Donald Trump returns with the first ever “All-Star Celebrity Apprentice” on Sunday, March 3, 2013. This is the sixth installment of “The Celebrity Apprentice” and the thirteenth season of “The Apprentice” series. This season, fourteen of your favorite business-savvy celebrity contestants return for a second chance to raise money and awareness for their charity of choice. The last person standing will be chosen as the Celebrity Apprentice and have the honor of delivering a $250,000 bonus check to their designated charity. The show’s executive producer and star Donald J. Trump along with entertainment icon La Toya Jackson, Poison front man Bret Michaels, also winner of the third season of Celebrity Apprentice took out some time to chat with Media Mikes about this season, their charities and what we can expect.

We all know that drama sells in this TV reality. Is this the most dramatic season yet?
Donald Trump: Well I’ll speak first. I think it’s certainly one of the most dramatic seasons. We have tremendous interest in the season and including Bret and La Toya, we have brought back some of the people that everybody really likes because it’s an All Star season. And I think yes, it’s a very dramatic season, amazing things happen. La Toya and Bret, go ahead.
La Toya Jackson: You have no idea, it’s very dramatic, it’s very exciting. There is so much going on. And you will see a lot of confrontations. It’s going to be a blast, you’ll love it. You will simply love it, everyone will.
Bret Michaels: I have found that as being there the first time it was something I really wanted to do. I had an absolutely great time and coming back obviously it is extremely dramatic and you’ll just have to watch because it will keep you riveted.

Bret, after winning Celebrity Apprentice in season three, did you feel like you had an advantage going into this one? What was your approach?
BM: The truth is here is the absolute truth. I actually felt like I had probably a major disadvantage because I feel like it’s like you want to call it the Super Bowl Syndrome — when a team comes back that has won it everyone is gunning for them. But I loved everyone who was on it and listen, as a lifelong diabetic, it’s a great opportunity for charity. I wanted to do it. But no doubt when you’re coming back they’re going to firing for you and you’ve just got to be strong and do the best you can.

Mr. Trump, What do you find so appealing about still doing the show?
DT: Well more than anything – yes I think more than anything else it’s the success of the show. It has just been amazing, you know, how well it has done and it took people by storm. As you know it became the number one show in many evenings over the years and it has been just a great success and it continues to be a phenomenal success for NBC and for me and for us. It has been an amazing success and I think maybe that’s why I keep doing it. It’s just that old thing. I could talk about many, many other shows that have tried to copy The Apprentice and they failed. They failed very quickly and miserably. And, you know, 15 of them now and I think more than anything else it’s really the success of the show. I enjoy doing it. As long as it continues to be successful I enjoy it.

After your experience on the show, what did you learn and plan for this season?
LTJ: Well first of all it’s such a fascinating show and I love the fact that he has given us this opportunity to promote our networks and what we’re doing as far as our charities are concerned. But I think I learned that personalities are individuals and you have to really be strong and steadfast no matter what happens, what you go through, stand by what you truly believe in and don’t let anyone deviate and you go into that road of deviation.

Were you expecting more out of the contestants since they have been through the show before? Were you a bit tougher on them?
DT: No I think they became a lot smarter, they understand the system better. We have a couple that did very, very well that frankly I wasn’t expecting as much from and I think they have learned the system a little bit. So it wasn’t that I was expecting more, I think they have become much smarter. I actually think that it made for an exciting show, very exciting show. I think it’s almost every one of them really have learned so much and it has become very, very exciting. It’s really a strong show, amazing show.

Bret and La Toya, did you have any hesitation about going back on the show or did you immediately think yes, I want to do this again.
LTJ: Well, I wanted to do it in the very beginning but the second time around I was a bit hesitant because I knew what I was faced with the first time. And I said you know what, you never give up, you always have to keep believing, you have to believe that you’re going to be the winner, you’re going to come through this really straightforward and strong. And I went for it, I went for it. Because if I have learned anything I have learned what Trump has taught us all that we need to put our best foot forward and don’t let anybody, anybody block us from anything that we wish to do or want to do. I felt it was very, very important to bring awareness as well to my charity which was National Network to End Domestic Violence. Because this show is so big and so wonderful, he has given us this opportunity to bring this awareness to our charities where everybody sees it and that interest goes there and then they start giving to the charity which is incredible. And it’s wonderful all the people who need it.
BM: No hesitation on my part at all. I was excited to do it, I wanted to do it the first time I did it and again I wasn’t – when I actually did it the first time I wasn’t at the peak of my best health. So this time getting the opportunity with All Stars and with La Toya and everyone that was there and Trace and Penn. I mean, these guys are all of them successful at what they do. There is a reason Mr. Trump and his show is a success. He’s a success in real life, in life life. And to be able to learn from that, I went in with no hesitation and realizing that the competition was going to be fierce. We all know each other, we all know the way each other plays, and for me I just went in headstrong and had a great time going there, zero hesitation. I would do it again.

Mr. Trump, why do you think the time was right to do the current All Stars edition?
DT: Well it just seemed good. You know, we’ve had so many people that have done so well on the show. They didn’t win but they did really well and they were really liked by the audience because ultimately it is about them being liked by the audience. And, you know, we have Trace Adkins coming back, we have so many people that did so well and just really were liked. I have such respect for Bret, you know, going on the show and because he could have sat to my side and it wouldn’t have been the same risk. But I really – I think you’ll see that Bret comes out amazingly, he comes out amazingly. But there was so much like and love for some of these contestants that we wanted to do an All Star version and bring back some of the, you know, whether it’s Gary Busey or Dennis Rodman, we have some – just some great people coming back.

Bret and La Toya, who do you guys think is your biggest competitor on the show and who surprised you the most?
LTJ: I think that in the beginning of the show I thought the biggest competitor, I knew it would be probably Penn. I just felt that. I don’t know why but I did of course and Trace of course. However, I felt that I would have a lot of problems with Omarosa and that was just a feeling. Because you can tell in the beginning when you see the people sort of sizing you out and saying little things to you but you’re still polite to them at the same time you’re going oh my God, it’s going to be war at some point. And you know it’s going to happen, you know it’s going to come. And yes of course it’s going to be an interesting season, let’s put it that way.
BM: Yes and I can add to this. There are – I look at everybody as massive competition on that show because everyone wants to win. They didn’t go there to lose. And, you know, you’ve got to just bring what is your game and pray that it works and bring your A game and pray that it works. And no doubt, La Toya said it best, everybody is competitive. And some of them are — I won’t mention any names — are pretty good TV professional villains. And as much as I think I’ve got nerves of steel they can rattle you, they can rattle you no doubt.
LTJ: And Bret you were a threat because as we all know Bret has already won so at this point you’re thinking oh no, Bret’s here, what are we going to do. So yes, it’s very competitive. And that’s one thing that you have to really, really mentally get yourself prepared for because people will do anything, and I do mean anything as Bret knows to win.
DT: And I’ll speak for Bret. He is very tough and he’s very, very smart.

Lastly, since you are playing for charity I’d like to give you the opportunity to tell us what is the name of your charity, what does it do, and why is that charity important to you personally?
LTJ: Well my charity that I was playing for was National Network to End Domestic Violence and that basically is a charity, as you all know domestic violence occurs all over the world and as we’re speaking now there are women and of course men that are just going through abuse at this very single moment. And they have no shelter, they feel that they have no lobby, they have nowhere to go. So I’m here to let them know that we are doing something about it and there are shelters, there is an 800 number that’s right there for you to call and get help. But this year – this charity that I’m playing for, National Network to End Domestic Violence was actually formed by the people themselves. So they went out and they got together and said we need a charity, we need a place to stay, something to do and have people come and donate for us. I thought that was very commendable of these little kids and women who were basically really suffering to get together and do something and say this is what our charity is going to be about and this is what it is. And it needs awareness. And people are just watching and just donating and I’m so happy. You can never, ever, ever have enough. And I truly believe that no one charity is better than the other but just bringing awareness to it is what I’m here for and I am very proud and pleased to be happy working with Mr. Trump to bring that awareness to it.
BM: My charity is simply called Life Rocks Foundation and I’ve had it for a really long time and it is – being a lifelong diabetic myself obviously a big part of it goes to diabetes. A big huge part of it which works also with ETF is St. Jude’s and childhood cancer and in Wounded Warriors and pet adoption. It’s got a variety of different things that we work. But it’s called Life Rocks Foundation Faces and Places and you just go to bretmichaels.com and you see the thousands of faces and the money every penny has been donated over the years.

