean one person either, I mean every single employee that we encountered was unpleasant. Luckily it got overshadowed by this amazing show. If it comes to your city, I highly recommend.

DVD Review “Captain Phillips”

Actors: Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener, Faysal Ahmed
Directors: Paul Greengrass
Rated: PG-13 (Parental Guidance Suggested)
Studio: Sony Pictures Home Entertainment
DVD Release Date: January 21, 2014
Run Time: 134 minutes

Film: 4 out of 5 stars
Extras: 3 out of 5 stars

Tom Hanks is a such tremendous actor and I have been a big fan of his work recently, especially with “Cloud Atlas”. His performance in “Captain Phillips” was no question some of his best work to date. It is very emotional and very intense. The film was based on real events and is so well done that it literally has you on the edge of your seat the entire time. I originally wasn’t planning on rush out to theaters to see this but I am really glad I did since I really enjoyed this. I just wonder what happened to Hank’s Oscar nod? Either way this comes highly recommended!

Official Premise: Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is – through director Paul Greengrass’s distinctive lens – simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama’s commanding officer, Captain Richard Phillips (two time Academy award®-winner Tom Hanks), and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Phillips and Muse are set on an unstoppable collision course when Muse and his crew target Phillips’ unarmed ship; in the ensuing standoff, 145 miles off the Somali coast, both men will find themselves at the mercy of forces beyond their control.

This film works well on DVD, it is a not a film that screams Blu-ray release. The audio and video are still solid since the film relies more on the actor’s performances then flashy effects. What is good at least is that there are the same special features that is included on the DVD as there is on the Blu-ray. That has not always been the same recently either. There is a very interesting audio commentary track with director Paul Greengrass. There is also a three-part featurette “Capturing Captain Phillips” including “Embarkation”, “Full Ahead” and “Stand Fast”. Lastly there is also a UltraViolet Digital Copy, so that is a nice bonus!