I have to admit, 9 months ago I did not know Genevieve Goings or the music of Choo Choo Soul.  But thanks to the birth of my daughter we discovered the wonderful thing known as Disney Junior, a 24 hour channel aimed at preschoolers. While watching this station, we heard the fun and exciting videos from Choo Choo Soul with Genevieve! These songs really captured the attention of my daughter from a very young age. Their take on the ABC’s brings a new and fun way to learning.  I have a feeling that as my daughter grows up these songs are going to be more and more helpful in learning. Choo Choo Soul recently released a new CD consisting of “Disney Favorites” with classics like “Hakuna Matata”, “Bare Necessities” and “When You Wish Upon A Star”, with a little extra soul added to them. I was lucky enough to be able to track down Genevieve in order to get the inside scoop on how Choo Choo Soul started and chat about the new album and their love of entertaining children.

Mike Gencarelli: Can you tell us about the birth of Choo Choo Soul and how you met Constantine “DC” Abramson?
Genevieve Goings: It is pretty crazy how things work out. DC and I were actually in a band together, which was this R&B/Soul sort of group. I was also doing a video game (“Toe Jam & Earl III”) voice over for a guy that has now become a good friend Greg Johnson, who also created the concept for Choo Choo Soul. We were doing this game and I was voicing these Gospel singers, except they weren’t singing they were just talking. I told Greg these characters should be singing their lines and getting down with some soul. So I ended up singing the lines and we had so much fun with that. He ended up writing like 10 pages of lines that had me singing and that sparked this little thing inside of him. He said he always had an idea for a children’s CD about trains [laughs]. So we did it and it ended up being “Choo Choo Soul”, our first album. It was great and caught on like wildfire. It is actually good funky music for kids. Our tagline was “Music for kids that will not drive parents crazy”.

MG: How did you then get involved with Disney?
GG: It worked out great. Disney Channel got a hold of it and liked it. They flew me out for a meeting, which actually ended up being an audition. We didn’t know this at the time, all we got an address to meet them and it turned out to be a classroom. There were these people in suits, cameras and 30 kids on the floor sitting Indian style. They just said “Alright go!” [laughs], but it worked out. DC and I both love what we do and we have been doing it for eight years, which is crazy. But we are still going strong.

MG: What is it that you enjoy most about entertaining children?
GG: They are just so genuine  I mean they will tell you like it is. If they don’t like it baby…they don’t like it [laughs]. If they love it…then they LOVE IT with their whole entire soul! It is just really amazing. I like to say they don’t care who I am dating, what I weight or who I am wearing [laughs], you know? It a polyester suit [laughs]. They are just so pure and to be able to entertain them at that young age is great. With the magic of Disney behind us, which is the greatest children company, it gives us this platform to succeed. It is just so amazing.

MG: Tell us about your latest CD “Disney Favorites”?
GG: That was actually brought to us by Disney. It was their idea to work with Disney Junior channel, which is 24 hours of programming for that young preschool age. I think the big point for them was to really marry the classic Disney with the new era and I think that is what the whole channel is doing. So having their fun little Choo Choo crew translate these old classics to the younger generation is what they were going for with that.

MG: I like how you guys take these wonderful songs and put your little twist on them, especially with “Hakuna Matata”! I love it.
GG: Thank you. We love that. Disney Records wanted us to put together these as a full album since we only had filmed eight of these songs as videos. They said “Gosh, we need to fill up a whole CD with more songs”. So that was a great day for us. We definitely had a blast with that.

MG: What is your all-time favorite Disney classic song?
GG: Oh…Oh my gosh! I would have to say “When You Wish Upon a Star”. I can’t even believe I got to do that song. It is just amazing and very special.

MG: Like you said you’ve been doing this for 8 years now, what has been your highlight?
GG: It is really the live interactions. DC and I are both live performers. Stage has always been our thing. So I think that ending up on television has been an added bonus for us, which of course is absolutely amazing. I mean getting to dress up like Cinderella and Prince Charming and dancing around was a great highlight [laughs]. The real peak for us though is live with actual kids, getting to meet and see them. Sometimes they come dressed as us, which is really fun. Plus we are using our actually names, it is not a character name. My name is really Genevieve. So when a parent tells their kids “There’s Genevieve” and I bend down to hug them…that is the best! I just am grateful to Disney since they really have embraced us. It is not like a lot of other kids music and I think that is why it is working.

MG: What in the cards next for Choo Choo Soul? Any touring?
GG: We are really hoping to come to the Disney parks but nothing is setup yet. We will be definitely touring this year. Disney will be posting our dates. We also have a Facebook page and we put up all of our stuff there and handle it personally. We love to keep in touch with our fans and see photos/videos. Right now we are working on getting feedback from our fans as which songs are their favorites. We are trying to build that into a tour which would be like a party-along and sing-along show. We are working on that for the Summer and Fall. So hopefully we will have some dates near everyone soon.

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February 21, 2013 – Tonight’s Parks and Recreation will see the wedding of Leslie Knope (Amy Poehler) and Ben Wyatt (Adam Scott) in a spontaneous ceremony put on by the Pawnee Parks department. The two stars spoke together, along with series Executive Producer and Writer, Mike Schur about the special occasion as well as Leslie and Ben’s relationship throughout the series.

 

Element of Surprise

Back in October, Ben Wyatt surprised viewers with his impromptu proposal to Leslie in one of Schur’s favorite moments of the series so far:

Mike Schur: “I like the proposal the most of the things that have actually aired because I’m of the belief that the most powerful weapon we have in tv these days after sixty years of sitcoms is surprise and that has been our goal with every relationship really and with every non-romantic story we tell on the show we just try to always be surprising to the audience. And that was the idea, we were not going to have the proposal come in the season premiere or in you know, November sweeps or you know, Christmas or whatever. We’re going to do it at a time where it just feels natural and right and that kind of takes people by surprise. That was the plan with the proposal and I think it worked.”

Everyone has to Chip in

Originally planned to take place in May, Ben’s sudden decision to hold the wedding instead at tonight’s Parks Department gala puts the entire cast to work:

Schur: “They basically have two hours to throw it together. So everybody kind of has a role to play. Tom Haverford becomes the officiant and has to get ordained online in like an hour and Donna plays a role in that for the first time we’re going to feature her beautiful and professionally trained singing voice…In order to pull this thing off, in classic Parks and Rec fashion, everyone has to chip in.

 

Will the wedding see Tom Haverford (Aziz Ansari) looking for ladies?

Schur: “The wedding is really about Leslie and Ben and everyone sort of gets that. So Tom is not—Tom has a desire to kind of shine at the wedding, as he always does in any social situation that he’s in. But it’s not about ladies. It’s about him wanting to be a star at the wedding.”

 

Did Leslie miss having a big production wedding?

Amy Poehler: “Leslie…is a modern woman. So it’s not like she has these weird fantasies about marriage or of weddings necessarily. So she’s kind of a combination of her liking to be in control. And what’s cool about that moment for both Ben and Leslie—because they tend to like to control things—is that they kind of throw things up in the air.”

 

Ben Wyatt as The One

Leslie Knope has dated an assortment of men throughout the series from Louis CK to Justin Theroux, but it became clear to everyone that Adam Scott as Ben Wyatt would be the one to wind up tying the knot with Knope.

Adam Scott: “We thought that it might be—Leslie and Ben might be a couple at some point but I think it was sort of a wait-and-see sort of thing. Because if we got together and didn’t quite click as a relationship…I sort of got the sense that they were gonna try that out and see if it works and if it didn’t maybe find something else for me to do.”

Schur: “The plan was always that this was a love interest and a long-term love interest. Our initial idea for Leslie was that she was gonna have a series of relationships with different men, different kinds of men over the course of the show and that she would sort of learn something different from each of them…She learned something from Mark Brendenowicz [Paul Schneider], she learned something from Louis CK’s character, she learned something from Justin Theroux and we were kind of like oh, Adam Scott, she’ll date him for a while and she’ll learn something from him. It was certainly the plan to have him be the love interest…The first episode—in the Master Plan episode—they have a conversation in a bar and I wrote this thing into it where Ben says to her very casually ‘You want to run for office someday, right?’ and she says ‘Yeah, how did you know?’ and he just sort of blows past it. I mean he’s just kind of got her number, he just kind of gets her. He understands her and what her goals are. And the second episode that we had which was the finale that year called Freddy Spagetti, they have a conversation and Leslie smiles at him and walks off and there’s a shot of Adam looking after Leslie with a smile on his face and as soon as I saw that I kind of realized that not only were they going to get together but they were never going to break up. It became really clear in that moment that this was it.”

Poehler: “It’s chemistry baby, you can’t fight it!”

 

Pawnee after the wedding

As always with Parks and Recreation, work goes on in Pawnee right alongside the romantic plots.

Schur:“In the second episode [tonight’s 9-9:30 half of the hour]… the cold open of that episode is Leslie and Ben coming back from their Honeymoon and just sort of talking about how much fun they had on their Honeymoon but the episode is just a regular episode of Parks and Rec and Leslie and Ben are in the same story. Ben is starting a new job and it’s the first day of work and he’s sort of thrown into this new challenge of his new job and Leslie has an event that she’s planning for which is sort of a correspondent’s type of event where the politicians roast each other and stuff.

And so I think you’ll see right away that there’s sort of a blue print going forward that yea, they’re married now but you know, they also have other aspects of their lives that are very important to them and so I hope and very much feel like that will be the thing that keeps it from feeling like the ‘magic is gone.’”

Parks and Recreation airs every Thursday at 8:30pm on NBC.

James Murray is star of truTV’s hit practical joke reality series “Impractical Jokers”. Better known as Murr, on the show he is with his best friends Joe Gatto, Sal Vulcano and
Brian “Q” Quinn. The show is just finishing its second successful season and building up a lot of steam behind the show. Media Mikes had a chance to chat with Murr about being a joker and his favorite moments on the show.

Mike Gencarelli: Let’s start with the origin of “Impractical Jokers”?
James Murray: The four of us all went to high school together, so we’ve been friends for over 20 years. We went to an all boys Catholic high school. So there wasn’t a way to be distracted besides playing pranks on each other. For as long as I can remember we have been doing that. I met Joe freshman year in religion class. Every time the teacher would walk down the aisle he would drop his nose on her without her realizing. We ended up doing that in the first season of the show also. A few years ago, we came together and decided to come up with an idea for a TV show. We have been performing together for years doing sketch comedy as The Tenderloins. We came up with the idea for an upside down prank show, where the jokes on us basically.

MG: Does it ever get too embarrassing for you to do what the guys tell you?
JM: I am sure. In the show we reject things all the time because it is too embarrassing. I think the fun of the show is seeing what our breaking points are and what we simply won’t do. My mother raised me to be a gentleman, there is just somethings I will not do or say [laughs]. And of course my best friends know every single one of the things that I won’t do or say.

MG: The show must be filled with outtakes, any cool off-camera moments?
JM: I will tell you, there are some challenges we film that never see the light of day, for reasons we cannot anticipate in advance. Sometimes things seem funnier on paper then reality. Perfect example, last year we were filming this challenge and the idea was funny. We had to go to a children’s park where kids are playing and parents are pushing kids around in stroller. You know how parents baby talk to their kids? The challenge is you have to go to a parent pushing a kid in a stroller and baby talk to the kid and then baby talk to the parent and get them to do the same back to you. Seems funny on paper…but guess what happens when four middle age men with no children on their own attempt this. It was funny, a S.W.A.T team descended on the park in minutes and told us to get out [laughs].

MG: What has been the highlight joke for you this season?
JM: I think my favorite/most embarrassing moment was when I was getting punished and they secretly took me back to our old high school. They called a general school assembly, which is like 600 students called into the auditorium. They then strapped me to a lie detector test and asked me questions you can only imagine. The first was “Is your name James Murra?y”. The second was “Do you get your back waxed?” Which I do since I am hairy Italian but I just don’t want America to know that I do [laughs]. But now they do.

MG: When you started with this did you ever see it being as popular as it is, especially with the truTV Impractical Jokers app?
JM: The app is pretty sweet. You can actually call us up directly. We were each given a phone and if we are available we will pick up and chat with a random fan. I think we always hoped it would be popular and do well. It is good to see that people like it and the word is spreading.

MG: How do you feel about all the International spin-offs of this show?
JM: We love that. I get to travel around and consult on the different versions. It is pretty sweet. It is amazing to think that the guys and myself have created something that is spreading around the world. So original productions of the show are on the air in the UK, Quebec, Brazil, Belgium, Holland, Finland, Norway, Sweden, Lebanon and a few more. It is just pretty damn cool.

MG: With season two ending this month, any world about a third season?
JM: We will see. I will leave that up to the networks to decide. The show is doing well and I feel that there is an appetite for more. So hopefully we will have the privilege and honor to give it to them.

Sarah Dawson was a contestant on the recent “Survivor: Philippines” and was voted off the island on day 13 of the show.  She was also the first contestant in the show’s 25 seasons to have ever kissed the host Jeff Probst.  Media Mikes had a chance to chat with Sarah about her time on the show and, of course, the kiss.

Adam Lawton: What was it that interested you in trying out for the show?
Sarah Dawson: I have always been inspired by the show. Growing up in a conservative household as a vegetarian who spent most of her time camping, living outside and procuring degrees in a BA in Strategic Public Relations and a BS in Psychology really reflected to me the passion that I have for everything “Survivor” is about. I love it all, the scheming, the travel, the excitement of having all of my worldly possessions stripped away from me. I wanted to see how I could perform once all of the social constructs I have in my life were taken away

AL: Can you tell us about your audition process?
SD: I have been a HUGE fan of “Survivor” for years. I spent about 5 years trying to get some of my friends cast on the show and despite getting close, it didn’t work. In January of 2012 I decided that if I couldn’t get myself on “Survivor” I had no business giving anyone else advice on how to get on the show. That Sunday I recorded a one minute video and submitted it online within 10 hours, casting was on the phone with me and I was in LA meeting with producers just days later. During the final casting process I completely went “all in” and showed my genuine energy and passion for the show. Like every other aspect of my life, I took advantage of the situation as much as I could. I freaked out and got so excited when I met Jeff Probst and even petted his hair while saying the Lords Prayer. It was such a fun moment that I will never forget. I may have also grabbed Mark Burnett’s ass while he was walking by me into the casting room. Some chances in life only come once and I lived every second of my casting process so I would not miss one second or opportunity and have no regrets.

AL: Did you do anything to prepare yourself prior to filming? (watch past episodes etc.)
SD: As such a fan of the show, I think for about 2 years I watch previous “Survivor” episodes EXCLUSIVELY. I knew I would be involved n the show at some point and I prepared for years. Once I knew I was cast, I stepped my training into high gear. I gained 12 pounds by eating amazing burritos and doing weight training. I purchased and read 6 books in detail about the game and the psychology behind it. To prepare for “Survivor” I even ate all the ants off my kitchen table to test my commitment to the game! Before eating the ants I did discuss it with them, either they would be removed by my exterminator or they could make themselves part of “Survivor” history. They were thrilled with the opportunity and I came out ready for the game!!!

AL: Can you give us the low down on the Jeff Probst kiss?
SD: There is nothing more I would like to give you the low down on! Man were those kisses heated! When I was voted out of “Survivor”: Philippines it was time for me to have my torch snuffed by Jeff and just like every other moment of my life, I did not want to walk away from that second with any regrets. I stood in front of him for what seemed like hours, the people around me and tribal counsel disappeared from view and I the only thing I could see was the two of us, standing so close with so much energy between us. After a few seconds of me staring at him and trying to build up my courage, I could see the fear in his eyes and the anxiety of him wondering what I was about about to do to him because I obviously would not be one of those contestants that silently left tribal counsel without capturing one last second of such a rare opportunity. I chickened out on kissing him on the lips and hit him somewhere between his mouth and his cheek. It felt so empowering to have that hug back from him on my way out of the show. It was exhilarating.

AL: How about during the live reunion show?
SD: Now, the kiss during the live reunion show in Los Angeles was quite different. HA! I watched my entire season of “Survivor” at home thinking about kissing him during the live show and just like they read my mind, every day my Twitter followers would tweet me that I should kiss him during the live show so I built up my courage for 13 weeks and then finally the night came when I would once again be standing in front of my darling Dimples. I know the live shows happen very quickly because there is so much material to cover and once I had my window of opportunity, it would close in a flash. I was sitting about 6 feet off the stage with two rows of people in front of me between Jeff and I. I navigated in my head the quickest route to his lips and at the beginning of the show I took off my high heels and hid them behind another cast mate because I knew there was no way I could make the jump to the ground with them on. The show seemed to last forever but I knew he would speak to me at some point and that would be my moment. At the very end of the show he looked directly in my eyes and said my name and started asking me a question about the kiss at tribal council. Once he said my name I was in a daze and lost a few seconds just because he was speaking to me. I quickly snapped out of it and thought “MOVE! THIS IS YOUR LAST SHOT!!! MOVE NOW!!!!! It wasn’t shown on the show but I pushed Carter to the left, Put my right hand on Penners shoulder and launched myself over Denise and hit the ground barefoot splitting my shin open. In a flash with one move I lept from that spot to right in front of Jeff simultaneously wrapping my hands around the nape of his neck for the kiss I will always remember. Once I felt his hair in my hands and his skin against mine I put my lips to his and experienced a dream that is held by millions of women all over the world. We kissed for about 25 minutes, my shin was bleeding from my fall, the audience was rolling with laughter and his lips were there with mine, pressed against mine and as he held my arms in his hands, he kissed me back on live television! After the kiss I did a little touchdown dance and told myself I would never allow any opportunity no matter how small its window, to go by me without jumping over people, injuring myself, and risking poor manners to achieve my dreams.

AL: What was the hardest part for you about being on the show?
SD: Playing “Survivor” was a dream of mine. I wasn’t even hungry on the show since I was able to put on so many extra pounds. I was thrilled to be out there. The most difficult thing for me was watching other people complain about being hungry, about being dirty, about missing their iPods… As others would complain I could do nothing but think to myself how grateful I was for the opportunity to leave my television at home, for the opportunity to get filthy, the chance to live outside during 13 days of straight rain. The hardest part of being on the show for me was watching other people be miserable and not recognizing the gift and once in a lifetime opportunity they were given. Man, that grinded my gears!

AL: What are you currently working on?
SD: I moved to Los Angeles! Three weeks ago I packed my clothes one night and relocated myself and my python, Squeeze, to the city of the stars to pursue my dream of being an actress. Since that move I have not stopped chasing this dream. I have already done a considerable amount of hosting, photo shoots, and am working on a new television show! The world has not seen the last of me. Starting with Los Angeles, I am diving into every opportunity lips first! To keep up follow me on twitter @survivordawson!

David Mazouz stars opposite of Kiefer Sutherland on Fox television show “Touch” where he plays the character of Jake Bohm an emotional disturbed 11 year old with the ability to predict the future. The show is set to start airing its second season at the end of February and Media Mikes was fortunate enough to be able to talk with David about how he first got cast in the role and what it has been like working alongside Kiefer Sutherland.

Adam Lawton: What was it that interested you in wanting to become an actor?
David Mazouz: I was actually only about 6 years old when I started taking classes. I don’t think I knew what I wanted but I loved the class and I went for 3 hours a week for a year before my commercial agent saw me and asked my Mom if we could meet. When I started going on auditions for commercials, I loved that too and the more I auditioned and began booking things, the more I loved it.

AL: Can you tell us about the process you went through to get the role of Jake Bohm?
DM: It was a 6 audition process over the course of about 6 months. It was put on hold after my first call back because Kiefer was in New York doing a play on Broadway. I knew the Casting Directors because they hired me for a television movie before. For the fourth audition, they flew me out to New York to read with Kiefer. The last 2 were in Los Angeles. There were times where I really didn’t know if it would go any further so every time I got to go to the next step I was really excited because I loved this character and the script. When I eventually found out I got the role, I was on vacation in Palm Springs for a holiday. I was in the recreation room with my best friend and we were playing a game and his Brother came in to get us and take us back to the room where there were other friends of mine and my Sisters and they all watched while I took the call from my Agents. I was in shock and so happy that I screamed.

AL: Has it been difficult for you playing a character that for the most part doesn’t speak?
DM: Actually I do speak in the voice over’s but, I think it was easier to not speak in the first season because everything was so new and I was really getting into the physical character of Jake; how he walks and behaves. I do love speaking in general and people tell me I talk a lot. I don’t want to spoil Season 2 for the audience but I’ll just say that Season 2 is different in many ways than Season 1. It’s easier in some ways to not speak because I don’t have to learn lines. But more difficult because I have to show what I’m thinking and feeling through my facial expressions and actions and behind my eyes. I have to make the audience understand what I’m thinking and feeling just visually. So when I’m acting I usually just try to feel the things Jake feels so that I can show that to the audience and they can understand me.

AL: What’s has it been like working with Kiefer Sutherland?
DM: In one word, it’s Awesome! I really love working with Kiefer. I feel so fortunate to be working with someone who’s had so much experience in film and in television and who also started acting when he was young. I knew from the first time I met him, that he was someone who I could learn so much from. Kiefer is a very hard worker and he’s very smart too. He can tell what works and doesn’t and he is very natural. I am lucky because he’s always been willing to teach me things and he’s been patient and kind. In that way he’s a lot like a father to me because he really leads me to learn the lessons I have needed to learn on the set, not just about acting but about how conscientious he is and prepared before he gets there. He’s also encouraged me musically because he’s a musician and knows so much about that. He actually bought me my first guitar for my 11th birthday. Even though our show and our characters are serious and intense, he’s always cracking a joke right before we start so he’s always made me feel very comfortable. The other thing that is special about working with Kiefer on “Touch” is that he’s not just the lead but also an Executive Producer. I’ve learned a lot about what it looks like to have the responsibility of those two jobs together. I have a lot of respect for Kiefer and working with him has been a fantastic experience for me.

AL: What has been your favorite part thus far about working on the show?
DM: That’s an easy question! I love the crew, the other cast members and my Studio Teacher. Everyone I have been working with from the Directors and assistant directors, writers, producers to wardrobe and make up to sound and lighting, props and of course my teacher who I spend all day with have been so much fun. Everyone is really good at what they do. I am lucky because I have been able to learn about each person’s job and how each job is important to what the show ends up looking like. Because I do the voice over’s, I’ve also learned about that with the people responsible for post production. It’s all so interesting and we have all become like a family. I really do love coming to work every day so I can say hi to everyone. You get to know people pretty well when you spend that much time with them. I feel like if they aren’t really good and happy about being there it could be very different and not something you look forward to. We’ve celebrated birthdays and holidays and have private jokes and handshakes. For me all those new relationships and learning from them have been the best part of my job.

AL: Do you have any other projects coming out that we can be watching for?
DM: I did a horror film that is in some film festivals right now but that was over the summer between Season 1 and 2. There is also another film in the works that doesn’t have a start date yet. I haven’t had a lot of time to do anything else because of the commitment I have to “Touch”. I have been auditioning for some things that I can’t talk about right now and some things are possibilities that I’m hoping will work out if the timing is right. I love working and hope that I just keep getting to do interesting roles like this one.

Lily Rabe is known best for her role in FX’s series “American Horror Story”. In the first season she played the character Nora Montgomery and in the second she played the devil-possessed nun, Sister Mary Eunice. As the show approaches the end of its second season, Lily took out some time to chat with Media Mikes about her character and her fate at the end of the season.

Mike Gencarelli: What did you find the most difficult part of your role this season?
Lily Rabe: Well, you know, I think some of the murders having sort of in those moments where she was just absolutely sort of in her completely taken over by the devil and throwing these actors around and slitting their throats and stabbing them ruthlessly and all of that sort of, you know I’ve been the victim a lot, so I’ve often played the person who’s getting raped or murdered or abused. And so to actually be raping and murdering and abusing people is a whole different kind of challenge and one that it was very difficult at times and sometimes I would sort of go home from work and just kind of stare at the wall for a couple of hours. But I can’t complain, because easily if whatever kind of knocks you out working is the kind of work that I want to be doing because it’s always those challenges that are the most exciting and the things I hope to get to keep doing in my work.

MG: How did you approach your role because I feel that the combination of comedy and horror and I’m wondering if the director somehow guided you on how to play the devil in your character?
LR: Yes, you know the truth is the way that I approached it really was to figure out before we started shooting the most important thing to me was to really figure out who Sister Mary Eunice was and not really worry about the possession or the devil because to me so much of what a possession is is specific to the person. So that to play the sort of dark side or underbelly of someone or their sort of shadow taking over it’s really about knowing who that person is before that event has taken place of this dark thing sort of taking over. So it was more about figuring out who she really was through and through.

MG: There are many different storylines this season, was there any one that was your favorite?
LR: You know my storyline with Jessica (Lange) was perhaps the most powerful to me because I think it’s sort of the most tragic in a way because it’s actually the one that involved the most love, even though there was a sort of, even though Jessica’s Jude is very cruel to Eunice in the beginning. I always believed that that cruelty was coming out of a place of love and a place of sort of seeing Mary Eunice as seeing her potential and knowing that she wasn’t living it. And so in a way that that whole where we started and where we ended up, that to me is probably the one that was the most sort of powerful; but I have to say all of, you know, my relationship with James and with everyone, everyone I got to sort of work with. I even had a great side plot with Spivey. Mark Conseulos is so amazing and it was such an abundance of amazing actors that you get a chance to work with while you’re doing the show.

MG: Was there anything this season that really has surprised you or threw you for a loop when you saw the episode completed for the first time?
LR: Well, there are certain points of things that are going to happen to you; but there was a lot of mystery and a lot of sort of you have to be constantly taking a tremendous leap of faith and just sort of staying present in the moment of whatever the scene is, because you don’t know exactly you know where that turn is going to end up or what the next episode is going to bring. You know you have these sort of landmark things that you know about, but within the sort of nuance of the storylines. There was a certain amount of mystery. I didn’t watch the show while it was airing because it was too hard to be shooting episode three or I mean the episode seven and watching episode three or however it worked out. My brain was getting really scrambled, but I had to wait till the season had wrapped because there is in the same way that the audience is being surprised, you know we were definitely getting our handful of surprises, too, that’s for sure.

MG: What was it like at the Asylum itself can almost be looked at as a character on the show. What was the atmosphere like on set to work in an environment like that?
LR: Right, I know it is a dark world to live in, but I think the thing that made it so, still so kind of wonderful and a place that I was excited to drive to work every morning and that was because of the people and the crew. It was a very close group of actors and the writers are very, it’s an amazing group of writers. I think Ryan has a way of when he’s at the helm he’s one of those people who just creates a great work environment. I think it’s so much about that person. The leader really has to set the tone for something and make everyone feel safe and he does that in such an incredible way and so everyone, although we were maybe working crazy hours and shooting crazy things, it was always a really nice place to go to work. And for me you know it was the first time I’d ever been, I’ve never done a show as a regular before and it reminded me a bit of doing a play in the sense that you go to the theatre every day and you have your dressing room. And you have the crew and the actors and so I loved that feeling of actually kind of having this family every day that was sort of new for me and very special.

MG: Was there anything that you guys did to break up the tension in between a scene that would be particularly intense?
LR: Oh well, I mean you know Sara Paulson is one of my best friends and has been for years. We already have a bit of laughing problem together, so I would say that that happened a lot. There was often a lot of that and Zach was learning the banjo and I was learning the guitar, so there were also little musical breaks, although he’s much better at the banjo than I am at the guitar at this point.

MG: Did you ever have times that it was hard to deal with the character because of the psychological heaviness of the role?
LR: Yes, but it sort of came with the territory in the sense that I think if you’re going to be; I feel that with all the great jobs or all the really, really great parts, you’re usually going to sort of dark and scary or painful places and that’s just part of it. Although it could be difficult in some way, it sort of comes with, it’s part of the job description I feel, so it’s nothing I would ever sort of want to say was a negative, even though sometimes it doesn’t feel great. It’s sort of to me it’s still part of the job description of getting to play a wonderful role and having to go through things like that. So I’m always very grateful for that even if it means I’m going to go have to kind of collapse in my bed for a little while or whatever or whatever it means.

MG: How far in advance did you know what your character’s fate was going to be? Did you kind of have an idea about that from the beginning?
LR: I had some sense, yes, I knew that she probably wouldn’t have a very happy ending, so I did have a sense and then sort of as we went along the specifics of how that was all going to happen became clearer as we went along.

MG: That scene almost seemed like kind of a relief for your character. Can you reflect?
LR: Yes, I think the death scene, the way Ryan and I really talked about it it’s really sort of an assisted suicide. Her situation really wasn’t survivable in the sense that even if they had done some sort of exorcism or something at that point, we sort of felt that whatever might be left of that girl was so damaged and destroyed and that death sort of became her only way out. Yes, playing that through once the possession happened that was such a wonderful challenge and a sort of dance really to live between with both the lightness and the darkness existing at the same time in that battle and then that losing battle really.

MG: Do you think you will be back for the third season?
LR: I have no idea. I can’t say a word. I’m so sorry. I know it’s such a boring interview sometimes with us at American Horror Story, so that I just can’t say a word. I would certainly love to be back that’s for sure. It’s such a great job.

 

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Milo Ventimiglia is the executive producer and star of Crackle’s newest original series “Chosen”. Milo is know for his work in TV with his playing Peter Petrelli on the NBC television series “Heroes”. In “Chosen”, Milo plays Ian Mitchell, a husband, father and lawyer who awakens one morning to discover a mysterious box on his doorstep containing a loaded gun and a photo of a stranger he must kill within the next three days. Ian quickly learns that if he doesn’t kill this man he will be killed himself along with his daughter who is being held hostage. A heart pounding thriller, Chosen features six 30 minute episodes which premiered on Crackle.com and all Crackle platforms Thursday, January 17. Media Mikes had a chace to chat with Milo about this new series and what we can expect with his character.

Mike Gencarelli: How you got involved in this project?
Milo Ventimiglia: I got a script from Ben Ketai and it was great. It was awesome. And I was a huge fan of his and I worked with Crackle before developing stuff and I was just like, these guys are great. And I kind of – into the digital space and what it affords creative types and what we get to do and play around with space and then enjoy its reach. So cool story, cool release, great character, yes, I’m in.

MG: What do you love about the viability in potential shows on the internet like Chosen and how that differs from TV or film?
MV: Man, I love the reach, you know, I’m just so excited about digital because of the reach. The actual releases sometimes some countries don’t get movies. Sometimes, they’re in and out of theaters, TV — maybe you don’t have the channel, maybe you don’t have pay cable. Maybe, you live in a remote part of the world that just doesn’t have what the network is showing or studio is putting out. Digital I kind of feel like anybody can access it, anybody can get to it. And for me being a part of projects like Chose, you know, working with Crackle and just being a guy who’s been in the digital space for kind of a long time now. I know it’s something that I’m going to continue to do and hopefully as it builds and the profile builds and people understand that, look, you’re going to get the same quality on digital as you can in a movie theater if you actually have a bandwidth for it then great, you know. So I love digital, I’m in to digital.

MG: What were some of the initial acting challenges steeping into the Ian role?”
MV: Wow. The initial challenges? I mean, first being a father. Like I’m not a dad myself yet, you know, I’ve got a lot of good friends with kids and a nephew and, you know, that’s all cool and exciting but I think that kind of real life – that weight of real life of having a daughter, having somebody you care about so much like they’re you’re blood. You and a woman created them and that fear of if they are gone, if they are taken, if they are missing. I think that was kind of the – the very first and foremost in my mind was Ian’s connection to his daughter and how strong that is and how much that propels him through the situation that – of the game of what he has to go through. As well as, you know, here’s a guy who works in a an office and he’s told to kill someone for sport, for a game. And it’s like how do you – you know, it’s a question that kind of comes up throughout the course of the show, I know Deidrch’s character asks it, Ian asks it. It’s like how can someone expect you to do that. So I think that – really connecting to that idea of the reality of it, just how much human beings really don’t have that instinct or want to do. That was something that I was trying to tap into like the reality of the situation and believe it and live it as much as I can.

MG: How Ian changes or evolves as the story progresses?
MV: Ian starts out a bit mild mannered. He’s a guy that works in a law office. He holds a pen. He wears a suit and tie and he kind of devolves and evolves into this man who has to act a little bit more on physical instinct given situations that come his way. If a guys coming at him with the silenced gun he’s got to run. If he gets shot he has to kind of fight back. As well as he still has to play that chess game with the people that are involved with the watchers — these watchers that are in control the game. I think it’s kind of a testament to who Ian is a human being where he is a rational, functioning in society man but at the same time he’s able to switch to an instinct that is maybe a little unnatural for people that are, you know, living in a world of suits and ties and writing with pens all the time and legal society. So I think for me it was an awesome arch that Ben gave me as an actor to turn into – to become this man who is really wholly trying to just protect his family by any means possible, you know. It’s like his discomfort at the contents of the box when you first meet him and then kind of throw a little comedy slant at how comfortable he is with the contents of the box, you know, a little later on in the show, so. Yes, I think for me it’s the evolution of who he becomes.

MG: How you go into the mindset of the paranoia?
MV: Wow. You know, a few years ago my mother asked me – I did this movie where I played a really, really deplorable person. The movie’s called The Divide. And afterwards my mother asked me if something happened to me as a kid that she didn’t know about. I said, “What do you mean Mom?” She said, “Well you were such an evil, horrible person, how – did something happen to you that we don’t know about?” I’m like, no, not at all Mom, I’m an actor, like that’s what we do. We just act. So I think the paranoia is it’s just kind of a like a matching your worst fears and playing to them. You know, I like to say let the wheels come off, see what happens, just go for it. I think at times actors are standing a bit naked with our emotions and we have to. We have to be able to stand there and deliver anything, you know, happiness, sadness, paranoia, fear, victory, you have to be able to allow those things to just kind of flow out of you. For me it was no different. The paranoia, I think is just like, all right, I don’t want to act paranoid. I’m just going to be paranoid, how’s that?

PHOTO CREDIT: Sony Pictures Television

Lizzie Brocheré is currently playing the role of Grace in FX’s hit show “American Horror Story: Asylum”. She is known for her work in France with about 40 foreign films and TV roles under her belt. As the show approaches the end of the second season, Lizzie took out some time to chat with Media Mikes to chat about her character and what we can expect.

Mike Gencarelli: How did you first get involved in the show?
Lizzie Brocheré: Weirdly, I self-typed from France. I had no idea that I could get the part because it was supposed to be an American part. I did the audition anyway because I never felt safe and my managers here sometimes get mad because I never send anything in, and because also the process of the audition was so much fun. I watched the first season of American Horror Story and have been a big fan, and the audition for the part of “Grace;” it was two scenes. One was a scene taken out of Girl Interrupted, “Lisa’s” character. It was very, very out there. It was very provocative, a very strong character and very …. So that was fun, it was like, wow, what is that character that they’re auditioning for? The other scene was a scene from …, which was a masturbation scene, very provocative as well. I was like; I don’t know where they’re going with that character, but she’s wild. So I did the audition with my friend, and didn’t really believe in it, and then two weeks later I was in L.A. meeting Ryan Murphy … for five minutes and they were talking to me about the part … and that was it. It was amazing. and I didn’t even have a driver’s license.

MG: How do I get into my character to play Grace?
LB: There’s so many different ways, but I think what I worked on the most was that back story you heard, because when we started shooting, we already had the first four scripts, so I had the back story of Grace in the fourth episode. I think that since she was based on this American character, Lizzie Borden, I read a lot about Lizzie Borden. I discovered a source book with her inquest testimony; I loved reading it out loud. I thought she was so smart and strangely fascinating, that character. I don’t know if it helped my acting, but it was necessary for me to know a bit more of that character who was a very important American figure. I had no clue who she was, in fact, …for example. I did a lot of—this is going to sound weird, but I did a lot of stretching, yoga and dancing, almost ballet. I felt, you know, how she’s always–you want her to be moving in a very smooth maybe, and she’s very sexy, so you want her to be moving in a smoother way than I do. So that was a little job, and Grace, I don’t know she’s somewhere in me–apart from that big back story and all that; her sarcasm, her way of seeing life and that little liveliness she has. You know, how she always says amazing lines when you feel like she’s young little Tibetan monk. It wasn’t that hard to tap into her, apart from the killing of my dad and all of that.

MG: Can you tell us a little bit about shooting the murder scenes?
LB: That was so fun. We wanted to–I mean the whole crew was so happy to change my look, and they were really excited about doing some kind of flashbacks and knowing a little bit more about Grace. So everything, costumes and hair, for example, I don’t have the same haircut at all. They really wanted to show Grace as she was before the asylum, and everyone was really excited about that. The actual murder scenes, there was a lot of blood, a lot of different axes. I think we had six different axes that are still in the props office, and they’re all on the walls. You have one that’s a rubber axe, and then you have another one that’s a real axe, and you should never mix up with the other one. Then you have another one that’s a half cut axe, so that you can pretend that it’s in the body. You only have a part of it sticking out of the body. I mean we have so many different axes; it was funny. Then you have, for example, when I kill my step-mom, we have these effects guys that were behind the body of my step-mom … blood on the face each time that I hit her. There were so many people in that closet but it was fun.

MG: How you ever been spooked on the set?
LB: I did get the creeps. Yes, because the story was so dark and all these flashbacks that we shot. For example, when I hide in the closet, and it’s a fake flashback, but still, we did it for real, and I hide in the closet, and I dove back and I go back and I think that I’m saved and then there’s this foot with blood dripping on my shoulder right next to me. So realistic, so realistic. It was crazy. I couldn’t open the closets after that for a week at my place.

MG: How do you shake a show like this at the end of each day?
LB: I have very different ways–the crew, for example, is so much fun–I mean they’re totally disconnected from the cast. Joke with the crew when you get out of set, for an example, that helped me so much. Otherwise, in my day-to-day basis, it would be I guess, a bit of yoga. I go biking, read, watch shows, I go to music concerts. I’ve taken a lot of road trips since I’ve been here. I’ve been to The Joshua Tree. I’ve been camping on the Channel Islands. Each time that I have two or three days off, I’m off somewhere in California.

MG: The asylum itself feels like a character on the show, so how much does that environment help you get into a scene?
LB: It makes the scene. There’s no question about where you are. I remember one of the first days on the set when …–the first scene was something in the solitary, and I’d be visiting in the solitary cells. When you’re in that hallway with all the solitary cell doors; Ooh. You have no question of where you are. It’s such a particular asylum. It’s such a designed asylum. It’s such an interesting–I don’t know you can feel the whole weight of the metaphor that it represents, you know.

MG: What’s coming up for Grace in the upcoming episodes?
LB: What can I tease? So much is happening to “Grace,” poor “Grace.” I don’t really know. My character joins a storyline that I cherish a lot, which is the alien storyline, and that is something that I’ve been really looking forward to. I’m so happy about that because, first of all, when you move to the United States for work, which is what I just did, you have a visa where they call you an alien with extraordinary ability, but still that’s what I am right now. It’s strange, to be like right, in the administration system, you have a label which is a visa 01, which is for aliens with extraordinary ability; good Lord. So ever since I got a foot in the U.S. administration and moving to the U.S., I’ve been like, oh aliens; interesting. Aliens are immigrants. That’s interesting, what is an alien? So when I got the script everything kind of made sense in a way. This idea of foreigners–so I love being close to that storyline because I felt so much myself like an alien.

 

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Sam Huntington co-stars in Syfy’s hit show “Being Human”, which returns this month for it’s third season.  He plays the character of Josh and is a werewolf that lives with a vampire (Sam Witwer) and a ghost (Meghan Rath). We spoke with Sam back in the very beginning of the show for season one, check it out here.  We got a chance to catch up with Sam again and got the scoop on the second season and what we can expect for the third.

Mike Gencarelli: Tell us about what you enjoyed most about playing Josh in season two?
Sam Huntington: I think for all the characters, it was great to see them go down their darker paths. As hard as Josh tries to do the right thing, sometimes that need to do the right thing forces him to do the wrong thing. So that was really interesting for me to see and play that aspect of him. As hard as he tries he just has these horrible flaws right down to the end of the season. So that was pretty cool. I also really enjoy the humor of the show.

MG: Each character seemed to go off on their own story in the second season, can you reflect on that for us?
SH: Josh is at his best when he is with Nora and with his roommates. Those are always my favorite moments. I think looking back I would have liked to be with those people more. I think in season three we are going to be put together a lot more so it will be pretty great.

MG: Do you feel that you have an creative freedom with the character now?
SH: I feel that I know Josh so intimately at this point. You are given these beautiful words to say, which sculpts the role. But then of course he takes on a life of his own now that I have been doing it for two years and going into a third. Put it this way, I think I know how Josh will react in every situation, which is super cool for me. I would say 99% of the time, the writers will nail it for his but there is that 1% when I have to chat it over and get on the same page. A lot of times they have reasons why I have to act in a certain way or do a certain thing. It is definitely a collaboration in that regard. We rarely have to intervene though, which is great.

MG: You parted ways with Nora and the surprise with Julia, no luck for you in woman department huh?
No he doesn’t. Word to wise for all those ladies out there who is curious about Josh the Werewolf…Don’t Do it! It’s a death wish. [laughs]. It’s just a bad situation. He is a wet blanket on relationships, trust me.

MG: How would you compare the two seasons production wise?
SH: I would say that season two was 100% more easier than season one. We ironed out a lot of kinks with everything…the make-up and the hours. The writers have figured out what works and what doesn’t. It is always process. You have to figure out what you are capable of doing. You want to always go right up to the limit but you obviously don’t want to kill everyone [laughs]. Season one nearly killed me. Season two was way smoother. I am hoping that season three is more of the same.

MG: During the first season when we spoke, I mentioned that I felt Josh bared most of the burden but in the second season it is more equally distributed.
SH: I think so. They were able to streamline a lot of the werewolf stuff  Beyond that also as far as the character goes but poor Josh just keeps getting hit and beaten down to the ground with the things he is dealing with. I feel so bad for the guy. He can’t win [laughs].

MG: Season two ended on cliffhanger, tell us what we can expect for this next season?
SH: When we finished the season we had no idea what was going to happen. We know now obviously since we’ve gotten the scripts. It is a great cliffhanger  What is the funny thing is that I don’t know if the writers knew [laughs]. I am sure they had a couple of ideas. At the end of the season everything kind of had their hands in the cookie jar, as far as what they wanted to see happen. They really want the show to be the best that it can be. The good news is though, now knowing where we go it is going to be SO awesome! It is such a great direction. I couldn’t be happier!

Betty White is a legendary TV icon, a seven time Emmy award winner and currently starring in NBC’s show “Betty White’s Off Their Rockers”. Betty and her posse of senior pranksters returned for season two of this series on NBC on Tuesday January 8th with special guests PSY and Kim Kardashian appearing in bits with Betty in two back-to-back episodes. Media Mikes had a chance to chat with Betty about her career and the new season

Mike Smith: You are a cultural icon. What keeps you going in the business?
Betty White: Because why quit something you’re enjoying so much? It’s such fun, and who would ever expect at 91 to still get invited to do shows. I mean, that’s unheard of, so if they don’t want me to do it, don’t ask me, because if they ask me I’ll take it.

MS: When you were first approached about doing this show, it’s “Off Their Rockers” with seniors doing pranks, did you immediately know you wanted to do it?
BW: No, I was not enthused about doing this. First of all, well not so much for the show but because my schedule just didn’t tolerate it, so I thanked them very much and said, no thank you. But they kept coming back, and it was a show that started in Belgium, and it was the most popular comedy show in Europe for a while. So when they invited me to do it, I said that’s very nice, but I just can’t work it in. And they kept coming back, and of course I had the backbone of a jellyfish, so here I am doing it, but I’m having a good time.

MS: What’s the best prank you’ve ever pulled, the funniest one?
BW: I’m not a real prankster. I love doing “Off Their Rockers”, because the other people are pranking, but I willmaybe kid my friends and say one thing or tell them something happened that didn’t really happen, but I straighten it out pretty fast. The trouble is you can paint yourself into a corner if you try too many pranks, you know?

MS: Can you reflect about the direction of TV today?
BW: Well, I think TV has changed, but I think the audience has changed more than anything else. The audience has seen every plot. They’ve heard every joke. They keep being a challenge, so the producers and the show people try to top themselves or get unusual and I think every once in a while, just a good old-fashioned straightforward television show, or a situation comedy suddenly hits the spot. It’s almost like something they haven’t seen for a while.

MS: How did you develop the sense of humor that you have and the love of laughter, and your amazing sense of comic timing?
BW: Oh, that was my mother and father. I was an only child, and the – we had the best time together. My dad was a salesman, so he would bring jokes home, but also he’d ask me how things went at school, and I would start telling him, and pretty soon we’d begin to make jokes about it, and it was a love of laughter at home that just was a precious commodity to have with your folks, and Sunday morning breakfast would last two hours sometimes when we all giggled and scratched and talked.

MS: Could you elaborate a little bit on how you think you have achieved the notoriety that you have, and what advice you can give for other women that are starting in the business?
BW: Well, bless your heart, I hope it’s fame, not notoriety, but I’ve been so lucky. I just can’t tell you how lucky to get to this age. Who would ever dream that you’d get to be 91 years old and you’re still working as much as I am? But I think it’s because I thoroughly enjoy what I do. I love this business, and I’ll quit when they ask me to, but as long as they keep asking me to work, I’ll keep saying yes, and it is such a privilege. I think women have come a long way over the years in being you know, coming into their own and roles that they get and in – well, in the whole business, and women executives and all that, but it’s a very lovely position to be in to be taken seriously as well as laughed at.

MS: Can you talk about what it was like to have Ed Asner on the show, and what you did together?
BW: Oh, it was such fun, and Ed and I stay very close. We’ve always adored each other. I don’t think we’ve ever said a nice word to each other, but we adore each other. You know that kind of a friendship. He always yells at me and I yell at him and lovingly. He did the show and when you work that closely together, somehow you fall into a pattern, and it’s as though you saw each other yesterday, even if a little time has gone by.

MS: What are some of the biggest challenges in making the show?
BW: Yes, well, let me answer the question. The challenges are to try to keep it fresh, to try to keep any semblance of freshness going. Well, after this number of years of all the shows and all the jokes and all the scripts, that’s the – a major challenge, so what you do is keep reworking the same old material and try to put a little new slant on it, and then with fresh people in the role, it’s amazing how long you can milk stuff.

MS: What type of attitude do you recommend for longevity?
BW: Oh, honesty. You can fool everybody else maybe that you know, but you can’t fool that camera. That camera will know when you’re faking it every time.

 

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Hollis Wilder is the owner of Sweet! by Holly, which is a cupcake shop located in Orlando, FL. She is also a two-time Winner on Food Network’s “Cupcake Wars”. Besides running a successful business she also does a lot of motivational speaking and is releasing a cookbook in May 2013 called “Savory Bites: Meals You Can Make in Your Cupcake Pan”. Media Mikes had a chance to ask Hollis a few questions about cupcakes as well as her new book.

Mike Gencarelli: When you opened your store, Sweet! by Holly, did you ever think you would be where you are today?
Hollis Wilder: Absolutely not! But in truth I did not plan most of the incredible things that have happened in my life, personally or professionally. What I have gotten far exceeds what I was hoping for!

MG: How does it feel to rank in the The Daily Meal’s Top 50 Cupcakes in America this year?
HW: Always great to get recognition from media sources, but the most important confirmation comes daily from regular customers who like what we are making and keep returning to buy more.

MG: Besides cooking you also deliver motivational talks and presentations to colleges and companiesabout empowerment, success and personal growth; tell us about that side of you?
HW: I speak about how we all need to find our own, “cupcake,” whatever that might be. Trust your inner voice and not the white noise around you. Food is a vehicle for me to communicate what is of value to me and how I try to give back to my community. I try to share the information that I have collected during my own personal journey. I love nothing more than helping others find their own excellence and develop the courage to pursue it.

MG: How did you decide to become an author with “Savory Bites: Meals You Can Make in Your Cupcake Pan”? Can you give us a sneak preview as to what we can expect from the book?
HW: I was pursued by one of the top publishers in the country, Abrams. Savory meals all prepared in a cupcake pan. It’s all about creating homemade culinary experiences without sacrificing convenience. also, I promote what I call, living life in portions. Instead of dishes that have no beginning or end, like a casserole, I put meals in the perfect portion of a traditional cupcake pan. I am promoting use of the savory bites in our new concept potluxe dinners, a reconstruction of old-fashioned potlucks but with a cutting edge perspective on ingredients and portions. Lots more to come on this as we approach release of the book in May.

MG: What else do you have planning in the cards for 2013?
HW: If i think about all the wonderful projects on my plate for 2013, I get totally overwhelmed. I’ve learned to stay in the moment and do what’s in front of me and things work out. I wrote the cookbook while running a growing business and managing a family with two small children, so basically I was creating meals and testing recipes while everyone was sleeping. This year will no doubt bring more challenges, successes and failures, but in the end I am grateful for all the incredible opportunities I have been given to challenge myself to be the very best Hollis I can be!

Andrew Evans / PR Photos

Reginald VelJohnson is best known for his role of Carl Winslow in “Family Matters”. Reginald is currently voicing the role of Able in Disney XD’s “TRON: Uprising”. In recent episodes, his character Able had a big reveal and has become a key factor of the show. Reginald took out sometime to chat with Media Mikes about his role and reflect on TV values since “Family Matters”.

Mike Gencarelli: What drew you to the role of Able in “TRON: Uprising”?
Reginald VelJohnson: I’ve always appreciated the animation and when I got the opportunity to audition for the role, I made sure that it was something that I was going to be attracted to. It’s the kind of role I usually play, the father figure and mentor to the programs in the grid. It’s essentially the character that drew me to the project.

MG: Can you reflect on the intrigue that is behind the “TRON” series?
RVJ: I think Tron is one of the first video games so it’s like the grandfather of the video era. Tron represents this everyman and comes across as something so powerful, like the computer. He lives through this world, and I guess people are fascinated by that concept, living inside this computer generated world.

MG: What do you enjoy most about Beck and Able’s relationship on the show?
RVJ: He’s the father figure and Able really thinks of all the individuals in the garage as his children and he cares for them and that’s what I think is lovely about the relationship between Beck and Able. It’s like a father and son type of relationship.

MG: In upcoming episodes, we find that Able has this unknown relationship with a powerful figure on the Grid; can you tell us about that reveal for you?
RVJ: Well, it was interesting to me to find out that he has an outsider relationship with this powerful character, and I think this relationship makes him more interesting.

MG: What is the most rewarding aspect of doing voice work?
RVJ: The hours; you go into the studio whenever you want to. You sit in a booth and do your job and you go home – it’s wonderful. I like that it gives you a chance to really explore your craft with your voice.
Have you completed the recording for the first season yet?
I believe we have, I think I did one last episode. I think the new season begins pretty soon but I think we’ve finished off all the episodes of the season.

MG: Also sticking with TV, you are recurring on “Hart of Dixie”, what do you enjoy most about playing Dash DeWitt?
RVJ: Well, he’s sort of a flamboyant character; he’s kind of elegant in a way. He has this cane and bowtie and he walks around the town getting into everybody’s business and telling everyone about the business. He’s a fun character so I enjoy playing that.

MG: After working on a show like “Family Matters” for so many years, how do you feel that TV values have changed?
RVJ: Wow. That’s an interesting question because I think that things have definitely changed since I did “Family Matters.” I think TV with all the reality shows and the hip-hop generation doesn’t focus on the meaning and feeling of a family – the real relationship between people. I don’t think people are too ready to sit down and watch that. I just hope that it comes back because personally, I think that the reality genre needs to die a slow death. I hope that the family type shows come back because I enjoy watching people share family values and loving relationships between each other. I miss that.

RJ Mitte plays the role of Walter Jr. on the hit AMC television series “Breaking Bad”. The show is currently in production on its final season and RJ took some time out of his busy shooting schedule to talk about his involvement with the show and how it has progressed over the last 5 seasons.

Adam Lawton: How did you originally get involved with playing the role of Walter Jr.?
RJ Mitte: I went through the audition process which consisted of 5 separate auditions. I did 4 in Los Angeles and then went out to Albuquerque where I had a screen test and an audition. All of this happened within a couple of weeks. I was at the auditions in Los Angeles while they were telling me to get ready to go to New Mexico. The next day I was on a plane and I had my audition in the morning. From there things just took off and I have been working on the show ever since.

AL: What was your first day on set like?
RJ: It was amazing! Before “Breaking Bad” I wasn’t really doing anything substantial. I was doing background work actually as I was learning at the time how to work on a set. I was still learning how everything worked, what a set does and what it takes to be on a set. I was just sort of thrown in and started seeing how everything worked first hand as a lead actor.

AL: What has it been like working with such a diverse and great cast?
RJ: It’s really awesome. We have a great cast and crew. I can only imagine how differently things would be if we shot the show in Los Angeles. A lot of what I know about acting comes from working on “Breaking Bad”. Brian, Anna and everybody have taught me so much. Just by watching them is so interesting as everyone has their own style of acting. It’s been an honor to practically grow up watching the show and getting to see how it all comes together.

AL: What has been your experience with the notoriety you have received since the show took off?

RJ: I never thought a show about methamphetamine would get so big. Being recognized is something that has definitely changed. It’s interesting because I never thought people would be coming up to me telling me they love my work. It’s really cool!

AL: What do you think has been the biggest change in your character over the course of the show?
RJ: The views Walter Jr. has of his parents have changed several times. That is something he has been back and forth on. Just the transition of his parents is a big thing. Walter Jr. is in a completely different world. He is your typical kid that is trying to go through life as normally as possible. It’s interesting to see how the writers write his transition from his parents because there have been so many ups and downs.

AL: Have you been able to provide input on the character?
RJ: Yes. For every script we always have input. The writers are pretty open about asking us as to how we feel about certain things. We have been really lucky to be able to do that and to be able to take our characters in to the direction we want them to go.

AL: Can you give us any updates on the upcoming season?
RJ: We are currently shooting as we speak. I just got done shooting the first episode and I have the script for the second. Things are going and it’s insane! There is just so much going on in the first episode that I am anxious to see the fans reactions.

AL: How soon do you get the scripts prior to shooting an episode?
RJ: Usually it’s anywhere from a couple of days to a week. It depends a lot on the shooting schedule. The scripts have become very tight because people have tried stealing them. The scripts are water marked now and at times I have to sign them in and out. So many people are trying to get scripts from the show. Ultimately that just ruins it for everybody when something like that happens. I can tell everyone that this season will be worth the wait.

AL: Do you have a favorite episode from the series?
RJ: I love everything that we have done. Weather I am in the scene or not I love what we have done. I am hoping to have a new personal favorite very soon. We shall see. I have certainly enjoyed my scenes with Brian. It’s been fun.

AL: What other projects have you recently completed or are currently working on?
RJ: I have a movie that was filmed awhile back coming out titled “House of Last Things”. I also just shot a small spot on “Vegas” with Dennis Quaid and Michael Chiklis. That was an amazing set to shoot on and it is really well done. I wasn’t killed off so I could possibly be coming back. I also am scheduled to shoot a film in France as well as Abu Dhabi. I am keeping busy and also looking for more work.

Connecticut born, Dylan McDermott was encouraged by his playwright step-mother to pursue acting as a career. He began his career on stage, doing both Regional Theater and Broadway, and made his film debut in the Vietnam War film “Hamburger Hill.” His first major role was that of Jackson Latcherie, husband to the doomed Shelby in “Steel Magnolias.” In 1993 he got his first major role, that of Clint Eastwood’s partner in the Secret Service themed film “In the Line of Fire.” Starring roles in films such as “Miracle on 34th Street,” “Home for the Holidays” and “Wonderland” followed. In 1997 he began a long run on the Emmy Award winning series “The Practice,” winning a Golden Globe for his work on the show as well as an Emmy nomination. He also headlined series like “Big Shots” and “Dark Blue” and now, after appearing last year, he re-appears on the critically acclaimed “American Horror Story: Asylum.” While preparing for a new story arc on the show McDermott took the time to speak with Media Mikes about his work on the show, what scares him and the difference between appearing in a remake or a sequel.

Mike Smith: What is the strangest thing that has happened to you on set, or personally, from doing this show.
Dylan McDermott: Well, I mean if you watched all the episodes, you know that I’ve had to do some strange things clearly, but that was part of the ride when I talked to Ryan [creator Ryan Murphy] about this show. Obviously the cry baiting and walking around naked, and now I’m playing a serial killer, is all in terms of doing American Horror Story, this is what comes with the dinner. So you just have to be up for it.

MS: As a show that not only really stretches your acting abilities but part of your personal fear factor is there any one fear that you would like to try to conquer by doing this show?
DM: Well, I think if you had any fears , you’d better not have them walking into this show because all your personal things are public. So I think that you really have to be not too shy to do a show like this, let me just put it that way.

MS: Can you tell us a little bit about your character and where you hope he ends up at the end of the season.
DM: Well, he’s obviously a troubled man, so where I hope he goes and where he goes are two different places But I think he’s got a sole purpose in life and really that is, he feels so scorned by his mother. Everything is about his mother. The reason he’s doing all these horrible things is because he was rejected so harshly by his mother, obviously aborted. His father was a serial killer. His mother aborted him and he still lives. So his whole trajectory in life is really about her.

MS: Can you give us a breakdown as to how you got involved in this show again? Were you looking to come back and what happened? Did Ryan give you a call and say, listen, I’ve got this sick, twisted character that I want you to play?
DM: Yes, we talked in the summer and he said he was looking for something for me to come back. I wanted to come back and we weren’t sure in what capacity. Then the day the show aired, he called me and said he wanted me to come back as the son of ‘Bloody Face,’ the modern day ‘Bloody Face.’ He just told me; I hadn’t read any of the script, so I knew nothing about it. It was sort of a blind call. When he told me the story of it, I was just like flabbergasted. I mean, I couldn’t get—because it was just so horrendous how this guy would survive and what he would become and who he was. I was just fascinated by him. It was so different from, obviously, ‘Ben Harmon,’ to come back to this same show with a different character. I just thought it was a great way to make television completely different from anything you see on television, because when do you get to play different characters on the same show.?

MS: Without giving too much away, can you tell us how many more episodes you’re going to be appearing in?
DM: I will be, I believe, in the next three out of four.

MS: I realize it’s early yet, but could you see yourself coming back for the third series, if Ryan came up with another big idea for you?
DM: Yes, I mean I love this show. I just think it’s just really—if I wasn’t on the show, I’d be watching it; so I’m a fan of this show as much as an actor on the show. So whatever—like I said before, I really trust Ryan and he has a great instinct with me. If he asks me to come back on, of course.

MS: Do you have a favorite type of horror story?
DM: I do like the Polanski stuff more than anything else. I mean, “Rosemary’s Baby” is still one of my favorite movies of all time. The idea of her being impregnated with the devil and all that stuff is just like so frightening and being in New York at The Dakota, it’s so scary. I’m going to work on a movie, actually, in February, called “Mercy from Jason” and there is a similar theme to “Rosemary’s Baby” in the movie. So somewhere I am attracted to that in a strange way, so that does scare me; the sort of demon baby, more than anything else. Like we had in the first season of American Horror.

MS: Since you like psychological thrillers a lot…the whole demon baby aspect, would you ever consider doing a remake of “Rosemary’s Baby?”
DM: No, because that’s a great movie. I don’t think you can—it’s like remaking “Psycho.” You can’t. Some movies you just can’t remake and that certainly is one of them. Some things should be just left alone—maybe the sequel to “Rosemary’s Baby,” but not the remake.